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Displayed below are some selected recent viaLibri matches for books published in 1970

        Kassationen, Serenaden und Divertimenti für Orchester, Band 1 - Partitur/Faks...

      1970. 117 Seiten Leinen Unbenutztes Exemplar eines Messestandes! - Neupreis: 92,00 11977

      [Bookseller: Musikhaus Vollberg]
 1.   Check availability:     booklooker.de     Link/Print  


        Innovations: Scientific, Technological, and Social

      (London): Oxford University Press, 1970. Fine/Very Good. First edition. Fine in very good dustwrapper with a couple of creases on the front flap and toning to the spine. Inscribed by the author: "To Merilee and George with love Dennis." Gabor won the 1971 Nobel Prize for physics for his "invention and development of the holographic principle." This title contains a fair amount of material on holography.

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
 2.   Check availability:     IOBABooks     Link/Print  


        Seder Haggadah shel Pesach: Hebrew. Facsimile of the British Mus. Additional. 27,210 / The Golden Haggadah. A fourteenth-century illuminated Hebrew manuscript in the British Museum.

      Eugrammia Press, London 1970 - Numerierte Auflage Ilustrated. The edition is limited to 520 copies of which 20 unnumbered copies are not for sale. This is copy number 244. Printed by Louis van Leer, Amsterdam. On paper specially made by Tullis Russell of Markinch Fife and supplied by Lepard and Smiths. Colour transparencies were made by Peter Parkinson Aibp. The binding is by Zaehnsdorf. 4°, ca. 25,5 x 20 cm, 101 Blätter, violetter Farbschnitt, geprägter Originalledereinband mit goldener Rückenbeschriftung. Der beiliegende Einführungsband mit Einleitung von Bezalel Narkiss. 4°, ca. 25,3 x 19,8 cm, IX, 86 S., Originalleinen. Beide Bände zusammen in roter Leinenkassette mit Rückenbeschriftung: Die goldene Haggadah. Introduction in English, text in Hebrew. Lang: hebräisch 1900 g. Kassette und Leinenband etwas angestaubt, sonst gut erhalten.

      [Bookseller: Antiquariat Günter Hochgrebe]
 3.   Check availability:     IberLibro     Link/Print  


        Introduzione a Berkeley

      GIUS. LATERZA & FIGLI, 1970. ITALIANO 0,21 Brossura editoriale in cartoncino flessibile. Copertina illustrata. Pagine brunite, così i tagli, in buono stato. Volume n. III ( 3 ) della collana. USATO

      [Bookseller: Biblioteca di Babele]
 4.   Check availability:     maremagnum.com     Link/Print  


        Album MA. Herausgeber: Galerie Gmurzynska-Bargera. Köln. Herstellung: Wery Siebdruck 1970. 47,2 x 39 cm. Originalumschlag mit 6 lose eingelegten Originalfarbserigrafien in Originalmappe mit aufgedrucktem Titelschild.

      Herstellung: Wery Siebdruck, 1970. Originalausgabe. Nr. 136 von 140 nummerierten Exemplaren in denen alle 6 Originalfarbserigrafien vom Künstler nummeriert und signiert wurden. Diese Mappe wurde nach einer Mappe aus dem Jahre 1921 mit 6 Originalaquarellen Bortnyiks erstellt. Das zweisprachige Vorwort - in ungarischer und deutscher Sprache - von Lajos Kassak wurde aus der damaligen Mappe hier auf der 2. Umschlagseite ebenfalls abgedruckt. Die konstruktivistischen Arbeiten Bortnyiks in tadelloser Erhaltung.

      [Bookseller: Antiquariat Günter Linke]
 5.   Check availability:     Direct From Seller     Link/Print  


        Happy Days with Topsy and Tim

      Blackie, 1970. Hardcover. Used; Acceptable. Hardcover; English language; Glossy illustrated boards; 4to - over 9.75" - 12" tall; a fair reading copy; contains Topsy & Tim's Snowy Day, on Holiday & Wednesday books; some movement in the binding, ownership label andstain to title page otherwise a readable copy;. Your book will be securely packed and promptly dispatched from our UK warehouse. All international orders are sent Royal Mail airmail.

      [Bookseller: Sunrise Books Ltd]
 6.   Check availability:     Biblio     Link/Print  


        Various Small Fires and Milk

      Los Angeles: Edward Ruscha, 1970. Second Edition. Softcover. Like New. Second Edition. Fine, in Near Fine glassine wrapper with minute chipping at spine ends, light edge wear, faint toning, and a small circular sticker and a small price sticker to the rear panel. A very fresh copy, and one of 3,000 copies in the second edition.

      [Bookseller: Burnside Rare Books]
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        Collection of more than 100 books and reprints from the estate of Lise Meitner (1878-1968) and her nephew Otto Frisch (1904-1979), 17 of which are annotated and/or with autograph inscription.

      Various places, 1920s to 1970s. - Comprehensive collection of books and reprints from the private library of the Austrian physicist (who was nominated almost 50 times for the Nobel Prize but never received it) and her nephew, the physicist Otto Frisch, with whom in 1939 she published a paper which for the first time interpreted Hahn's and Strassmann's prediction of nuclear fission correctly (in: "Disintegration of Uranium by Neutrons: A New Type of Nuclear Reaction". Nature 143 (3615), 239). The collection comprises only books and papers dealing with aspects of modern physics, quantum theory, relativity, atomic physics etc., and includes 13 inscribed copies, including Max Hahn (in: "Atlas typischer Nebelkammerbilder" by Wolfgang Gentner and others) and Rudolf Virchow (mounted inscription signed in his "Descendenz und Pathologie"). A very fine inscription is from Max Delbrück, calling himself her "runaway son" (in: John Cairns and others, "Phage And The Origins of Molecular Biology"). Another is from Bern Dibner, who inscribed his most famous work, "The Heralds of Science" to her on 26 May 1955. In this anthology of what Dibner called "the most influential publications in the history of science", Meitner is represented as no. 168. In the margin, she expressed her disagreement with J. B. L. Foucault's description of the rotation of the earth in a single word: "No!" - Detailed description available upon request. [Attributes: Signed Copy]

      [Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH]
 8.   Check availability:     IberLibro     Link/Print  


        Every Building On the Sunset Strip (Signed First Edition)

      Los Angeles, CA: Edward Ruscha, 1970. Second edition. Softcover. Printed in an edition of 5000 without the rear flap present in the original issue. Leporello that extends to nearly 27 feet and features black and white photographs of what is purported in the title. A close to near fine copy in white wrappers with a slight crease to the spine,in a near fine slipcase that some very minor wear. Signed by Ruscha on the top edge of the slipcase and additionally signed by him on the verso of the front cover. A nicer than usual copy of an inherently fragile book. (Parr & Badger v1, 142-143: Roth 182-185)

      [Bookseller: Jeff Hirsch Books, ABAA]
 9.   Check availability:     Biblio     Link/Print  


        Le Lièvre de la Lune. Con due acqueforti

      M' Arte (Tipografia Stefanoni), 1970. In-folio (390x288mm), pp. 28 nn. a fogli sciolti entro brossura editoriale color blu marina a risvolti con riproduzione in bianco delle firme dello scrittore e dell'artista. Camicia editoriale blu e custodia cartonata. Con due acqueforti originali a colori di Enrico Baj, numerate e firmate. Riproduzione a pag. intera del manoscritto originale della poesia che dà il titolo al volume con firma autografa di De Mandiargues. Note bio-bibliografiche e due foto in nero degli artisti. Traduzione di Roberto Sanesi. Edizione originale, molto rara, stampata in soli 149 esemplari (n° 99 della tiratura di 99 numerati da 31 a 129). Jentsch, p. 37. Francese

      [Bookseller: Libreria Antiquaria Galleria Gilibert]
 10.   Check availability:     maremagnum.com     Link/Print  


        Art in America, Graphics 70

      Art in America, New York 1970 - SIGNED LIMITED DELUXE EDITION, NUMBER 36 OF ONLY 100 COPIES, COMPLETE WITH SIX LARGE (62 x 40 cm) PLATES, EACH SIGNED BY THE ARTIST. The production was undertaken with the greatest care and concern, with artists often employing experimental techniques to achieve the highest quality lithograph. "Each artist has taken the graphic route that served him best; Calder and Jenkins, the traditional hand-pull method; Anuskiewicz and Parker, the newly used direct offset process, Rauschenberg, the progressive, photo-collage offset sequence; and Dechar, an ultra-fine-screened version of a self-made photographic image printed by offset." "All six prints reflect the skill and care of the master printers at the house of Chiron, Moulrot, Hollanders Workshop, Tritor Press, and Peterson Color Laboratory, Inc., all of whom collaborated closely with the artists in makings these works--a union of effort as time honored and necessary as that which has flourished in print ateliers for over five centuries" (Donald H. Karshan, from the Introduction). New York: Art in America, 1970. Six large prints (62 x 40 cm) and introductory text loose as issued and housed in black portfolio. Fine condition. RARE. [Attributes: First Edition]

      [Bookseller: Manhattan Rare Book Company, ABAA, ILAB]
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        Mill Scene.

      London: The Observer, 1970s - Excellent condition. Presented in a lime waxed frame with conservation mount and acrylic. Colour offset lithograph on wove paper. Image size: 35 x 45 cm. Sheet size: 46 x 55.7 cm. Edition of 750. Signed in pencil lower right by Lowry. This edition was issued unnumbered and without a blindstamp or any text by the Sunday newspaper The Observer. After an original oil painting executed in 1959. [Attributes: Signed Copy]

      [Bookseller: Peter Harrington. ABA member]
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        Rotation of the Andromeda Nebula from a Spectroscopic Survey of Emission Regions" in Astrophysical Journal 159 No. 2 Part 1, 1970, pp. 379-405

      FIRST EDITION IN ORIGINAL WRAPS OF VERA RUBIN'S DISCOVERY OF "EVIDENCE FOR THE EXISTENCE OF DARK MATTER"; RUBIN'S FIRST PAPER ON GALAXY ROTATION. Rubin died in December of 2016 without having won the Nobel Prize in Physics that so many in the scientific community believe she deserved for her identification of the 'galaxy rotation problem', the missing mass in galaxies. Rubin had long harbored an interest in galaxy dynamics, and she and her frequent collaborator Kent W. Ford realized that while many had guessed as to what galaxy rotation must be like, a detailed study to demonstrate any given hypothesis had yet to be made. "Rubin and Ford tracked Andromeda's (M31) rotation from nearly one edge of its disk to the other - a span of almost 4 degrees, which at Andromeda's distance translates into 160,000 light-years, or 80,000 light-years on either side of Andromeda's center. The galaxy's velocities, however, failed to match the declining pattern that prevailed in the solar system. Instead, after rising to 270 kilometers per second, Andromeda's velocities fell only slightly, then held steady all the way to the disk's edge. In other words, much of the rotation curve was flat. It was as if Pluto sped around the Sun as fast as the Earth" (Croswell, The Universe at Midnight, 93). By 1970, Rubin had fully "mapped out the rotation curve for Andromeda; the star velocities remained the same however far out she looked. With the velocities of the stars remaining high at the edge, centrifugal forces should be throwing Andromeda's outer stars off into deep space. By rights, Andromeda should be falling apart. All the data - and there was a great deal of it - said the same thing; in fact, every time they looked at a spectrum the data kept piling up. Soon there would be 20, then 40, then 60 rotation curves, and they were all flat. The problem was that they didn't understand what they had found. Given the consistency, breadth, and depth of their data, however, they decided to publish the paper offered here. Having noticed differences in how much mass astronomers were able to see as compared to how much physics implied should be present, the concept of dark matter was posited first in 1932 by Jan Oort. But few paid attention to their research in part because no one had yet "predicted what dark matter's existence might mean for galaxy dynamics" (Scoles, How Vera Rubin confirmed dark matter, Astronomy Magazine, 4 Oct. 2016). Even Rubin and Ford, working nearly forty years later and on this paper did not initially recognize the meaning implied by the flat rotation curves they kept finding. After publication and in frustration at being unable to make sense of what she was looking at, Rubin abandoned the data and started making sketches on a piece of paper. As she did so, Rubin told the journalist Maria Popova, "suddenly I understood it all". "If a halo of dark matter graced each galaxy, she realized, the mass would be spread throughout the galaxy, rather than concentrating in the center. The gravitational force - and the orbital speed - would be similar throughout. Unless, that is, it was surrounded by dark matter" (Brooks, Scientific Mysteries, 15). "Rubin and Ford had discovered the unseeable stuff that influences not only how galaxies move, but how the universe came to be and what it will become… Within a few years of the M31 observations, physicists like Jeremiah Ostriker and James Peebles provided the theoretical framework to support what Rubin and Ford had already shown, and dark matter settled firmly into its celebrated place in the universe" (Scoles). CONDITION & DETAILS: Chicago: University of Chicago Press. Quarto. (9.5 x 6.75 inches; 238 x 169mm). Ownership signature on front wrap reading "Tamman", likely the astrophysicist G. Tamman. Complete issue in original wraps; very slight toning and scuffing at the spine and edges of the wraps (see photo). Professionally restored at the spine. Housed in new clamshell case, gilt-lettered at the spine. Bright and clean throughout. Near fine condition.

      [Bookseller: Atticus Rare Books]
 13.   Check availability:     Biblio     Link/Print  


        Dune

      Dune - Frank Herbert (1st Edition [1965] 3rd Printing [1970] HC w/ DJ)ISBN: 08019507751st Edition, 3rd Printing, Copyright 1965, published in November 1970 by the Chilton Book Company (NY). Stated 'Third Printing, November 1970' on the copyright page, with "5077" on the bottom of the cover spine and DJ spine. The dust jacket has $5.95 on the front inside flap and is in a protective mylar cover. The mylar cover has swirl marks and impressions and extends beyond the boards as it fits loosely. The jacket has a few minor tears along the bottom at the spine and the rear dust jacket flap is folded at the bottom corner. The bright red boards have only minor wear. The first fourteen pages have a minor impression along the fore-edge and pages 91-94 were previously folded/dog-eared, which now resonates through page 109. There is no writing or markings in the volume. Overall, it is in Fine condition.

      [Bookseller: Bronze Anthology LLC]
 14.   Check availability:     Biblio     Link/Print  


        The Empire Trilogy' [Comprising 'Troubles'/'The Siege of Krishnapur'/'The Singapore Grip'] First UK Editions 1970-1978

      Cape/Weidenfeld Nicolson 1970 - A set of first edition, first printings published by Jonathan Cape and Weidenfeld and Nicolson between 1970 and 1978. All three novels by Farrell, constituting 'The Empire Trilogy', are generally considered only to be connected thematically, although the character of 'Archer', who appears in 'Troubles', makes an appearance in 'The Singapore Grip' also. To the best of our knowledge, this is the first time all three first editions have been presented as a set. 'Troubles', published by Jonathan Cape in 1970, is a near fine book with the red top stain still present – the book is without inscriptions. In a very good+ wrapper which is unclipped (45s/£2.25 as called for) with some wear to the spine ends and rubbing to the edges and corners. Superb dust wrapper illustration by Bill Botten. 'The Siege of Krishnapur', published by Weidenfeld and Nicolson in 1973 (winner of the Booker Prize of that year) is a very good book with one name to the ffep in a very good (internally reinforced) wrapper which is clipped and has some wear in places as well as a neatly repaired closed tear to the foot of the front panel. 'The Singapore Grip', published by Weidenfeld and Nicolson in 1978, is a near fine book without inscriptions in a very good+ wrapper which is not price clipped and has some fading to the spine as well as some wear to corners and extremities. Since 'Troubles' was announced as the 'winner' of the Lost Booker Prize of 1970, interest in Farrell's work has risen dramatically. The trilogy exists as his legacy and displays his superb writing talent so tragically cut short in August 1979. [Attributes: First Edition; Hard Cover]

      [Bookseller: John Atkinson Books ABA ILAB PBFA]
 15.   Check availability:     AbeBooks     Link/Print  


        Verhandeling over de misdaaden en straffen. Naar de derde verbeterde en vermeerderde Italiaansche uitgave, waar by de verklaaring op dit werkje van den heere De Voltaire. Uit het , 523, ch vertaald. Amsterdam, Gerrit Bom, 1768.

      Ingenaaid, origineel sierpapier omslag, (20)+196 pag. C1245."Buijnsters pag. 29; P. Gay, The Enlightment, II (1970) hoofdstuk VIII 3. Eerste Nederlandse vertaling van 'one of the most influential books in the whole history of criminology' (Printing and the mind of men, 209). De Italiaanse filosoof en politicus Cesare Beccaria (1738-1794) was een der voormannen van de Europese Verlichting. Zijn boek over misdaad en straf verscheen in 1764 in Milaan. Het werk ligt aan de basis van enkele beginselen van het thans geldende strafrecht. Beccaria betoogde dat de ernst van een misdaad gemeten diende te worden aan het impact daarvan op de gemeenschap en dat de straf daaraan gerelateerd moest worden. Hij achtte preventie belangrijker dan straf en de zekerheid van straf van groter effect dan de zwaarte van de straf. Binnen 18 maanden verschenen zes Italiaanse drukken en het boek werd vertaald in 22 talen."

      [Bookseller: Antiquariaat A.G. VAN DER STEUR]
 16.   Check availability:     NVvA     Link/Print  


        10 Holzschnitte von Karl-Georg Hirsch zu Jiddischen Gedichten (10 Woodcuts for Yiddish Poems) [SIGNED]

      Leipzig: K3, 1970. Limited first edition. Hardcover. vg to near fine. 1/100. Elephant Folio. 19x14". Illustrated dark blue cloth portfolio, with gold screen-printed design and lettering on the front cover. Tan label with black lettering pasted on the spine. This is #69 of a limited edition of 100 copies. The portfolio was self-published, and includes 11 loose plates (a title plate + 10 woodcuts). Each plate depicts a scene from a Yiddish poem, is signed in pencil by Hirsch, and measures approximately 18.5x13". One of the woodcuts is multicolored, and one is in "two-color". The titles of the plates are: 1. Volkslied, 2. Datsche, 3. Erschiessung, 4. Nocturno, 5. Treppe, 6. Gespräch, 7. Kutscher, 8. Porträt, 9. Liebespaar, 10. Requiem.Binding with minor rubbing to corners, as well as some minor smudges and scratching to the covers of the portfolio. Minor age toning along the edges of the interior cover of the portfolio. Binding in very good, interior and plates in near fine condition overall. Scarce. Karl-Georg Hirsch (born May 13, 1938 in Breslau) is a German graphic artist and wood engraver, who is know for his book illustrations and graphic scenes.

      [Bookseller: Eric Chaim Kline - Bookseller ]
 17.   Check availability:     ABAA     Link/Print  


        Photographs]: 1970s New York Punk

      New York 1970 - A collection of vintage prints by Soho News photographer Michael Uffer of the downtown New York punk scene of the end of the 1970s. 21 vintage black and white prints Signed and stamped by the photographer, some dated, each measuring 11" x 22". All the prints are about fine. An archive of unseen photographs documenting the late '70s downtown punk scene taken at various venues, most notably at Max's Kansas City. The collection depicts the musicians and artists of the scene at their most unvarnished including Johnny Thunders with the Heartbreakers; Tomata du Plenty of The Screamers; Ari Up, Viv Albertine, and Tessa Pollitt of The Slits; Lydia Lunch; Wendy O. Williams; Edith Massey with Edie and the Eggs; the Dead Boys; Jerry Only; James Chance and the Contortions; and Middle Class, among others. New York indisputably (well, disputably, but in that case wrong-headedly) created punk's first home with musicians like David Johansen and Johnny Thunders creating a new sound based on the trash culture of the late 1960s. All Music Guide describes, "Their sound was basic (two-minute, three-chord rockers) and stripped-down (just guitar, bass, and drums), and their attitude, bringing a sense of dumb fun back to rock & roll, stood in sharp contrast to nearly every prevailing musical trend of the '70s." Meanwhile the likes of Lydia Lunch of Teenage Jesus and the Jerks, who was inspired to run away to New York because of the New York Dolls, and Wendy O. Williams, forged ahead creating a new image of women in music. These photographs show gigs candidly with cornflakes being strewn over the fans, James Chance of the Contortions collapsed on stage, Wendy O. with black electrical tape over her nipples screaming into a microphone, an anonymous fan covered in what appears to be blood laying on stage during a Middle Class set while a girl spastically dances in the foreground, and Ari Up of the Slits in a dingy hotel room. The raw power of punk can be seen in this assemblage of vintage early Downtown Scene images.

      [Bookseller: Between the Covers-Rare Books, Inc. ABAA]
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        Das Antlitz der Mayas. 101 (25 farbige) Fotografien, um 1970/1980, Vintage prints

      Gertrude Duby-Blom, [1970]. - ca. 24 x 24 bis 23,5 x 30 cm Authentisches, auch identisches Bildmaterial für die 1982 in deutscher Erstausgabe erschienene Dokumentation "Das Antlitz der Mayas" (Athenäum Verlag, Königstein). Ab 1943 hat Gertrude Duby-Blom, zunächst mit einer Kamera aus zweiter Hand, die Maya-Kulturen von Ciapas, vorzugsweise die Kultur der Lacandonen, dem Lichtbild erschlossen, in das "Das Antlitz der Mayas" zusammengefaßt, weltweit mit Reaktionen auf die von der Fotografin angeprangerte zivilisatorische Ausbeutung des Tropenwaldes beantwortet, den hier vorliegenden Fotografien auch in Wikipedia in Auswahl zu begegnen. Der größte Teil der vorliegenden Fotografien in "Das Antlitz der Mayas" veröffentlicht, einige Dubletten enthalten (Buch liegt bei), ebenfalls gedruckte Dokumentation. Bildformate ca. 24 x 24 bis 23,5 x 30 cm. Werktäglicher Versand. Jede Lieferung m. ordentl. Rechnung und ausgew. MwSt. Der Versand erfolgt als Büchersendung / Einschreiben mit der Deutschen Post bzw. als Päckchen / Paket mit DHL. Die Lieferzeit ist abhängig von der Versandart und beträgt innerhalb Deutschlands 3-5 Tage, in der EU 5 - 12 Tage. KEIN Versand an Packstationen. Sprache: Deutsch Gewicht in Gramm: 1100

      [Bookseller: Licus Media]
 19.   Check availability:     ZVAB     Link/Print  


        The Playboy of the Western World

      Imprint Society, Barre, Massachusetts 1970 - Limited edition. Quarto. Yellow cloth cover with gold gilt illustration on front board. Gold gilt letters on the spine, in a yellow cloth and paper slipcase. Near fine in near fine slipcase with original wraparound band. Top corners on cover have a very light water stain. Slipcase has all-over stains. One of 1950 copies, this copy unnumbered and Signed by the artist.

      [Bookseller: Between the Covers-Rare Books, Inc. ABAA]
 20.   Check availability:     AbeBooks     Link/Print  


        One Hundred Years of Solitude

      New York: Harper & Row, 1970. First edition. Near Fine/Near Fine. First printing in a first state dust jacket ending the first paragraph with an exclamation point. A Near Fine example of the book with "First Edition" stated on the copyright page and no number line on the final page. Unread with just a touch of spotting/foxing to the top edge of the closed page block, otherwise Fine. In a bright, Near Fine dust jacket with a tiny dampstain on the front flap and very trivial wear at the spine ends and corners. Along with "Love in the Time of Cholera," "One Hundred Years of Solitude" is considered Marquez' greatest work, and is the book that made his international reputation. First published in 1967 - and in English in 1970 -- the wide spanning story of the Buendia family would achieve incredible popularity and, in fact, be responsible for lifting the future Nobel Prize winner out of poverty as it would go on to sell more than 30,000,000 copies. Considered the ultimate expression of his style of magical realism, "One Hundred Years of Solitude" has won awards in numerous countries and was listed on Le Monde's list of the "100 Books of the Century." "He has also written a novel so filled with humor, rich detail and startling distortion that it brings to mind the best of Faulkner and Gunter Grass. It is a South American Genesis, an earthy piece of enchantment, more, as the narrator says of Macondo, 'an intricate stew of truth and mirages.'" (Contemporary New York Times Book Review). Near Fine in Near Fine dust jacket.

      [Bookseller: Whitmore Rare Books]
 21.   Check availability:     Biblio     Link/Print  


        L?Iris de Suse -

      Gallimard 1970 -, Paris - 1 volume. In-8. 243 pp. Reliure demi-maroquin rouge à coins. Dos lisse portant le titre doré et date au talon. Tête dorée. Non rogné. Couverture et dos conservés. Reliure signée H. Duhayon. Très bel état. EDITION ORIGINALE. Un des 60 exemplaires sur Hollande, premier grand papier. On joint une LETTRE AUTOGRAPHE SIGNEE DE GIONO adressée à son cher René Jonglet, non datée (une page sur papier jaune). [Attributes: Hard Cover]

      [Bookseller: Librairie KOEGUI]
 22.   Check availability:     AbeBooks     Link/Print  


        LA BAIE DE NICE

      - Affiche originale imprimée en lithographie par Mourlot en 1970 Ref. "les affiches de Chagall" n°123 - Sorlier Format : 76 x 54 cm Tirage à 3.000 exemplaires avec le texte

      [Bookseller: dominique besson]
 23.   Check availability:     AbeBooks     Link/Print  


        More Pricks than Kicks.

      Calder & Boyars, London., 1970. First edition thus: one of 100 copies numbered and signed by the author. Preceded by the first (Chatto & Windus) edition of 1934 and Calder's 1966 limited ''Special edition Hors Commerce for Scholars'' which was basically a mimeographed typescript and unsigned. Quarter cream calf with cloth sides, top edge gilt.Spine a bit tanned, otherwise fine in fine matching cloth slipcase.

      [Bookseller: Peter Ellis bookseller]
 24.   Check availability:     Biblio     Link/Print  


        Schleuse in Neukölln. Schwarz-weiße Tuschzeichnung, rechts unten mit *Kohlhoff (19)70 * signiert und datiert. Verso eine weitere Tuschzeichnung.

      Berlin 1970 - (. einer Tanne im Gebirge. Tuschzeichnung in braun ).Blattmaß ca. 41 x 48,5 cm ( Höhe x Breite ). Das detailreiche Blatt auf Büttenpapier von guter Erhaltung, verso eine andere signierte und datierte Tuschzeichnung des Jahres 1955 einer Tanne im Hochgebirge ( wohl Alpen ). Das Blatt mit geringen Randläsionen und kleinen Resten alter Montierung &#150; insgesamt guter Zustand. ( beiliegend 1 kleiner Notizzettel Kohlhoffs mit Adressangabe *1 Berlin 44, Treptower Str. 95-96 * sowie Bezeichnung *6 Schleuse in Neukölln *.>>>Walter Kohlhoff ( *1906Berlin&#150; 1981 ebenda ). W. Kohlhoff war über 20 Jahre lang Vorstandsmitglied des Vereins Berliner Künstler. Maler urbaner Landschaften Berlins und seiner Umgebung. Kohlhoff zeigt seine Stadtbilder menschenleer und verleiht ihnen somit teils einen denkmalhaften Charakter. In seinen Arbeiten wendet er sich vor allem den ruhigen Orten der Großstadt wie auch Hinterhöfen, Großstadtdächern und abgelegenen Arealen wie Seitenstrassen, Kleingärten, Bahngleisen, Fabrikanlagen etc. Er malte im Rahmen einer späten Neusachlichkeit. Dies gilt auch für seine anderen Motive wie Bilder aus den Alpen, Landschaftsstudien, Stilleben. Ferner malte er Porträts und Aktzeichnungen.<<< ( Weitere Bilder auf Anfrage &#150; further pics at request ) [Attributes: Hard Cover]

      [Bookseller: Antiquariat Friederichsen]
 25.   Check availability:     ZVAB     Link/Print  


        Schleuse in Neukölln. Schwarz-weiße Tuschzeichnung, rechts unten mit *Kohlhoff (19)70 * signiert und datiert. Verso eine weitere Tuschzeichnung...

      Berlin 1970 (... einer Tanne im Gebirge. Tuschzeichnung in braun )..Blattmaß ca. 41 x 48,5 cm ( Höhe x Breite ). Das detailreiche Blatt auf Büttenpapier von guter Erhaltung, verso eine andere signierte und datierte Tuschzeichnung des Jahres 1955 einer Tanne im Hochgebirge ( wohl Alpen ). Das Blatt mit geringen Randläsionen und kleinen Resten alter Montierung – insgesamt guter Zustand. ( beiliegend 1 kleiner Notizzettel Kohlhoffs mit Adressangabe *1 Berlin 44, Treptower Str. 95-96 * sowie Bezeichnung *6 Schleuse in Neukölln *.>>>Walter Kohlhoff ( *1906 Berlin – 1981 ebenda ). W. Kohlhoff war über 20 Jahre lang Vorstandsmitglied des Vereins Berliner Künstler. Maler urbaner Landschaften Berlins und seiner Umgebung. Kohlhoff zeigt seine Stadtbilder menschenleer und verleiht ihnen somit teils einen denkmalhaften Charakter. In seinen Arbeiten wendet er sich vor allem den ruhigen Orten der Großstadt wie auch Hinterhöfen, Großstadtdächern und abgelegenen Arealen wie Seitenstrassen, Kleingärten, Bahngleisen, Fabrikanlagen etc.. Er malte im Rahmen einer späten Neusachlichkeit. Dies gilt auch für seine anderen Motive wie Bilder aus den Alpen, Landschaftsstudien, Stilleben. Ferner malte er Porträts und Aktzeichnungen.<<< ( Weitere Bilder auf Anfrage – further pics at request ) Versand D: 5,00 EUR Walter Kohlhoff, Berlin, Neue Sachlichkeit, Berliner, Google, Aquarell, Berlin, Tuschzeichnung, Tusche, ink, Neukölln, Schleuse, Kanal, Schleusen, Kanalschleuse, Tanne, Alpen, Adresse

      [Bookseller: Antiquariat Friederichsen]
 26.   Check availability:     buchfreund.de     Link/Print  


        Gouaches

      Paris: Galerie Dina Vierny, 1970. 1st. Original Wraps. Collectible; Fine/Fine. A sharp copy of this 1970 Paris catalogue, which includes 6 original color lithographs. Clean and Near Fine in a bright, Near Fine lithographed dustjacket. Also includes a VG+ printed acetate dustjacket, which serves to protect the lithograph on the front cover. Quarto, limited to 2,500 copies.

      [Bookseller: Appledore Books, ABAA]
 27.   Check availability:     Biblio     Link/Print  


        A State of Denmark - SIGNED by the Author

      Hutchinson [New Authors], 1970. Hardcover. Fine. A first edition, first printing published by Hutchinson in 1970. A fine book without inscriptions (some offsetting to endpaper and some imperceptible spots to the top edge). In a publisher's clipped fine wrapper. SIGNED by the author without dedication Scarce signed

      [Bookseller: John Atkinson Books]
 28.   Check availability:     Biblio     Link/Print  


        ALBUM figurine Panini, calciatori. Campionato 1970-71.

      1970. Modena, Panini, 1971, in-4, br. edit. figurata a colori. Edizione originale. I risultati della serie A e B sono stati compilati a matita; qualcuno a penna. Completo e in ottime condizioni.

      [Bookseller: Libreria Antiquaria Gozzini]
 29.   Check availability:     maremagnum.com     Link/Print  


        Art in America, Graphics 70

      New York: Art in America, 1970. SIGNED LIMITED DELUXE EDITION. Very Good. SIGNED LIMITED DELUXE EDITION, NUMBER 36 OF ONLY 100 COPIES, COMPLETE WITH SIX LARGE (62 x 40 cm) PLATES, EACH SIGNED BY THE ARTIST. The production was undertaken with the greatest care and concern, with artists often employing experimental techniques to achieve the highest quality lithograph. "Each artist has taken the graphic route that served him best; Calder and Jenkins, the traditional hand-pull method; Anuskiewicz and Parker, the newly used direct offset process, Rauschenberg, the progressive, photo-collage offset sequence; and Dechar, an ultra-fine-screened version of a self-made photographic image printed by offset." "All six prints reflect the skill and care of the master printers at the house of Chiron, Moulrot, Hollanders Workshop, Tritor Press, and Peterson Color Laboratory, Inc., all of whom collaborated closely with the artists in makings these works--a union of effort as time honored and necessary as that which has flourished in print ateliers for over five centuries" (Donald H. Karshan, from the Introduction). New York: Art in America, 1970. Six large prints (62 x 40 cm) and introductory text loose as issued and housed in black portfolio. Fine condition. RARE.

      [Bookseller: The Manhattan Rare Book Company]
 30.   Check availability:     Biblio     Link/Print  


        The Avengers Complete Series 1-148 (1973-1976) + Wonder Weapon

      Marvel, 1970, Softcover, Book Condition: Very Good Condition, First UK Edition. A complete run of 148 issues in very good condition, with the majority of issues showing only minor signs of wear from normal handling & storage. Issue #2 includes 'Wonder Weapon' free gift, along with a complete and unpunctured card of 8 projectiles. Issue #1 bears some creases to corners, and Issue #57 bears some more notable wear to the centre pages, which have slightly pulled free from the staples, causing some small tears and creases to top and bottom. All other issues are internally unmarked with only some very minor toning towards page edges, commensurate with age, and with some occasional light thumbing to corners. Covers are generally a little browned and creased along the spines, with issues 36-44 being slightly bent along the spine, but all covers remain generally very presentable, with only some occasional light markings and bumps to corners from storage. Issue #2 also available as an individual purchase. Why do most sellers not describe their actual item on Amazon? Buy with confidence, support a genuine Independent Bricks & Mortar Real Bookshop and help to preserve our High Streets as interesting places to shop. We are Maynard & Bradley CAMBO & PBFA (now lapsed) members here in Leicester City Centre. UK. +44 116 253 2712 Size: 220 x 290 mm. 5000 pages. Item Type: Book. Quantity Available: 1. Shipped Weight: 1-2 kilos. Category: Science Fiction & Fantasy; United States; 1970s; Pictures of this item not already displayed here available upon request. Inventory No: 05907.

      [Bookseller: Maynard&Bradley]
 31.   Check availability:     Bookzangle     Link/Print  


        Annäherungen. Drogen und Rausch. (1.-5. Tsd.).

      Stuttgart, Ernst Klett, (1970). . VORZUGSAUSGABE der Erstausgabe (WG 2, 114; Des Coudres-Mühleisen B 65 a). - Nr. 190 von 250 Exemplaren, vom Verfasser SIGNIERT. - Schwache Bräunung im vord. Falz. Gutes, sauberes Exemplar

      [Bookseller: Antiquariat Reinhold Pabel]
 32.   Check availability:     Biblio     Link/Print  


        I quaderni del conoscitore di stampe.,Milano,1970

      Numeri disponibili: dal n. 1 (1970) al 28 (1975). I primi 19 numeri in cofanetto, contengono un'incisione originale. 1- Giasone, 2-Cerny, 3-Tomiolo, 4-Guerricchio, 5-Aimone, 6-Vitale, 7-Diana, 8-Cerny, 9-Basaglia, 10-Mermoud, 11-Benedini, 12-Viganone, 13-Brandoli D'Adda, 14-Piras, 15-Pozzo, 16-Salvadori, 17-Lindner, 18-Colombo, 19-Cottini. Milano, 1970; 28 voll., br., pp. 2240, ill., tavv., cm 22x29,5. italiano

      [Bookseller: Libro Co. Italia s.r.l.]
 33.   Check availability:     maremagnum.com     Link/Print  


        I Quaderni del Conoscitore di Stampe.,Milano,1970

      Numeri disponibili: dal n. 1 (1970) al n. 19 (1973). QuestiI primi 19 numeri contengono un'incisione originale. 1- Giasone, 2-Cerny, 3-Tomiolo, 4-Guerricchio, 5-Aimone, 6-Vitale, 7-Diana, 8-Cerny (mancante), 9-Basaglia, 10-Mermoud, 11-Benedini, 12-Viganone, 13-Brandoli D'Adda, 14-Piras, 15-Pozzo, 16-Salvadori, 17-Lindner, 18-Colombo, 19-Cottini. Milano, 1970; 19 voll., pp. 1529, ill., tavv., cm 15x29. italiano

      [Bookseller: Libro Co. Italia s.r.l.]
 34.   Check availability:     maremagnum.com     Link/Print  


        Interlocking Lives

      Kulchur Press, New York 1970 - First edition, hardcover issue. Small square quarto. Pictorial orange boards. A couple of spots on the foredge, and the boards a bit rubbed, but otherwise near fine. The hardcover issue is scarce. [Attributes: First Edition; Hard Cover]

      [Bookseller: Between the Covers-Rare Books, Inc. ABAA]
 35.   Check availability:     AbeBooks     Link/Print  


        Conversions

      First edition of the French translation for which he was not fired large paper one of the review copies. Precious autograph signed by the French author Maurice Blanchot "... with my gratitude for the" 'Death Sentence' not to appoint any other and made to come. "Pleasant copy. --- Please note that the translation in english is done automatically, we apologize if the formulas are inaccurate. Contact us for any information! Gallimard Paris 1970 12x18,5cm broché

      [Bookseller: Librairie Le Feu Follet]
 36.   Check availability:     Direct From Seller     Link/Print  


        I Remember It Well

      Macmillan Company, (New York) 1970 - First American edition. Preface by Maurice Pagnol. Translated from the French by Cornelia Higginson. Fine in fine dustwrapper. Nicely Inscribed by the singer and actor to the great songwriter: "To Irving Berlin with affectionate admiration. Maurice Chevalier." [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Between the Covers-Rare Books, Inc. ABAA]
 37.   Check availability:     AbeBooks     Link/Print  


        Facing East / I. Text by James A. Michener ; Original Lithographs and Woodcuts by Jack Levine ; II. Sketchbook by Jack Levine

      New York : Maecenas Press, Random House - 2 portfolios in a case. The case and first portfolio are fashioned of white-silk-covered boards and fastened with wide, limp black-leather ties. The second portfolio is limp black leather. Fine in all aspects and still in the publisher's protective box. ; 1 pages; This edition of 2500 (each numbered) de luxe portfolios are individually signed by the author and the artist. Subjects: Art, American--Japanese influences. Japan--Pictorial works. Form/Genre: Lithographs--New York--1970. Woodcuts--France--Paris--1970. Pochoir prints--France--Paris--1970. 1 pp. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: MW Books Ltd.]
 38.   Check availability:     AbeBooks     Link/Print  


        Mastering the Art of French Cooking Volume Two

      Knopf 1970 - A very good first edition (so stated on the copyright page), inscribed by Julia Child and also signed by her husband, on the front free endpaper. Laid in is a letter of provenance from the recipient of the inscription, explaining the occasion when Julia and Paul visited their winery in Napa Valley for a wine tasting and lunch. Jacket is very good minus, with tape on inside of jacket. Housed in a fine custom-made collector's slipcase. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Bookbid]
 39.   Check availability:     AbeBooks     Link/Print  


        LE MAGICIEN DE PARIS

      - Affiche originale imprimée en lithographie par Mourlot en 1970 Ref. "les affiches de Chagall" n°121 - Sorlier Format : 71 x 51 cm Deuxième tirage à 3.500 exemplaires avec le texte

      [Bookseller: dominique besson]
 40.   Check availability:     AbeBooks     Link/Print  


        Photographs]: Nearly 300 Armenian-American Vacation Polaroids

      New York, New Jersey, Connecticut, Montreal, Hawaii, Naples, Barcelona 1970 - A collection of 291 early Polaroid photographs taken between 1958 and the early 1970s. Photos are in color or black-and-white and all are near fine or better, and virtually all are captioned and numbered to 324, lacking 33 images. The photos document an Armenian-American family from New York through two decades of holidays, vacations, and milestones all while utilizing Polaroid Insta-film. Beginning in 1958, a decade after the invention of the Edwin H. Land's film. The photographs show winter in New York, celebrations with Turkish dancers, and a trip to Montreal. The family went to New Jersey's Asbury Park to enjoy the Atlantic Ocean and New York's Lake George. Their Armenian heritage was of great importance with trips to the Armenian Old Age Home in Emerson, NJ along with numerous accounts of traditional dancing in a variety of settings. By the 1970s the pictures are in color, just in time to capture Hawaii and a cruise on the ship *Bon Vivant* to Naples, Barcelona, and Cannes. Pictures of Hawaiian luaus, sunbathers in France, and Vatican City are all shown in vibrant colors. In 1948 Edwin Land, founder of Polaroid, introduced his self-developing cameras to the world, which were manufactured until 1983. The later pictures shown here were taken with the Polaroid SX70 Land camera which *Time* magazine's Harry McCraken dubbed, "the greatest gadget of all time." Early film developed in 60 seconds while the new model produced up to five pictures in 10 seconds and was so popular it made the cover of both *Time* and *Life* magazines. The album shadows the history of vernacular use of the instant film camera over its seminal decades and its rise in popularity through constant innovation. Unusual in that all the photographs in the album are Polaroid's, which were relatively expensive.

      [Bookseller: Between the Covers-Rare Books, Inc. ABAA]
 41.   Check availability:     AbeBooks     Link/Print  


        L'ODISSEA DEL SUPERUOMO

      LA TRIBUNA, PIACENZA 1970 - GALASSIA ITALIANO Traduzione dall'inglese di A.Bellomi, n. 112 della collana, pagine con fioritura, fioritura anche ai tagli, brossura editoriale morbida, illustrata, con lieve fioritura e lievi segni di usura

      [Bookseller: Biblioteca di Babele]
 42.   Check availability:     AbeBooks     Link/Print  


        Art in America, Graphics 70

      New York: Art in America, 1970. SIGNED LIMITED DELUXE EDITION. Very Good. SIGNED LIMITED DELUXE EDITION, NUMBER 36 OF ONLY 100 COPIES, COMPLETE WITH SIX LARGE (62 x 40 cm) PLATES, EACH SIGNED BY THE ARTIST. The production was undertaken with the greatest care and concern, with artists often employing experimental techniques to achieve the highest quality lithograph. "Each artist has taken the graphic route that served him best; Calder and Jenkins, the traditional hand-pull method; Anuskiewicz and Parker, the newly used direct offset process, Rauschenberg, the progressive, photo-collage offset sequence; and Dechar, an ultra-fine-screened version of a self-made photographic image printed by offset.""All six prints reflect the skill and care of the master printers at the house of Chiron, Moulrot, Hollanders Workshop, Tritor Press, and Peterson Color Laboratory, Inc., all of whom collaborated closely with the artists in makings these works--a union of effort as time honored and necessary as that which has flourished in print ateliers for over five centuries" (Donald H. Karshan, from the Introduction).New York: Art in America, 1970. Six large prints (62 x 40 cm) and introductory text loose as issued and housed in black portfolio. Fine condition. RARE.

      [Bookseller: The Manhattan Rare Book Company ]
 43.   Check availability:     ABAA     Link/Print  

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