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Displayed below are some selected recent viaLibri matches for books published in 1970

        The Martyrdom of Bishop Farrar

      (Bow, Crediton, Devon: Manuscript Series. 1970). First. First separate edition, first issue, withdrawn owing to the transposition of two lines of the poem and the poet's disapproval of the wrappers. Quarto. Riveted pictorial marbled wrappers. Fine. One of about 100 copies thus. Sagar & Tabor A21a.I. As this issue was never officially released, most copies were unnumbered and unsigned, although the bibliographers note one exception which we presume to be the poet's own annotated copy. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        We Protest: A Photographic Study of the Bay Area Protest Movement 1969

      San Francisco: Rip Off Press. 1970. First. First edition. Foreword by William L. Ellis. Quarto. Stapled illustrated wrappers. A trifle rubbed and a tint tear on front wrap, else very near fine. Very uncommon collection of images from the Bay Area protest movement. OCLC locates only seven copies. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        A FEW CROWS.

      The Rougemont Press. Exeter. 1970 - LIMITED EDITION. 8vo. (8 x 7.7 inches). One of 75 copies, numbered and signed by Ted Hughes, from a total edition of just 150 copies (the other 75 unsigned). vi,19pp, Colophon. Six full page line cuts by Burger, illustrating ten of Hughes poems. Original dark blue imitation pig skin binding with gilt lettering to the front board. Dark blue endpapers. A fine copy of the book in the very near fine original plain grey 'Glastonbury' laid paper dustwrapper with black lettering to the front. A little fading to the spine of the wrapper but still overall a clean and bright example. Printed by Eric Cleave at the Rougemont Press and issued around 1st October 1970 at the price of £5 signed, £1-0-0 unsigned. The Press was founded in 1969 and directed by Cleave, Hughes, Moelwyn Merchant and Paul Merchant. Sagar & Tabor: A24. [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Paul Foster. - ABA & PBFA Member.]
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        Hamacs, lithographies

      Chez l'artiste, Paris 1970 - Paris, Sur la presse de Abboud, 1970. 29,5 x 23 cm, petit in-folio, 14 ff. n. ch. comportant 1 titre lithographié, 13 lithographies à pleine page, 5 lithographies à double page, 1 colophon lithographié, 1 f. blanc, en feuilles sous un double feuillet blanc et une couverture rempliée entièrement lithographiée, rhodoïd. Edition originale. Tirage unique à 9 exemplaires seulement, tous sur vélin d'Arches (n° 3), celui-ci enrichi d'un bel ENVOI autographe signé de Shafic Abboud au poète Guy Marester et à son épouse Greta. Très rare livre d'artiste du plus grand peintre libanais contemporain, dont l'amour du livre est connu. Cette suite de 21 lithographies s'inspire d'un grand hamac en sisal rapporté du Mexique. Très bel exemplaire. [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: Des livres autour (Julien Mannoni)]
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        One Hundred Years of Solitude

      London :: Jonathan Cape,, 1970. 0224618539. A Very Good Plus copy with a previous owner inscription on the preliminary page in a Near Fine unclipped dust jacketith wear to the corners. One Hundred Years of Solitude (1967) is the story of seven generations of the Buendía Family in the town of Macondo. The founding patriarch of Macondo, José Arcadio Buendía, and Úrsula Iguarán, his wife (and first cousin), leave Riohacha, Colombia, to find a better life and a new home. One night of their emigration journey, while camping on a riverbank, José Arcadio Buendía dreams of "Macondo", a city of mirrors that reflected the world in and about it. Upon awakening, he decides to found Macondo at the river side; after days of wandering the jungle, José Arcadio Buendía's founding of Macondo is utopic. Founding patriarch José Arcadio Buendía believes Macondo to be surrounded by water, and from that island, he invents the world according to his perceptions. Soon after its foundation, Macondo becomes a town frequented by unusual and extraordinary events that involve the generations of the Buendía family, who are unable or unwilling to escape their periodic (mostly self-inflicted) misfortunes. Ultimately, a hurricane destroys Macondo, the city of mirrors; just the cyclical turmoil inherent to Macondo. At the end of the story, a Buendía man deciphers an encryption that generations of Buendía family men had failed to decode. The secret message informed the recipient of every fortune and misfortune lived by the Buendía Family generations.[& .

      [Bookseller: Gregor Rare Books]
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        Dieci situazioni iconogrammiche vibrotesturate

      Milano: Grafica Uno, 1970. Edizione originale di 50 + X es. numerati. Custodia in Perspex trasparente e nero (Loose as issued in plexiglass slip-case). Ottimo (Fine). Custodia (cm 54,5x45). 10 acqueforti originali, firmate, titolate e numerate al verso di Giovanni Korompay degli anni 1969-1971 (cm 45x54,7). Testo di Carlo Belloli Carta Goya e delle cartiere Filicarta. Esemplare 20/50 [Jentsch, 1991]

      [Bookseller: Studio Bibliografico MArini]
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        5 DETROITS. Signed.

      Unicorn Press, Santa Barbara 1970 - First Edition Signed by Levine on the half-title and additionally Inscribed on the title-page. 'For . Here in the house of wine & poetry. Philip Levine'. A fine copy in black Holliston sail-cloth, leather label to the spine. 8vo. Unpaginated. 32 pp. One of 450 cc. Contains the first appearance in book form of, They Feed They Lion. "Philip Levine is a large, ironic Whitman of the industrial heartland who should be considered "one of America's . . . quintessentially urban poets." Edward Hirsch, The New York Times Book Review. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: TBCL The Book Collector's Library]
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        Hoodoo, Conjuration, Witchcraft, Rootwork. 5 Volumes

      Self-published, 1970s. - First printing of this series. Each volume approximately 1,000 pp. plus addenda, thick 4to, cloth, no dj as issued. All 5 volumes are Nearly Fine with minor speckling to the top-edge of the text blocks of some volumes, slight bumping to some tips. Books appear to be unread. No owner's marks. Very rare set, the definitive work on the subject, only about 100 copies were available for sale to the public. Each volume in the series stands alone as an amazing piece of work, based on interviews with hundreds of witchcraft/voodoo practitioners. Heavy, oversize books - about 3 inches thick. These practically never come on the market, particularly the entire set in close to Fine condition. Warmly INSCRIBED by the author to fellow folklorists "with best wishes to you and the future of folklore." dated 1978. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Inno Dubelaar Books]
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        Ladera este (1962-1968)

      Mexico: Joaquin Mortiz, 1970. Seconda edizione di 3000 esemplari. broch. Molto buono (Very Good). 8vo. Dedica autografa dell'Autore ad un importante letterato italiano (Inscribed and signed by the Author to an important Italian literary man). Ladera este. Hacia el comienzo. Blanco

      [Bookseller: Studio Bibliografico MArini]
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      Arthaud 1970 - RO40203414: 16 tomes d'env. 400 pages chacun. Illustrés de très nombreuses photos héliogravées en noir et blanc, hors texte. Etiquettes de code sur les dos. Tampons et annotations de bibliothèque en pages de garde et de titre. Scotch et traces au dos des plats et en pages de garde. Collection dir. par Claude Pichois (Bâle). Tome I: J.Ch. Payen, Le Moyen Age, I. Des origines à 1300. Tome II: Daniel Poirion, Le Moyen Age, II. 1300-1480. Tome III: Y. Giraud, M.R. Jung, La Renaissance, I. 1480-1548. Tome IV: E. Balmas, La Renaissance, II. 1548-1570. Tome V: J. Morel, La Renaissance, III. 1570-1624. Tome VI: A. Adam, L'âge Classique, I. 1624-1660. Tome VII: P. Clarac, L'âge Classique, II. 1660-1680. Tome VIII: R. Pomeau, L'âge Classique, III. 1680-1720. Tome IX: J. Ehrard, Le XVIIIe siècle, I. 1720-1750. Tome X: R. Mauzi, S. Menant, Le XVIIIe siècle, II. 1750-1778. Tome XI: B. Didier, Le XVIIIe siècle, III. 17780-1820. Tome XII, M. Milner, Le Romantisme, I. 1820-1843. Tome XIII, C. Pichois, Le Romantisme, II. 1843-1869. Tome XIV, R. Pouilliart, Le Romantisme, III. 1869-1896. Tome XV, P.O. Walzer, Le XXe siècle, I. 1896-1920. Tome XVI, G. Brée, Le XXe siècle, II. 1920-1970. In-8 Relié. Bon état. Couv. convenable. Dos satisfaisant. Intérieur frais Classification Dewey : 840-Littératures des langues romanes. Littérature française [Attributes: Hard Cover]

      [Bookseller: le-livre]
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        Arnaldo Pomodoro: Sculpture 1960/1970

      Berkeley: University Art Museum, University of California, 1970. Prima edizione di 5000 es. numerati. 18 tavole di cartone rigido in cartelletta (cm 30x24). Molto buono (Very Good). 4to. Dedica e firma autografe dell'Artista alla custodia (Inscribed and signed by the Artist on the slip-case). Catalogo realizzato in occasione della mostra "Arnaldo Pomodoro" tenuta all'University Art Museum di Berkeley. 18 tavole sciolte di cartone rigido intagliate ai bordi in modo da poter essere assemblate in vari modi (cm 30x23). Su ogni faccia foto delle sculture dell'Artista di Ugo Mulas, Mario Carrieri, Toni Nicolini, Paolo Monti, Dino Sala. Sul retro di alcune delle schede un testo (An exchange of letters: Arnaldo Pomodoro and Tom L. Freudenheim), bibliografia selezionata, cronologia, catalogo dell'esibizione Catalogo disegnato da Bruce Montgomery

      [Bookseller: Studio Bibliografico MArini]
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        [Transcript]: David Frost Show Interview with Tennessee Williams

      New York: Group W. Production (Westinghouse Broadcasting). 1970. Mimeograph sheets. 25pp. Sheets attached with staple. Crease to corner of first sheet, else fine. Original transcript of Frost's interview with Tennessee Williams shortly after being released from the hospital for alcohol and drug abuse. The interview is notable not only for Williams admittance that --- "This is the first time I've ever been on t.v. without the coffee cup or some opaque container full of booze, you know."--- but it was the first time he publicly alluded to his own sexuality: "I don't want to be involved in some sort of a scandal, but I've covered the waterfront." OCLC locates five copies. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Gay Power -- Volume 1, Number 16

      May 1970. Newspaper. Folio. 23pp. Newsprint wrappers. Toned with tiny tears along the spine and the foredge, very good. This copy of "New York's first homosexual newspaper" is notable for its cover image from controversial photographer Robert Mapplethorpe, which may be his earliest published photo -- The Robert Mapplethorpe Foundation in New York could not identify any earlier published Mapplethorpe photos. The image is a reproduction of a collage titled "Bull's Eye" that was produced during his final year at the Pratt Institute of Design where he studied graphic arts, and this printing predates his first one-man show held at Stanley Amos's gallery in the Chelsea Hotel on November 4, 1970. Mapplethorpe started taking his own photos to use in collages instead of using images from books and magazines because "it was more honest." He received his first Polaroid camera in 1970, the same year as this image. OCLC locates no copies. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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      - Paris - Bièvre, Gallimard (en collaboration avec André et Pierre Gonin à Lausanne), 1970. En feuilles : 28x37 cm. 160 pages. Ouvrage realisé par Pierre de Tartas et illustré de 12 bois et de 12 lithographies originales (sur doubles pages) de Hans ERNI, tirées dans les ateliers Guillard & Gourdon. Couverture rempliée illustrée de signes du zodiaque par Erni. Coffret doublé de velour rouge à l'intérieur et de toile noire à l'extérieur, illustré de signes du zodiaque. Petites traces de frottement sur le coffret, notament sur les mors, sinon ensemble en bon état et de toute beauté. Un des 209 exemplaires sur grand vélin d'Arches (n° 203). Signé par l'artiste et l'éditeur. [Attributes: Signed Copy]

      [Bookseller: Librairie de l'Univers]
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        Moby Dick Suite

      New York: Kennedy Graphics, 1970. Distributed graphics by Alan Wofsy Fine Arts. Eight signed and numbered lithographs in cloth portfolio. Printed on BFK Rives paper. Each print is 17 x 11.5 inches, with the exception of "Moby Dick" at 17 x 23 inches. Based on Herman Melville's novel. Edition of 200. Signed and numbered in pencil. Fern & O'Sullivan, 569-576.

      [Bookseller: Alan Wofsy Fine Arts]
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        CHILDHOOD REVISITED By IRIS V. THAYER signed, ca. 1970 Super Rare

      ATLANTA: ALPHA PRINTING, 1970. Book. Very Good. Hardcover. TITLE: CHILDHOOD REVISITED By IRIS V. THAYER signed, ca. 1970 Super Rare AUTHOR: IRIS V. THAYER PUBLISHER - (LOCATION) / COPYRIGHT: ALPHA PRINTING, ATLANTA, ca. 1970 EDITION: First Edition CATEGORY: Signed, Poetry, Super Rare, First Edition BINDING/COVER: Hardback with dust jacket COLOR: Off White/Beige CONDITION: The jacket is in good condition. The book is in real good condition. The book is signed by the author in a light blue pen "To my dearest friend, Pat - Lovingly, Iris Thayer." Book is without other marks or writings, pages are clean, and book is tight and sturdy. SIZE: 5 ½ x 8 ½ (approximately) PAGES: Unnumbered pages. Good+/Good+ dust jacket condition. COLLECTIBLE CONDITION. BACKGROUND/DESCRIPTION: Signed First Edition. ALPHA PRINTING, ATLANTA, ca. 1970. ALL POEMS AND ILLUSTRATIONS By THE AUTHOR. CHILDHOOD REVISITED IS A SENSITIVE COLLECTION OF POEMS REFLECTING HER OWN FEELINGS WHILE GROWING UP. IT LOOKS AT THE WORLD THROUGH THE EYES OF A CHILD, SOMETIMES WITH JOY, SOMETIMES WITH THE STRANGE SADNESS A CHILD FEELS.. THERE ARE NO OTHER COPIES OF THIS BOOK FOUND FOR SALE ON THE INTERNET AT THE TIME OF THIS RESEARCH!!!! SUPER RARE. COMPETITIVE PRICING! Once paid, books will ship immediately without email notification to customer (it's on the way), you are welcomed to email about shipment date! REFUNDS: All ViewFair books, prints, and manuscript items are 100% refundable up to 14 business days after item is received. InvCodePrc 1850 E H V VIEWFAIR BOOKS: 006560 .

      [Bookseller: FairView Books]
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        Denver Verse

      1970. A privately distributed assemblage of the poet's verse from 1967-1970. Brutus, an exiled South African poet-activist, who had spent time in the cell next to Nelson Mandela on Robben Island and was partly responsible for South Africa being banned from the 1964 Olympics -- a sanction that helped create the strategy that eventually defeated apartheid -- was a visiting lecturer in the English Department at the University of Denver in 1970, and he circulated these 25 poems as "something personal to give to the people who have been so kind to me here...But also there is an immediacy about some of my verse...I feel strongly just now that to justify my continuing to write verse, it needs to be doing something." [As quoted in a cover letter to this collection provided by Karen C. Chapman, editor, the previous year, of Dennis Brutus: Letters to Martha and Other Poems from a South African Prison]. In other words, these poems represent Brutus' attempt, even while in exile, to keep his poetry relevant, and to continue in his role as an activist and agitator. Inscribed by Brutus: "Bob & Elizabeth Richardson. In appreciation, sincerely, Dennis Brutus, March, 1970." Also dated and initialed by Brutus, "5.14 DB." Loose sheets, with the endsheets being stationery with the watermark of the University of Denver. Chapman's cover sheet also provides a biographical sketch of Brutus. Faint sunning to the pages; else fine, and in the original clear acetate folder. We can find no evidence of any other copy of this collection surviving; a virtually unique collection of typescript poetry by a major figure in both world poetry and, in particular, the anti-apartheid movement among South African artists. A literary footnote: Robert Richardson later married Annie Dillard, a relationship engendered by her writing him a fan letter regarding his 1986 book on Henry Thoreau.

      [Bookseller: Ken Lopez Bookseller, ABAA]
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        Carciologists. - Archive of 32 letters from American cardiologists, addressed to the renown German pathologist Klaus Goerttler at Heidelberg, dating between 1960 and 1970.

      - All letters with filing holes, otherwise good / very good condition. Robert P. Grant (1915-1966), 5th Director of the National Health Institute. - 1 ALS + 10LSS, Bethesda and Paris, 1960-1966, and,16 pages 4to, 2 pages 8vo, except of 1 all with printed letter head "Department of Health, Education, and Welfare". Good academic and scientific contents, 2 letters in German. Large photo added. Small tear to one letter, otherwise in very good condition. - - Maurice Lev (1908-1994), made pioneering contributions in pathology of congenital heart disease. - 8 LSS, Chicago 1963-1967, 8 pages 4to, with printed letter head "Congenital Heart Disease Research and Training Center". Re: exchange of papers, invitations ("We do not have a top-ranking cardiac embryologist of your stature"), etc. Some light toning. - - Alexander Sandor Nadas (1913-2000), a founding father of American Pediatric Cardiology. - 1 LS, Boston 1965, 1 page 4to, with printed letter head "The Children's Hospital". Invitation to "give us a seminar". - - Simon Rodbard (1911-1975), developed the procedure of "Negative Plastic Cast". - 4 LSS + 1 secretarial signed letter, Buffalo, N.Y. and Duarte, CA 1961-1965, 5 pages 4to, with printed letter head "The University of Buffalo Chronic Disease Research Institute" and "City of Hope Medical Center". Discussing a meeting and the "bringing you to the Institute". - - Norman J. Sissman (19 - ), Pediatric Cardiologist. - 2 LSS, Palo Alto 1967, 2 pages 4to, with printed letter head "Stanford University School of Medicine". Offers to arrange a lecture - "we are particularly interested in your discussion of cardiac embryology and the movie of your glass-model perfusion experiments". - - Richard Van Praagh (1930- ), founder and Director (until 1002) of the Cardiac Registry. - 1 ALS + 4 LSS, Boston 1965-1970, 8 pages 4to, with printed letter head "The Children's Hospital Medical Center". Re: Goerttler's seminar at Boston, etc.; mentioning Nadas. [Attributes: Signed Copy]

      [Bookseller: Medicusbooks]
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        Moral reflections on the short life of the ephemeron

      Boston: David Godine. 1970. "Edition limited to 100 copies with woodcuts and etchings by Lance Hidy; small 8vo, pp. [18]; original beige linen, paper label printed in red and black on the upper cover; matching clamshell box with black leather label on spine; fine. With a spare cover label laid in.& & Hidy's first book. This copy with an inscription from Hidy on the colophon under his signature: ""With thanks to Arno [Werner] for giving this edition the simple and modest binding which is most fitting for its contents."" Under the inscription is a small drawing of a mayfly by Hidy.& & Accompanied by a one page A.L.s from Hidy to the bookbinder Arno Werner, expressing the fact that he has done a fine job, and that everyone at Godine sends their thanks and best regards."

      [Bookseller: Rulon-Miller Books]
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        Public Works: A Dangerous Trade

      New York: McGraw-Hill, 1970. A nice association copy--and a wonderful piece of New Yorkiana: WARMLY INSCRIBED ON THE DEDICATION PAGE BY ROBERT MOSES TO NEW YORK PHILANTHROPIST JOHN PAYNE WHITNEY, scion of the Whitney family, whose far-reaching influences (The Whitney Museum, The New York Herald Tribune, Ambassadorship at the Court of St. James, The New York Mets, Yale's historic Payne Whitney Gymnasium, etc.) have touched millions. A crisp, well-preserved copy to boot of the 1970 1st edition. Clean and VG+ in a bright, price-intact, VG+ dustjacket. Thick octavo, 952 pgs. . Signed by Author. First Edition. Cloth. Collectible; Very Good/Very Good.

      [Bookseller: Appledore Books, ABAA]
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        The Death of the Narcissus

      Pennyroyal Press, Massachusetts 1970 - Moser’s first book contains a portfolio of 11 botanical images and a haiku by Edo period poet Onitsura. This book came from Moser’s press named the Pennyroyal. Moser sees his most important and satisfying work as the book itself. It is the careful choreography of illustration, type set, layout and design, binding, and the cover that he considers his art form. Printed on a run of 35, this is the artist’s proof. It contains 8 images, all signed by Moser. Dimensions: folio, title page, haiku, 8 signed etchings. Binding: loose in original box. Condition: box in very good condition; the etchings are in good condition, save for a very occasional spot (see photos). [Attributes: Signed Copy; Soft Cover]

      [Bookseller: POIL de CAROTTE]
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        East 100th Street

      Cambridge, Massachusetts: Harvard University Press, 1970. Prima edizione (First edition). broch. Molto buono (Very Good). 4to (cm 30x28). Introduction and edited by Bruce Davidson. 123 black and white photographs. Design by Elton Robinson For two years Bruce Davidson photographed one block in East Harlem. He went back day after day, standing on sidewalks, knocking on doors, asking permissions to photograph a face, a child, a room, a family. Through his skill, his extraordinary vision, and his deep respect for his subjects, Mr. Davidson's portrait of the people of East 100th Street is a powerful statement of the dignity and humanity that is in all men / Per due anni Bruce Davidson ha fotografato un angolo di East Harlem, tornando giorno dopo giorno, in piedi sui marciapiedi, a bussare alle porte, chiedendo il permesso di fotografare un volto, un bambino, una stanza, una famiglia. Attraverso la sua straordinaria visione e il profondo rispetto per i suoi soggetti, l'affresco del popolo di East 100th Street è una potente affermazione della dignità e umanità che è in tutti gli uomini. Lievissime fioriture in prossimità del dorso (Very slight yellowings near the spine) [Parr, Badger, 2004; Roth, 2004]

      [Bookseller: Studio Bibliografico MArini]
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        20 Briefe u. 1 Typoskript m. e. U. Dazu ein Holzschnitt

      Limoges, 1959-1970 - 4to. 25 Seiten. Alle an den Galeristen und Kunstantiquar Günter Fuchs, damals in London. – Hausmann beschreibt seine Rolle in der Dada-Bewegung und warnt vor der Einschätzung Hannah Höchs (»seien Sie etwas vorsichtig mit dem was sie vorbringt. Nach ihr habe ich ohne dass sie mich ›ankurbelte‹ nie etwas Besonderes geleistet. Ein Quatsch, denn sie war niemals dada zur Zeit des ›Club dada‹.« – Übersendet eine Abschrift von »dada ist mehr als dada«, ein Text von 1920 (5 Seiten). – 1964 klärt sich eine Verwechslung mit dem Dichter Günter Bruno Fuchs: »umso besser, wenn Sie nicht G.B.F. sind.« – Die meisten Briefe beziehen sich auf verschiedene Publikationen Hausmanns, die er dem Kunstantiquar empfiehlt. Immer wieder beklagt Hausmann die geringe Resonanz auf seine Arbeiten in Deutschland (»im Katalog der Frankfurter Collage-Ausstellung schrieb Rathke, dass meine Arbeiten von einem ›rührenden Dilettantismus‹ seien.«). – Dazu: Zwei Originalbleistiftzeichnungen über Offsetdrucken. 1963. Signiert. – Ferner: Ein Holzschnitt. 1959. 10,5 : 13,5 cm. Signiert und datiert. Rückseitig mit eigenhändigen Neujahrsgrüßen für 1960. [Attributes: Signed Copy]

      [Bookseller: Kotte Autographs GmbH]
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        In the Night Kitchen

      Harper and Row, 1970. First edition, prepublication state. other. all sheets are in very good to nearly fine condition. they have been rolled and have minor wrinkling at the extremities. sheet two is a little browned in one patch at the rear. . six publisher's proof sheets. each sheet is finished in the soft manner of the finished book except for the fifth sheet, which has a shiny finish. the finished book has forty unnumbered pages. considering the first with the button as page one, the double page title page as numbers two and three, etc, and the last page, "And that's why..." as page forty. the first proof sheet [23-1/2" x 35-1/2"] has pages 2, 15, 14, 3 and upside down at the top pages 6, 10, 11, and 7. it is printed on one side only. the second sheet [23-1/2" x 35-1/2"] has pages 28, 37, 40, 20 and upside down pages 6, 10, 11, and 7. the back of the second sheet has pages 26, 39, 38, 27 and upsidedown, 30, 35, 34, and 31. sheet three [23-1/2" x 35-1/2"] has pages 18, 23, 24, 21 and upside down pages 20, 21, 22, and 19. sheet four [25" x 36"] has pages 16, 17, 14, 14 and on top [not upsidedown] 20, 21, 30, and 31. sheet [25" x 36"] five has the d.j. panels, page 40, page 1, the dedication, the front flap copy, and on top [not upside down] pages 36, 37, 18, and 19. sheet six [70-1/2" x 49"] has four rows of eight panels, pages 38, 3, 2, 29, 40, 1, 4, and 37. sheet six is printed in black and white only. the reverse of sheet six is the same as the front. [Hanrahan A75]

      [Bookseller: riverrun book shop]
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        Negro: An Anthology

      Ungar Pub Co, New York 1970 - Reprint of famous 1932 copy, folio, brown covers, ex library with few blemishes, Hugh Ford introduction, ill, xxxii + 464pps w/index [Attributes: Hard Cover]

      [Bookseller: Bohemian Bookworm]
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        A Slipping-Down Life

      Alfred A. Knopf, New York 1970 - First edition. Fine in fine dustwrapper. Advance Review Copy with slip laid in. This copy WITHOUT the almost inevitable remainder mark. Author's third book. A beautiful copy. See this book in 3D on our site. [Attributes: First Edition; Hard Cover]

      [Bookseller: Between the Covers-Rare Books, Inc. ABAA]
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        I will Fear No Evil A New Novel in Color Dustjacket, SIGNED by Author

      G. P. Putnam's NY, 1970. HBDJ, 1970, Later printing , BlueCloth with slight rub authors name in Gold Gilt on Front O/W Nice, Spine Title Gold Gilt relatively Bright & Nice, NF-/VG-, AS-IS, Cover light Rub, Wear Scuff, PRICECLIPPED, DJ some rub, wear, Scuffing & Small Chips Mended Tears Extremities, HEAVY crease marks top & Bottom spine DJ Yet Title, Author Publ INTACT spine DJ, Bottom Pages edges some light Soil, Page opposite title page ink check marks & circling of Titles, 401 pages, Interior nice tight Clean light wear Fox, Scuffing wear Along DJ Spine . Signed by Author. Hard Cover.

      [Bookseller: BLUFF PARK RARE BOOKS]
 27.   Check availability:     IOBABooks     Link/Print  

        Quaderni di Techne 5. Teatro 1

      Firenze: Techne, 1970. Prima edizione (First Edition). broch. Molto buono (Very Good). 4to. Interventi e testi di Patrizia Bonifazi, Achille Bonito Oliva, Jean François Bory, Giusi Coppini, Ketty La Rocca, Lucia Marcucci, Eugenio Miccini, Luciano Ori, Michele Perfetti, Lamberto Pignotti, Sarenco, Gianni Toti, Franco Vaccari, Ben Vautier, et al. Il Centro Téchne, fondato da Miccini nel 1969, svolse un'attività editoriale di primo piano, oltre alla promozione artistica e al sostegno dato alle nuove compagnie teatrali di Firenze. Pubblicò infatti la rivista "Téchne" che promuoveva attraverso i "Quaderni" la circolazione della poesia visiva. Copertine un po' annerite e sciupate con strappetti (Some chipping and nicks around top and bottom of cover)

      [Bookseller: Studio Bibliografico MArini]
 28.   Check availability:     Biblio     Link/Print  

        The Blessing Way (First Edition)

      Harper and Row, New York 1970 - First Edition. Fine in a lovely, Near Fine dust jacket. A bit of the usual fading to the jacket spine (but only to the titling), some slight rubbing at the spine ends and corners, else an exceptionally sharp, unread copy of Hillerman's first book. [Attributes: First Edition; Hard Cover]

      [Bookseller: Royal Books, Inc., ABAA]
 29.   Check availability:     AbeBooks     Link/Print  

        THE DOUBLE DREAM OF SPRING. Inscribed.

      E.P. Dutton, New York 1970 - Ashbery, John. THE DOUBLE DREAM OF SPRING. Inscribed. New York: E.P. Dutton, 1970. First Edition Inscribed and dated in the year of publication by Ashbery on the ffe. to Howard Moss, long-time Poetry Editor at the New Yorker magazine. A near fine copy in the original 1/4 black cloth over green cloth covered boards, gilt lettering on the spine in a near fine dustwrapper. 8vo. 95 pp. Includes the poet's, Sunrise In Suburbia, For John Clare and The Bungalows. An Excellent Association Copy indeed. $1450 [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: TBCL The Book Collector's Library]
 30.   Check availability:     AbeBooks     Link/Print  

        The Blessing Way

      Harper & Row, Publishers, New York 1970 - SIGNED. 201pp. Octavo [21 cm] 1/2 magenta cloth with purple paper covered boards. Very good. The edges of the covers are very gently bumped, rubbed and faded. The spine is subtly rolled. The dust jacket is in good condition. The edges are rubbed, chipped, and creased. The spine is faded. The rear panel and the edges of the inside flaps are slightly darkened. Tony Hillerman also wrote Dance Hall of the Dead, Skin Walkers and A Thief of Time. The Blessing Way is the first of the series involving Joe Leaphorn. Signed by Hillerman on the half title page. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Ken Sanders Rare Books, ABAA]
 31.   Check availability:     AbeBooks     Link/Print  

        The Blessing Way (w/signed bookplate)

      Harper & Row, New York, NY, U.S.A. 1970 - The true first edition (stated on copyright page with the number line on the second to last page ending in the number "1") of the author's first book and the first Joe Leaphorn. Dampstaining to back of bottom of dustwrapper (not evident from front). Dustwrapper shows one 1/3" closed tear to top of front panel and scuffing to top of spine. Overall, the book and purple dustwrapper show as "tight and clean" (especially in the mylar protector). Might be a printer's copy, because it has technical information on type-setting written on the ffep. in pencil. A very respectable copy at a "respectable" price. Laid in is a bookplate inscribed to me by the late Mr. Hillerman. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Michael J. Toth, Bookseller, ABAA]
 32.   Check availability:     AbeBooks     Link/Print  

        The Blessing Way (signed 1st)

      Harper Row 1970 - First edition 1st printing, Good to Very Good book with light wear bottom edges and corners with moderate bumps top corners that have broken through to expose the boards in several small spots, in a Good to very Good jacket that has light edge and corner wear with some color loss and a couple of tiny chips, wear and color loss also front flap fold and spine folds, spine and red lettering are sun faded as is usually the case with this fragile production. Hillerman’s first novel; signed on the title page. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Squid Ink Books]
 33.   Check availability:     AbeBooks     Link/Print  

        The Blessing Way

      Harper & Row, Evanston 1970 - Ex library, but binding tight, boards jacket and dj all in sharp condition. Library stamps to top and bottom edge neatly sanded away. Adhesive ghosts on front and rear fixed endpapers from former dj protector. No creases or marks to boards, or dust jacket which is slightly edgeworn at extremities and lightly faded on spine, as usual with this book. First edition with correct string of numbers starting with '1' on page [202]. Hillerman's uncommon first Joe Leaphorn mystery in collectible shape at an affordable price. Scans available on request. Size: Octavo [Attributes: First Edition; Hard Cover]

      [Bookseller: Contact Editions, ABAC, ILAB]
 34.   Check availability:     AbeBooks     Link/Print  

        Alfabeto. Menabò originale

      Milano: Edizione privata, 1970. broch. Ottimo (Fine). Cm 17,4x13. Significativa dedica con firma autografa dell'Autore e disegno, datata Maggio 1970 (Substantial inscription signed by the Author with an original drawing in pen). Menabò originale del volume "Alfabeto" pubblicato nel 1971. Il menabò contiene 26 foto originali di Mario De Biasi, di cui una diversa da quella pubblicata nel volume a stampa, e un disegno originale ad inchiostro firmato e datato (1970). Il menabò risale al maggio 1970 (data del disegno e della dedica). Il volume a stampa uscirà nel febbraio 1971 per le Edizioni IPL di Milano

      [Bookseller: Studio Bibliografico MArini]
 35.   Check availability:     Biblio     Link/Print  


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