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Displayed below are some selected recent viaLibri matches for books published in 1970

        Fantastic Mr. Fox

      London: George Allen & Unwinn, 1970. First Edition. Very Good. First Edition, First Printing. Very Good. No dust jacket, as issued. Light wear to boards. Pages show signs of use, foxing, a short tear to the title page and two other pages, small label ghost to front paste down. Marking to page 7/8 with closed tear at bottom gutter. Light storage odor to pages. First Edition.

      [Bookseller: Burnside Rare Books]
 1.   Check availability:     IOBABooks     Link/Print  

        BRAVO, BURRO!

      New York: Hawthorn Books, Inc., 1970. First Edition. Octavo; orange cloth, with titling and decorations stamped in black on spine and front panel; dustjacket; 127pp; illus. Fine in a Near Fine, price-clipped dustjacket, with some pinpoint rubbing to extremities and a single tiny tear at upper edge of front panel. Fante's only children's book, a story set in Mexico about a boy and his burro, who set out on an impossible task to recover his father's prized bull. The scarcest of Fante's books published by a tiny publishing house. A bright, stunning example of a title typically seen well-worn or ex-library.

      [Bookseller: Captain Ahab's Rare Books]
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        In the Night Kitchen

      Harper & Row Publishers 1970 - Harper & Row Publishers, New York 1970. First Edition / First Printing / First Issue. All first issue points. Jacket priced at $4.95 with the date 1070. Seven titles at the rear flap. Without the Caldecott Medal sticker. Off white cloth boards. Illustrated in color by Maurice Sendak. Signed by Maurice Sendak at the front endpaper. The Signature is Guaranteed Authentic. Book Condition: Fine, clean boards, tight spine, very clean copy. Pencil erased at the front endpaper leaving a light erasure. Dust Jacket Condition: Near Fine, soft shelf wear, a few light spots. Wrapped in a new removable mylar cover. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: 1st Editions and Antiquarian Books]
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        Inscribed Book

      Boston: Gambit, 1970. First Edition. hardcover. very good(-)/very good. Inscribed copy of "No Known Survivors: David Levine's Political Plank." Introduced and selected by John Kenneth Galbraith. Profusely illustrated, 194 pages, large 8vo, black and gray cloth (front cover stained), dust wrapper (worn). Flyleaf slightly discolored by laid-in newspaper clippings; additional clippings on the front endpaper as well as the half-title and title pages.) Boston: Gambit, 1970. First edition. Very good(-) condition. Warm inscription by the former first lady on the front free endpaper: "For Minnie and Peter I want you to be the first to have John Kenneth Galbraith's Christmas present to me--Everything in this book scares me too much to look at--with deepest admiration for David Levine and both of you, xo Jackie.

      [Bookseller: Argosy Book Store]
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        Send Our Boys Home

      [NY], 1970. Offset Lithograph 35" by 23", Signed and number in pencil, 220/225 by the artist. slight tanning to the edges, else a fine example of the larger version of the multiple produced by the artist originally in 1966. Gianakos' powerful anti war poster "Send our Boys Home" replaces the stars a stripes simply with a black void, completely changing a patriotic emblem into a symbol of hopelessness and despair with the only solution being to bring the troops home from Vietnam.

      [Bookseller: Kenneth Mallory Bookseller. ABAA]
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      New York: AMS Press, 1970.  Four volumes (reprints of the eight volumes first published by Stillman & Durand from 1855 thru 1861), 28 x 21.5cm [large 4tos], in publisher's royal blue buckram w/silver titles to spines, Vol.s 1 & 2 (416 [vi] & 408 [iv] pp.); Vol.s 3 & 4 (380 [vi] & 380 [iv] pp.); Vol.s 5 & 6 (360 [vi] & 384 [iv] pp.); & Vol.s 7 & 8 (358 [vi] & 152 [iv] pp.), all w/Indexes.  From the library of William E. Fredeman, the Pre-Raphaelite scholar, w/TLS from John Hopper (Editor-in-Chief of AMS Press Inc.; signed "Jack H.") to Prof. Fredeman loosely inserted into the final vol.  Bindings Very Good (extremities sl. bumped, & a few marks to cloth); contents Fine.  Fredeman 38.1 & 80.1 (1st ed.--see also pp.11 & 145).

      [Bookseller: Leonard Roberts, Bookseller]
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        Altenbourg, Gerhard. - "Geschöpf im Ring".

      - Farbholzschnitt, in Grün und hellem Rot, auf Hahnemühle-Bütten, 1970. Von Gerhard Altenbourg. Auflage Exemplar Nr. 9/50. 42,4 x 34,3 cm (Darstellung / Druckstock) / 50 x 40 cm (Blatt). Janda H 146/2. Mehnert 250. Am unteren Blattrand in Bleistift signiert und datiert. Dazu Prägestempel des Künstlers, Auflagenbezeichnung und Titel. - Tadellos erhalten. Sehr guter Zustand. Gerhard Altenbourg (1926 Rödichen-Schnepfetal - 1989 Meißen). Deutscher Maler und Grafiker. 1929 Umzug nach Altenburg. 1944-45 Soldat im Zweiten Weltkrieg. 1946-48 als Schriftsteller und Journalist tätig, Zeichenunterricht bei Erich Dietz. 1948-50 Studium an der Hochschule für Baukunst und Bildende Kunst in Weimar bei Hans Hoffmann-Lederer. 1959 Teilnahme an der documenta II in Kassel. 1961 Gastatelier an der Kunstakademie in Westberlin. 1961 Erwerb einiger Arbeiten durch das Museum of Modern Art in New York. 1962-89 Atelier in Altenburg, Annahme des Künstlernamens "Altenbourg". 1966 Burda-Preis für Grafik in München. 1968 Will-Grohmann-Preis in Westberlin. 1970 Mitglied der Akademie der Künste, Berlin. 1977 Teilnahme an der documenta 6 und Mitgliedschaft bei der ?Life Fellow of the International Biographical Association? in Cambridge. In den 1980er Jahren Ausstellungsverbot und Schließung der Ausstellungen, da er sich den offiziellen Kunstauffassungen der DDR widersetzte.Seit 1998 vergibt das Lindenau-Museum in Altenburg aller zwei Jahre den Gerhard-Altenbourg-Preis. [Attributes: Signed Copy]

      [Bookseller: GALERIE HIMMEL]
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        The Development of the Italian Schools of Painting - ( Hacker Art Books, 1970 )

      Hacker Art Books - USA 1970 19 lingua: inglese Opera in 19 volumi, cm 24x15, in 4to, leg. tutta tela edit. con tit. oro e fregi al dorso, pag. 11040 totali, con migliaia di illustr. nel testo e f. testo - Edizione anastatica dell'originale edito in Olanda nel 1935 da MartinusNiJhoff - Importante e fondamentale repertorio sulla pittura italiana - vol.1: 'From the 6th until the end of the 13th century', avec 321 illustrations dans le texte et 5 planches; vol.2: 'The Sienes school of the 14th century', avec 380 illustrations dans le texte et 10 planches; vol.3: 'The Florentine school of the 14th century', avec 368 illustrations dans le texte et 10 planches; vol.4: 'The local schools of North Italy of the 14th century', avec 254 illustrations et 4 planches; vol.5: 'The local schools of central and southern Italy of the 14th century', avec 284 illustrations et 3 planches; vol.6: 'Iconographical index to volumes I to V'; vol.7: 'Late gothic painting in north Italy', avec 275 illustrations et 6 planches; vol.8: 'Gentile, Pisanello and late gothic painting in central and southern Italy', avec 317 illustrations et 8 planches; vol.9: 'Late gothic painting in Tuscany', avec 367 illustrations et 10 planches; vol.10: 'The Renaissance painters of Florence in the 15th century. The first generation', avec 344 illustrations et 11 planches; vol.11: 'The Renaissance painters of Florence in the 15th century. The second generation', avec 383 illustrations et 8 planches; vol.12: 'The Renaissance painters of Florence in the 15th century. The Third generation (première partie)', avec 295 illustrations et 9 planches; vol.13: 'The Renaissance painters of Florence in the 15th century. The third generation. (Seconde partie)', avec 315 illustrations et 8 planches; vol.14: 'The Renaissance painters of Umbria', avec 326 illustrations et 8 planches; vol.15: 'The Renaissance painters of central and southern Italy', avec 357 illustrations et 8 planches; vol.16: 'The Renaissance painters of Tuscany', avec 305 illustrations et 8 planches; vol.17: 'The Renaissance painters of Venice. Vivarini, the Bellini, Cima, Basaiti', avec 309 illustrations et 8 planches; vol.18: 'The Renaissance painters of Venice. The Crivelli, B. and Alv. Vivarini, Carpaccio, etc.', avec 309 illustrations et 8 planches; vol.19: 'General index' - Perfetto stato.

      [Bookseller: Di Noto libri rari]
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        America when will you be Angelic? / When will you take off your clothes./ America when will we end the Human war. / America the plum blossoms are falling [poster]

      [Berkeley Poster Workshop] [1970], [Berkeley] - 22x15 inch silkscreened image on the back of two connected sheets of used computer paper, portrait of Ginsberg above the four lines of his poem. Light uneven toning, a short split at the perforated joint of the two sheets above Ginsberg's head, otherwise very good. The peripheral strips with their sprocket holes are still intact. One of the products of the now-renowned poster workshop at Berkeley.

      [Bookseller: Bolerium Books Inc.]
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        America when will you be Angelic? / When will you take off your clothes / America when will we end the Human war / America the plum blossoms are falling [poster]

      [Berkeley]: [Berkeley Poster Workshop], [1970]. 22x15 inch silkscreened image on the back of two connected sheets of used computer paper, portrait of Ginsberg above the four lines of his poem. Light uneven toning, a short split at the perforated joint of the two sheets above Ginsberg's head, otherwise very good. The peripheral strips with their sprocket holes are still intact. One of the products of the now-renowned poster workshop at Berkeley.

      [Bookseller: Bolerium Books Inc., ABAA/ILAB]
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        The Collected Edition of the Works of Graham Greene, comprising; Brighton Rock, It's A Battlefield, England Made Me, Our Man In Havana, The Power & The Glory, The Heart of The Matter, The Confidential Agent, A Gun for Sale, The Ministry of Fear, The Quiet American, Stamboul Train, The End of The Affair, A Burnt-Out Case, The Man Within, The Third Man & Loser Takes All, The Comedians, Collected Stories, Journey Without Maps, The Lawless Roads, Travels With My Aunt, The Honorary Consul and The Human Factor

      London: Heinemann and The Bodley Head, 1970-82., 1970. Complete as published in 22 volumes. All volumes are FIRST PRINTINGS of the collected edition and include a new introduction by the author. Crown octavo. Publishers' bright green cloth with titles in gilt to spines, various topstains (some are not tinted); in the original dust-jackets. Trivial wear to jackets, some light rubbing and toning to spines, no ink names, inscriptions, bookplates or other signs of ownership; none are price-clipped. A near fine set; most uncommon to find complete and in bright condition. R.A Wobbe: Graham Greene-A Bibliography and Guide to Research [A41a]. Featured in The Times' NovelList 60 Greatest Books Poll [2009].

      [Bookseller: Adrian Harrington Rare Books]
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      cm. 12 x 22,5, brossura cenerina, tutti i volumi in ottimo stato, pp. variabili. non manca alcunm volume . sono tutti presenti. E' disponibile elenco dettagliato della rara collezione dei 36 volumi. Si tratta di testi brevi, testi segreti, testi giovani per chi non ha tempo, per chi è curioso, per chi ha il desiderio di racconto. Offriimo la raccolta a

      [Bookseller: Libreria e Rivisteria Ferraguti]
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        Crime Collection

      London: Hamlyn,, 1970. 24 volumes, octavo. Recent tan morocco, crimson and green morocco labels, raised bands, single rule to boards, marbled endpapers, gilt edges. An excellent set. A complete set of this well known collected edition, with three stories per volume. It includes all published crime novels up to 1970.

      [Bookseller: Peter Harrington]
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        Hand-lettered Broadside]: 99% of the Blackman in the United States of North America are the Israelites. Jews are not the Israelites nor Their Kin. Children of the Devil Cainites. Eve and the Devil Their Parents. The United States and the Jews Are Killing Black Brothers by the Millions in Africa and Holy Land . Join Al-Islam . The Man Will Rule . Get with the Sickle . Babylon is Falling . Sign of the Devil the Cross Means Death to All Blacks

      1970 - Handmade poster on a large sheet of paper measuring 40" x 18" (101 x 46cm). Old folds, remnants of masking tape at the extremities where the broadside was posted, a bit rough around the edges, overall good. A somewhat incoherent screed that apparently reflects race-based hatred against Jews aimed at stirring up African-Americans. While we are not aware of who made this, or where it was originally posted, it remains a compelling artifact of a time when racial and religious bitterness were open to all and commensurately unpredictable.

      [Bookseller: Between the Covers-Rare Books, Inc. ABAA]
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        [Photographs]: 1970s New York Punk

      New York. 1970s. A collection of vintage prints by Soho News photographer Michael Uffer of the downtown New York punk scene of the end of the 1970s. 21 vintage black and white prints Signed and stamped by the photographer, some dated, each measuring 11" x 22". All the prints are about fine. An archive of unseen photographs documenting the late '70s downtown punk scene taken at various venues, most notably at Max's Kansas City. The collection depicts the musicians and artists of the scene at their most unvarnished including Johnny Thunders with the Heartbreakers; Tomata du Plenty of The Screamers; Ari Up, Viv Albertine, and Tessa Pollitt of The Slits; Lydia Lunch; Wendy O. Williams; Edith Massey with Edie and the Eggs; the Dead Boys; Jerry Only; James Chance and the Contortions; and Middle Class, among others. New York indisputably (well, disputably, but in that case wrong-headedly) created punk's first home with musicians like David Johansen and Johnny Thunders creating a new sound based on the trash culture of the late 1960s. All Music Guide describes, "Their sound was basic (two-minute, three-chord rockers) and stripped-down (just guitar, bass, and drums), and their attitude, bringing a sense of dumb fun back to rock & roll, stood in sharp contrast to nearly every prevailing musical trend of the '70s." Meanwhile the likes of Lydia Lunch of Teenage Jesus and the Jerks, who was inspired to run away to New York because of the New York Dolls, and Wendy O. Williams, forged ahead creating a new image of women in music. These photographs show gigs candidly with cornflakes being strewn over the fans, James Chance of the Contortions collapsed on stage, Wendy O. with black electrical tape over her nipples screaming into a microphone, an anonymous fan covered in what appears to be blood laying on stage during a Middle Class set while a girl spastically dances in the foreground, and Ari Up of the Slits in a dingy hotel room. The raw power of punk can be seen in this assemblage of vintage early Downtown Scene images. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Ein Projekt der Apparate GmbH. Fallstudie zur Programmierten Unterweisung Netzplantechnik

      dtv Stuttgart 1970. 43 S. Lex .8° - Lexikonformat (entspricht 25 - 30 cm) Broschiert - Exemp. i.sehr gut.Zust. Geringste Lager-o.Altersspuren b.genauster Betr., mögl. Ecken und Kanten leicht bestoßen. Schnitt minimal angestaubt. Innen wie neu. Keine privaten Markierungen o.ä. Sauberer und frischer Gesamtzustand..

      [Bookseller: Guthschrift Antiquariat]
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      (mm. 150x96), immagine fotografica del 1970, con il Maestro Pablo Picasso ripreso insieme all?amico mercante Daniel - Henry Kahnweiler, firmata da entrambi. Ben conservato.

      [Bookseller: Livres anciens et modernes Gilles Hassan]
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        Stockton Silver Hammer - 1-15

      Stockton, California: [no publisher]. 1970. A run of the first 15 issues of the biweekly alternative newspaper Stockton Silver Hammer. Each is a tabloid sized issue. Overall near fine with some toning to the cheap newsprint, waviness to later issues and all folded once as issued. The newspaper covered everything you would expect from an alternative newspaper in the early 1970s: the Vietnam War, unfair police enforcement, drug laws, entrenched politicians and (what they saw as) rigged elections. They also offered readers advice on drugs, abortion counseling, various protest efforts, woman's liberation, the struggle for Native American rights, the Kent State shootings, and the trial of the Soledad Brothers, to name a few. Most issues also included a plethora of spot illustration and full page cartoons by Gary Ratto and Carlos Lopez in the style of underground comixs of the day. The newspaper charged 15-cents per issue (unlike many of the other free underground newspapers across the country), possibly realizing it could not survive on advertising revenue in the mostly conservative Stockton area. If that was the case, they were unfortunately proved correct finally succumbing to printing costs after only 20 issues. OCLC locates five records, a mix of single issues and partial runs. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        The Journals of Susanna Moodie Poems by Margaret Atwood.

      Toronto: Oxford University Press. First Edition.. Very good+ condition. Association copy with the author's dedication to Jerry Buckley and his wife on the title page. Very clean and tight copy with slight discoloration of the cover only.. First Edition. Toronto, Oxford University Press, 1970. 12,5 x 21,5 cm. 64 pages. Original Softcover. Very good+ condition. Association copy with the author's dedication to Jerry Buckley and his wife on the title page. Very clean and tight copy with slight discoloration of the cover only.

      [Bookseller: The Time Traveller's Bookshop]
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        Three Books from the Fantod Press #2 Donald Has a Difficulty / The Osbick Bird / The Chinese Obelisks

      The Fantod Press, New York 1970 - First editions. Three small softcovers. "The Chinese Obelisk" and "The Osbick Bird" by Gorey and in clean near fine condition in stapled wrappers. "Donald has a Difficulty" by Gorey and Peter F. Neumeyer in stapled wrappers in very good plus condition with some slight wear. All housed in an about fair printed publisher envelope that is faded at the edges and with a tear as well. Still, a very nice set. [Attributes: Soft Cover]

      [Bookseller: Jeff Hirsch Books, ABAA]
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        Typed letter signed.

      Washington, DC, 23. X. 1970. - 2 pp. on 2 ll. 4to. To an addressee in Brussels (name erased), who had inquired about animal testing by the NASA: "[ ] Your lines [ ] never reached me and they seem to have been lost under mountains of mail, which the NASA received in connection with the first manned moon landing. I have never settled in Houston, but former director of the Marshall Space Flight Center in Huntsville, Alabama. Since March of this year I work at the administrative headquarter of the NASA in Washington [ ]. Concerning the problem of animal testing I can only tell you: Animal experiments are considered to be necessary for medical research and accepted in all countries [ ]. Nor the space program, neither I myself affected this development [ ]" (transl. from German). With letterhead of the NASA, "Office of the Administrator"; signature in felt pen.

      [Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH]
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        One Hundred Years of Solitude

      New York: Harper & Row, , 1970. Translated from the Spanish by Gregory Rabassa. Octavo. Original green cloth, titles to spine gilt, publisher's device to front board gilt, green endpapers. With the dust jacket in the first state, with the exclamation mark at end of first paragraph on front flap. Corners and ends of spine lightly rubbed, small spot to front board, in the dust jacket with chip to lower edge of rear panel,creasing and short closed tear to top end of spine and front panel top edge First English language edition, first printing. One Hundred Years of Solitude was originally published in Argentina in 1967 under the title Cien Años de Soledad.

      [Bookseller: Peter Harrington]
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      Multiples, Inc., New York 1970 - One 5 1/8 x 12 3/8 cardstock sheet, printed recto only inserted into a printed paper envelope, 10 b&w illustrations. This wry homage to Eadweard Muybridge's Human Locomotion studies was noted Minimal/Conceptual Artist Sol LeWitt's contribution to the to the Multiples, Inc. "Artists and Photographs" portfolio of 1970. A bright, most handsome example of this uncommon item (cited on pages 88-89 of Giorgio Maffei and Emanuele de Donno's "Sol LeWitt: Artist's Books") offered here individually. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. [Attributes: First Edition]

      [Bookseller: Arcana: Books on the Arts]
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      Los Angeles, 1970. An original typed letter from Charles Bukowski to his dear friends and publishers John and Gypsy Lou Webb, dated 8-20-70 and signed "Buk" in blue ballpoint pen. The letter is typed on standard 8.5 X11" paper and comes with the original mailing envelope. The letter has two folds from mailing and is stained in the margins by either beer or coffee - though considering the source, it's probably beer (would you really have it any other way?). A solid half-page letter, single spaced, and of a personal nature. The letter reads: " Hello Jon and Lou - first sober day--so far--in a week. that half-century mark was a tough leap. good to get your card. any future birthdays won't matter so much. know you are busy with the Miller so won't burden you with a lot of talk. I contacted Steve Richmond, trying to get you a place down by the water so Lou won't act up. only problem with Venice is there are a lot of freaky hippy-yippie types. I don't mind a real hippie who slams from town to town, getting jobs picking fruit or whatever the hell. we used to call them bums in my day. I was a bum. still am. got nothing against bums. but most of the Venice hippie types are of the plastic variety, paying rent and with incomes from somewhere and wandering around. so there's that. anyhow, if you want to contact Steve Richmond further, I am enclosing his letter and will put his address down below. he plays with candles but only opens the place once or twice a week. the only thing is, for all the drawbacks, you might get a very reasonable deal, since I believe his parents own the place and about half of Venice, but Steve doesn't like to hear that part, he's very touchy about it. I'm told he goes about collecting rents and gets his own place rentfree. he's a very ####### quiet, non-bullshit guy but don't touch his you-are-rich button--he apes out. I was thinking he might get you a place of your own. if you drop him a short card or letter telling him what you are looking for it might help. I told Jon (Jr.) that it's pretty ard to think about a place for you when you are uncertain and so far away. by the way, Jon Jr. and Jery Sherman were over here the other day clacking beercans. they got along very well. me, I just don't get along with many people mainly because what they are interested in or fronting doesn't bring me on. you might say it's my fault. would like to see you two though and don't you dare come to town even for a short visit without coming to see me, god dam it. stay with it, Buk." The Webb's were early champions of Bukowski's work, publishing two of his early books, "It Catches My Heart In It's Hands" and "Crucifix In A Death Hand." As letters go, this one's pretty nice, showing both genuine affection for his friends and a bit of his personal ethos as well.

      [Bookseller: Captain Ahab's Rare Books]
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        One Hundred Years of Solitude

      Harper & Row, New York 1970 - A near fine stated first edition copy with a touch of rubbing to spine ends/corners. The unclipped first state jacket (with " !" at end of first paragraph on front flap) in mylar is chipped/rubbed at spine ends and corners. A tight square unmarked copy in unclipped jacket, housed in a fine custom clamshell case. ; 8vo 8" - 9" tall [Attributes: First Edition; Hard Cover]

      [Bookseller: curtis paul books, inc.]
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        One Hundred Years of Solitude. Translated from the Spanish by Gregory Rabassa

      Harper & Row, Publishers, New York 1970 - Green cloth. Fine in fine dust jacket with period after last word in first paragraph of the dust jacket, 4 tape marks on endpaper [Attributes: Hard Cover]

      [Bookseller: James Cummins Bookseller, ABAA]
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        Jack's Return Home

      London: Michael Joseph,, 1970. Octavo. Original black boards, titles to spine in silver. With the dust jacket. Ownership signature and rubber stamp date to front pastedown, ownership sticker and relevant newspaper clipping taped to front free endpaper. Slight evidence of dampstain to top edges of boards, an excellent copy in the lightly rubbed and nicked jacket with dampstain primarily to verso. First edition, first impression of the novel that was filmed as Get Carter starring Michael Caine.

      [Bookseller: Peter Harrington]
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      Garden City: Doubleday and Company, Inc.,. 1970. cloth.. Upper corners very slightly bumped, small erasure mark to front free. endpaper, else a fine copy in fine dust jacket with a touch of shelf. wear to spine ends and tiny closed tear to lower front panel. A very. attractive copy. (#125923). First U.S. edition. Filmed three times: In 1971 as "Get Carter," directed by Mike Hodges and starring Michael Caine and Britt Ekland, in 1972 in the U.S. as "Hit Man" and again in 2000 as "Get Carter" with Sylvester Stallone.

      [Bookseller: L. W. Currey, Inc.]
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      New York, Dodd Mead. 1970, 1970. First US edition. 8vo. A fine copy in publisher's cloth, minor wear to spine ends; in a fine, clean dustwrapper with a small closed tear to lower marging front panel and very slight wear to head of spine. An exceptionally clean copy, signed by Michael Caine (who starred as Andrew Wyke in the film adaptation) to the title page.

      [Bookseller: Adrian Harrington Rare Books]
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        SUR MATTA

      Paris: Editions Pierre Belfond, 1970 - Folio (305x405mm) - 2 original color Etchings (printed by Georges Visat) each signed and numbered by Matta. Roberto Matta(1911-2002) was one of Chile's best-known painters and a seminal figure in 20th century abstract expressionist and surrealist art. Text by Michel Fardoulis-Lagrange (1910-1994) French writer and poet. First Edition, printed in 200 copies (150 + 50 HC I-L) our's is N° IV/L on vélin d'Arches. Original red slipcase - gold titled. The slipcase slightly damaged at corners, otherwise in Very good codnition [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: °ART...on paper - 20th Century Art Books]
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        One Hundred Years of Solitude

      New York: Harper & Row, , 1970. Translated from the Spanish by Gregory Rabassa. Octavo. Original green cloth, titles to spine gilt, publisher's device to front board gilt, green endpapers. Spine gently rolled and faintly worn at tail, a few light abrasion marks to front pastedown, else bright and fresh. An excellent copy in a price-clipped jacket with a slightly faded spine panel and a few short closed tears, two with tape repairs on the verso. First English language edition, first printing, second issue dust jacket without the exclamation mark at the end of the first paragraph on front flap. One Hundred Years of Solitude was originally published in Argentina in 1967 under the title Cien Años de Soledad.

      [Bookseller: Peter Harrington]
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        Galoppierende Pferde. Große Porzellangruppe vom 2 galoppierenden Pferden. Gemarkt Hutschenreuther. Polychroner Sockel. Entwurf nach Max Hermann Fritz.

      Hutschenreuther, Selb - Maximale Höhe der Gruppe 30 cm, maximale Länge 41 cm, maximale Breite ca. 14 cm. Die Mähnen und Schweife der Pferde jeweils grau gefasst, der Sockel in lindgrün. Mit untenstehender Porzellanmarke *Lorenz Hutschenreuther*, ca. um 1970 entstanden. Guter Zustand. ( Gewicht ca. 2700 Gramm ) ( Pic erhältlich // webimage available )

      [Bookseller: Antiquariat Friederichsen]
 32.   Check availability:     AbeBooks     Link/Print  

        Papillon - 1st US Edition/1st Printing

      New York: William Morrow and Company, Inc.. Near Fine in Fine dust jacket. 1970. First US Edition; First Printing; Signed by Actor. Hardcover. A just about Fine Printing of the First US Edition, minor bumping to boards in alike dust jacket. SIGNED by Academy Award-winning actor Dustin Hoffman directly on the dust-jacket; Based on the best-selling autobiography by French convict Henri Charrière," Papillon" follows the escape escapades of unjustly convicted safecracker Henri "Papillon" Charrière from French penal colonies. Translated by June P. Wilson and Walter Benn Michaels. This enormously successful memoir was adapted into the 1973 Oscar-nominated film, which starred Steve McQueen and Dustin Hoffman .

      [Bookseller: Books Tell You Why]
 33.   Check availability:     Biblio     Link/Print  

        Alfabeto. Menabò originale

      Milano , EDIZIONE PRIVATA, 1970 - Menabò originale del volume ''Alfabeto'' pubblicato nel 1971. Il menabò contiene 26 foto originali di Mario De Biasi, di cui una diversa da quella pubblicata nel volume a stampa, e un disegno originale ad inchiostro firmato e datato (1970). Il menabò risale al maggio 1970 (data del disegno e della dedica). Il volume a stampa uscirà nel febbraio 1971 per le Edizioni IPL di Milano. Cm 17,4x13. pp. 14 quartini. Significativa dedica con firma autografa dell'Autore e disegno, datata Maggio 1970 (Substantial inscription signed by the Author with an original drawing in pen). Ottimo (Fine). . . . [Attributes: Hard Cover]

      [Bookseller: Studio Bibliografico Marini ALAI - ILAB]
 34.   Check availability:     IberLibro     Link/Print  

        Tuffstein. Oel auf Leinwand.

      1970.. Bildgrösse: 49x49 cm. Unten links signiert. Rückseitig voll signiert und bezeichnet. Gerahmt..

      [Bookseller: Biblion Antiquariat Leonidas Sakellaridi]
 35.   Check availability:     ZVAB     Link/Print  


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