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Displayed below are some selected recent viaLibri matches for books published in 1970

        Chez Rosalie. [Restaurant]

      San Francisco: Circa 1970s. - Oil on canvas. Signed lower right. 20 x 24 inches. Framed. John J. Payne (1928-1999)was a San Francisco based artist. He studied with Lorser Feitelson at the Art Center College of Design in Los Angeles. Payne painted in a naif and hard edge style. He exhibited in the Tillman Place Gallery and the Maxwell Gallery in the 1950s and 1960s. The artist's sister, Frances Payne, PhD, numbered each of the artist's works. This is Work no. 370. [Attributes: Signed Copy]

      [Bookseller: Wittenborn Art Books]
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        Self Portrait: Photographs by Lee Friedlander (First Edition) [SIGNED]

      Haywire Press, New City, New York 1970 - First edition, first printing. SIgned in ink by Friedlander. Soft cover. Photographically illustrated stiff wrappers; no dust jacket as issued. Photographs and text (untitled preface) by Lee Friedlander. Designed by Friedlander and Marvin Israel. Unpaginated (88 pp.) with 42 plates plus the cover image (not reproduced inside the book), printed by the Meriden Gravure Company, Meriden, Connecticut, from duotone separations made by Richard Benson. 8-1/2 x 9-1/8 inches. Out of print. Scarce.[Cited in Andrew Roth, ed., The Book of 101 Books: Seminal Photographic Books of the Twentieth Century. (New York: PPP Editions in association with Roth Horowitz LLC, 2001), in Andrew Roth, ed., The Open Book. (Göteborg, Sweden: Hasselblad Center in association with Steidl Verlag, Göttingen, Germany, 2004), and in Martin Parr and Gerry Badger, The Photobook: A History, Volume I. (London and New York: Phaidon, 2004).]. Fine (from the artist's archive). A Near Mint copy. Friedlander's Self-Portraits call attention to the complex, fractured and sometimes dissimulating interplay between various screens, shadows, reflections, lenses and the surfaces of the photographs themselves. Introducing this body of work, Friedlander wrote, "I might call myself an intruder." Following this, in Andrew Roth's Book of 101 Books Vince Aletti asserts, "Friedlander does seem to be lurking or barging into his own pictures -- a hovering, disembodied Everyman, at once here and gone. Like the ephemeral figures in nineteenth-century spirit photos, he appears as a shadow, a reflection, a pair of shoes, a barely discernible shape. Although there are a number of shots where Friedlander's head is clearly visible in a mirror or looms unmediated into the frame, none are conventional or in any sense flattering self-portraits.Mostly, however, he seems determined to remove himself from the frame -- to become not the subject of the picture but just another incidental bit of photographic phenomena, no more important that a shaft of sunlight or a shop window or a passing shadow." Signed by Author. [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: Vincent Borrelli, Bookseller]
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        ANDY WARHOL - SIGNED PRESENTATION COPY FROM THE ARTIST

      (WARHOL, ANDY). Coplans, John, Jonas Mekas & Calvin Tomkins. ANDY WARHOL - SIGNED PRESENTATION COPY FROM THE ARTIST. Signed Presentation Copy from the Artist. New York: New York Graphic Society Ltd., 1970. First Edition. 4to. Pictorial Wrappers. Artist Monograph. Very Good. 160pp, profusely illustrated in color and b&w. Designed by John Coplans. With a filmography and bibliography. In a protective clear acetate dustwrapper. This is the nicely appointed catalogue published in conjunction with the major 1970 Andy Warhol retrospective that traveled from The Whitney Museum of American Art to the Pasadena Art Museum. Featuring texts by curator John Coplans and Calvin Tomkins, it is notable for its focus on the pioneering Pop artist's experimental cinematic work which includes an essay by Jonas Mekas along with a complete filmography. A most handsome example of the paperbound New York Graphic Society Ltd. edition additionally bearing the BOLDLY SIGNED PRESENTATION "to Robin / Andy Warhol" in pencil across the front cover to an artist that acquired this directly from Mr. Warhol while visiting The Factory for tea in 1972 showing a bit of overall light wear. Laid in is a May 13th, 1970 clipping from the Los Angeles Times covering the exhibition's opening at the Pasadena Art Museum. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. 0-8212-0397-5 Inventory Number: 024540

      [Bookseller: Arcana: Books on the Arts]
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        The Memoirs of being his experiences in World Wars I and II, together with some other matters. For the Westropp family records.

      Chilham, Kent: For the author, 1970 - Octavo. Original full sheep, red morocco label, edges sprinkled red, black endpapers. Westropp armorial bookplate mounted on the front pastedown. First and only edition, limited to 50 signed and numbered copies, this number 9 of the first 10 which were bound in leather, this copy with personal inscription; "To Cupid [Colonel A. W. Valentine C.B.E., D.S.O.] In remembrance of some amusing and not so amusing occasions" Westropp served with Valentine in the Devons in WWI. Inevitably uncommon, Copac has BL, King's and IWM only, OCLC adds copies at the universities of Calgary, Kansas and Nebraska. Extraordinary life-story of a genuinely extraordinary man. "The bearing of Monty Westropp in situations of extreme peril when the spirits of many around him were downcast is graphically epitomised in the recollections of the Canadian historian Walter Lord in his book The Miracle of Dunkirk: ''The long shadow of tradition was now very much in evidence. When Colonel Lionel H. M. Westropp ordered the 8th King's Own Royal Regiment to head down the beach towards the mole he first assembled his officers. He reminded them that they wore the badge of one of the oldest regiments of the line. 'We therefore will represent the regiment as we march down the beach this afternoon. We must not let it down ' As Lord recalls, the battalion set off in perfect step, arms swinging in unison, rifles correctly slung and in immaculate marching order. It was a sight which put fresh heart into the many fearfully battered and demoralised units who witnessed it" (obituary, The Times 5 February, 1991). Commissioned into the Devonshire Regiment in April 1915, within a year he was commanding a company at the Battle of the Somme, all of his senior officers having been killed; "Many brave men cracked but Westropp never flinched from even the most appalling decisions. On one occasion a major in an adjacent unit was fleeing, terrified, to the rear and causing general panic among the soldiers around him. Without hesitation Westropp, then a mere 2nd lieutenant, drew his pistol and brought the officer down. Westropp then called his sergeant major to him, and together they reformed their shaken company and turned their faces towards the enemy in front". In the rear rest areas he became notorious for "performing energetic Cossack dances on restaurant tables, accompanied by his Russian girlfriend, Olga". Between the wars a spell in India allowed him to indulge his passion for polo and tiger and boar hunting, he also distinguished himself as an army fencer. From 1933 to 1936 he commanded the army's anti-gas unit, and compiled the relevant manuals, and in 1939 he raised a new battalion of the 8th King's Own, leading it as part of the BEF during the Blitzkrieg and through Dunkirk. He was later on Malta, where during the siege his battalion became known as "Westropp's Own", "So complete was his identification with it". He survived a torpedo attack off the coast of Tunisia, subsequently serving on the staff for the invasion of Sicily, but "turned down a later offer of staff training, quite correctly believing his métier to be that of regimental soldiering. Indeed, in spite of a sometimes alarming demeanour, he inspired intense loyalty among all ranks under him Above all his attitudes to life were influenced by his having survived the First World War when virtually all his school friends and regimental colleagues perished". Lengel 921.

      [Bookseller: Peter Harrington. ABA member]
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        Werke - Kritische Gesamtausgabe - 25 Bände: Abteilung II: II-1 + II-2 + II-3 + II-5 + Abteilung III: III-1 + III-2 + III-3 + III-4 + Abteilung IV: IV-1 + IV-2 + IV-3 + IV-+(=Nachbericht zur 4. Abt.) + Abteilung V: V-1 + V-2 + Abteilung VI: VI-1 + VI-2 + VI-3 + Abteilung VII: VII-1 + VII-2 + VII-3 + VII-4/1 + VII-4/2 + Abteilung VIII: VIII-1 + VIII-2 + VIII-3 (Einzelbände auf Anfrage)

      De Gruyter um 1970 bis 1990 herum Berlin * New York. Leinen Gelbe Leineneinbände mit zweifarbigen (Braun-Dunkelgrün) Rückensttiketten mit Goldbeschriftung Zustand: Die Bücher weisen nur minimalste Gebrauchsspuren auf und sind in sehr gutem Zustand - annähernd wie neu. Die Bände: Abteilung II: II-1 + II-2 + II-3 + II-5 Abteilung III: III-1 + III-2 + III-3 + III-4 Abteilung IV: IV-1 + IV-2 + IV-3 + IV-+(=Nachbericht zur 4. Abt.) Abteilung V: V-1 + V-2 Abteilung VI: VI-1 + VI-2 + VI-3 Abteilung VII: VII-1 + VII-2 + VII-3 + VII-4/1 + VII-4/2 Abteilung VIII: VIII-1 + VIII-2 + VIII-3 EInzelbände auf Anfrage. 225mm x 155mm

      [Bookseller: Wolfgang Metzger]
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        Dizionario Enciclopedico Italiano

      Roma , ISTITUTO DELL'ENCICLOPEDIA ITALIANA FONDATA DA GIOVANNI TRECCANI, 1970 - In 12 volumi ed un volume ''Supplemento'' edito nel 1974. Direttore della redazione, Umberto Bosco, Redattore-capo, Mario Niccoli, parte lessicale sovrintesa da Bruno Migliorini. Numerosissime illustrazioni in b/n e cartine, anche a colori, su pagina ripiegata. 4to (cm. 31 x 25). pp. 10836 complessive, 972 (Supplemento). . Perfetto (Mint). . . . Il ''Supplemento'' è stato curato dai collaboratori del ''Lessico Universale Italiano'' sotto la Direzione di Umberto Bosco. Collaborazioni di Aldo Duro, Mario Medici, Mario Beccari, Aldo Loschiavo, Paolo Mazzantini, Francesco Schino, Gianni Eugenio Viola e per le illustrazioni di Francesco Guadagnini e Bernardo Ruzicka [Attributes: Hard Cover]

      [Bookseller: Studio Bibliografico Marini ALAI - ILAB]
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        ALBERS, Paintings by Joseph Albers

      Sidney Janis Gallery, New York 1970 - Limited edition, soft cover catalog in original envelope as produced by the Janis Gallery in conjunction with an exhibit of Albers paintings, October 1970. 10 unpaginated pages containing silkscreens after his paintings were produced with his consent and under his supervision. Prints of Solstice (1958), Profuse (1969), Ebbed (1967), Arctiv Light (1963), Tremolo (1969), Votive (1968). Book shows shelf wear and a few spot stains on the covers. The actual prints are in excellent condition and are "frame" quality. with the exception of Arctic Light, which has 2 "dots" on the print. Oblong format. [Attributes: First Edition; Soft Cover]

      [Bookseller: Bohemian Bookworm]
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        Pukall, Egon. - Kreidefelsen auf Insel Rügen.

      . Aquarell, über Bleistift, um 1970. Von Egon Pukall. 29,5 x 41,8 cm (Darstellung / Blatt). Nicht näher bezeichnet. Verso Nachlass-Stempel "Egon Pukall". - Verso Reste einer ehemaligen Montierung. Die Ecken minimal bestoßen. Sehr gut erhalten. Egon Pukall (1934 Riesenkirch / Westrpeußen - 1989 Dresden). Deutscher Maler und Grafiker in Dresden. 1951-54 Studium an der Hochschule für Grafik und Buchkunst Leipzig und 1954-57 an der Hochschule für Bildende Künste Dresden. Seit 1957 freischaffend in Dresden tätig. Von 1977-85 Rekonstruktionsarbeiten der Decken-gemälde beim Wiederaufbau der Dresdner Semperoper. Pukall lebte und arbeitete von 1961-89 im Künstlerhaus Loschwitz am Dresdner Elbhang..

      [Bookseller: Galerie Himmel]
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        Zeitschrift für Philosophie und spekulative Theologie. Herausgegeben von Johann Gottlieb Fichte. 30 Bände (1837-1857). Ab Band 17: Zeitschschrift für Philosophie und philosophische Kritik, im Vereine mit mehreren Gelehrten herausgegeben von Johann Gottlieb Fichte und Hermann Ulrici.

      Nendeln/Liechtenstein: Kraus Reprint 1970.. Insgesamt 30 Bände. / Reprint der Ausgaben Berlin, Tübingen und Halle 1837-57. Frakturdruck. 17 Bände: 8° (17,5-22,5 cm). Bibliotheks-Halbleinenbände. / 13 Bände: Gr. 8° (22,5-25 cm). Bibliotheks-Leinenbände mit goldgeprägten Rückentiteln. [Hardcover / fest gebunden].. Zwei unterschiedliche Einbände. - Ehemaliges Bibliotheksexemplar mit Rückensignaturspuren, Inventarnummern und Stempeln auf Vorsatz- und Titelblatt. - Vereinzelte Bände mit ganz vereinzelten Blei- und Buntstiftanstreichungen. Ansonsten gut bis sehr gut erhaltenes Exemplar.

      [Bookseller: Antiquariat Kretzer - www.bibliotheca-th]
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        Ligne Créatrice Revue lettriste. Revue trimestrielle dirigée par Jacqueline Tarkieltaub. Collection complète.

      Paris, Ligne créatrice, 1970-1974 - 14 fascicules in-4 reliés en un volume in-4, pleine toile verte [couvertures conservées]. Certaines pages et planches pliées. Collection complète des 24 numéros [en 14 livraisons Nos. doubles ou triples 7/8/9, 10/11/12, 13/14, 16/17, 19/20, 21/24] . Un des 80 exemplaires ordinaires. Tiré à 100 exemplaires dont de 20 exemplaires de tête signés et numérotés de 1 à 20 et 80 exemplaires ordinaires. No.1. Contient une oeuvre originale signée de Arkitu. No.2. Ex. 21/100. Contient une linogravure de J. Tarkieltaub, numérotée et signée. No.3. Contient une linogravure de J.P. Gillard. No.4. Contient une hypergraphie de M. Hachette, numérotée 50/100 et signée. No.5. Contient une linogravurede F. Canal, numérotée 53/100 et signée. No.6. Contient une linogravure de Alain Satié, numérotée 38/100 et signée. No.7/8/9. Contient une lithographie de Roland Sabatier, numérotée 91/100 et signée. No.10/11/12. Contient une oeuvre de François Poyet, signée. No.13/14. Contient une oeuvre en offset Tarkieltaub. Textes, certains originaux, tracts ronéotés et illustrations de : Isidore Isou, Roland Sabatier, Jean-Paul Curtay, J.P. Gillard, F. Studeny, Arkitu, Maurice Lemaître, J. Tarkieltaub, Pierre Jouvet, Albert Dupont. Le No. 15. No. Spécial : Isou. 9 films polythanasiques esthapeiristes et supertemporels [1960-1972]. [Attributes: First Edition; Hard Cover]

      [Bookseller: Librairie Lecointre-Drouet ]
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        Les mots parlent. Roman.

      Paris, Editions PSI, 1970 - Roman hypergraphique présenté sous forme d’un puzzle contenu dans une boîte de conserve à demie ouverte, décorée d’un dessin original. Tiré à 20 exemplaires signés et justifiés. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Librairie Lecointre-Drouet ]
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        Crow.From the Life and Songs of The Crow.

      London, Faber and Faber. 1970 - FIRST EDITION, with ARTWORK. 8vo, pp.80. Hardcover in jacket. With original large bold colour illustration (of the Crow, naturally) to the flyleaf, signed by the artist. Fine in like jacket, which Baskin has also signed. Born in 1922, Baskin was an accomplished sculptor, book illustrator, printmaker, graphic artist, writer and teacher. His most prominent public commissions include a bas relief for the Franklin Delano Roosevelt Memorial and a bronze statue of a seated figure, erected in 1994 for the Holocaust Memorial in Ann Arbor, MI. His works are displayed at the Metropolitan Museum of Art, the Museum of Fine Arts, Boston, the Museum of Modern Art, the Art Institute of Chicago, the British Museum, the Honolulu Academy of Arts and the Vatican Museums. From 1953 until 1974, he taught printmaking and sculpture at Smith College in Northampton, Massachusetts. While he was a student at Yale University, he founded Gehenna Press, a small private press specializing in fine book production. He lived most of his life in the U.S., but spent nine years in Devon at Lurley Manor, Lurley, near Tiverton, close to his friend Ted Hughes -- for whom he illustrated Crow. He died on June 3, 2000 at the age of 77. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Adrian Harrington Ltd, ABA, ILAB]
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        Zeitschrift für Philosophie und spekulative Theologie. Herausgegeben von Johann Gottlieb Fichte. 30 Bände (1837-1857). Ab Band 17: Zeitschschrift für Philosophie und philosophische Kritik, im Vereine mit mehreren Gelehrten herausgegeben von Johann Gottlieb Fichte und Hermann Ulrici.,

      Nendeln/Liechtenstein: Kraus Reprint 1970 - Frakturdruck. Zwei unterschiedliche Einbände. - Ehemaliges Bibliotheksexemplar mit Rückensignaturspuren, Inventarnummern und Stempeln auf Vorsatz- und Titelblatt. - Vereinzelte Bände mit ganz vereinzelten Blei- und Buntstiftanstreichungen. Ansonsten gut bis sehr gut erhaltenes Exemplar. Sprache: Deutsch Gewicht in Gramm: 20000 17 Bände: 8° (17,5-22,5 cm). Bibliotheks-Halbleinenbände. / 13 Bände: Gr. 8° (22,5-25 cm). Bibliotheks-Leinenbände mit goldgeprägten Rückentiteln. [Hardcover / fest gebunden]. Insgesamt 30 Bände. / Reprint der Ausgaben Berlin, Tübingen und Halle 1837-57. [Attributes: Hard Cover]

      [Bookseller: Antiquariat Kretzer]
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        The Collected Edition. [Brighton Rock; It's a Battlefield; England Made Me; Our Man in Havanna; The Power and the Glory; The Heart of the Matter; The Confidential Agent; The Collected Stories; A Gun for Sale; The Ministry of Fear; The Quiet American; Stamboul Train; The End of the Affair; A Burnt-Out Case; The Man Within; The Third Man and Loser Takes All; The Comedians; Journey Without Maps; The Lawless Roads; Travels with my Aunt; The Honorary Consul; The Human Factor.]

      London: William Heinemann and The Bodley Head, 1970–82 - 22 volumes, octavo. Original green boards, titles gilt to spines, lilac endpapers, top edges gyed green. With the dust jackets. An excellent set in the very lightly rubbed jackets, with the occasional minor mark or small tear. First collected edition; each volume contains a new introduction by the author. [Attributes: First Edition]

      [Bookseller: Peter Harrington. ABA member]
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        One Hundred Years of Solitude.

      Jonathan Cape, London 1970 - First London edition of the author's magnum opus. Octavo, original green cloth with gilt lettering to the spine. Inscribed by Gabriel Garcia Marquez on the dedication page, per his custom. Fine in a near fine dust jacket with a small closed tear to the rear panel. An exceptional copy of this landmark novel, seldom found inscribed. "One Hundred Years of Solitude chronicles the life of Macondo, a fictional town based in part of Garcia Marquez's hometown of Aracataca, Columbia, and seven generations of the founding family, the Buendias. He creates a complex world with characters and events that display the full range of human experience. For the reader, the pleasure of the novel derives from its fast-paced narrative, humor, vivid characters, and fantasy elements. In this 'magic realism', the author combines imaginative flights of fancy with social realism to give us images of levitating priests, flying carpets, a four-year-long rainstorm, and a young woman ascending to heaven while folding sheets" (NYPL Books of the Century 31). [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Raptis Rare Books, ABAA/ ILAB]
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        William the Lawless

      London: Newnes, 1970. the last "William" book, published posthumously, and perennially difficult to find, small scuff and tape mark on rear endpaper and foot of rear internal hinge, otherwise a VG+ copy in a G+ npc d/w which has had rubs and small chips repaired and retouched, tape (now gone) had been applied on the verso of the d/w top and bottom edges and has left shadow on the external white parts of the wrapper (the back panel and flaps, overall a decent copy. 1st Edition. VG+/G+. Illus. by Henry Ford.

      [Bookseller: David Schutte]
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        Le Goût du Bonheur., Trois Carnets d'Atelier.

      Paris: Éditions cercle d'Art, 1970 - 31 S., 71 Lithographien. Sammlung von 71 Lithographien [davon 26 in Farbe], in Auswahl und Herstellung eng begleitet durch Picasso. Aufwendige Reproduktionen dreier Skizzenbücher Picassos aus dem Jahre 1964 ["Suite érotique"]. Druckverfahren mittels Dietz Offizin Handpresse unter Verwendung authentischer Farbanmischungen Picassos. Größe der Druckfläche ca. 10,5 cm x 16,5 cm, MAße der KAssete u. Blatter ca. 35 cm x 27,50 cm. Limierte Auflage von insgesamt 1998 Exemplaren, jeweils 666 in französischer, englischer und deutscher Sprache. Schuber und Mappe sauber und tadellos, Lithographien in sehr gutem Zustand. Sprache: Französisch Gewicht in Gramm: 1500 Lose Blätter in Mappe, Büttenpapier mit Wasserzeichen ARCHES, Schuber u. Mappe in geprägtem OLn. Nr. 394 von 666 französischsprachigen Exemplaren. [Attributes: Hard Cover]

      [Bookseller: Druckwaren Antiquariat GbR]
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        POEM OF THE MONTH CLUB (48 single leaf Poems with many accompanying letters and notifications from the editors.Poem broadsheets signed by all 48 contributors including: Stevie Smith; C. Day Lewis; Philip Larkin; Robert Graves; Stephen Spender ) Scarce Complete Set In Original Publisher's Portfolio

      Complete portfolio of "Poem of the Month Club' published by London, Bourton, Dorset from 1970 - 77. 48 unbound paper broadsheets which are contained in the original publisher's portfolio which is in Very Good condition: half pigskin tie folder with title to upper board with some mild scuffing to the pigskin.It retains the original ties.Each broadsheet is in near FINE condition and has been SIGNED by the Poet, with Betjeman's poem additionally corrected in his own hand.Initially limited to 1000 copies,later folios were as few as 500 or 600.Poets include:Stevie Smith; C. Day Lewis; Philip Larkin; Robert Graves; Stephen Spender; Anthony Thwaite; Elizabeth Jennings; Stevie Smith; W.H. Auden; Seamus Heaney; John Betjeman et al.Also accompanied by various letters and notifications from the editors regarding further information concerning certain poets and poems.A Highlight of 20th Century poetry.Extremely scarce to find as a complete portfolio.Very Collectible. Ashtonrarebooks welcomes direct contact.

      [Bookseller: Ashtonrarebooks]
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        Contes. Illustrations de Henry Lemarié.

      Paris / Édition d'Art Les Heures Claires 1970 - o. J. (1970). 4 Bde. Lose Tafeln in Papierhüllen diese eingelegt in Pappeinband, dieser wiederrum in Schuber. Sprache: Französisch, Schuber leicht gebrauchsspurig; sonst tadelloser Zustand! 2200 Gramm. [Attributes: Hard Cover]

      [Bookseller: Eugen Küpper]
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        CODES VYSEHRADENSIS (Faksimile und Kommentar in der Originalkassette)

      Prag, Pragopress, 1970 - 1. Faksimile: Gebunden in Brokat (Das fünffarbige Ornament nach einem Stickereifragment auf dem Originaleinband reproduziert, 335 x 420 mm, 222 Seiten (einschließlich Reproduktionen von 4 Seiten Vorsatzpapier und 4 Seiten Originaleinband), fünf- bis sechsfarbiger Buchdruck - 2. Kommentar: Kunstleder, 315 x 420 mm, 68 Seiten, in in englischer, deutscher, französischer und russischer Sprache - Band XIII der Editio Cimelia Bohemica, Auflagenhöhe 800 Exemplare (hier die Nummer 266), Der Codex stammt aus der Bibliothek des 1978 in Libyen tödlich verunglückten Mitglied des Politbüros der DDR, Werner Lamberz Sehr guter Zustand, lediglich die Kassette weist Lagerspuren auf [Attributes: Hard Cover]

      [Bookseller: Antiquariat Zinnober]
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        Erotoscope

      Paris: Marie Concorde, 1970. Book comprising of photographs of 3 topless models with many pages of different sections allowing the reader to put on different hairstyles, hats, tops skirts pants and footwear, countless combinations,pages not numbered but around 36 pages in very bright clean condition. Outer boards are in overall bright clean condition just a few very light marks and repairs to splits at top of spine, see images.A pleasing example of this scarce book SEE IMAGES. DETAILED IMAGES AVAILABLE ON REQUEST . First Edition First Printing. Illustrated Boards. Good Plus/No Jacket. Illus. by Jean Claude Peretz . 11 x 8¼ Inches. Hardcover.

      [Bookseller: Books Bought and Sold]
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        Das Los der Raucher in öffentlichen Verkehrsmitteln.

      - Tuschfederzeichnung. Signiert. 23,4:32,5 cm. Literatur: Simplicissimus. Bilder aus dem „Simplicissimus". Hrsg. v. H. Reinoß, Hannover, 1970, SS. 77, 286; Flemig, SS. 214/15. Maler, Zeichner, Mitarbeiter „Jugend" und „Simplicissimus" (nach dem Tode von Engl).

      [Bookseller: Galerie Joseph Fach GmbH]
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        Ein Krankenbesuch.

      - Kohle, laviert. Monogrammiert. 32,2:43,8 cm. Text: Bei dem Sauwetter, bei dem damischen, meld’ma sich am besten glei’krank. Literatur: Simplicissimus. Bilder aus dem „Simplicissimus". Hrsg. Von H. Reinoß, Hannover, 1970, S. 260. 1899 in Stuttgart (Feuerbach) geboren, absolvierte Otto Herrmann die Volksschule und eine Lehre als Chemiegraph, bevor er als Freiwilliger in den Ersten Weltkrieg zog. Der militärische Drill die Kriegserlebnisse, und die materielle Armut haben den Künstler geprägt und schlugen sich unmittelbar in seinem Werk nieder. Anfang der 1920er Jahre wurde Otto Herrmann auf die Stuttgarter Kunstakademie aufgenommen. Studienaufenthalte führten ihn nach München, Paris und Italien. Bei Prof. Altherr absolvierte er 1928 die Meisterklasse. Danach arbeitete er als freier Maler und gesellschaftskritischer Zeichner für Zeitschriften wie Simplicissimus und Jugend. In dieser Zeit schloss sich Otto Herrmann der ARBK (Assoziation revolutionärer bildender Künstler) an. Einer der führenden Köpfe der ARBK war der Arzt und Schriftsteller Friedrich Wolf, für dessen Arbeiter-Theaterstücke Herrmann Bühnenbilder und Masken malte. Aus dieser Zeit ist wenig erhalten – eine Bombe zerstörte 1944 sein Atelier. Während des Dritten Reiches war es ihm kaum noch möglich künstlerisch zu arbeiten. 1936 soll er Ausstellungsverbot erhalten haben und im Zuge der Aktion "Entartete Kunst" wurde 1937 ein Ölbild von ihm aus der Sammlung der Staatsgalerie entfernt. In diesem Jahr heiratete er Maria Herrmann, um ihre Verbindung nach mehr als 15 Jahren zu legitimieren. Trotzdem verließ er Stuttgart vorübergehend, um in München eine Stelle als Autotypie-Ätzer anzunehmen. Schließlich wurde er ein zweites Mal zum Militärdienst eingezogen und in ein Ausbildungslager für schwere Artillerie in Brünn (Tschechien) geschickt. Dem Einsatz an der Westfront entging er schließlich durch eine Freistellung zur Industriearbeit. Bekannt wurde Otto Herrmann zunächst 1950 für seine Serie DIE VERDAMMTEN; ein Zyklus aus Lithografien und Zeichnungen, inspiriert von Plieviers Roman "Stalingrad". Die Ausstellung der Grafiken löste in Stuttgart einen Skandal aus. Sein Anliegen, die äußerste Entwürdigung und Verlorenheit des Menschen im Kriegsgeschehen ins Bewusstsein zu bringen, trug ihm den Vorwurf ein, die deutschen Soldaten zu diffamieren. Diese erste große Aufmerksamkeit ließ Herrmann an der Serie weiter arbeiten und ein Buchprojekt in Angriff nehmen. Doch das aufstrebende Wirtschaftswunder und vor allem die Wiederbewaffnung der Bundesrepublik entzogen ihm den Boden bzw. das Publikum. Der Zyklus wurde zwar noch einige Male ausgestellt und von Sammlungen angekauft, doch Otto Herrmann war seither als der "Stalingrad-Maler" abgestempelt und zog sich frustriert über dieses Missverständnis zurück. Erst im Zuge einer Politisierung der Kunst durch die "68er" und eine Aufwertung gegenständlicher Malerei durch die "Neuen Wilden" bzw. die "Neoexpressionisten" rückten Otto Herrmanns Werke wieder in den Fokus des öffentlichen Interesses.

      [Bookseller: Galerie Joseph Fach GmbH]
 23.   Check availability:     AbeBooks     Link/Print  


        Plausible Auskunft". Ober und Gast.

      - Tuschfeder- und Tuschpinselzeichnung, Bleistift, blau laviert. Signiert. 22,9:31,7 cm. Text: Sagen Sie, was ist denn da für ein Unterschied zwischen dem Rheinwein zu 5 Mark und dem zu 6? Antwort: Eine Mark. Literatur: Simplicissimus. Bilder aus dem „Simplicissimus". Hrsg. v. H. Reinoß, Hannover, 1970, SS. 77, 286; Flemig, SS. 214/15. Maler, Zeichner, Mitarbeiter „Jugend" und „Simplicissimus" (nach dem Tode von Engl).

      [Bookseller: Galerie Joseph Fach GmbH]
 24.   Check availability:     AbeBooks     Link/Print  


        Ein Krankenbesuch.

      . Kohle, laviert. Monogrammiert. 32,2:43,8 cm. Text: Bei dem Sauwetter, bei dem damischen, meld'ma sich am besten glei'krank. Literatur: Simplicissimus. Bilder aus dem "Simplicissimus". Hrsg. Von H. Reinoß, Hannover, 1970, S. 260.. 1899 in Stuttgart (Feuerbach) geboren, absolvierte Otto Herrmann die Volksschule und eine Lehre als Chemiegraph, bevor er als Freiwilliger in den Ersten Weltkrieg zog. Der militärische Drill die Kriegserlebnisse, und die materielle Armut haben den Künstler geprägt und schlugen sich unmittelbar in seinem Werk nieder. Anfang der 1920er Jahre wurde Otto Herrmann auf die Stuttgarter Kunstakademie aufgenommen. Studienaufenthalte führten ihn nach München, Paris und Italien. Bei Prof. Altherr absolvierte er 1928 die Meisterklasse. Danach arbeitete er als freier Maler und gesellschaftskritischer Zeichner für Zeitschriften wie Simplicissimus und Jugend. In dieser Zeit schloss sich Otto Herrmann der ARBK (Assoziation revolutionärer bildender Künstler) an. Einer der führenden Köpfe der ARBK war der Arzt und Schriftsteller Friedrich Wolf, für dessen Arbeiter-Theaterstücke Herrmann Bühnenbilder und Masken malte. Aus dieser Zeit ist wenig erhalten - eine Bombe zerstörte 1944 sein Atelier. Während des Dritten Reiches war es ihm kaum noch möglich künstlerisch zu arbeiten. 1936 soll er Ausstellungsverbot erhalten haben und im Zuge der Aktion "Entartete Kunst" wurde 1937 ein Ölbild von ihm aus der Sammlung der Staatsgalerie entfernt. In diesem Jahr heiratete er Maria Herrmann, um ihre Verbindung nach mehr als 15 Jahren zu legitimieren. Trotzdem verließ er Stuttgart vorübergehend, um in München eine Stelle als Autotypie-Ätzer anzunehmen. Schließlich wurde er ein zweites Mal zum Militärdienst eingezogen und in ein Ausbildungslager für schwere Artillerie in Brünn (Tschechien) geschickt. Dem Einsatz an der Westfront entging er schließlich durch eine Freistellung zur Industriearbeit. Bekannt wurde Otto Herrmann zunächst 1950 für seine Serie DIE VERDAMMTEN; ein Zyklus aus Lithografien und Zeichnungen, inspiriert von Plieviers Roman "Stalingrad". Die Ausstellung der Grafiken löste in Stuttgart einen Skandal aus. Sein Anliegen, die äußerste Entwürdigung und Verlorenheit des Menschen im Kriegsgeschehen ins Bewusstsein zu bringen, trug ihm den Vorwurf ein, die deutschen Soldaten zu diffamieren. Diese erste große Aufmerksamkeit ließ Herrmann an der Serie weiter arbeiten und ein Buchprojekt in Angriff nehmen. Doch das aufstrebende Wirtschaftswunder und vor allem die Wiederbewaffnung der Bundesrepublik entzogen ihm den Boden bzw. das Publikum. Der Zyklus wurde zwar noch einige Male ausgestellt und von Sammlungen angekauft, doch Otto Herrmann war seither als der "Stalingrad-Maler" abgestempelt und zog sich frustriert über dieses Missverständnis zurück. Erst im Zuge einer Politisierung der Kunst durch die "68er" und eine Aufwertung gegenständlicher Malerei durch die "Neuen Wilden" bzw. die "Neoexpressionisten" rückten Otto Herrmanns Werke wieder in den Fokus des öffentlichen Interesses.

      [Bookseller: Galerie Joseph Fach GmbH]
 25.   Check availability:     ZVAB     Link/Print  


        "Plausible Auskunft". Ober und Gast.

      . Tuschfeder- und Tuschpinselzeichnung, Bleistift, blau laviert. Signiert. 22,9:31,7 cm. Text: Sagen Sie, was ist denn da für ein Unterschied zwischen dem Rheinwein zu 5 Mark und dem zu 6? Antwort: Eine Mark. Literatur: Simplicissimus. Bilder aus dem "Simplicissimus". Hrsg. v. H. Reinoß, Hannover, 1970, SS. 77, 286; Flemig, SS. 214/15.. Maler, Zeichner, Mitarbeiter "Jugend" und "Simplicissimus" (nach dem Tode von Engl).

      [Bookseller: Galerie Joseph Fach GmbH]
 26.   Check availability:     ZVAB     Link/Print  


        Picasso 347; 347 Engravings That Picasso Executed At Mougins from March 16th to October 5th, 1968

      New York: Random House, 1970. First Edition. Hardcover. Near fine. Picasso. Two volume set with slipcase and original packing materials. Text block clean and bindings tight. Velour fresh. Non-U.S. buyers: Please check with us on shipping fees BEFORE placing your order.

      [Bookseller: Liberty Book Store IOBA FABA]
 27.   Check availability:     IOBABooks     Link/Print  


        Valéry face à ses idoles EDITION ORIGINALE ENVOI AUTOGRAPHE

      Paris: L'Herne, 1970. Fine. L'Herne, Paris 1970, 13,5x21cm, broché. - Edition for of wich no leading copies exists. Autograph signed by the author. Small marginal head of the first flat bites. --- Please note that the translation in english is done automatically, we apologize if the formulas are inaccurate. Contact us for any information! - [FRENCH VERSION FOLLOWS] Edition originale pour laquelle il n'a pas été tiré de grands papiers. Envoi autographe signé de Emil Michel Cioran. Petites piqûres marginales en tête du premier plat.

      [Bookseller: Librairie Le Feu Follet]
 28.   Check availability:     Biblio     Link/Print  


        The Case for Reappraisal of U.S. Overseas Information Policies and Programs, Incorporating Congressman Fascell's Report

      Praeger, 1970, Hardcover, Book Condition: Fair, First Edition. Size: 8vo - over 7¾" - 9¾" tall, 316 pages. Published in cooperation with The Emergency Committee for Reappraisal of U.S. Overseas Policies and Programs, and The Overseas Press Club Foundation, Edward R. Murrow Memorial Fund. In light of the communications revolution of the last fifty years, this work addresses the urgent need for the U.S. Overseas Information Agency (USIA) to "be brought into line with changed political conditions, the new techniques of communication, and the findings of social scientists." - from Preface. Moderate wear. Binding intact. Usual library markings. A sound copy, Former Library Copy

      [Bookseller: RareNonFiction.com]
 29.   Check availability:     Bookzangle     Link/Print  


        S/Z EDITION ORIGINALE ENVOI AUTOGRAPHE

      Paris: Seuil, 1970. Fine. Seuil, Paris 1970, 14x20,5cm, broché. - Edition for of wich no leading copies exists. Autograph signed by the author journalist and historian Antoine Casanova. Spine slightly lightened by sun light, clear wetness on the upper edge, a pale spot at the top of the first flat. --- Please note that the translation in english is done automatically, we apologize if the formulas are inaccurate. Contact us for any information! - [FRENCH VERSION FOLLOWS] Edition originale pour laquelle il n'a pas été tiré de grands papiers. Envoi autographe signé de Roland Barthes au journaliste et historien Antoine Casanova. Dos légèrement insolé, une claire mouillure sur la tranche supérieure, une pâle tache en tête du premier plat.

      [Bookseller: Librairie Le Feu Follet]
 30.   Check availability:     Biblio     Link/Print  


        Only the Ball Was White (Jackie Robinson's Copy)

      Englewood Cliifs, New Jersey: Prentice-Hall, 1970. 1st. Cloth. Collectible; Fine/Fine. A very important ASSOCIATION copy, BELONGING TO JACKIE ROBINSON!! LAID-IN IS AN IMMACULATE PRENTICE-HALL REVIEW SLIP, ADDRESSED TO JACKIE ROBINSON VIA HIS NEW YORK AGENT. An unusually clean, crisp copy to boot of the 1970 1st edition of this highly-regarded history of the Negro Leagues. Tight and Near Fine in a bright, price-intact, Near Fine dustjacket. For obvious reasons, it's almost impossible to overstate the significance of this copy.

      [Bookseller: Appledore Books, ABAA]
 31.   Check availability:     Biblio     Link/Print  


        History of Magic & Experimental Science ( 8 Volume Set, complete ).

      Columbia University Press circa 1970, New York, NY - Hardcovers. Eight Volume Set. Large 8vos. Vol. I: xl + 836pp.; Vol. II: viii + 1036pp.; Vol. III: xxvi + 830pp.; Vol. IV: xviii + 770pp.; Vol. V: xxii + 696pp. ; Vol. VI: xviii + 766pp. Vol. VII: x + 696pp. Vol. VIII: viii + 808pp. Original matched green cloth. Indexes & biblios. A complete set of Thorndike's classic History of Magic. Vols. I & II: The First Thirteen Centuries, Vols. II & IV: Fourteenth and Fifteenth Centuries; Vols. V & VI: Sixteenth Century. Vols. VII & VIII: Seventeenth Century. The volumes which make up the set were first published between 1923 and 1958 - those in this set are all later printings. The set was bought new in about 1980, so it presumably dates from around that periold. Vols. I & II: The First Thirteen Centuries, Vols. II & IV: Fourteenth and Fifteenth Centuries; Vols. V & VI: Sixteenth Century. Vols. VII & VIII: Seventeenth Century. A little light shelf rubbing, light bruising to spine ends, top edges a bit darkened, creases across index pages of first volume (publisher's flaw), otherwise a bright clean near Fine set. [Attributes: Hard Cover]

      [Bookseller: Weiser Antiquarian Books, Inc.]
 32.   Check availability:     AbeBooks     Link/Print  


        ONE HUNDRED YEARS OF SOLITUDE

      Harper & Row, New York 1970 - Very Good+ in a Very Good+ dust jacket. Second state, jacket with a "." instead of an exclamation mark at the end of the first paragraph on the front flap; price is unclipped. Jacket is in very nice shape overall though on the rear panel there is two tears inexpertly repaired with tape else a Near Fine copy. ; A Signed copy. Inscribed and dated in 1991 on the dedication page by Gabriel Garcia Marquez. ; 9.13 X 6.57 X 1.11 inches; 120 pages; Signed by Author [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Rare Book Cellar]
 33.   Check availability:     AbeBooks     Link/Print  


        Kiosk with Magazines, Pedestrians and Subway logo [New York City]

      San Francisco: Circa 1970s. - Oil on canvas. Signed lower right. 20 x 24 inches. Unframed. John J. Payne (1928-1999) was a San Francisco based artist. He studied with Lorser Feitelson at the Art Center College of Design in Los Angeles. Payne painted in a naif and hard edge style. He exhibited in the Tillman Place Gallery and the Maxwell Gallery in the 1950s and 1960s. The artist's sister, Frances Payne, PhD, numbered each of the artist's works. This is Work no. 77. [Attributes: Signed Copy]

      [Bookseller: Wittenborn Art Books]
 34.   Check availability:     AbeBooks     Link/Print  


        POEM OF THE MONTH CLUB (48 single leaf Poems with many accompanying letters and notifications from the editors.Poem broadsheets signed by all 48 contributors including: Stevie Smith; C. Day Lewis; Philip Larkin; Robert Graves; Stephen Spender; Anthony Thwaite; Elizabeth Jennings; Stevie Smith; W.H. Auden; Seamus Heaney;John Betjeman et al.)

      London : Bourton Dorset : Poem-of-the-Month Club 1970 - Complete portfolio of "Poem of the Month Club' published by London, Bourton, Dorset from 1970 - 77. 48 unbound paper broadsheets which are contained in the original publisher's portfolio which is in Very Good condition: half pigskin tie folder with title to upper board with some mild scuffing to the pigskin.It retains the original ties.Each broadsheet is in near FINE condition and has been SIGNED by the Poet, with Betjeman’s poem additionally corrected in his own hand.Initially limited to 1000 copies,later folios were as few as 500 or 600.Poets include:Stevie Smith; C. Day Lewis; Philip Larkin; Robert Graves; Stephen Spender; Anthony Thwaite; Elizabeth Jennings; Stevie Smith; W.H. Auden; Seamus Heaney; John Betjeman et al.Also accompanied by various letters and notifications from the editors regarding further information concerning certain poets and poems.A Highlight of 20th Century poetry.Extremely scarce to find as a complete portfolio.Very Collectible. Ashtonrarebooks welcomes direct contact. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Ashtonrarebooks PBFA]
 35.   Check availability:     AbeBooks     Link/Print  


        Grand Tarot Belline

      Paris: J.-M. Simon France Cartes, 1970. 1970 edition. Beautiful gold-edged set of 78 tarot cards in gilt-&-black embossed box with red velveteen interior. Includes 72pg instruction booklet, in French. Gutter creases to booklet. Outer cardboard box has mild soiling, labels on side, corners of top split. It has, however, done its job of protecting the gilt/black box and cards within. . Cards. Very Good/No Jacket. 8vo - over 7¾" - 9¾" tall. Used.

      [Bookseller: Wyrdhoard Books]
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        Shakespeare - World First Printing

      Jonathan Cape London 1970 - VERY RARE SIGNED FIRST PRINTING. No bumped corners. Binding tight and firm. Red cloth with silver gilt and black spine. No marks or signs of wear. This has obviously been kept in careful storage. SIGNED by the author on the title page. Javcket is now protected with mylar but it is Very Good rather than Fine because it has been price clipped and the top of the spine is chipped. A superb and rare collectable of this typically trenchant, fresh, and original examination of one of the author's great heroes. A superb book. Language: eng [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: THE BOOKSNIFFER]
 37.   Check availability:     AbeBooks     Link/Print  


        Poems From The Hills, 1970; Poems From The Hills, 1971; From The Hills, 1972 ... a story in prose verse and graphics; Scimitar and Song, 1976, Togther with Signed Releases [Signed 98X]

      MHC Publications [Morris Harvey College], 1970, 1971, 1972, 1976, Wrappers, Book Condition: Very Good, First edition. Full Author Name: Plumley, William [Editor]; Buck, Pearl S.; Pease, Louise McNeill; Nemerov, Howard; Bode, Carl; Smith, Janet; Bly, Robert; Dickey, James; Eberhart, Richard; Price, Eugenia; Sheen, Martin; Jesse Stuart; Lee Pennington; Buck, Arthur C.; John Foster West, Judson Jerome, X. J. Kennedy and many others. Four copies of Poems From The Hills, a publication of Morris Harvey College [now known as The University of Charleston], each edited by William Plumley, Poet and Professor, and each of which was his personal copy; TOGETHER WITH the Plumley's copy of the 1976 issue of Scimitar and Song, TOGETHER WITH nineteen original signed Photoslide and Audiotape Releases obtained by Plumley and the College in connection with the 1977 Appalachian Festival. Each copy of Poems From the Hills is in Very Good condition with some modest marking, handling soil, and signs of use, and each Release is in Fine condition. Two copies of the 1971 issue are here presented, one of which lacks pp 29 - 44 and, in lieu thereof, contains a second set of pp 13 - 28. [We presume that Plumley noted the missing pages from this copy and thus retained both the copy which was missing pages and a complete copy as well. Each copy is signed by multiple contributors.] The 1970 edition has been signed by Louise McNeill Pease (and inscribed by her to Kathleen Burton), Eugenia Price (at each of her two contributions), Hollis Summers, Richard Eberhart, Carl Bode, Robert Bly, Howard Nemerov, James Dickey, Arthur C. Buck, Doris C. Miller, Ruth Ann Musick, W. F. Lee; Wallace E. Knight, O. Ralph Mitchell, Linda Delekta, Steven R. Hayes, Maralee G. Davis [Thibault], Jesse Stuart, and Jane Stuart. The misbound 1971 edition has been signed by Marilee Davis, Louise McNeill, John Foster West, Maureen Milicia (at her drawing on the front cover), Janet Smith, Carl Bode, William Plumley, Arthur C. Buck, Muriel Miller Dressler, Lucey Rider Snyder, and Hollis Summers on the front cover and is signed within by Nobel Laureate Pearl S. Buck on the title page and again at her photograph accompanying her Forward where she has signed "your friend, / Pearl S. Buck. / 1971", Richard Eberhart, X. J. Kennedy [at two of his contributions], Hollis Summers, Jesse Stuart, Lee Pennington, Emilie Glen. The properly bound 1971 issue has been signed by Louise McNeill, John Foster West, Maureen Milicia (at her drawing on the front cover), Janet Smith, Carl Bode, William Plumley, Arthur C. Buck, Muriel Miller Dressler, and Lucye Rider Snyder on the front cover and is signed within by Nobel Laureate Pearl S. Buck on the title page and again at her photograph accompanying her Forward where she has signed "your friend, / Pearl S. Buck. / 1971", Richard Eberhart, X. J. Kennedy, Carl Bode, Hollis Summers, Judson Jerome, Mara G. Davis (Gibson), and Jesse Stuart. The 1972 issue has been signed within by Ruth Ann Musick, Muriel Miller Dressley, Arthur C. Buck, Louise McNeill, Avery F. Gaskins, Martin Sheen, Jesse Stuart, Lee Pennington, Monet Adams, and Judson Jerome on the title page and within by Emilie Glen, Carl Bode, Peter Zikovic, and Steve Oakrum. The issue of Scimitar and Song has been inscribed to William Plumley by Co-Editor Jean Sterling on the half-title as follows: "To Bill / Good Writer, Editor, / Teacher and Friend / With All Best Wishes, / Jean (Sterling) / Sept. 6, 1976 and has been signed within by Jean Grau, Dan Levin, Jesse Stuart (twice), William Plumley, and Paul Sabatino. A remarkable collection of works and signatures with a strong connection to Appalachia.

      [Bookseller: Allington Antiquarian Books, LLC]
 38.   Check availability:     Bookzangle     Link/Print  


        Jack's Return Home

      London: Michael Joseph,, 1970. Octavo. Original black boards, titles to spine in silver. With the dust jacket. An excellent copy in the lightly rubbed jacket with some minor abrasions. First edition, first impression of the novel that was filmed as Get Carter starring Michael Caine.

      [Bookseller: Peter Harrington]
 39.   Check availability:     Biblio     Link/Print  


        JACK'S RETURN HOME

      Doubleday and Co., Garden City 1970 - Octavo, cloth. Filmed three times. In 1971 as Get Carter, directed by Mike Hodges and starring Michael Caine and Britt Ekland, in 1972 in the U.S. as Hit Man and again in 2000 as Get Carter with Sylvester Stallone. A fine copy, upper corners very slightly bumped, small erasure mark to front free end paper in a fine dust jacket with a touch of shelf wear to spine ends, tiny closed tear to lower front panel. A very attractive copy. (8889) [Attributes: Hard Cover]

      [Bookseller: John W. Knott, Jr, Bookseller, ABAA/ILAB]
 40.   Check availability:     AbeBooks     Link/Print  


        Le Gout Du Bonheur; a suite of happy, playful, and erotic drawings

      NY: Abrams, 1970. First edition. Hardcover. Loose as issued in orig. cream basket weave linen cloth chemise. Fine in near fine matching folding box printed in red and black, with leather snap closure. 29 pages in text. 32 x 26 cm. Introduction by Jean Marcenac. Limited edition, copy 424 of 666 of this English edition. Seventy-one lithographic plates in color and black and white produced under the personal supervision of Picasso and using a variety of media including crayon, pencil, charcoal, and lithographic tusche that Picasso employed himself in the creation of the originals.

      [Bookseller: Royoung bookseller, Inc.]
 41.   Check availability:     Biblio     Link/Print  


        Papillon - 1st US Edition/1st Printing

      New York: William Morrow and Company, Inc.. Near Fine in Very Good+ dust jacket. 1970. First US Edition; First Printing; Signed by Actor. 1/4 Cloth. A Near Fine printing of the first US edition, light sunning to the top edges of boards in Very Good+, price-clipped dust jacket with slight creasing and minor edgewear. SIGNED and inscribed by Academy Award-winning actor Dustin Hoffman directly on the dust-jacket; Based on the best-selling autobiography by French convict Henri Charrière," Papillon" follows the escape escapades of unjustly convicted safecracker Henri "Papillon" Charrière from French penal colonies. Translated by June P. Wilson and Walter Benn Michaels. This enormously successful memoir was adapted into the 1973 Oscar-nominated film, which starred Steve McQueen and Dustin Hoffman .

      [Bookseller: Books Tell You Why]
 42.   Check availability:     Biblio     Link/Print  

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