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Displayed below are some selected recent viaLibri matches for books published in 1970

        Venus in Hollywood. The Continental Enchantress From Garbo to Loren.

      New York: Lyle Stuart, 1970 - Octavo. Original yellow cloth, gilt titles to spine black. With the dust jacket. Mild toning to pages, in the dust jacket with wear to extremities, mild soiling to panels, light abrasion marks to front panel. A very good copy. 16 black and white photographs. First edition, first printing. Inscribed by John Wayne on the front free endpaper.

      [Bookseller: Peter Harrington. ABA member]
 1.   Check availability:     IberLibro     Link/Print  


        Marx Engels Werke (in 34 Bänden + Verzeichnis + Ergänzungsband Erster Teil: Schriften bis 1844 - insgesamt 43 Bücher

      Berlin, Dietz Verlag, 1970.. 34 Bände, Die deutsche Ausgabe der Werke von Marx und Engels fusst auf der vom Institut für Marxismus-Leninismus beim ZK der KPdSU besorgten zweiten russischen Ausgabe. gebundene Ausgabe. Ausgetragenes Bibliotheksexemplar, blaue gebundene Ausgabe mit goldener Titelprägung auf dem Deckel und Rücken, Kanten teilweise leicht bestoßen, Seiten altersgemäß leicht angedunkelt, insgesamt in altersgemäß sehr gutem Zustand Schneller Versand, mit Rechnung.

      [Bookseller: Versand-Antiquariat Konrad von Agris]
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        Woman with Red Hair in Profile (with Girl with Black Beret holding a Doll 51-0607)

      San Francisco: Circa 1970s. - Oil on board. Signed upper right verso. 20 x 15.75 inches. Two paintings on either side of board Unframed. John J. Payne (1928-1999) was a San Francisco based artist. He studied with Lorser Feitelson at the Art Center College of Design in Los Angeles. Payne painted in a naif and hard edge style. He exhibited in the Tillman Place Gallery and the Maxwell Gallery in the 1950s and 1960s. The artist's sister, Frances Payne, PhD, numbered each of the artist's works. This is Work no. 253b. [Attributes: Signed Copy]

      [Bookseller: Wittenborn Art Books]
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        Dizionario illustrato dei Pittori, Disegnatori e Incisori Italiani Moderni e Contemporanei,

      Patuzzi, 1970 5 Volumi, cm 22x30.5, dal Vol. 1 a Vol. 5 pp. 3586 con moltissime ill. in b / n e a colori, legature in pelle con titoli in oro al piatto e al dorso con sovraccoperte bicrome. Perfetti.

      [Bookseller: Libreria Cossavella sas]
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        Autograph letter signed ("(Satchmo) Louis Armstrong)") to Erich Kauffmann, [Corona, N.Y.] April 5,1970

      1970. Five pages, in ink. Erich Kauffmann was the partner of trombonist Franz Schuritz who formulated the lip salve that Armstrong grew to depend on: "Dear Mr. Kauffmann: My dear friend I always be very happy when I get a letter from you. You and your dear family are Lucille (my wife) and my dear friends. We love you all very very much. We are very happy that we had the thrill to meet you - the family and the Boss Man, Mr. Franz Schuritz. Real fine family And a happy meeting for Lucille and I. We both talk about you all lots and lots of times. I am well again and feeling fine after a long good rest which was what I really needed after traveling so much in show business. My doctor demanded that I do it. Now I am happy that I did. And with attention of my dear Lucille - all is well - I am well and everything is beautiful again. And I promised that I will never work so hard. (Moms) Lucille that is my (love-pet name for her) she joins me in sending you all our love and the best of happiness always. I have also recorded my first record. I'll send one of them to you as soon as they are released. Already it's a big seller here in America. So you must stay happy. And keep making your very good Lip Salve (Anzatz Creme) Louis Armstrong Lip Salve. If no more than make it for me. I'll buy all that you can make. Anytime that you should have a batch of Louis Armstrong's Lip Salve on your hands - just send it on to me at my home. Tell me how much it is and I will gladly send you the money. Now do you understand? I am very serious about this - I live by your Lip Salve and I hope that I will never run out. So what ever amount of Lip Salve that you have in your possession, send it to me. C.O.D. No matter how much the cost. Please understand me when I say these words to you Mr. Kauffmann. I am very serious. I am sure that you will understand the SINCERITY when I speak to Dick Cavett, who is a smart and sincere man. And he was with me all the way and believed every word that I said concerning Mr. Franz Schuritz and that wonderful Lip Salve. God Bless you. Goodnight from (Satchmo) Louis Armstrong." With autograph envelope, return address: "Satchmo, 34-56 107 St, Corona, New York". All five pages are written on the backs of a Harper's Bazaar reprint: "Lose Weight, the Satchmo Way!" recommending Swiss Kriss. According to Jasen and Jones's "Black Bottom Stomp," Armstrong's daily regimen included "a daily dose of Swiss Kriss (an herbal laxative that he swore by), a few applications of the lip salve made for him by a German trombonist named Franz Schuritz, some red beans and rice -- when he could find them on a hotel menu -- and several marijuana cigarettes." According to his obituary in the New York Times (July 7, 1971), "Mr. Armstong's greatest [health] worry was chronic leukoplakia of the lips, what amounted to a tough corn that resulted from blowing his horn. He used a special, imported salve to sooth his lips. 'If you don't look out for your chops and pipes,' he said, 'you can't blow the horn and sing. Anything that'll get in my way doin' that, out it goes. That trumpet comes first, before anything, even my wife.'"

      [Bookseller: Thomas A Goldwasser Rare Books]
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        Valerio Adami. Derriere le Miroir n. 188, 206, 214, 220

      Paris , MAEGHT, 1970 - Cartella contenente i numeri: 214 (''Le voyage du dessin'', testo di Jacques Derrida, 2 lito a colori a doppia pagina, 10 riproduzioni di disegni, Maggio 1975), 206 (''Dimostrationi'', testo di Pierre Gaudibert, 4 lito originali a colori a piena e doppia pagina, ill. in nero e a colori, Novembre 1973), 220 (Testo tratto dal ''Journal de Valerio Adami'', 3 lito originali a colori a doppia pagina, riproduzioni in nero e a colori delle opere, Ottobre 1976), 188 (Testo di Jacques Dupin e ''Perfusion'' dell'Artista, 7 lito originali a colori a piena e doppia pagina, Novembre 1970). Le dimensioni delle lito sono: cm 38x55,5 e 38x27,5. fascicoli editi dal 1970 al 1976. 4 fascicoli. 4to. pp. 30 circa a fascicolo. . Ottimo (Fine). . . [Maeght, 1983]. [Attributes: Hard Cover]

      [Bookseller: Studio Bibliografico Marini ALAI - ILAB]
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        Autograph letter signed ("(Satchmo) Louis Armstrong)") to Erich Kauffmann, [Corona, N.Y.] April 5,1970

      1970 - Five pages, in ink. Erich Kauffmann was the partner of trombonist Franz Schuritz who formulated the lip salve that Armstrong grew to depend on: "Dear Mr. Kauffmann: My dear friend I always be very happy when I get a letter from you. You and your dear family are Lucille (my wife) and my dear friends. We love you all very very much. We are very happy that we had the thrill to meet you - the family and the Boss Man, Mr. Franz Schuritz. Real fine family And a happy meeting for Lucille and I. We both talk about you all lots and lots of times. I am well again and feeling fine after a long good rest which was what I really needed after traveling so much in show business. My doctor demanded that I do it. Now I am happy that I did. And with attention of my dear Lucille - all is well - I am well and everything is beautiful again. And I promised that I will never work so hard. (Moms) Lucille that is my (love-pet name for her) she joins me in sending you all our love and the best of happiness always. I have also recorded my first record. I'll send one of them to you as soon as they are released. Already it's a big seller here in America. So you must stay happy. And keep making your very good Lip Salve (Anzatz Creme) Louis Armstrong Lip Salve. If no more than make it for me. I'll buy all that you can make. Anytime that you should have a batch of Louis Armstrong's Lip Salve on your hands - just send it on to me at my home. Tell me how much it is and I will gladly send you the money. Now do you understand? I am very serious about this - I live by your Lip Salve and I hope that I will never run out. So what ever amount of Lip Salve that you have in your possession, send it to me. C.O.D. No matter how much the cost. Please understand me when I say these words to you Mr. Kauffmann. I am very serious. I am sure that you will understand the SINCERITY when I speak to Dick Cavett, who is a smart and sincere man. And he was with me all the way and believed every word that I said concerning Mr. Franz Schuritz and that wonderful Lip Salve. God Bless you. Goodnight from (Satchmo) Louis Armstrong." With autograph envelope, return address: "Satchmo, 34-56 107 St, Corona, New York". All five pages are written on the backs of a Harper's Bazaar reprint: "Lose Weight, the Satchmo Way!" recommending Swiss Kriss. According to Jasen and Jones's "Black Bottom Stomp," Armstrong's daily regimen included "a daily dose of Swiss Kriss (an herbal laxative that he swore by), a few applications of the lip salve made for him by a German trombonist named Franz Schuritz, some red beans and rice -- when he could find them on a hotel menu -- and several marijuana cigarettes." According to his obituary in the New York Times (July 7, 1971), "Mr. Armstong's greatest [health] worry was chronic leukoplakia of the lips, what amounted to a tough corn that resulted from blowing his horn. He used a special, imported salve to sooth his lips. 'If you don't look out for your chops and pipes,' he said, 'you can't blow the horn and sing. Anything that'll get in my way doin' that, out it goes. That trumpet comes first, before anything, even my wife.'" [Attributes: Signed Copy]

      [Bookseller: Thomas A. Goldwasser Rare Books (ABAA)]
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        One Hundred Years of Solitude

      Harper & Row 1970 - Fine first edition in a near fine first issue dust jacket (exclamation mark on front flap of dust jacket instead of period) with slight loss at top of spine. First Edition stated on the copyright page and no list of numbers in the back of the book on page [424]. Housed in a custom-made collector's slipcase. [Attributes: First Edition; Hard Cover]

      [Bookseller: Bookbid]
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        Anonyme Skulpturen. Eine Typologie technischer Bauten.

      Düsseldorf, Art-Press Verlag 1970.. 3 Blätter; 105 Blätter mit 196 Abbildungen auf Tafeln. Auf Rücken und Vorderdeckel mit Titelprägung versehener Original-Leinenband mit beidseitig illustriertem Original-Schutzumschlag. (28,5 x 22,8 cm) 4°.. - Die erste Buchveröffentlichung der beiden Bechers als Widmungsexemplar von Bernhard Becher - Parr/ Badger II, 266. Roth 194 f. Open Book S. 258 f. Auer 802. Dickel S. 77 ff. "Auslieferung: Buchhandlung Walther König, Köln. Wittenborn and Co., New York. Centro Di, Firenze. (...) Textübersetzungen: Perine Macherey [ins Französische] und Richard Bairstow [ins Englische]. (...) Druck: Michelpresse, Düsseldorf. Einband: Karl Hanke, Düsseldorf." Der Schutzumschlag mit minimalen Alters- und Gebrauchsspuren, innen gut erhalten. Auf dem vorderen fliegenden Vorsatz recto mit dem Widmungstext "für [xxx] von Bernhard Becher" und dem handschriftlichen Vermerk in Bleistift "30.6.1977". Mit den Kapiteln: "Kalköfen", "Kühltürme", "Hochöfen", "Fördertürme", "Wassertürme", "Gasbehälter" und "Silos". * First edition, first printing. Scarce dedication copy by Bernhard Becher. * * Zahlung mit VISA/ MASTERCARD möglich. Versand mit Deutsche Post oder DHL. *

      [Bookseller: Heinrich Heine Antiquariat]
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        PARZIVAL TITUREL TAGELIEDER. Faksimile und Kommentarband. 2 Bände., Cgm 19 der Bayerischen Staatsbibliothek München. Transkription der Texte von Gerhard Augst, Otfried Ehrismann und Heinz Engels, mit einem Beitrag zur Geschichte der Handschrift von Fridolin Dreßler.

      Stuttgart, Verlag Müller und Schindler, 1970 - 49 S., 76v, sehr gut erhalten. Sprache: Deutsch Gewicht in Gramm: 2500 4°, Faksimile im Ganzledereinband, Kommentar im Leineneinband, Schuber

      [Bookseller: Antiquariat Heubeck]
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        Master & Commander

      UK: Collins, 1970 First UK edition, Very Good book with some slant to spine and page block at top, boards slightly bowed, lightly pushed spine ends, touch of sun yellowing along top edges; in a Very Good  jacket that has light edge and corner wear with some color loss particularly at top of spine and front corners, mild sun fade and yellowing to spine, light age yellowing along edges and flap folds. The first book in the Jack Aubry series.

      [Bookseller: Squid Ink Books]
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        A group of letters from American authors consisting of 36 typed and autograph letters and 7 cards, signed

      places 1970 - 51 pages, 7 cards and a post card. 1 vols. various sizes. Columbia Writer's Conference. Much of the correspondence relates to the Writers Conference that Humphreys directed for Columbia University, authors sending in acceptances and regrets, some relate to grants and others from friends such as Leoni Adams Troy consisting of seven cards with notes (some additional leaves inserted) and two letters (one seven pages); a postcard from Babette Deutsch, two letters from Wallace Markfield, a lengthy autograph letter from Marguerite Young and an autograph note from Richard Elman concerning Paul Berman written on the verso of a typed letter from Berman to Elman; Among the correspondents writing to the Humphreys were William Gaddis, George P. Elliott, Grace Paley, Alice Morris, Roger Angell, John Hawkes (2), Jacques Barzun, Emanuel Celler, Evan Connell, Alan Dugan, Norman Podhoretz, Burroughs Mitchell, Mark Schorer, Marya Mannes (2), Stanley Kunitz, Bill Kelley, Gerald Sykes, Roger L. Stevens (3), Robert Deane Pharr (2), and Dave Ignatow. There are also letters from Robert Phelps, Ken McCormick and Curt Harnack. To J. Richard Humphreys (and some to his wife Peggy). Folded, some with envelopes, generally in very good condition 51 pages, 7 cards and a post card. 1 vols. various sizes

      [Bookseller: James Cummins Bookseller, ABAA]
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        Dialogue de mes lampes suivi de Tabou et de Déchu & §CAMACHO#Jorge§§|& §TELEMAQUE#Herv駧 EDITION ORIGINALE Tirage de tête ENVOI AUTOGRAPHE

      Paris: Jacques Veuillet & Première personne, 1970. Fine. Jacques Veuillet & Première personne, Paris 1970, 17,5x23,5cm, broché. - First edition, one of 50 numbered copies on laid Arches paper, leading copy.Ouvrage illustrated three original etchings by W. Lam, J. and H. Camacho Telemachus they justified and signées.Bel copy. --- Please note that the translation in english is done automatically, we apologize if the formulas are inaccurate. Contact us for any information! - [FRENCH VERSION FOLLOWS] Edition originale, un des 50 exemplaires numérotés sur vergé d'Arches, tirage de tête. Ouvrage illustré de 3 eaux-fortes originales de W. Lam, J. Camacho et H. Télémaque qu'ils ont justifiées et signées. Bel exemplaire.

      [Bookseller: Librairie Le Feu Follet]
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        Contes ( 3 Tomes - suite en noir gravée avec remarques et décomposition - complet pour cette édition)

      Editions d'Art Les Heures Claires à Paris,1970, Petit in 4 (24,5 x 19,5 cm), 177 + 161 + 163 pages + 3 ff. Illustration de 64 illustrations en couleurs dans le texte (22, 20 et 23 pour les Tomes 1,2, et 3 respectivement) gravées sur bois par Jean Taricco et de 49 culs-de-lampe, d'après des aquarelles de Henri Lemarié. En feuillets, couverture rempliée et illustrée, texte encadré d'un filet rose, Sous emboîtage de couleur jaune clair, illustré de motifs doré et rose. Tirage limité à 3450 exemplaires tous sur Vélin de Rives :1 exemplaire numéroté 1 enrichi pour chaque tome de l'aquarelle de la page de titre, de trois croquis originaux, du cuivre ancré de la page de titre, d'une suite en couleurs des illustrations tirées sur soie, d'une suite sur soie avec remarques du trait gravé sur cuivre, d'une suite en noir, d'une décomposition des couleurs ; 8 exemplaires numérotés de 2 à 9 enrichis pour chaque tome d'une aquarelle originale, d'un cuivre ancré, d'une suite en couleurs des illustrations tirées sur soie, d'une suite sur soie avec remarques du trait gravé sur cuivre, d'une suite en noir, d'une décomposition des couleurs ; 27 exemplaires numérotés de 10 à 36 enrichis pour chaque tome d'une aquarelle originale, d'un cuivre ancré, d'une suite en couleurs des illustrations tirées sur soie, d'une suite sur soie avec remarques du trait gravé sur cuivre, d'une suite en noir, d'une décomposition des couleurs ; 114 exemplaires numérotés de 37 à 150 enrichis pour chaque tome d'une suite en couleurs des illustrations, d'une suite en noir avec remarques du trait gravé sur cuivre, d'une suite en noir, d'une décomposition des couleurs ; 150 exemplaires numérotés de 151 à 300 enrichis pour chaque tome d'une suite en noir avec remarques du trait gravé sur cuivre et d'une décomposition des couleurs ; 300 exemplaires numérotés de 301 à 600 enrichis pour chaque tome d'une suite en noir avec remarques du trait gravé sur cuivre ; 2850 exemplaires avec les illustrations définitives. Exemplaire 183 avec pour chaque tome une suite en noir avec remarques du trait gravé sur cuivre et une décomposition des couleurs sur Papier Vélin de Rives.+++++++ Exemplaire de tête de ce premier tirage recomposé en 1970 par les Editions d?'Art "Les Heures claires" (3 volumes 65 bois en couleurs respectivement 22, 20 et 23 pour les trois tomes) des "Contes" de Jean de La Fontaine. Cet exemplaire, outre les 65 illustrations définitives gravées su bois, contient une suite gravée sur cuivre avec remarques (22, 20, 23 gravures en noir pour les tomes 1, 2 et 3 respectivement), et la décomposition des couleurs d'une gravure pour chaque tome (63, 49, 59 feuillets de décomposition). Une première édition illustrée par Henry Lemarié est parue en 2 volumes en 1955-1956 à la maison d'édition du Rameau d'Or. Jean Taricco a repris la gravure de l'ensemble des aquarelles de Henry Lemarié, et 2200 bois ont été nécessaires à leur reproduction. Henri Lemarié (1911-1991) est un des miniaturistes les plus apprécié de la seconde moitié du XXème siècle, et son oeuvre d'illustrateur de livres d'Art appréciée et recherchée, couvre près de 50 ans de Villon, à Verne en passant Cervantès, La Fontaine, Dickens, Daudet et "Les contes des Mille et une Nuits" - Intérieurs très frais, coffrets en très bon état, Très bon exemplaire comprenant une suite en noir avec remarques gravée et une décomposition des couleurs..

      [Bookseller: LES TEMPS MODERNES]
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        Contes Grand papier

      Paris: Les Heures claires, 1970. Fine. Les Heures claires, Paris 1970, 19x24cm, trois volumes en feuilles sous chemise et étui. - First printing illustrations of H. Lemarié published 3450 copies, ours, one of the copies on Velin de Rives (No 2529). spine shirts illustrated with boxes and golden lace, boards cases adorned with a large illustrations of artistic attributes and enhanced with gold. Copies in excellent condition. The book is illustrated with in-text illustrations in black and colors H. Lemarié. Superb copy richly illustrated and elegantly prepared. --- Please note that the translation in english is done automatically, we apologize if the formulas are inaccurate. Contact us for any information! - [FRENCH VERSION FOLLOWS] Premier tirage des illustrations de H. Lemarié paru à 3450 exemplaires, le nôtre, un des exemplaires sur Vélin de Rives (n°2529). Dos des chemises illustrés de caissons et dentelles dorées, plats des étuis ornés d'une grande illustrations représentant des attributs artistiques et rehaussés à l'or. Exemplaires dans un excellent état. L'ouvrage est illustré d'illustrations in-texte en noir et en couleurs de H. Lemarié. Superbe exemplaire richement illustré et élégamment établi.

      [Bookseller: Librairie Le Feu Follet]
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        ONE HUNDRED YEARS OF SOLITUDE

      New York: Harper & Row. 1970. First Edition; First Printing. Hardcover. Very Good+ in a Very Good+ dust jacket. Second state, jacket with a "." instead of an exclamation mark at the end of the first paragraph on the front flap; price is unclipped. Jacket is in very nice shape overall though on the rear panel there is two tears inexpertly repaired with tape else a Near Fine copy. ; A Signed copy. Inscribed and dated in 1991 on the dedication page by Gabriel Garcia Marquez. ; 9.13 X 6.57 X 1.11 inches; 120 pages; Signed by Author .

      [Bookseller: Rare Book Cellar]
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        One Hundred Years of Solitude

      Harper & Row 1970 - A fine first edition (so stated on copyright page, no list of numbers in the back) in a fine first issue dust jacket (exclamation point, not period), price-clipped. Housed in a custom-made collector's slipcase. Laid in is a letter from the publisher to Eve Auchincloss, prominent book reviewer for the New York Review of Books, presenting this book before publication. [Attributes: First Edition; Hard Cover]

      [Bookseller: Bookbid]
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        TAU ZERO

      Garden City: Doubleday & Company, Inc.,. 1970. cloth.. A fine copy in fine dust jacket. A very sharp copy of a book now hard. to find in such superior condition. (#142632). First edition. Signed on the title page by Anderson. 1971 Hugo nominee. 1971 Hugo nominee. "An archetypal example of hard SF with a visionary element." - Anatomy of Wonder (2004) II-26. "The ultimate hard science fiction novel." - James Blish. "... probably Anderson's best novel." - Pringle, The Ultimate Guide to Science Fiction, second edition (1995), p. 365-6. Survey of Science Fiction Literature V, pp. 2236-40.

      [Bookseller: L. W. Currey, Inc.]
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        Temps zéro EDITION ORIGINALE ENVOI AUTOGRAPHE

      Paris: Seuil, 1970. Fine. Seuil, Paris 1970, 14x20,5cm, broché. - First edition of the French translation of wich no leading copies exists. Precious autograph dedication signed by the author to his friend the Argentine photographer José María "Pepe" Fernandez. Our copy is enriched with an original photograph of Pepe Fernandez representative Italo Calvino leaning on a stack of autograph livres.Signature photographer at the bottom of the photograph, handwritten details Pepe Fernandez and stamp on verso. Pepe Fernández attended Ernesto Guevara in the 40s and became friends with Silvina Ocampo, Adolfo Bioy Casares, Jorge Luis Borges, Italo Calvino, Aragon. Particularly famous for his portraits of Borges, it will also be the photographer of many artists such as Pablo Neruda, Mikis Theodorakis, Astor Piazzolla, and actors like Paul Newman, Patrick Dewaere, Julie Christie ... He meets Italo Calvino in Paris in 1964 and immediately became one of his close friends and his "official portrait". His photographs illustrate several editions of the great novelist italien.Double autograph signing Pepe Fenández on the first guard and title page as an ex-Donos back insolated. --- Please note that the translation in english is done automatically, we apologize if the formulas are inaccurate. Contact us for any information! - [FRENCH VERSION FOLLOWS] Edition originale de la traduction française pour laquelle il n'a pas été de grands papiers. Précieux envoi autographe signé de Italo Calvino à son ami le photographe argentin José María « Pepe » Fernández. Notre exemplaire est enrichi d'une photographie originale de Pepe Fernandez représentant Italo Calvino accoudé sur une pile de livres.Signature autographe du photographe en pied de la photographie, précisions manuscrites et cachet de Pepe Fernandez au verso. Pepe Fernández fréquenta Ernesto Guevara dans les années 40 puis se lia d'amitié avec Silvina Ocampo, Adolfo Bioy Casares, Jorge Luis Borges, Italo Calvino, Louis Aragon. Notamment célèbre pour ses portraits de Borges, il sera également le photographe de nombreux artistes comme Pablo Neruda, Mikis Theodorakis, Astor Piazzolla, et d'acteurs tels Paul Newman, Patrick Dewaere, Julie Christie... Il rencontre Italo Calvino à Paris en 1964 et devient aussitôt un de ses très proches amis et son "portraitiste officiel". Ses photographies illustrent plusieurs éditions du grand romancier italien.Double signature autographe de Pepe Fenández sur la première garde et la page de titre en guise d'ex-donos, dos insolé.

      [Bookseller: Librairie Le Feu Follet]
 19.   Check availability:     Biblio     Link/Print  


        Beyond the Valley of the Dolls (Original German poster for the 1970 film)

      Heidelberg, Germany: Winterdruck, 1970. Original West German A1 poster for the 1970 US film, "Beyond the Valley of the Dolls," here under its foreign release title, "Blumen ohne Duft." Based on an original story by Roger Ebert, who also helped write the screenplay. Three girls come to Hollywood to make it big with their rock band, "The Kelly Affair," stopping first to visit Kelly MacNamara's (1966 Playboy Playmate, Dolly Read) estranged aunt. Kelly's aunt introduces the band, comprised of Kelly (Read), Casey Anderson (1968 Playboy Playmate, Cynthia Myers), and Petronella Danforth (Marcia McBroom), to a flamboyant producer named Ronnie "Z-Man" Barzell (John LaZar), who changes their name to "The Carrie Nations" and has them perform at one of his orgiastic parties after a set by Strawberry Alarm Clock. Throughout the success of the new band, the girls use drugs and alcohol, attempt to maintain romantic relationships (even a lesbian tryst with Erica Gavin, director Meyer's "Vixen"), and find "Z-Man" to be a murderous transsexual. The film proved to be sexploitation and exploitation to its psychedelic limits at the time, was Meyer's biggest box-office draw to date, and gave the director a new audience: mainstream filmgoers in mainstream cinemas. Originally intended as a sequel to "Valley of the Dolls" (1967), with an original screenplay by Jacqueline Susann, Twentieth Century-Fox found the script unsatisfactory and sought new material. The film was released, as part of a settlement with Susann, with the disclaimer "This is not a sequel to VALLEY OF THE DOLLS." One of few X-rated films released by Twentieth Century-Fox, another being "Myra Breckenridge" (1970). Pam Grier got her start in this film, as an uncredited party attendant. Meyer regulars like Charles Napier, Lavelle Roby, and Haji, all make appearances. Set in Los Angeles. 23.5 x 32.75 inches (60 x 83 cm), rolled, on archival linen. Discreet restoration, else about Near Fine. Meyer, pp. 1023-1028. Weldon (1983), p. 54.

      [Bookseller: Royal Books, Inc.]
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        Alpes. Edite pour les Chemins de Fer Francais. Signe (dans l'impression): Dali 1969.

      Draeger, France, 1970,. 62 x 99 cm.. Magnifique affiche en couleur avec des Alpes et des papillons. Tres decoratif. Petites dechirures aux bords, en haut un faux-pli, sans perte. A wonderful poster from Dali, signed (in print & dated) 1969. Made in France for and by the French National Railways.Please notify before visiting to see a book. Prices are excl. VAT/TVA (only Switzerland) & postage.

      [Bookseller: Harteveld Rare Books Ltd.]
 21.   Check availability:     ZVAB     Link/Print  


        Temps zéro EDITION ORIGINALE ENVOI AUTOGRAPHE

      Paris: Seuil, 1970. Fine. Seuil, Paris 1970, 14x20,5cm, broché. - First edition of the French translation for of wich no leading copies exists. Precious autograph dedication signed by the author, in French, to the great filmmaker Henri-Georges Clouzot. Spine slightly lightened by sun light without gravity. --- Please note that the translation in english is done automatically, we apologize if the formulas are inaccurate. Contact us for any information! - [FRENCH VERSION FOLLOWS] Edition originale de la traduction française pour laquelle il n'a pas été tiré de grands papiers. Précieux envoi autographe signé de Italo Calvino, en français, au grand cinéaste Henri-Georges Clouzot. Dos légèrement insolé sans gravité.

      [Bookseller: Librairie Le Feu Follet]
 22.   Check availability:     Biblio     Link/Print  


        Contributions to American Anthropology and History [Twelve Volumes]

      Johnson Reprint Co., New York 1970 - Illus. with b/w photos, drawings, and maps, some folding. All sixty issues. Originally published by the Carnegie Institution of Washington between 1931 and 1960. Near fine set, owner's bookplate on front pastedowns, minor rubbing. [Attributes: Hard Cover]

      [Bookseller: Kaaterskill Books]
 23.   Check availability:     AbeBooks     Link/Print  


        A Clockwork Orange

      Heineman 1970 - With bookplate signed by Burgess tipped in. Housed in a two tray drop back box.Disappearing Bradel binding with hand dyed fair goat spine. Endbands hand sewn in English silk with full edge decoration. Hand printed and colored end papers and doublures with hand dyed leather joints. Semi double boards with hand dyed fair goat to all edges of the inner boards. Mixed media boards lined with 100% kozo (mulberry) paper and covered in up to five layers of collage, including hand-printed original artwork, with leading edges of leather under the collage. Blind tooled with the binders’ mark on the front board. Bound by Mark Cockram in 2014. 13.5 x 20.2 cm.Mark’s binding reflects the dystopia of violence, coercion, coincidence, and comeuppance in Burgess’ classic novel.Mark Cockram is the bad boy of British bookbinding. Committed to the highest level of craftsmanship, Mark combines techniques from his training in fine art, design, and bookbinding to create stunning, distinctly non-traditional books. His work is lively, vigorous, and playful. Mark’s passion for his work is electric. He sparks with ideas.One of fewer than 30 Fellows of Designer Bookbinders, Mark is a member of an elite group of British fine art binders. He has been commissioned to bind the work of a Man Booker Prize finalist seven times. Mark is also a Brother (title of a full member, regardless of gender) of the distinguished Art Workers Guild, an organization founded in 1882 to promote the highest standards of excellence in all of the applied arts. There are only 350 Brothers, worldwide. Mark’s work can be found in The British Library, The Grolier Club, The Victoria & Albert Museum, and private collections around the world. [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Abby Schoolman]
 24.   Check availability:     AbeBooks     Link/Print  


        Harry Bertoia Sculptor (Signed First Edition)

      Detroit, MI: Wayne State University Press, 1970. First edition. Hardcover. 137 pages. The first monograph on this important Italian born sculptor. Includes text by Nelson along with numerous black and white illustrations. An association copy with Bertoia's publicist's rubber stamp name and address to the front pastedown. A clean close to near fine copy but for some paperclip impressions to the top of a number of pages in a close to near fine dust jacket with a price sticker shadow to the front flap. Signed and inscribed warmly by Bertoia on the front free endpaper to his agents. A terrific association of a book that is almost never found signed.

      [Bookseller: Jeff Hirsch Books, ABAA ]
 25.   Check availability:     ABAA     Link/Print  


        The Oxford English Dictionary, being a corrected re-issue of a New English Dictionary, complete set in 13 volumes plus 4 volume additional Supplement plus 3 volume Oxford English Dictionary Additions Series (total of 20 books)

      London: Oxford Univ. Pr. 1970. Later printing. Hardcover. Near Fine. The OED, 1970 printing, complete in 13 volumes. A-Z, Bibliography and Supplement. Hardcover 4tos., in uniform navy cloth, with dust jackets. This set also includes the 4 volumes A-Z Supplement from the '70s and '80s. Additionally includes the 3 volume 'Oxford English Dictionary Additions Series' edited by Simpson and Weiner, 1993-7, Near Fine in Near Fine dust jackets. TOTAL OF 20 VOLUMES. For the main OED set the contents are clean and unmarked throughout; strong bindings; top edges slightly dusty. DJs with light sunning to the spines and minor edgewear; less than 5 have been price-clipped. NO ownership markings, underlining or highlighting. Other volumes in at least Very Good condition, again clean and unmarked contents. The complete 1970 printing of the OED plus 4 volume supplement and 3 volume Additions Series. Total of 20 books. This is a massive collection and will require extra postage. Digital images available upon request.

      [Bookseller: Caliban Books ABAA-ILAB]
 26.   Check availability:     Biblio     Link/Print  


        Altenbourg, Gerhard. - "Der kleine Regisseur gibt Zeichen".

      . Farbholzschnitt, in Farben, auf kräftigem Büttenpapier, 1970. Von Gerhard Altenbourg. Auflage Exemplar Nr. 45/50. 21,0 x 35,7 cm (Darstellung / Druckstock) / 30 x 42 cm (Blatt). Mehnert 254. Rechts unten in Bleistift signiert und datiert. Links eigenhändige Auflagenbezeichnung. Mittig Prägestempel des Künstlers und Titel. - Papier im Rand leicht gewellt. Sonst tadellos erhalten. Gerhard Altenbourg (1926 Rödichen-Schnepfetal - 1989 Meißen). Deutscher Maler und Grafiker. 1929 Umzug nach Altenburg. 1944-45 Soldat im Zweiten Weltkrieg. 1946-48 als Schriftsteller und Journalist tätig, Zeichenunterricht bei Erich Dietz. 1948-50 Studium an der Hochschule für Baukunst und Bildende Kunst in Weimar bei Hans Hoffmann-Lederer. 1959 Teilnahme an der documenta II in Kassel. 1961 Gastatelier an der Kunstakademie in Westberlin. 1961 Erwerb einiger Arbeiten durch das Museum of Modern Art in New York. 1962-89 Atelier in Altenburg, Annahme des Künstlernamens "Altenbourg". 1966 Burda-Preis für Grafik in München. 1968 Will-Grohmann-Preis in Westberlin. 1970 Mitglied der Akademie der Künste, Berlin. 1977 Teilnahme an der documenta 6 und Mitgliedschaft bei der ?Life Fellow of the International Biographical Association? in Cambridge. In den 1980er Jahren Ausstellungsverbot und Schließung der Ausstellungen, da er sich den offiziellen Kunstauffassungen der DDR widersetzte.Seit 1998 vergibt das Lindenau-Museum in Altenburg aller zwei Jahre den Gerhard-Altenbourg-Preis.; 4550.

      [Bookseller: Galerie Himmel]
 27.   Check availability:     ZVAB     Link/Print  


        The Scripture of the Golden Eternity

      Corinth Books 1970 - First thus, second edition overall, with a long inscription by Allen Ginsberg on the front free endpaper. "Hugh, this is Kerouac's early formulation of Buddhism and his directest vision. See #64. Allen Ginsberg 13 June 72 Denver" [Attributes: Soft Cover]

      [Bookseller: Bookbid]
 28.   Check availability:     AbeBooks     Link/Print  


        Fantastic Mr. Fox

      London: George Allen & Unwinn, 1970. First Edition. Very Good. First Edition, First Printing. Very Good. No dust jacket, as issued. Light wear to boards. Pages show signs of use, foxing, a short tear to the title page and two other pages, small label ghost to front paste down. Marking to page 7/8 with closed tear at bottom gutter. Light storage odor to pages. First Edition.

      [Bookseller: Burnside Rare Books]
 29.   Check availability:     IOBABooks     Link/Print  


        BRAVO, BURRO!

      New York: Hawthorn Books, Inc., 1970. First Edition. Octavo; orange cloth, with titling and decorations stamped in black on spine and front panel; dustjacket; 127pp; illus. Fine in a Near Fine, price-clipped dustjacket, with some pinpoint rubbing to extremities and a single tiny tear at upper edge of front panel. Fante's only children's book, a story set in Mexico about a boy and his burro, who set out on an impossible task to recover his father's prized bull. The scarcest of Fante's books published by a tiny publishing house. A bright, stunning example of a title typically seen well-worn or ex-library.

      [Bookseller: Captain Ahab's Rare Books]
 30.   Check availability:     Biblio     Link/Print  


        In the Night Kitchen

      Harper & Row Publishers 1970 - Harper & Row Publishers, New York 1970. First Edition / First Printing / First Issue. All first issue points. Jacket priced at $4.95 with the date 1070. Seven titles at the rear flap. Without the Caldecott Medal sticker. Off white cloth boards. Illustrated in color by Maurice Sendak. Signed by Maurice Sendak at the front endpaper. The Signature is Guaranteed Authentic. Book Condition: Fine, clean boards, tight spine, very clean copy. Pencil erased at the front endpaper leaving a light erasure. Dust Jacket Condition: Near Fine, soft shelf wear, a few light spots. Wrapped in a new removable mylar cover. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: 1st Editions and Antiquarian Books]
 31.   Check availability:     AbeBooks     Link/Print  


        Inscribed Book

      Boston: Gambit, 1970. First Edition. hardcover. very good(-)/very good. Inscribed copy of "No Known Survivors: David Levine's Political Plank." Introduced and selected by John Kenneth Galbraith. Profusely illustrated, 194 pages, large 8vo, black and gray cloth (front cover stained), dust wrapper (worn). Flyleaf slightly discolored by laid-in newspaper clippings; additional clippings on the front endpaper as well as the half-title and title pages.) Boston: Gambit, 1970. First edition. Very good(-) condition. Warm inscription by the former first lady on the front free endpaper: "For Minnie and Peter I want you to be the first to have John Kenneth Galbraith's Christmas present to me--Everything in this book scares me too much to look at--with deepest admiration for David Levine and both of you, xo Jackie.

      [Bookseller: Argosy Book Store]
 32.   Check availability:     Biblio     Link/Print  


        Send Our Boys Home

      [NY], 1970. Offset Lithograph 35" by 23", Signed and number in pencil, 220/225 by the artist. slight tanning to the edges, else a fine example of the larger version of the multiple produced by the artist originally in 1966. Gianakos' powerful anti war poster "Send our Boys Home" replaces the stars a stripes simply with a black void, completely changing a patriotic emblem into a symbol of hopelessness and despair with the only solution being to bring the troops home from Vietnam.

      [Bookseller: Kenneth Mallory Bookseller. ABAA]
 33.   Check availability:     IOBABooks     Link/Print  


        THE CRAYON: A JOURNAL DEVOTED TO THE GRAPHIC ARTS, AND THE LITERATURE RELATED TO THEM, VOLUMES 1-8

      New York: AMS Press, 1970.  Four volumes (reprints of the eight volumes first published by Stillman & Durand from 1855 thru 1861), 28 x 21.5cm [large 4tos], in publisher's royal blue buckram w/silver titles to spines, Vol.s 1 & 2 (416 [vi] & 408 [iv] pp.); Vol.s 3 & 4 (380 [vi] & 380 [iv] pp.); Vol.s 5 & 6 (360 [vi] & 384 [iv] pp.); & Vol.s 7 & 8 (358 [vi] & 152 [iv] pp.), all w/Indexes.  From the library of William E. Fredeman, the Pre-Raphaelite scholar, w/TLS from John Hopper (Editor-in-Chief of AMS Press Inc.; signed "Jack H.") to Prof. Fredeman loosely inserted into the final vol.  Bindings Very Good (extremities sl. bumped, & a few marks to cloth); contents Fine.  Fredeman 38.1 & 80.1 (1st ed.--see also pp.11 & 145).

      [Bookseller: Leonard Roberts, Bookseller]
 34.   Check availability:     Biblio     Link/Print  


        Altenbourg, Gerhard. - "Geschöpf im Ring".

      - Farbholzschnitt, in Grün und hellem Rot, auf Hahnemühle-Bütten, 1970. Von Gerhard Altenbourg. Auflage Exemplar Nr. 9/50. 42,4 x 34,3 cm (Darstellung / Druckstock) / 50 x 40 cm (Blatt). Janda H 146/2. Mehnert 250. Am unteren Blattrand in Bleistift signiert und datiert. Dazu Prägestempel des Künstlers, Auflagenbezeichnung und Titel. - Tadellos erhalten. Sehr guter Zustand. Gerhard Altenbourg (1926 Rödichen-Schnepfetal - 1989 Meißen). Deutscher Maler und Grafiker. 1929 Umzug nach Altenburg. 1944-45 Soldat im Zweiten Weltkrieg. 1946-48 als Schriftsteller und Journalist tätig, Zeichenunterricht bei Erich Dietz. 1948-50 Studium an der Hochschule für Baukunst und Bildende Kunst in Weimar bei Hans Hoffmann-Lederer. 1959 Teilnahme an der documenta II in Kassel. 1961 Gastatelier an der Kunstakademie in Westberlin. 1961 Erwerb einiger Arbeiten durch das Museum of Modern Art in New York. 1962-89 Atelier in Altenburg, Annahme des Künstlernamens "Altenbourg". 1966 Burda-Preis für Grafik in München. 1968 Will-Grohmann-Preis in Westberlin. 1970 Mitglied der Akademie der Künste, Berlin. 1977 Teilnahme an der documenta 6 und Mitgliedschaft bei der ?Life Fellow of the International Biographical Association? in Cambridge. In den 1980er Jahren Ausstellungsverbot und Schließung der Ausstellungen, da er sich den offiziellen Kunstauffassungen der DDR widersetzte.Seit 1998 vergibt das Lindenau-Museum in Altenburg aller zwei Jahre den Gerhard-Altenbourg-Preis. [Attributes: Signed Copy]

      [Bookseller: GALERIE HIMMEL]
 35.   Check availability:     AbeBooks     Link/Print  

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