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Displayed below are some selected recent viaLibri matches for books published in 1970

        Cien anos de soledad

      Circulo de Lectores, Valencia 1970 - Minor rust spots on 2 pages; otherwise fine. INSCRIBED BY MARQUEZ on the dedication page in 1975: "Para Claudia, que es la unica persona que escribe major que yo, con un abrazote". Laid in is a 5x7 black & white photograph of Marquez with 3 women, including Claudia de la Espriella, the daughter of his best friend, whose ownership signature, 1971, is on the first page of the text. 8vo, pictorial cloth. (Valencia): Circulo de Lectores, (1970). First hard cover edition. [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Argosy Book Store, ABAA, ILAB]
 1.   Check availability:     IberLibro     Link/Print  


        YOU DRESS "FUNNY," AN EXPERIENCE

      [No place: Printed and Published by the Author, 1970. Square small octavo. Plain cream boards. Some modest darkening to a portion of the text due to the paper stock utilized, small smudge at lower edge of front free endpaper, otherwise near fine in torn unprinted Japanese paper wrapper. First edition. One of one hundred numbered copies, of which this is copy "zero seven six." The first book publication by the book- artist and binder, produced completely by hand, and illustrated via "sundry silk screen techniques" in a number of colors. D'Ambrosio achieved wider notice for his participation in the Compulsive Printer editions of Joyce's MOOKSE AND THE GRIPES and THE ONDT AND THE GRACEHOPER, and his series of miniatures.

      [Bookseller: William Reese Company - Literature ABAA-]
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        The Wartime Journals of Charles A. Lindbergh

      New York: Harcourt, Brace, Jovanovich, 1970. First Edition. cloth. Near Fine/Near Fine. A handsome First Edition (so stated) of Charles Lindbergh's wartime memoir, inscribed by the author on the title page, "To Jack Stanton/With best wishes,/Charles A. Lindbergh." In fine dark blue cloth, the book is very solid, clean and bright in the interior but shows minor shelf wear and mark on the bottom edge and a couple of tiny ink marks on the front edge; the page edges are naturally tanned. Includes 1038 pp with many black & white photos and an extensive index. The dustjacket is complete with the original price ($12.95) but has tears along the edge and minor tanning overall. A special First Edition signature by one of America's heroes.

      [Bookseller: Parrish Books]
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        Poliakoff. Gouaches

      Galerie Dina Vierny 1970 - 6 lithographies dont 3 double pp. une en jaquette de l'imprimerie Mourlot Paris et ill. coul. et n&b 2500 exemplaire complet de la jaquette rodo. avec infime accroc en bas du dos très bon état. [Attributes: Hard Cover]

      [Bookseller: A Balzac A Rodin]
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        Klotz, Siegfried. - Selbstbildnis.

      - Zeichnung / Federzeichnung, in schwarzer Tusche, auf chamoisefarbenem Karton, um 1970. Von Siegfried Klotz. 47,8 x 37,7 cm (Darstellung / Blatt). Rechts unten in Bleistift signiert. - Papier durchgehend etwas atelierspurig. Insgesamt guter Zustand. Siegfried Klotz (1939 Oberschlema - 2004 Dresden). Deutscher Maler und Zeichner. 1954-57 Lehre als Dekorationsmaler. 1958-64 Studium an der Mal- und Zeichenschule Zwickau bei Carl Michel. 1965-70 Studium an der Hochschule für Bildende Künste Dresden bei Rudolf Bergander und Jutta Damme. 1975-78 Assistent bei Gerhard Kettner, Abt. Grundstudium Malerei/Grafik, an der Akademie seit 1978 Oberassistent. 1979 Wechsel als Oberassistent in die Fachklasse von Günter Horlbeck, dort von 1985-92 Dozent für Malerei. Seit 1988 Leiter des Grundstudiums Abt. Malerei/Grafik an der Hochschule für Bildende Künste Dresden. 2001 Kunstpreis der Landeshauptstadt Dresden. Von 1992 bis zu seinem Tod 2004 war Siegfried Klotz Professor im Grundstudium für Malerei an der Hochschule für Bildende Künste in Dresden. [Attributes: Signed Copy; Soft Cover]

      [Bookseller: GALERIE HIMMEL]
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        The Blessing Way

      London: Macmillan, 1970. First British Edition. Cloth. Near Fine/Near Fine in Plastic Cover. A beautiful First Edition (U.K.) of Tony Hillerman's First Book, signed by Tony Hillerman, one of America's favorite authors. The book is Near Fine blue cloth with the very slightest touches of lightness on the spine ends, and two very faint marks on the page edges, all barely noticeable; otherwise very clean and bright. The Near Fine dustjacket is complete with original price intact and very light touches of soiling at the edges; the front and back panels are coated in light plastic so it is difficult to say if this has yellowed at all (it is cream-colored) but it has certainly protected the dustjacket from tears or scrapes; the interior of the dustjacket (next to the book) is pristine. One of the most desirable "First Books" by an American author, this is a beautiful copy in archival plastic cover by this revered writer who rarely signs any longer.

      [Bookseller: Parrish Books]
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        George Harrison at a press conference for "All Things Must Pass," circa 1970 (Original oversize press photograph)

      Gök in Sipahio lu, Paris 1970 - Vintage borderless black-and-white press photograph of George Harrison at press conference for the release of his legendary 1970 album, "All Things Must Pass." Shot by noted Turkish photographer Gök in Sipahio lu, with his Parisian press stamp on the verso.Without question, 1970 was Harrison's shining hour as a solo artist. Less than a year later, he would trim his hair from the length show here (and on the album's cover) to a more reasonable look and helm the Concert for Bangladesh in New York City, featuring Eric Clapton, Badfinger, and other musicians who populated his 1970 album.This photograph was taken by Sipahio lu when he was still working as an independent frontline photojournalist, routinely contributing to Black Star and Gamma. In 1973 he would found the Sipa Press, an agency that would represent the world's best photographers for the next 30 years.7.75 x 12 inches (19.5 x 30.5 cm). Very Good plus, with some light creasing at the corners.

      [Bookseller: Royal Books, Inc., ABAA]
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        One Hundred Years of Solitude

      Harper & Row, 1970 Fine in a very good dust jacket. First Edition stated on the copyright page. Book is fine. Gift inscription on the front free endpage. Second issue dust jacket has original price of $7.95 printed on front flap. Issue point: there is a period following "America" instead of an exclamation mark on the front flap. Minor chipping at the corners and spine ends, as well as the top edge of the back panel. Comes housed in a custom clear acrylic slip case.. 1st Edition. Hardcover. Fine/Very Good.

      [Bookseller: Bookbid Rare Books]
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        CHARLOTTE'S WEB - SIGNED

      Harper & Row, Publishers [1970], New York - Harper Crest Library Edition, ca.1970, with the dustjacket providing blurbs for Stuart Little and The Trumpet of the Swan on rear panel. Octavo (20.75cm); pictorial canvas cloth; dustjacket; [8], 184pp; illus. Signed by the author on the front endpaper. Fine in a Near Fine, price-clipped dustjacket, with minor wear to corners and extremities, HarperCrest sticker to lower spine, and penciled $4.95 price sticker left of the clip. Attractive copy of the author's beloved book, a barnyard story which has enchanted generations of readers since it was published in 1952. Basis for two well-received film adaptations, a 1973 animated film and a more recent production by Gary Winick (2006), starring Dakota Fanning, Julia Roberts, and Oprah Winfrey. Uncommon signed. [Attributes: Signed Copy]

      [Bookseller: Captain Ahab's Rare Books]
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        Love & Fame

      New York: Farrar, Straus and Giroux, 1970. First Edition. Hardcover. Very Good. First edition. Signed by poet in blue ink on limitation page, copy with lower case "j," one of perhaps 30-50 lettered presentation copies issued along with a 250 numbered run. (Stefanik A 20.I.a) Near Fine in Near Fine slipcase. Spine lettering lightly worn, light fraying to edges of slipcase. A scarce lettered issue of a collection from the Confessional poet.

      [Bookseller: Burnside Rare Books]
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        Original oil painting, "Paysage méditerranéen, port avec barques".

      Paris,, 1970. Oil on board. 74 × 51 cm. Framed. Signed as Epfs and dated. Some minor warping to the board but in excellent condition. One of the forty or so paintings exhibited in Paris at the Librairie Marthe Nochy in 1970. Durrell mounted this exhibition as a vehicle for one of his many alter egos, Oscar Epfs. In terms of pure commerce it was something of a failure: a mere handful of the works were sold. But Durrell apparently revelled in the failure. He was however quite serious about his painting, following Miller in the pursuit, and continued making pictures until his death. This present example is one of very few large-scale oils by him and certainly one of the most accomplished of the paintings we have seen.

      [Bookseller: Peter Harrington]
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        Qui Tue? Un Collectif de Alleaume, Cueco, Latil, Mikaeloff, Parr?, Tisserand. Alternative title: Qui tue? Ou l Affaire Gabrielle Russier: L Histoire Vraie d une Jeune Femme, de son Histoire d Amour, de sa Mort.

      Unpaginated (16 pp.) catalogue presenting a cycle of 50 paintings related to the Gabrielle Russier affair by the Coop

      [Bookseller: F.A. Bernett Books ]
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        Qui Tue? Un Collectif de Alleaume, Cueco, Latil, Mikaeloff, Parré, Tisserand. Alternative title: Qui tue? Ou l Affaire Gabrielle Russier: L Histoire Vraie d une Jeune Femme, de son Histoire d Amour, de sa Mort.

      Unpaginated (16 pp.) catalogue presenting a cycle of 50 paintings related to the Gabrielle Russier affair by the Coopérative des Malassis artist collective, with introductory texts by Del Gerucio, Troche, and Gassiot-Talabot, incorporating experimental typography and illus. of the paintings, which were on view in Paris at the Salon de la Jeune Peinture in November 1970. Contents loose as issued, minor toning, corners bumped. Oblong 4to. Illus. wrpps., colored pencil marks on front cover, two paper accretions (glued?) on rear cover. Paris 1970.

      [Bookseller: F.A. Bernett Books]
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        S/Z

      1970 - 277 pp. Paris, 1970, in-8, 277 pp, broché, couverture imprimée, Edition originale pour laquelle il n'a pas été tiré de grands papiers. Exemplaire enrichi d'un touchant envoi de Barthes à Claude Bonnefoy, critique littéraire. Quatrième de couverture légèrement frottée, néanmoins un très bel exemplaire. [Attributes: Hard Cover]

      [Bookseller: Librairie Alain Brieux]
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        Xerografia. Documentazione sull'uso creativo delle macchine Rank Xerox

      Edito dalla Rank Xerox s.p.a, 1970. In 4, cm 21 x 29,5, pp. (52) interamente illustrate. Brossura editoriale. Edizione originale. Rara pubblicazione realizzata in occasione della XXXV Biennale di Venezia, a cura della Rank Xerox.  Nella sezione sperimentale, curata da Apollonio e Mahlow, venne esposta e messa a disposizione degli artisti e del pubblico una copiatrice RX 720. Le esperienze di Bruno Munari realizzate con questo mezzo, dimostrano che i risultati delle ricerche scientifiche e tecnologiche piu' avanzate, per quanto intese in genere con funzioni assai diverse, possono offrire mezzi inattesi all'operazione creativa. Munari fu uno dei primi a usare per scopi artistici queste macchine, i primi esperimenti datano 1964 - 65. mentre la prima esposizione pubblica avvenne a Tokyo nel 1965 ITA

      [Bookseller: Libreria Antiquaria Coenobium]
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        Nuances [Signed - Copy #1]

      Sans Souci Press, Cambridge, Mass. 1970 - Octavo, Nice clean crisp book. This is copy #1 in the limited edition of just 99 copies SIGNED by Anais Nin. Hand bound in Indian raw silk. Printed with Palatino Type on Hayle Paper. Anaïs Nin, born Angela Anaïs Juana Antolina Rosa Edelmira Nin y Culmell, was an essayist and memoirist born to Cuban parents in France, where she was also raised. She spent some time in Spain and Cuba but lived most of her life in the United States where she became an established author. She wrote journals (which span more than 60 years, beginning when she was 11 years old and ending shortly before her death), novels, critical studies, essays, short stories, and erotica. A great deal of her work, including Delta of Venus and Little Birds, was published posthumously. This was one of her last books and is among the hardest to find. An ideal copy for any Nin collector. [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Sean Fagan, Rare Books]
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        Valerio Adami. Derriere le Miroir n. 188, 206, 214, 220

      Maeght, 1970. Cartella contenente i numeri: 214 ("Le voyage du dessin", testo di Jacques Derrida, 2 lito a colori a doppia pagina, 10 riproduzioni di disegni, Maggio 1975), 206 ("Dimostrationi", testo di Pierre Gaudibert, 4 lito originali a colori a piena e doppia pagina, ill. in nero e a colori, Novembre 1973), 220 (Testo tratto dal "Journal de Valerio Adami", 3 lito originali a colori a doppia pagina, riproduzioni in nero e a colori delle opere, Ottobre 1976), 188 (Testo di Jacques Dupin e "Perfusion" dell'Artista, 7 lito originali a colori a piena e doppia pagina, Novembre 1970). Le dimensioni delle lito sono: cm 38x55,5 e 38x27,5. fascicoli editi dal 1970 al 1976. 4 fascicoli. 4to. pp. 30 circa a fascicolo. Ottimo (Fine). .

      [Bookseller: Studio Bibliografico Marini]
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        Mémoires Secrets pour servir A L'Histoire de la République des Lettres en France, depuis 1762 jusqu'a? nos jours - 37 volumes complete and bound in 19

      London: Gregg International Publishers Limited, 1970. Facsimile reprint. Finely bound in modern gilt-blocked red cloth. Remains quite well-preserved overall; tight, bright, clean and strong. Physical description; 36 v. & the table volume (v. 19); 17 cm. Notes; Facsimile reprint of Mémoires secrets pour servir à l'histoire de la république des lettres en France depuis MDCCLXII jusqu'à nos jours, Londres, John Adamson, (1780-1789). Vol.1-4 and pt. of v.5 by Louis Petit de Bachaumont; continued by others. Subjects; French literature - 18th century - History and criticism. French drama - 18th century - History and criticism. Publishers and publishing. Theater - France - History. French literature - History and criticism. France - Social life and customs. Genre; text.

      [Bookseller: MW Books Ltd.]
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        Adventures Among the Toroids

      Okemos, Michigan: Published by the author 1970 - Tall perfectbound paperback (13" x 5"); 206 pp. A bizarre, nearly impenetrable book for the layperson (or at least for this cataloguer) written, illustrated and hand-lettered by the author in Chancery Script with Osmiroid pens. Sub-titled, "A study of quasi-convex, aplanar, tunneled orientable polyhedra of positive genus having regular faces with disjoint interiors, being an elaborate description and instructions for the construction of an enormous number of new and fascinating mathematical models of interest to students of euclidean geometry and topology, both secondary and collegiate, to designers, engineers and architects, to the scientific audience concerned with molecular and other structural problems, and to mathematicians, both professional and dilettante, with hundreds of exercises and search projects many completely outlined for self-instruction." A second edition was published in 1980, although both are scarce in the trade. Bonnie Stewart was a professor of mathematics at Michigan State University from 1940-1980 and the author of Theory of Numbers (1952). Covers are rubbed and a bit scratched; one small tear at crown; corners bumped; some very minor soiling along top edge (not affecting margins or text block at all); owner's name to front free endpaper, else clean and bright throughout. A Very Good copy of this influential and idiosyncratic book. [Attributes: First Edition; Soft Cover]

      [Bookseller: D. Anthem, Bookseller]
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        Gimme Shelter (Original maquette, proof, and final print of a variant poster for the 1970 film)

      Maysles Films, New York 1970 - Archive including the paste-up maquette, proof, and final print of a photo-montage variant poster for the 1970 film, made for its premiere in New York City, and posted strictly on walls around the city. A poster design that, unlike the final one used, conveys the chaos, bleakness, and ultimately depressive air of the documentary, and one that arguably influenced Robert Frank's montage design for the cover of the band's next record, the seminal "Exile on Main Street."A legendary documentary, chronicling the final weeks of the Rolling Stones' 1969 US tour behind "Let It Bleed," culminating in the disastrous free concert at Altamont Speedway. A film associated with the Direct Cinema movement of the 1950s and 1960s, of which the Maysles were an important part, but just as much the beginning of a new style of "reactionary" documentary filmmaking, wherein the events being documented lead the film rather than the film being led by a preconceived idea.Maquette: 18 x 25.5 (46 x 65 cm), executed on art board with tape, with its original tissue overlay, with some browning to the tape, but not the maquette itself, Very Good to Near Fine overall. Proof: 9 x 15.5 inches (23 x 40 cm), glossy stock, rolled, with a few tiny stains at the top margin, easily Near Fine. Poster: 29.75 x 44.5 (75.5 x 114 cm), rolled, on archival linen, Fine.Criterion Collection 99. [Attributes: Soft Cover]

      [Bookseller: Royal Books, Inc., ABAA]
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        20 POEMAS DE AMOR Y UNA CANCION DESESPERADA

      Editorial Lord Cochrane, 1970. In folio, 40x40, leg. in tela con sovracc. ill. a col., pp. 149. 22 ill. a colori in piena pagina n.t. di acquerelli originali di Mario Toral. Edizione numerata: 2341_ Sovracc. vissuta con mende, lievi segni d'uso al volume, residui di colla all'interno lungo il piatto e la prima bianca, altrimenti buonissime condizioni. Una delle pi_ celebri raccolte di poesie del grande poeta dell'Amore, Pablo Nerura che gli diedero la fama ad appena diciannove anni, nel 1924. La raccolta contiene venti poesie pi_ una finale il cui titolo _ "Una cancion desesperada". Il volume, edito nel 1970 in soli 4902 esemplari dall'Editorial Lord Crochrane, _ un'opera meravigliosa: i delicati e sensuali acquerelli di Mario Toral arricchiscono ogni poesia creando un continuo e sublime rapporto artistico poetico._ Para mi coraz_n basta tu pecho,_ para tu libertad bastan mis alas. Desde mi boca llegar_ hasta el cielo lo que estaba dormido sobre tu alma. Es en ti la ilusion de cada dia. Llegas como el rocio a la corolas. Socavas el horizonte con tu ausencia. Eternamente en fuga como la ola. He dicho que cantabas en el viento como los pinos y como los mastiles. Como ellos eres alta y taciturna. Y entristeces de pronto, como un viaje. Acogedora como un vejo comino. Tu pueblan ecos y voces nostalgicas. Yo despert_, y a veces emigran y huyen pajaros que dormian en tu alma. _

      [Bookseller: Invito alla Lettura]
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        Rainbow Bridge

      [Los Angeles, 1970. Title and ornaments printed in yellow; text printed in purple. Text in two columns. 1 vols. 17-1/2 x 11-1/2. A couple of light folds. Near fine. Title and ornaments printed in yellow; text printed in purple. Text in two columns. 1 vols. 17-1/2 x 11-1/2. Jimi Hendrix and the 'Higher Self'. Fascinating and visionary artistic statement by director Chuck Wein on the eve of his travel to Maui to film Rainbow Bridge, "a journey into consciousness … a microcosm of what's happening on the planet right now". The film is notable for including a long segment filmed at a Jimi Hendrix concert on Maui, one of his last performances before his untimely death. The broadside was transcribed from a tape recording by editor David, whose introductory note says "I could just give him the mike and he would rap and rap and ask his own questions and answer them, and I could just sit and listen with Barry and Hartley and Daniel and Theresa and Leslie while Chuck did his thing until the tape ran out …" Wein graduated magna cum laude from Harvard and spent several years in the orbit of Andy Warhol's Factory. He was closely involved with the 1965 films My Hustler, Poor Little Rich Girl, and Beauty #2, that made his friend Edie Sedgwick into a star, but Wein later broke with Warhol. In 1970, Wein and his Antahkarana production outfit filmed Rainbow Bridge on location in Maui. In this self-interview, Wein says he is "trying to portray the journey into consciousness most of us have been going through in the past five to ten years. Call it the dawn of the Aquarian Age or whatever … doing away with the artificial line between 'film reality' and 'real reality'". The involvement of Jimi Hendrix was key in the production of Rainbow Bridge. Wein says that people "seem to be interested a lot in the fact that Jimi Hendrix will be doing the soundtrack. Hendrix is somebody who has tapped a very high energy source and is right now trying to find a way to channel that high energy that he's tapped; and it's a struggle between his Lower and Higher Self to manifest that energy in a way that will help out his fellow man. Maybe this will be the vehicle through which he'll be able to do that - we certainly hope so." Wein talks about "people who are in contact with the space brothers", the lost continents of Atlantis and Lemuria, communal living, and "thoughtforms". A proto-New Age manifesto. UNRECORDED.

      [Bookseller: James Cummins Bookseller]
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        East 100th Street

      Cambridge, MA: Harvard University Press,, 1970. Quarto. Later presentation binding of blue full calf, gilt-tooled raised bands to spine forming asymmetric compartments lettered and decorated in gilt and blind, broad rolled borders to covers in black enclosing floral gilt roll, octofoil cornerpieces stamped in black and gilt, front cover lettered and gilt with triangular floral vignette in black, broad turn-ins tooled in gilt, marbled endpapers. With 123 full page photographic illustrations. Section of original dust jacket front panel mounted to preliminary leaf. Binding unevenly sunned with a few mild scuffs, light toning towards page-edges, the images unaffected and maintaining their rich tonal contrasts. A very good copy. First edition, first printing, bound for presentation to noted New York activists Betsy and Victor Gotbaum by the Big Sisters charitable foundation, the date 4th November 1992 gilt-stamped to front cover. Victor (1921-2015) was a prominent trade unionist. Betsy (b. 1938) held a number of prominent postings in a long career in public service, culminating with her appointment as New York Public Attorney in 2001. An apposite association copy: for two years in the 1960s Bruce Davidson photographed the people living on one city block in East Harlem, New York, using a large-format view camera. The result "is an exemplary exercise in the humanist social documentary mode" (Parr & Badger).

      [Bookseller: Peter Harrington]
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        Behind Us.

      Bocaccio Books, Stockbridge 1970 - Handpainted illustrations by Mick Taylor and Sheena McCall throughout. First Edition. Small folio. [305 x 210 x 18 mm]. 103, [1] pp. Bound by Bayntun-Riviere c.2006 in dark grey goatskin, the title onlaid in crimson goatskin on the front and both covers tooled in gilt with a design on interlocking circles, smooth spine lettered downwards in gilt, leather inside joints, Cockerell marbled endleaves, top edge gilt, the others uncut. No.68 of 300 copies, signed by the artist(s). A last blast of sixties pop culture. Mick Taylor and Sheena McCall illustrate in art nouveau style various lyrics from the songs of Donovan Leitch, as well as lines from the likes of Poe, Browning, Wordsworth and Yeats. The binding was designed and largely executed by Derek Hood during his time at George Bayntun. [Attributes: First Edition]

      [Bookseller: George Bayntun ABA ILAB]
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        10 Rillington Place (Original screenplay for the 1971 film, Basil Appleby's working copy, with five original film stills)

      London: Columbia Pictures, 1970. Second Draft script for the 1971 film. Copy belonging to Basil Appleby with his name in holograph ink on the title page. Appleby was the film's associate producer, and there is a notation present on the title page in holograph ink with the contact address for Elizabeth [illegible] and Leslie Linder, another of the film's producers. Laid in is a photocopied "Call Sheet" from the film's production. Also included are five vintage black-and-white reference still photographs from the film. Based on Ludovic Kennedy's 1961 book, a true story about a British mass murderer named John Reginald Christie. Christie (Attenborough) lures middle-aged women to his London flat promising to cure their ailments with nitrous oxide, then kills and buries them, but not before defiling their corpses. One of his victims is Beryl Evans (Geeson), who comes to Christie seeking an abortion, is killed in the process, setting in motion a sequence of events that threatens to endanger her husband as well. John Hurt (nominated for a BAFTA for his performance) plays Timothy Evans, the actual John Reginald Christie's dimwitted tenant who was wrongly convicted of one of Christie's murders, and hanged as a result, an event that led to the abolition of capital punishment in England. Set in London, shot on location in London, Wales, and Surrey, England. Red titled wrappers, with die-cut window in the British style, noted as copy No. 18 in holograph ink. Title page present, dated April 24th, 1970, noted as Second Draft Screenplay, with a credit for Clive Exton. 132 leaves, with last leaf of text numbered 130, and a laid-in sheet,. Roneograph on eye-rest green stock. Pages Near Fine, wrapper Very Good plus, bound internally with two brads. Stills Near Fine. Grant, pp. 633-634. Hardy, The BFI Companion to Crime, p. 319. Weldon (1996), p. 560.

      [Bookseller: Royal Books, Inc.]
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        Temps zéro

      Seuil, 1970. - Seuil, Paris 1970, 14x20,5cm, broché. - Prima edizione della traduzione francese per il quale non è stato derivato grandi giornali. Precious dedica autografa firmata dall'autore, in francese, al grande regista Henri-Georges Clouzot. Torna leggermente irradiati senza gravità. - [FRENCH VERSION FOLLOWS] Edition originale de la traduction française pour laquelle il n'a pas été tiré de grands papiers. Précieux envoi autographe signé de Italo Calvino, en français, au grand cinéaste Henri-Georges Clouzot. Dos légèrement insolé sans gravité.

      [Bookseller: Librairie Le Feu Follet]
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        Memorial Meeting For Kent State Martyrs

      San Francisco, CA: Winterland Ballroom, 1970. Poster Work On Paper. Offset Lithograph, 17" x 11". Poster appears as handwritten marker letters in black and burgundy. Poster reads, "Memorial Meeting for Kent State Martyrs Fri. May 8, 5PM-8PM Winterland Post & Sutter San Francisco Donation 50c." This quick poster announced a gathering in the immediate aftermath of the May 4, 1970 Kent State killings. Very Good with minor creasing.

      [Bookseller: Alan Wofsy Fine Arts]
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        Jigokuhen

      Shichosha, Tokyo 1970 - Epic poem by counter-culture author Shuji Terayama. Includes 1 original signed coloured woodblock print by Awatsu Kiyoshi. Signed by author and illustrator. Limited to 500 copies. Complete set with original candle, slipcase, cord, safflower, inserted slip and plastic cover. Cover and text in good condition. Text in Japanese. A few scraches on cover. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Kagerou Bunko (ABAJ, ILAB)]
 28.   Check availability:     AbeBooks     Link/Print  


        Portnoy's Complaint (Original screenplay for the 1972 film)

      Beverly Hills, CA: Twentieth Century-Fox / Chenault Productions, 1970. Draft script for the 1972 film. An early example of the film's script, still slated to be a Twentieth Century-Fox production, with their imprint on the front wrapper. The second Roth novel (after "Goodbye, Columbus" in 1972) to be adapted to the screen, and the sole directorial effort for noted screenwriter Ernest Lehman ("North by Northwest," "The Sweet Smell of Success," "Sabrina," "West Side Story," The Sound of Music," and "Who's Afraid of Virginia Woolf?"). Alexander Portnoy (Benjamin), sees a therapist and goes on one long tirade after another about his family, his childhood, his sexual fantasies and desires, his problems with women, and his obsession with his own Judaism. Set in New York. Blue titled wrappers. Title page present, dated August 3, 1970, with credits for screenwriter Lehman and novelist Roth. 150 leaves, with last leaf of text numbered 149. Mechanically reproduced on eye-rest green stock. Pages and wrapper Near Fine, bound internally with three gold brads. Weldon (1983), p. 557.

      [Bookseller: Royal Books, Inc.]
 29.   Check availability:     Biblio     Link/Print  


        Images du pays d'Ouest. Poitou - Vendée - Charente. Texte et illustrations de Louis Suire.

      1970. La Rochelle, A la Rose des Vents, 1970. In - 4° en feuillets, 152 pages. En Feuillet, sous couverture rempliée. Chemise cartonnée (fatiguée) protégeant l'ensemble, pasn,d'étui. Edition Originale, Exemplaire d'Artiste numéroté 1/3 et signé de l'auteur sur Arche à la Forme. Suite des 78 illustrations en couleurs (contrairement au premier grand papier qui a une suite en 2 tons). Il est joint un dessin original (avant la couleur) signé de l'auteur. Il s'agit du frontispice, le port de La Rochelle. Etat superbe.

      [Bookseller: Librairie Cultures Vives]
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        Contes

      Les Heures claires, 1970. - Les Heures claires, Paris 1970, 19x24cm, trois volumes en feuilles sous chemise et étui. - Le prime illustrazioni di tiraggio di H. Lemarié pubblicate 3450 copie, la nostra, una delle copie su Velin de Rives (n. 2529). Dos shirt illustrate con scatole e pizzo dorato, piatti casi adornati con grandi illustrazioni di attributi artistici e arricchite con oro. Copie in ottime condizioni. Il libro è illustrato con in testo-illustrazioni in nero ea colori H. Lemarié. Esemplare Superb riccamente illustrati ed elegantemente preparati. - [FRENCH VERSION FOLLOWS] Premier tirage des illustrations de H. Lemarié paru à 3450 exemplaires, le nôtre, un des exemplaires sur Vélin de Rives (n°2529). Dos des chemises illustrés de caissons et dentelles dorées, plats des étuis ornés d'une grande illustrations représentant des attributs artistiques et rehaussés à l'or. Exemplaires dans un excellent état. L'ouvrage est illustré d'illustrations in-texte en noir et en couleurs de H. Lemarié. Superbe exemplaire richement illustré et élégamment établi.

      [Bookseller: Librairie Le Feu Follet]
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        Sämtliche Werke. Unter Mitwirkung von Ulrich Maché und Volker Meid. Herausgegeben von Ferdinand van Ingen. 18 volumes.

      Berlin, De Gruyter, 1970-1993. Cloth. Illustrations. (Ausgaben deutscher Literatur des XV. bis XVIII. Jahrhunderts, 1,1, 1,2, 2, 3.1, 4.1, 4.2, 5.1, 5,2, 6, 7, 8, 9, 10.1, 10, 2, 11, 12, 13, 15,1, 15.2 * traces of librarysticker on spine, some volumes with a librarysticker on endpapers, librarystamp backside title page and last page, otherwise good condition*.Volume 1.1, 1.2, 2: Lyrik. Bearbeitet von Ferdinand van Ingen, Volume 3.1. Erster Teil. Lyrik und Schäferdichtung. Bearbeitet von Ferdinand von Ingen, Volume 4.1: Erster Teil. Lysander und Kaliste. Bearbeitet von Volker Meid, Volume 4.2: Zweiter Teil. Adriatische Rosemund. Bearbeitet von Volker Meid, Volume 5.1, 5.2.: Ibrahim. Bearbeitet von Volker Meid, Volume 6: Die afrikanische Sofonisbe. Bearbeitet von Volker Meid, Volume 7: Assenat. Bearbeitet von Ferdinand van Ingen, Volume 8: Simson. Bearbeitet von Volker Meid, Volume 9: Deutscher Helicon (1641). Bearbeitet von Ulrich Maché, Volume 10.1., 10.2: Hochdeutscher Helikon (1656). Bearbeitet von Ulrich Maché, Volume 11: Spraach-Übung. Rosen-Mand. Helikonische Hechel. Sendeschreiben an den Kreutztragenden. Bearbeitet von Ulrich Maché, Volume 12: Deutsch-Lateinische Leiter. Bearbeitet von Ulrich Maché und George Schulz-Behrend, Gesellschaftsschriften. Bearbeitet von Karl F. Otto, Jr., Volume 13: Wider den Gewissenszwang. Bearbeitet von Ferdinand van Ingen, Volume 15.1., 15.2: Historische Schriften. Bearbeitet von Ferdinand van Ingen

      [Bookseller: Antiquariaat ISIS]
 32.   Check availability:     NVvA     Link/Print  


        Chapeaugaga ovvero Academic micmac

      Grafica Uno, 1970. Illustré de quinze gravures à l'eau - forte par Enrico Baj (cm 17x14, 5x11), achevé d'imprimer le 1er Mai 1970 sur les presses de Giorgio Upiglio à Milan a été tiré a cent exemplaires sur papier Ventura dont un exemplaire portant le numero 1 contient le manuscrit et un dessin original de l'Artiste, 35 exemplaires numerotés de 2 a 36 contenant la suite de gravures et 64 exemplaires numérotés de 37 a 100. L'ensamble de ces exemplaires, signés par l'Auteur et par l'Artiste, constitue l'édition originale du poème. 16mo (cm 18,5x15,5). pp. 40. Dedica e firma autografa dell'editore (Inscribed and signed by the Publisher). Molto Buono (Very Good). Prima ed. di 100 es. numerati e firmati. Il testo poetico "Chapeaugaga" di Mandiargues e le 15 incisioni originali di Baj ironizzavano sull'elezione di Jean Paulhan all'Académie Française e sulla feluca indossata dagli accademici.

      [Bookseller: Studio Bibliografico Marini]
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        Festigkeitsberechnung Verfahrenstechnischer Apparate (Gebundene Ausgabe) von Eberhard Wegener (Autor) Apparate stellen das eigentliche Kernst?ck in verfahrenstechnischen Anlagen dar. Sie haben die Aufgabe, durch ihre funktionelle Auslegung und Gestaltung die durch das Verfahren festgelegten Grundoperationen zu realisieren. Hierzu geh?rt auch ihre beanspruchungsgerechte Dimensionierung aufgrund der mechanischen, thermischen und medialen Belastungen sowie Sonder- und Zusatzlasten. Dabei muss eine ausreichende Festigkeit und Stabilit?t der Apparate unter Beachtung der Eigenschaften der gew?hlten Werkstoffe und ihrer Verarbeitung gew?hrleistet sein. In dem Buch werden neben Grundlagen methodisch umfangreiche Beispiele zur festigkeitsm??igen Berechnung von Apparateelementen behandelt und die ?bereinstimmung von Bemessung und Gestaltung auf der Basis des AD-Regelwerkes ber?cksichtigt. Erg?nzt werden die Beispiele durch Hinweise auf weiterf?hrende Literatur. Das Buch wendet sich vorwiegend an Ingenieure der Fachrichtungen Verfahrenstechnik und Maschinenbau, die unmittelbar mit der Apparatekonstruktion betraut sind, aber auch an Vertreter angrenzender Fachgebiete, die sich mit der praktischen Festigkeitsberechnung von Apparateelementen befassen. Eberhard Wegener machte nach der Lehre Abitur und absolvierte ein Ingenieurstudium Chemischer Apparatebau. Anschlie?end 10 Jahre T?tigkeit in der Apparatekonstruktion und sp?ter in der Anlagenrealisierung. Zwischenzeitlich Qualifizierung zum Schwei?konstrukteur am Zentralinstitut f?r Schwei?technik Halle und Abschluss eines Hochschulstudiums Verfahrenstechnik an der Technischen Universit?t Magdeburg im Fernstudium. Ab 1970 ?bernahme der Ingenieurausbildung in der Fachrichtung Chemieanlagenbau an der Ingenieurschule F?rstenwalde, Lehrt?tigkeit in den Studienf?chern Apparate- und Anlagenbau. Abschluss eines Postgradualstudiums Fachschulp?dagogik und externe Promotion an der Technischen Universit?t Magdeburg. Mitarbeit in verschiedenen Gremien der Chemischen Industrie und im Hoch- und Fachschulwesen. 1992 Ruf an die Technische Fachhochschule Wildau, Dekan des Fachbereiches Verfahrenstechnik, sp?ter Ingenieurwesen/Wirtschaftsingenieurwesen. Lehrgebiete Apparate- und Anlagenbau. Vertreter der TH Wildau im Fachbereichstag Verfahrenstechnik. Aus dem Inhalt: Vorwort Formelzeichen und Einheiten nach dem AD-Regelwerk GRUNDLEGENDE VORSCHRIFTEN UND NACHWEISE ERMITTLUNG VON BERECHNUNGSWERTEN METHODISCHE ?BERSICHT BERECHNUNG ZYLINDRISCHER WANDUNGEN BERECHNUNG GEW?LBTER B?DEN BERECHNUNG KEGELF?RMIGER M?NTEL BERECHNUNG VON TELLERB?DEN BERECHNUNG VON FLANSCHVERBINDUNGEN BERECHNUNG EBENER B?DEN DIE BER?CKSICHTIGUNG LOKALER LASTEINLEITUNGEN IN APPARATEWANDUNGEN KOMPLEXBEISPIEL DIMENSIONIERUNGSVERGLEICH AD-REGELWERK--ASME-Codes Literaturverzeichnis Anlagen Naturwissenschaften Chemie Apparatebau Chemie Festigkeit Verfahrenstechnik ISBN-10 3-527-30454-1 3527304541 ISBN-13 978-3-527-30454-7 9783527304547 Wiley-VCH

      Wiley-VCH, 1970. Apparate stellen das eigentliche Kernst?ck in verfahrenstechnischen Anlagen dar. Sie haben die Aufgabe, durch ihre funktionelle Auslegung und Gestaltung die durch das Verfahren festgelegten Grundoperationen zu realisieren. Hierzu geh?rt auch ihre beanspruchungsgerechte Dimensionierung aufgrund der mechanischen, thermischen und medialen Belastungen sowie Sonder- und Zusatzlasten. Dabei muss eine ausreichende Festigkeit und Stabilit?t der Apparate unter Beachtung der Eigenschaften der gew?hlten Werkstoffe und ihrer Verarbeitung gew?hrleistet sein. In dem Buch werden neben Grundlagen methodisch umfangreiche Beispiele zur festigkeitsm??igen Berechnung von Apparateelementen behandelt und die ?bereinstimmung von Bemessung und Gestaltung auf der Basis des AD-Regelwerkes ber?cksichtigt. Erg?nzt werden die Beispiele durch Hinweise auf weiterf?hrende Literatur. Das Buch wendet sich vorwiegend an Ingenieure der Fachrichtungen Verfahrenstechnik und Maschinenbau, die unmittelbar mit der Apparatekonstruktion betraut sind, aber auch an Vertreter angrenzender Fachgebiete, die sich mit der praktischen Festigkeitsberechnung von Apparateelementen befassen. Eberhard Wegener machte nach der Lehre Abitur und absolvierte ein Ingenieurstudium Chemischer Apparatebau. Anschlie?end 10 Jahre T?tigkeit in der Apparatekonstruktion und sp?ter in der Anlagenrealisierung. Zwischenzeitlich Qualifizierung zum Schwei?konstrukteur am Zentralinstitut f?r Schwei?technik Halle und Abschluss eines Hochschulstudiums Verfahrenstechnik an der Technischen Universit?t Magdeburg im Fernstudium. Ab 1970 ?bernahme der Ingenieurausbildung in der Fachrichtung Chemieanlagenbau an der Ingenieurschule F?rstenwalde, Lehrt?tigkeit in den Studienf?chern Apparate- und Anlagenbau. Abschluss eines Postgradualstudiums Fachschulp?dagogik und externe Promotion an der Technischen Universit?t Magdeburg. Mitarbeit in verschiedenen Gremien der Chemischen Industrie und im Hoch- und Fachschulwesen. 1992 Ruf an die Technische Fachhochschule Wildau, Dekan des Fachbereiches Verfahrenstechnik, sp?ter Ingenieurwesen/Wirtschaftsingenieurwesen. Lehrgebiete Apparate- und Anlagenbau. Vertreter der TH Wildau im Fachbereichstag Verfahrenstechnik. Aus dem Inhalt: Vorwort Formelzeichen und Einheiten nach dem AD-Regelwerk GRUNDLEGENDE VORSCHRIFTEN UND NACHWEISE ERMITTLUNG VON BERECHNUNGSWERTEN METHODISCHE ?BERSICHT BERECHNUNG ZYLINDRISCHER WANDUNGEN BERECHNUNG GEW?LBTER B?DEN BERECHNUNG KEGELF?RMIGER M?NTEL BERECHNUNG VON TELLERB?DEN BERECHNUNG VON FLANSCHVERBINDUNGEN BERECHNUNG EBENER B?DEN DIE BER?CKSICHTIGUNG LOKALER LASTEINLEITUNGEN IN APPARATEWANDUNGEN KOMPLEXBEISPIEL DIMENSIONIERUNGSVERGLEICH AD-REGELWERK--ASME-Codes Literaturverzeichnis Anlagen Naturwissenschaften Chemie Apparatebau Chemie Festigkeit Verfahrenstechnik ISBN-10 3-527-30454-1 / 3527304541 ISBN-13 978-3-527-30454-7 / 9783527304547 Festigkeitsberechnung Verfahrenstechnischer Apparate (Gebundene Ausgabe) von Eberhard Wegener (Autor) Wiley-VCH Apparatekonstruktion Chemie Apparatebau Anlagenrealisierung Chemie Festigkeit Verfahrenstechnik Stabilit?t Werkstoffe Maschinenbau Bemessung Belastungen festigkeitsm??igen Berechnung von Apparateelementen Naturwissenschaften Ingenieure Ingnieurwissenschaften Maschinenbauer Made in Germany Mittelstand Produktion Automation

      [Bookseller: LLU-Bookservice]
 34.   Check availability:     maremagnum.com     Link/Print  


        Greatest Adventures. Jouney to the Centre of the Earth .. Round the World in Eighty Days

      Heron Books, 1970. Hardcover. Used; Good. Hardcover; English language; 12mo - over 6.75" - 7.75" tall; good condition; undated;. Your book will be securely packed and promptly dispatched from our UK warehouse. All international orders are sent Royal Mail airmail.

      [Bookseller: Sunrise Books Ltd]
 35.   Check availability:     Biblio     Link/Print  


        A White House Diary

      Holt, Rinehart and Winston, New York, Chicago, San Francisco 1970 - In overall very nice clean condition although unclipped dust jacket is somewhat edge worn with some loss at the head of the spine and top back edge. That said the jacket is not really the main thing with this superb association copy. Dedicated with a long inscription to Lord and Lady Astor of Hever Castle in Kent. This copy would have come from the sale of Hever's contents in the early 1980s as evidenced by other books from the same collection which we recently acquired. The dedication reads: "For Lord and Lady Astor- "who brought to life" centuries of history so enchantingly for us- May I share this moment of history with you, Lady Bird Johnson July 15, 1973" Clearly the two families became close enough for such a personal note. Difficult to put a price on something as unique as this book. Photos on request or please visit shop during opening hours. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: MR. BOOKS BOOKSHOP]
 36.   Check availability:     AbeBooks     Link/Print  


        Stillleben mit Obstschale),

      um 1970. - In einer weißen Schale sind Trauben, eine Ananas und Äpfel oder Nektarinen drapiert. Die Schale mit dem Obst steht bildmittig in einer puristischen Kulisse aus brauner Unterlage und bläulichem Hintergrund. Öl auf Hartfaser, re. u. sign. 30,5 x 35,0 cm. - Neu gerahmt. Die Rahmung im Preis inbegriffen. - In der einfachen Kulisse tritt das farbkräftige Obst und die hell leuchtende Schale mit ihren Strichen aus dick aufgetragenem Öl besonders hervor. - Josef Versl: Landshut 27.2.1901 - 28.8.1993 Würzburg. Versl, der neben Landschaften vor allem Portraits und Stilleben schuf, war in seiner Würzburger Wahlheimat ein angesehener Maler, der zahlreiche Ausstellungen erhielt und von der Stadt Würzburg den Kulturpreis verliehen bekam. Seine oft ins Abstrakte neigenden Motive glänzten durch kräftige Farben, die vor allem mit Öl von ihm sehr dick aufgetragen wurden. Daneben war er auch lithographisch tätig. Sprache: Deutsch Gewicht in Gramm: 0

      [Bookseller: Buch- und Kunstantiquariat Tobias Müller]
 37.   Check availability:     ZVAB     Link/Print  


        THE BLUEST EYE.

      Holt, Rinehart & Winston [1970] - 8vo. Morrison, born Chloe Anthony Wofford, has long been a literary all-star, the recipient of numerous awards including the Nobel and Pulitzer Prizes, a widely respected master of language, and a best-selling author. First edition of the author's first book. [Attributes: First Edition; Hard Cover]

      [Bookseller: Lee G. Campbell]
 38.   Check availability:     AbeBooks     Link/Print  


        La vieillesse

      Gallimard, 1970. - Gallimard, Paris 1970, 14,5x20,5cm, broché. - Edition originale, un des 35 exemplaires numérotés sur Hollande, tirage de tête. Très bel exemplaire. - [FRENCH VERSION FOLLOWS] Edition originale, un des 35 exemplaires numérotés sur Hollande, tirage de tête. Très bel exemplaire.

      [Bookseller: Librairie Le Feu Follet]
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        De temporum fine comoedia. Das Spiel vom Ende der Zeiten. Autograph musical manuscript signed. Undated, but ca. 1970

      - 2 pp., being pages 143 and 144 of the full score. Large folio (416 x 318 mm.). Notated in ink and pencil on 30-stave music manuscript paper. Inscribed to Uli Märkle, a close collaborator and friend of the distinguished Austrian conductor Herbert von Karajan. Slightly worn. De temporum fine comoedia (Play for the End of Time), a major work, was Orff's final musical statement. It was composed over a period of some ten years and had its first performance on August 20, 1973 at the Salzburg Music Festival under Herbert von Karajan with the Cologne Radio Symphony Orchestra. "The gestation of De temporum fine comoedia, which is the epitome of Orff';s theatrical work, began while he was working on Prometheus. The score to this ?Spiel vom Ende der Zeiten'; was completed between 1970 and 1971, with texts taken from the Oracula sibyllina, an Orphic Hymn to Oneiros, and also from the Carmina Burana collection. Orff lends to a theological idea a theatrical form that was already present in Des Turmes Auferstehung: Origene';s ?apokatástasis pánton';, namely the idea that the world returns to God with the consequence that all guilt is temporally finite. The vastness of this eschatological scenario feeds the visionary quality of this modern mystery play. And in the vision invoked by the Anachoretes one participates in the repentance of Lucifer, announced symbolically in the music by open 5ths to a blare of trumpets. There follows a transfiguring dematerialization of all musical parameters, then a canon for four viols. This symbolic mandala representing ?Tà pánta Noûs'; (?Everything is Spirit';) and closing with a reference to Anaxagoras, signifies both the end of the comoedia and of Orff';s creative career. " Alberto Fassone in Grove Music Online.We would like to thank Ms. Sabine Fröhlich of the Orff-Zentrum in Munich for her kind assistance in the identification of this manuscript.

      [Bookseller: J & J LUBRANO MUSIC ANTIQUARIANS LLC]
 40.   Check availability:     ZVAB     Link/Print  


        Fornicon : [Karikaturen]. Vorwort von Walther Killy

      Zürich : Diogenes-Verlag, 1970. Einmalige, numerierte und signierte Ausgabe von dreihundert Exemplaren. Dieses Exemplar trägt die Nummer 20. 61 Bl. Abb. (hier nur 60) 2° (41x32cm), schwarz kaschierte Klapp-Pappbox (Muschelbox) mit schwarzgeprägter Beschriftung, mit 60 losen Tafeln (38x29cm). Zustand: Box selbst mit stärkeren Beschädigungen, Lagerspuren. Einzelne Tafeln gering staubfleckig und teils an den Ecken bestossen. Vorhanden sind 53 Blatt auf starkem Karton und 6 Blatt auf leichterem, blau karierten Papier (d.h. hier fehlt offenbar ein Blatt!). Hinzu kommt das signierte und numerierte (20) Titelblatt mit einer Abbildung und das Doppelblatt mit dem Vorwort und einer Abbildung. - \"Fornicon\" ist als 25. Werk für den \"Klub der Bibliomanen\" im Diogenes Verlag in einer einmaligen Luxusausgabe von 300 numerierten und vom Künstler signierten Exemplaren erschienen. - Auf festem Büttenkarton gedruckt, darunter 7 (hier nur 6) Blätter auf leichtem, blau kariertem Karton. - One of 300. Number 20. 60 plates in black cloth clamshell box. Box damaged. Delightful portfolio with sixty reproductions of humorous erotic drawings by the French illustrator Tomi Ungerer (1931-). The drawings are of \'machine dominated\' sex acts with a focus on phallic imagery. One drawing signed in pencil by Ungerer. Two page foreword in German by Walther Killy. This numbered limited edition was published especially for the \"Club der Bibliomanen.\" Most of the plates on heavy card stock, a few are on thinner paper with a blueish linear background. Clamshell box with heavy use, plates in good condition. Edges slightly bumped. EROTIC DRAWINGS, SEXUAL CARICATURTISTS, SATIRIC SKETCHES CARTOON

      [Bookseller: Antiquariat Exlibris Eibelstadt]
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        L'empire des signes

      1970 - 150 pp. Genève, 1970, in-8, 150 pp, broché, couverture imprimée rempliée, Bel exemplaire de la première édition enrichi d'un envoi de l'auteur à Claude Bonnefoy. Ouvrage richement illustré. Complet du prospectus de présentation de l'éditeur. Couverture légèrement frottée, intérieur très frais. [Attributes: Hard Cover]

      [Bookseller: Librairie Alain Brieux]
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        Maquette for an LP cover

      [ca. 1970.], [Hungary] - Original design for an imaginary Bob Dylan LP. Coloured, in black ink and marker. ca. 310 × 295 mm. Original artwork for an imaginary Boy Dylan LP cover by Péter Puszta. Showing Dylan in spectacular red boots, with enormous hair covering his face, holding harmonica in rack while playing the guitar. 'Side A' tracklist is indicated with four non-sense songs and "Blowing in the Wind" from the 1963 album "The Freewheelin' Bob Dylan". Designed by Péter Puszta (b. 1949) the Hungarian caricaturist and animator. "Oh Mercy" was the first, and remained the only, official Bob Dylan release in Hungary in 1989. Slightly sunned. Overall in very good condition. Original design for an imaginary Bob Dylan LP. Coloured, in black ink and marker.

      [Bookseller: Földvári Books]
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        Le cercle rouge (Original French poster for the 1970 film noir)

      Paris: Euro International Film, 1970. Vintage French grande poster (affiche) for the 1970 French film noir. Director Melville's twelfth film, his second in color, and probably his most ambitious, the culmination of many themes developed in his previous work, played out through the filter of the crime genre. A triumph of visual storytelling as well, with two stunning 30-minute sequences, at the beginning and end of the film respectively, played out with no dialogue whatsoever. 47 x 63 inches (119 x 160 cm). Rolled, on archival linen. Near Fine. Criterion Collection 218. Buss, p. 168. Grant, pp. 112-113. Spicer, p. 453.

      [Bookseller: Royal Books, Inc.]
 44.   Check availability:     Biblio     Link/Print  

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