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Displayed below are some selected recent viaLibri matches for books published in 1970

        ROSUL NEGORI

      1970 ca.. Tiratura: 34/50. Acquatinta a tre colori ed impressioni a secco su carta Arches. Bertrand Dorny Nasce a Parigi nel 1931. Iniziò come pittore, ma fu sempre affascinato ed incuriosito dalle differenti tecniche artistiche. Molto presto si cimentò con l'incisione. Il lato meccanico dell'incisione lo seduce, come pure la nozione di transfert, e questa diventerà, col passare degli anni, la base delle sue future ricerche. La sua opera incisa rappresenta oggi più di 650 stampe e l'artista, dalla metà degli anni 50 ha esposto frequentemente in Francia come all'estero (Lussemburgo, Belgio, Svizzera, Stati Uniti, Germania, Inghilterra, etc). Bertrand Dorny ha partecipato con gran regolarità a numerose esposizioni collettive e saloni: La Jeune Gravure Contemporaine, Les peintres-graveurs, etc. e biennali: le Biennali di Cracovia, Epinal o Freschen, e la sua opera è stata spesso premiata. Fra le gallerie e gli editori che hanno avuto un ruolo determinante nella carriera dell'artista, citiamo Bernard Gheerbrand (La Hune), La Nouvelle Gravure ou Nesto Jacometti (Locarno). Dopo essere stato professore di disegno all'Accademia della Grande Chaumière, Bertrand insegnò incisione, dal 1975 al 1979, alla Scuola di Belle Arti di Parigi mm 645x492

      [Bookseller: Libreria Trippini Sergio]
 1.   Check availability:     maremagnum.com     Link/Print  


        Notes on "Easy Rider" (Typescript with corrections)

      N.p.: N.p., 1970. One page, typescript, with a couple of typeover corrections. A fascinating muse of Southern's crafting of the "Easy Rider," screenplay, focusing on how he actually wrote Jack Nicholson's role for Rip Torn, with a detailed explanation of why Torn did not ultimately fill the role. Full provenance available on request. Blank office stock, recto only, 8.5 x 11 inches. Near Fine.

      [Bookseller: Royal Books, Inc.]
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        Zettels Traum. Faksimile-Ausgabe des einseitig beschriebenen, 1334 Blätter umfassenden Manuskripts.

      Goverts Krüger Stahlberg Verlag, Stuttgard, 1970. Erste Ausgabe! Limitiert in einer Höhe von 2000 Exemplaren. 1330 Zettel. Der Druck wurde von der Offset-Druckerei Paul Robert Wilk in Seulberg ausgeführt. Das Papier fertigte die Papierfabrik Salach im Auftrage der Firma Drissler in Frankfurt am Main. Die buchbinderische Verarbeitung besorgte Christian Belser in Stuttgart. gebundene Ausgabe, Leinen, SU., Schuber. Einband sehr gut erhalten, nur leichte Abriebsspuren im unteren Bereich des Buches. Durchsichtiger SU. leicht wellig und berieben. Schnitt mit zwei kleinen Schmutzflecken. Von Arno Schmidt über dem Impressum handschriftlich signiert! Versand D: 5,00 EUR

      [Bookseller: Druckwaren Antiquariat GbR]
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        Hairy Who Exhibition Poster - San Francisco Art Institute - April 1970 Exhibition Surplus Slop From The Windy City

      San Francisco: San Francisco Art Institute, 1970. First edition. Loose Sheets. Very Good +. Framed poster for the April 1970 showing of artwork at the San Francisco Art Institute by the group of Chicago artists known as the Hairy Who. Poster measures approx. 18 x 23" tall. Simply framed under archival glass. Faint mailing fold else an excellent example of this rare poster. Scarce early Hairy Who ephemera.

      [Bookseller: Derringer Books, Member A.B.A.A.]
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        Chapeaugaga. Ovvero Academic Micmac.

      Mailand (Milano), Edizioni d'Arte Grafica Uno, (1970). - Erste Ausgabe. - Nr. 10 von 100 von Autor u. Künstler im Druckvermerk eigenh. signierten Exemplaren; vom Mailänder Atelier G. Upiglio auf starkem „Papier Ventura" gedruckt. - „The language of his narrative and poetic works is a blend of puns, pseudo-phonetic transcriptions and bizarre expressions of his own invention. Chapeaugaga is a poetic text written by André Pieyre de Mandiargues mocking Jean Paulhan's election to the Académie Francaise and the cocked hats worn by academians" (R. Jentsch, The Artis and the Book in Twentieth-Century Italy). - Schuber leicht berieben. Rücken am oberen Kapital mit kl. Fleck, sonst gutes Exemplar. - Petit, Books 16; Monod 7707; Jentsch 21; Bibl. Matarasso II, 196. Sprache: Italienisch Gewicht in Gramm: 500 8°. Mit 15 (1 doppelblattgr.) farb. Orig.-Radierungen (meist in Prägedruck u. tlw. mit Collagen) von Enrico Baj. 31 S., 4 Bll. (die letzten beiden weiß), Lose Bögen in OUmschlag u. OHLwd.-Decke m. goldgepr. Rückentitel in marmor. OPp.-Schuber. [Attributes: First Edition; Signed Copy]

      [Bookseller: Antiquariat Wolfgang Friebes]
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        Mog the forgetful cat (With The Original Wrapper)

      The First UK Printing published by Collins in 1970. The BOOK is in Very Good++ or better condition. Light foxing in places to the illustrated boards . Light spotting to prelims and end papers. Occasional spot throughout but otherwise a very clean copy. Free from erasures, inscriptions and markings. The Wrapper is complete and is in Very Good++ or better condition. Small closed tear to upper front spine fold. Spotting to verso which only comes through to the front very lightly in places. The iconic wrapper design looks very striking in the removable Brodart archival cover. Judith Kerr's wonderful coloured illustrations throughout. The first title in the acclaimed 'Mog' series. Scarce with such attributes. Ashtonrarebooks welcomes direct contact.

      [Bookseller: Ashtonrarebooks ABA PBFA]
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        El circulo de piedra

      Milano , GRAFICA UNO, 1970 - 15 litografie originali in bianco e nero e a colori, firmate, di Valerio Adami, Alexander Calder, Jorge Camacho, Augustin Càrdenas, César, Corneille, Errò, Asger Jorn, Piotr Kowalski, Wifredo Lam, Joan Mirò, Eduard Pignon, Paul Rebeyrolle, Antoni Tapies, Emilio Vedova. Testo poetico di Franqui. Ogni cartella è accompagnata da un disco fuori commercio del concerto di Luigi Nono, ''Y entonces comprendido'' dai testi del poema, pubblicato da Ricordi di Milano. Folio (cm 55x45). . . Ottimo (Fine). . Prima edizione di 100 + XXV es. numerati. [Jentsch, 1993]. Carlos Franqui negli anni 50, con grandi sacrifici, riuscì a frequentare l'università. Aderì poi al Partito Comunista cubano e lavorò nella clandestinità organizzando manifestazioni e insurrezioni. E' stato direttore del periodico clandestino ''Revolucion'' e capo della sezione propaganda del comitato rivoluzionario. Dopo la vittoria della rivoluzione tuttavia, non partecipò al governo di Fidel Castro e l'anno dopo la morte di Ghevara (1967) ruppe i contatti con il regime di Castro e andò in esilio in Europa, ed in particolare in Italia dove è stato attivo come critico d'arte, scrittore e poeta. Il libro nacque con l'intento di raccogliere fondi per aiutare Franqui durante il suo esilio italiano. Custodia leggermente sporca (Lightly soiled slip-case) [Attributes: Hard Cover]

      [Bookseller: Studio Bibliografico Marini ALAI - ILAB]
 7.   Check availability:     IberLibro     Link/Print  


        The Collected Works.

      New York Grove Press,, 1970. [Cascando; Endgame; Film; Happy Days; How It Is; Krapp's Last Tape and Other Dramatic Pieces; Malone Dies; Molloy; More Pricks Than Kicks; Murphy; Poems in English; Proust; Stories & Texts for Nothing; The Unnamable; Waiting for Godot; Watt.] 16 volumes, octavo. Original blue cloth, titles to spines and front boards in silver. With the dust jackets. Some faint foxing to edges of text block; a superb set in the bright jackets. First collected edition, first printings. The set was issued by Grove in this trade edition and as a signed edition; neither is common complete. Film is a first edition in its own right.

      [Bookseller: Peter Harrington]
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        [Manuscrit illustré] - Recueil de poésies. (Sans titre).

      vers 1970, 1 volume, in-8 carré, relié, non paginé. Recueil manuscrit de poésies originales calligraphiées de Suzanne De Cecco, 166 feuillets manuscrits sur une seule face, un grand dessin finement aquarellé de l'auteure, parfois à pleine page, illustre chaque poésie, plusieurs dessins aquarellés dans les marges. Reliure demi basane à coins fauve clair, dos à quatre nerfs allant par deux, filets, fleuron et titre dorés, fleurons à froid, infimes frottements aux nerfs et aux coiffes. Suzanne De Cecco était une amie de la poétesse auvergnate Amélie Murat, elle a toujours refusé de publier ses poésies, se contentant de les lire lors de réunions, elle était fort connue dans le monde littéraire auvergnat jusque dans les années soixante. superbe et exceptionnel exemplaire. ************* PROMO : Envoi gratuit en courrier suivi et assurance à partir de 20 € d'achat (France seulement), remise 20 % pour commande supérieure à 60 €.

      [Bookseller: Yves Oziol]
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        Personal Library of Floridian Books

      Research material from the library of Peter Matthiessen. Matthiessen's connection to Florida as a writer goes back well before the Mr. Watson trilogy that he began writing in the 1980s. In 1970 the Sierra Club published a photography book on the Everglades using text from Matthiessen's earlier books. At that time he also began a project based on Seminole history and legends. Later, the Watson trilogy and eventually Shadow Country took up a large portion of nearly two decades. Roughly 20 titles. Many of these book are research materials for the Watson books; others are more general history or natural history. A detailed list is available on request. No Binding.

      [Bookseller: Ken Lopez Bookseller, ABAA]
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        The Crayon, A Journal Devoted To The Graphic Arts, And The Literature Related To Them; Vols.1-8 (1855-July, 1861)

      New York: AMS Press, 1970. Hardbound. VG. Blue institutional cloth as published. 4 volumes, each containing reprints of two original volumes. Vol.s 1 & 2 (416 [vi] & 408 [iv] pp.); Vol.s 3 & 4 (380 [vi] & 380 [iv] pp.); Vol.s 5 & 6 (360 [vi] & 384 [iv] pp.); & Vol.s 7 & 8 (358 [vi] & 152 [iv] pp.). All w/Indexes. Complete sets of this periodical are highly uncommon. This reprint edition, put out in 1970, is almost as hard to find now as original issues and volumes. The Crayon is regarded as one of the best art periodicals of the time, and is a reliable source of ontemporary opinion. Contributors included Rembrandt Peale, Asher B. Durand, Daniel Huntington. Correspondents included John Ruskin, James Russell Lowell and W.M. Rossetti. Regular features included domestic art gossip, exhibition reviews, book notices, and some attention to architecture and landscape gardening, "two of the most popular departments of Art of the Day". Limited number of advertisements on the covers indicate diverse art activities. Feature article reveal an inclination towards English, German, French, and Greek art history. (Karpel S112).

      [Bookseller: Mullen Books, Inc. ABAA / ILAB ]
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        Paddington Takes The Air.

      London: Collins, 1970. First edition. Octavo, original cloth. Inscribed by the author on the half title page. Fine in a very good dust jacket with a few small closed tears. "Paddington is as irresistile as Peggy Fortnum's drawings of him that illustrate the book" (Christian Science Monitor).

      [Bookseller: Raptis Rare Books]
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        Pukall, Egon. - Porträt des Malers Otto Westphal.

      - Zeichnung / Kreidezeichnung, 1970. Von Egon Pukall. 59,7 x 42,4 cm (Darstellung / Blatt). Am Blattrand rechts oben signiert und datiert. - Papier leicht angeschmutzt. Die Ecken leicht bestoßen. Verso Reste einer ehemaligen Montierung. Guter Erhaltungszustand. Egon Pukall (1934 Riesenkirch / Westrpeußen - 1989 Dresden). Deutscher Maler und Grafiker in Dresden. 1951-54 Studium an der Hochschule für Grafik und Buchkunst Leipzig und 1954-57 an der Hochschule für Bildende Künste Dresden. Seit 1957 freischaffend in Dresden tätig. Von 1977-85 Rekonstruktionsarbeiten der Decken-gemälde beim Wiederaufbau der Dresdner Semperoper. Pukall lebte und arbeitete von 1961-89 im Künstlerhaus Loschwitz am Dresdner Elbhang. [Attributes: Signed Copy]

      [Bookseller: GALERIE HIMMEL]
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        L'AUBRAC. Etude ethnologique, linguistique, agronomique et économique d'un établissement humain

      1970. National de la Recherche Scientifique, 1970 - 1986. 10 volumes In-4 brochés, couvertures illustrées. 307 + 317 + 333 + 305 + 380 + 330 + 285 + 35 + 128 + 82 pages. Géographie - Agronomie - Sociologie économique - Ethnologie historique - Transhumance ovine - Ethnologie contemporaine - Montagnes - Térapeutique - L'Aubrac à Paris - Littérature orale - Musique - Danse - Technique et langage - Les Burons - Technique et outillage agricoles - Le "Sacrifice" du porc - L'Occitan et le Français - Carte et catalogue des montagnes - Ecologie - Conclusion générale - Table - Index. Ensemble parfaitement complet pour ce travail monumental, avec photos, certaines en couleurs et cartes dont la publication étalée sur une période de plus de 15 années explique la rareté. Bel état.

      [Bookseller: Librairie Artgil]
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        Geode / Rock Body

      Capricorn Press, Santa Barbara 1970 - Limited edition, #39 of 50. Signed by author without inscription and hand-numbered on limitation page. Tiny sticker remnant on corner of front endpaper, otherwise an exceptional copy. 34 pp. 8vo. The first published work by the poet, travel and nature writer, and essayist, who won the Henry David Thoreau Award. A collection of poems, it was published when the author was just 24 years old. This edition was limited to 600 copies, only 50 of which were bound in cloth. Designed and printed by Noel Young in Santa Barbara, cover drawing by Judy Daniel. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Yesterday's Muse, ABAA, ILAB, IOBA]
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        In the Night Kitchen

      New York, NY: Harper and Row, 1970 First Edition with all First Edition points. Signed by the author/illustrator on the front free end paper. Dust jacket has shows some shelf wear, including rubbing especially along edges, price intact on flap, in mylar sleeve. Interior pages are clean and unmarked. Binding is tight. White cloth over boards with illustration mounted to front board; illustrated dust jacket. First edition in first state dust jacket (lacking the Caldecott Medal sticker). Dust jacket has 10/70 on lower front flap. *** This modern children's classic picture book won the Caldecott Honor Book. Unpaged. (HanrahanA75)

      [Bookseller: Boomerang Booksellers, ABAA/ILAB (USA)]
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        The Phases of the Moon.

      Germany 1970 - Twenty five actual photographs joined to form a collage. 124 x 104 cm, overall dimensions 140 x 120cm. A spectacular collage made up of 25 individual photographs probably taken from space. From the Golden Age of Moon exploration - Men had been into space but the first moon landing was yet to come. A period when there was heightened interest in "what was out there". Each individual photograph has a label to the back in German describing the phase.

      [Bookseller: Shapero Rare Books]
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        Le cose che volano. Dodici fogli sciolti all'acquaforte e un frontespizio di Luciano De Vita.

      Senza luogo, senza data (1970) Stampato nello Studio Sanleonardo da Deborah Whitman e Mario Leoni. Cartella/ cofanetto in tutta tela nera con illustrazione al piatto anteriore, contenente tredici fogli sciolti all'acquaforte di Luciano De Vita, ciascuno formato dall'artista. Tiratura di 90 esemplari numerati da 1 a 80 e da I a X. Di dimensione 50 x 55 cm. La nostra copia e' la n. VII.

      [Bookseller: Libreria Piani già Naturalistica]
 18.   Check availability:     Direct From Bookseller     Link/Print  


        The Contemplative Man's Recreation: A Bibliography of Books on Angling and Game Fish in the Library of the University of British Columbia. {Deluxe Edition with a Roderick Haig-Brown Holograph Letter Laid-in}.

      - Vancouver, Canada. The Library of the University of British Columbia. 1970. Limited Edition. One of 135 copies of the Deluxe Edition. With a signed holograph letter from Roderick Haig-Brown on his Campbell River stationery presenting the book to angling author Joseph Bates Jr. laid-in. Also signed by Haig-Brown under his Tribute essay to Tommy Brayshaw. 8vo. (9 x 6). 138 pp. Foreword by The Hon. N.A.M. MacKenzie. Frontispiece from The Whole Art of Fishing, 1714. Two plates of fish by Tommy Brayshaw. Includes sections on The Henry Hawthorn Foundation for the Inculcation and Propagation of the Principles and Ethics of Fly Fishing - The Contemplative Man's Recreation - Landmarks in the Evolution of the Angling Literature - Some Pseudonyms Used by Angling Authors. This is a fine account of the Hawthorn Foundation and an excellent description of angling titles in the Special Collections' holdings at UBC. With the original four-page prospectus laid-in. The book is bound in full green and cream leather with a wet fly (Professor) dressed on a size 12 hook inset on the front cover and with gilt titles on the spine and front cover. Clear plastic dust jacket. With the book plate of Joseph Bates Jr. It's nice and it's also the ultimate edition of this book. The book and letter in fine condition a near fine dust jacket.

      [Bookseller: Bruce Cave Fine Fly Fishing Books, IOBA.]
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        Three Gregynog Englynion. (SIGNED PROOF COPY PLUS CORRESPONDENCE)

      Privately printed by the author on the Gregynog Albion during his term at first Gregynog Arts Fellow in the University of Wales, August, 1970, No Binding, Book Condition: Good, 1st Edition, Signed by Author(s). A single foolscap sheet, folded to form four leaves. This is a signed proof of an edition which ran to just five copies (several days later he produced a second printing of the three englynion, this time limited to 20 copies). Paperstock a little tanned at margins, and nicked, creased and a little torn at edges, with the upper left corner absent but all text unaffected. Bryan Johnson began his six-month Gregynog Fellowship in February 1970 (a period of his life he later described as 'idyllic' and which permitted him the time and resources to write his novel 'House Mother Normal'). Towards the end of the Fellowship he was unable to withstand the lure of the hallowed Gregynog Albion Press and decided, along with the help (and indeed hindrance) of his friend Philip Pacey to use the Press to attempt to print the three short poems he had composed during that six-month period, each experimenting with the Welsh verse form englyn. The whole process was fraught with problems and in one instance genuine danger: Johnson provided a full account of the misadventures in his essay 'The Gregynog Press and The Gregynog Fellowship' which appeared in a spring 1973 issue of 'The Private Library'. Extremely uncommon - bar the three differing print runs he produced at Gregynog, these poems were never reproduced. Supplied together with a selection of letters from Johnson to fellow poet Jeremy Hooker. The correspondence comprises two postcards and five typewritten letters spanning May 1970 - July 1972 (he committed suicide a little over a year later) and covers a multitude of subjects including his work for 'Transatlantic Review' (he was the poetry editor), discussion of several of his novels and constant encouragement and praise for Hooker's own verse. The letters are insightful and often witty (Jack Russells are several times referred to 'Ken Russells' and the line about house-training them is completely baffling until you recognise the joke), but sadly his tone becomes increasingly downbeat as the depression which was to end his life fully takes hold. Also included is the issue of 'The Private Library' which includes his Gregynog reminiscences, a short handwritten note from Jo McCrindle, founding editor of Transatlantic Review', which briefly references Johnson, and a first edition copy of Jonathan Coe's biography 'Like a Fiery Elephant', fine in dust wrapper.

      [Bookseller: Clearwater Books]
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        Richard Avedon holds up photograph of Rennie Davis (Original Chicago Tribune press photograph, 1970)

      Chicago: Earl Seubert, 1970. Vintage borderless black-and-white photograph of Richard Avedon holding up a photograph of Rennie Davis (of the Chicago Seven) for an exhibition held in Chicago in June 1970. Shot by Tribune photographer Earl Seubert, with his stamp on the verso, as well as several date stamps (all from June 1970), and a clip of the published photo from the Tribune. 7 x 11 inches (18 x 28 cm). Near Fine.

      [Bookseller: Royal Books, Inc.]
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        Robert Rauschenberg-Earth Day-1970 Offset Lithograph-SIGNED

      1970 - "Earth Day" by Robert Rauschenberg, Signed Offset Lithograph printed in 1970. The overall size of the Offset Lithograph is 33.75 x 25.25 inches. The condition of this piece has been graded as A-: Near Mint, very light signs of handling. Here is some supplemental information about the Offset Lithograph: Signed and dated by Rauschenberg in felt pen in lower center part of the poster. [Attributes: Signed Copy]

      [Bookseller: Rare Posters]
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        Vivisector.

      New York: The Viking Press, 1970. First edition. Octavo, original cloth. Signed by Patrick White on the title page. A few spots to the foredge, near fine in a fine dust jacket. "One of the great magicians of fiction . . . White's scope is vast and his invention endless" (The Observer, London).

      [Bookseller: Raptis Rare Books ]
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        MORE PRICKS THAN KICKS

      London: Calder & Boyars, 1970. Half cream calf and gilt lettered cloth, a.e.g. Spine tanned, with tiny rubs, otherwise very good or better. First edition in this format, reprinting the contents of Beckett's rare first collection of short fiction, first published in 1934. This is copy #23 of one hundred copies, hors commerce, specially printed and bound, and signed by the author.

      [Bookseller: William Reese Company - Literature ABAA-]
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        "Adam et Eve revisités".

      1970Aquarelle et encre de Chine, signée en bas à gauche, (1960), 31,5 x 24 cm. Albert DUBOUT (1905-1976) est l'une des figures phares de l'illustration satirique française du XXème siècle avec à son actif plus de 80 ouvrages. Dans une forêt luxuriante, près d'un lac où se reflète les troncs de hauts arbres, un couple a trouvé refuge sous un immense palmier, qui abrite un oiseau dans ses branches. Dans ce lumineux camaïeu de vert et de bleu, la dimension comique n'est pas absente : elle tient au jeu d'échelle entre les deux figures perdues dans cette immensité verdoyante, et la forêt. (Dico Solo, pp.252-254).

      [Bookseller: Librairie Chrétien]
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        Dizionario illustrato dei pittori, disegnatori e incisori italiani moderni e contemporanei. Quarta edizione in cinque volumi completamente rifatta e ampliata. (5 vols., A-Z =complete)

      Patuzzi Milano, 1970. xxiii, 3586 S. Cloth with dust jacket 1970-1974. Dustjacked of vol.1 minimal fissured on edge. Sehr guter Zustand/ very good Versand D: 3,99 EUR

      [Bookseller: Wissenschaftliches Antiquariat]
 26.   Check availability:     buchfreund.de     Link/Print  


        Suitesurunjaponpourunlivrequin'existepas

      Paris , Editions Georges Visat,, 1970 - Suite sur un japon pour un livre qui n'existe pas. 10 incisioni a puntasecca, acquaforte e acquatinta, numerate, firmate e datate su carta Giappone: cm 8x6,5 - 11,8x11,3 - 7,2x6,4 - 6x10,5 - 7x6,3 - 5,5x5 - 7x6,4 - 6,7x11 - 18x12 - 8,1x5,7 (Foglio cm 23x15,8). Cartelletta cm 24x16. pp. . Ottimo (Fine). . Prima edizione di 15 es. numerati. . La collaborazione tra l'artista danese Asger Jorn (Vejrum 1914 - Aarhus 1973) e l'editore francese Georges Visat (Foce, Corsica 1910 - Arzacq 2001) fu favorita dalla mediazione di Roberto Matta. Infatti Jorn, trovandosi a Parigi alla ricerca di un editore, si rivolse all'amico artista che gli fece il nome di Visat, con l'assicurazione che lo stampatore non avrebbe di sicuro deluso le sue aspettative. Matta aggiunse che per incontrare Visat bastava attenderlo alle 10 di ogni mattina presso il caffè accanto al suo atelier, al numero 13 di rue du Dragon. Una mattina Jorn si recò al caffè, ma non osando avvicinare l'editore, continuò a fissarlo fino a che Visat, sentendosi osservato, si avvicinò per primo all'Artista. Jorn gli affidò una serie di incisioni, parlandogli del suo desiderio di farne un'edizione. Di quella serie di 10 incisioni ne furono stampate solo 15 copie, che Visat raccolse in una cartelletta e propose di chiamare ''Suitesurunjaponpourunlivrequin'existepas''. Il testo infatti sarebbe stato pensato ed organizzato in un incontro successivo presso l'Atelier Visat, appuntamento che si realizzò soltanto un anno dopo. Ne nacque però un libro del tutto nuovo, ''Entrée de secours'', con 9 diverse opere grafiche, stampato in 100 esemplari nel 1971. (informazioni in parte fornite da Yannick Minous Visat). [Attributes: Hard Cover]

      [Bookseller: Studio Bibliografico Marini ALAI - ILAB]
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        La grammaire logique suivi de La science de dieu et précédé de 7 propos sur le septième ange par Michel Foucault

      1970. Tchou, Paris 1970, 14x21cm, broché. - Tchou, Paris 1970, 14x21cm, broché. - Edizione per il quale non è stato redatto grandi giornali. autografo firmato Foucault professor Georges Blin. Due piccoli punti luminosi senza gravità sul primo piatto.   [FRENCH VERSION FOLLOWS] Edition originale pour laquelle il n'a pas été tiré de grands papiers. Envoi autographe signé de Michel Foucault au professeur Georges Blin. Deux petits taches claires sans gravité sur le premier plat.  

      [Bookseller: Librairie Le Feu Follet]
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        Three Gregynog Englynion. (SIGNED PROOF COPY PLUS CORRESPONDENCE)

      Privately printed by the author on the Gregynog Albion during his term at first Gregynog Arts Fellow in the University of Wales, August, 1970. A single foolscap sheet, folded to form four leaves. This is a signed proof of an edition which ran to just five copies (several days later he produced a second printing of the three englynion, this time limited to 20 copies). Paperstock a little tanned at margins, and nicked, creased and a little torn at edges, with the upper left corner absent but all text unaffected. Bryan Johnson began his six-month Gregynog Fellowship in February 1970 (a period of his life he later described as 'idyllic' and which permitted him the time and resources to write his novel 'House Mother Normal'). Towards the end of the Fellowship he was unable to withstand the lure of the hallowed Gregynog Albion Press and decided, along with the help (and indeed hindrance) of his friend Philip Pacey to use the Press to attempt to print the three short poems he had composed during that six-month period, each experimenting with the Welsh verse form englyn. The whole process was fraught with problems and in one instance genuine danger: Johnson provided a full account of the misadventures in his essay 'The Gregynog Press and The Gregynog Fellowship' which appeared in a spring 1973 issue of 'The Private Library'. Extremely uncommon - bar the three differing print runs he produced at Gregynog, these poems were never reproduced. Supplied together with a selection of letters from Johnson to fellow poet Jeremy Hooker. The correspondence comprises two postcards and five typewritten letters spanning May 1970 - July 1972 (he committed suicide a little over a year later) and covers a multitude of subjects including his work for 'Transatlantic Review' (he was the poetry editor), discussion of several of his novels and constant encouragement and praise for Hooker's own verse. The letters are insightful and often witty (Jack Russells are several times referred to 'Ken Russells' and the line about house-training them is completely baffling until you recognise the joke), but sadly his tone becomes increasingly downbeat as the depression which was to end his life fully takes hold. Also included is the issue of 'The Private Library' which includes his Gregynog reminiscences, a short handwritten note from Jo McCrindle, founding editor of Transatlantic Review', which briefly references Johnson, and a first edition copy of Jonathan Coe's biography 'Like a Fiery Elephant', fine in dust wrapper.. Signed by Author(s). 1st Edition. No Binding. Good.

      [Bookseller: Clearwater Books]
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        Telegramm von Thomas Bernhard - übermittelt durch die Deutsche Bundespost an Ingrid Puelau, Hamburg ( recte: Ingrid Bülau ) im Jahre 1970.

      1970 - Das vorliegende Original-Telegramm wurde aufgegeben am 28. VI. 1970 um 9:50 Uhr in Ohlsdorf mit folgendem Text: * 2 Karten für Puelau Abendkasse Umarme Dich - Thomas - *. Die Karten wohl für die Urauffühung des Stückes *Ein Fest für Boris*, 1970 am Deutschen Schauspielhaus in Hamburg im Juli 1970 uraufgeführt. Das Telegramm zweimal gefaltet, stärker gebräunt, etwas angeknickt. ( Pic erhältlich // webimage available )

      [Bookseller: Antiquariat Friederichsen]
 30.   Check availability:     ZVAB     Link/Print  


        La guerre

      First edition, one of 36 numbered copies on Holland paper, deluxe edition.Tiny bites on the back, nice copy. Gallimard Paris 1970 14,5x21,5cm broch

      [Bookseller: Librairie Le Feu Follet]
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        Daily Mirror - Gesammelte Werke Band 10

      Size 23 x 17cm approx. Illustrated paper covers. 462 pages. Limited edition of 1,000 copies. Published in 1970. This is the third variant of Rot's Daily Mirror book made from approximately 150 sheets cut from the British Newspaper. It was first published in Reykjavik in 1961 in a limited edition of 222 copies in a size of only 2 x 2cm. In 1965 Rot enlarged some of these tiny pages to make 'Quadrat Print' a folder of 60 loose sheets in an edition 1,000. This third variant of the project, volume 10 in the artists collected works, belongs to a series of works Rot assembled in the 1960s from the pages of newspapers, comics, printers' make-ready sheets and children's colouring books. Each variant of the book is entirely different and all editions are now extremely scarce. Condition very good. Slight rubbing to edges but binding firm and spine with only a faint crease, suggesting it has been barely read.

      [Bookseller: David Maynard]
 32.   Check availability:     PBFA     Link/Print  


        A la plaza con Fidel. Un ensayo fotografico de Mayto.

      Instituto del Libro,, La Habana, 1970 - Cm. 35, pp. (38). Interamente illustrato e con una grande tavola ripiegata in fine raffigurante Fidel Castro. Legatura originale in cart. rigido illustrato. Dorsetto rifatto. Esemplare ben conservato, come è raro per quest'opera piuttosto fragile ed assai ricercata. Entusiasmate reportage fotografico! [Attributes: Hard Cover]

      [Bookseller: Studio Bibliografico Benacense]
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        LA PRESQU'ÎLE

      EDITIONS JOSE CORTI - PARIS 1970 édition originale ( 1 des 150 exemplaires sur papier Alfa Mousse ), broché, in f° 12 ( 115 mm x 180 mm ), La Presqu'île est un recueil de nouvelles de Julien Gracq. Il comprend trois textes : La Route, La Presqu'île et Le Roi Cophetua. 251 pages, exemplaire propre en très bel état

      [Bookseller: Patrick Chirouleu]
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        "L'enlèvement de Déjanire".

      1970Encre de Chine signée en bas à droite, ( 1970), 30 x 23 cm. Jean GOURMELIN (Paris 1920 - Meudon 2011) s'initie au dessin dés son plus jeune âge, puis travaille avec l'artiste Charles Portel qui lui enseigne la technique du papier-peint, de la gravure sur bois et du pochoir, avec Nobilis. Il complète sa formation à l'Ecole des Arts Décoratifs et a pour maître Othon Friesz. Avec Max Ingrand, maître verrier, il se passionne pour cet art des vitraux et réalise ceux des Châteaux d'Amboise, de Blois, de la Cathédrale de Saint-Malo ... Grâce à Maximilien Vox il revient à l'édition et l'illustation. Sa rencontre avec l'écrivain de science-fiction Jacques Sternberg détermine le début d'une amitié forte avec Louis Pauwels et sa collaboration à la Revue Planète. Ils lançent le mouvement du "Réalisme fantastique" et, selon l'expression de Sternberg, "Où les compositions de Jean Gourmelin brillaient comme des soleils noirs ... Son inspiration, il la puise dans ses terreurs, ses vertiges, ses gouffres métaphysiques, ses fantasmes, son théâtre d'épouvante et ses décors de rêve". Il anime les "Chroniques" de France-Soir. Des affiches pour le cinéma et le théâtre sortent de ses crayons. De nombreuses expositions saluent son talent dans des galeries et musées ( Centre Culturel de Meudon, Musée Georges Pompidou ...). Scène mythologique dans laquelle le centaure Nessus, mi-homme mi-cheval, enlève Déjanire la femme d'Hercule. Ils sont dans la fôret de Thessalie ; les arbres, à la disposition symétrique, sont des cactus dont les troncs sont transformés en futs de colonnes corinthiennes.

      [Bookseller: Librairie Chrétien]
 35.   Check availability:     Livre-rare-book     Link/Print  


        "L'Amour fou".

      1970Encre de Chine signée en bas à droite, (1970), 22 x 15 cm. Jean GOURMELIN (Paris 1920 - Meudon 2011) s'initie au dessin dés son plus jeune âge, puis travaille avec l'artiste Charles Portel qui lui enseigne la technique du papier-peint, de la gravure sur bois et du pochoir, avec Nobilis. Il complète sa formation à l'Ecole des Arts Décoratifs et a pour maître Othon Friesz. Avec Max Ingrand, maître verrier, il se passionne pour cet art des vitraux et réalise ceux des Châteaux d'Amboise, de Blois, de la Cathédrale de Saint-Malo ... Grâce à Maximilien Vox il revient à l'édition et l'illustation. Sa rencontre avec l'écrivain de science-fiction Jacques Sternberg détermine le début d'une amitié forte avec Louis Pauwels et sa collaboration à la Revue Planète. Ils lançent le mouvement du "Réalisme fantastique" et, selon l'expression de Sternberg, "Où les compositions de Jean Gourmelin brillaient comme des soleils noirs ... Son inspiration, il la puise dans ses terreurs, ses vertiges, ses gouffres métaphysiques, ses fantasmes, son théâtre d'épouvante et ses décors de rêve". Il anime les "Chroniques" de France-Soir. Des affiches pour le cinéma et le théâtre sortent de ses crayons. De nombreuses expositions saluent son talent dans des galeries et musées ( Centre Culturel de Meudon, Musée Georges Pompidou ...). Un homme nu, marche, et porte sur ses épaules une jeune-femme, nue également. Ils sont tellement complices qu'ils ne forment plus qu'un ! Deux corps pour une même tête ...

      [Bookseller: Librairie Chrétien]
 36.   Check availability:     Livre-rare-book     Link/Print  


        "Les êtres escaliers".

      1970Encre de Chine signée en bas à droite, ( ), 32.5 x 26 cm. Jean GOURMELIN (Paris 1920 - Meudon 2011) s'initie au dessin dés son plus jeune âge, puis travaille avec l'artiste Charles Portel qui lui enseigne la technique du papier-peint, de la gravure sur bois et du pochoir, avec Nobilis. Il complète sa formation à l'Ecole des Arts Décoratifs et a pour maître Othon Friesz. Avec Max Ingrand, maître verrier, il se passionne pour cet art des vitraux et réalise ceux des Châteaux d'Amboise, de Blois, de la Cathédrale de Saint-Malo ... Grâce à Maximilien Vox il revient à l'édition et l'illustation. Sa rencontre avec l'écrivain de science-fiction Jacques Sternberg détermine le début d'une amitié forte avec Louis Pauwels et sa collaboration à la Revue Planète. Ils lançent le mouvement du "Réalisme fantastique" et, selon l'expression de Sternberg, "Où les compositions de Jean Gourmelin brillaient comme des soleils noirs ... Son inspiration, il la puise dans ses terreurs, ses vertiges, ses gouffres métaphysiques, ses fantasmes, son théâtre d'épouvante et ses décors de rêve". Il anime les "Chroniques" de France-Soir. Des affiches pour le cinéma et le théâtre sortent de ses crayons. De nombreuses expositions saluent son talent dans des galeries et musées ( Centre Culturel de Meudon, Musée Georges Pompidou ...). Scène énigmatique, proche du rêve et de l'irrationnel. Dans une athmosphère inquiétante et fantastique, un homme monte les marches d'un escalier mi-homme mi-lézard, vers un lieu qu'il ne connaît pas. Où va t'il ? Quelle distance lui reste-t'il à parcourir ?

      [Bookseller: Librairie Chrétien]
 37.   Check availability:     Livre-rare-book     Link/Print  


        "Mon cher Watson".

      1970Encre de Chine, signée en bas à droite, (1970), 32 x 26.5 cm. Jean GOURMELIN (Paris 1920 - Meudon 2011) s'initie au dessin dés son plus jeune âge, puis travaille avec l'artiste Charles Portel qui lui enseigne la technique du papier-peint, de la gravure sur bois et du pochoir, avec Nobilis. Il complète sa formation à l'Ecole des Arts Décoratifs et a pour maître Othon Friesz. Avec Max Ingrand, maître verrier, il se passionne pour cet art des vitraux et réalise ceux des Châteaux d'Amboise, de Blois, de la Cathédrale de Saint-Malo ... Grâce à Maximilien Vox il revient à l'édition et l'illustation. Sa rencontre avec l'écrivain de science-fiction Jacques Sternberg détermine le début d'une amitié forte avec Louis Pauwels et sa collaboration à la Revue Planète. Ils lançent le mouvement du "Réalisme fantastique" et, selon l'expression de Sternberg, "Où les compositions de Jean Gourmelin brillaient comme des soleils noirs ... Son inspiration, il la puise dans ses terreurs, ses vertiges, ses gouffres métaphysiques, ses fantasmes, son théâtre d'épouvante et ses décors de rêve". Il anime les "Chroniques" de France-Soir. Des affiches pour le cinéma et le théâtre sortent de ses crayons. De nombreuses expositions saluent son talent dans des galeries et musées ( Centre Culturel de Meudon, Musée Georges Pompidou ...). Watson, armé de sa loupe, pipe à la bouche, inspecte de près une jeune Dryade. Annotations à la mine de plomb de l'artiste au verso.

      [Bookseller: Librairie Chrétien]
 38.   Check availability:     Livre-rare-book     Link/Print  


        P.A.S. S. l., 27 juillet [ca 1970].

      1970. Carton in-12, R°/V° (21 lignes). Courrier écrit à la femme de lettre Dominique Aury (Anne Desclos), secrétaire de la NRF. Gracq décline l'offre d'Aury de répondre à un questionnaire, car "[son] ignorance de la linguistique est totale, [ses] connaissances en sociologie et en psychanalyse sont des plus minces". Ce questionnaire lui fait "prendre conscience de [ses] terribles lacunes". - Joli courrier.

      [Bookseller: Antiquariat Inlibris]
 39.   Check availability:     maremagnum.com     Link/Print  


        "Femme kangourou".

      1970Encre de Chine signée en bas dans le dessin, (1970), 23 x 21 cm. Jean GOURMELIN (Paris 1920 - Meudon 2011) s'initie au dessin dés son plus jeune âge, puis travaille avec l'artiste Charles Portel qui lui enseigne la technique du papier-peint, de la gravure sur bois et du pochoir, avec Nobilis. Il complète sa formation à l'Ecole des Arts Décoratifs et a pour maître Othon Friesz. Avec Max Ingrand, maître verrier, il se passionne pour cet art des vitraux et réalise ceux des Châteaux d'Amboise, de Blois, de la Cathédrale de Saint-Malo ... Grâce à Maximilien Vox il revient à l'édition et l'illustation. Sa rencontre avec l'écrivain de science-fiction Jacques Sternberg détermine le début d'une amitié forte avec Louis Pauwels et sa collaboration à la Revue Planète. Ils lançent le mouvement du "Réalisme fantastique" et, selon l'expression de Sternberg, "Où les compositions de Jean Gourmelin brillaient comme des soleils noirs ... Son inspiration, il la puise dans ses terreurs, ses vertiges, ses gouffres métaphysiques, ses fantasmes, son théâtre d'épouvante et ses décors de rêve". Il anime les "Chroniques" de France-Soir. Des affiches pour le cinéma et le théâtre sortent de ses crayons. De nombreuses expositions saluent son talent dans des galeries et musées ( Centre Culturel de Meudon, Musée Georges Pompidou ...). Une femme kangourou, porte dans sa poche marsupiale son petit. Elle regarde pacifiquement autour d'elle. Au second plan elle bondit sur ses pattes arrière.

      [Bookseller: Librairie Chrétien]
 40.   Check availability:     Livre-rare-book     Link/Print  

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