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Displayed below are some selected recent viaLibri matches for books published in 1970

        THE BLESSING WAY

      New York: Harper & Row, Publishers, [1970]., 1970. First edition. First edition. With Harper number series at the rear of volume ending in "1." Author's first mystery. Introduces Lt. Joe Leaphorn. Fine copy in nearly fine dust jacket bright and completely unfaded, with only a few minor nicks at the spine ends and extremities.

      [Bookseller: BUCKINGHAM BOOKS]
 1.   Check availability:     Biblio     Link/Print  


        One Hundred Years of Solitude

      Harper & Row, 1970 A fine first US edition in a near fine dust jacket, price clipped and with the period instead of the exclamation mark at the end of the first paragraph on the front panel. First Edition stated on the copyright page and no list of numbers in the back of the book or on the copyright page. Housed in a custom-made collector's slipcase.. 1st Edition. Hardcover. Fine/Near Fine.

      [Bookseller: Bookbid Rare Books]
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        Dialogue de mes Lampes suivi de Tabou et de Déchu.

      première personne, Jacques Veuillet, Paris 1970 - 57 pages. Ce présent recueil, premier volume de la collection « première personne », a été imprimé en avril 1970 sur les presses de l'Imprimerie François à Paris, d'après la maquette de Francis Boucrot. Son tirage, sur papier vélin d'Arches, a été limité à 50 exemplaires, numérotés de 1 à 50, contenant chacun trois gravures originales à l'eau-forte de Jorge CAMACHO, Wifredo LAM et Hervé TÉLÉMAQUE, tirées sur les presses de l'Atelier Leblanc, et 950 exemplaires numérotés de 51 à 1000. Par ailleurs, 10 exemplaires, marqués H C, ont été réservés aux collaborateurs. Notre exemplaire marqué 32 appartient au premier tirage et il est bien accompagné des 3 eaux-fortes mentionnées, toutes numérotés et signées par les artistes respectifs, en feuilles libres. L'auteur de ces poèmes, Clément Magloire-Saint-Aude, est né en 1912 à Port-au-Prince, Haïti. Il a publié ces trois recueils de poèmes « Dialogue de mes Lampes » et « Tabou » en 1941, « Déchu » en 1956. Cet ouvrage constitue la première édition en France de ces oeuvres. Ce poète surréaliste est décédé dans sa ville natale le 27 mai 1971. Pages non coupées. Couverture souple à grand rabat, habillée d'un papier léger et translucide pour sa protection. Prévoir probable diminution des frais de port, catégorie 500 g environ ; nous vous renseignons volontiers. Etat : Très bon. Couverture encore fraîche, légèrement insolée, si l'on regarde sous le papier pergamine de protection. Intérieur : très bon. Gravures : très bon. 23.6 x 17.3 x 1 cm 310g. [Attributes: Soft Cover]

      [Bookseller: ABC - Eric Girod]
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        "La sieste".

      1970Encre de Chine, signée en bas à droite, (1970), 35.5 x 25.5 cm., encadée. Jean GOURMELIN (Paris 1920 - Meudon 2011) s'initie au dessin dés son plus jeune âge, puis travaille avec l'artiste Charles Portel qui lui enseigne la technique du papier-peint, de la gravure sur bois et du pochoir, avec Nobilis. Il complète sa formation à l'Ecole des Arts Décoratifs et a pour maître Othon Friesz. Avec Max Ingrand, maître verrier, il se passionne pour cet art des vitraux et réalise ceux des Châteaux d'Amboise, de Blois, de la Cathédrale de Saint-Malo ... Grâce à Maximilien Vox il revient à l'édition et l'illustation. Sa rencontre avec l'écrivain de science-fiction Jacques Sternberg détermine le début d'une amitié forte avec Louis Pauwels et sa collaboration à la Revue Planète. Ils lançent le mouvement du "Réalisme fantastique" et, selon l'expression de Sternberg, "Où les compositions de Jean Gourmelin brillaient comme des soleils noirs ... Son inspiration, il la puise dans ses terreurs, ses vertiges, ses gouffres métaphysiques, ses fantasmes, son théâtre d'épouvante et ses décors de rêve". Il anime les "Chroniques" de France-Soir. Des affiches pour le cinéma et le théâtre sortent de ses crayons. De nombreuses expositions saluent son talent dans des galeries et musées ( Centre Culturel de Meudon, Musée Georges Pompidou ...). Hommes, femmes, nus ou à demi-vêtus, sont allongés dans des hamacs. Chacun tient une extrémité du hamac de son voisin. Bel éloge de la sieste à l'équilibre fragile ! Certains dorment ou lisent, d'autres rêvent ou se prélassent...

      [Bookseller: Librairie Chrétien]
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        A Boy Driving His Father To Confession

      Surrey: Sceptre Press, 1970 First Edition. Fine copy in white wraps with minimal rust to the staples. One of 150 numbered copies printed on Glastonbury laid paper. . First Edition.

      [Bookseller: MDS Books]
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        Murder is My Business

      Cleveland, OH: World Publishing, 1970. First Edition. Hardcover. Very Good/Good. Personally inscribed and signed by author on front free endpaper. First Printing. Black cloth with boards clean. Interior clean, bidning tight. Jacket is gently rubbed and edgeworn. Scarce autobiography of the infamous Cincinnati, Ohio, defense attorneyYour purchase benefits literacy and summer reading programs in Cincinnati and Hamilton County, Ohio. We ship every business day. All books ship in cardboard bookfolds with delivery confirmation.

      [Bookseller: Ohio Book Consortium]
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        S/Z

      1970. Seuil, Paris 1970, 14x20,5cm, broché. - Seuil, Paris 1970, 14x20,5cm, broché. - Edizione originale per il quale non è stato derivato grandi giornali. Firmato autografo dall'autore al giornalista e storico Antoine Casanova. Di nuovo leggermente irradiati, una chiara bagnatura sul bordo superiore, una macchia pallida nella parte superiore del primo corso. [FRENCH VERSION FOLLOWS] Edition originale pour laquelle il n'a pas été tiré de grands papiers. Envoi autographe signé de Roland Barthes au journaliste et historien Antoine Casanova. Dos légèrement insolé, une claire mouillure sur la tranche supérieure, une pâle tache en tête du premier plat.

      [Bookseller: Librairie Le Feu Follet]
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        Winnie the Pooh - ORIGINAL DRAWING

      Original ink drawing, drawing measures 3-1/8" x 2-1/2", page measures 5-1/8" x 4-3/8", in brown/black ink depicting Pooh holding a honey pot, signed Ernest H. Shepard and dated 9/9/70, on yellow/tan paper possibly once part of an autograph album. A late but still charming drawing of lovable Pooh.

      [Bookseller: D & D Galleries]
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         POEM OF THE MONTH CLUB (48 single leaf Poems with many accompanying letters and notifications from the editors.Poem broadsheets signed by all 48 contributors including: Stevie Smith; C. Day Lewis; Philip Larkin; Robert Graves; Stephen Spender; Anthony Thwaite; Elizabeth Jennings; Stevie Smith; W.H. Auden; Seamus Heaney;John Betjeman et al.)

      Complete portfolio of "Poem of the Month Club' published by London, Bourton, Dorset from 1970 - 77. 48 unbound paper broadsheets which are contained in the original publisher's portfolio which is in Very Good condition: half pigskin tie folder with title to upper board with some mild scuffing to the pigskin.It retains the original ties.Each broadsheet is in near FINE condition and has been SIGNED by the Poet, with Betjeman's poem additionally corrected in his own hand.Initially limited to 1000 copies,later folios were as few as 500 or 600.Poets include:Stevie Smith; C. Day Lewis; Philip Larkin; Robert Graves; Stephen Spender; Anthony Thwaite; Elizabeth Jennings; Stevie Smith; W.H. Auden; Seamus Heaney; John Betjeman et al.Also accompanied by various letters and notifications from the editors regarding further information concerning certain poets and poems.A Highlight of 20th Century poetry.Extremely scarce to find as a complete portfolio.Very Collectible.

      [Bookseller: Ashtonrarebooks]
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        Les aventures d' Antoine Doinel [The Adventures of Antoine Doinel] (First French Edition, Inscribed to Maurice Bessy)

      Mercure de France, Paris 1970 - First French Edition, preceding all others. Warmly INSCRIBED by Truffaut to French cinema historian and writer Maurice Bessy on the half-title page. Bessy is best known for various associations with Orson Welles, most notably his work with the director on "Mr. Arkadin." Truffaut's second book, containing his screenplays for the first four Antoine Doinel films. The Doinel character, realized onscreen over a number of years by Jean-Pierre Leaud, was Truffaut's autobiographical double, and the films compiled here begin in Doinel's childhood with "The 400 Blows" (1959) and continue through adolescence and early manhood with "Antoine and Colette" (1962), "Stolen Kisses" (1968), and "Bed and Board" (1970). Quite uncommon in dust jacket, and a wonderful association with Bessy, a major figure in French and world cinema of the 1950s and 1960s.Near Fine in card wrappers in a Near Fine dust jacket. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Royal Books, Inc., ABAA]
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        Le rideau cramoisi. Illustré de onze lithographies originales par Irène Zurkinden.

      Lausanne, André et Pierre Gonin 1970 - 4°, 87 S. m. 11 (1 doppelblattgross) mehrfarb. Orig.-Lithographien. Umschlag ebenfalls lithographiert., Lose Bögen in Kart.- Decke in Orig.-Halbperg.-Mappe (rotem Seidenbezug) in Orig.-Schuber, dieser ebenfalls m. rotem Seidenbezug., Tadelloses Exemplar. Nr. 99 von 125 Exemplaren auf Vélin de Rives (GA 150 Ex. + 25 Ex. h.c.)., von der Künstlerin u. dem Verleger im Kolophon signiert. Gedruckt bei Kundig in GenfText: franz.- Irène Zurkinden (1909-1987), Schweizer Malerin.-Jules Amédée Barbey d?Aurevilly (1808-1889) französischer Schriftsteller und Moralist, ausserdem Monarchist und überzeugter Katholik. Besonders stark sind seine Werke dort, wo er von Leidenschaften getriebene Sünder charakterisiert. Dazu bediente er sich einer visionären, metaphernreichen Sprache. Jules Barbey d?Aurevilly kritisierte in scharfer Weise die Entwicklungen der Moderne und wandte sich immer wieder gegen den literarischen Realismus, obwohl er ihn praktizierte. 2200 gr. Schlagworte: Illustr. Bücher - OriginalgrafikLiteratur Franz. [Attributes: Signed Copy; Hard Cover]

      [Bookseller: antiquariat peter petrej]
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        Standarts (Luxusform No. 5)

      München: Verlag Jahn und Klüser, 1970. Near fine in illustrated printed wrappers.. Limited Edition. Quarto. Number 5 of around 10-20 copies from the edition of 1000 with significant interventions by Penck. This copy has original drawings in red ink on both covers and a quote from Moby Dick written in the same ink on the front end paper. Drawing on the front cover is of a whale. Penck's first book: a foray through symbols into the development of a universal pictorial system.

      [Bookseller: Harper's Books, Inc.]
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        Alphabet pour Adultes

      Editions Pierre Belfond, Paris, 1970. Format : 30,5 x 40 cms. Edition française définitive achevée d' imprimer le 28 septembre 1970. Tirage limité à 150 exemplaires sur Vélin d' Arches numérotés (celui-ci n° 45) et signés par l' auteur, après 30 Hors Commerce. Tous les exemplaires sont accompagnés d' une RAYOGRAPHIE ORIGINALE de MAN RAY contrecollée sur une feuille de balsa montée sur bois, signée et numérotée par l' artiste (celle-ci n° 45/150). Avec un avant-propos de Man Ray suivi de 36 dessins (lithographiés) en N & B pour figurer les lettres de l' alphabet + l' illustration de couverture. Non paginé (88 pages non rognées en 22 feuillets pliés sous couverture à rabats illustrée et emboîtage). A noter : le nom de l' auteur au dos de l' emboîtage est légèrement estompé. RARE et RECHERCHé. REMISE EN MAIN-PROPRE POSSIBLE SUR PARIS. BECAUSE OF THE WEIGHT (2 kg) SHIPMENT TO EUROPE WILL BE 20 EUROS AND 50 EUROS TO THE REST OF THE WORLD.Très bon état. Signé par l' Artiste.

      [Bookseller: Pascal Coudert]
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        Japan International Exposition Architecture: THE EDIFICE IN EXPO '70

      Asahi Shimbunsha, Osaka 1970 - cm 26,5x37; COL; hardcover. [Attributes: Hard Cover]

      [Bookseller: A&M Bookstore / artecontemporanea]
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        Valéry face à ses idoles

      1970. L'Herne, Paris 1970, 13,5x21cm, broché. - L'Herne, Paris 1970, 13,5x21cm, broché. - Edition per i quali non era derivato grandi giornali. Autograph firmata dall'autore. Piccola testa marginale dei primi morsi piatto. [FRENCH VERSION FOLLOWS] Edition originale pour laquelle il n'a pas été tiré de grands papiers. Envoi autographe signé d'Emil Michel Cioran. Petites piqûres marginales en tête du premier plat.

      [Bookseller: Librairie Le Feu Follet]
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        Das Problem der Trennung von Hand- und Kopfarbeit in der chinesischen Kulturrevolution.

      Verlag Neue Kritik Frankfurt 1970 - . OKt. Bsvm. a. V. 74 S. 1. Aufl. (=Probleme sozialistische Politik)

      [Bookseller: Anti-Quariat (Inh. Udo Koch)]
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        écritures.

      1970 - Illustrations. First edition. Large 8vo., original decorative paper boards, lettered in black. Paris, Gallimard. A presentation copy, inscribed by the author in green ink on the half title 'pour Mary McCarthy Max Ernst', with a characteristic figure drawing between the two names. McCarthy famously caricatured Ernst's former wife Peggy Guggenheim as Miss Grabbe in her short story 'The Cicerone'. Text in French, no dust jacket, a fine copy with the faintest finger marking to the lower edge corner. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Maggs Bros. Ltd ABA, ILAB, PBFA, BA]
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        Antonio Calderara

      Milano: , . Ottimo (Fine). Fotografia originale in bianco e nero, firmata e dedicata a pennarello colorato sul retro. Timbro dell'Artista sul retro. Allegato all'opera il catalogo della mostra "Maria Mulas 1970-90. Scrittura della luce" alla Galleria Civica d'Arte Moderna Palazzo dei Diamanti e al Padiglione d'Arte Contemporanea Palazzo Massari di Ferrara dal 16 dicembre 1990 al 13 gennaio 1991 dove la foto fu esposta (riprodotta in catalogo a pagina 12). Cm 78x54. Ottimo (Fine). . "Maria Mulas è ricercata e ambita per la libera schiettezza del suo rapporto con l'individuo che ritrae; usa tagli, modi, luci differenti a seconda dei casi, non intendendo ridurre il ritratto a un esercizio di stile; coglie fisionomie ed espressioni, soprattutto capisce subito se il personaggio debba essere fissato in un gesto caratterizzante o sorpreso nel suo dinamismo, se gli giovi un effetto di luce a grandi risalti o l'immersione in un'atmosfera diffusa. E' insomma, se stessa senza prevaricazioni, attena a restituirci non solo figure, bensì personalità" (da un testo di Rossana Bossaglia).

      [Bookseller: Studio Bibliografico MArini]
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        Eigenh. Manuskript. O. O., [wohl um 1970].

      1970. 13¾ SS. auf 11 Bll. Gr.-4to. Unbetiteltes Manuskript mit einem bislang unbekannten Text über den Wiener Wurstelprater: "Sie spielt die Ouvertüre 'Wilhelm Tell' von Rossini. Und den Zigeunerchor aus dem 'Troubadour'. An kühlen Sonntagen spielt sie auch 'La Traviata'. Sie hat den Prater überlebt. Vielleicht wurde sie 1898 zusammen mit der Grottenbahn eröffnet [...] Der Wurstelprater, auch Volksprater genannt, wurde 1766 eröffnet. Sein großes Jahr war 1872. Die Wiener Weltausstellung, dann folgten Börsenkrach, Ringtheaterbrand, Mayerling, der erste und der zweite Weltkrieg [...] Theodor Herzl schrieb 1896: 'Der Wurstelprater hat gewiss seine große Zeit hinter sich'. Die Orgel spielt immer noch [...] Im Kino spielens an Film mit zwei Komiker, die schon lang tot sind. Glei daneben spielens an Frankenstein. Der lebt aber noch. Geh ma zu die Spielautomaten. Man gwinnt eh nix, aber die Zeit vergeht. Zum Blumenschiassen hab i a ka Lust. Für wen denn? Wass i wo die Katzen sind. Dabei is gar net so kalt. I brauch no lang kan Mantel. Möcht wissen für wen sie das Riesenrad draht. Es is eh niemand da [...]". - In Bleistift; mit zahlr. eh. Ergänzungen, Korrekturen u. a.; Bl. 1 mit einem kleinen Einriß am unteren Rand.

      [Bookseller: Antiquariat Inlibris]
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        LA CHARTREUSE DE PARME (3 volumes)

      Paris Marcel Lubineau 1970 3- 3 volumes in-4, en feuilles, couvertures imprimées (emboîtages de l'éditeur). 54 compositions d'Henry Lemarié reproduites en couleurs, dont 3 frontispices et 51 grands in-texte. Tirage limité à 1225 exemplaires numérotés. Ici, l'un des 1050 exemplaires sur Vélin de Rives.? Belle collection. Envoi soigné sous emballage sécurisé.

      [Bookseller: Au Duc de Richelieu]
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        Joint autograph inscription signed in: Yoko Ono. Grapefruit. Works and drawings by Yoko Ono. Introduction by John Lennon. New York, Simon and Schuster, 1970.

      1970. (280) pp. With illustrations and facsimiles. Original publisher's cloth with illustrated wrappers as issued. Inscribed to the Swiss actor and theatre critic Pierre Biner (b. 1939), then a member of the "Living Theatre" company. Second edition, the first to contain the two-line introduction by John Lennon (the first edition had appeared in Toyko in 1964, several years before the celebrated couple met). The inscription in black felt-tip pen, in Yoko's hand: "To Pierre, with love, Yoko Ono". Appended below this by John: "and her famous husband John Lennon". This is followed by John and Yoko caricatures and the date "71!". Includes two original and three photocopied 1971 British and U.S. magazine publications (showing occasional paper defects) about John, Yoko and her "Grapefruit" volume.

      [Bookseller: Antiquariat Inlibris]
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        5 original renderings of the construction of the World Trade Center

      New York and New Jersey, 1970. Watercolor paintings on paper, each about 13 x 20 inches. Matted, with minor wear, numbered on verso. Watercolor paintings on paper, each about 13 x 20 inches. Nicholas Solovioff (1927-1994) was the artist in residence of the Port of New York Authority. He made the most of this opportunity and completed a series of paintings of the early construction of the World Trade Center towers. No doubt these drawings of the early stages of construction -- all from Feb. 1970, were commissioned by the Port Authority and are of unquestionable documentary and artistic value to a legendary architectural project. One depicts the exposed girders of one of the towers under construction, and another appears to depict the antenna. The other three document an unusual obstacle faced by the construction crew in February of 1970. A tugboat strike halted the usual system of bringing girders to the site by boat. After efforts to use helicopters failed, the massive girders were trucked through the Lincoln Tunnel.

      [Bookseller: James Cummins Bookseller]
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        Zodiaco. Dodici litografie di Luciano minguzzi.

      Milano, Teodorani Editore, grande cartella in imperial folio mezza tela con piatto anetriore illustrato a colori contenente dodici litografie originali disegnate su lastre di zinco da L. Minguzzi negli anni 1970-71 e tirate sui torchi di stampa a stella Ktrause e Stradella nell'atellier della Grafica ST di Milano. Carta intonsa puro straccio con filigrana editoriale della Filicarta di Brugherio. Copertina e frontespizio eseguiti in litografia. Tiratura di 99 esemplari numerati da 1 a 99 firmati a mano dall'artista al qualesonoi state riservate parte delle 15 copie di ?prova? numerate da I a XV a disposizione dei critici dell'Atellier. La nostra copia porta la numerazione romana: X/XV.

      [Bookseller: Libreria Piani già Naturalistica]
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        Imaginaires.

      Albert Skira / Sentiers de la création n° 9 de 1970. In-8 broché. Délirants collages de l'auteur hors texte. Complet de la bande annonce. Edition originale en superbe état. Rare exemplaire orné d'une envoi autographe avec un petit dessin de coeur par Jacques Prévert ( sur 2 pages ).Port gratuit pour la France ( En raison des nouvelles normes postales, les livres dont l'épaisseur dépasse les 3 cm seront expédiés obligatoirement en Colissimo avec un forfait ajouté de 5 € ) Port à la charge de l'Acheteur pour le reste du monde. Pour destinations extra-planétaire s'adresser à la NASA. Membre du Syndicat Lusitanien Amateurs Morues - Vente exclusivement par correspondance ! Le libraire ne reçoit que sur rendez-vous. Il est préférable de téléphoner avant tout déplacement.

      [Bookseller: Librairie Victor Sevilla]
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        Jansem Oeuvres Graphiques.

      New York: Touchstone. 1970 - 4to. 92pp. Cloth in d-j. Illustrated catalogue of the artist Jean Jansem's graphic work. One of 200 signed and numbered copies with 3 lithographs individually initialed in pencil by the artist. The dust-jacket is also an original lithograph, entitled "La Procession". Spine cracked. [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Wittenborn Art Books]
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        The Crayon, A Journal Devoted To The Graphic Arts, And The Literature Related To Them; Vols.1-8 (1855-July, 1861)

      New York: AMS Press, 1970. Hardbound. VG. Blue institutional cloth as published. 4 volumes, each containing reprints of two original volumes. Vol.s 1 & 2 (416 [vi] & 408 [iv] pp.); Vol.s 3 & 4 (380 [vi] & 380 [iv] pp.); Vol.s 5 & 6 (360 [vi] & 384 [iv] pp.); & Vol.s 7 & 8 (358 [vi] & 152 [iv] pp.). All w/Indexes. Complete sets of this periodical are highly uncommon. This reprint edition, put out in 1970, is almost as hard to find now as original issues and volumes. The Crayon is regarded as one of the best art periodicals of the time, and is a reliable source of ontemporary opinion. Contributors included Rembrandt Peale, Asher B. Durand, Daniel Huntington. Correspondents included John Ruskin, James Russell Lowell and W.M. Rossetti. Regular features included domestic art gossip, exhibition reviews, book notices, and some attention to architecture and landscape gardening, "two of the most popular departments of Art of the Day". Limited number of advertisements on the covers indicate diverse art activities. Feature article reveal an inclination towards English, German, French, and Greek art history. (Karpel S112).

      [Bookseller: Mullen Books, Inc. ABAA / ILAB]
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        "Free seed offer". Archi-zones' communications and landscapes.

      Unpaginated. 11pages printed on both sides to make 22pp illustrated. [400 X 253 mm.] Green wrappers designed by Tony Rickaby. Various types, weights, colours of paper and range of one, two and three colour printing. Two loose flyers: Architectural Design and Nottingham School of Architecture. Unpriced. Originally issued with seed packet of night scented stocks which was stapled to page 11. The seed packet has not survived and is not present with this copy. Very good copy. Contributions by the authors, including illustrations throughout.

      [Bookseller: Janette Ray]
 27.   Check availability:     PBFA     Link/Print  


        Zettels Traum. [Erstausgabe / first edition].

      Stuttgart, Goverts Krüger Stahlberg Verlag, 1970. Folio. 44 cm. 1330 Seiten, 1 Blatt. Original-Leinen mit Original-Schutzumschlag im Original-Pappschuber. Erste Ausgabe. WG² 49. Eins von 2000 Exemplaren. Von Arno Schmidt im Impressum signiert. Faksimile-Ausgabe des einseitig beschriebenen, 1334 Blätter umfassenden Manuskripts. Schuber mit Gebrauchsspuren. Buch in sehr gutem Zustand. First edition. Signed by Arno Schmidt at the imprint. Original cloth binding with dust jacket in slipcase. Slipcase with light traces of use. Book in fine condition. Versand D: 4,90 EUR deutsche Literatur / german literature; Erstausgabe / first edition; Signatur, signiert / signature, signed copy

      [Bookseller: Antiquariat Lenzen GbR]
 28.   Check availability:     buchfreund.de     Link/Print  


        HISTOIRE CRITIQUE DE MANICHEE ET DU MANICHEISME.

      Zentralantiquariat DDR & Grüner, 1970. (Codice RN/0877) Two vols in 8° (24,5 cm) LXXVI-504+XXXIV-806 pp. Reprint of the Amsterdam edition (1734-39). Original green cloth, gilted titles on frontboards and spines, no DJ. As new // Deux volumes in 8° (24,5 cm) LXXVI-504+XXXIV-806 pp. Réprint dell'edition d'Amsterdam (1734-39). Toiles vertes originales, titles dorés, état de neuf. Euro 490.00 ~~~ SPEDIZIONE IN ITALIA SEMPRE TRACCIATA

      [Bookseller: Bergoglio Libri d'Epoca]
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        Slavery and Anti-Slavery - a History of the Great Struggle in Both Hemispheres

      Augustus M. Kelley, New York 1970 - 606pp Tightly bound with headbands, pages pristine throughout, back board very slightly bumped on the corners. Size: 8vo - over 7¾" - 9¾" tall [Attributes: Hard Cover]

      [Bookseller: Oxfam St Albans - F4749]
 30.   Check availability:     IberLibro     Link/Print  


        THE HANGA OF SHIKO MUNAKATA. MUNAKATA SHIKO HANGA DAI SHU:. GREAT COLLECTION OF

      [Tokyo 1970], Kodansha. Purple cloth, buff cloth box, 82. 82 color, 17 b.w. photos, 340 b.w. plates, 222p., folio 30 x. 43 cm., dj. in mylar protector, with original cardboard box,. as new brilliant copy. FIRST LIMITED NUMBERED EDITION 3000. A LIMITED NUMBERED EDITION OF 3000 COPIES With three essays in a single stiff wrappers volume, contained in its matching printed stiff buff paper covers, . 30.5 x 43 cm. with titles: 1. THE HANGA OF SHIKO MUNAKATA by Michiaki Kawakita, translated into English by Bernard Krisher. * 2. THE ARTIST SHIKO MUNAKATA by Yojiro Yasuda, translated into English by Bernard Krisher. * 3. SOME NOTES ON PLATES By Yasuo. Kikuchi, translated into English by Atsushi Unno. ***. This is a major work on the gifted and prolific contemporary/modern Japanese woodblock artist, with 40 illustrations, including a large folding b w. plate with title: DAI SEKAI NO SAKU "KEN" KAGAMI YORI JINRUI E, Contained in its matching buff printed stiff paper folder. 30.5 x 43 cm. The text is in Japanese, with English translations. * This is a magnificent color reference. It contains a large variety of Munakata's best prints, including illustrations for a poem by Tanizaki Junichiro; reclining Kanzeon, a merciful Buddhist deity; Mokkeuren, one of the ten great disciples of the Buddha; Brushwood and bamboo fencing; Benzaiten, the goddess of earthly beauty, and a host of other super examples. By and large the most comprehensive and best reference ever done on the works of Munakata. *** DELUXE BINDING AND CASE: The book is beautifully bound in heavy purple cloth, with gold-stamped lettering, in the original dust jacket, then enclosed in a heavy buff cloth case, and again protected in its original cardboard and labeled box. * The main volume contains the graphics, in full size and true color. By and large, superb reference bibliography on Munakata. All plates have Japanese and Romaji [romanised] captions, also stating the size of each print. A must for collectors & libraries.. * Stunningly beautiful color printing. * LIMITED FIRST AND ONLY EDITION OF 3000 NUMBERED COPIES. * Color scans can be sent by email. . *** Color scans of this and most other items are posted to our website. Book description text protected by Copyright. .

      [Bookseller: Rare Oriental Book Company, ABAA, ILAB -]
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        The Landscape of the Heart

      Iowa City, IA: The Prairie Press, 1970. Fine in a Near Fine dust jacket, spine ever-so-slightly darkened, top corner front flap clipped. RARE. While Derleth's "Love Letters to Caitlin" is a known rarity { "Derleth?s lurid book a rare mystery" By Allied Authors, March 19, 2014}, this title appears to be running a close 2nd. No copies currently in search of all of Addall's databases, no auction results in a search on Google. 450 copies were printed.. Cheever 166. . First Edition. Hard Cover. Fine/Near Fine. 8vo - over 7¾" - 9¾" tall.

      [Bookseller: Dale Steffey Books]
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        Photographs.

      Seattle: University of Washington Press,, 1970. With an Introduction by Margery Mann. Quarto. Original white and black cloth, titles to spine in black, pale grey endpapers. With the dust jacket. Spine slightly cocked, extremities a touch rubbed. An excellent copy in a slightly toned jacket with some minor chips and nicks to extremities, and a few closed tears. First edition, first printing. Inscribed by Cunningham on the title page: "For Ralph Fertig, I sign myself a friend at first sight. Imogen Cunningham.

      [Bookseller: Peter Harrington]
 33.   Check availability:     Biblio     Link/Print  


        Berlin Suite

      6 original silkscreens, 30 11/16 x 40 3/16 in., by the German printmaker and graphic designer Gerd Winner, depicting the polarized urban landscape of West Berlin in 1970 through architectural and monumental icons of West German industrial wealth and political ambitions (the Victory column; Hotel Metro, modeled on the famous Berliner Dom; and the façade of a metal foundry) and the working-class, proletariat "monuments" of a Kreuzberg backyard, a public urinal, and the Hallesches Tor subway station, each rendered with the photo-based, color-block graphic treatment characteristic of German Pop Art. Prints loose as issued, a few with pinholes at corners, otherwise fine condition. London (Kelpra) 1970. Limited to an edition of 100, signed and numbered by the artist in pencil. The sizable prints offer stylized and affective testimony to the social and cultural conflicts that emerged in West Berlin during the late 1960s and early 1970s. Winner's achievements in the graphic arts are well-known, particularly through his persistent engagement with urbanism in extensive print cycles documenting Berlin, London, and New York. In July 2014 OCLC is unable to locate a North American institutional holding, though the suite appears in the collection of Tate Modern, London.

      [Bookseller: F.A. Bernett Books]
 34.   Check availability:     Biblio     Link/Print  


        Aline. 15 eaux-fortes de Hans Erni.

      Lausanne, André & Pierre Gonin 1970, 245/195mm,154pages,en feuilles, sous couverture en bistrol recouvert d'une feuille de papier à la cuve à rabats portant un relief sur le front. Chemise en demi-parchemin imprimé sur le dos et en papier brun. Etui en papier brun et parchemin sur les tranches. La suite est présentée à l'intérieur du dernier cahier formé par les pages liminaires de l'ouvrage. Le papier Japon nacré a été fourni par la maison Jean Rochat. L'emboîtage est de Roger Veihl. Les quinze eaux-fortes originales ont été tirées à la presse à bras par Pietro Sarto, à Villette.1 des 30 exemplaires sur papier Japon nacré, numéroté 21, comprenant une suite sur chine en bistre et signée par l'artiste, deuxième tirage après les 5 ex. de tête. Enrichi sur la page de faux-titre d'un dessin original en pleine page accompagné d'une dédicace. Deuxième texte de Ramuz illustré par Erni chez l'éditeur Gonin.

      [Bookseller: Bouquinerie du Varis]
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        Dialogue de mes lampes suivi de Tabou et de Déchu

      1970. Jacques Veuillet & Première personne, Paris 1970, 17,5x23,5cm, broché. - Jacques Veuillet & Première personne, Paris 1970, 17,5x23,5cm, broché. - Prima edizione, uno dei 50 esemplari numerati su Arches previste, disegnare tête.Ouvrage illustrato tre acqueforti originali di W. Lam, J. e H. Camacho Telemaco che giustificati e signées.Bel copia. [FRENCH VERSION FOLLOWS] Edition originale, un des 50 exemplaires numérotés sur vergé d'Arches, tirage de tête. Ouvrage illustré de 3 eaux-fortes originales de W. Lam, J. Camacho et H. Télémaque qu'ils ont justifiées et signées. Bel exemplaire.

      [Bookseller: Librairie Le Feu Follet]
 36.   Check availability:     maremagnum.com     Link/Print  


        «Le Satyricon»

      Illustré par Léonor FINI. Faux-titre, titre et lettrines gravés sur bois par H. RENAUD. Éditions Ariane Lancell, 1970. In-folio (35x48cm) en ff., sous couverture. et emboîtage de toile orangée d'édition.Édition de grand luxe illustrée par Léonor FINI de 11 lithographies originales, hors-texte en couleurs et 14, en sépia, dans le texte. Tirage limité à 275 exemplaires sur les presses de Guillard et Gourdon pour les planches et de D. Viglino pour la typographie. Celui-ci sur vélin.

      [Bookseller: Librairie Ancienne Quadr'arts]
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        PETRONE SATIRICON.

      GUILLARD GOURDON & CIE 1970 - R300148500: 140 pages + 11 lithographies originales en couleurs et 14 lithographies originales en sépia (collationnées) - ex libris P.P. Grassé - ouvrage sous chemise souple noir style velour et sous emboitage cartonné rigide orange en bon état - 8 photos disponibles. EXEMPLAIRE N°33/60 SUR VELIN D'ARCHES . In-Plano En feuillets. Bon état. Couv. convenable. Dos satisfaisant. Intérieur frais Classification Dewey : 96-Livres remarquables par leur illustration, leur papier [Attributes: Soft Cover]

      [Bookseller: Le-Livre]
 38.   Check availability:     AbeBooks     Link/Print  


        Magick

      - Complete run from 1970 to 1977, Issues 1 to 208. Each issue is 4-8 pages, all inserts and indexes are present. Also complete run from 1987 to 1991, issues 391 to 468 with indexes and inserts So 286 issues in all over 11 years. Other partial years and individual issues also available. [Attributes: Soft Cover]

      [Bookseller: Hinch Books]
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        "Haltérophile et Tanagra".

      1970Encre de Chine, (1970), 28 x 18 cm. Jean GOURMELIN (Paris 1920 - Meudon 2011) s'initie au dessin dés son plus jeune âge, puis travaille avec l'artiste Charles Portel qui lui enseigne la technique du papier-peint, de la gravure sur bois et du pochoir, avec Nobilis. Il complète sa formation à l'Ecole des Arts Décoratifs et a pour maître Othon Friesz. Avec Max Ingrand, maître verrier, il se passionne pour cet art des vitraux et réalise ceux des Châteaux d'Amboise, de Blois, de la Cathédrale de Saint-Malo ... Grâce à Maximilien Vox il revient à l'édition et l'illustation. Sa rencontre avec l'écrivain de science-fiction Jacques Sternberg détermine le début d'une amitié forte avec Louis Pauwels et sa collaboration à la Revue Planète. Ils lançent le mouvement du "Réalisme fantastique" et, selon l'expression de Sternberg, "Où les compositions de Jean Gourmelin brillaient comme des soleils noirs ... Son inspiration, il la puise dans ses terreurs, ses vertiges, ses gouffres métaphysiques, ses fantasmes, son théâtre d'épouvante et ses décors de rêve". Il anime les "Chroniques" de France-Soir. Des affiches pour le cinéma et le théâtre sortent de ses crayons. De nombreuses expositions saluent son talent dans des galeries et musées ( Centre Culturel de Meudon, Musée Georges Pompidou ...). Telles des statuettes votives, un couple est représenté de manière stylisée. Un haltérophile, filiforme, soulève des poids, les bras tendus au-dessus de sa tête. À ses côtés une femme porte une amphore sur sa tête. Dessin de presse pour la revue "Hara-Kiri".

      [Bookseller: Librairie Chrétien]
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        AVALANCHE.

      Nos. 1-13 (all publ.). New York, Fall 1970 - Summer 1976. Unbound, original pictorial wrappers; sq.4to for the first 8 issues, then tabloid format; numerous illustrations and photographs. Composed as follows: - Nos. 1-8. New York, Fall 1970 - Summer/Fall 1973. In original wrappers, (with the green folder stapled in the middlespread of no 8 complete with contents). All in very good to fine condition. Then became: - Avalanche NEWSPAPER: - Nos. 9-13 (=last published). New York, NY: Center for New Art Activities.1974-Summer 1976. The set in good condition. Covers of the first 8 numbers only lightly worn, all are intact and clean (with the exception of minor staining to Nos. 7 and 8). The more fragile newspapers in generally good to very good condition (as described below).Offered together with the complete set is the facsimile-edition, with introduction and extras (as described below). Complete set of this important conceptual art magazine, published by Willoughby Sharp, edited by Elizabeth Béar. At the time, Sharp was a New York-based art historian and independent curator and Béar an underground magazine editor who had recently moved to New York from London. They published the first issue in 1970 and collaborated on 13 issues from 1970 to 1976. They both conducted the interviews and conversations with the artists. Avalanche focused on art from the perspective of artists rather than critics, and investigated new forms of art that were developing in the U.S. and Europe with a radical new media format--probing interviews, extensive use of photography and dynamic layouts. For many artists, publication in Avalanche preceded a one-person gallery or museum show. - No. 1: Cover photograph of Joseph Beuys, interviews with Carl André, Jan Dibbets, a portrait of Joseph Beuys by Shunk-Kender, retrospective of Richard Long (Fine condition, small inobtrusive date stamp on back); - No. 2: (Body Works). Cover photograph of Bruce Nauman with articles on him, and on R. Serra, Y. Klein, V. Acconci, a.o. (Fine condition, only light damage to backcover near spine);- No. 3: (Post-Studio Sculpture). Cover photograph of Barry Le Va. Interview with David Tremlett and features on Jacks (Gordon Matta-Clark), contributions by Italo Scanga, George Trakas and on Barry Le Va (his picture on the cover) (Fine);- No. 4: (Conceptual Art). Cover photograph of Lawrence Weiner. Jackie Winsor (interview), Sol LeWitt; Howard Fried, Alice Aycock, Stanley Brouwn; Hanne Darboven; Walter De Maria; (Fine); - No. 5: (Performance). Cover photograph of Yvonne Rainer. Contributions Braco Dimitrijevic; Joseph Beuys (talking at Documenta 5); Jannis Kounellis (interview); Phil Glass; Yvonne Rainer (interview) (Fine)- No 6.: (Vito Acconci). Cover photograph of Vito Acconci and number devoted to him (Fine). - No.7: (Humor). Cover Man Ray (the dog, photo by William Wegman). Interview with General Idea. Edward Ruscha, Interview with Van Schley ("Different Strokes for Different Folks", which is a green folder, stapled in the middlespread, intact but without the postcard insert), Man Ray, Do you want to.. (interview with William Wegman by Liza Béar) (Fine except for slight browning of the paper, particularly toward the spine on the front cover); - No. 8: (Sculpture & Performance). Cover Robert Smithson. Exchange '73; A Drinking Sculpture, Gilbert & George. (Very good, with only very light soilage to front cover). --NEWSPAPERS: (Published by Center for New Art Activities, Inc., New York.) As detailed below, each issue has several pages of general information, messages, rumbles, films, publications, etc. as well as several pages of advertising and the more specific contents are: - No. 9: Issue dedicated to video and performance art. Texts by Willoughby Sharp, William Wegman, Joseph Beuys and Liza Béar, includes interviews with Vito Acconci, Keith Sonnier, Richard Serra, Robert Bell, Willoughby Sharp and Dennis Oppenheim, Boris Wall Gruphy. 36 pages. (Untrimmed; very good clean copy). - No. 10: Cover photo Jack Smith. Contents: Hans Haacke, Manet Project '74; Daniel Buren, Kunst bleibt Politik; Simone Forti, Dancing at the fence; Stephen Laub, Projections, interview by Willoughby Sharp; Jack Smith, Fear Ritual of Shark Museum; Joel Fisher. As strong as a spiders web; Terry Fox: Children's Videotapes (interview); Gordon Matta-Clark: Splitting (interview); The Phil Glass Ensemble (interview by Willoughby Sharp after Music in Twelve Parts performance). 52 pages. (Untrimmed; minor spine and edgewear; very good clean copy). - No. 11: Cover photo Steve Paxton. Contents: Alan Saret. Installation for Man; Darcy Lange. Videography: Work; Joel Shapiro:Torquing; On Kawara: One Million Years (centerfold); Laurie Anderson. Confessions of a Street Talker; Contact Improvisation (Laura Chapman, Scott Jones, Annette La Rocque, Daniel Lepkoff, Steve Paxton, Karen Radler, David Woodbury; Steve Paxton: Like the Famous Tree (Dialogue with Liza Béar). 40 pages. (Untrimmed, light browning to centerfold, and closed tear of ab. 5 cm. without loss of image, on right margin of front page). - No. 12: Cover Photo Barbara Dilley. Contents: Robin Winters: Fairly regular hours; Robert Wilson & Christopher Knowles: Because Why; Alexis Smith: Anteroom; Rita Myers: A remote intimacy; Michael McClard: Mumbo Jumbo; Barbara Dilley: In the 'Dancing Room'; Barbara Dilley Dancing, a picture autobiography. 40 pages.(Untrimmed; very good clean copy). - No. 13: Cover photo: "Trial Balance". Contents: Fitzgibbon:Colleen; Jim Roche:Straight Razor; Reiner Ruthenbeck:Eclipse; Bas Jan Ader: In search of the miraculous; Meredith Monk: Invocation/Evocation; Diego Cortez: An obvious kind of eyesore. 48 pages. (Untrimmed; light damage to the spine, tear of ab.5 cm. with small loss of image on right side of frontpage).ADDED TO THIS SET AND INCLUDED IN THE PRICE:Facsimile boxed edition in a limited edition of 100 signed and numbered by Liza Béar and Willoughby Sharp. Produced by PRINTED MATTER.Number 29 of 100.This boxed facsimile edition of Avalanche's complete run reproduces the first eight issues individually, and the final five in a single bound paperback. Accompanied by a certificate signed by both Liza Béar and Willoughby Sharp shortly before Sharp's death in December 2008. The publication is 1,016 pages and illustrated throughout; is housed in a heavy duty, laminated, archival box measuring 10.5 x 19.5 x 2.5 inches. The first eight issues measure 9.25 x 9.25 inches and are exact facsimiles of the originals; the subsequent five tabloid-sized issues, now bound as a single volume measuring 9.25 x 13.5 inches, have been reduced slightly in scale from the original format.

      [Bookseller: John BENJAMINS Antiquariat bv]
 41.   Check availability:     NVvA     Link/Print  


        La chartreuse de Parme. Illustrations de Henry Lemarié. Paris. Marcel Lubineau éditeur. 1970.

      3 volumes petit in-4° en feuilles sous couverture rempliée et chemise cartonnée sous emboitage. 54 compositions d'Henry Lemarié reproduites en couleurs, dont 3 frontispices et 51 grands dans le texte. Tirage limité à 1.225 exemplaires numérotés. Un des 1.050 exemplaires sur vélin de Rives. Superbe état.

      [Bookseller: Comptoir du Livre Ancien et Moderne - Li]
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        Technics and Creativity II: Gemini Gel / Target (with a multiple/print & catalgoue by Jasper Johns)

      Museum of Modern Art, N.Y. 1970. - Contains Jasper Johns' print/ multiple titled "Target" (an object [for a] d'art); print/multiple size: 10-1/2 x 8-1/2 in., with a collage of 3 watercolor pads, and 1 small paint brush made of wood, metal, & bristles and all protected by the original foam pad; the two-color offset lithograph is printed on a hard cardboard paper; published in a boxed edition of 22,500 unnumbered copies; house in a white plastic clamshell size: 10-3/4 x 9 x 1/4in; printed by Gemini G.E. L. of Los Angeles; the exhibition catalogue raisonne also printed by Gemini for the Museum of Modern Art, exhibition curated by Riva Castleman; the softcover catalogue has 108 pp. with 364 illustrations, including 20 in color and 3 illustrations are fold-outs; also it has the original short text sheet about the exhibition and the print/multiple which it has a small spot on it; "Gemini revolutionized the creation of the art object in America allowing artists such as Albers, Johns, Kelly, Lichtenstein, Oldenburg, Rauschenberg and Stella to create high quality impressions within the United States rather than the traditional workshops of France. Therefore, it is only fitting that this book begins with a Johns' Target, which some may say in a tongue and cheek manner, is an object [for a] d'art."; OF INTEREST: a July auction of this item on Paddle8 Lot 25 brought $950.00; foam pad has normal browning and some of the paint pad's pigment on it; rubbing & marks to the white plastic box; the color paint pots and brush are still attached; overall the print, 3 paint pots, brush, and catalogue in very good cond; there are some faint yellow marks on the front of the plastic clamshell box otherwise all in VERY GOOD COND. [Attributes: First Edition]

      [Bookseller: DR FINE ARTS]
 43.   Check availability:     AbeBooks     Link/Print  


        «La vénusaux fourrures»

      Illustré par Salvador DALI. Éditions Grafik Europa Anstalt 1970. Grand in-4 (30x41cm) en feuilles sous emboîtage d'édition en suédine blanche, orné d'un fer spécial de Salvador DALI.Ce célèbre roman de l'auteur autrichien L. SACHER-MASOCH (qui donna son nom au «masochisme») est illustré avec beaucoup de virtuosité par le grand graveur DALI, qui exécuta pour ce livre 20 pointes-sèches originales, «au rubis et au diamant». Tirage à 294 ex. tous revêtus de la signature de DALI.

      [Bookseller: Librairie Ancienne Quadr'arts]
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