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Displayed below are some selected recent viaLibri matches for books published in 1970

        We

      The First UK Printing published by Jonathan Cape in 1970. The Book is remarkably in Fine condition and appears unread. Free from inscriptions, erasures and markings. Grey top-stain unfaded. The Wrapper is complete and also is in Fine condition. The Stanley Chapman designed wrapper looks very striking in the removable Brodart archival cover. A very sharp copy. Translated by Bernard Guilbert Guerney with an introduction and Bibliographical note by Michael Glenny. 'Over a half-century since its appearance, the novel WE remains one of the most exciting and influential works of science fiction. Its basic plot, whereby a true believer comes to question the validity of a totalitarian state and thus to transform it from a utopia into an anti-utopia, has been repeated by Aldous Huxley in BRAVE NEW WORLD (1932), George Orwell in NINETEEN EIGHTY-FOUR (1949) and by any number of epigones; yet its artistry, prophetic power, and underlying philosophy have not been surpassed.' - Survey of Science Fiction Literature V, pp. 2433-41. Anatomy of Wonder (1976) 2-177; (1981) 2-131; (1987) 2-147; (1995) 2-157; and (2004) II-1302. Bleiler, Science-Fiction: The Early Years 2450. Clareson, Science Fiction in America, 1870s-1930s 838. Clarke, Tale of the Future (1978), p. 189. Lewis, Utopian Literature, pp. 217-20. Negley, Utopian Literature: A Bibliography 1226. Bleiler (1978), p. 214. Reginald 15754. As nice a copy as you are likely to find. Collectible

      [Bookseller: Ashtonrarebooks]
 1.   Check availability:     PBFA     Link/Print  


        COPERTINA ORIGINALE DI FERENC PINTER. INCHIOSTRO.

      ca 1970. Inchiostro originale di Ferenc Pintèr, misure 20x29, applicato alla copertina di un libro inedito dello scritore polacco Lew Sapieha DALL'ALTO DELLA SELLA. Titolo originale Wojna z wysokosci siodla (edito a Londra nel 1965), dattiloscritto di 163 pagine. Legatura in tela verde. Al piatto anteriore è applicato il disegno a inchiostro di Pinter. Una macchia chiara. "Ferenc Pinter nacque ad Alassio, presso Savona, nel 1931. Suo padre, József Pintér, era un pittore ungherese mentre la madre, Anna Antonazzi, veniva da Firenze. Nel 1940, la famiglia Pinter si trasferì a Budapest per curare una malattia tubercolare di József, ma l'operazione chirurgica non ebbe buon esito e dopo pochi anni Ferenc rimase orfano di padre.Non fu ammesso all'Accademia di Belle Arti di Budapest per aver dimostrato una libertà di pensiero non conforme al totalitarismo comunista di quegli anni. In seguito alla rivolta del 1956 e all'arrivo dei carri armati sovietici, riuscì a fuggire in Italia. Appena arrivato a Milano, ottenne come primo lavoro la realizzazione di un gigantesco murale (80 m²) per la Radio Marelli. Nei tre anni successivi, Pinter continuò a realizzare manifesti pubblicitari per importanti aziende italiane finché, nel 1960, avviò una collaborazione con Arnoldo Mondadori Editore che durò 32 anni.Per la grande casa editrice milanese Pinter realizzava le copertine e le illustrazioni interne di libri. Iniziò con la collana Segretissimo, della quale dipinse le prime 14 copertine, ma è ricordato in particolare per il Commissario Maigret e i gialli di Agatha Christie; tuttavia, le tavole migliori le dipinse per la collana Oscar Mondadori. Il suo mezzo espressivo preferito era la tempera, che usava con straordinaria maestria dando vita a scene surreali, venate di una forte componente espressionista. Pinter è stato considerato uno dei più importanti illustratori europei e non a caso il suo nome rientra nei cataloghi internazionali Graphis e Gebrauchsgraphik."

      [Bookseller: Libreria Bacbuc]
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        THE DEVELOPMENT OF THE ITALIAN SCHOOLS OF PAINTING (19 Volumes)

      New York: Hacker Art Books, 1970. Reprint. Hardcover. VG+ clean, bright, crisp and tight; likely never used; art school ex-lib. set with usual marks.. All volumes: blue cloth/boards; gilt lettering and spine decoration. 17 volumes contain multiple collotypes and bw illustrations, bw frontices, and approx. 400+ to 600+ pp. of text in each volume. Volumes VI and XIX contain no illus. and have fewer pp., as both are indices. NOTE: This set is heavy (47 pounds / 21.5 kilos) and will require extra postage. Each volume has its own geographical and artist index; Volume VI is the index of iconography for Volumes I through V; Volume XIX (the last volume of the set) provides a general index for all books. An outstanding reference work. V. 1. Western and Eastern early Christian art; V. 2. Duccio di Buoninsegna; V. 3: Giotto; V. 4. Venice and the neighbouring regions; V. 5: Umbria; V. 6. Iconographical index to volumes I-V; V. 7. General considerations; V. 8. Gentile da Fabriano; V. 9. Bicci di Lorenzo, Paolo di Stefano, Dello Delli, Rossello di Jacopo Franchi, Giovanni dal Ponte, Pseudo-Ambrogio di Baldese, the painters of Cassoni and some miniaturists; V. 10. The Classicalism of the Renaissance; V. 11. Piero della Francesca; V. 12. Lorenzo il Magnifico, Botticelli and Savonarola; V. 13. Domenico Ghirlandaio; V. 14. The school of Ottaviano Nelli at Gubbio, the votive painters of the Val di Nera and other regions and the painters of Foligno and of Gualdo Tadino; V. 15. Christoforo da Sanseverino and Angelo da Camerino, Boccati, Gerolamo di Giovanni, Francesco di Gentile, Giovanni Francesco da Rimini, Lorenzo di Alessandro; V. 16. Luca Signorelli; V. 17. Giovanni d'Alemagna and Antonio Vivarini, Quirizio da Murano and Antonio da Negroponte; V. 18. Carlo and Vittorio Crivelli; and V. 19. General Index (each volume with several sub-topics).

      [Bookseller: Mullen Books, Inc. ABAA / ILAB]
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        Between Two Ages - America's Role in the Technetronic Era

      Viking, 1970. 334 pages including index. "The thrust of this challenging book is that America is the first society to move beyond the industrial age into the new "technetronic" era, and that this transition affects directly both our international and our domestic problems. Part 1 describes the impact of the scientific revolution on world affairs in general and on the Third World in particular, and exposes the ambiguous position of its principal disseminators, the US. Part 2 examines how this has effected the content, style, and format of man's political outlook on his global reality. Part 3 assesses the contemporary relevance of communism to the problems of modernity. Part 4 focuses upon the US, a society that is both a social pioneer and a guinea pig for mankind, and examines the crisis of American institutions and values during the current transition - as well as the challenge posed by the New Left. Part 5 outlines in broad terms the general direction the US might take in order to make an effective response to its foreign and domestic dilemmas." - from dust jacket (not included). "This is one of the most original books on political and social thought to appear in recent years. The author projects the impact of technology and electronics on the political and social values of the United States, the Soviet Union and other 'post - industrial' states. As a study of global society in transition, this seminal work is bound to elicit major controversy and will be difficult to ignore." - Foreign Affairs. Bit of soiling to fore - edge else clean and unmarked with light wear. A quality copy.

      [Bookseller: Online Bookshop Jim and Mina Stachow]
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        Poster: Tercer Mundo, Tercera Guerra Mundial [Third World, Third World War]

      S.i.], [Havana, Cuba 1970 - Film poster for Cuban director Julio García Espinosa's 90-minute documentary on attrocities and war crimes committed during the Vietnam War. Filmed from the Cuban point of view, the film was a call to resistance by the Third World everywhere against the military-industrial complex of the capitalist world. Designed by Cuban artist Pablo René Azcuy Cardenas, featuring a squadron of fighter planes, four of which are hurtling toward the ground. Not found in OCLC. Original poster, silkscreened in black and red on beige stock, measuring 51cm x 77.5cm (20" x 30.5"). Professionally linen-backed, with some expert touch-up along upper and lower edge; Near Fine.

      [Bookseller: Lorne Bair Rare Books, ABAA]
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        Sei novelle

      Edizioni della Pergola, 1970. Rilegato mezza pelle (half-leather binding) Dal "Decamerone" di Giovanni Boccaccio. Con 7 acqueforti originali firmate di Walter Piacesi. 4to. pp. 78. Ottimo (Fine). Edizione di 150+XV+ 10 es. numerati e firmati.

      [Bookseller: Studio Bibliografico Marini]
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        LUIGI COLANI

      Éditions Rudolf Vieter, Trescor Cremasco. Officen Cramers Kunstanstalt Dortmund. ca. 1970. Chemise cartonnée in-folio (60 x 51 cm), non titrée, 5 planches (60 x 50 cm) représentant des projets d'avions, d'aéroports et d'une voiture. Exemplaire numéroté. Pochette frottée, petite tache sur une planche mais hors dessin. Port-folio très rare. Luigi Colani (1928-) est un célèbre designer allemand, il conçu de nombreuses machines volantes (avions et hélicoptères) et des voitures qui font deja partis du futur.

      [Bookseller: Librairie Michaël Seksik]
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        I Remember

      Angel Hair. First American editions 1970-1973, New York - Four volumes: I Remember, I Remember More (this copy inscribed to Burt Britten, of the Strand Bookstore, by the author), More I Remember More and I Remember Christmas. The complete original sequence of the author’s masterpiece. The first three vols. published by Anne Waldman, poet and Brainard collaborator, in editions of 700, 800 and 700 copies respectively. The final, subject specific volume, with illustrations by the author, published by the Museum of Modern Art in 1973. The artist and writer’s first solo books. I Remember was popular from publication, no less than three sequels in three years, and now, 40+ years on, after absorbing imitations by individuals and appropriation by writing courses, is maintaining a modest publishing momentum – Brainard collected, rearranged, and added to these initial versions for a one volume edition published by Full Court Press (1975), Penguin reprinted this edition (1995), so did Granary (2001), it was included in the Library of America’s Collected Joe Brainard and Notting Hill Editions published the first English edition (both 2012) – while the appeal of what Joe Brainard did with his combination of ingredients remains as seductive and mysterious as ever. Pictorial wrappers all slightly darkened around perimeter, else all fine. the four volumes [Attributes: First Edition; Soft Cover]

      [Bookseller: Badger Books]
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        "24 Heures".

      1970Gouache et fusain, maquette préparatoire de l'affiche, signée en bas à gauche, titrée, (1970), 34 x 47.5 cm, encadrée. Raymond SAVIGNAC (Paris 1907-2002 Trouville) se forme en autodidacte jusqu'à ce qu'il rencontre CASSANDRE en 1933 ; il devient son élève, et s'associe avec Bernard VILLEMOT; puis ils se retrouvent à l'Agence De La Vasselais. Ses publicités séduisent par des gags visuels et des associations ludiques: " Je suis né à l'âge de quarante et un ans, des pis de la vache Monsavon". Il travaille pour les marques Rival, Air France, Frigeco, Bic, Citroën... RIVAL, célèbre maison de parfums, a été fondée en 1939 par Jean CLAVELIER à Neuilly. Il fut de nombreuses fois présenté dans des musées et des rétrospectives lui furent consacrées au Musée de la Publicité et à la Bibliothèque Forney. Le Musée Montebello de Trouville-sur-Mer détient un important fond présenté en permanence. Sur un fond jouxtant un bleu horizon et un bleu nuit étoilé, jour et nuit,, un homme sandwich muni de jumelles en forme de montres à gousset est encarté dans le journal titré "24 heures", symbolisant la permanance de l'information. Ce dessin, comme l'indique Alain WEIL (ancien directeur du Musée de la Publicité) dans sa monographie "Employer un dessin plus fort, cerné, et immédiatement lisible : montrer l'essentiel, se moquer du reste".

      [Bookseller: Librairie Chrétien]
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        The Conscience of a Majority *SIGNED BY AUTHOR*

      Prentice-Hall, 1970. 248 pages. Author's attractive signature upon front free endpaper. "In this, his most important book, Goldwater discusses the great issues of the 70s. His views possess a breadth, candor and positive outlook that will surprise many of his staunchest critics." - from dust jacket. Moderate wear to price - clipped dust jacket which is now preserved in a glossy new archival - grade Brodart cover. The prior owner of this book was apparently quite a devotee of Mr. Goldwater as numerous underlined news clippings are laid in. A nice copy.

      [Bookseller: Online Bookshop Jim and Mina Stachow]
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        Unter dem Stern des Bösen. OT: La mala hora. Deutsch von Ana Maria Brock.

      Reinbeck, Rowohlt Verlag, 1970. 122(1) Seiten, OTaschenbuch (rororo 1332), das Papier zeitbedingt etwas vergilbt. Auf dem Titelblatt von Garcia Marquez signiert und mit Jahreszahl (1970) versehen. Das Exemplar stammt aus der Bibliothek eines bibliophilen, ehemaligen Kiepenheuer & Witsch Verlagsvertreters. In diesem Verlag erschienen die meisten deutschsprachigen Bücher des Literatur-Nobelpreis-Trägers. Die Lizenz dieses Textes lag beim Aufbau-Verlag Berlin (Ost). Signaturen von Garcia Marquez sind im europäischen Sprachraum sehr selten. Gutes, wohl ungelesenes Exemplar. Good copy. Signed by the author. Versand D: 5,00 EUR Nobelpreis, Signatur, signiert

      [Bookseller: AS - Antiquariat Schröter]
 11.   Check availability:     buchfreund.de     Link/Print  


        The Last Words of Dutch Schultz.

      - Cape Goliard Press, London 1970, 1st ed., orig. cover illustrated by R.B. Kitaj. Signed by Kitaj and author. [Maynard & Miles: A17a]. [Attributes: First Edition]

      [Bookseller: Andersens Antikvariat]
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        Sentinel Rock and Yosemite Valley from Glacier Point Trail, Yosemite [1923] Printed by Alan Ross from Ansel Adams' original negative under his supervision

      Yosemite National Park, California: the Ansel Adams Gallery, circa 1970s. - Silver gelatin print, printed later, stamped 'Special Edition / Photographs of Yosemite by Ansel Adams / Sentinel Rock and Yosemite Valley from Glacier Point Trail, Yosemite [National Park, California', 'Printed by Alan Ross from Ansel Adams' original negative' verso with pencil initial , 7-1/2 x 91/8 inches on board 16.5 x 13.5 inches."Ansel's intent was to present photography as an affordable art and to showcase the environmental grandeur of Yosemite National Park. Never much a fan of the "curios" that were the staple of most Park concessioners at the time, he also wanted to offer visitors a quality memento of their time in Yosemite.The 8 10 prints would be made from the original negatives by an assistant under Ansel's precise direction and be printed in sufficiently large batches to make them affordable.This collection, entitled the Yosemite Special Edition Photographs, proved immensely popular, and over the years, Ansel added more images to the set until the total was capped at 30 at the time of his passing in 1984.Today, Best's Studio is known as the Ansel Adams Gallery, and continues as a family-run business. Ansel's Special Edition Photographs of Yosemite are a mainstay of the Gallery's offerings and heritage. Each print is still made by hand directly from Ansel's original negatives, using his approach and methodology to ensure strict adherence to his standards and aesthetic."Provenance: Peter Howard, Serendipity Books, Berkeley.

      [Bookseller: Wittenborn Art Books]
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        Wildlife Crisis. Forewords by H.R.H. The Prince of the Netherlands and Peter Scott. Epilogue by Stewart L. Udall

      London: Hamish Hamilton, 1970. Special Limited Edition, Signed by Philip. Printed by Arcadia Press. Illustrated. 1 vols. 4to. Bound in full blue morocco by Zaehnsdorf with special "Maril" design on upper cover by noted designer bookbinder Philip Smith. Fine in cloth folding box, leather labels. Special Limited Edition, Signed by Philip. Printed by Arcadia Press. Illustrated. 1 vols. 4to. Special Limited Edition, Signed by Prince Philip. A beautifully written and illustrated exposition of the modern dangers to the world's wildlife, and an historical review of previous conservation efforts, produced on behalf of the World Wildlife Fund.

      [Bookseller: James Cummins Bookseller]
 14.   Check availability:     Biblio     Link/Print  


        Le cose che volano. Dodici fogli sciolti allÕacquaforte e un frontespizio di Luciano De Vita.

      Senza luogo, senza data (1970) Stampato nello Studio Sanleonardo da Deborah Whitman e Mario Leoni. Cartella/ cofanetto in tutta tela nera con illustrazione al piatto anteriore, contenente tredici fogli sciolti allÕacquaforte di Luciano De Vita, ciascuno formato dallÕartista. Tiratura di 90 esemplari numerati da 1 a 80 e da I a X. Di dimensione 50 x 55 cm. La nostra copia eÕ la n. VII.

      [Bookseller: Libreria Piani già' Naturalistica snc]
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        One Hundred Years of Solitude.

      London: Jonathan Cape,, 1970. Translated from the Spanish by Gregory Rabassa. Octavo. Original blue boards, title to spine gilt, top edge pink. With the pictorial dust jacket. An excellent, bright copy with the occasional faint spot to contents, in the jacket with a little rubbing to spine ends. First UK edition, first impression. Inscribed by the author on the half-title, "Gabriel. '85." together with an original ink drawing of a fish. It was first published in the US earlier the same year, and originally published in Argentina in 1967 under the title Cien años de soledad. From the library of the Irish book collector Dr Philip Murray. In his book, The Adventures of a Book Collector (2011), Murray writes: "I had heard that the Mexican postal system is one of the most unreliable anywhere in the world, but I decided to chance it and sent eleven books ? nearly a year went by without any further word. I was certain my luck had run out and I would never see my copies again ... the return package had burst open and had had to be repacked. All the books were inscribed and the author had drawn various images in some of them, so it was worth the wait".

      [Bookseller: Peter Harrington]
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        LESSNESS

      London: Calder & Boyars, 1970. Half cream calf and gilt lettered cloth, a.e.g. Calf a trace darkened, with minuscule nick at crown, otherwise about fine, with the slipcase, which is a very tight fit for the book. First edition, limited issue, of Beckett's own translation of SANS (1969). Copy #52 of one hundred numbered copies, hors commerce, specially bound, and signed by the author, denoted as being in advance of the first edition. The trade edition appeared as SIGNATURE 9.

      [Bookseller: William Reese Company - Literature ABAA-]
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        Proteste nei vicoli. Napoli, 1972

      1970 - Stampa alla gelatina ai sali d'argento su carta baritata Vintage print cm. 35,5 x 23,5 ca. Sul verso: Timbro a tampone "Photo by TANO D¿AMICO"; annotazione autografa "1970 Napoli. Manifestazione contro l¿aumento dei prezzi" Pubblicata in: Tano D'Amico, Di cosa sono fatti i ricordi. Tempo e luce di un fotografo di strada, Postcart, Roma 2014 Vintage Gelatin Silver Print on Baryta Paper 13,9" x 9,2 in. Author's stamp and handwritten caption on verso.

      [Bookseller: S.T. DI MATTEO DI CASTRO]
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        "B + B": un Journal Privé au 20ème siècle. Nos. 1 (25 December 1970) through 6 (17 April 1973) (all published)

      Complete run of 6 issues (each issue 50 to 67 pp.) of the private literary journal written and edited by Alain Bosquet and Roland Busselen, containing prose and poetry written by the two friends. Tall oblong 4to. Orig. wrpps., light soiling. Paris 1970-1973. Bosquet and Busselen were both prolific poets and essayists, with important connections to the Surrealist movement. Originally from Russia and Brussels, respectively, they are both now considered to be French writers, and wrote this short-lived journal as friends. As of January 2015, OCLC locates only 5 holdings in North America, some partial.

      [Bookseller: F.A. Bernett Books]
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        Standarts (Luxusform No. 3)

      München: Verlag Jahn und Klüser, 1970. Near fine in illustrated printed wrappers.. Limited Edition. Quarto. Number 3 of around 10-20 copies from the edition of 1000 with significant interventions by Penck. This copy has original drawings in red ink on the front cover and a drawing of a figure on the front end paper; additionally each page is hand-numbered by Penck in the same ink. Penck's first book: a foray through symbols into the development of a universal pictorial system.

      [Bookseller: Harper's Books, Inc.]
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        In the Night Kitchen

      Harper & Row, [New York] 1970 - First edition. [40 pp.] Color illustrations. 1 vols. 4to. Hanrahan A75 White linen boards with pictorial cover label. Fine in slightly chipped fine dust jacket, with price $4.95 and 10/70 on front flap and 7 titles on the back flap [40 pp.] Color illustrations. 1 vols. 4to [Attributes: First Edition; Hard Cover]

      [Bookseller: James Cummins Bookseller, ABAA]
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        En Indochine

      White Lotus, Paris 1970 - En Indochine [Attributes: Hard Cover]

      [Bookseller: SEATE BOOKS]
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        Solaris.

      Walker and Company, New York 1970 - First American edition and first English language edition, preceding the British edition by one year. Octavo, original cloth. Boldly signed by Stanislaw Lem on the title page. Fine in a fine dust jacket. Translated from the French by Joanna Kilmartin and Steve Cox. A very sharp example, uncommon in this condition and signed. Originally published in Poland in 1961, Solaris has been translated into 41 languages and and sold over 15 million copies. Solaris has been adapted into a feature film twice, most recently in 2002, directed by Steven Soderbergh starring George Clooney. "A novel that makes you reevaluate the nature of intelligence itself" (Anne McCaffrey). [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Raptis Rare Books, ABAA/ ILAB]
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        Piekny listopad. Mauro Bolognini.

      - CWF WDA2, 1970. filmposter, CWF WDA2 zam. 350 K.M. 6000. Original edition of 6.000 copies. Rare. Author : Franciszek Starowieyski Poster : "PIEKNY LISTOPAD", 1970 A1 vertical = 23" x 33" (58.5 x 84 cm), color offset Circulation : 6000 Film : "Un Bellissimo novembre", Italian (Attilio Riccio), 1968 Directed by Mauro Bolognini Starring : Gina Lolobrigida, Gabriele Ferzetti, Paolo Turco, Andre Laurence Born 1930 in Krakow. Studied in Krakow and Warsaw, graduated from Warsaw ASP in 1955. Graphic, poster & set designer, painter, cartoonist. Poster designer since 1956. Exhibitions : Canada - 1960, Paris - 1960, Beyrouth - 1961, Warsaw - 1959, 61, 62, Denmark -1963, Italy - 1964, Sweden - 1965. Awards for : "Lenin" - 1960, "Parasol Sw. Piotra" - 1961, "Teresa Desqueyroux" - 1964; many others (Sao Paulo, Hollywood, Chicago).

      [Bookseller: Krul Antiquarian Books]
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        Märchen) - Schneewittchen bei den sieben Zwergen.

      Um 1970. - Mischtechnik von Ali Mitgutsch, li. u. sign., um 1970. 22,9 x 20,9 cm. - Auf Karton aufgezogen, dieser etwas fleckig; mit einem schützenden Pergamentpapier; die Farbe frisch. - Ali Mitgutsch: *21.8.1935 München. Mitgutsch, der nach dem Krieg eine Ausbildung zum Lithographen absolvierte, wandte sich in den 1960er Jahren den illustrierten Kinderbüchern zu. Sein Markenzeichen wurden die sogenannten Wimmelbilder, Bilder, auf denen viele Menschen viele unterschiedliche Dinge machen, eingebettet in eine gemeinsame Szene. Für Kinder, wie auch für Erwachsene, gibt es unendlich viel zu entdecken. Dabei hat Mitgutsch eine zeichnerische und malerische Qualität entwickelt, mit der die Figuren lebendig werden und ihre Handlungen zuweilen zwar witzig und liebenswert, aber nicht lächerlich wirken. Unzählige Kinder wuchsen seither mit Mitgutschs Bildern auf. Er erhielt dafür mehrere Nominierungen zum Deutschen Jugendbuchpreis, den er schließlich mit seinem Buch "Rundherum in meiner Stadt" 1969 gewann. Mitgutsch lebt und arbeitet in München. Sprache: Deutsch Gewicht in Gramm: 0 [Attributes: Soft Cover]

      [Bookseller: Buch- und Kunstantiquariat Tobias Müller]
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        Mr. Brown Can Moo! Can You?

      Random House, 1970 A very good first edition in a price-clipped very good dust jacket with some edgewear including a one inch closed tear on the front cover near the spine. This has all first edition points according to the Younger Guide. The price on the jacket is not an issue point. A very uncommon Dr. Seuss book, rare in dust jacket.. 1st Edition. Hardcover. Very Good/Very Good.

      [Bookseller: Bookbid Rare Books ]
 26.   Check availability:     ABAA     Link/Print  


        Personal Library of Floridian Books

      Research material from the library of Peter Matthiessen. Matthiessen's connection to Florida as a writer goes back well before the Mr. Watson trilogy that he began writing in the 1980s. In 1970 the Sierra Club published a photography book on the Everglades using text from Matthiessen's earlier books. At that time he also began a project based on Seminole history and legends. Later, the Watson trilogy and eventually Shadow Country took up a large portion of nearly two decades. Roughly 20 titles. Many of these book are research materials for the Watson books; others are more general history or natural history. A detailed list is available on request. No Binding.

      [Bookseller: Ken Lopez Bookseller, ABAA]
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        Solaris.

      New York: Walker and Company, 1970. First American edition and first English language edition, preceding the British edition by one year. Octavo, original cloth. Boldly signed by Stanislaw Lem on the title page. Fine in a fine dust jacket. Translated from the French by Joanna Kilmartin and Steve Cox. A very sharp example, uncommon in this condition and signed. Originally published in Poland in 1961, Solaris has been translated into 41 languages and and sold over 15 million copies. Solaris has been adapted into a feature film twice, most recently in 2002, directed by Steven Soderbergh starring George Clooney. "A novel that makes you reevaluate the nature of intelligence itself" (Anne McCaffrey).

      [Bookseller: Raptis Rare Books ]
 28.   Check availability:     ABAA     Link/Print  


        The Years and Hours of Emily Dickinson (two volumes).

      Hamden:: Archon Books,. Very Good in Very Good dust jacket. 1970. Hardcover. 0208008179 . Complete in two volumes. First printing thus. Each volume is very good in a very good (age toning), price clipped dust jacket. .

      [Bookseller: Grendel Books, ABAA/ILAB]
 29.   Check availability:     Biblio     Link/Print  


        THE COMPLETE POEMS

      New York: Farrar, Straus and Giroux, 1970. Third Printing 1970 (so stated), full blue cloth, with dust jacket. Signed by Bishop: "Elizabeth Bishop - April 11th, 1978" in black ink on the title page. Laid in is a tri-fold pamphlet, printed on recto and verso on buff paper using black ink. Open size: 10.25 inches x 14 inches. The full title: THE FIFTEENTH ANNUAL WALLACE STEVENS PROGRAM: PRESENTATION AND READING ELIZABETH BISHOP. Published as the program pamphlet for the annual Wallace Stevens Poetry Program at The University of Connecticut, "Presented by the Department of English of The University of Connecticut with the support of The Hartford Insurance Group, 8:15 p.m., Tuesday, April 11, 1978, Physics 36". The present copy includes detailed personal comments/reviews concerning each of the three student "First Prize" winners. The revealing comments are quite personal in nature, and total more than 300 words written on the margins of the pamphlet in black ink. The date of Bishop's inscription is the date of the program event. The pamphlet has one horizontal fold, else fine condition. The book and jacket show only the slightest wear. Overall a fine signed copy.

      [Bookseller: Jett W. Whitehead Rare Books (ABAA)]
 30.   Check availability:     Biblio     Link/Print  


        Chapeaugaga ovvero Academic micmac

      Milano , GRAFICA UNO, 1970 - Illustré de quinze gravures à l'eau-forte par Enrico Baj (cm 17x14; 5x11), achevé d'imprimer le 1er Mai 1970 sur les presses de Giorgio Upiglio à Milan a été tiré a cent exemplaires sur papier Ventura dont un exemplaire portant le numero 1 contient le manuscrit et un dessin original de l'Artiste, 35 exemplaires numerotés de 2 a 36 contenant la suite de gravures et 64 exemplaires numérotés de 37 a 100. L'ensamble de ces exemplaires, signés par l'Auteur et par l'Artiste, constitue l'édition originale du poème. 16mo (cm 18,5x15,5). pp. 40. Dedica e firma autografa dell'editore (Inscribed and signed by the Publisher). Molto buono (Very Good). . Prima ed. di 100 es. numerati e firmati. [Jentsch, 1993]. Il testo poetico ''Chapeaugaga'' di Mandiargues e le 15 incisioni originali di Baj ironizzavano sull'elezione di Jean Paulhan all'Académie Française e sulla feluca indossata dagli accademici. [Attributes: Hard Cover]

      [Bookseller: Studio Bibliografico Marini ALAI - ILAB]
 31.   Check availability:     AbeBooks     Link/Print  


        Chapeaugaga ovvero Academic Micmac

      Giorgio Upiglio - Edizioni d'arte Grafica Uno, 1970. Chapeaugaga d'André Pieyre de Mandiargue, illustré de quinze gravures à l'eau-forte par Enrico Baj, achevé d'imprimer le 1er Mai 1970 sul les presse de Giorgio Upiglio à Milan a été tiré a cent exemplaires sur papier Ventura dont un exemplaire portant le numero 1 contient le manuscrit et un dessin original de l'Artiste, trente-cinq exemplaires numerotés de 2 a 36 contenant la suite de gravures et 64 exemplaires numérotés de 37 a 100. L'ensamble de ces exemplaires, signés par l'Auteur et par l'Artiste, constitue l'édition originale du poème. Il nostro esemplare n. 70. Delle 15 acqueforti di Baj, due sono a piena pagina con inserti a collage. In prima pagina dedica a matita di Giorgio Upiglio In sedicesimo

      [Bookseller: Di Mano in Mano]
 32.   Check availability:     maremagnum.com     Link/Print  


        Chapeaugaga. Ovvero Academic Micmac.

      Mailand (Milano), Edizioni d\'Arte Grafica Uno, (1970). 8°. Mit 15 (1 doppelblattgr.) farb. Orig.-Radierungen (meist in Prägedruck u. tlw. mit Collagen) von Enrico Baj. 31 S., 4 Bll. (die letzten beiden weiß), Lose Bögen in OUmschlag u. OHLwd.-Decke m. goldgepr. Rückentitel in marmor. OPp.-Schuber. Erste Ausgabe. - Nr. 10 von 100 von Autor u. Künstler im Druckvermerk eigenh. signierten Exemplaren; vom Mailänder Atelier G. Upiglio auf starkem „Papier Ventura“ gedruckt. - „The language of his narrative and poetic works is a blend of puns, pseudo-phonetic transcriptions and bizarre expressions of his own invention. Chapeaugaga is a poetic text written by André Pieyre de Mandiargues mocking Jean Paulhan\'s election to the Académie Francaise and the cocked hats worn by academians“ (R. Jentsch, The Artis and the Book in Twentieth-Century Italy). - Schuber leicht berieben. Rücken am oberen Kapital mit kl. Fleck, sonst gutes Exemplar. - Petit, Books 16; Monod 7707; Jentsch 21; Bibl. Matarasso II, 196. Versand D: 12,00 EUR Baj, Mandiargues, Chapeaugaga. Ovvero Academic Micmac, Künstlerbuch, Künstlerbücher, Pressendrucke, Signierte Bücher

      [Bookseller: Antiquariat Wolfgang Friebes]
 33.   Check availability:     buchfreund.de     Link/Print  


        Reigen.

      Ascona: Centro del Bel Libro., 1970. 83 (1) S., 2 nn. Bll. (weiss) mit 10 zweifarb., bleistiftnum., dat. und voll sign. OLithographien von Otto Bachmann. Fol. , Lose unbeschn. Bogen in OLwd.-Kassette mit grossem Leder Rsch. mit goldgepr. RTitel. Nr. XL von XL Ex. (Künstlerex. - GA 140) auf Rives-Raisin-Bütten. Impressum ebenfalls sign. Die Lithographien wurden vom Atelier Mattheu in Zürich unter Aufsicht des Künstlers abgezogen. Den Druck besorgte die Druckerei Berichthaus. Die Gesamtherstellung betreute Josef Stemmle, Centro del Bel Libro, Ascona. Versand D: 2,30 EUR

      [Bookseller: Antiquariat Galerie Joy]
 34.   Check availability:     buchfreund.de     Link/Print  


        Mog the forgetful cat (With The Original Wrapper)

      The First UK Printing published by Collins in 1970. The BOOK is in Very Good++ or better condition. Light foxing in places to the illustrated boards . Light spotting to prelims and end papers. Occasional spot throughout but otherwise a very clean copy. Free from erasures, inscriptions and markings. The Wrapper is complete and is in Very Good++ or better condition. Small closed tear to upper front spine fold. Spotting to verso which only comes through to the front very lightly in places. The iconic wrapper design looks very striking in the removable Brodart archival cover. Judith Kerr's wonderful coloured illustrations throughout. The first title in the acclaimed 'Mog' series. Scarce with such attributes.

      [Bookseller: Ashtonrarebooks]
 35.   Check availability:     PBFA     Link/Print  


        ROSUL NEGORI

      1970 ca.. Tiratura: 34/50. Acquatinta a tre colori ed impressioni a secco su carta Arches. Bertrand Dorny Nasce a Parigi nel 1931. Iniziò come pittore, ma fu sempre affascinato ed incuriosito dalle differenti tecniche artistiche. Molto presto si cimentò con l'incisione. Il lato meccanico dell'incisione lo seduce, come pure la nozione di transfert, e questa diventerà, col passare degli anni, la base delle sue future ricerche. La sua opera incisa rappresenta oggi più di 650 stampe e l'artista, dalla metà degli anni 50 ha esposto frequentemente in Francia come all'estero (Lussemburgo, Belgio, Svizzera, Stati Uniti, Germania, Inghilterra, etc). Bertrand Dorny ha partecipato con gran regolarità a numerose esposizioni collettive e saloni: La Jeune Gravure Contemporaine, Les peintres-graveurs, etc. e biennali: le Biennali di Cracovia, Epinal o Freschen, e la sua opera è stata spesso premiata. Fra le gallerie e gli editori che hanno avuto un ruolo determinante nella carriera dell'artista, citiamo Bernard Gheerbrand (La Hune), La Nouvelle Gravure ou Nesto Jacometti (Locarno). Dopo essere stato professore di disegno all'Accademia della Grande Chaumière, Bertrand insegnò incisione, dal 1975 al 1979, alla Scuola di Belle Arti di Parigi mm 645x492

      [Bookseller: Libreria Trippini Sergio]
 36.   Check availability:     maremagnum.com     Link/Print  


        Notes on "Easy Rider" (Typescript with corrections)

      N.p.: N.p., 1970. One page, typescript, with a couple of typeover corrections. A fascinating muse of Southern's crafting of the "Easy Rider," screenplay, focusing on how he actually wrote Jack Nicholson's role for Rip Torn, with a detailed explanation of why Torn did not ultimately fill the role. Full provenance available on request. Blank office stock, recto only, 8.5 x 11 inches. Near Fine.

      [Bookseller: Royal Books, Inc.]
 37.   Check availability:     Biblio     Link/Print  


        Zettels Traum. Faksimile-Ausgabe des einseitig beschriebenen, 1334 Blätter umfassenden Manuskripts.

      Goverts Krüger Stahlberg Verlag, Stuttgard, 1970. Erste Ausgabe! Limitiert in einer Höhe von 2000 Exemplaren. 1330 Zettel. Der Druck wurde von der Offset-Druckerei Paul Robert Wilk in Seulberg ausgeführt. Das Papier fertigte die Papierfabrik Salach im Auftrage der Firma Drissler in Frankfurt am Main. Die buchbinderische Verarbeitung besorgte Christian Belser in Stuttgart. gebundene Ausgabe, Leinen, SU., Schuber. Einband sehr gut erhalten, nur leichte Abriebsspuren im unteren Bereich des Buches. Durchsichtiger SU. leicht wellig und berieben. Schnitt mit zwei kleinen Schmutzflecken. Von Arno Schmidt über dem Impressum handschriftlich signiert! Versand D: 5,00 EUR

      [Bookseller: Druckwaren Antiquariat GbR]
 38.   Check availability:     buchfreund.de     Link/Print  


        Hairy Who Exhibition Poster - San Francisco Art Institute - April 1970 Exhibition Surplus Slop From The Windy City

      San Francisco: San Francisco Art Institute, 1970. First edition. Loose Sheets. Very Good +. Framed poster for the April 1970 showing of artwork at the San Francisco Art Institute by the group of Chicago artists known as the Hairy Who. Poster measures approx. 18 x 23" tall. Simply framed under archival glass. Faint mailing fold else an excellent example of this rare poster. Scarce early Hairy Who ephemera.

      [Bookseller: Derringer Books, Member A.B.A.A.]
 39.   Check availability:     Biblio     Link/Print  


        Chapeaugaga. Ovvero Academic Micmac.

      Mailand (Milano), Edizioni d'Arte Grafica Uno, (1970). - Erste Ausgabe. - Nr. 10 von 100 von Autor u. Künstler im Druckvermerk eigenh. signierten Exemplaren; vom Mailänder Atelier G. Upiglio auf starkem „Papier Ventura" gedruckt. - „The language of his narrative and poetic works is a blend of puns, pseudo-phonetic transcriptions and bizarre expressions of his own invention. Chapeaugaga is a poetic text written by André Pieyre de Mandiargues mocking Jean Paulhan's election to the Académie Francaise and the cocked hats worn by academians" (R. Jentsch, The Artis and the Book in Twentieth-Century Italy). - Schuber leicht berieben. Rücken am oberen Kapital mit kl. Fleck, sonst gutes Exemplar. - Petit, Books 16; Monod 7707; Jentsch 21; Bibl. Matarasso II, 196. Sprache: Italienisch Gewicht in Gramm: 500 8°. Mit 15 (1 doppelblattgr.) farb. Orig.-Radierungen (meist in Prägedruck u. tlw. mit Collagen) von Enrico Baj. 31 S., 4 Bll. (die letzten beiden weiß), Lose Bögen in OUmschlag u. OHLwd.-Decke m. goldgepr. Rückentitel in marmor. OPp.-Schuber. [Attributes: First Edition; Signed Copy]

      [Bookseller: Antiquariat Wolfgang Friebes]
 40.   Check availability:     ZVAB     Link/Print  


        Mog the forgetful cat (With The Original Wrapper)

      The First UK Printing published by Collins in 1970. The BOOK is in Very Good++ or better condition. Light foxing in places to the illustrated boards . Light spotting to prelims and end papers. Occasional spot throughout but otherwise a very clean copy. Free from erasures, inscriptions and markings. The Wrapper is complete and is in Very Good++ or better condition. Small closed tear to upper front spine fold. Spotting to verso which only comes through to the front very lightly in places. The iconic wrapper design looks very striking in the removable Brodart archival cover. Judith Kerr's wonderful coloured illustrations throughout. The first title in the acclaimed 'Mog' series. Scarce with such attributes. Ashtonrarebooks welcomes direct contact.

      [Bookseller: Ashtonrarebooks ABA PBFA]
 41.   Check availability:     Biblio     Link/Print  


        El circulo de piedra

      Milano , GRAFICA UNO, 1970 - 15 litografie originali in bianco e nero e a colori, firmate, di Valerio Adami, Alexander Calder, Jorge Camacho, Augustin Càrdenas, César, Corneille, Errò, Asger Jorn, Piotr Kowalski, Wifredo Lam, Joan Mirò, Eduard Pignon, Paul Rebeyrolle, Antoni Tapies, Emilio Vedova. Testo poetico di Franqui. Ogni cartella è accompagnata da un disco fuori commercio del concerto di Luigi Nono, ''Y entonces comprendido'' dai testi del poema, pubblicato da Ricordi di Milano. Folio (cm 55x45). . . Ottimo (Fine). . Prima edizione di 100 + XXV es. numerati. [Jentsch, 1993]. Carlos Franqui negli anni 50, con grandi sacrifici, riuscì a frequentare l'università. Aderì poi al Partito Comunista cubano e lavorò nella clandestinità organizzando manifestazioni e insurrezioni. E' stato direttore del periodico clandestino ''Revolucion'' e capo della sezione propaganda del comitato rivoluzionario. Dopo la vittoria della rivoluzione tuttavia, non partecipò al governo di Fidel Castro e l'anno dopo la morte di Ghevara (1967) ruppe i contatti con il regime di Castro e andò in esilio in Europa, ed in particolare in Italia dove è stato attivo come critico d'arte, scrittore e poeta. Il libro nacque con l'intento di raccogliere fondi per aiutare Franqui durante il suo esilio italiano. Custodia leggermente sporca (Lightly soiled slip-case) [Attributes: Hard Cover]

      [Bookseller: Studio Bibliografico Marini ALAI - ILAB]
 42.   Check availability:     IberLibro     Link/Print  


        The Collected Works.

      New York Grove Press,, 1970. [Cascando; Endgame; Film; Happy Days; How It Is; Krapp's Last Tape and Other Dramatic Pieces; Malone Dies; Molloy; More Pricks Than Kicks; Murphy; Poems in English; Proust; Stories & Texts for Nothing; The Unnamable; Waiting for Godot; Watt.] 16 volumes, octavo. Original blue cloth, titles to spines and front boards in silver. With the dust jackets. Some faint foxing to edges of text block; a superb set in the bright jackets. First collected edition, first printings. The set was issued by Grove in this trade edition and as a signed edition; neither is common complete. Film is a first edition in its own right.

      [Bookseller: Peter Harrington]
 43.   Check availability:     Biblio     Link/Print  

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