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Displayed below are some selected recent viaLibri matches for books published in 1968

        G. B. Bodoni: Manuale 1788 [Officina Bodoni].

      Officina Bodoni, Verona (Italy). Number 141 of 180 (of a total of 206). In the original wooden-sided packing box. 1968 - Size of the case: 10 1/4 inches x 13 3/4 in., frontispiece, and facsimile of typefaces. Unopened volume in the white paper-wrapped slipcase, in the original, wooden-sided packing case, with cardboard top & bottom, with printed & numbered title label intact, attaching the top cardboard; inner packing corrugated boards intact, with the inner white, and outer brown paper wrapping paper, with the number 141 present on the label and the outer brown paper, the cellophane tape of the cardboards and wrapping paper has been opened at some point, and the untorn wrapping paper has then been carefully placed back in position. A virtually "as new" copy, which has been carefully stored. Weight: 8 lbs. Postage is extra on this item. [Attributes: Hard Cover]

      [Bookseller: Peter Keisogloff Rare Books, Inc.]
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        Fall 1961 / Portfolio of Artworks

      [Roosevelt, New Jersey]: New Jersey Volunteers for McCarthy. 1968. First. First edition. Folio. 45cm. x 34cm. Black cloth portfolio, containing a broadside and 14 pencil-signed lithographic plates by New Jersey artists. Copy number 40 of an edition limited to 250, printed by Pearl Seligman on Rives Heavyweight. Minor soil, faint stain to exterior of portfolio; contents fine. Features a broadside of Lowell's poem "Fall 1961," and 14 lithographs Signed in pencil by the following artists: Richard Anuskiewicz, Carmen Cicero, Leo Dee, Joseph Demarais, John Goodyear, James Kearns, Jacob Landau, Stefan Martin, George Ortiman, Pat Pickering, Gregorio Prestopino, Jean Schonwalter, George Segal, and Herbert Steinberg. According to the colophon, the portfolio was issued in response to "the challenge presented to the American political system by Senator Eugene J. McCarthy during the presidential campaign of 1968." A fair number of the artists represented here, including Landau, Prestopino, Segal, and the printer Pearl Seligman were neighbors of the Shahns in Roosevelt, NJ. A scarce item; OCLC finds only two locations (Harvard & Princeton); none others found in commerce. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        The Voyage and Other Versions of Poems by Baudelaire

      Faber and Faber, London 1968 - First edition. Large quarto. 16 monochrome, and 8 color plates. Fine in cloth and fine original unprinted glassine dustwrapper and near fine slipcase with a small bump and stain. One of 200 numbered copies Signed by both Lowell and Sidney. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Between the Covers-Rare Books, Inc. ABAA]
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        At Terror Street and Agony Way

      Los Angeles: Black Sparrow Press. (1968). First. First edition. Cloth with applied printed spine label. Two tiny tears at the edge of the spine label, else fine without dustwrapper as issued. Copy number 64 of 75 hardbound copies Signed by the author and with an original painting by Bukowski tipped in as issued. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        ORIGINAL PHOTOGRAPH of THE RIGHT HONOURABLE ROLAND MICHENER. Signed.

      Yousuf Karsh, N. P. [Ottawa], 1968 - Original matte black & white silver print on stiff board, 8" x 10 1/2" overall with embossed border & image size: 5" x 6"' 5/8 in fine condition with Karsh's stamp on the verso. A superb Karsh image with his typical strong distinctive lighting & contrasts. Signed by Karsh on the margin below the image. A Presentation Print, inscribed on the blank border: 1968 / To Charles Beasley with every good wish / Roland Michener Norah Willis Michener". [slight rub to one signature] "Michener was elected to the House of Commons in 1957, where-after he served as speaker of the house until 1962, and then in diplomatic postings between 1964 and 1967. He was that year appointed as governor general by Elizabeth II, Queen of Canada, on the recommendation of Prime Minister of Canada, Lester B. Pearson, to replace Georges Vanier as viceroy, and he occupied the post until succeeded by Jules Léger in 1974. Michener proved to be a populist governor general whose tenure is considered to be a key turning point in the history of his office. On October 15, 1962, Michener was sworn into the Queen's Privy Council for Canada,[2] giving him the accordant style of The Honourable; however, as a former governor general of Canada, Michener was entitled to be styled for life with the superior form of The Right Honourable. He subsequently served on various corporate and charitable boards and sat as Chancellor of Queen's University before he died on August 6, 1991" - Wikipedia [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: TBCL The Book Collector's Library]
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        SLAUGHTERHOUSE-FIVE OR THE CHILDREN'S CRUSADE

      [New York]: A Seymour Lawrence Book / Delacorte Press,. [1968]. Tall octavo,. printed green wrappers, spiral plastic spine.. A bit of wear at upper spine ends of wrappers, a bit of sunning to. outer front wrapper, a very good to near fine copy overall. Presents. well. In a custom cloth box. (#128863). Advance copy (uncorrected proof) of the first edition. "According to the printer [Crane Duplicating Service] thirty-nine copies of this proof edition were run in November 1968 ..." - Pieratt, Huffman- klinkowitz, and Klinkowitz AH1. "A masterpiece ... A key work of modern SF." - Anatomy of Wonder (2004) II-1204. Survey of Science Fiction Literature V, pp. 2101-06.

      [Bookseller: L. W. Currey, Inc.]
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        Outer Dark

      Random House, New York 1968 - First Edition, First Printing, Stated First Printing on copyright page. SIGNED by McCarthy on free front end paper. 14 articles from Knoxville News-Sentinel, Life magazine, etc. will come with the book. Cover is clean and bright, top page edges have the publisher's blue stain. Previous owner name, a Knoxville resident, is on front paste down. Pages 232 & 233 are browned caused by a newpaper article, the browning has faintly bled through several pages. The paper on upper, rear hinge is torn partially free (2"), causing top layer of paper on first and second free end papers to tear, appears to be a publishers flaw. Dust Jacket is priced $4.95 on front flap. A "Miller Dept. Store," sticker ($4.20) on front flap (this was a dept. store in Knoxville). Dust Jacket is clean and bright, lower spine lightly rubbed with two tiny closed tears. Their is a punch-sized hole on the spine of the DJ. Lower rear panel and corners have a tiny chip. A very nice, clean, bright and secure copy, even with the mentioned problems. The provenance on this copy is an added plus. More photos will be sent on request. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Wolfmueller's Books]
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        Contemporains I - XII. Poesie und Prosa.,

      München Kösel, 1968 - 70., 1968 - 70. - je ca. 80 S., Alle Bände in EA. Bd. 1: Louis-Rene des Forets: Der Schwätzer; 2: Philippe Jaccottet: Elemente eines Traumes; 3: Guillevic: Carnac und idee Chanssons von Antonin Blond; 4: Roger Caillois: Ars Poetica; 5: Yves Bonnefoy: Herrschaft des Gestern: Wüste; 6: Jacques Dupin: Sehender Leib; 7: Jean Paulhan: Schlüssel der Poesie und Kleines Vorwort zu jeder Kritik; 8: Max Jacob: Ratschläge für einen jungen Dichter; 9: Andre Breton: L'Amour fou (mit dem Beiheft); 10: Leon-Paul Fargue: Unter der Lampe, 11: Charles-Albert Cingria: Kleines harmonisches Labyrinth; 12 : Pierre Reverdy: Quellen des Windes. Beiheft: Ausführliche Programmvorschau mit Textbeispielen und Probedrucken einiger Grafiken. Die Typographie gestaltet von Joshua Reichert und Friedrich Pfäfflin. Frisches Exemplar der seltenen Serie. Sprache: de Gewicht in Gramm: 850 künstlerische gestaltete Origninalbroschuren( tlw. in Cellophanumschlägen) (12 Bände., cplt. und eine Programmvorschau).

      [Bookseller: Antiquariat Michael Solder]
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        Contemporains I - XII. Poesie und Prosa. (12 Bde., cplt.).

      München, Kösel, 1968 - 70 - Gr.8°, zus. ca. 1000 S., Brosch. (tlw. m. Transparent-OU), Die Tranp.-OUs am Rücken tlw. gebräunt bzw. oben randrissig; allg. schönes Ex. Alle Bde. in EA. DIe Typographie von Joshua Reichert und Friedrich Pfäfflin. Bd. 1: Louis-René des Forêts: Der Schwätzer; 2: Philippe Jaccottet: Elemente eines Traumes; 3: Guillevic: Carnac und idee Chanssons von Antonin Blond; 4: Roger Caillois: Ars Poetica; 5: Yves Bonnefoy: Herrschaft des Gestern: Wüste; Jacques Dupin: Sehender Leib; Jean Paulhan: Schlüssel der Poesie und Kleines Vorwort zu jeder Kritik; Max Jacob: Ratschläge für einen jungen DIchter; André Breton: L?Amour fou (mit dem Beiheft); Lèon-Paul Fargue: Unter der Lampe, Charles-ALbert Cingria: Kleines harmonisches Labyrinth; Pierre Reverdy: Quellen des Windes. 1200 gr. [Attributes: Soft Cover]

      [Bookseller: antiquariat peter petrej]
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        The Magic Finger

      London, Allen and Unwin 1968., 1968. First UK Edition. 4to. Original publishers decorated boards. Some slight edgewear and a touch of soiling to the white paper covered boards but otherwise a clean tight attractive copy. Illustrated throughout by William Pene Du Bois, and inscribed to a friend by the great Mr. Dahl himself on the title page : "To Tig/ With love/ From/ Roald Dahl." Forty-one pages of complete insanity in book form; ducks with shotguns, tiny little people with wings building a nest, and magic fingers all illustrated by a man who acknowledges a debt to "Richard Marshall, Telekinetic photographer" on the copy right page. A Dahlian (or possibly Dahl-iesque) classic, rarely seen inscribed.

      [Bookseller: Adrian Harrington Rare Books]
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        Variations sur l'amour.

      Club du livre |& Philippe Lebaud 1968 - - Club du livre & Philippe Lebaud, Paris 1968, 29x38cm, en feuilles sous chemise-étui. - Edition originale et premier tirage des 20 lithographies originales toutes signées par les artistes, un des 140 exemplaires numérotés sur Rives, seul tirage avec 20 Japon et 30 Auvergne. Contributions littéraires de C. Aveline, F. Nourissier, M. Duras, L. de Vilmorin, M. Béalu, M. Butor, P. Albert-Birot, P. Mac Orlan, A. Bosquet. Signature autographe de chacun des auteurs à la fin de leur texte. Contributions picturales de L. Fini, P.Y. Trémois, E. Mac'Avoy, O. Zadkine, F. Labisse, Y. Brayer, J. Commère, E. Pignon, A. Minaux. Chaque lithographie est signée par l'artiste. Reliure en pleine peau noire réalisée d'après la maquette de M. Prassinos. Bel exemplaire bien complet de toutes ses lithographies ainsi que de sa chemise-étui qui comporte quelques éraflures, mors fendus en tête et en pied. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Librairie Le Feu Follet]
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        Zwei Inseln. Formosa/Ceylon. Erste Ausgabe.

      Olten. 1968 - Oktav. 76 S., 2 Bl. Orig.-Halbmaroquin mit Kopfgoldschnitt im Pappschuber. Eins von 105 numerierten und vom Autor signierten Exemplaren der Vorzugsausgabe. Auf Zerkall-Bütten. Einbände Handarbeit von Hugo Peller in Solothurn. Tadellos erhalten. [Attributes: Hard Cover]

      [Bookseller: Biblio Industries Alain Haezeleer]
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        PROVOKE (vols. 1, 2, 3)

      Provoke, Tokyo, Japan 1968 - "PROVOKE" vol. 1 (1968), vols. 2, 3 (1969). Sunburned and stained as usual especially their edges. The front cover of vol.2 has a folded line on its right-top. Vol.3's front has some stained (of black ink) small spots. However the forms of each volumes still keep very good conditions, and the plates inside are almost intact. [Attributes: First Edition; Soft Cover]

      [Bookseller: booksGYOZANDO]
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        THE TEACHINGS OF DON JUAN. A Yaqui Way of Knowledge.

      University of California Press, Berkeley 1968 - True First Edition of the Author's first book. 8vo, (xii), 196pp. Publisher's medium gray cloth covered boards lettered in gold, green endpapers. True First edition of Castaneda's very scarce first book & the first book in the Don Juan series. Issued in a small edition [likely 750 - 1250 copies] by a university press, the book was well-read on campus & copies of this, the true 1st [not to be confused with the later Simon & Schuster, 1973 printing] are difficult to find in collectible condition . A seminal 60's book of some great counter-cultural significance through which Don Juan's perception & mastery of "nonordinary reality" opened up the mind of an era to the possibilities of a more mystical & magical existence, linking various theme s of spirituality, drugs & metaphysics. A fine fresh example of this profoundly influential work, in an excellent dustwrapper - the nicest we have seen in years. A spectacular copy of this much sought after book in a fine custom fitted slipcase. [Attributes: First Edition; Hard Cover]

      [Bookseller: TBCL The Book Collector's Library]
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        DRAFTS & FRAGMENTS OF CANTOS CX - CXVII

      Faber&Faber/Stone Wall Press [1968 (1969)], London & Iowa City - Folio. Gallup A91d. One of 310 SIGNED copies printed by hand on Umbria paper, this is one of 100 copies of the British issue. Errata slip laid in. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Charles Agvent, est. 1987, ABAA, ILAB]
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        Drafts & Fragments of Cantos CX-CXVII (Signed First Edition | Limited Edition | Excellent Condition)

      New Directions / Faber and Faber Ltd, New York / London 1968 - FIRST EDITION, first printing. Signed limited edition (#160 of 310). pp. [viii](blank), 40, [i](colophon), [v](blank); errata slip laid into the book (as issued). Numbers 1-200 for the American market, numbers 201-300 for the British market and 10 copies for the trade. No previous owner's names, not exlibrary. Overall an EXCELLENT book in a VERY GOOD PLUS slipcase. Rare. A good gift for the Ezra Pound completist. Photos available upon request. Size: Folio - over 12" - 15" tall [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Ziern-Hanon Galleries]
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        To Paint Is To Love Again Including Semblance of a Devoted Past

      Grossman, New York 1968 - First edition. Folio. Small dampstain at the bottom of the front board else fine in near very good dustwrapper with scattered light stains and general wear. Inscribed by Miller to his second wife June Mansfield: "For June from Henry. Note: Unfortunately the reproductions are not good -- weak and off color -- sorry!" A collection of Miller's painted art, along with the text of a previously published limited edition that comprises Miller's correspondence with longtime friend Emil Schnellock about art and painting. A great association. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Between the Covers-Rare Books, Inc. ABAA]
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        The Sporting Club

      Simon & Schuster, New York 1968 - 220 pages. First edition, first printing. His first book. Signed by McGuane on the title page. Dust jacket art by Paul Bacon. Fine book in a fine dust jacket. A beautiful copy! [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Fireproof Books]
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        ORIGINAL PENCIL DRAWING

      Noone House, Peterborough, New Hampshire 1968 - Tudor, Tasha. ORIGINAL PENCIL DRAWING by Tasha Tudor that was used for the endpapers in BRITE AND FAIR written by Henry A. Shute and illustrated by Tasha Tudor. Peterborough, New Hampshire: Noone House, 1968. The image measures 13-3/4" wide x 9 " tall on Bainbridge Board measuring 13-3/4" x 9-5/8". This double page drawing is richly detailed and depicts a bucolic setting with large trees, two boys fishing from a row boat on a winding river, fenced fields and a small town with a church at its center. Tasha Tudor excelled at depicting life in an idealized time and place and this drawing is a well executed, wonderful example of the best of her work. The Bainbridge Board has what appears to be a light crease running from top to bottom approximately 2-1/4" from the right edge of the drawing but it does not detract from the loveliness of the work. Sold with a first edition copy of the book.

      [Bookseller: Wallace & Clark, Booksellers]
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        Setting Free the Bears.

      Random House, New York 1968 - First edition of the author's first book. Octavo, original half-red cloth with titles to the spine in gilt. Lengthily inscribed [5 line inscription] by Irving on the half- title page. Fine in a near fine dust jacket. Housed in a custom quarter morocco clamshell box. With the publication of Setting Free the Bears, the Saturday Review prophetically called Irving "astonishing A writer of uncommon imaginative power. Whatever he writes, it will be worth reading." "Setting Free the Bears is the most nourishing, satisfying comedy I have read in years. I admire the hell out of it" (Kurt Vonnegut Jr.). [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Raptis Rare Books, ABAA/ ILAB]
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        La Ballade de Paris et du Monde. Texte, Lithographies, Aquarelles et Dessins de Marcel Marceau.

      Aline Elmayan Editeur (1968). An out-of series copy of the (230+) copies on velin d’Arches paper, with the suite of separate illustrations in a Silvia Rennie design binding and box with a pull-out tray for the separate plates. - [Colophon]: “Cet ouvrage a ete acheve d' imprimer le jour de la saint Seraphin, 12 Octobre de l' annee 1968 aux depens et pour le compte de Aline Elmayan editeur a Paris. Cette edition entierement originale, texte et illustration, de Marcel Marceau a ete concue et realisee par les soins de l' Editeur. L' Astree de corps 30 [type face] a ete specialment fondu pour le livre, par Deberny et Peignot. Le texte a ete compose et imprime chez Theo Brugiere. Les lithographies ont ete executes par l' auteur et tirees chez Deprest. Les aquarelles, brossees a la main a raison de 45 a 52 pochoirs par sujet, les crayons et les encres de Chine, sont dus aux Ateliers Daniel Jacomet. Le fer a dorer du title a ete grave par J B. Alivon. Les couvertures interieures, les emboitages et les portfeuilles ont ete realizes par Adine”. [this portfolio & slipcase not present in this copy]. Size of binding: 12 5/8” x 17 6/8”, printed foreword + limitation page, followed by half-title; pp. [1]-[36] (including editor’s note & titlepage), list of plates, colophon pages & copyright page. Illustrated with 30 high-quality reproductions of various types of artwork by Marcel Marceau: 20 in-text illustrations (4 are lithographs, and 16 are ink drawings), and 10 separate illustrations on d' Arches paper (6 of these are double sheets; 4 are watercolors and 6 are pencil/charcoal drawings). In an imaginative and finely realized design bookbinding by Swiss-born, American design bookbinder, Silvia Rennie, with a specially constructed drop-back box with a hidden drawer/pull-out tray to store the interactive plates that came with this book. The front cover is bound in fine grain, white morocco leather and the back cover in a fuller grain, black morocco leather, with the spine and sides covered in fine grain red morocco leather, cut in a scalloped pattern and applied to the sides of the covers, with titling in black and white lettering, with the title & author' s name wrapping around the red leather sides. Silvia Rennie has done her interpretation of the two Marceau illustrations of his famous character Bip (the face of Bip, facing the titlepage & the back of Bip’s head, at the end of the text); these are treated as free-form cut-out leather onlays, the face of Bip in black & red (for the flower), and white and red on black for the back of his head on the back cover. Sewn, black & red double headbands, with the top-edge of the book stained in parallel lines of red & black. The sturdily-constructed drop-back box measures: 13 ½” x 18 ½”, and is covered in a textured, gray canvas-type cloth with an abstract form, red-brown leather spine label lettered with the title in black & white. When the box is opened it reveals the pull-out tray which is built into a specially made platform, which also supports the book; the inner surfaces of the box are lined in a thick, fine red suede leather to protect the binding. The book, loose plates and box are in fine condition, and represent a fine example of Silvia Rennie’s work on a large format (folio) and fairly scarce book. This copy is one of the few out-of series copies over the 230 printed on velin d’Arches paper (of an edition of 378 + 50 special copies). A first edition of one of the famous mime’s other types of artistic efforts. The separate illustrations can be fitted into the running text and illustrations of the poem, and these separate illustrations are different from the in-text illustrations: “Nous avons mis a la disposition de Marcel Marceau notre technique du livre avec la volonte de le liberer des contraintes. Un livre ne devrait pas etre immuable. Le lecteur devrait pouvoir y acceder et orchestrer l' illustration a sa convenance. Telle que vous la recevez, la disposition de cet ouvrage n' est qu' une proposition. Vous pouvez vous-meme en promener les images tout au long du texte. Elles ne sont pas foliotees. Vous en trouverez simplement la Table a la fin du livre.” (From the Publisher’s Note, p. [3]). [Attributes: First Edition; Hard Cover]

      [Bookseller: Peter Keisogloff Rare Books, Inc.]
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        SETTING FREE THE BEARS

      Random House (1968), New York - Irving's scarce first book, this the issue in full red cloth. There was also an issue with red cloth-backed boards with the text bulking slightly larger. No priority has been proven, though the number of cloth-backed copies seem to outnumber greatly the number in full cloth. With a generic bookplate SIGNED by the author laid loosely into the book. A very nice copy with very slight foxing to the endpapers from the price-clipped dustwrapper which has two vertical creases to the fore-edge of the front flap. About Fine in a Near Fine, beautifully bright dustwrapper [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Charles Agvent, est. 1987, ABAA, ILAB]
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        M*A*S*H (MASH)

      NY: Wm. Morrow, 1968. Book Club edition. Inscribed by Heinz on the title page. "June 4, 2004 To my friend Karen __ with admiration and thanks from half a Hooker Most sincerely WC Heinz." Additionally Heinz has written an aprx 275 word explanation about the co-wrting effort with Hornberger, his advice to Hornberger's agent, the eventual publication of the manuscript and its film and TV versions on both sides of the second front free endpage which he signed and dated "May 21, 2004." Blue cloth board corners with minimal shelfwear and spine slightly cocked; dustjacket with beginning toning on spine, wear and little loss on spine bottom edge and spine fold. Tight, clean copy in Very Good condition in a Very Good dustjacket. Heinz had a long and lauded career as a newspaperman and wrote The Professional (which Hemingway praised as "the only good novel... about a fighter"), co-wrote with Vince Lombardi Run to Daylight, edited boxing anthologies and had his war columns collected in When We Were One: Stories of World War II.. Inscribed by Author with Note. Book Club . Hardcovers. Very Good/Very Good. 8vo - over 7¾" - 9¾" tall.The images are of the book described and not stock photos.

      [Bookseller: Revere Books, ABAA & IOBA]
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        JOHNNY GOT HIS GUN ... FROM HIS NOVEL OF THE SAME NAME

      Beverly Hills: The Bruce Campbell and Dalton Trumbo Company, [nd. but ca 1968].. [1],v,136 leaves plus lettered inserts. Quarto. Mimeographed typescript, printed on rectos only of white, yellow and salmon stock. Bradbound. Chip from blank fore-edge of terminal leaf, not affecting text, otherwise very good or better. An unidentified, undated, but revised pre- production draft of Dalton Trumbo's own screenplay adaptation of his novel. A multitude of revises on various colored papers, as well as lettered inserted half- pages, suggests the script was still in flux, and a section preceding the opening of the script includes a brief history of the novel, and quotes international comments about it, clearly in an effort to generate studio interest in the project. We've handled two other drafts of this screenplay, both denoted "final" (but also with revises and similar collations), both dating from the first quarter of 1968. Trumbo also directed the 1971 release, starring Timothy Bottoms, Jason Robards, Donald Sutherland, and Donald Barry. Trumbo won two awards at Cannes for his work on this film.

      [Bookseller: William Reese Company - Literature ABAA-]
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        D.R. Wagner Poems & Chapbooks Inscribed to B.L. Kennedy and Other Wagner Ephemera [Union Camp Papers; Cruisin' To the Limit; Round Earth Poems; One Hundred Aspects of the Moon; Lost Carnival; April 15 April 16; others]

      Various, Various 1968 - A somewhat stunning collection, which, taken in all its parts, is both a free-form long-span biographical sketch of the accomplished poet, artist and musician D.R. Wagner, but a moving testimony to the closeness of his relationship with fellow counterculture poet B.L. "Bari" Kennedy [see separate listing of original manuscript poems by Kennedy]. (1) CHAPBOOKS: Various locations, dates and publishers; lot of poetry chapbooks inscribed to Bari Kennedy. Included: Cruisin' at the Limit [Duck Down, Fallon NV, 1982]. Signed and inscribed to Bari Kennedy; VG+. The Union Camp Papers [Twowindows Press, San Francisco, 1968. Edition of 420 copies]. Signed and inscribed to Bari Kennedy and flat signed at the title page; near fine. Round, Earth, Poems. [Gunrunner Press, Milwaukee, no date. Edition of 300 copies]. Signed and inscribed to Bari Kennedy; near fine. 100 Aspects of the Moon [Runcible Spoon, Sacramento, CA, 1995. Edition of 500 copies.] Signed and inscribed to Bari Kennedy and also flat signed at the title page; near fine. April 15 April 16 [press:today:niagara, Niagara Falls, NY, 1966. Edition of 200 copies.] Signed and inscribed to Bari Kennedy; very good. The Lost Carnival & other places [Molly Moon Press, Death Crater, Ca, 1969. Edition of 500 copies.] Not signed; near fine. (2) ALSO: Seven photocopies of poems on sheets of paper, 6 of them 8x11½, the other 11x17 & folded in half twice. Several of them inscribed and signed by Wagner to B.L. "Bari" Kennedy. Includes: Coming to Our Senses Again (1991, inscribed); Cleveland Gate Illumination (1960, with poems at verso by Kent Taylor); Winter Light (1991, with one small hand correction); and the following stapled together at the top corner: Blood (undated, inscribed, and with a name, address, and markings in wax pencil and colored marker to verso); So It Turns Out That We Were Dreaming (1990, briefly inscribed but unsigned); The Little Room (1991); Poets Under Oath (1991); and Tasting the Dirt (inscribed and dated 1991). Condition: Some creases, folds, and edgewear; "Cleveland Gate" chipped at corners and toned at edges; very good to better than very good. (3) ALSO: Several Wagner ephemera items relating to Wagner and/or Kennedy. Included are 2 copies of Freethough, a free poetry tabloid with a poem by Wagner (Summer 1993, newsprint); "An Electricity of Purpose", an article on miniature tapestries by Wagner clipped from an issue of Needle Arts magazine (Sept. 1988, 5 pp. with color photographs); photocopy of "The Fulfillment of Prophecy," part of the poet's final project to receive a MFA at John F. Kennedy University (March 1992, 23 pp.); a flyer for a gallery show titled "Sculptural Furnishing," with Wagner as an exhibitor; another gallery flyer listing Wagner as contributor; a photocopy of a letter of recommendation from Wagner for fellow poet and friend Bari Kennedy; a photocopy of Wagner's promotional resume (8 pp.0; and a color crayon illustration of a weird looking hippie, possibly by Wagner, possibly portraying B.L. Kennedy. Condition: Some edgewear, some writing to verso of one page of resume; better than very good to near fine. Inscriptions to Bari Kennedy, throughout, are fairly long, artful and quite warm; this was clearly a close relationship. Wagner's resume in poetry, art, music and arts education is immense and very long-term; Kennedy's colorful history is lightly outlined under the separate listing for a notebook of his manuscript poems. L18 [Attributes: First Edition; Soft Cover]

      [Bookseller: Singularity Rare & Fine]
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        Esculto-Pintura: Cuarta Etapa Del Muralismo en Mexico por David Alfaro Siqueiros

      Mexico City: Galeria De Arte Misrachi. (1968). First. First edition. Folio. Boards slightly bowed, very faint foxing on a couple of pages, still fine, without dustwrapper. Text in Spanish. This copy Inscribed by the famous muralist, written very large: "Edward P. Lawson con fraternidad en al arte. D.A. Siqueiros. 12-10-68 Mexico." .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Firstborn.

      New American Library, New York 1968 - First edition of the Pulitzer Prize-winning poet's first book. Octavo, original cloth. Fine in a near fine dust jacket with a small closed tear to the rear panel. Signed by the author on the title page. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Raptis Rare Books, ABAA/ ILAB]
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        Oeuvres complètes. Avant-propos de Pascal Pia. 16 Volumes complets.I: Boule de Suif. La Maison Tellier. Premiers contes. Illustrations de Fontanarosa.II: Mademoiselle Fifi. Une Vie. Illustrations de Berthommé Saint-André.III: Contes de la Bécasse. Clair de Lune. Contes divers. Illustrations de André Collot.IV: Miss Harriet. Les Soeurs Rondoli. Contes divers. Illustrations de François Salvat.V: Contes du Jour et de la Nuit. Yvette. Contes divers. Illustrations de Grau-Sala.VI: Bel-Ami. Illustrations de Terechkovitch.VII: Toine. Monsieur Parent. Contes divers. Illustrations de Jean-François Debord.VIII: La petite Roque. Mont-Oriol. Illustrations de Jacques Thevenet.IX: Le Horla. Pierre et Jean. Contes divers. Illustrations de Roland Oudot.X:

      H. Piazza 1968-1973, Paris, - cuir bordeaux, dos à faux-nerfs, auteur, titre et filets dorés, plats avec encadrement filets dorés, tranche supérieure dorée,sous emboîtage.Exemplaire nuuméroté 1400/5000. Exemplaire à l'état de neuf.

      [Bookseller: Bouquinerie du Varis]
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        Revue xxe siècle.

      Revue Xxe Siècle 1968 - Reliure éditeur in-4. Revue XXe siècle. Nouvelle série - XXXe année - N° 31 - Décembre 1968.Caahiers d'art publiés sous la direction de G.di San Lazzaro.Cartonnage illustré en couleurs sur les deux plats.Panorama 68.Textes de Miro, Waldberg, Vallier, Boudaille, Moretti, Hodin, Verdet, etc.Illustrations en noir et en couleurs in-texte et pleine page.1 LITHOGRAPHIE ORIGINALE DE MIRO. ( dépliante )1 LITHOGRAPHIE ORIGINALE DE POLIAKOFF. art. peinture. sculpture. beaux-arts.lithographies originales.revues [Attributes: Soft Cover]

      [Bookseller: Tiré à Part]
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        RUINS OF DESERT CATHAY: Personal Narrative of Exploration inCentral Asia and Westernmost China.

      A MAJOR CONTRIBUTION TO CENTRAL ASIAN BUDDHISM & ARCHAEOLOGYNew York [1968] - , Greenwood. Brown cloth, very good, 2 vol.set, 546+517p., 3 fold out maps, 332 photos, index, many b wphotos, 6 fold-out panorama photos, reprint of London 1912,clean, bright copy, black spine labels. SCARCE Color scans available for this book on request. Description content 2014Copyright Rare Oriental Books Co.

      [Bookseller: RARE ORIENTAL BOOK CO., ABAA, ILAB]
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        WATT.

      Grove Press, Inc. New York. 1968 - LIMITED EDITION. FIRST FRENCH LANGUAGE EDITION. 8vo. (7.6 x 5.6). Copy number 61 of just 92 copies reserved for La Librairie des Éditions, out of 189 copies in the total edition. A fine copy with the page edges still uncut. Publishers white paper wraps printed in blue and black. Original glassine around the wraps. A lovely copy, and scarce in such nice condition, of the first printing of Beckett's translation. Although written during 1944, Watt wasn't published until 1953 and it was another 15 years before he completed this much anticipated French translation. [Attributes: Soft Cover]

      [Bookseller: Paul Foster. - ABA & PBFA Member.]
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        Come Along With Me

      New York: Viking. (1968). First. First edition. Fine in fine dustwrapper with a tiny nick and tear. A posthumously published collection edited by her husband incorporating part of a novel, sixteen stories and three lectures. Inscribed by Hyman to his mother: "For Mother with love -- Stanley 9/16/68." A lovely copy with a nice association. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        "The Basketball Diaries" [story in] The World -- Number 11, April 1968

      New York: The Poetry Project at St. Mark's Church In-The-Bowery. 1968. Magazine. Cover by Tom Clark. Folio. 42pp. Mimeographed sheets in stapled wrappers. Near fine with some uneven toning to the front wrap and a spot of toning on the rear wrap but with no oxidation to the staples and fresh white pages. Signed by contributors Ron Padgett and Gerald Malanga. This issue features "From the Basketball Diaries," a two entry prose piece from Jim Carroll that would later be incorporated into his 1978 classic memoir The Basketball Diaries. Published when Carroll was just 17, these two entries dated Feb. 4 1965 ("We just got into town for the very spectacular National High School All Star Basketball Game.") and Feb. 5, 1965 ("After very poor breakfast Joe Slapstick calls aside Corky and I and lets us know he is giving us another chance and would be starting the game anyway.") were later incorporated into the book as Winter 66 (pages 153-155). These initial installments appeared a decade before the book which has since become a cult classic and the inspiration for the 1995 film of the same name starring Leonardo DiCaprio. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Shout at the Devil

      HEINEMANN, LONDON 1968 - signed by Author, Pictorial dust jacket with with mylar cover protecting dust jacket. Gilt lettering to spine. This book has the personal book plate signed by WILBUR SMITH on front paste down page. DATE PUBLISHED: 1968 EDITION: FIRST ED 310 [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Princeton Antiques Bookshop]
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        Horrid Mysteries. A Story

      from the German of the Marquis of Grosse, two volumes, minor rubbing, ownership signature front free endpaper, very good; withTEUTHOLD Peter ‘The Necromancer: or The Tale of the Black Forest. Founded on Facts’ from the German of Lawrence Flammenberg, minor rubbing, very good.together three volumes a prospectus for all seven of the Northanger novels was issued but, in the event, only these two titles were published in this format; ‘The Northanger Set of Jane Austen Horrid Novels’ edited by Devendra P Varma was eventually published in 1968 by the Folio Society; 268 , 231 and 232 pages; keywords: fiction; D’Arch Smith B12 and B13; Gilson M1338 - Robert Holden & Co Ltd 1927 (first thus) (yellowbacks)

      [Bookseller: Tiger books]
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        Engraved in the wood a collection of wood engravings by George Mackley with an appreciation by Ruari McLean and with a glimpse of the artist by Armida Maria-Theresa Colt. [Chris Hicks Bookbinding].

      The Two-Horse Press, London. Number 432 of 300 copies, signed by George Mackley. 1968 - Size of the binding: 9 3/4 inches x 12 3/8 in., signed limitation page; illustrated with 68 wood-engravings. Bound by Chris Hicks in full dark green Chieftan morocco leather with a design of four falling leaves in orange and brown leathers, across the spine and covers, both inlaid and onlaid, the leaf veins in gold line; gilt title label on spine, pale yellow endpapers, headbands. In a sturdy, gray cloth-covered drop-back box with title label. Created by Chris Hicks in 1986, and stamped: CLH 86. Weight: 5 lbs. [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Peter Keisogloff Rare Books, Inc.]
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        ARE YOU REA

      Los Angeles: Robert Heinecken, 1968. First ed. Heinecken, Robert F.. Folio, 2 loose text pages, plus 25 photo-lithographic plates. Laid in heavy stock four-point folder. Fine. Heinecken is a trained printmaker who uses photography to explore the formal content as well as social aspects of the popular print medium. In this, his first printed work, he examined hundreds of fashion and popular magazines on the light-table, revealing the composite image formed from opposite or back-to-back pages. He then used these pages as negatives to directly expose a photo-lithographic plate. The resulting tonally reversed image is a montage of pictures and words that are both visually complex and a disturbing reflection of the society's values. Limited to 500 numbered and SIGNED copies.

      [Bookseller: Andrew Cahan: Bookseller, Ltd]
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        Min Ch'i-chi: Chinesische Farbholzschnitte. Hsi-hsiang chi (Das Westzimmer). The Romance of the Western Chamber. Chinese Woodcuts

      Frankfurt am Main: 1968 - Folio, 40*33cm. 12 tipped-in, loose plates (as issued) on heavy art stock contained in a folder. Some tanning to folder edges. Page corners a little bumped, otherwise a very good copy. Text in GERMAN. [Attributes: Soft Cover]

      [Bookseller: Chinese Art Books]
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        Fall 1961 / Portfolio of Artworks

      New Jersey Volunteers for McCarthy, [Roosevelt, New Jersey] 1968 - First edition. Folio. 45cm. x 34cm. Black cloth portfolio, containing a broadside and 14 pencil-signed lithographic plates by New Jersey artists. Copy number 40 of an edition limited to 250, printed by Pearl Seligman on Rives Heavyweight. Minor soil, faint stain to exterior of portfolio; contents fine. Features a broadside of Lowell's poem "Fall 1961," and 14 lithographs Signed in pencil by the following artists: Richard Anuskiewicz, Carmen Cicero, Leo Dee, Joseph Demarais, John Goodyear, James Kearns, Jacob Landau, Stefan Martin, George Ortiman, Pat Pickering, Gregorio Prestopino, Jean Schonwalter, George Segal, and Herbert Steinberg. According to the colophon, the portfolio was issued in response to "the challenge presented to the American political system by Senator Eugene J. McCarthy during the presidential campaign of 1968." A fair number of the artists represented here, including Landau, Prestopino, Segal, and the printer Pearl Seligman were neighbors of the Shahns in Roosevelt, NJ. A scarce item; *OCLC* finds only two locations (Harvard & Princeton); none others found in commerce. [Attributes: First Edition]

      [Bookseller: Between the Covers-Rare Books, Inc. ABAA]
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        THE ELECTRIC KOOL-AID ACID TEST - SIGNED

      Farrar, Straus & Giroux, New York 1968 - First Printing. Octavo; white cloth with titles stamped in orange, magenta, blue, and green foil on the spine; navy blue topstain; 416pp. Signed by Wolfe on the half-title page in his typical, elegant hand. Fine in a very Near Fine dustjacket, unclipped and unfaded, with some pinpoint rubbing to the front cornertips, some trivial wrinkling at the crown, and a faint diagonal crease at the upper corner of the front flap. Of the dozen or so copies we have handled, this is easily the best copy we've seen, without of hint of the usual toning to the board edges or fading to the colorful dustjacket. The topstain on this title is usually found faded to any number of colors, or washed-out completely; the dark blue staining on this copy is bright and even, and most uncommon thus. The author's most enduring book, a major work of both the New Journalism and counterculture of the 1960's. A stunning copy of a title usually found worse for the wear. [Attributes: First Edition; Signed Copy]

      [Bookseller: Captain Ahab's Rare Books]
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