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Displayed below are some selected recent viaLibri matches for books published in 1968
Signed 1968 Robert Rauschenberg St. Louis Symphony Orchestra Offset Lithograph 1968 - "St. Louis Symphony Orchestra" by Robert Rauschenberg, Signed Offset Lithograph printed in 1968. The overall is size of the Offset Lithograph is 34.75 x 24.25 inches. The condition of this piece has been graded as C: Several Signs of use and handling, some visible marks. Here is some supplemental information about the Offset Lithograph: Original poster created for the opening of the St. Louis Symphony Orchestra, Powell Symphony Hall, January 24th, 1968, signed by Rauschenberg. Not Numbered. Slight creasing in the middle part. [Attributes: Signed Copy] [Bookseller: Rare Posters] 
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1968 Original FRANK SINATRA - SIGNED - SCREENPLAY / SCRIPT "THE LADY IN CEMENT" Rare Early Sinatra Signature TWENTIETH CENTURY FOX / ARCOLA-MILLFIELD 1968. TWENTIETH CENTURY FOX / ARCOLA-MILLFIELD : , 1968. ORIGINAL FINAL SHOOTING SCRIPT / SCREENPLAY of the TWENTIETH CENTURY FOX / ARCOLA-MILLFIELD PRODUCTION of "THE LADY IN CEMENT". The film Starred FRANK SINATRA as Tony Rome, and Raquel Welch. This Original Screenplay is SIGNED by FRANK SINATRA on the Title Page. The screenplay is dated FEBRUARY 21, 1968. It was Written by Marvin Albert and Jack Guss, (based on the novel by Marvin Albert). Though the title-page states "Final", this was clearly still a work-in-progress. There are numerous blue colored sheets dated 3/4/68 and 3/5/68 that are mixed in with the white sheets, obviously with changes, corrections and/or additions. Also, the film was released on November 20, 1968, nine months after this "final" draft screenplay, meaning there was time for many other changes. Printed blue-paper covers, bound with 3 brass brads, mimeographed inner pages, 8.5x11", white paper mixed with blue paper, 133 pages plus the title page, pages printed on one side only. LADY IN CEMENT is a 1968 Detective Film, Directed by Gordon Douglas and starring FRANK SINATRA as TONY ROME and Raquel Welch as Kit Forrester. A sequel to the 1967 film "TONY ROME" that also Starred Frank Sinatra. Based on the novel by Marvin H. Albert, Lady In Cement was released on November 20, 1968. Condition: The front cover has staining and shorelining from what looks to be an old coffee spill that was quickly wiped up, there is also a bit on the back cover; the covers are creased and worn where they overhang the inner pages; the front page edges (edges of the closed screenplay) have some foxing; the title page has a splattering of old coffee drops to its blank upper front margin and a vertical crease where the page may have once been folded, but the printing remains clear and clean, and Frank Sinatra's signature is bold and bright; the last page has a small amount of very light old staining; the rest of the inner pages are very nice - complete, tight, bright, clean and unmarked. Though coffee (perhaps from Sinatra's cup?) was spilled on the front cover, this screenplay remains solid and nice, with its Original Covers, and the Wonderful EARLY SIGNATURE of the Great FRANK SINATRA. VERY RARE FRANK SINATRA - TONY ROME SCREENPLAY, SIGNED BY SINATRA. Good [Bookseller: Blank Verso Books]
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Outer Dark. New York: Random House,, 1968. Octavo. Original grey boards, blue cloth backstrip, title in silver and publisher's device and imprint in blue to spine, decoupage lettering to spine and front board on black ground, top edge grey, fore edge untrimmed. With the dust jacket. A few very faint markings to cloth, boards very gently sunned towards edges, top edge slightly faded, internally fine. An excellent copy in the bright dust jacket, clipped to top corner of front flap. First edition, first printing, of the author's second novel. [Bookseller: Peter Harrington]
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Senza titolo , , 1968. Ottimo (Fine). Litografia originale a colori. cm 70x50. . Ottimo (Fine). . [Bookseller: Studio Bibliografico MArini]
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Isadora (Original screenplay for the 1968 film) Universal City, CA: Universal Pictures, 1968. Draft British script for the 1968 film. A high spot for Vanessa Redgrave in the 1960s, a story that follows the life of the free spirited modern interpretive dancer Isadora Duncan. From Dan Pavlides at Allmovie: Trained in classical dance, Duncan shattered the traditional conformities in her art and her personal life. The film begins at the end of her life as she recalls the past while dictating her memoirs to her male secretary. Her uninhibited sexuality and insistence on personal freedom and expression shocked more conservative and narrow-minded patrons and audiences. She brought in elements of classic Greek dance during the height of the jazz age and had children in and out of wedlock. Married to sewing-machine heir Paris Singer (Jason Robards) and the Russian poet Sergei Essenin (Ivan Tchenko), her life was a rollercoaster ride of success and tragic failures. Two of her children drowned when her chauffeur left the car unattended and the vehicle plunged into a river. Duncan lived by her own rules, often shunned by the very people who had so passionately embraced her pioneering efforts in dance, women's liberation and free thinking. Redgrave was nominated for an Oscar for her performance.The film's locales are international and range from California to Europe and the Soviet Union. Shot on location in various places in England, Italy, France, and Eastern Europe. Red studio wrappers, with a die-cut title window in the British style. Title page present. 142 leaves, roneograph. Pages Near Fine, wrapper Near Fine, internally bound with two gold brads. [Bookseller: Royal Books, Inc. ]
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Vertikale. Farbsiebdruck. Ca. 45 x 32,5 cm. Rückseitig signiert und nummeriert (Nr. 42/150) 1968. rückseitig mit 2 kleinen Montierungsspuren - differenzbesteuert, daher kein Ausweis der Mehrwertsteuer Versand D: 4,80 EUR [Bookseller: Antiquariat am St. Vith]
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STREET WORKS: 0 to 9 No. 6 (supplement) New York: 0 to 9, 1968. First Edition. Wraps. Very good -. 4to. side-stapled wraps. Mild rubbing, soil. Very good plus overall. Vari- ously printed (mimeo, off- set, xerox). [64]pp. on 32 leaves. Final issue of this essen- tial magazine. Contributors include John Giorno, Adrian Piper, Anne Waldman, Lewis Warsh, Hannah Weiner, and others. [Clay and Phillips 207-07]. [Aarons and Roth 33-37]. [Bookseller: Brian Cassidy, Bookseller]
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[Two Homemade Photo Albums]: E 6th St [and] The Grossman's East Chatham Building Book New York. 1968-1971. Two tall octavo volumes. Unpaged. A few images loose or detached but all are present, very good or better. Homemade photo albums and journals made by Jill Grossman for her husband the noted publisher Richard Grossman. The Grossman's East Chatham Building Book (133 photographs, various sizes, both black and white and color, many captioned, hand-drawn map) photographically records and captions the construction of the Grossman's New York State House in East Chatham between 1968-1969, and is presented and dedicated to Richard by Jill in 1971. It shows the couple building the house: framing, raising walls, roofing, painting, gardening, gathering firewood, smoking pot, and generally living an idyllic country life. E 6th St (handpainted boards with applied handwritten title. 41 photographs, various sizes, both black and white and color, mostly uncaptioned, applied title page elements) is dated in 1970 (probably completed in 1971, as the final picture is dated on Christmas in 1970), shows a few images of their apartment but mostly concerns itself with scenes from New York's then-gritty streets, including images of the Fillmore East marquee, storefronts, a wall with layers of stripped posters, graffiti, posters advertising Bella Abzug's Congressional Campaign, and street characters. Richard Grossman made his living and his fame as a small publisher, publishing books such as Ralph Nadar's Unsafe At Any Speed and Helen Hanff's 84 Charing Cross Road. The creator of the books, Jill Kneerim, was Grossman's second wife (later divorced) and is a respected literary agent. These charming handmade books capturing a brief but interesting moment in time in the life of the liberal New York publisher. . [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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Poèmes Edition originale, un des 100 exemplaires hors commerce numérotés sur B.F.K. de Rives, seuls grands papiers avec 662 autres B.F.K. de Rives.Précieux envoi autographe daté de Février 1968 et signé de Samuel Beckett à son ami le peintre Geer (Van Velde) et à sa femme Lise.Agréable exemplaire. Les éditions de minuit Paris 1968 14,5x19,5cm broché [Bookseller: Librairie Le Feu Follet]
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RUINS OF DESERT CATHAY: Personal Narrative of Exploration inCentral Asia and Wes New York [1968], Greenwood. Brown cloth, very good, 2 vol.. set, 546+517p., 3 fold out maps, 332 photos, index, many b w. photos, 6 fold-out panorama photos, reprint of London 1912,. clean, bright copy, black spine labels. SCARCE. The most fascinating of Stein's popular publications, inclu ding chapters on his negotiations for the treasures in the walled-up library at Dunhuang. His personal record of arch- archeological & geographical explorations carried out in the the remote parts of Asia. * He traveled on foot over 10,000 miles from the valley of the Indo-Afghan border, across the snowy ranges of the Hindu Kush, up the cradle of the River Oxus, on the roof of the world, & down to the Tarim River basin, to the dreaded Taklamakan desert. A keen archaeological primary resource, plus the first discovery of Tun-Huang and the Caves of the 1000 Buddha's. A major resource for early Buddhist studies, and Central Asian exploration, the Silk Road, and that whole area. By and large, the most impressive resource on this hitherto unexplored area. The Holy Grail of early Buddhist images and Buddhism. * THE FIRST EDITION WAS LONDON 1912 IN 2 VOLUMES. It was bound in brown cloth with gold-staming, and top edges gilt, 17 x 24 cm. * BIBLIOGRAPHY: Yakushi S331 * Stein 1862-1943 * Color scans can be sent by email. Images displayed may not be the actual copy in stock for sale at any given time; if you want to see the exact image of the book or edition in stock, please request this by email and an image will be returned to you by attachment. * * * * BUY WITH . [Bookseller: Rare Oriental Book Company, ABAA, ILAB]
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Butch Cassidy and the Sundance Kid (Original screenplay for the 1969 film) Los Angeles: Twentieth Century-Fox, 1968. Final script for the 1969 film. A landmark of the New Hollywood Cinema, and arguably the high spot (as well as the beginning) of an incredible streak of inventive cinematic achievements directed by George Roy Hill in the late 1960s and 1970s that included "Slaughterhouse-Five" (1972), "The Sting" (1973), and "Slap Shot" (1977). Pale blue studio wrappers, noted as FINAL on the front wrapper, marked production No. 176, dated July 15, 1968. Title page present, dated July 15, 1968, noted as FINAL, with credits for screenwriter William Goldman. 182 leaves, mechanically reproduced on eye-rest green stock, with blue revision pages throughout, dated 11/5/68. Pages Near Fine, wrapper Very Good plus, bound internally with three gold brads. [Bookseller: Royal Books, Inc.]
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(9 Bände) Ausgewählte Schriften. Ausgabe in acht Bänden (und 1 Band : Briefe). Lateinisch und Deutsch. Hrsg. von Werner Welzig. Wissenschaftliche Buchgesellschaft Darmstadt, 1968. / 1975; 1968; 1969; 1967; 1972; 1980; 1986. XXV, 375 S. / XXXIX, 361 S. / XL, 495 S. / XXX, 675 S. / XX, 451 S. / XXVII, 597 S. / LIV, 633 S. / LXXXVI, 293 S. / XXV, 375 S. und XLIV, 592 S. (Briefe). Originalleinen. Sehr gute Exemplare. - 9 BÄNDE. - Band 1: EPISTOLA AD PAULUM VOLZIUM BRIEF AN PAUL VOLZ - ENCHIRIDION MILITIS CHRISTIANI - HANDBÜCHLEIN EINES CHRISTLICHEN STREITERS - - Band 2: SIVE LAUS STULTITIAE - DEUTSCHE ÜBERSETZUNG VON ALFRED HARTMANN - CARMINA SELECTA AUSWAHL AUS DEN GEDICHTEN - DEUTSCHE ÜBERSETZUNG VON WENDELIN SCHMIDT-DENGLER - - Band 3: IN NOVUM TESTAMENTUM PRAEFATIONES - VORREDEN ZUM NEUEN TESTAMENT - RATIO THEOLOGISCHE METHODENLEHRE - Übersetzt, eingeleitet - und mit Anmerkungen versehen von - GERHARD B. WINKLER - - Band 4: DE LIBERO ARBITRIO AIATPIBH SIVE COLLATIO - GESPRÄCH ODER UNTERREDUNG ÜBER DEN FREIEN WILLEN - HYPERASPISTES DIATRIBAE AD VERSUS - SERVUM ARBITRIUM MARTINI LUTHERI. - LIBER PRIMUS. - ERSTES BUCH DER - UNTERREDUNG >HYPERASPISTESUNFREIEN WILLEN< MARTIN LUTHERS - Übersetzt, eingeleitet - und mit Anmerkungen versehen von - WINFRIED LESOWSKY - - Band 5: DIALOGVS, IVLIVS EXCLVSVS E COELIS - JULIUS - VOR DER VERSCHLOSSENEN HIMMELSTÜR, EIN DIALOG - INSTITUTIO PRINCIPIS CHRISTIANI - DIE ERZIEHUNG DES CHRISTLICHEN FÜRSTEN - QUERELA PACIS DIE KLAGE DES FRIEDENS - Übersetzt, eingeleitet - und mit Anmerkungen versehen von - GERTRAUD CHRISTIAN - - Band 6: COLLOQUIA FAMILIARIA VERTRAUTE GESPRÄCHE - Übersetzt, eingeleitet - und mit Anmerkungen versehen von - WERNER WELZIG / In primo congressu - Bei der ersten Zusammenkunft. - Auspicanti quippiam - Begrüßungsformeln für einen, der etwas beginnt. - Militaria - Die Soldatenbeichte. - Convivium religiosum - Das geistliche Gastmahl. - Apotheosis Capnionis - Reuchlins Himmelfahrt. - Der Hausdrachen; oder: Die Ehe. - Militis et Carthusiani - Der Soldat und der Kartäuser. -. - Adolescentis et Scorti - Der Jüngling und die Hure. - Altmännergespräch, oder: Das Fuhrwerk - Abbatis et Eruditae - Der Abt und die gelehrte Frau (u.a.) - - Band 7: DIALOGUS CUI TITULUS CICERONIANUS - SIVE - DE OPTIMO DICENDI GENERE - DER CICERONIANER ODER DER BESTE STIL - EIN DIALOG - ADAGIORUM CHILIADES (ADAGIA SELECTA) - MEHRERE TAUSEND SPRICHWÖRTER UND - SPRICHWÖRTLICHE REDENSARTEN - (AUSWAHL) - Übersetzt, eingeleitet - und mit Anmerkungen versehen von - THERESIA PAYR - - Band 8: DE CONSCRIBENDIS EPISTOLIS - ANLEITUNG ZUM BRIEFSCHREIBEN - (AUSWAHL) - Übersetzt, eingeleitet - und mit Anmerkungen versehen von - KURT SMOLAK / Ubi, et quomodo potissimum utendum epithetis - Wo und wie man die Beiwörter am besten gebraucht. - De transfigurandis epithetis - Die Umgestaltung der Beiwörter. - Quomodo dicendum, vale - Wie man sich verabschiedet. - De exordio epistolarum - Die Einleitung von Briefen - [De exhortatoria epistola] - [Der Aufforderungsbrief]. - Commenticia mea - Von mir frei erfundenes Beispiel. - De consolatoria epistola - Der Trostbrief. - De petitoria epistola - Der Bittbrief. - Petitio rei parum honestae - Ein Bittschreiben in einer wenig ehrenvollen Angelegenheit.: - De commendatitia epistola - Das Empfehlungsschreiben. - De monitoria epistola - Der Mahnbrief. : Aliud exemplum - Ein anderes Beispiel. Exemplum epistolae, quae habet admixtam obi-urgationem - Beispiel für einen Brief, der einen Tadel miteinschließt - De amatoria epistola - Der Liebesbrief. - De demonstrativi generis epistolis - Briefe der darstellenden Gattung.: - De iudicialis generis epistolis et primum de crimi-natoria - Briefe der gerichtlichen Gattung: Zunächst der Anschuldigungsbrief. - Exemplum - Ein Beispiel.: - De expostulatoria epistola - Der Forderungsbrief : Exemplum - Ein Beispiel.:(u.a.m.) - - Band 9: BRIEFE - Verdeutscht und herausgegeben von WALTHER KÖHLER - Dritte, erweiterte Auflage von ANDREAS FLITNER - Mit 8 Abbildungen / ERASMUS VON ROTTERDAM: BRIEFE Kloster Emaus in Steyn bei Gouda (1486-1492). - Brüssel, Paris, Tournehem (1492-1499). - England (1499-1500). - Frankreich und Niederlande (1500-1505). - England (1505-1506). - Paris (1506). - Italien (1506-1509). - England (1510-1514). - Löwen (1514). - Basel (1514-1515). - England (1515). - Antwerpen (1515). - Basel (1515-1516). - Niederlande und England (1516-1517). - Löwen, Basel, Antwerpen (1517-1521). - Basel (1521-1529). - Freiburg (1529-1535). - Basel (1535-1536). - Bibliographie. // Desiderius Erasmus von Rotterdam CRSA (* vermutlich am 28. Oktober 1466/1467/1469, wahrscheinlich in Rotterdam; † 11./12. Juli 1536 in Basel) war ein bedeutender europäischer Gelehrter des Humanismus und stammte aus den heutigen Niederlanden (damals noch Teil des Heiligen Römischen Reiches). Er war Theologe, Philosoph, Philologe und Autor zahlreicher Bücher. Erasmus sprach meistens lateinisch und schrieb ausschließlich auf Latein oder Griechisch. Er war ein Vielschreiber und hat nach heutiger Erkenntnis etwa 150 Bücher geschrieben. Darüber hinaus sind über 2000 Briefe von ihm erhalten. Wegen seiner feinen Ausdrucksweise genossen seine Briefe in Europa große Aufmerksamkeit. Man schätzt, dass er täglich etwa 1000 Wörter zu Papier gebracht hat. Seine gesammelten Werke sind 1703 in zehn Bänden herausgegeben worden. Er sah sich (mit der neuen Buchdrucktechnik) als ein Vermittler von Bildung: „Menschen werden nicht als Menschen geboren, sondern als solche erzogen!“ Als Textkritiker, Herausgeber (Kirchenväter, Neues Testament) und Grammatiker begründete er die neuzeitliche Philologie. Auf ihn geht die heute in westlichen Ländern übliche Aussprache, insbesondere die Betonung des Altgriechischen zurück. Die korrekte Aussprache ist heute umstritten und wohl nicht mehr zweifelsfrei klärbar, obwohl es eine in der Wissenschaft weitgehend akzeptierte Rekonstruktion gibt. ... Sein heute bekanntestes Werk ist seine „Stilübung“ (wie er sie nannte), die Satire Lob der Torheit (Laus stultitiae), die er seinem Freund Thomas Morus widmete. Mit ihr entgegnete er 1509 mit Spott und Ernst tief verwurzelten Irrtümern und trat für vernünftige Anschauungen ein. Er war ein begnadeter Formulierer und liebte die Ironie, beispielsweise in seiner Satire Julius vor der verschlossenen Himmelstür, die er nach dem Tode des „Soldatenpapstes“ Julius II. schrieb. Versandkostenfreie Lieferung Erasmus von Rotterdam, Humanismus, Briefliteratur [Bookseller: Fundus-Online GbR Borkert, Schwarz, Zerf]
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Iohannis Scotti Eriugenae Periphyseon. (De Diuisione Naturae) Liber 1-4 in 4 Bänden. Lateinisch-Englisch. Ed. by I.P. Sheldon-Williams and (Bd. 4) by Edouard A. Jeauneau. Scriptores Latini Hiberniae, Vol. VII, IX, XI, XIII. Dublin The Dublin Institute for Advanced Studies., 1968,1972,1981,1995. Jeweils 1. Auflagen. X, 269 S. / 252 S. / VII, 324 S. / XLIV, 338 S. Gr.-8°. Originalleineneinbände. Durchgestrichener Name und Worte mit Kuli auf Schmutztitel des 4. Bandes. Sonst gut. Versand D: 5,00 EUR [Bookseller: Antiquariat Michael Solder]
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La casa Urrutia de Avellaneda y familias enlazadas españolas y americanas Estudio sobre varios linajes de las Encartaciones del Señorío de Vizcaya. 1968. . 1968 - Gráficas Ellacuría. Bilbao. . 1 Vol. . 672 pp. Gran Folio. Media Piel. América (Latinoamérica), Bibliografía / Bibliofilia (Bibliofilia general), Genealogía / Heráldica / Emblemática / Iconografía , Vasco-Navarro (Diáspora), Vasco-Navarro (Encartaciones - Orduña) . Obra fundamental para el conocimiento de la genealogía y heráldica de las familias encartadas y sus ramificaciones en América. Obra profusamente ilustrada con numerosos escudos, fotografías e ilustraciones. Edición limitada para bibliófilos de 500 ejemplares (ejemplar nº 391). Reencuadernado en media piel. Conserva tapas originales. . [Bookseller: Librería Anticuaria Astarloa]
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Ennemonde et autres caractères Gallimard 1968 - - Gallimard, Paris 1968, 12,5x19,5cm, broché. - Edition originale collective, un des 63 exemplaires numérotés sur Hollande, tirage de tête. Bel exemplaire. [AUTOMATIC ENGLISH TRANSLATION FOLLOWS] Edition originale collective, un des 63 exemplaires numérotés sur Holland papere, tirage de tête. Bel exemplaire. [Attributes: First Edition; Soft Cover] [Bookseller: Librairie Le Feu Follet]
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2001: A Space Odyssey (Original oversize double weight photograph from the 1968 film) Beverly Hills, CA: Metro-Goldwyn-Mayer [MGM], 1968. Vintage oversize borderless double weight black and white set design photograph from the 1968 film. Shown is a sample interior from the space station featured near the beginning of the film, the "Hilton" sign marking Kubrick's groundbreaking use of ordinary commerce in a futuristic context. The director's sprawling, science fiction epic traces the evolution of human intelligence under the influence of an unspecified alien force. The film's high scientific accuracy, coupled with bleeding-edge special effects and minimal use of dialogue, make "2001" universally recognized as one of the most influential films ever made. Winner of an Academy Award for Best Special Effects, and nominated for three others including Best Director. Set variously in the desert, in space, in deep space, and on the astral plane. Shot on location in Scotland, England, Arizona, and Utah. 11 x 14 inches. Near Fine. National Film Registry. [Bookseller: Royal Books, Inc.]
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ON THE WING / HIGHJACKING np [New York City]: (Boke Press), (1968). First printing. Wraps. Very good. 4to. Side-stapled wraps. Offset du- plicated and printed tête-bêche with onion-skin end-papers. One of 500 un- numbered copies. Very good overall. INSCRIBED by both Warsh and Waldman to Izzy Young. Also includes a TLS from Waldman to Young, approx. 85 words dat- ed May 29th, 1968. In part: “I’m afraid we might be getting a shack in Maine or something - The Berrigans have already left & so things have quieted down a bit, but St. Marks Place is really get- ting to our nerves.” Young was a central figure throughout the 1960s NYC music and literary scenes. He founded the Folklore Center, produced Dylan's first concert in 1961 (Dylan even wrote a song for/about him, "Talking Folklore Center"), and was close to Sanders, helping to print several titles from from his Fuck You Press on the mimeo machine at the Center. Handsome collaboration from Waldman and Warsh, with covers designed by Joe Brainard, published by Brainard’s press, and with a warm as- sociation. Warsh has written of this book: “I like this book [...] because of Joe’s covers, and because of the format. Anne and I had just married, and this was his gift” (Schlesinger and Birmingham 2). [Clay and Phillips 266]. [Bookseller: Brian Cassidy, Bookseller]
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Corrida Electa editrice, Milano 1968 - Testo di Luis Miguel Dominguin. Disegni di Pablo Picasso Numero di tavole: pp.0 altezza 0 larghezza 0 Esemplare in buone condizioni, in cofanetto. Cofanetto con tracce e macchie di polvere e segni di usura ai bordi inferiori e superiori. Copertina con tracce di polvere. Piccole macchie e polvere ai tagli. [Attributes: Hard Cover] [Bookseller: Di Mano in Mano Soc. Coop]
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THE BAUR COLLECTION: CHINESE CERAMICS THE COMPLETE SET. A Fine 4 Volume Set in D Geneva 1968-1974, Baur. Brown cloth, very good, 176 color,. 858 b.w. photo plates, 4 volume set, dust jackets,very clean. and sound set, dust jacket protected in mylar, solid copy.. FIRST & ONLY LIMITED NUMBERED EDITION OF 1000 COPIES. A MAJOR SET WITH STUNNING CHROMO-LITHOGRAPHIC PLATES The major set on the subject, superbly printed in full color on heavy paper, quality book. * Vol. I: Chinese Ceramics, [T'ang, Sung, Yuan] with Korean & Thai wares, 28 color, 117 black and white photos, 164p. * Vol. II: Chinese Ceramics: Ming porcelains & other wares, 35 color, 203 black and white photos, 164p. * Vol. III: Chinese Ceramics: Monochrome-glazed porcelains of the Ch'ing dynasty, 59 color, 294 black and white photos, 23 p. * Vol. IV: Chinese Ceramics: painted & polychrome porcelains of the Ch'ing dynasty, 54 color, 249 black and white photos, 178p. * The major single & best resource for these ceramics. * Printed on heavy rag paper, true-to-original color multi- lithography printing quality, Deluxe printing and binding, a truly fine work. Written by one of the leading experts on the subject. * Each title was issued in a FIRST & ONLY EDITION OF 1000 NUMBERED COPIES. ALWAYS RARE WHEN FOUND AS A COMPLETE SET OF FOUR VOLUMES. Even rarer when found with the original dust jackets ! * This is a heavy set. Appropriate extra packing, insurance and shipping charges will apply. * Color scans can be sent by email. Images displayed may not be the actual copy in stock for sale at any given time; if you want to see the exact image of the book or edition in stock, please request this by email and an image will be returned to you by attachment. * * * * BUY WITH . [Bookseller: Rare Oriental Book Company, ABAA, ILAB]
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Ennemonde et autres caractères Edition originale collective, un des 63 exemplaires numérotés sur Holland papere, tirage de tête.Bel exemplaire. Gallimard Paris 1968 12,5x19,5cm broché [Bookseller: Librairie Le Feu Follet]
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THE BAUR COLLECTION GENEVE: VOL 1 CHINESE CERAMICS, WITH KOREAN AND THAI WARES Geneve [1968], Baur. Brown cloth, very good, dj., 28 color,. 116 b.w. photo plates, [168p.], illustrating and describing. 135 individual works 23 x 29 cm., slight damp to last fly. leaf, else clean, dj. LIMITED NUMBERED EDITION 1000 COPIES. FIRST & ONLY LIMITED NUMBERED EDITION 1000 COPIES Very scarce first volume in the series of four on Chinese Ceramics. A marvelous collection of T'ang wares, glazed earthenware, bowls, sculpture, ewers, bowls &c. Also covers Sung [Soong] ware: Ting ware, Mei-P'ing, "Northern Celadon," Chun ware, bowls, dish, urns, incense burners, jars, saucer, flask, black & brown Chien ware, Chi-Chou ware, Tz'u Chou. Also Kuan ware, vases & mortar, vase, bottle. Lung-Ch'uan celadon incense burner, bowls, vase, Chekiang bowl, celadon ware, brown-spotted celadon ware, Ch'ing Pai porcelains &c. * Korean celadons, Thai pots, covers &c. * A marvelous and beautiful color reference, covering each piece with the utmost detail and descriptions, giving size and collection number. An essential resource for any collector, library or dealer. * The work was issued in a total of 1100 copies, the first 50 issued in vellum, numbers I-l; the next 50 were reserved for the collaborators. These 100 were for private distribution only. The remaining 1000 were numbered from 1-1000, and were the one and only copies for public sale. All copies are considered quite rare from the date of publication. * The work was printed on very high quality rag paper with the finest true-to-original color lithography for the stunning photos of each example. Bound in heavy and solid cloth, this work was produced to last ! The dust jacked was laminated with clear plastic on the outside to keep it clean and protected. Our dustjacket is enclosed in a mylar protector. * Color scans can be sent by email. Images displayed may not be the actual copy in stock for sale at any given time; if you want to see the exact image of the book or edition in stock, please request this by email and an image will be returned to you by attachment. * * * * BUY WITH . [Bookseller: Rare Oriental Book Company, ABAA, ILAB]
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Die Bibel oder Die ganze Heilige Schrift des Alten und Neuen Testaments nach der Übersetzung Martin Luthers Evangelische Haupt-Bibelgesellschaft, Berlin 1968 - minimale Gebrauchsspuren - Auf Dünndruckpapier, Kleindruck., 1020, 318, 37 S. : 2 Kt. Deutsch 1375 pages. 8 [Attributes: Soft Cover] [Bookseller: Der Bücherhof]
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YOUNG JAPAN: Yokohama and Yedo A Narrative of the Settlementand the City from th Tokyo 1968, Oxford Univ. Blue cloth, very good, 2 vols. 418+. 449p., introduction by Grace Fox. Reprint of the 1883 New. York edition, 1 color illustration, 14 x 22.5 cm.,as new set. unclipped dj. in mylar protectors, excellent, flawless copy.. A MOST IMPORTANT EARLY BRITISH PRIMARY RESOURCE ON JAPAN An important primary source, written by the former editor of the "Japan Herald," the "Japan Gazette," "Far East," "Nisshin Shinjishi" among several other publications, the author was especially qualified in reporting the news. This current work is his most exhaustive account of both foreign and Japanese activities in Yokohama from its early opening in 1858 back to 1789. * During this 21 year Period, history was made, for Japan was now open to the West, and the flow of ship and goods made Japan aware of her backwardness. Printed in Yokohama at the author's private printing office, this work covers the author's personal observations of the arrival of Lord Elgin, Mr. Alcock, Japanese experiences with foreigners, murdered Russians, assassinations of foreigners, the murder of Mr. Henry Heusken, Mr. Oliphant and rebel Satsuma forces, Ohara Mission, account of Choshu forts cannon attacks upon foreign vessels, Sir Harry Parks, life in Yokohama, trade, start of "Japan Times," Chamber of Commerce, &c. * This work also covers "The King of Liu-kiu's own Story. * Perhaps the most comprehensive early resource on Yokohama & foreigners there done during this period. * All editions were identical in this aspect, and the contents are identical. A contemporary insight to Yokohama life. ALWAYS RARE ! * NOTE ON THE PUBLISHER, PRINTING LOCATION OF THIS WORK: On the verso of the title page it states: Vol.1: "Printed at the Private Printing Office of the Author, No.16, Yokohama, Japan." . Vol. 2: "Printed at the "Japan Gazette" Office, no.70, Main Street, Yokohama, Japan." . While the title page states at the bottom, "London, Trubner & Co., Yokohama, Kelly & Co 1880, 1881" this book was only published in Yokohama, but distributed by Trubner in London. The publisher "Kelly" is referring to a later change in that publisher's name to "Kelly & Walsh." . Regardless of the above irregularities, the book was clearly privately printed in Yokohama at John R. Black's office. A very rare and early Yokohama printing in English. *** Color scans can be sent by email. Images displayed may not be the actual copy in stock for sale at any given time; if you want to see the exact image of the book or edition in stock, please request this by email and an image will be returned to you by attachment. * * * * BUY WITH . [Bookseller: Rare Oriental Book Company, ABAA, ILAB]
23. Check availability: Biblio
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International Medieval Bibliography/ Bibliography for the Study of the European Middle Ages/ Bibliographie relative au Moyen Age occidental/ Bibliographie zur Erforschung des europäischen Mittelalters/ Bibliografia per lo studio dell\' Europa medievale/ Bibliografia para el estudio de la Europa Medieval (KONOVOLUT aus 24 Teilbänden/ CONVOLUTE of 24 vols.) - Jg. 1 (1967) bis Jg. 7 (1973): Jan-Dec; Jg. 8 (1974): July-Dec; Jg. 9 (1975): Jan-Dec; Jg. 10 (1976): Jan-June/ Jg. 11 (1977): Jan-Dec; Jg. 12 (1978): July-Dec/ Jg. 14 (1980): Jan-Dec; Jg. 17 (1983): Jan-June/ Jg. 18 (1984): Jan-June/ Jg. 27 (1993): July-Dec/ Jg. 28 (1994): Jan-June. 1968 - 1995. Gebundene Ausgabe Das hier angebotene Werk stammt aus einer teilaufgelösten wissenschaftlichen Bibliothek und trägt die entsprechenden Kennzeichnungen (Rückenschild, Instituts-Stempel...). Schnitt und Einband sind etwas staubschmutzig; Der Gesamtzustand ist ansonsten ordentlich und dem Alter entsprechend gut; KOMPLETTPREIS für 24 Bände; bei Versand ins Ausland erfragen Sie bitte zuerst die Versandkosten; Das Bild zeigt nur einen Teil der hier angebotenen 24 Teilbände!! Versandkostenfreie Lieferung mfb [Bookseller: Petra Gros]
24. Check availability: buchfreund.de
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Beschreibung der königlichen Residenzstädte Berlin und Potsdam, aller daselbst befindlicher Merkwürdigkeiten und der umliegenden Gegend. Berlin : Haude u. Spener, 1968. Neudr. d. Orig.-Ausg. d. 3. Aufl. Berlin, Nicolai, 1786. 1306 S., 60 S., 15 Bl., 1 Faltkarte. Originalleinen. Einband leicht berieben. Papierbedingt leicht gebräunt. - Die Publikationen Nicolais stehen allesamt im Zeichen der Aufklärung und widersetzen sich einem Christentum, das die Aufklärung als irrational verstand: Sowohl in mystischer oder pietistischer als auch dogmatischer Variante wird dieses abgelehnt, wie auch gegen den Jesuiten-Orden und alle anderen tatsächlichen oder vermeintlichen Feinde der Aufklärung vorgegangen wurde. Auch Nicolais Reiseschilderungen Beschreibung einer Reise durch Deutschland und die Schweiz im Jahre 1781 und Beschreibung der königlichen Residenzstädte Berlin und Potsdam kommen ohne die aufklärerische Polemik nicht aus, enthalten darüber hinaus aber zahlreiche geographische, wirtschaftliche, politische und kulturelle Beobachtungen. Versandkostenfreie Lieferung [Bookseller: Fundus-Online GbR Borkert, Schwarz, Zerf]
25. Check availability: buchfreund.de
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Uhlig, Max. - "Landschaft bei Freienbrink". - Zeichnung / Pinselzeichnung, in schwarzer Tusche, auf getöntem Ingres-Bütten, 1968. Von Max Uhlig. 35,7 x 48,5 cm (Blatt). Rechts unten in Tusche signiert und datiert. - Kaum merkliche Lagerspuren. Insgesamt sehr schöner Zustand. Max Uhlig (*1937 Dresden, lebt und arbeitet in Dresden-Niederpoyritz). Deutscher Maler und Grafiker, namhafter Vertreter der Dresdner Kunst in der DDR. 1955-60 Studium an der Hochschule für Bildende Künste Dresden bei Hans Theo Richter und Max Schwimmer. 1961-63 Meisterschüler an der Deutschen Akademie der Künste zu Berlin bei Hans Theo Richter. Bis Mitte der 1970er Jahre ausschließlich als Grafiker hervorgetreten. 1968 druckgrafische Zusammenarbeit mit Carlfriedrich Claus, später auch mit Charlotte E. Pauly, Dieter Goltzsche, Willy Wolff, Otto Niemeyer-Holstein, Heinrich Ehmsen und Wilhelm Höpfner. Seine charakteristischen Gemälde präsentierte Uhlig erstmals 1978 im Kupferstichkabinett Dresden. Langjährige Professor für Malerei an der Hochschule für Bildende Künste in Dresden. Mitglied der Sächsischen Akademie der Künste. 1987 Käthe-Kollwitz-Preis der Akademie der Künste der DDR in Berlin, 1998 Hans-Theo-Richter-Preis und Sächsischer Verdienstorden, 2003 Kunstpreis der Landeshauptstadt Dresden. [Attributes: Signed Copy] [Bookseller: GALERIE HIMMEL]
26. Check availability: ZVAB
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Stèles. - Marseille, Les Bibliophiles de Provence 1968. Grand in-8° oblong, plié à la Chinoise, sous couverture estampée de fibres végétales, dos de parchemin, étui. Premier tirage des 7 aquatintes H.T. de Johnny FRIEDLANDER et des 7 empreintes Chinoises gravées sur bois par Robert BLANCHET. Tirage limité à 347 exemplaires tous sur vergé antique de Lana. [Bookseller: Librairie In-Quarto]
27. Check availability: AbeBooks
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A Wizard of Earthsea Parnassus Press, Berkeley, California 1968 - Currey, either a 2nd or 3rd printing. Trade binding, no priority. The first book in the Earthsea trilogy. Cawthorn and Moorcock: Fantasy, The 100 Best Books, #85. Very good or better in rubbed dustwrapper with some soiling. First edition, later printing with no dustwrapper price and covers not embossed. Scarce. [Attributes: First Edition; Hard Cover] [Bookseller: Madwand Books]
28. Check availability: AbeBooks
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Contemporains I - XII. Poesie und Prosa. (12 Bde., cplt.). München, Kösel, 1968 - 70 Gr.8°, zus. ca. 1000 S., Brosch. (tlw. m. Transparent-OU), Die Tranp.-OUs am Rücken tlw. gebräunt bzw. oben randrissig; allg. schönes Ex. Alle Bde. in EA. DIe Typographie von Joshua Reichert und Friedrich Pfäfflin. Bd. 1: Louis-René des Forêts: Der Schwätzer; 2: Philippe Jaccottet: Elemente eines Traumes; 3: Guillevic: Carnac und idee Chanssons von Antonin Blond; 4: Roger Caillois: Ars Poetica; 5: Yves Bonnefoy: Herrschaft des Gestern: Wüste; Jacques Dupin: Sehender Leib; Jean Paulhan: Schlüssel der Poesie und Kleines Vorwort zu jeder Kritik; Max Jacob: Ratschläge für einen jungen DIchter; André Breton: L`Amour fou (mit dem Beiheft); Lèon-Paul Fargue: Unter der Lampe. Charles-ALbert Cingria: Kleines harmonisches Labyrinth; Pierre Reverdy: Quellen des Windes. Versand D: 20,00 EUR Deutsche Übersetzung Literatur EA [Bookseller: Antiquariat Peter Petrej]
29. Check availability: buchfreund.de
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Sixth New York Film Festival (Original serigraph poster, one of 144 signed by Pearson) New York: Lincoln Center / List Art Poster and Print Program, 1968. Original serigraph designed by artist Henry Pearson for the Sixth New York Film Festival, held at Lincoln Center on September 17-28, 1968. One of 144 copies (this being No. 138) SIGNED and NUMBERED by Pearson. The New York Film Festival was founded in 1963 by Amos Vogel and Richard Roud, and to this day serves as a major taste-maker for American cinephiles, bringing the best films from around the world by directors established, new, and forgotten. The 1968 festival began with Jiri Menzel's "Capricious Summer," concluded with Milos Forman's "The Fireman's Ball" and featured "The Boy with the Green Hair" by Joseph Losey and "They Live By Night" by Nicholas Ray among its retrospective features. As influential and forward-thinking as the festival is, it is matched by its iconic poster designs. Developed by Vera List, a New York City art collector and philanthropist, the poster program commissioned some the most famous artist of the day to design posters that would function as much as art as advertisement. In addition to Pearson, artists who have designed posters for the festival include Larry Rivers, Saul Bass, Bruce Conner, Roy Lichtenstein, Andy Warhol, Richard Avedon, Robert Rauschenberg, and Cindy Sherman. Amos Vogel (1921-2012) was one of the most influential cineastes in New York City. He is best known for his bestselling book "Film as a Subversive Art" (1974) and as the founder of the New York City avantgarde ciné-club Cinema 16 (1947-1963), where he was the first programmer to present films by Roman Polanski, John Cassavetes, Nagisa Oshima, Jacques Rivette and Alain Resnais as well as early and important screenings by American avant-gardists of the time like Stan Brakhage, Maya Deren, James Broughton, Kenneth Anger, Sidney Peterson, Bruce Conner, Carmen D'Avino and many others. In 1963, together with Richard Roud, he founded the New York Film Festival, and served as its program director until 1968. In 1973, Vogel started the Annenberg Cinematheque at the University of Pennsylvania and was eventually given a Chair for film studies at the Annenberg School for Communication, where he taught and lectured for two decades. Minor cracking to some of the titling, else Fine. Serigraph, 29.25 X 45 inches, linen backed and rolled. From the estate of New York Film Festival founder Amos Vogel. [Bookseller: Royal Books, Inc.]
30. Check availability: Biblio
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Ink drawing of Charlie Chaplin a' la Vigo's "Zero de conduit," 1968 N.p.: N.p., 1968. Two color ink drawing of Charlie Chaplin in silhouette, titled "Chaplin a' la Vigo's 'Zero de conduit'" by noted radical caricaturist Robert Osborn. The title makes reference to French filmmaker Jean Vigo's 1933 film, "Zéro de conduite," and the drawing, unpublished, was a gift to Osborn's friend Amos Vogel, inscribed at the bottom left corner, "For Amos / 68." Accompanying the drawing is a 3-page note from Osborn to Vogel, executed in calligraphic style black ink, reading: "dear Amos / this, in gratitude for all you do for us. It is vastly appreciated. / Bob Osborn / 2 / P.S. / As I told you you do the whole cultural community a GREAT service / Take "Fairy Tale" - I'd never have seen it save for you. / Also that good Sue Salter has been VERY helpful.... & cheerful!" One of Osborn's last great exhibitions was devoted to Chaplin. Reviewing that show in The New York Times, art critic John Russell wrote: "Few people have a nimbler, wittier or more versatile way with pen and pencil than Robert Osborn." Osborn (1904-1994) was nothing if not the artist's artist. The New York Times obituary for him noted that his "sardonic and often savage drawings in books and magazines have arrested readers with their images of bloated power, violence and death. At the same time, he could be wittily ironic about society's pretensions, spoofing subjects like psychiatry, suburbanites and social climbing." He characterized himself as "a drawer" whose figures "seemed to come right out of my subconscious." Garry Trudeau called him "one of the very few masters of illustrative cartooning." Robert Motherwell wrote that his drawings were "so alive that they seemed to writhe on the page with an uninhibited energy .... Osborn's art is a call to responsible action." Motherwell was among those who compared Osborn's graphic work to that of Daumier, Goya, Saul Steinberg, as well as to the sculpture of Alexander Calder, who was a friend of Osborn's. Amos Vogel (1921-2012) was one of the most influential cineastes in New York City. He is best known for his bestselling book "Film as a Subversive Art" (1974) and as the founder of the New York City avantgarde ciné-club Cinema 16 (1947-1963), where he was the first programmer to present films by Roman Polanski, John Cassavetes, Nagisa Oshima, Jacques Rivette and Alain Resnais as well as early and important screenings by American avant-gardists of the time like Stan Brakhage, Maya Deren, James Broughton, Kenneth Anger, Sidney Peterson, Bruce Conner, Carmen D'Avino and many others. In 1963, together with Richard Roud, he founded the New York Film Festival, and served as its program director until 1968. In 1973, Vogel started the Annenberg Cinematheque at the University of Pennsylvania and was eventually given a Chair for film studies at the Annenberg School for Communication, where he taught and lectured for two decades. Chaplin drawing 15 x 11 inches, right edge uncut. Calligraphic letter, 3 sheets, each 8.5 x 11. All items Near Fine. [Bookseller: Royal Books, Inc.]
31. Check availability: Biblio
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Sixth New York Film Festival (Original Poster) New York: Lincoln Center / List Art Poster and Print Program, 1968. Original serigraph designed by artist Henry Pearson for the Sixth New York Film Festival, held at the Lincoln Center on September 17-28, 1968. The New York Film Festival was founded in 1963 by Amos Vogel and Richard Roud, and to this day serves as a major taste-maker for American cinephiles, bringing the best films from around the world by directors established, new, and forgotten. The 1968 festival began with Jiri Menzel's "Capricious Summer," concluded with Milos Forman's "The Fireman's Ball" and featured "The Boy with the Green Hair" by Joseph Losey and "They Live By Night" by Nicholas Ray among its retrospective features. As influential and forward-thinking as the festival is, it is matched by its iconic poster designs. Developed by Vera List, a New York City art collector and philanthropist, the poster program commissioned some the most famous artist of the day to design posters that would function as much as art as advertisement. In addition to Pearson, artists who have designed posters for the festival include Larry Rivers, Saul Bass, Bruce Conner, Roy Lichtenstein, Andy Warhol, Richard Avedon, Robert Rauschenberg, and Cindy Sherman. Amos Vogel (1921-2012) was one of the most influential cineastes in New York City. He is best known for his bestselling book "Film as a Subversive Art" (1974) and as the founder of the New York City avantgarde ciné-club Cinema 16 (1947-1963), where he was the first programmer to present films by Roman Polanski, John Cassavetes, Nagisa Oshima, Jacques Rivette and Alain Resnais as well as early and important screenings by American avant-gardists of the time like Stan Brakhage, Maya Deren, James Broughton, Kenneth Anger, Sidney Peterson, Bruce Conner, Carmen D'Avino and many others. In 1963, together with Richard Roud, he founded the New York Film Festival, and served as its program director until 1968. In 1973, Vogel started the Annenberg Cinematheque at the University of Pennsylvania and was eventually given a Chair for film studies at the Annenberg School for Communication, where he taught and lectured for two decades. Fine condition, with light wrinkles at the bottom third. 29.25 X 45 inches, linen backed and rolled. From the estate of New York Film Festival founder Amos Vogel. [Bookseller: Royal Books, Inc.]
32. Check availability: Biblio
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The Bride Wore Black [La mariée était en noir] (Original photograph from the 1968 film) Paris: Les Films du Carrosse, 1968. Vintage borderless black-and-white double weight photograph from the 1968 French film noir. With a notation in holograph ink that the photo comes from the collection of Patrice Enard on the verso.Based on the classic 1940 crime novel by Cornell Woolrich, a Haycraft Queen Cornerstone.9.75 x 8 inches. Near Fine.Grant, pp. 412-413. Hardy, The BFI Companion to Crime, p. 219. Spicer, p. 454. [Bookseller: Royal Books, Inc. ]
33. Check availability: ABAA
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1968 Jasper Johns Recent Still Life (Light Bulb) Lithograph 1968 - "Recent Still Life (Light Bulb)" by Jasper Johns, Unsigned Lithograph printed in 1968 from an edition size of 1000. The overall is size of the Lithograph is 34 x 20 inches. The conditon of this piece has been graded as B: Very Good Condition, with slight signs of handling or age. Here is some supplemental information about the Lithograph: JASPER JOHNS-Recent Still Life.Lithograph, 1965-66. Printed by ULAE, West Islip, with the blind stamp lower left. A superb impression. Field 50. Johns' imagery derives from, as he put it, "things the mind already knows," leading to the use of wholly familiar icons in his work such as flags, targets, light bulbs and the like. Throughout his career, Johns included certain marks and shapes in his art that had very clear basis in actual, tangible items in the world rather than imagined items. [Bookseller: Rare Posters]
34. Check availability: AbeBooks
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Die Waffen des Eros oder Anthia und Habrokamos. Roman. Aus dem Griechischen übersetzt und eingeleitet von Bernhard Kytzler. Mit dreizehn ganzseitigen Illustrationen von Giacomo Manzu. Frankfurt / Berlin, Ullstein Verlag - Edition Propyläen, 1968,. - 121(1) S. und ein nn weißes Blatt, Folio, ganzseitiges Frontispiz. Vorliegend die Vorzugsausgabe: blauer Kapziegen-Ledereinband mit goldgeprägter Deckelillustration und Rückenbeschriftung in OPappschuber, gelber Rundum-Farbschnitt, Fadenheftung. Im Impressum numeriert (Nr. 7 von 100) und von Manzu (1908-1991) signiert. Edition Tiessen III/129. Sehr schönes Exemplar. Neuwertig. Sehr selten. Gesamtausstattung von Gotthard de Beauclair. Very rare. Limited and handsigned by the artist. Fine copy. Sprache: Deutsch Gewicht in Gramm: 1000 [Attributes: First Edition; Signed Copy] [Bookseller: Uta-Janine Störmer]
35. Check availability: IberLibro
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In a Narrow Grave Austin: The Encino Press, 1968. First Edition. Hardcover. Very Good. First edition, first printing. Rare first issue with "skycrapers" for "skyscrapers" on page 105, line 12, among other typographical errors. The book was so rife with errors that McMurtry insisted it be withdrawn and reprinted. Only an estimated 12-50 copies are thought to have survived. Tidemarks to cloth and jacket, light lean to spine. Old price sticker to rear panel of jacket. An extremely rare first issue of McMurtry's first non-fiction book. [Bookseller: Burnside Rare Books]
36. Check availability: IOBABooks
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Komposition in Ocker und Schwarz, rot und gelb überarbeitet. Ca. 1968. Farblithografie, mit je einem roten u. gelben Farbauftrag. Auf festem Bütten. 27,6x40,2 cm. (Stein). Signiert, numeriert u. gewidmet. Inet / Wikipedia // internat. Ausstellungen; MOMA / Tate // Udine 1912-1976 Zürich. -Das schwere Bütten am Rand leicht gebräunt u. wellig. -Unter PP! -Beiliegt: ein Widmungsschreiben des Künstler an den Psychotherapeuten und Künstler K.B. Schäuffelen. Versand D: 6,50 EUR Internationale Künstler, Künstlergrafik, Künstlerwidmungen, Gewidmete Kunst, Italienische Künstler [Bookseller: Kunstantiquariat Rolf Brehmer]
37. Check availability: buchfreund.de
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To Paint is to Love Again Including the text of Semblance of a Devoted Past New York: Grossman Publishers, 1968. First Edition. Slipcased. Near Fine/Near Fine. Henry Miller. Presentation with Self Portrait by the Author-Artist in black ink: Signed & with "Selbst Bildnis" [Self Portrait] written; 4to (8 3/4" by 11 1/4"), color frontispiece by the author plus 19 of his illustrations in full color; khaki cloth boards with white and orange lettering; photographic endpapers of Miller painting; dust jacket (unclipped); navy blue woven cloth-covered slipcase (9 1/8" by 12"); 117 pages + [2] List of Exhibitions & Colophon. Very Fine copy of this personally inscribed and embellished volume summarizing the author-artist's "lifelong experience in painting." Henry Miller (1891-1980) was an American writer well known for his innovations and departures from existing literary forms. His semi-autobiographical novels blended character study, social criticism, philosophical reflection, explicit language, sex, surrealist free association and mysticism. His most significant works are Tropic of Cancer (1934), Tropic of Capricorn (1939), and The Rosy Crucifixion trilogy (1949?-59), all based on his artistic life in New York and Paris. Due to charges of being pornographic, Miller's novels were banned in the United States until 1961. Dedication in ink on the fly leaf: "To Pierre / from his 'some times' painter / friend / Henry Miller 27/1/72." Full page Self-Portrait by Henry Miller on the same fly-leaf in black ink and signed. In addition to his literary abilities, Miller created or copied many watercolor paintings--often of an avant garde nature-- and wrote books on this field. He was a close friend of the French painter Grégoire Michonze. This volume also contains a suite of letters Miller wrote to Emil Schnellock, preiously published privately in 1944. It is estimated that Miller painted 2,000 watercolors during his life, and that 50 or more major collections of Miller?'s paintings exist.[ The Harry Ransom Center at the University of Texas at Austin holds a selection of Miller's watercolors,[ as did the Henry Miller Museum of Art in machi City in Nagano, Japan, before closing in 2001.[ Miller's daughter Valentine placed some of her father's art for sale in 2005. Open and closed ends of slipcase have slight sunning. Dust jacket has a transparent protective sleeve and is Near Fine, except for a minor stain to the rear and penciled notation to price. [Bookseller: Borg Antiquarian]
38. Check availability: Biblio
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HITCHCOCK Secker & Warburg, London 1968 - A fine hardcover copy in a very good+/near fine jacket/brodart covered. First British Edition. Jacket has a gouge/puncture to jackets spine (See Pict). Puncture does not effect spine of book. Jacket is priced clipped. Otherwise, jacket is very clean and bright with light edge wear to top of jackets spine. Book is fine, clean and tight. No bumped corners. No ownership signatures. This book was first published in 1966 as Le Cinema selon Hitchock by Rbt. Laffont, Paris. 1966. Nearly 500 illustrations, taken directly from the film frame with shot by shot of scenes which include casts and credits of all Hitchcock's films. *** WE BOX AND SHIP ALL BOOKS WITH USPS TRACKING. *** WE HAVE BEEN BUYING AND SELLING USED BOOKS FOR OVER 37 YEARS. [Attributes: First Edition; Hard Cover] [Bookseller: Booklegger's Used Books ABAA]
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SMS (Shit Must Stop) / S. M. S. No. 1, February 1968 New York: Letter Edged in Black Press. 1968. First printing. Hardcover. Near Fine. First printing, Stiff color folder containing all multiples as mentioned in the table of contents, plus one sheet folded prospectus, 'menu', postcards, and in original mailing box addressed to Janet Ferrell, in Pittsburgh. Ferrell was friends with LaMonte Young and performed in some of his works and also carried on an extensive correspondence and friendship with James Byars, both of whom are contributors to this first issue. Also has two capsules accompanying the Julien Levy pharmaceutical pad; the red one is damaged, the blue one is good. Folder has just a hint of wear to top of spine, original printed mailing carton shows light toning and wear. Altogether just short of fine. Complete. Nothing missing. [Bookseller: Caliban Books ABAA-ILAB]
40. Check availability: Biblio
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The Best of Beaton. With notes on the photographs by Cecil Beaton. Introduction by Truman Capote. Avec un envoi signé de l'auteur. London, Weidenfeld and Nicolson, 1968 - 23,5 x 32 cm, 246 p., 308 ill. Pleine toile éditeur défr. rest., titre au dos, sans la jaquette. Edition originale. Bel envoi a.s. de Cecil Beaton à Madame Dilé (plus généralement surnommée Dilette), une amie proche "a friend of a lifetime", connue avant-guerre chez Vogue à Paris, où elle était responsable du studio photo, et dont il parle dans ses Mémoires. [Attributes: First Edition; Signed Copy; Hard Cover] [Bookseller: SOLSTICES RARE BOOKS]
41. Check availability: ZVAB
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Lee Marvin and Jean Seberg on the set of "Paint Your Wagon" (1968) Los Angeles: Paramount Pictures, 1968. Vintage oversize double weight candid photograph of Lee Marvin singing "Wanderin' Star" to Jean Seberg on the set of the Western musical "Paint Your Wagon" in 1968. Shot, struck, and mounted by the film's still photographer, Bob Willoughby. Willoughby has written on the verso in holograph pencil: "Lee Marvin & Jean Seberg / 'Paint Your Wagon.'" With two of Willoughby's ASMP rubber stamps (Pacific Palisades and New York addresses) on the verso. Full provenance available. After studying with Saul Bass at the Kann Institute of Art in Los Angeles, Willoughby began working as a photographer for magazines such as "Life," "Look," and "Harper's Bazaar" in the late 1940s. It was while on assignment covering Judy Garland in a "A Star is Born" that Willoughby's ability to capture his subjects' spontaneity, humor, and vulnerability, resulting in images that were far different from more traditional film stills, came to Hollywood's attention and earned him his first "Life" magazine cover. Willoughby spent the next 20-plus years working as a set photographer for every major studio, documenting some of most important films of the era and creating intimate portraits of some of Hollywood's greatest celebrities. Technically and stylistically innovative, Willoughby built the first remote radio-controlled cameras used on film sets, pioneered the use of the "silent blimp" for 35mm cameras, and created brackets to mount his cameras directly over the movie cameras to capture the same images. Willoughby moved his family to County Cork, Ireland in 1972, working on only a handful of films through the late 1970s and early 1980s, though he would continue to photograph, exhibit, and publish books for the remainder of his life. The stills in this collection were given by Willoughby to friends in Kilbrittain, Ireland just prior to his move to Vence, France in 1989, where he would remain until his death in 2009. Perhaps more than any other photographer, Willoughby is responsible for creating the the look of mid-century celebrity and moviemaking in the popular imagination, with his images printed in magazines literally every week of his career. But beyond being prolific, Willoughby's legacy rests with his ability capture the essence of the actors he photographed, as well as the films with which those photographs were associated. As Sydney Pollack said in his introduction to Willoughby's autobiography, "Sometimes a filmmaker gets a look at a photograph taken on his own set and sees the 'soul' of his film in one still photograph. It's rare, but it happens. It happened to me in 1969, the first time I looked at the work of Bob Willoughby during the filming of "They Shoot Horses, Don't They?" Willoughby's photographs are in the permanent collections of ten museums, including The National Portrait Galleries in Washington, DC and London, the Bibliotheque Nationale de France, The Museum of Modern Art, and The Tate Modern. 9 x 13.25 inches. Near Fine. Pitt 3009. [Bookseller: Royal Books, Inc.]
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SKMP2. Di Luca Patella, con Jannis e Efi Kounellis, Eliseo Mattiacci, Pino Pascali, Luca e Rosa Patella, Fabio Sargentini L'Attico, Roma. 1968 - Poster di cm 68,5x100 ca. in carta leggera bianca, stampato in nero con titoli in arancione. Perfettamente conservato con minimi e normali segni d'uso. [Bookseller: Libreria Ardengo]
43. Check availability: AbeBooks
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Jewish Symbols in the Greco-Roman Period - Complete 13 volume set Pantheon; Bollingen; Princeton, 1968-01-01. Hardcover. Very Good. 13 volume set. Hardcover and dust jackets. Good bindings and covers. Clean, unmarked pages. Some of the slip boxes and dust jackets are worn. Pantheon Books 1953-1968. 32 cm. Contents: v. 1. The archeological evidence from Palestine.--v. 2. The archeological evidence from the Diaspora.--v. 3. Illustrations.--v. 4. The problem of method. Symbols from Jewish cult.--v. 5-6. Fish, bread, and wine.--v. 7-8. Pagan symbols in Judaism.--v. 9-11. Symbolism in the Dura Synagogue.--v. 12. Summary and conclusions.--v. 13. Indexes and maps, with the author's corrigenda and comments for the preceding volumes. Bollingen series, 37. This is an oversized or heavy book, that requires additional postage for international delivery outside the US. [Bookseller: SequiturBooks]
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Candy (Original screenplay for the 1968 film, copy belonging to director Frank Perry) New York: Francis Productions, Inc, 1968. First Draft script for the 1968 film. Copy belonging to Frank Perry, with his name in red holograph ink on the title page. Perry considered making the film, but it was ultimately directed by Christian Marquand. This draft is credited solely to Southern, though Buck Henry was ultimately given full credit for the adaptation from the novel by Southern and Mason Hoffenberg. In her memoir, "Trippin' with Terry Southern: What I Think I Remember," Gail Gerber details at some length the tangle of legal problems over the publication of "Candy" in the US and abroad. Publication was poorly controlled, resulting in numerous pirated editions and lawsuits involving Maurice Girodias (Olympia Press), Putnam, and small US paperback publishers such as Lancer, Greenleaf, and Brandon House. She notes, "Despite the popularity of the novel, Hollywood was always leery about getting involved with properties that have 'clouded title,' so it was no surprise that Frank Perry gave up on the idea of directing the film version of 'Candy,' much to Terry's disappointment." Black studio wrappers, with title (CANDY) and Studio Duplicating Service address in yellow. Title page present, undated, noted as First Draft, with credits for screenwriters Southern and Mason Hoffenberg. 136 leaves, mechanincally reproduced,. Pages Near Fine, wrapper Very Good plus, bound with two gold brads. [Bookseller: Royal Books, Inc. ]
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