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Displayed below are some selected recent viaLibri matches for books published in 1968
Group Theory and Its Applications Academic Pr - 0124551505 First edition. xxvi, 696 pp. Hardcover. Red boards with gilt lettering along spine. Articles by workers in various areas of group theory review substantial fields and bring the reader from the level of a general understanding of the subject to that of the more advanced. Light bumping to spine and cover board edges. Inscribed with previous owners name on bottom corner of first page. All other pages clean and free of markings. Light spotting and wear to page edges. An excellent copy! 8vo, 3 lbs (with packing). Oversized. Overseas shipping may not be available. Academic Press, 1968. [Attributes: First Edition; Hard Cover] [Bookseller: Massy Books] 
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Die Buchillustration in Deutschland, Österreich und der Schweiz seit 1945. Ein Handbuch. Bände I - VI (alles Erschienene). Mit einem einleitenden Essay von Hans Adolf Halbey und einem Text von Jan Tschichold. Neu-Isenburg, Edition Tiessen, 1968 - 1989. 1. Auflage Zusammen 882 Seiten mit zahlreichen Abbildungen. 4°, gebundene Ausgabe, 1 Band Original Ganz-Leineneinband, zwei Bände Original Halb-Leineneinband in Kasette die Bände sauber und frisch, lediglich bei Band III minimale Fleckchen am Kopfschnitt. Die Bände I, II u. III jeweils eins von 150 Exemplaren der Vorzugsausgabe mit den beiliegenden Suiten, enthaltend Original-Graphiken Band I: Imre Reiner (Holzstich), Wilhelm Neufeld (dreifarbiger Holzschnitt). Band II: Otto Rohse (Holzstich), Eduard Bargheer (Kaltnadelradierung), Band III: Christoph Meckel (Radierung), HAP Grieshaber (Holzschnitt). Alle 6 Graphiken numeriert (65/150) und signiert. Das wichtigste und umfassendste Werk zur Buchillustration nach 1945 mit einigen Hundert Präsentationen der wichtigsten Werke auf jeweils einer Doppelseite mit Abbildungen sowie den maßgeblichen Künstler-Bibliographien. Dieses materialreiche Handbuch kann und will nur einen Überblick vermitteln und konzentriert sich folglich allein auf \"Gültiges und beachtenswerte Erscheinungen\" aus den Jahren 1945 bis 1981. Versand D: 5,00 EUR [Bookseller: Bührnheims Literatursalon GmbH]
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Tierbücher aus fünf Jahrhunderten. Muenchen 1968. 4to. pp. 108, (1), with frontispiece. Publisher's printed wrappers (together with:) Sixty original plates (many handcoloured) from German, French, Dutch, English, Italian, and Swiss Zoological works from 1491-1966. Folio. All plates in passe-partout. In a cloth-box. Only 100 copies published of this important book dealing with the history of zoological illustration through the centuries. It is the only work on early zoological publications which shows the original leaves together with an excellent bibliography. The superb leaves are for example taken from works such as: Ortus Sanitatis, Mainz 1491; Gart der Gesundheit, Strassburg, 1497-99; Gessner, Fischbuch, Frankfurt 1589; Schreber, Die Säugthiere, Halle 1775-1555; Bloch, Fische Deutschlands; Engramelle, Papillons d'Europe; Susemihl, Die Vögel Europas; etc. [Bookseller: Antiquariaat JUNK B.V. (Natural History]
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James Earl Jones as Jack Jefferson in The Great White Hope (Original photograph, inscribed) N.p.: N.p., 1968. Original black-and-white photograph of James Earl Jones as Jack Jefferson in the 1968 Howard Sackler play "The Great White Hope." INSCRIBED by Jones to fellow actor Hilda Haynes, making reference to her role in the production as the mother to his character. From the estate of Hilda Haynes. Based on the life of heavyweight champion Jack Johnson, Sackler's play ran for 546 performances on Broadway, on its way to Tony Awards for Best Play, Best Actor (Jones, in a breakthrough role), and Best Actress (Jane Alexander), and a Pulitzer Prize for Drama. Basis for the 1970 Martin Ritt film, which saw Jones and Alexander reprising their roles and earning Academy Award nominations for their performances. Hilda Haynes was a pioneering African-American actress with extensive credits in theatre, television, and film, who over the course of a 50 year career worked with some of the leading figures of the era, including James Earl Jones, Sidney Poitier, Langston Hughes, and Alice Childress. 17 x 21 inches, framed. Near Fine, with some light creasing, unexamined out of frame. With the photographer's name matted out on the verso of the frame. [Bookseller: Royal Books, Inc.]
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Doble Ensayo Sobre Picasso. With an original drypoint by Picasso numbered and signed in pencil. Doble Ensayo Sobre Picasso. With an original drypoint by Picasso numbered and signed in pencil. Josep Palau i Fabre. Editorial Gustavo Gili, Barcelona 1968. 4to (280 x 210mm. Limited edition, 130 numbered copies in Capellades laid paper. loose in its original paper wrappers and slipcase. Complete of text in Spanish, justification, and the original drypoint by Picasso signed and numbered in pencil, (Bloch 1854) depicting a Spanish cavalier. The book is an introduction to Picasso's art, by Palau i Fabre, poet and play writer from Barcelona, and Picasso's biographer. In excellent condition. Ref: Bloch 1854. [Bookseller: Marninart, Inc (ABAA-ILAB)]
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Couple, from La Magie Quotidienne. Paris: L. Border, , 1968. Etching on Japan ancien paper. Plate size 22.5 x 32.2 cm. Sheet size 35.6 x 50.5 cm. Excellent condition. Presented in a handmade white gold leaf frame with conservation mount and glass. Edition of 15 in roman numerals aside from the edition of 188. Signed in pencil lower left by Picasso, numbered lower right. [Bookseller: Peter Harrington]
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SHIPS' FIGUREHEADS - Collection of 31 volumes New York 1968 - collection of books and booklets on Ship Figureheads. Most are in English while a few are in Dutch, or German. Most are hardcover. The abbeviated descriptions below use HC or PB. Dust Jacket is indicated as DJ. General conditions of books and DJ are Good or better and abbreviated as G, VG, NF, F. NO copies are x-lib. Previous owner names may be written inside but not mentioned. Most are specifically about Figureheads and other ship carvings, a few have content on the subject while being more general. Note that shipping outside the USA will be expensive . The media mail price given at checkout will apply within the USA unless faster shipping is requested, then it will be more expensive. 1)"VALHALLA" The Tresco Ships' Figurehead Collection- PB, 1984, publ. by National Maritime Museum -NF2) "Ship Figureheads and other wood carving art in the Nautical Collection of the State Street Trust Co.", PB no date, publ. State Street Trust Co., VG3) "Ships' Figureheads" by Stammers, PB, 1983, publ. by Shire - NF4)"Figureheads" by Taylor, PB, 1992, publ. by National Maritime Museum - NF5)"Guide to the Department Ship and Art", PB, 1968, publ. Altonaer Museum in Hamburg, in English and German - VG6)''Cutty Sark Figureheads-The Long John Silver Collection", by Bailey, PB, 1968, publ. Ian Allan - NF7) "Figureheads & Ship Carvings at Mystic Seaport", by Stackpole, PB, 1964, publ. Marine Hiastorical Assoc. - VG or better- 2 copies8) "Kunst op het Water - Nederlandse Scheepssier 1650-1850" , by Schokkenbroek, and Zonnevylle- Heyning, PB, 1995, publ. Scheepvaart Museum Amsterdam. - in Dutch - F9)"Ships' Figureheads of Old Cape Cod" , PB, 1936, publ. Cape Cod Advancement Plan. - NF10) "Shipcarvers of North America", by Brewington, HC, 1962, publ. Barre - VG has pencil gift inscription and ink signature11) "American Figureheads and their Carvers", by Pinckney, HC, 1940, no DJ, publ. Norton- G12) "Neptuns Holzeme Engel" , by Ahrens and Rittmeister, HC, 1958, DJ not quite G but in plastic protector now, publ. Dulk, in German - VG13) "The Shipcarver's Handbook'; by Hanna, HC, 1988, DJ- F, publ. WoodenBoat - F14) "American Nautical Art and Antiques ", by Kranz, HC, 1975, DJ- VG in plastic protector, publ. Crown, earlier owner label on front pastedown- NF 15) "Ships' Figureheads", by Norton, HC, 1976, DJ- VG, publ. Barre - F16) "Early American Wood Carving" , by Christensen, HC, 1952, DJ - G - has small tears an some wear, publ. by World - VG or better17) "The Mariners' Museum 1930-1950 A History and Guide" , HC, 1950, no DJ , publ. Mariners Museum - G18) "Old Ship Figureheads and Sterns", by Laughton, HC, 1925, no DJ but has plastic protector, publ. Halton and Truscott Smith - G or better19) "The Shipcarvers' Art - Figureheads and Cigar Store Indians .", by Sessions, HC, 2005, DJ- VG with plastic protector, publ. Princeton University Press , NF has remainder mark on foreedge.20) "The Decorative Arts of the Mariner" , by Frere- Cook, HC, 1966, DJ - good but with soiling and chip missing, publ. Little, Brown- VG21) "Maritime America", by Neill, HC, 1988, DJ - VG or better, publ. Abrams - NF22) "Treasury of American Design" 2 volumes, by Hornung, HC, no date VG plastic DJ23) "An American Sampler - Folk Art from the Shelburne Museum", PB, no dj, publ. National Gallery- VG24) "Die Holzemen Engel-Galionsfiguren ausfunf Jahrhunerten" , by Klasing, HC 1980, VG DJ, publ. United Nautical, NF.25) "Wood Carvings- North American Folk Sculptures", by Klamkin,HC, 1974, G DJ, but with wear, Hawthorn - NF26) "American Folk Art in Wood, Metal and Stone" , by Lipman, HC, 1948, G DJ in protector, publ. by Pantheon, NF27) "Ships' Figureheads", by Hansen, HC in F DJ, 1990, publ. Schiffer - F28) "Figureheads", by Costa, HC in VG or better DJ, 1981, publ. Nautical - NF29) "Figureheads at The Mariners Museum", PB portfolio, 12 color plates, no date, NF30) "Index of American Design", Christensen, 1959, fair DJ, VG [Attributes: Hard Cover] [Bookseller: Carydale Books]
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Please Plant This Book [Bookseller: Maggs Bros. Ltd. ]
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True Grit (inscribed) New York: Simon & Schuster. 1968 4th ptg. INSCRIBED on title p. by author. 215pp. burgundy cloth sm 8vo: Fine in a Fine dj in poly cover. Arkansas writer Portis's (b. 1933) second novel in a very nice inscribed copy. Serialized in The Saturday Evening Post and made into two movie versions that were almost as good as the novel. [Bookseller: Auldfarran Books, IOBA]
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FOUR BOOK New York: 0 to 9 Books, 1968. First Edition. Wraps. Good +. 4to. Side-stapled graph pa- per wrappers. Mimeograph printed. Damp-staining to edges of cover, continuing to first few leaves. Mild soiling, wear overall. Good to very good. [84]pp. on 42 leaves, plus cover. Acconci's second book and first artist's book, pro- duced by his and Bernadette Mayer's press. [Bookseller: Brian Cassidy, Bookseller]
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Derrière Le Miroir N° 175 Tapies Maeght 1968 - In folio en feuilles sous chemise et étui d'éditeur, 8 lithographies originales dont 3 en couleurs. Un des 150 exemplaires de luxe sur vélin d'Arches, numérotés et signés par Tapiès. [Bookseller: La Basse Fontaine]
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A Kestrel For A Knave (Kes) A First UK printing published by Michael Joseph in 1968.The BOOK is in near FINE condition.It appears unread,is tight and free from inscription.There is some scattered foxing to the upper text block but this is limited to the upper block.The WRAPPER is complete and not price clipped.There is some minor edge wear in places with a couple of closed tears to the rear lower cover.The spine is lightly faded and darkened as is always the case with this title.The rear cover and flaps are very clean.A key work of 20th century literature and the basis for the acclaimed Ken Loach film'KES".Scarce. ashtonrarebooks welcomes direct contact. [Bookseller: Ashtonrarebooks ABA PBFA]
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Astrophysics and Space Science. An International Journal of Cosmic Physics, Vols. 1 - 246 (1968 - 1997). Dordrecht, D. Reidel Publishing Company, 1968 - 1995. Blaue Halbleinenbände bzw. (ab Vol. 183) Ganzleinenbände mit goldgeprägten Rückentiteln. Format 24 x 15,5 cm. Renommierte international Fachzeitschrift zur Astrophysik. Alle Bände in sehr gutem Zustand (all volumes in very good condition). Tadelloses Exemplar dieser Reihe. Weitere Fotos sowie weitere seltene Fachzeitschriften-Angebote zur Astronomie und Physik auf der Homepage des Antiquariats (Rubrik: Astronomie und Physik). Further photos and other rare journals about astronomy and physics at the homepage of the antiquarian bookstore (Section: Astronomy and Physics). Versand D: 5,00 EUR Astrophysik Astronomie Physik Fachzeitschrift Kosmologie Optik Raumfahrt [Bookseller: Das Konversations-Lexikon]
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Outer Dark Random House, 1968 Very good first edition in a very good dust jacket. First Printing stated on the copyright page. New endpapers and small splash stain on back cover, measuring about one inch by two inches. Comes in custom-made cloth slipcase.. 1st Edition. Hardcover. Very Good/Very Good. [Bookseller: Bookbid Rare Books]
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Moskva Berlin Varshava Sofiya Budapest (poster from the Prague Spring of 1968) Poster. Serigraph. 40.3 x 13.9 in. / 102.4 x 35.2 cm. The image consists of 3 traffic symbols: children, a tank, a downward-pointing arrow. Stamped in the bottom margin is "Socialismus ano & okupace ne 11" ["Socialism yes & occupation no"]. Professionally backed with Japanese tissue. Very fine. Not located in OCLC [Bookseller: Laurence McGilvery]
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2001: A Space Odyssey The New American Library, 1968 A fine SIGNED first edition. First Printing stated on the copyright page. SIGNED by the author on the dedication page. Book condition is fine. Jacket is near fine, with only a minute chip and singular tear. Also included is a set of 4 commemorative postage stamps honoring Clarke from the Republique De Guinee. Housed in a custom slipcase. Seller will provide a certificate of authenticity.. Signed by Author(s). 1st Edition. Hardcover. Fine/Near Fine. [Bookseller: Bookbid Rare Books]
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The Gates of Paradise. For Children. For the Sexes. - London: Trianon Press, 1968. 4 vols., 8vo and 12mo, Vol. I (8vo), [i-vii]-viii, 50, (4) pp., Vol. II (12mo), [2] pp., 22 plates, Vol. III [4] pp., 31 plates, Vol. IV (12mo), [2] pp., 10 plates, negative and copper plate. Original tan morocco, (volume 4 in light-brown cloth, as issued), cloth slipcase, gilt lettering to backstrip of all three volumes. In volume containing the negative and copper plate, the negative has come unglued but is still present. Some slight fading to backstrips, some dampmarking to bottom of slipcase. Very good. From an edition of 726 total copies, including 700 numbered 1 to 700, of which the first 50 have additional material and are in a special binding. This is copy number 25, with the first three volumes bound in morocco (instead of the usual cloth). Volume I is an introductory volume, followed by three volumes of plates. Bentley, Blake Books, 48. [Attributes: Hard Cover] [Bookseller: John Windle Antiquarian Bookseller, ABAA]
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Hand-painted sign commemorating the first commercial transpolar flight 1968 - (DUSTIN, Frederick G.). Airport sign: “Dustin Transpolar Flight.” [Rio de Janeiro: 1968]. Original narrow metal hand-painted sign, white lettering on a red ground, measuring 5 inches by 4-1/2 feet. $1500.Unique artifact, documenting the historic first commercial round-the-world flight, tracking longitudinally across the two poles and touching down on all seven continents, including Antarctica.“Frederick G. Dustin was employed as a fuel engineer on the second Byrd Antarctic expedition (1933-35). As with many of the men involved with this expedition, Dustin went on to participate in other important explorations. In 1968 Modern Air Transport chartered a Convair 990A jet aircraft called Polar Byrd I to fly round-the-world on an exotic world tour. The flight carried 60 passengers and eight crew, and [while it] set no speed records, [it] did land on November 22, 1968 on the 10,000-foot ice runway at McMurdo Sound, Antarctica (U.S. Navy) for refueling” (WingNet). Dustin was the president of the Byrd Polar Center in Boston at the time, and encouraged the Center to sponsor the flight. The Center’s letter of solicitation touted this as “the first commercial flight ever to cross both poles and touch down on all continents,” and warned that “frankly, you will endure some discomfort, and may even face some danger.” “Polar Byrd I” was captained by Hal Neff, former pilot of “Air Force One.” Among the passengers was a man named Bellafontaine, who along with 59 others, paid $10,000 to participate in this historic transpolar flight. One stop on the return itinerary was Rio de Janeiro, Brazil, where the reception committee had erected a hand-painted welcoming sign, reading “Dustin Transpolar Flight.” Bellafontaine became the custodian of this sign.Only a few minor paint-chips. Fine condition. [Bookseller: Bauman Rare Books]
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The Last Unicorn New York: The Viking Press, 1968. First Edition. Hardcover. Very Good. Signed. First edition, first printing. Signed by Peter Beagle with a doodle of a face inside the "P" of Peter, dated and inscribed to previous owner. Very Good, with a bit of soiling to boards, chipping to title stamping on spine, light water spotting to topstain, previous owner bookplate and small sticker shadow to front free end paper, patch of wear to half-title page, in a Very Good, price-clipped dust jacket with light edge wear, tape shadows to center of both flaps and one to blank verso of the spine panel. Rare signed. [Bookseller: Burnside Rare Books]
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History of the Mongols from the 9th to the 19th century.: Part I. The Mongols Proper and the Kalmuks. Part II. The So-called Tartars of Russia and Central Asia. Part III. The Mongols of Persia. Part IV. Supplement and Indices. Burt Franklin Research and Source Work Series #85. [1968], New York - A very good set in original cloth. Reprint Four volumes in five, pp.xxviii, 743; xxxiv, 1087; x, 776, 378. [Bookseller: John Randall (Books of Asia), ABA, ILAB]
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THE DIARIES OF CAPTAIN ROBERT SCOTT / A Record of the second Antarctic Expedition 1910-1912 Tylers Green, England: University Microfilms Ltd.. Complete six volume set bound in original blue buckram. 1968. hb. 8vo and 4to, No previous owner's markings. Slightest evidence of shelf wear, else all volumes in near fine condition. . Handsomely produced as a facsimile of Scott's manuscript diaries. As Rosove notes (294.A2) "Scott's handwriting is not easy to decipher and takes some getting used to". Included are the base diaries of October, 1910, to April, 1911 (vol. I); base diaries of April to October, 1911 (vol. II); sledging orders 1910 to 1911 (vol. III); a reduced, unabridged reproduction (with b&w illustrations) of vol. III of "The South Polar Times" (vol. IV); the sledging diaries of January to September, 1912 (vol. V), and the sledging diaries of November, 1911 to March, 1912 (vol. VI). Renard 1411. . [Bookseller: GREENFIELD BOOKS]
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Japan Theater, Photo Album Muromachi Shobo, Tokyo, Japan 1968 - Softcovered book housed in an original boards slipcase. Beautiful condition. The slipcase is lightly sunburned and stained as usual, but the title letters printed on it is still vivid. And the book itself, the spine of which and some margins of pages are in some parts lightly sunburned, however the other parts including the plates inside are intact and very good condition.: no outstanding worn nor foxed spot. [Attributes: First Edition; Soft Cover] [Bookseller: booksGYOZANDO]
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PRE-COLUMBIAN ART OF MEXICO AND CENTRAL AMERICA New York 1968 - 388 pages, 317 color photographs, 278 b/w photographs. Cloth cover, small folio size (10 1/2" x 13") [Attributes: Hard Cover] [Bookseller: Ethnographic Arts Publications]
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Die verbrannte Taube. Lpz. Hochschule für Buchkunst und Graphik, 1968 - Eins von 50 Exemplaren, im Impressum von Rainer Herold signiert. Gedichte u.a. von Dowid (David) Sfard und Mordefei Gebirtig. Sprache: Deutsch Gewicht in Gramm: 2001 4°. 46 ungez. DoppelS. OPergament mit Rückentitel in OPappschuber mit Blindprägung. Blockbuch. Hinterer Deckel wohl durch den Schuber an einer Stelle etwas verfärbt. Schuber minimal gebraucht, sonst sehr schön. Zwölf jüdische Gedichte. Nachdichtung und Nachwort: Werner Günzerodt. Mit 14 z.T. farbigen Radierungen von Rainer Herold. Buchgestaltung und Bindung: Kurt Stein. [Attributes: First Edition; Signed Copy] [Bookseller: Antiquariat Jürgen Fetzer]
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Die verbrannte Taube. Zwölf jiddische Gedichte. Nachdichtung v. Werner Günzerodt. Hochschule für Buchkunst u. Graphik, Leipzig 1968 - Leipzig, Hochschule für Buchkunst u. Graphik, 1968. 4°. M. 15 Prägungen u. Orig.-Radierungen v. Rainer Herold auf verschiedenen Papieren von Kurt Stein. 23 Bll. OPrgt. in Blockbuchbindung im Schuber. Nr. 47 v. 50 Exempl. im Druckverm. v. R.Herold signiert. Handdruck v. R.Herold in d. Werkstätten d. Hochschule, beiliegend 3 eh. Grußkarten d. Buchbinders Kurt Stein. Nr. 47 v. 50 Exempl. im Druckverm. v. R.Herold signiert. OPrgt. in Blockbuchbindung im Schuber. [Attributes: Signed Copy] [Bookseller: Antiquariat Seidel & Richter]
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To Be Free. Studies in American Negro History. New York, International Publishers, 1968 - Octavo. Finely bound by the Chelsea Bindery in terracotta morocco, titles and decoration to spine gilt, raised bands, single rule to boards gilt, twin rule to turn-ins gilt, dark green endpapers, gilt edges. A fine copy. Second edition. First published in 1948; this edition with a new preface by the author. Inscribed on the half-title " Feb 1969 For Bobby Seale with best wishes Herbert Aptheker." Aptheker was an American Marxist historian and political activist. Seale was co-founder of the Black Panther Party which he formed with Huey Newton in 1966. [Bookseller: Peter Harrington. ABA member]
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Carl Andre - Robert Barry - Douglas Huebler - Joseph Kosuth - Sol Lewitt - Robert Morris - Lawrence Weiner. December 1968. New York. Siegelaub / Wendler. 1968. First edition 1000 copies. 28 x 22 cm. 185 Blatt. OKarton. Schnitt etwas nachgedunkelt, Fußschnitt leicht fleckig. Der weiße Umschlag insgesamt etwas gedunkelt. Vorsätze mit Abklatsch von Tesafilmstreifen. Der einfache transparente Kunststoffumschlag alt, aber wohl nicht das Original! Insgesamt aber noch gutes Exemplar des sehr empfindlichen Bandes. Das sogenannte \"Xerox Book\" oder richtiger \"Photocopy Book\" basiert auf der Idee Seth Siegelaubs, eine komplette Ausstellung in Buchform zu kuratieren. Das heißt, der Katalog ist nicht nur die Informationsquelle zur Ausstellung, sondern gleichzeitig auch die Ausstellung selber. Die ursprüngliche Idee den Katalog auch Kunstwerk sein zu lassen, indem alle Beiträge kopiert werden sollten, musste auf Grund der hohen Kosten verworfen werden. Die Künstler kopierten die Arbeiten, das Buch erschien dann in 1000 Exemplaren in Offsetdruck. Jeder der 7 Künstler steuerte einen konzeptuellen Beitrag, bestehend aus jeweils 25 Seiten, bei. Bei Carl Andre ist dies ein in seinem Inneren helles schwarzes Quadrat, das sich Seite um Seite um je eines vermehrt bis 25, Robert Barry addiert eine gepunktete Seite bei 25 Seiten auf 1 Million Punkte, Sol Lewit variiert 24 Blöcke mit je 16 verschieden linierten Quadraten und so weiter. Siegelaub erläuterte seine Intentionen in einem Interview mit Hans Obrist: \"The \"Xerox book\" - I now would prefer to call it the \"Photocopy book\", so that no one gets the mistaken impression that the project has something to do with XEROX - was perhaps one of the most interesting because it was the first where I proposed a series of \"requirements\" for the project, concerning the use of a standard size paper and the amount of pages the \"container\" within wich the artist was asked to work\". Eines der wichtigsten - oder vielleicht das wichtigste - frühe Künstlerbuch der Konzeptkunst, heute sehr selten. Die 2015 in Kooperation mit dem Stedelijk Museum Amsterdam als Reprint in 1600 Exemplaren erschienene zweite Auflage in identischer Ausstattung ist beigegeben. [Vgl. Lucy Lippard - Six Years: The dematerialization of the art object, S. 64ff]. Versand D: 2,00 EUR 20. Jahrhundert / 20th Century, Kunst, Niederlande / Netherlands, Konzeptkunst [Bookseller: Antiquariat Querido - Kunst und Fotograf]
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The Mountains. Illustrated with ten drawings by John Piper, engraved on the wood by Reynolds Stone, with a descriptive note by John Piper. New York: Chilmark Press 1968. 4to, (ii), 42, (6) pages. Original quarter cloth, morocco backstrip with title in gilt, paper-covered boards illustrated with a wood engraving, top edge gilt, slipcase. As new. Limited to 110 special copies in a total edition of 350, signed by the author, artist and engraver, with an extra set of the 10 engravings tipped in and bound thus. (Carter, The Rampant Lions Press: 34). Handset in 18pt Zapf Palatino on mould made paper from Wookey Hole Mill. The third Clover Hill Edition. “Just after the second world war, John Piper and Reynolds Stone, both enthusiasts of nineteenth-century topographical guide-books, decided to produce a modern equivalent, to illustrate the mountains of Snowdonia. They used wood-engraving both as a reproductive process, so that the pictures could be printed together with the text, and as creative interpretations of the drawings, which in several cases Piper did directly on the blocks. We were eager to print these magnificent engravings, and as the Carters and the Stones are close cousins, negotiations were simplified. Douglas Cleverdon persuaded the Welsh poet R.S. Thomas to write some rich poetic prose to accompany them.†(Rampant Lions Press). The collaboration of three remarkably talented artists, Thomas (poet), Piper (artist) and Stone (engraver and calligrapher), designed and printed by two of Englands finest printers, Will and Sebastian Carter. [Bookseller: John Windle Antiquarian Bookseller]
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PAVANE Rupert Hart-Davis, London 1968 - Octavo, boards. First edition. "Papal domination of Europe has slowed progress and a dystopian medievalism has lasted into the twentieth century" - Sargent, British and American Utopian Literature, 1516-1985, pp. 313-4. ". a striking work of the imagination." - Burgess, Ninety-nine Novels: The Best in English since 1939, p. 104. With his second book, Roberts came fully into his own as a writer. PAVANE superbly depicts an alternate history in which -- Elizabeth I having been assassinated, the Spanish Armada victorious and no Protestant rise of capitalism in the offing -- a technologically backward England survives under the sway of the Catholic Church Militant. The individual stories are moody, eloquent, elegiac and thoroughly convincing." - John Clute, SFE (online). Anatomy of Wonder (2004) II-910. Pringle, Science Fiction: The 100 Best Novels 58. Survey of Science Fiction Literature IV, pp. 1660-64. Slight spine lean, else a fine copy in fine dust jacket. (#142589) [Attributes: First Edition; Hard Cover] [Bookseller: Currey, L.W. Inc. ABAA/ILAB]
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Pavane. Rupert Hart-Davis, London, 1968. First Edition, first printing. 224pp. Red boards lettered and ruled in gold at spine. A sliver of discolouration to head of upper board. Very good indeed in non-clipped (25s net) dust wrapper, just fractionally dust marked. The author's celebrated second novel, a collection of seven interlinked alternative history / science fiction short stories set in a 1968 Dorset where, following the assassination of Queen Elizabeth in 1588, the Roman Catholic Church still has supremacy.. 1st Edition. Hardcover. Very Good/Very Good. [Bookseller: Clearwater Books]
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THE GARDEN / THE JOURNAL OF THE ROYAL HORTICULTURAL SOCIETY 1968-2011 (43 volumes) Royal Horticultural Society, 1968. Book. Good. paperback. paperback in hardback folders, 12 issues in each folder for a complete run of 43 volumes, (volumes 93-136 in the series), in 1976 the name of the Journal was shortened to 'The Garden' and the size increased, a good run in good binders and of course an extremely heavy collection which will incur an addiitonal postage request. [Bookseller: Pendleburys - the bookshop in the hills]
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True Grit (SIGNED Plus SIGNED MOVIE TIE-INS Plus Original Copies of Saturday Evening Post Issues Which First Published 'True Grit' in Serial Form) Simon & Schuster, New York 1968 - 1st Edition/1st Stated Printing. SIGNED by Charles Portis on a bookplate affixed to dedication page (signature only). Laid-in is a photocopy of signed thank you letter from author saying signature bookplates were enclosed. Very scarce 1st Printing. 215 pages. Dark grey boards have some fading at edges, common to title; yellow top-stain. Author's second book. A relatively scarce signature. $4.95 price present on DJ flap; some sunning of spine; mylar protected. Also includes movie tie-ins from 1969 John Wayne movie directed by Henry Hathaway-- laid-in is B&W photo SIGNED by co-star KIM DARBY (played 'Mattie Ross'). Attached to free fly-page is a bookplate SIGNED by GLEN CAMPBELL (played 'Le Boeuf'). Attached to front end page is a color photo SIGNED by ROBERT DUVAL (played 'Ned Pepper'). Laid-in is a card SIGNED by JAMES McECHERN (play a cowboy in film). Laid-in is a card SIGNED by JEFF COREY (played 'Tom Chaney'). Laid-in is a photo-card SIGNED and inscribed by JEREMY SLADE (played 'Emment Quincy'). Also laid-in is a card SIGNED by DEAN SMITH (was stunt double for John Wayne in film). Also included from the 2010 Coen Brothers new film version is a card SIGNED by JEFF BRIDGES (played 'US Marshal Rooster Cogburn'). Includes laid-in a 8"x10" color photo SIGNED by JOSH BROLIN (played 'Tom Chaney'). Also laid-in is a bookplate SIGNED by BARRY PEPPER (played 'Lucky Ned Pepper') and a color photo-card SIGNED by DAKIN MATTHEWS (played 'Col. Stomehill'--signature smudged.). ALSO includes the three original complete issues of The Saturday Evening Post (May 18, 1968; June 1st 1968 and June 18, 1968) which contained the very first printing of True Grit in serial form (with somewhat different storyline) issued before the 1st hardcover printing . Also comes with a VHS tape of 1969 film. Very Unique 1st Printing copy plus original 1st printing magazine serial issues and movie tie-ins for the 'True Grit' fan or collector. Size: 8vo - over 7¾" - 9¾" tall [Attributes: First Edition; Signed Copy; Hard Cover] [Bookseller: Daniel Montemarano]
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Interfunktionen 2. Herausgeber und Redaktion Friedrich Wolfram Heubach. Köln. Interfunktionen. [1968] Auflage 250 Exemplare. 30 x 23 cm. 2 Blatt, 91 S., 5 Blatt, 11 Blatt. OKarton mit OUmschlag. Nahezu tadellos frisches Exemplar, lediglich teils leichte Nachdunklung im Papier. Vorzugsausgabe, eins von 50 Exemplaren. Enthält als signierte Originalbeiträge: S. 5, Maurizio Kagel, gedruckte Zeichnung mit Ummalung und Signatur in Tinte; S. 63, Joseph Beuys, Namensstempel und Braunkreuz in braunem Acryl gestempelt, versehen mit einem handschriftlichen Text, rotem Stempel \"Deutsche Studentenpartei\" und handschriftlicher Signatur in Bleistift; S. 66 Wolf Vostell, Textstempel mit handschriftlichem Text und Signatur; S. 92, Jörg Immendorff, montierter Zeitungsausschnitt mit Farbfoto, Text, handschriftlich signiert. Hier beiliegend ein gefaltetes Plakat LIDL - Der Lidlraum, 49 x 30 cm und 5 Textblätter \"Lidlstadt Teil 1 - Ich werde nicht dulden das ihr mich alleine laßt\" von Jörg Immendorff. Enthält ferner weitere Beiträge von Kagel, Paik, Vostell und zur Lidl Akademie. In dieser Form äußerst selten. [Vgl. Schellmann, S. 50, Nr. 9 (für Beuys); Kellein / Das Archiv Sohm; S.177]. Versand D: 2,00 EUR 20. Jahrhundert / 20th Century, Deutschland / Germany, Kunst, Original Grafik, Kunstzeitschriften [Bookseller: Antiquariat Querido - Kunst und Fotograf]
33. Check availability: buchfreund.de
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Three Women. A Monologue for Three Voices. London: Turret Books,, 1968. With an introductory note by Douglas Cleverdon. Quarto. Original cream cloth, titles gilt to spine and front board, vignette to front board gilt. Wood engraved frontispiece. A fine copy. First edition, limited issue. Number 86 of 180 copies, of which 150 were for sale. This was Plath's only poetic work written for broadcast. [Bookseller: Peter Harrington]
34. Check availability: Biblio
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L'art dans l'Italie Méridionale. B. Boccard. (Bd. 3-6): Rome Ecole française de Rome., Paris 1968 - 6 Bände + Index. Paris, B. Boccard. (Bd. 3-6): Rome, Ecole française de Rome. 1968-1978. 32,5x25 cm. Originalleinwandbände, Index: Originalbroschur. Band 1-3: Faksimile der Ausgabe von 1903. Band 4-6: Originalausgabe. - Monumentales Werk zur frühen Kunst Süditaliens. Band 1-3 in rotes und Band 4-6 in graues Leinen gebunden. Sprache: Französisch Originalleinwandbände, Index: Originalbroschur. [Attributes: Soft Cover] [Bookseller: Daniel Thierstein]
35. Check availability: ZVAB
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Werkausgabe. 63 Repliken in Originalgröße der wichtigsten Zeichnungen aus dem künstlerischen Schaffen Marinis, ausgewählt vom Künstler. Einleitender Text Werner Haftmann. Von diesem Werk wurde eine einmalige auf 2000 Exemplare limitierte und numerierte Auflage gedruckt. Davon erscheinen 500 Expl. gesondert mit * numeriert für USA, Kanada, Australien, Großbritannien und das übrige Commonwealth. Dieses Exemplar trägt die [handschriftliche] Nummer 542. Bremen, C. Schünemann Vlg. Verlag der Dietz Offizin, 1968 - Textheft und 63 Repliken in farb. ill. Schatulle. neuwertiges Exemplar. Bei Bestellungen gegen offene Rechnung bitte Telefonnummer angeben. Danke! Sprache: Deutsch Gewicht in Gramm: 1200 [Bookseller: Antiquariat Roland Moser]
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CY TWOMBLY: 1968 LEO CASTELLI EXHIBITION POSTER DESIGNED BY THE ARTIST (TWOMBLY, CY). Twombly, Cy. CY TWOMBLY: 1968 LEO CASTELLI EXHIBITION POSTER DESIGNED BY THE ARTIST . New York: Leo Castelli, 1968. First Edition. Elephant Folio. Printed Poster. Exhibition Poster. Very Good. One 24 x 17 3/4" sheet of printed offset black on yellow, recto and verso neatly folded in quarters to make four 12 x 8 3/8" inch panels. Designed and lettered by the artist, this is the striking poster published in conjunction with Cy Twombly's exhibition that opened on November 30th, 1968 at Leo Castelli - his fourth at the venerable Manhattan gallery. A handsome, flattened example of this exceedingly uncommon ephemeral item mailed to New York's Terrain Gallery on Grove Street on November 25th, 1968 showing two unobtrusive pinholes at each of the upper corners as well as at the very center along with a few stray creases and some trivial age-toning along the folds. It has been priced accordingly. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. Inventory Number: 025035 [Bookseller: Arcana: Books on the Arts]
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Cybernetic Serendipity. The computer and the arts London - New York: Studio International, , 1968. Brossura, custodia (wrappers, slip-case). Molto Buono (Very Good). Studio International special issue. It was first published to coincide with an exhibition entitled "Cybernetic Serendipity" dealing broadly with the demonstration of how man can use the computer and new technology to extend his creativity and inventiveness, held at the Institute of Contemporary Arts, Nash House, The Mall, London, August 2-October 20, 1968. The exhibition was organized by Jasia Reichardt in collaboration with Mark Dowson (technological adviser) and Peter Schmidt (musical adviser). The exhibition and the cover of the catalogue were designed by Franciszka Themerson. With 7 original posters in cardboard box (cm 51x76; 76x51). 4to. pp. 104 + posters. Molto Buono (Very Good). . Cybernetic Serendipity fu una fondamentale mostra d'arte cibernetica a cura di Jasia Reichardt, organizzata presso l'Institute of Contemporary Arts di Londra nel 1968 con più di 40.000 visitatori. Una parte della mostra era incentrata sugli algoritmi e sui dispositivi per la produzione di musica. Alcune delle opere esposte non erano altro che opuscoli che descrivevano gli algoritmi, mentre altri mostravano notazioni musicali prodotte dai computer. I dispositivi realizzavano effetti musicali e riproducevano nastri di suoni emessi dai computer. Peter Zinovieff prestò parte delle sue attrezzature di modo che i visitatori potevano cantare o fischiettare una melodia in un microfono mentre il suo equipaggiamento improvvisava un pezzo basato su tali melodie. Un'altra parte descriveva progetti informatici come l'auto-distruttivo Five screens with computer di Gustav Metzger, un progetto per un nuovo ospedale, una struttura programmata al computer e una coreografia. Le macchine e gli impianti erano una parte molto rilevante della mostra. Gordon Pask produsse una collezione di grandi cellulari con parti interattive che permettavano agli spettatori di unirsi alla conversazione. Molti macchinari formavano ambienti cinetici o visualizzavano immagini in movimento. Bruce Lacey contribuì con robot radiocomandati e un gufo sensibile alla luce. Nam June Paik fu rappresentato dal suo Robot K-456 e televisori con immagini distorte. Jean Tinguely fornì due dei suoi macchinari per dipingere. Wen-Ying Tsai presentò le sue interattive sculture cibernetiche fatte di tondini di acciaio inox, luce stroboscopica e audio in controllo feedback. Diversi artisti esposero macchinari che disegnavano motivi che i visitatori potevano portarsi via o coinvolgevano il pubblico in giochi. Un'altra sezione esplorava la capacità dei computer di produrre testi: diversi programmi produssero Haiku, storie per bambini e saggi. Furono anche proiettati film prodotti da computer. Anche la grafica computerizzata trovò spazio, con immagini prodotte su un oscilloscopio a raggi catodici e plotter digitali. C'era una varietà di manifesti e grafica che dimostravano la potenza dei computer nel fare calcoli complessi (e apparentemente casuali). Altri grafici mostrarono la simulazione di un Mondrian e gli iconici quadrati a spirale decrescenti che poi furono riprodotti sul manifesto della mostra e sulla copertina del catalogo. [Bookseller: Studio Bibliografico MArini]
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Typed Letter Signed about Catch-22 1 page (once folded), 8vo, to Prof. James Nagel concerning Heller's late military activities & a mistaken episode concerning his novel Catch-22. New York, June 18, 1968. Typed Letter Signed. Near Fine. TLS by Joseph Heller, author of Catch-22: 1 page on Heller's personal deckle-edged stationery [with letterhead: "Joseph Heller / E. Hampton, N.Y."] bearing several ink corrections in the author's hand, dated June 28, 1964. Accompanied by a stamped envelope also addressed to Professor James Nagel of Northeastern University, Boston, Mass, postmarked "June 2{5?}, 1968, Smithtown, N.Y.," and typed [presumably by Heller]. "Joe" Heller writes "Jim" Nagel to to inquire about his new collection of critical essays about Heller's famous novel Catch-22. The author asks for a set of bound galleys of those essays. Evidently, one of the essayists got his facts wrong. In response, Heller relates what actually occurred during his last days in the Army Air Force. He was employeed in PR but couldn't recall doing anything. Letter has Excellent Content about Heller's life and novels. It is in Near Fine condition without discoloration; bearing evidence of the author's attention to detail with blue ink corrections of typos. Heller summarizes his actual duties during the waning days of service in the Army Air Force and corrects a serious misinterpretation about those activities and their supposed relationship to his celebrated novel. Quoting in part: "Dear Jim:...I insist you send me a copy of the [Critical] essays. To answer your questions: After my last mission, I waited around for a couple of months to be sent to the U.S. in January, then, from Atlantic City, I was shipped to the air base at San Angelo, Texas, where I waited around to be discharged, along with thousands of others who'd completed their missions and for whom there was no longer need elsewhere. Technically, I was employed in the Public Relations office, but I can't remember doing any work at all. Armorer's school took only about three or four months; again, after a month or two of waiting after qualifiying, I was sent to the Santa Ana Army Air Base as an aviation cadet, then to training school as a bombardier. The mission you ask about never happened, and I've never heard of it--not the incident you mention....The timing for the essays should be good. The new novel will be out in early October. Best, Joe [signed clearly in ink]" [Bookseller: Borg Antiquarian]
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Outer Dark Random House, 1968 A near fine first printing (so stated on copyright page, evidence of bookplate removal on front free endpaper) in a fine first issue dust jacket. Housed in a custom-made collector's slipcase.. 1st Edition. Hardcover. Near Fine/Fine. [Bookseller: Bookbid Rare Books]
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Manuale Tipografico 1788. Facsimile a cura di Giovanni Mardersteig.Verona,Editiones Officinae Bodoni,Novembre 1968 - Esemplare n°36 di 180.(Tiratura complessiva di 206 esemplari). Ristampa del Manuale del 1788 con una nota introduttiva di Giovanni Mardersteig e la prefazione originale del Bodoni al suo primo saggio di caratteri del 1771; una calcografia del bassorilievo eseguito da Carlo Amati. Carattere Bodoni Messina corpo 10 e Cuneo corpo 12 tondo e corsivo(per la nota), Fournier (Monotype) corpo 10 tondo e corsivo(per il "saggio"), il facsimile da clichés ritoccati per una maggiore fedeltà all'originale. Schmoller,156. 31g. [Bookseller: La carta bianca studio bibliografico]
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ALTHOCHDEUTSCHES WÖRTERBUCH. Auf Grund der von Elias von Steinmeyer hinterlassenen Sammlungen im Auftrage der Sächsischen Akademie der Wissenschaften zu Leipzig bearbeitet und herausgegeben von Elisabeth Karg-Gasterstädt und Theodor Frings, Rudolf Grosse u.a. Band I - V: A - L. 3 Bde u. 22 Lieferungen in 14 Heften. Berlin Akademie Verlag - 2007 1968 - 4°. Band I: XXXVI S., 1586 Spalten; II: 826 Spalten, 4 Bl. Titel und Vorwort beiliegend; II. 3 Bl., 1410 Spalten; IV: XXV S., 1858 Spalten; V. Lieferung 1 - 11 (von 18): VI S., Spalte 1 - 880, XXXIV S. 3 solide Hlnbde u. 14 Lieferungen in OKart. (Lieferungen unaufgeschnitten; erschienen und lieferbar sind noch Band V, Lieferung 12/13 - 16-18 und Band VI, Lieferung 1 - 7/8). Das "Althochdeutsche Wörterbuch" soll zum einen "den gesamten in althochdeutschen Texten und Glossaren überlieferten Wortschatz, nach Form und Bedeutung untersucht und in seinen Belegen vollständig erfaßt, für die weitere Forschung bereitstellen, zum andern ist es als Index zu der fünfbändigen Ausgabe der 'Althochdeutschen Glossen' von Steinmeyer und Sievers (1879 - 1922) und zu den 'Kleineren althochdeutschen Sprachdenkmälern' (Steinmeyers, 1916) gedacht".- Mit einem Beitrag von Brigitte Bulitta: Das "Althochdeutsche Wörterbuch" und die althochdeutsche Glossenforschung. 10970 gr. [Attributes: Hard Cover] [Bookseller: Antiquariat Gabriele Klara]
42. Check availability: ZVAB
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Stèles. Aquatintes de Friedlaender. Nancy Beaux Livres Grands Amis 1968 - Grand in-8 (33x16x4 cm) à la chinoise, 153 pp. pliées à la chinoise (en acordéon). Plié à la chinoise sous un cartonnage de papier-fibres japonais à la main, dos parchemin avec tire doré, étui. Tirage limité à 347 exemplaires numérotés, 1/30 exemplaires numérotés de collaborateur, n° 18, imprimés sur vergé antique pur chiffon de Lana. Exemplaire enrichi d'une suite des 7 aquatintes de Johnny Friedlaender, toutes signées par l'artiste. (4 sont encadrées, 3 sous une chemise à rabats). Ouvrage illustré de 7 aquatintes en couleurs H.T. de Johnny Friedlaender, 7 grandes inscriptions chinoises dessinées par Chou Ling, inscriptions et titre ont été gravés par Robert Blanchet. La mise en oeuvre de l'ouvrage a été assurée par Henri Jonquières, assisté de Robert Blanchet, qui a monté la composition typograhique et en a exécuté l'impression. Le caractère employé est le Klang de Will Carter de la Monotype, fondu spécialement pour l'ouvrage par Gerbaud. Joint du même format une plaquette renfermant les allocutions prononcées à l'occasion de la sortie de l'ouvrage. [Attributes: Hard Cover] [Bookseller: LIBRAIRIE GIARD]
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Das Erlebnis des Marshalls von Bassompierre. Der Originaltext der Memoiren mit den Fassungen von Johann Wolfgang von Goethe und Hugo von Hofmannsthal. Mit sieben Lithographien von Hans Fronius. München, Carl Hanser Verlag, 1968,. 1. Auflage37(1) S., OHalb-Leder mit bedruckten Deckeln im Schuber (dieser mit Schmutzspuren), Groß-Folio, zweifarbiger Handsatz in der Janson-Antiqua, Einband und Typographie von Viktor Wilsch, handgebunden von Hans Flach; Druck auf Büttenpapier der Firma Mayspies, Düren. Gesamtauflage 190 Exemplare, vorliegend eins von 40 unnummerierten, nicht für den Verkauf bestimmten Exemplaren. Sämtliche ganzseitigen Lithographien sind von Fronius (1903-1988) signiert. 4. Hanser Pressendruck. Oberer Rücken leicht gestaucht, kleinere Abreibspuren am Lederrücken. Guter Zustand. Spindler 63,4. Good copy, not numbered. With 7 handsigned lithographs. Versand D: 5,00 EUR Pressendruck, Hans Fonius, Hanser, limited, signed, Originalgraphik [Bookseller: AS - Antiquariat Schröter]
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