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Displayed below are some selected recent viaLibri matches for books published in 1968


      [New York]: A Seymour Lawrence Book Delacorte Press, [1968] - Octavo, cloth-backed boards. First edition. 5000 copies printed. Twenty- five stories including eleven (of the twelve) published earlier in CANARY IN A CAT HOUSE (1961). Includes "Welcome to the Monkey House." Anatomy of Wonder (1987) 3-394. Survey of Science Fiction Literature V, pp. 2447-50. Pieratt, Huffman-klinkowitz, and Klinkowitz AG1. A fine copy in nearly fine dust jacket ($5.95 price printed on front flap) with a couple of tiny rubs to front panel and some mild general dust soiling. A very nice copy. (#140055) [Attributes: First Edition; Hard Cover]

      [Bookseller: Currey, L.W. Inc. ABAA/ILAB]
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        Gugong Cangci. Porcelain of the National Palace Museum: Monochrome Ware of the Ming Dynasty. Book I and Book II. 2 Volumes

      Hong Kong: Cafa Company Limited, 1968 - First edition, first printing. Folio, 39.7*28cm, wt:3.9kg. A set of 2 volumes. Ex-library hardcovers in original dustjackets protected in mylar. Text in both English and Chinese. [Attributes: First Edition; Hard Cover]

      [Bookseller: Chinese Art Books]
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        2001: A Space Odyssey (Signed first edition)

      Hutchinson, London 1968 - A Near Fine copy in like dust jacket. Spine of book just slightly cocked a few small spots on the closed text block, otherwise in excellent condition. Near Fine dust jacket without chips or tears. Inscribed by the author on the title page: "For Chris [Hicks] from Arthur C. Clarke." Inscribed for Chris Hicks of the Leaning Chimney Press, with his ex libris plate on the front paste-down. Clarke's "2001: A Space Odyssey" was quite ahead of its time. As a young boy growing up in Somerset, England, Clarke read American pulp sci-fi novels and was fascinated by the concept of space travel. Following these interests, Clarke was spurred into a writing career that launched a generational fascination with space within a rapidly modernizing world. "2001: A Space Odyssey" is a monumental novel that struggles with complex themes, such as the perils of technology, nuclear warfare, and the concepts of evolution and artificial intelligence, that were quickly becoming very real concepts to twentieth-century readers. The famous Stanley Kubrick film release preceded the novel, which explains the use of movie images on the dust jacket. The movie Very shortly after its publication, "2001" was made into a film by Stanley Kubrick, grossing millions worldwide. The film and book have picked up numerous awards within their fields for their imaginative and groundbreaking content, and contribution to contemporary scientific thought."Two possibilities exist: either we are alone in the Universe or we are not. Both are equally terrifying." Arthur C. Clarke. Near Fine in Near Fine dust jacket. [Attributes: First Edition; Signed Copy]

      [Bookseller: Whitmore Rare Books, Inc. -- ABAA, ILAB]
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        Masque d’Oiseau. Relief-Multiple. Nickel vergoldet („en métal d’horlogerie nickelé et plaqué à l’or fin"). Editions des Nouvelles Images, Jacques Blanc, (1968). Verso mit geprägtem Künstlernamen: ARP und gravierter Nummerierung: 225/300. In seidengefütterter Original-Kassette.

      - Editions des Nouvelles Images, Jacques Blanc, (1968). Verso mit geprägtem Künstlernamen: ARP und gravierter Nummerierung: 225/300. In seidengefütterter Original-Kassette. Erschienen in 300 nummerierten Exemplaren.

      [Bookseller: Gerhard Zähringer, Antiquariat & Galerie]
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        Hassebrauk, Ernst. - Früchtekorb.

      - Mischtechnik / Aquarell & Gouache, über Radierung, 1968. Von Ernst Hassebrauk. 38,4 x 50,2 cm (Darstellung / Blatt) / 50 x 60 cm (Passepartout). Lau 276. In der Darstellung rechts unten in Bleistift signiert: "hassebrauk". - Unikat. - Fachgerecht im Passepartout montiert. Hervorragend erhalten. Ernst Hassebrauk (1905 Dresden - 1974 Dresden). Oft fälschlich auch Ernst Hassebrauck. Deutscher Maler und Grafiker. 1925-27 Studium an der Kunstakademie Dresden. 1927-32 Studium der Philosophie und Kunstgeschichte an der Universität Leipzig. Parallel Studium an der Leipziger Kunstakademie bei Willi Geiger. 1947 Proffesur an der Hochschule für Grafik und Buchkunst Leipzig (HGB). 1949 Entlassung aus dem Lehramt im Zusammenhang mit der Formalismusdebatte. 1958-60 Arbeit an den Staatlichen Kunstsammlungen in Dresden. Pflegte einen in seiner vitalen Farbigkeit und üppigen Strichführung neobarock anmutenden expressiven Realismus. Zahlreiche Ausstellungen und Publikationen. [Attributes: Signed Copy]

      [Bookseller: GALERIE HIMMEL]
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        Giurisprudenza Costituzionale. Repertorio delle decisioni della Corte Costituzionale. A cura di Nicola Lipari e poi diretta da C. Esposito C. Mortati M.S. Giannini.

      Giuffrà 1968-1998, Milano - La rivista fu fondata nel 1956. n.d. p. annate 1968 1973 1977 1978 1981 1983 1985 1987 dal 1989 al 1998 per un totale di 18 annate in-8 br.edit e fascicoli da rilegare

      [Bookseller: Libreria Antiquaria Giulio Cesare]
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        Exhibition Dada (poster)

      1968 - Poster for the exhibition of "Dada" held by the National Museum of Modern Art, Tokyo in 1968 (June 1 - July 14). There are some folds. Size: 72.5 x 52 Cm

      [Bookseller: booksGYOZANDO]
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        Capitolium. Rassegna mensile di attività municipale

      vari editori 1968-1975, Roma - Legature piena tela con titolo oro su tassello in pelle al ds. Copp. ed. conservate all interno. Le annate 1968, 1969 e 1970 sono rilegate in due tomi. Ottimo stato di conservazione. 8vo, 8 annate complete (non rilegate dal 1973 in poi). Con illustrazioni. [Attributes: Hard Cover]

      [Bookseller: Libreria Ex Libris ALAI-ILAB/LILA member]
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        Original production cel set up from Winnie The Pooh and the Blustery Day

      Burbank, CA: Walt Disney Studios,, 1968. Featuring Winnie the Pooh, Piglet, Christopher Robin, Eeyore, Rabbit, and Kanga doing the blanket toss. Pair of hand-painted production cels in a six-character setup with the two cels combined. The top cel is Winnie the Pooh and Piglet being tossed in air during a blanket toss. Winnie has his honey jar! The bottom cel is an amazing 6 field cel with Christopher Robin, Eeyore, Rabbit, and Kanga doing the blanket toss. The double-aperture mat has cels on printed backgrounds for presentation purposes. Each cel has an image field of 8.5 inches by 15 inches. Framed and with UV glass. Gouache on celluloid. Slight paint cracking to Eeyore and to Christopher's hair, otherwise an excellent cel set up. This same image was used for a Walt Disney Art Classics limited edition cel in the 1990s. The top cel has a Disney seal. One of the single best Winnie the Pooh setups we have come across.

      [Bookseller: Peter Harrington]
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        A Wizard of Earthsea

      Parnassus Press, Berkeley 1968 - First Edition, First Printing authentically SIGNED by Ursula K. Le guin on the title page. This is the TRUE FIRST EDITION with the vertical ink smudge present on title page and the Parnassus Library Edition box on the back panel with the reinforced binding. This ORIGINAL price clipped dustjacket is vibrant in color with minor wear to the edges. The book is bound in the publisher's original green cloth with minor wear to the boards. The pages are clean with NO writing, marks or bookplates in the book. Overall, a wonderful copy SIGNED by the author. We buy SIGNED Le Guin First Editions. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Quintessential Rare Books, LLC]
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        Once. Poems

      Harcourt Brace & World, New York 1968 - First Edition. 1 vols. 8vo. First Book, Review Copy. Original cloth backed boards. Advance review copy with publisher's slip inserted. Fine in near fine dust jacket (slightest traces of wear at spine ends). Fresh and bright [Attributes: First Edition; Hard Cover]

      [Bookseller: James Cummins Bookseller, ABAA]
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        The Voyage and Other Versions of Poems by Baudelaire

      U K Faber 1968 - Limited Signed Edition. No 155 0f 200 Copies Signed By Lowell and Nolan(Illustrator) 1/2 Black Buckram And Purple Cloth. VERY FINE in Purple Slipcase as Issued [Attributes: Signed Copy; Hard Cover]

      [Bookseller: barnoble-books]
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        Catalogue de l'Oeuvre de Georges Braque Peintures 1924 - 1927

      Maeght Editeur, Paris 1968 - Cloth covered ring binder with colored embossed design by Braque on front cover, (2), 121, (3) numbered sheets (appx. 250 pp.) with 176 illustrations (14 are in color). Text in French. The pictures are arranged chronologically by year. VG+ ex art reference library copy never used, paper label on lower spine would easily come off [Attributes: Hard Cover]

      [Bookseller: Mullen Books, Inc. ABAA / ILAB]
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        Gabriel Garcia Marquez Collection. 16 First editions all INSCRIBED: No One Writes to the Colonel; One Hundred Years of Solitude; Innocent Erendira; In Evil Hour; Chronicle of a Death Foretold; The Story of a Shipwrecked Sailor; Clandestine in Chile; Love in the Time of Cholera. . .

      NY and Bogota: Harper & Row, Knopf, LEC, Grupo Editorial Norma (1968-2005)., 1968. An outstanding collection of 16 first editions of the Nobel Laureate all variously INSCRIBED to the collector, Richard Mattie by Garcia Marquez. No One Writes to the Colonel and Other Stories; One Hundred Years of Solitude; Innocent Erendira; In Evil Hour; Chronicle of a Death Foretold; The Story of a Shipwrecked Sailor; Clandestine in Chile; Love in the Time of Cholera; The General in His Labyrinth; Strange Pilgrims; Love and Other Demons; News of a Kidnapping; Living to Tell the Tale; Memories of My Melancholy Whores; Vivir para contarla; One Hundred Years of Solitude LEC. This collection was put together by the highly resourceful Richard Mattie between the years of 1997 and 2005 with the assistance of a number of contacts in Mexico who had close connection with Garcia Marquez. All 16 books are personally inscribed to Mattie by Garcia Marquez, and, noteworthy, the copy of the LEC of One Hundred Years of Solitude is inscribed in English, "To Richard, from his Friend." and is signed and dated 1998. Garcia Marquez rarely inscribed in English. Mattie said that Garcia Marquez commented that this was the first time he signed this book. All the books are first American editions with the exception of Vivir para cotarla which is the true first in Spanish, the Columbian edition published by Grupo Editorial Norma, Bogota, 2002. As every serious Garcia Marquez collectors fully knows, there are a great many highly suspect "signed" Garcia Marquez books on the internet and purchasing any without impeccable, serious provenance is a risky venture at best. Mattie was so diligent in his documentation that he kept every letter, fax, postal receipt, wire, and email (all printed out fully) from this close to 9 year difficult collecting venture. This 1" thick folder, entitled by Mattie "The Gabriel Garcia Marquez File 1997-2005" is included with this collection. Never have I seen such minutely detailed provenance. As a collection of inscribed Garcia Marquez titles in English translation, this is as close to a sine qua non statement as a contemporary collector might hope to come. All the books From Chronicle of a Death Foretold forward through Memories of My Melancholy Whores are tight, fine books in bright, fine DJs with the exception of Strange Pilgrims which has slight cloth discoloration at the base of the book. No One Writes to the Colonel has a partial name erasure top of the front free endpaper and some top edge foxing, else very good plus in a bright first issue DJ with a minuscule closed tear bottom of front panel else fine. One Hundred Years of Solitude is the first edition book in the second issue DJ with a period end of the first front flap paragraph. There is a small contemporary inscription dated 1970 top of the half-title page in Spanish. The book has light cloth wear at the extremities else tight, near fine in a bright, price intact ($7.95) DJ with small fold tears top of front panel near the spinal gutter and at the base of spine (given the floral pattern, these are not very noticeable) with some clear tape reinforcements verso.  Inscribed by Author(s). 1st Edition. Hardcover. Fine/Dust Jacket Included.

      [Bookseller: Thomas Dorn ABAA]
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        Serie von 6 Original-Farbfotografien. [20]07. [6 original colored photographs].

       Jeanne Faust, geboren 1968 in Wiesbaden. 6 Original-Farbfotografien. Jede Fotografie rückseitig von Jeanne Faust signiert und datiert. Einmalige Auflage für die Griffelkunst Hamburg, 2007. Blätter und Abbildungen in unterschiedlichen Größen. Maße Blätter: von 28,0 x 37,2 (bis 38,0 x 27,5) cm. Maße Abbildungen: von 21,2 x 32,0 (bis 23,5 x 29,5) cm. Sehr gutes, tadelloses Exemplar. 6 Original photographs in color. Each photograph signed and dated by Jeanne Faust. Griffelkunst edition, Hamburg 2007. Sheets and images in different measures. Mint condition. Versand D: 4,90 EUR Fotokunst / photographic art; Original-Fotografie / Original-Photographie / original photograph; Signatur, signiert / signature, signed copy

      [Bookseller: Antiquariat Lenzen GbR]
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        die Reihe 1-8 [Complete]. A Periodical Devoted to Developments in Contemporary Music

      Theodore Presser in Association with Universal Edition, Bryn Mawr 1968 - 8vo, each volume an 8vo bound in printed wraps of varying colors, by the Austrian designer Willi Bahner. All issues published of the first English language edition of one of the most important new music periodicals of its time, which began publication in German in 1954 out of the circle of composers which coalesced around the Nordwestdeutscher Rundfunk (NWDR). The covers are brilliantly and minimally designed in a variety of hues by the unheralded but important Austrian designer Willi Bahner. The contributors are largely European, though John Cage offers several important texts. The periodical was the most important English language source of information for European experimental and serial music, though this English language version was often contentiously received by English language readers. The periodical came to an end after a falling out between the two editors, with the epic issue no. 8. To the credit of the periodical, one of the most bitter attacks on the magazine was published in die Reihe itself, an attack on work by Stockhausen by the Dutch physicist Adriaan Fokker - a fitting coda to a provocative and contentious periodical. Each issue was devoted to articles on a particular theme. No. 1 - Electronic Music, No. 2 - Anton Webern, No. 3 - Musical Craftmanship, 4. Young Composers, 5. Reports Analyses, 6. Speech and Music, 7. Form-Space, and 8. Retrospective. Spines worn, with reading creases and some light chipping to paper, and creasing to the wraps, but otherwise a sturdy, very good set. Scarce complete. No. 1: What is electronic music? / Herbert Eimert -- The third stage / H.H. Stuckenschmidt -- A glance over the shoulders of the young / Ernst Krenek -- First practical work / Giselher Klebe -- At the ends of fruitful land / Pierre Boulez -- Formal elements in a new compositional material / Henri Pousseur -- The sound material of electronic music / Karel Goeyvaerts -- Serial technique / Paul Gredinger -- Actualia / Karlheinz Stockhausen -- Studio technique / Gottfried Michael Koenig -- Statistic and psychologic problems of sound / Werner Meyer-Eppler.No. 2: Foreword / Igor Stravinsky -- Biographical table / Friederich Wildgans -- Index of works / Friederich Wildgans -- A cantata / Hildegard Jone -- Foreword to Webern's "Six Bagatelles", op. 6 / Arnold Schonberg -- Homage to Arnold Schonberg / Anton Webern -- Webern as a conductor / Anton Webern -- The same stone which the builders refused is become the headstone of the corner / Ernst Krenek -- From the correspondence / Ernst Krenek -- The UE reader / Ernst Krenek -- Choralis Constantinus / Anton Webern -- A change of focus / Herbert Eimert -- For the 15th of September, 1955 / Karlheinz Stockhausen -- The threshold / Pierre Boulez -- Webern and Schonberg / Heinz-Klaus Metzger -- Analysis of a period / Leopold Spinner -- Anton Webern's organic chromaticism / Henri Pousseur -- Movement / Christian Wolf -- Structure and experimental time / Karlheinz Stockhausen -- Analysis of the "Sacred Song", op. 15, no. 4 / Heinz-Klaus Metzger -- Webern's "Piano Variations", op. 27, 3rd movement / Armin Klammer -- Interval proportions / Herbert Eimert.No. 3: The composer's freedom of choice / Herbert Eimert -- --how time passes-- / Karlheinz Stockhausen -- To describe the process of composition used in Music for piano 21-52 / John Cage -- Outline of a method. Introduction ; Quintet in memory of Webern ; Impromptu ; Variations I-II / Henri Pousseur.NO. 4: Young composers / Wolf-Eberhard von Lewinski -- Luigi Nono / Udo Unger -- Henri Pousseur / Gottfried Michael Koenig -- Hans Werner Henze / Rudolph Stephan -- Pierre Boulez / György Ligeti -- Intermezzo I (Just who is growing old?) ; Intermezzo II / Heinz-Klaus Metzger -- Bo Nilsson / Gottfried Michael Koenig -- Giselher Klebe / Wolf-Eberhard von Lewinski -- Luciano Berio / Piero Santi -- Bernd Alois Zimmermann / Reinhold Schubert -- Bruno Maderna / Giacomo Manzoni -- Karlheinz Stockhausen / Dieter Schnebel.No. 5: Debussy's Jeux / He [Attributes: Soft Cover]

      [Bookseller: Division Leap, ABAA]
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        Les Maîtres de la Gravure au vingtième siècle. Jean Adhémar, conservateur en chef du Cabinet des Estampes, présente 10 Lithographies originales en couleurs de Carzou

      Pierre Cailler, éditeur, Genève 1968 - Cet album a été réalisé pour le compte de Pierre Cailler, éditeur à Genève. Les 10 lithographies originales qui l'illustrent ont été tirées en 1966, 1967 et 1968 sur les presses à bras des Presses Artistiques à Pully (Suisse). La typographie en lettre didot, corps 18, a été composée par l'Imprimerie de la Plaine du Rhône à Aigle (Suisse). Le tirage est strictement limité à 100 exemplaires sur vélin rives, numérotés de 1 à 100, en outre, il a été tiré 20 exemplaires hors commerce, numérotés de I à XX, réservés aux collaborateurs. Cet album fut mis en vente le 1er novembre 1968. Notre exemplaire est marqué 59/100, il est doublement signé par l'artiste Jean Carzou et l'éditeur Pierre Cailler. La table des matières donne les noms des 10 lithographies : Le Grand Canal ; L'Odalisque (voir photo) ; Saint-Tropez ; Les Volcans ; La Scène ; l'Eté (ATTENTION : manque !) ; Le Chemin de fer ; Le Louvre et Versailles. Chacune des 9 lithographies présentes sont numérotées et signées par l'artiste. Présentation sous forme de feuilles flottantes et des lithographies. Cartable de l'éditeur, marqué Carzou sur le plat, dimension 39.5 x 57.5 cm. Etat : très bon. ATTENTION : la lithographie « L'été » est manquante, 9 lithographies sur 10. The lithography « l'été » is missing, 9 lithographies from 10 are present. 39.5 x 57.5 x 1.2 cm oblong 2050g.

      [Bookseller: ABC - Eric Girod]
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        Marcel Duchamp o el Castillo de la Pureza. Textos. .

      1968. Ed. Era. 1968 - Imp. Madero. Mexico. . 1 Vol. . 62 pp. + 69 pp. + 1 lamina + 3 laminas + 9 laminas + 6 pp. Folio. Tela Editorial. . Libro maleta que contiene, El Castillo de la Pureza y textos, una reproducción en lámina de claracil del Gran Vidrio: La novia desnudada por sus solteros, tres láminas en color, un sobre con nueve reproducciones de Ready-Made y un álbum fotográfico con reproducciones de textos autógrafos. Incluye estuche protector y está en buen estado.

      [Bookseller: Librería Anticuaria Astarloa]
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      Iowa City: The Windhover Press, 1968. First Edition. Hardcover. Just about Fine, issued without a dustwrapper. Gilt-lettered boards. One of 450 copies printed on Rives Heavy paper. The decorative brackets and frontispiece were adapted by Mary Ellen McFadden from early Icelandic representations of Thor's hammer. The Icelandic text edited by Peter H. Salus and Paul B. Taylor and translated by Taylor and W .H. Auden. SIGNED by Auden after his crossed-out name on the title page.

      [Bookseller: Charles Agvent]
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        Aequationes Mathematicae.

      Basel, Birkhäuser, 1968-1997. - ISSN: 0001-9054. Titel rückseitig gestempelt und Buchrücken mit Bibliotheks-Signatur-Schild. Sprache: Deutsch Gewicht in Gramm: 35000 8°. Blaue Bibliotheksleineneinbände.

      [Bookseller: Antiquariat Trageser]
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        Algebra and Logic / Institute of Mathematics of the Siberian Branch of the Russian Academy of Sciences, Novosibirsk. Translated from Russian.

      O.O., Plenum Publishing, 1968-1990. - ISSN: 0002-5232. Titel rückseitig gestempelt und Buchrücken mit Bibliotheks-Signatur-Schild. Titelblätter der Bände 7-16 als Fotokopie ergänzt. Sprache: Deutsch Gewicht in Gramm: 35000

      [Bookseller: Antiquariat Trageser]
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        True Grit (Signed First Edition)

      New York: Simon and Schuster, 1968. First Edition. First Edition. SIGNED by the author on the second half title page. The author's second novel, basis for the now-classic film starring John Wayne, Glen Campbell and Kim Darby, and the equally classic remake--far more faithful to the text--by Joel and Ethan Coen, starring Jeff Bridges and Matt Damon. Near Fine in an attractive, Near Fine dust jacket.

      [Bookseller: Royal Books, Inc.]
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        Rosemary's Baby (Collection of 74 photographs from the 1968 film)

      Los Angeles: William Castle Productions / Paramount Pictures, 1968. Collection of 74 vintage black-and-white single weight still photographs from the US release of the 1968 film. Included are 12 candid photographs from the set, 6 of which feature Roman Polanski working with various cast and crew. A seminal horror film, one of the finest genre pictures ever made, from the earliest days of the New Hollywood cinema, bringing together Hollywood newcomer Roman Polanski, old-time producer William Castle, young star Mia Farrow (on loan from her husband Frank Sinatra), and John Cassavetes. Set and shot on location in New York City. 8 x 10 inches (20 x 25 cm). Near Fine overall. Complete collation details available on request. Criterion Collection 630.

      [Bookseller: Royal Books, Inc.]
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        Ausgewählte Werke. Hg. v. Joachim Birke. (= Ausgaben Deutscher Literatur des XV. bis XVIII. Jahrhunderts).

      de Gruyter, Berlin 1968-87. 12 Bände i. 24 Bänden (vollständig). 8°. Original-Leinen, Bibliotheksexemplar, (Bibliotheksrückenschild sauber u. rückstandsfrei entfernt, bei zwei Bänden Rücken i. unteren Bereich verfärbt), Stempel a. Titelrückseite, ansonsten sehr gut erhalten,Versand D: 4,90 EUR

      [Bookseller: Antiquariat Hagena & Schulte GbR]
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      Enitharmon Press, London. 1968 - First edition. Octavo. pp [xii], 24, [viii]. Printed by Daedalus Press, Stoke Ferry. Erratum slip loosely inserted. Quarter red morocco with cloth sides. Number 39 of 200 copies signed by the author.Presentation copy from the author, inscribed on the title-page: ''To Clive from Harold''. The recipient is the British film director Clive Donner, who in 1963 had brought The Caretaker to the screen, the first of Pinter's plays to be made into a film. An exceptional association copy, inscribed with the author's characteristic brusqueness.Spine faintly rubbed. Near fine. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Peter Ellis, Bookseller, ABA, ILAB]
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        2001: A Space Odyssey

      New American Library (NAL), 1968. First Edition (first printing). A novel based on the film screenplay by Stanley Kubrick and Clarke, the story of an astronaut in a 400-foot spacecraft hurtling toward unexplored planets -- acompanied only by one other astronaut, three deep-freeze "hibernauts" and Hal -- the electronic brain that guides the course. Near Fine/Near Fine. A clean copy with fairly even light toning to the white dust jacket. . 1st Edition. Hardcover. Near Fine/Dust Jacket Included.

      [Bookseller: Bill Leone, Bookseller ABAA]
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      Les éditions de minuit 1968 - - Les éditions de minuit, Paris 1968, 14,5x19,5cm, broché. - Edition originale, un des 100 exemplaires hors commerce numérotés sur B.F.K. de Rives, seuls grands papiers avec 662 autres B.F.K. de Rives. Précieux envoi autographe daté de Février 1968 et signé de Samuel Beckett à son ami le peintre Geer (Van Velde) et à sa femme Lise. Petites piqûres sur le premier plat marginalement et légèrement insolé. « Que dire de ces plans qui glissent, ces contours qui vibrent, ces corps comme taillés dans la brume, ces équilibres qu'un rien doit rompre, qui se rompent, et se reforment à mesure qu'on regarde ? Comment parler de ces couleurs qui respirent, qui halètent ? de cette stase grouillante ? de ce monde sans poids, sans force, sans ombre ? Ici tout bouge, nage, fuit, revient, se défait, se refait. Tout cesse, sans cesse. On dirait l'insurrection des molécules, l'intérieur d'une pierre un millième de seconde avant qu'elle ne se désagrège. C'est ça la littérature. » (La peinture des van Velde ou Le Monde et le pantalon, in Cahiers d'Art n°11-12, Paris 1945) Beckett ne parle pas ici, malgré les apparences, de son œuvre littéraire mais de la peinture de Geer van Velde, ajoutant quelques lignes plus loin : « [Bram] van Velde peint l'étendue. G[eer] van Velde peint la succession. ». Cet éloge de la peinture des frères van Velde, publié à l'occasion de la double exposition des van Velde, Geer chez Maeght et Bram à la galerie Mai, est le premier texte d'importance sur ces peintres alors à peu près inconnus du public : « On ne fait que commencer à déconner sur les frères van Velde. J'ouvre la série. C'est un honneur. » Il est aussi le premier texte critique écrit directement en français par un jeune écrivain irlandais qui n'a encore jamais publié en France. Ainsi, le premier et plus important écrit sur l'art de Beckett, composé à l'aube de sa carrière littéraire, instaure, dès l'origine, une relation fondamentale entre son œuvre en gestation et la peinture de ses amis : « Aussi a-t-on souvent lu ce texte en creux, ou en miroir, comme une des rares désignations de la poétique (à venir) de Beckett par lui-même, une sorte de programme anamorphique d'écriture » (Un pantalon cousu de fil blanc : Beckett et l'épreuve critique par Pierre Vilar) Véritable déclaration d'intention du dramaturge, ce texte fondamental - dont Beckett confesse dès l'introduction la valeur introspective : « avec les mots on ne fait que se raconter » - inaugure la période créatrice la plus fructueuse de l'écrivain. En effet, à l'instar d'Apollinaire ou de Cendrars, Beckett puise dans les problématiques artistiques des frères van Velde le ferment de son écriture à venir par « la mise en cause la plus profonde des présupposés narratifs, figuratifs ou poétiques. » (Pascale Casanova in Beckett l'abstracteur). L'influence majeure de la peinture moderne sur la structure - ou déstructuration - narrative à l'œuvre dans le théâtre et les romans de Beckett sera révélée et analysée par de nombreux penseurs, dont Gilles Deleuze, Julia Kristeva ou Maurice Blanchot. C'est justement à partir de la peinture des van Velde, de Geer, puis de Bram, que Beckett formalise cette volonté de traduire la question picturale en dramaturgie. Ainsi refuse-t-il les décors de Nicolas de Staël pour En attendant Godot car : « Il faut que le décor sorte du texte, sans y ajouter. Quant à la commodité visuelle du spectateur, je la mets là où tu penses. Crois-tu vraiment qu'on puisse écouter devant un décor de Bram, ou voir autre chose que lui ? » (Lettre à Georges Duthuit, 1952) . Lorsqu'il rencontre Geer en 1937, « Beckett traverse une crise existentielle majeure, il vient de remodeler son premier roman Murphy, refusé par un grand nombre d'éditeurs, il sombre dans l'alcoolisme, quitte l'Irlande et s'installe définitivement à Paris » (Le pictural dans l'œuvre de Beckett, Lassaad Jamoussi). Il revient d'un long voyage artistique en Allemagne où il s'est imprégné d'œuvres classiques et d'art contemporain - c'est [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: Librairie Le Feu Follet]
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        THE AERONAUTICAL JOURNAL of the Royal Aeronautical Socety, 18 Volumes: 72 (1968) - 89 (1985). [= 18 Jahrgänge: 72 (1968) - 89 (1985), gebundene Zeitschrift.]

      London : RAeS, 1968 - 1985. 18 Jahrgänge in 18 Bänden, 34.3kg, insgesamt ca. 10.000 S. Gr.-8°, Halbleinen 18 Volumes!!! Der Titel stammt aus einer aufgelösten Spezialbibliothek für Luft- und Raumfahrt und ist mit entsprechenden Kennzeichnungen versehen. Bucheinbände leicht berieben und etwas angestaubt. Einbände der Jahrgangsbände 1984 und 1985 sind verformt. Seiten sauber, teilweise aber gewellt. Bindungen fest. Guter Zustand. Mehr Fotos und Angaben zu den Versandtkosten schicken wir Ihnen gern auf Anfrage. Bitte beachten Sie unser reichhaltiges Angebot an antiquarischen Zeitschriften. // Formerly from library-collection. Covers with light shelf wear. Covers of volume 1984 and 1985 are deformed. Pages clean, but partly currogated. Good condition. More pictures on demand. Please ask for shipping-fees. zqx mbx jqx Versand D: 5,00 EUR

      [Bookseller: Antiquariat Bookfarm]
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        Justiz und Ns-Verbrechen. Sammlung Deutscher Strafurteile wegen Nationalsozialistischer Totungsverbrechen. 1945-66. [Twenty Two Volumes plus Index]

      University Press Amsterdam. Hardcover. Amsterdam, 1968-2004. Small quarto, red cloth, 23 volumes. The records of the German war trials, 1945-1966. A near fine set with minimal signs of wear, some sticker residue to heels of spines of all volumes. Twenty two volumes plus index volume. Does not include the CD-Rom. Please contact us for additional pictures or information. . Fine. 1968.

      [Bookseller: Auger Down Books]
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        1968 Marc Chagall The Circus Mourlot Lithograph

      1968 - "The Circus" by Marc Chagall, Unsigned Lithograph printed in 1968 from an edition size of 2000. The overall is size of the Lithograph is 28 x 20 inches. The conditon of this piece has been graded as B-: Good Condition, with signs of handling or age. Here is some supplemental information about the Lithograph: Lithographic reproduction executed by Charles Sorlier from a small original print titled "The Circus' that Chagall painted in 1960. This poster was printed on the occasion of an exhibition of lithographs of Chagall at the Museum of Modern Art in Ceret, France. Published by Editions of the Museum of Modern Art, Ceret, France. Number 112 in "Chagall's Posters - A Cataloque Raisonne', Sorlier, 1975-"The Circus" 1968.OUT OF PRINT

      [Bookseller: Rare Posters]
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        Stolen Kisses [Baisers voles] (Original photograph from the set of the 1968 film)

      Paris: Les Films du Carrosse, 1968. Vintage borderless black-and-white double weight photograph from the set of the 1968 French film noir. With a rubber stamped date of March 12, 1970 on the verso, along with numerous press notations and markings. A wonderful candid shot of Truffaut, Jade, and Léaud sitting on a park bench during principal shooting of the film. Raymond Cauchetier began his career as a set photographer in 1956, on Marcel Camus' 1957 film, "Fugitive in Saigon." Cauchetier's film career is closely linked to the French New Wave, for whose founders he became a favorite still photographer. Between "Breathless" in 1960, and "Stolen Kisses in 1968 (his final film), Cauchetier worked with most of the emblematic directors of that movement, including Truffaut, Jean-Luc Godard, Claude Chabrol, Jacques Demy, Agnes Varda, and Jacques Rozier. He was honored with a monograph "Photos de cinéma: Autour de la Nouvelle Vague (1958-1968)" (Image France Éditions, 2007), in which several of his most evocative images can be seen. The third of Truffaut's series of five films wherein Léaud portrays Truffaut's semi-autobiographical character Antoine Doinel. 9.75 x 8 inches. Some impressions visible on the recto from the press notations on the verso, otherwise Near Fine. Criterion Collection 186.

      [Bookseller: Royal Books, Inc.]
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        Outer Dark

      New York: Random House, 1968. First edition. Hardcover. First printing, stated. Very good or better in a very good or better price-clipped dust jacket, showing a touch of wear to the jacket spine at crown, a 1/4 inch closed tear to the lower front panel at the gutter, a touch of offsetting to the pastedowns. Some slight and unobtrusive water spots to the light blue topstain. No markings or inscriptions. A bright, clean and very attractive copy of McCarthy's second novel, which is just as elusive as his first. Uncommonly nice.

      [Bookseller: John Kehoe, Bookseller ABAA]
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      New York:: Wm. Morrow & Co.,. 1968.. First edition of the author's first book. Book collector's bookplate SIGNED by the author, laid in. The book is as new and the dust jacket has the barest wear AND the dark blue endpapers are not faded or mottled. The only copy we have ever handled in this condition. .

      [Bookseller: Quill & Brush]
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        Signed 1968 Robert Rauschenberg St. Louis Symphony Orchestra Offset Lithograph

      1968 - "St. Louis Symphony Orchestra" by Robert Rauschenberg, Signed Offset Lithograph printed in 1968. The overall is size of the Offset Lithograph is 34.75 x 24.25 inches. The condition of this piece has been graded as C: Several Signs of use and handling, some visible marks. Here is some supplemental information about the Offset Lithograph: Original poster created for the opening of the St. Louis Symphony Orchestra, Powell Symphony Hall, January 24th, 1968, signed by Rauschenberg. Not Numbered. Slight creasing in the middle part. [Attributes: Signed Copy]

      [Bookseller: Rare Posters]
 34.   Check availability:     AbeBooks     Link/Print  

        1968 Original FRANK SINATRA - SIGNED - SCREENPLAY / SCRIPT "THE LADY IN CEMENT" Rare Early Sinatra Signature

      TWENTIETH CENTURY FOX / ARCOLA-MILLFIELD 1968. TWENTIETH CENTURY FOX / ARCOLA-MILLFIELD : , 1968. ORIGINAL FINAL SHOOTING SCRIPT / SCREENPLAY of the TWENTIETH CENTURY FOX / ARCOLA-MILLFIELD PRODUCTION of "THE LADY IN CEMENT". The film Starred FRANK SINATRA as Tony Rome, and Raquel Welch. This Original Screenplay is SIGNED by FRANK SINATRA on the Title Page. The screenplay is dated FEBRUARY 21, 1968. It was Written by Marvin Albert and Jack Guss, (based on the novel by Marvin Albert). Though the title-page states "Final", this was clearly still a work-in-progress. There are numerous blue colored sheets dated 3/4/68 and 3/5/68 that are mixed in with the white sheets, obviously with changes, corrections and/or additions. Also, the film was released on November 20, 1968, nine months after this "final" draft screenplay, meaning there was time for many other changes. Printed blue-paper covers, bound with 3 brass brads, mimeographed inner pages, 8.5x11", white paper mixed with blue paper, 133 pages plus the title page, pages printed on one side only. LADY IN CEMENT is a 1968 Detective Film, Directed by Gordon Douglas and starring FRANK SINATRA as TONY ROME and Raquel Welch as Kit Forrester. A sequel to the 1967 film "TONY ROME" that also Starred Frank Sinatra. Based on the novel by Marvin H. Albert, Lady In Cement was released on November 20, 1968. Condition: The front cover has staining and shorelining from what looks to be an old coffee spill that was quickly wiped up, there is also a bit on the back cover; the covers are creased and worn where they overhang the inner pages; the front page edges (edges of the closed screenplay) have some foxing; the title page has a splattering of old coffee drops to its blank upper front margin and a vertical crease where the page may have once been folded, but the printing remains clear and clean, and Frank Sinatra's signature is bold and bright; the last page has a small amount of very light old staining; the rest of the inner pages are very nice - complete, tight, bright, clean and unmarked. Though coffee (perhaps from Sinatra's cup?) was spilled on the front cover, this screenplay remains solid and nice, with its Original Covers, and the Wonderful EARLY SIGNATURE of the Great FRANK SINATRA. VERY RARE FRANK SINATRA - TONY ROME SCREENPLAY, SIGNED BY SINATRA. Good

      [Bookseller: Blank Verso Books]
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        Outer Dark.

      New York: Random House,, 1968. Octavo. Original grey boards, blue cloth backstrip, title in silver and publisher's device and imprint in blue to spine, decoupage lettering to spine and front board on black ground, top edge grey, fore edge untrimmed. With the dust jacket. A few very faint markings to cloth, boards very gently sunned towards edges, top edge slightly faded, internally fine. An excellent copy in the bright dust jacket, clipped to top corner of front flap. First edition, first printing, of the author's second novel.

      [Bookseller: Peter Harrington]
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        Senza titolo

      , , 1968. Ottimo (Fine). Litografia originale a colori. cm 70x50. . Ottimo (Fine). .

      [Bookseller: Studio Bibliografico MArini]
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        Isadora (Original screenplay for the 1968 film)

      Universal City, CA: Universal Pictures, 1968. Draft British script for the 1968 film. A high spot for Vanessa Redgrave in the 1960s, a story that follows the life of the free spirited modern interpretive dancer Isadora Duncan. From Dan Pavlides at Allmovie: Trained in classical dance, Duncan shattered the traditional conformities in her art and her personal life. The film begins at the end of her life as she recalls the past while dictating her memoirs to her male secretary. Her uninhibited sexuality and insistence on personal freedom and expression shocked more conservative and narrow-minded patrons and audiences. She brought in elements of classic Greek dance during the height of the jazz age and had children in and out of wedlock. Married to sewing-machine heir Paris Singer (Jason Robards) and the Russian poet Sergei Essenin (Ivan Tchenko), her life was a rollercoaster ride of success and tragic failures. Two of her children drowned when her chauffeur left the car unattended and the vehicle plunged into a river. Duncan lived by her own rules, often shunned by the very people who had so passionately embraced her pioneering efforts in dance, women's liberation and free thinking. Redgrave was nominated for an Oscar for her performance.The film's locales are international and range from California to Europe and the Soviet Union. Shot on location in various places in England, Italy, France, and Eastern Europe. Red studio wrappers, with a die-cut title window in the British style. Title page present. 142 leaves, roneograph. Pages Near Fine, wrapper Near Fine, internally bound with two gold brads.

      [Bookseller: Royal Books, Inc. ]
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        Vertikale. Farbsiebdruck. Ca. 45 x 32,5 cm. Rückseitig signiert und nummeriert (Nr. 42/150)

      1968. rückseitig mit 2 kleinen Montierungsspuren - differenzbesteuert, daher kein Ausweis der Mehrwertsteuer Versand D: 4,80 EUR

      [Bookseller: Antiquariat am St. Vith]
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        STREET WORKS: 0 to 9 No. 6 (supplement)

      New York: 0 to 9, 1968. First Edition. Wraps. Very good -. 4to. side-stapled wraps. Mild rubbing, soil. Very good plus overall. Vari- ously printed (mimeo, off- set, xerox). [64]pp. on 32 leaves. Final issue of this essen- tial magazine. Contributors include John Giorno, Adrian Piper, Anne Waldman, Lewis Warsh, Hannah Weiner, and others. [Clay and Phillips 207-07]. [Aarons and Roth 33-37].

      [Bookseller: Brian Cassidy, Bookseller]
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        [Two Homemade Photo Albums]: E 6th St [and] The Grossman's East Chatham Building Book

      New York. 1968-1971. Two tall octavo volumes. Unpaged. A few images loose or detached but all are present, very good or better. Homemade photo albums and journals made by Jill Grossman for her husband the noted publisher Richard Grossman. The Grossman's East Chatham Building Book (133 photographs, various sizes, both black and white and color, many captioned, hand-drawn map) photographically records and captions the construction of the Grossman's New York State House in East Chatham between 1968-1969, and is presented and dedicated to Richard by Jill in 1971. It shows the couple building the house: framing, raising walls, roofing, painting, gardening, gathering firewood, smoking pot, and generally living an idyllic country life. E 6th St (handpainted boards with applied handwritten title. 41 photographs, various sizes, both black and white and color, mostly uncaptioned, applied title page elements) is dated in 1970 (probably completed in 1971, as the final picture is dated on Christmas in 1970), shows a few images of their apartment but mostly concerns itself with scenes from New York's then-gritty streets, including images of the Fillmore East marquee, storefronts, a wall with layers of stripped posters, graffiti, posters advertising Bella Abzug's Congressional Campaign, and street characters. Richard Grossman made his living and his fame as a small publisher, publishing books such as Ralph Nadar's Unsafe At Any Speed and Helen Hanff's 84 Charing Cross Road. The creator of the books, Jill Kneerim, was Grossman's second wife (later divorced) and is a respected literary agent. These charming handmade books capturing a brief but interesting moment in time in the life of the liberal New York publisher. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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      Edition originale, un des 100 exemplaires hors commerce numérotés sur B.F.K. de Rives, seuls grands papiers avec 662 autres B.F.K. de Rives.Précieux envoi autographe daté de Février 1968 et signé de Samuel Beckett à son ami le peintre Geer (Van Velde) et à sa femme Lise.Agréable exemplaire. Les éditions de minuit Paris 1968 14,5x19,5cm broché

      [Bookseller: Librairie Le Feu Follet]
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        RUINS OF DESERT CATHAY: Personal Narrative of Exploration inCentral Asia and Wes

      New York [1968], Greenwood. Brown cloth, very good, 2 vol.. set, 546+517p., 3 fold out maps, 332 photos, index, many b w. photos, 6 fold-out panorama photos, reprint of London 1912,. clean, bright copy, black spine labels. SCARCE. The most fascinating of Stein's popular publications, inclu ding chapters on his negotiations for the treasures in the walled-up library at Dunhuang. His personal record of arch- archeological & geographical explorations carried out in the the remote parts of Asia. * He traveled on foot over 10,000 miles from the valley of the Indo-Afghan border, across the snowy ranges of the Hindu Kush, up the cradle of the River Oxus, on the roof of the world, & down to the Tarim River basin, to the dreaded Taklamakan desert. A keen archaeological primary resource, plus the first discovery of Tun-Huang and the Caves of the 1000 Buddha's. A major resource for early Buddhist studies, and Central Asian exploration, the Silk Road, and that whole area. By and large, the most impressive resource on this hitherto unexplored area. The Holy Grail of early Buddhist images and Buddhism. * THE FIRST EDITION WAS LONDON 1912 IN 2 VOLUMES. It was bound in brown cloth with gold-staming, and top edges gilt, 17 x 24 cm. * BIBLIOGRAPHY: Yakushi S331 * Stein 1862-1943 * Color scans can be sent by email. Images displayed may not be the actual copy in stock for sale at any given time; if you want to see the exact image of the book or edition in stock, please request this by email and an image will be returned to you by attachment. * * * * BUY WITH .

      [Bookseller: Rare Oriental Book Company, ABAA, ILAB]
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        Butch Cassidy and the Sundance Kid (Original screenplay for the 1969 film)

      Los Angeles: Twentieth Century-Fox, 1968. Final script for the 1969 film. A landmark of the New Hollywood Cinema, and arguably the high spot (as well as the beginning) of an incredible streak of inventive cinematic achievements directed by George Roy Hill in the late 1960s and 1970s that included "Slaughterhouse-Five" (1972), "The Sting" (1973), and "Slap Shot" (1977). Pale blue studio wrappers, noted as FINAL on the front wrapper, marked production No. 176, dated July 15, 1968. Title page present, dated July 15, 1968, noted as FINAL, with credits for screenwriter William Goldman. 182 leaves, mechanically reproduced on eye-rest green stock, with blue revision pages throughout, dated 11/5/68. Pages Near Fine, wrapper Very Good plus, bound internally with three gold brads.

      [Bookseller: Royal Books, Inc.]
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        (9 Bände) Ausgewählte Schriften. Ausgabe in acht Bänden (und 1 Band : Briefe). Lateinisch und Deutsch. Hrsg. von Werner Welzig.

      Wissenschaftliche Buchgesellschaft Darmstadt, 1968. / 1975; 1968; 1969; 1967; 1972; 1980; 1986. XXV, 375 S. / XXXIX, 361 S. / XL, 495 S. / XXX, 675 S. / XX, 451 S. / XXVII, 597 S. / LIV, 633 S. / LXXXVI, 293 S. / XXV, 375 S. und XLIV, 592 S. (Briefe). Originalleinen. Sehr gute Exemplare. - 9 BÄNDE. - Band 1: EPISTOLA AD PAULUM VOLZIUM BRIEF AN PAUL VOLZ - ENCHIRIDION MILITIS CHRISTIANI - HANDBÜCHLEIN EINES CHRISTLICHEN STREITERS - - Band 2: SIVE LAUS STULTITIAE - DEUTSCHE ÜBERSETZUNG VON ALFRED HARTMANN - CARMINA SELECTA AUSWAHL AUS DEN GEDICHTEN - DEUTSCHE ÜBERSETZUNG VON WENDELIN SCHMIDT-DENGLER - - Band 3: IN NOVUM TESTAMENTUM PRAEFATIONES - VORREDEN ZUM NEUEN TESTAMENT - RATIO THEOLOGISCHE METHODENLEHRE - Übersetzt, eingeleitet - und mit Anmerkungen versehen von - GERHARD B. WINKLER - - Band 4: DE LIBERO ARBITRIO AIATPIBH SIVE COLLATIO - GESPRÄCH ODER UNTERREDUNG ÜBER DEN FREIEN WILLEN - HYPERASPISTES DIATRIBAE AD VERSUS - SERVUM ARBITRIUM MARTINI LUTHERI. - LIBER PRIMUS. - ERSTES BUCH DER - UNTERREDUNG >HYPERASPISTESUNFREIEN WILLEN< MARTIN LUTHERS - Übersetzt, eingeleitet - und mit Anmerkungen versehen von - WINFRIED LESOWSKY - - Band 5: DIALOGVS, IVLIVS EXCLVSVS E COELIS - JULIUS - VOR DER VERSCHLOSSENEN HIMMELSTÜR, EIN DIALOG - INSTITUTIO PRINCIPIS CHRISTIANI - DIE ERZIEHUNG DES CHRISTLICHEN FÜRSTEN - QUERELA PACIS DIE KLAGE DES FRIEDENS - Übersetzt, eingeleitet - und mit Anmerkungen versehen von - GERTRAUD CHRISTIAN - - Band 6: COLLOQUIA FAMILIARIA VERTRAUTE GESPRÄCHE - Übersetzt, eingeleitet - und mit Anmerkungen versehen von - WERNER WELZIG / In primo congressu - Bei der ersten Zusammenkunft. - Auspicanti quippiam - Begrüßungsformeln für einen, der etwas beginnt. - Militaria - Die Soldatenbeichte. - Convivium religiosum - Das geistliche Gastmahl. - Apotheosis Capnionis - Reuchlins Himmelfahrt. - Der Hausdrachen; oder: Die Ehe. - Militis et Carthusiani - Der Soldat und der Kartäuser. -. - Adolescentis et Scorti - Der Jüngling und die Hure. - Altmännergespräch, oder: Das Fuhrwerk - Abbatis et Eruditae - Der Abt und die gelehrte Frau (u.a.) - - Band 7: DIALOGUS CUI TITULUS CICERONIANUS - SIVE - DE OPTIMO DICENDI GENERE - DER CICERONIANER ODER DER BESTE STIL - EIN DIALOG - ADAGIORUM CHILIADES (ADAGIA SELECTA) - MEHRERE TAUSEND SPRICHWÖRTER UND - SPRICHWÖRTLICHE REDENSARTEN - (AUSWAHL) - Übersetzt, eingeleitet - und mit Anmerkungen versehen von - THERESIA PAYR - - Band 8: DE CONSCRIBENDIS EPISTOLIS - ANLEITUNG ZUM BRIEFSCHREIBEN - (AUSWAHL) - Übersetzt, eingeleitet - und mit Anmerkungen versehen von - KURT SMOLAK / Ubi, et quomodo potissimum utendum epithetis - Wo und wie man die Beiwörter am besten gebraucht. - De transfigurandis epithetis - Die Umgestaltung der Beiwörter. - Quomodo dicendum, vale - Wie man sich verabschiedet. - De exordio epistolarum - Die Einleitung von Briefen - [De exhortatoria epistola] - [Der Aufforderungsbrief]. - Commenticia mea - Von mir frei erfundenes Beispiel. - De consolatoria epistola - Der Trostbrief. - De petitoria epistola - Der Bittbrief. - Petitio rei parum honestae - Ein Bittschreiben in einer wenig ehrenvollen Angelegenheit.: - De commendatitia epistola - Das Empfehlungsschreiben. - De monitoria epistola - Der Mahnbrief. : Aliud exemplum - Ein anderes Beispiel. Exemplum epistolae, quae habet admixtam obi-urgationem - Beispiel für einen Brief, der einen Tadel miteinschließt - De amatoria epistola - Der Liebesbrief. - De demonstrativi generis epistolis - Briefe der darstellenden Gattung.: - De iudicialis generis epistolis et primum de crimi-natoria - Briefe der gerichtlichen Gattung: Zunächst der Anschuldigungsbrief. - Exemplum - Ein Beispiel.: - De expostulatoria epistola - Der Forderungsbrief : Exemplum - Ein Beispiel.:(u.a.m.) - - Band 9: BRIEFE - Verdeutscht und herausgegeben von WALTHER KÖHLER - Dritte, erweiterte Auflage von ANDREAS FLITNER - Mit 8 Abbildungen / ERASMUS VON ROTTERDAM: BRIEFE Kloster Emaus in Steyn bei Gouda (1486-1492). - Brüssel, Paris, Tournehem (1492-1499). - England (1499-1500). - Frankreich und Niederlande (1500-1505). - England (1505-1506). - Paris (1506). - Italien (1506-1509). - England (1510-1514). - Löwen (1514). - Basel (1514-1515). - England (1515). - Antwerpen (1515). - Basel (1515-1516). - Niederlande und England (1516-1517). - Löwen, Basel, Antwerpen (1517-1521). - Basel (1521-1529). - Freiburg (1529-1535). - Basel (1535-1536). - Bibliographie. // Desiderius Erasmus von Rotterdam CRSA (* vermutlich am 28. Oktober 1466/1467/1469, wahrscheinlich in Rotterdam; † 11./12. Juli 1536 in Basel) war ein bedeutender europäischer Gelehrter des Humanismus und stammte aus den heutigen Niederlanden (damals noch Teil des Heiligen Römischen Reiches). Er war Theologe, Philosoph, Philologe und Autor zahlreicher Bücher. Erasmus sprach meistens lateinisch und schrieb ausschließlich auf Latein oder Griechisch. Er war ein Vielschreiber und hat nach heutiger Erkenntnis etwa 150 Bücher geschrieben. Darüber hinaus sind über 2000 Briefe von ihm erhalten. Wegen seiner feinen Ausdrucksweise genossen seine Briefe in Europa große Aufmerksamkeit. Man schätzt, dass er täglich etwa 1000 Wörter zu Papier gebracht hat. Seine gesammelten Werke sind 1703 in zehn Bänden herausgegeben worden. Er sah sich (mit der neuen Buchdrucktechnik) als ein Vermittler von Bildung: „Menschen werden nicht als Menschen geboren, sondern als solche erzogen!“ Als Textkritiker, Herausgeber (Kirchenväter, Neues Testament) und Grammatiker begründete er die neuzeitliche Philologie. Auf ihn geht die heute in westlichen Ländern übliche Aussprache, insbesondere die Betonung des Altgriechischen zurück. Die korrekte Aussprache ist heute umstritten und wohl nicht mehr zweifelsfrei klärbar, obwohl es eine in der Wissenschaft weitgehend akzeptierte Rekonstruktion gibt. ... Sein heute bekanntestes Werk ist seine „Stilübung“ (wie er sie nannte), die Satire Lob der Torheit (Laus stultitiae), die er seinem Freund Thomas Morus widmete. Mit ihr entgegnete er 1509 mit Spott und Ernst tief verwurzelten Irrtümern und trat für vernünftige Anschauungen ein. Er war ein begnadeter Formulierer und liebte die Ironie, beispielsweise in seiner Satire Julius vor der verschlossenen Himmelstür, die er nach dem Tode des „Soldatenpapstes“ Julius II. schrieb. Versandkostenfreie Lieferung Erasmus von Rotterdam, Humanismus, Briefliteratur

      [Bookseller: Fundus-Online GbR Borkert, Schwarz, Zerf]
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        Iohannis Scotti Eriugenae Periphyseon. (De Diuisione Naturae) Liber 1-4 in 4 Bänden. Lateinisch-Englisch. Ed. by I.P. Sheldon-Williams and (Bd. 4) by Edouard A. Jeauneau. Scriptores Latini Hiberniae, Vol. VII, IX, XI, XIII.

      Dublin The Dublin Institute for Advanced Studies., 1968,1972,1981,1995. Jeweils 1. Auflagen. X, 269 S. / 252 S. / VII, 324 S. / XLIV, 338 S. Gr.-8°. Originalleineneinbände. Durchgestrichener Name und Worte mit Kuli auf Schmutztitel des 4. Bandes. Sonst gut. Versand D: 5,00 EUR

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