The viaLibri website requires cookies to work properly. You can find more information in our Terms of Service and Privacy Policy.

Displayed below are some selected recent viaLibri matches for books published in 1968

        Niels Hørlyck Agencies. Export of Contemporary Scandinavian Furniture, Upholstery & Drapery Fabrics,

      1968 1968 - Rugs, Lightning, Fixtures, Gifts & Accessories, Stone-Ware. Copenhagen 1968. Aprox. 125 pp. Richly illustr. with photos in b/w and colour and original examples of fabricks. In publisher's spiral binding. * Well-preserved sales catalogue with Danish, English, and German text.

      [Bookseller: Peter Grosell, Antiquarian Bookseller]
 1.   Check availability:     ZVAB     Link/Print  


        Oeuvres complètes : 3 volumes

      Slatkine Reprints, 1968 - Ausgetragenes Bibliotheksexemplar, mit einzelnen leichten Gebrauchsspuren Sprache: Französisch Gewicht in Gramm: 3285

      [Bookseller: Versand-Antiquariat Konrad von Agris]
 2.   Check availability:     AbeBooks     Link/Print  


        Mythologies *

      Éditions de la Revue Fontaine, Paris 2.1968. - Broché 32 x 25, couverture imprimée rempliée. Petit manque au dos, décollé (d'origine ?). Nombreux dessins en noir, certains légendés, d'André Masson. Bel exemplaire de ce livre puissant sur le premier papier et au nom de Max-Pol Fouchet. Édition originale. Le premier des exemplaires hors commerce de tête sur Arches, numérotés à la main et signés par l'éditeur fondateur, outre 30 numérotés sur le même papier, 250 Ingres, 550 Rives et outre quelques HC.

      [Bookseller: OH 7e CIEL]
 3.   Check availability:     AbeBooks     Link/Print  


        11:02 Nagasaki.

      Tokyo: Shaken, 1968 Hardcover Second edition. Near Fine hardcover with blunting to two tips, a bit of crimping to the crown, and previous owner's name and date in Japanese to the verso of the colophon page in the original clear vinyl dust jacket, now slightly yellowed and chipped at the crown; lacking the slipcase. BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, IN A BOX. In 1960, Shomei Tomatsu (1930-2012) was offered the assignment of documenting the aftereffects of the atomic bomb which leveled Nagasaki in 1945 and the city's reconstruction. He knew little about Nagasaki and like many Japanese had chosen not to confront the trauma of the bombing. But on exploring the city, he was shocked by the depth of the scars and the lingering effect on the survivors. That initial assignment resulted in Hiroshima-Nagasaki Document 1961, a collaboration with Ken Domon, and a lifelong interest in the city. Further visits in the early 1960s resulted in the 1966 publication, 11:02 Nagasaki, arguably one of the most significant books of modern Japanese photography. Despite the title reference to the moment the bomb exploded and froze the iconic watch pictured on the cover, the book is as much a Klein-like tour of a city or a Strand-like record of a "place." However, in Tomatsu's editing, that fateful moment in 1945 echoes throughout--either literally in images of the victims and objects left behind or in more symbolic ways such as the presence of the U.S. military and the spread of American pop culture. As with so much of Tomatsu's work, a major theme of 11:02 Nagasaki is the collision of east and west, and the cultural and moral repercussions that followed. The second edition is actually unsold copies of the first edition with a new printed paper label glued to the spine and a new colophon page tipped in at the rear. Photographs by Shomei Tomatsu; texts by Tamaki Motoi; quotes by survivors. Unpaginated [168 pages]; 119 full-page b&w gravure-printed plates; 7.75 x 9 inches. Text in Japanese. LAID-IN are two different leaflets from the publisher about the book. Reference: Parr & Badger, Photobook: Vol. I, p.276-277; Roth, Open Book, p.226-227; Auer, 802 Photo Books, p.454; Visions of Japan, p.207. Due to size and weight, international and expedited shipping will be more than quoted.

      [Bookseller: A&D Books]
 4.   Check availability:     Biblio     Link/Print  


        Suppertime

      Determined Productions, 1968 A fine first edition in a fine dust jacket, inscribed by Schulz with a drawing of Snoopy. Housed in a custom-made slipcase.. Inscribed by Author(s). 1st Edition. Hardcover. Fine/Fine.

      [Bookseller: Bookbid Rare Books]
 5.   Check availability:     Biblio     Link/Print  


        Poems

      Enitharmon Press; London, 1968 SIGNED and numbered Limited Edition copy. One of 200; this is hand-numbered #182 and signed by the author on the colophon page. Quarter leather bound with black cloth covered boards and a gilt pinstripe detailing on the front and back boards. Gilt lettering adorning the spine. We will provide a certificate of authenticity for this item.. Signed by Author(s). Limited Edition. Hardcover. Fine/No Jacket.

      [Bookseller: Bookbid Rare Books ]
 6.   Check availability:     ABAA     Link/Print  


        SKRIEN Filmschrift.

      Nos. 1-91. Amsterdam, 1968- Nov. 1979. [Nos. 1-26/27 & 61-91 bound in 6 vols. (most ex-library) with wrappers; rest in orig. wrappers.] Illustrated. 4to. Added two memorative issues: nos. 129/130 "15 Jaar!", 1983 & 165 "Jubileumnummer 20 jaar Skrien", 1989 (69 pp.). First ten years of the Dutch avant-garde film magazine. The first 18 issues were stencilled, then published on glossy paper. Ed. by Annette Apon, Ruud Bishoff, Carel Donck, Jan Röfekamp, Edgar Burcksen, Stephan Geerling, Léon de Winter, Gerrard Verhage, Paulien Terreehorst, Karel Dibbets, a.o. This collection includes the separate edition of No. 32 "de enige echte" by Bishoff when he was leaving the ed.-board after a conflict with other members.

      [Bookseller: John BENJAMINS Antiquariat bv]
 7.   Check availability:     NVvA     Link/Print  


        The Best of Beaton. With notes on the photographs by Cecil Beaton. Introduction by Truman Capote. Avec un envoi signé de l'auteur.

      London, Weidenfeld and Nicolson, 1968 23,5 x 32 cm, 246 p., 308 ill.. Pleine toile éditeur défr. rest., titre au dos, sans la jaquette. Edition originale. Bel envoi a.s. de Cecil Beaton à Madame Dilé (plus généralement surnommée Dilette), une amie proche "a friend of a lifetime", connue avant-guerre chez Vogue à Paris, où elle était responsable du studio photo, et dont il parle dans ses Mémoires.

      [Bookseller: Solstices Rare Books Librairie]
 8.   Check availability:     Livre-rare-book     Link/Print  


        MASH

      New York: William Morrow & Company, 1968. First Edition. Hardcover. Very Good. First edition, first printing. Very Good. Hardcover appears very nice and unmarked until under very close inspection when subtle evidence of removal of library markings present themselves, all very faint (tape marks to boards, removal of bookplate to end papers, erasure at prelims). In a Very Good dust jacket with price of $4.95 intact, light general wear, fading to spine panel with a bit of scraping near crown. A very presentable copy with a dubious institutional past.

      [Bookseller: Burnside Rare Books]
 9.   Check availability:     IOBABooks     Link/Print  


        "Gorille et mannequin ".

      1968Encre de Chine signée en bas à gauche, 1968, 13.7 x 17.5 cm. Jean GOURMELIN (Paris 1920 - Meudon 2011) s'initie au dessin dés son plus jeune âge, puis travaille avec l'artiste Charles Portel qui lui enseigne la technique du papier-peint, de la gravure sur bois et du pochoir, avec Nobilis. Il complète sa formation à l'Ecole des Arts Décoratifs et a pour maître Othon Friesz. Avec Max Ingrand, maître verrier, il se passionne pour cet art des vitraux et réalise ceux des Châteaux d'Amboise, de Blois, de la Cathédrale de Saint-Malo ... Grâce à Maximilien Vox il revient à l'édition et l'illustation. Sa rencontre avec l'écrivain de science-fiction Jacques Sternberg détermine le début d'une amitié forte avec Louis Pauwels et sa collaboration à la Revue Planète. Ils lançent le mouvement du "Réalisme fantastique" et, selon l'expression de Sternberg, "Où les compositions de Jean Gourmelin brillaient comme des soleils noirs ... Son inspiration, il la puise dans ses terreurs, ses vertiges, ses gouffres métaphysiques, ses fantasmes, son théâtre d'épouvante et ses décors de rêve". Il anime les "Chroniques" de France-Soir. Des affiches pour le cinéma et le théâtre sortent de ses crayons. De nombreuses expositions saluent son talent dans des galeries et musées ( Centre Culturel de Meudon, Musée Georges Pompidou ...). Un gorille, fort et vigoureux, soulève d'une seule main un mannequin en tissu sur un support en bois avec pied tripode. Illustration pour les Chefs d'Oeuvre du dessin.

      [Bookseller: Librairie Chrétien]
 10.   Check availability:     Livre-rare-book     Link/Print  


        "La Fête foraine".

      1968Encre de Chine signée en bas à droite, (1968), 20 x 14 cm. Jean GOURMELIN (Paris 1920 - Meudon 2011) s'initie au dessin dés son plus jeune âge, puis travaille avec l'artiste Charles Portel qui lui enseigne la technique du papier-peint, de la gravure sur bois et du pochoir, avec Nobilis. Il complète sa formation à l'Ecole des Arts Décoratifs et a pour maître Othon Friesz. Avec Max Ingrand, maître verrier, il se passionne pour cet art des vitraux et réalise ceux des Châteaux d'Amboise, de Blois, de la Cathédrale de Saint-Malo ... Grâce à Maximilien Vox il revient à l'édition et l'illustation. Sa rencontre avec l'écrivain de science-fiction Jacques Sternberg détermine le début d'une amitié forte avec Louis Pauwels et sa collaboration à la Revue Planète. Ils lançent le mouvement du "Réalisme fantastique" et, selon l'expression de Sternberg, "Où les compositions de Jean Gourmelin brillaient comme des soleils noirs ... Son inspiration, il la puise dans ses terreurs, ses vertiges, ses gouffres métaphysiques, ses fantasmes, son théâtre d'épouvante et ses décors de rêve". Il anime les "Chroniques" de France-Soir. Des affiches pour le cinéma et le théâtre sortent de ses crayons. De nombreuses expositions saluent son talent dans des galeries et musées ( Centre Culturel de Meudon, Musée Georges Pompidou ...). Une jeune-femme est devant un stand de tir et avec un fusil de plomb elle dégomme une tête. Rousseurs éparses n'atteignant pas le dessin.

      [Bookseller: Librairie Chrétien]
 11.   Check availability:     Livre-rare-book     Link/Print  


        Soma, divine mushroom of immortality.

      - The Hague, Mouton, 1968. 4to. xiii., 381, [i] pp., two full colour plates (illustrations), 17 tipped in full colour photographic plates (I-XV, XXII; plate VIII with two photos tipped in, the second not counted), and six black and white photos (XVI-XX, and one not numbered), 10 numbered text figures, including one unnumbered text figure - possibly number 8 - tinted with red, three maps (labelled A, B, C), one folded chart. Original blue half calf with gilt border and gilt title on the spine. Fore-edge uncut.= True first, being number 32 of the limited edition, described in the book as follows: "Of this book 680 copies have been made, designed by Giovanni Mardersteig and set in Dante type, of which two are designed A & B and the others are numbered from 1 to 678. The text and the illustrations have been printed by the Stamperia Valdonegga in Verona, except for the two plates in pochoir, which were executed in Paris by Daniel Jacomet et Cie. The paper was made by hand by Fratelli Magnani, Pescia, and the printing was finished in October 1968". This edition was published in the Hague, and is not a New York, NY Harcourt Brace edition, which is the simpler trade edition published after 1969. Oddly, there are New York copies on the market that are supposed to belong to the same limited edition, but in those on the internet the number of illustrations (lower in the New York trade edition), is "wisely" not mentioned. This is Ethno-Mycological Studies I (sometimes, erroneously listed as "Ethno-Mythological Studies"). In this work the writer, ethnomycologist and banker Robert Gordon Wasson (1898-1986), provides ample evidence for the important role that hallucinogenic mushrooms, in particular the ubiquitous mushroom Amanita muscaria (fly agaric), play in various ancient and modern cultures. Slipcase wanting, otherwise a fine, unmarked, spotless copy. Volbracht, 2230. [Attributes: Hard Cover]

      [Bookseller: DIETER SCHIERENBERG BV]
 12.   Check availability:     ZVAB     Link/Print  


        Flowers of the Brazilian Forests

      Numbered limited edition, 363 of 500. Quarter bound morocco, hand marbled paper sides, by Zaensdorf. Glassine wrapper, tissue guards to plates, frontispiece guard almost detached. 32 plates

      [Bookseller: Hoeplants Garden Books]
 13.   Check availability:     PBFA     Link/Print  


        The Hunting of the Snark. An Agony in Eight Fits. - Die Jagd nach dem Schnark. Agonie in acht Krämpfen. (Deutsche Übersetzung durch Klaus Reichert).

      (Stuttgart), Manus-Presse, 1968. Gr.-4°. Mit 22 (11 farb.) Orig.-Lithographien von Max Ernst. 100 S., 2 Bll., Lose Doppelbogen in illustr. OLwd.-Decke u. OLwd.-Schuber. Erste Ausgabe dieser Edition mit deutsch-englischem Paralleltext. - Nr. 114 von 97 (ges. 130) vom Künstler im Druckvermerk signierten Exemplaren auf Papier Arches. „Die Lithographien wurden von Pierre Chave, Vence, vom Stein gedruckt“. - Enthält 11 farbige Lithographien im englischsprachigen Teil sowie 11 schwarzweiße Lithographien im deutschsprachigen Teil, die mit den Farblithographien korrespondieren. - Schuber u. Decke tlw. leicht berieben. Zu Beginn wenige Bll. mit leichter Knickspur in der rechten unteren Ecke. - Spies/Leppien 124c; Spindler 161, 9; Tiessen III, 122. Versand D: 12,00 EUR Ernst, Max, Carroll, The Hunting of the Snark. An Agony in Eight Fits. - Die Jagd nach dem Schnark. Agonie in acht Krämpfen. (Deutsche Übersetzung durch Klaus Reichert), Pressendruck, Pressendrucke, Künstlerbuch, Künstlerbücher

      [Bookseller: Antiquariat Wolfgang Friebes]
 14.   Check availability:     buchfreund.de     Link/Print  


        Self-service audio visivo. Triennale di Milano 1968. (Serie di 5 fotografie originali di opere di Ugo La Pietra)

      S. e., S. l. 1968 - Serie di 5 fotografie originali vintage in b/n, silver print, cm 30 x 24. Al verso varie annotazioni a matita e timbro del fotografo 'Colore industriale di Alberto Fioravanti, Milano'. Immagini di questa importante installazione (Ambiente audiovisivo) realizzata da La Pietra nell'ambito della Triennale 1968. Proprio in questo anno La Pietra inizia la sua ricerca sulle periferie urbane con espliciti riferimenti Âall'uso di strumenti per la riappropriazione dell'ambiente. Parlando di questi lavori l'artista cosi' racconta: '.IlÂrapporto dell'individuo con nuove tecnologie e con nuove informazioni spettacolari erano le basi su cui facevo nascere le immersioni. Microambienti come quello esposto alla Triennale di Milano: caschi sonori con percezione personale dei suoni, musiche, storie.'. Â(Ugo La Pietra in AA.VV., Ugo La Pietra. La sinestesia delle arti 1960-2000, Milano, Gabriele Mazzotta, 2001; pag. 52). ITA

      [Bookseller: coenobium libreria antiquaria]
 15.   Check availability:     AbeBooks     Link/Print  


        Fadensonnen

      Frankfurt am Main, Suhrkamp Verlag, 1968 20,8 x 13,3 cm, reliure pleine toile grise d'éditeur, jaquette imprimée, 121 pp., 3 ff. n. ch. Edition originale. Ces poésies seront traduites en français sous le titre de Soleils de filaments. Envoi autographe signé de Paul Celan à Pierre Souvtchinsky : "A Pierre Souvtchinsky, / sincère hommage de / Paul Celan". Parfait état. Musicologue d'origine russe, grand ami de Stravinsky, Pierre Souvtchinsky émigra en France suite à la révolution au début des années 20. Il fréquenta de nombreux artistes et écrivains et devint après-guerre un ami proche de René Char par l'intermédiaire de qui il fit probablement la connaissance de Paul Celan. Extrêmement érudit et cultivé, il parlait parfaitement le français et l'allemand. René Char semble d'ailleurs avoir soumis à Pierre Souvtchinsky la traduction d'"A une sérénité crispée" faite par Celan pour avoir son opinion : "Merci davoir pensé à menvoyer la traduction de À une sérénité crispée. Je la montrerai à Pierre Souvtchinsky et peut-être à Beaufret." (Extrait de la lettre de Char à Paul Celan du [18. 4. 1958]).

      [Bookseller: Librairie Faustroll]
 16.   Check availability:     Livre-rare-book     Link/Print  


        Art Tiempo: Revista Mensual de Arte y Espectaculos, Issues 1-6

      Buenos Aires: Horacio Lombardero, 1968-1969. Slightly musty, else near fine in photo-illustrated wrappers. Only one citation in OCLC, in Spain, and seemingly only the first issue.. First Editions. Large quartos. Issues 1-6, presumably all published, of an arts and culture magazine chronicling local and international arts news, edited by Osiris Chierico. The development of the hippie, protest, and sexual revolution movements in the United States and Europe appear to special topics of interest in Argentina, by then itself entering a period of political instability. Each issue contains at least one drawing by the Ralph Steadman-esque cartoonist "Amengual Dixit." With numerous illustrations of exhibitions in Buenos Aires, and interesting classified ads of the period. Glossy color wrappers, black and white with some color within. Spanish text.

      [Bookseller: Harper's Books, Inc.]
 17.   Check availability:     Biblio     Link/Print  


        OUTER DARK

      Random House, New York 1968 - First Printing. Octavo (21cm); gray paper and teal cloth-covered boards, titled and blocked in silver, metallic blue, and black on spine and front cover; gray topstain; dustjacket; 242, [6]pp. Original owners name neatly rubber-stamped to front and rear endpapers, tiny stain at crown, else very Near Fine. Dustjacket is unclipped (priced $4.95), with pinpoint wear to extremities, hint of sunning to spine lettering, with a tiny bump at mid-spine and a single tear to lower edge of rear panel; Near Fine. McCarthy's second novel set in Appalachia - dark, brooding, incestuous, and violent. Though published to great critical reviews both prior to and following publication, the novel sold poorly - a modest 2,705 copies. [Attributes: First Edition]

      [Bookseller: Captain Ahab's Rare Books]
 18.   Check availability:     AbeBooks     Link/Print  


        The Interpreter's Bible, Deluxe Leather Edition, 12 Volumes

      Nashville, Tennessee: Abingdon Press. Fine. 1968. Full-Leather. Fine set of 12 volumes in a full leather deluxe binding. There is a page with the previous owner's name printed on the page. Very pretty silk endpapers. The set is heavy and will require extra postage. There is no current publication date given, but circa 1968.; 8vo 8" - 9" tall .

      [Bookseller: Elders Bookstore]
 19.   Check availability:     Biblio     Link/Print  


        «Stèles»

      Aquatintes originales en couleurs de Johnny FRIEDLAENDER. Éditions Les Bibliophiles de Provence, 1968. In-4 (16,5x32,5cm), plié à la chinoise, sous couverture estampée de fibres végétales avec dos de parchemin, étui. Édition mise en

      [Bookseller: Librairie Ancienne Quadr'arts]
 20.   Check availability:     Livre-rare-book     Link/Print  


        Collection des Chefs-Oeuvre de Dostoïevski: Le joueur - L'idiot - Crime et Châtiment - Les frères Karamazov - L'éternel mari - Les possédés.

      1968Paris, Éditions de L'Odeon & Éditions Andre Vial, 1965-1968. Complet en 11 volumes in-4° de 241 + 345 + 354 + 283 + 276 + 336 + 274 + 313 + 243 +343 + 337 pages, richement illustrés par Cardin-Bogratchew, Grau-Sala, Fontanarosa, Gaston Barret, Edy-Legrand et Michel Ciry (159 illustrations hors-texte + suite en noir). Somptueuse reliure de l'éditeur en plein maroquin à grain Cap, dos à 5 nerfs, titre, auteur et tomaison en lettres dorées, têtes dorées. Plats ornés, premier plat avec le monogramme de Dostoïevski. Ouvrage tiré à 1500 exemplaires, celui-ci l'un des 150 ex. sur vélin Lana avec une suite en noir des illustrations. Les oeuvres présentées dans les deux séries sont les suivantes: Première série: Tome 1 - Le joueur traduction de Sylvie Luneau, Tomes 2 et 3 - L'idiot traduction de G. et G. Arut, Tomes 4 et 5 - Crime et Châtiment traduction d'Elisabeth Guertiuk. Seconde série: Tomes 1, 2 et 3 - Les frères Karamazov traduction d'Elisabeth Guertiuk , Tome 4 : L'éternel mari traduction de Yacha Zwizagora, Tome 5 et 6 : Les possédés, traduction d'Elisabeth Guertiuk. En parfait état sauf dos insolé du tome 4 de la deuxième série.

      [Bookseller: Boutique du Livre]
 21.   Check availability:     Livre-rare-book     Link/Print  


        7 Schöpfungstage - Radierungen von Horst Egon Kalinowski - Genesis 1,1-2,4 - Verdeutscht von Martin Buber

      Edition Rothe Heidelberg 1968. 11 Blätter mit 9 Radierungen auf Büttenpapier; im gelben Schuber; limitierte Auflage 9 der insgesamt 11 Blätter sind mit schönen Farbaquatintaradierungen ausgestattet, die vom deutschen Künstler Horst Egon Kalinowski 1967 geschaffen wurden. Auf den gefalteten Rückseiten sind die biblischen Texte der Genesis zu lesen, die auf den Vorderseite entsprechend illustriert werden. Die neun Radierungen legen die unterschiedlichen Phasen der Schöpfungsgeschichte dar – von der Finsternis des Anfangs, über die Trennung von Licht und Dunkelheit, die Schaffung des Himmel, der Pflanzen, der Sterne, der Tieren und der Menschen bis zum Sabbat ist die gesamte Schöpfung dargelegt. Die 11 Blätter mit insgesamt 9 Graphiken sind in einem sehr guten Zustand. Sie werden in einer Leinenmappe im originalen Schuber aus gelbem Leinen geliefert. Dieser ist leicht staubfleckig. Das letzte Blatt ist vom Künstler mit Bleistift nummeriert, signiert und datiert \"46/75, Kalinowski, 67\". Auf der Außenseite dieses Blattes befindet sich ein dezenter Stempel einer Klosterbibliothek, die aufgelöst wurde. Die originale LP \"H. E. Kalinowski spricht zu Illustrationen der 7 Schöpfungstage\" ist unbespielt. Das Gesamtmaß des Schubers beträgt 52 x 39 cm, die einzelnen Blätter messen je 50 x 37,5 cm, das Plattenmaß ist 42,3 x 31,6 cm, auf dem Frontispiz 9 x 10 cm. Versandkostenfreie Lieferung

      [Bookseller: Petra Gros]
 22.   Check availability:     buchfreund.de     Link/Print  


        LESSICO UNIVERSALE ITALIANO

      IST. DELLA ENCICLOPEDIA ITALIANA, 1968. OPERA IN 24 VOLUMI + 2 ATLANTI GEOGRAFICI + 2 AGGIORNAMENTI. Voll. in 4°, legatura editoriale mezza pelle telata verde, con titoli e fregi al piatto e al dorso, buona copia.

      [Bookseller: Hobbylibri]
 23.   Check availability:     maremagnum.com     Link/Print  


        The Double Helix ( Signed By James Watson )

      A First Printing of the First UK edition published by Weidenfeld and Nicholson in 1968.The BOOK is in near FINE condition with no erasures,markings.The purple top-stain has faded to a salmon pink colour but still looks striking The purple boards are very clean.The gilt titling to the spine and the gilt double helix design on the spine are very bright.There is a minimal crease to the spine and very mild browning to the text block.The pages are clean.One small previous penned owner's name to the upper front end paper.The WRAPPER is in near FINE condition with minor rubbing and edge-wear (see photos) .The laminate has gently lifted in places.The wrapper is complete with the correct price of 35s.There is a small closed tear to the lower front panel.The Dorothy Judd designed wrapper looks striking and is protected in a removable Brodart archival cover.Both the book and wrapper together makes this title very attractive in appearance.The wrapper is notoriously fragile for become chipped and marked.This copy has been SIGNED by the Nobel Laureate JAMES D.WATSON to the title page..A ticket for the signing event accompanies this title for provenance.A landmark title and as such extremely scarce with such attributes.

      [Bookseller: Ashtonrarebooks]
 24.   Check availability:     PBFA     Link/Print  


        7 Schöpfungstage - Radierungen von Horst Egon Kalinowski - Genesis 1,1-2,4 - Verdeutscht von Martin Buber

      Edition Rothe Heidelberg 1968 - 11 Blätter mit 9 Radierungen auf Büttenpapier; 9 der insgesamt 11 Blätter sind mit schönen Farbaquatintaradierungen ausgestattet, die vom deutschen Künstler Horst Egon Kalinowski 1967 geschaffen wurden. Auf den gefalteten Rückseiten sind die biblischen Texte der Genesis zu lesen, die auf den Vorderseite entsprechend illustriert werden. Die neun Radierungen legen die unterschiedlichen Phasen der Schöpfungsgeschichte dar – von der Finsternis des Anfangs, über die Trennung von Licht und Dunkelheit, die Schaffung des Himmel, der Pflanzen, der Sterne, der Tieren und der Menschen bis zum Sabbat ist die gesamte Schöpfung dargelegt. Die 11 Blätter mit insgesamt 9 Graphiken sind in einem sehr guten Zustand. Sie werden in einer Leinenmappe im originalen Schuber aus gelbem Leinen geliefert. Dieser ist leicht staubfleckig. Das letzte Blatt ist vom Künstler mit Bleistift nummeriert, signiert und datiert "46/75, Kalinowski, 67". Auf der Außenseite dieses Blattes befindet sich ein dezenter Stempel einer Klosterbibliothek, die aufgelöst wurde. Die originale LP "H. E. Kalinowski spricht zu Illustrationen der 7 Schöpfungstage" ist unbespielt. Das Gesamtmaß des Schubers beträgt 52 x 39 cm, die einzelnen Blätter messen je 50 x 37,5 cm, das Plattenmaß ist 42,3 x 31,6 cm, auf dem Frontispiz 9 x 10 cm. Sprache: Deutsch Gewicht in Gramm: 2900 im gelben Schuber; limitierte Auflage [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Petra Gros]
 25.   Check availability:     AbeBooks     Link/Print  


        GENIO DEI MACCHIAIOLI.

      Milano 1968. 2 voll ril. in tela, cm 38x30, pp 712, 340 tavv a colori appl., 22 ill. a colori nel t.

      [Bookseller: Editoriale Umbra]
 26.   Check availability:     maremagnum.com     Link/Print  


        CORPUS DER ITALIENISCHEN ZEICHNUNGEN 1300-1450.

      Berlin 1968. 14 voll ril. in tela, titolo in oro, cm 36x27. Vol. 1-1, Katalog 1-167; Vol. 1-2, Katalog 168-635; Vol. 1-3, Tafelin 1-195; Vol. 1-4, Tafelin 196-443; Vol. II-1, Katalog 636-664; Vol. II-2, Katalog 665-716; Vol. II-3, Tafelin 1-201; Vol. II-4, Taccola 717-719; Vol. II-5, Jacopo Bellini Text; Vol. II-6, Jacopo Bellini Katalog; Vol. II-7, Jacopo Bellini Paris Tafel 1-119; Vol. II-8, Jacopo Bellini London Tafel 120-319. Teil III - Verona Pisanello und seine werkstatt: 1 band: Text. 2. band: Katalog. Ottimo esemplare.

      [Bookseller: Editoriale Umbra]
 27.   Check availability:     maremagnum.com     Link/Print  


        La pêche et les poissons ( lot de 25 années de cette revue, sous classeurs annuels éditeur, du n° 273 de janvier 1968, au n° 571 de décembre 1992 ) : 1968 ; 1969 ; 1970 ; 1971 ; 1972 ; 1973 ; 1974 ; 1975 ; 1976 ; 1977 ; 1978 ; 1979 ; 1980 ; 1981 ; 1982 ; 1983 ; 1984 ; 1985 ; 1986 ; 1987 ; 1988 ; 1989 ; 1990 ; 1991 ; 1992.

      299 numéros in-4 br. couv. ill. couleurs, sous classeurs éditeur verts, photos couleurs ou noir et blanc, La Pêche et les poissons, éditions Presse Professionnelle - Groupe Robert Hersant, 1968 à 1992, env. pp. au total. 25 années quasi complètes (ne manque que le n° 275 de mars 1968). Tous les numéros sont fixés dans les classeurs de leurs années respectives, sauf les premiers numéros de 1968 (la taille de la totalité des classeurs est en effet conçue pour le format plus réduit, en vigueur depuis juin 1968). Liste des années et des plages de numéros correspondantes : 1968 (n° 273 à 283 sauf 275); 1969 (n° 284 à 295); 1970 (n° 296 à 307); 1971 (n° 308 à 319); 1972 (n° 320 à 331); 1973 (n° 332 à 343); 1974 (n° 344 à 355); 1975 (n° 356 à 367); 1976 (n° 368 à 379); 1977 (n° 380 à 391); 1978 (n° 392 à 403); 1979 (n° 404 à 415); 1980 (n° 416 à 427); 1981 (n° 428 à 439); 1982 (n° 440 à 451); 1983 (n° 452 à 463); 1984 (n° 464 à 475); 1985 (n° 476 à 487); 1986 (n° 488 à 499); 1987 (n° 500 à 511); 1988 (n° 512 à 523); 1989 (n° 524 à 535); 1990 (n° 536 à 547); 1991 (n° 548 à 559); 1992 (n° 560 à 572). Etat très satisfaisant (rouss. en int. de couv. de classeurs, qques accrocs en couv. pour 1986 et 1987, bon état par ailleurs) pour ces 25 années d'un magazine de pêche, qui absorba successivement plusieurs de ses concurrents. Ces absorptions expliquent les modifications successives du titre, autour du nom générique de " la pêche et les poissons", qui a perduré. Cet ensemble considérable, qui couvre un quart de siècle, est peu fréquent, surtout avec aussi peu de numéros manquants. Longueur de linéaire : 232 cm ! Poids total de 81 Kg. Prix pour l'ensemble.

      [Bookseller: SARL Librairie du Cardinal]
 28.   Check availability:     Livre-rare-book     Link/Print  


        The Pill versus the Springhill Mine Disaster

      Four Seasons Foundation, San Francisco 1968 - First printing. Number 35 of 50 signed copies. Signed by Brautigan on the limitation page. Spine lettered in gilt. Cloth backed brown paper boards. Rare. A beautiful copy. Book is protected in a custom cut clear mylar cover. [Attributes: First Edition; Signed Copy]

      [Bookseller: Cahill Rare Books]
 29.   Check availability:     AbeBooks     Link/Print  


        The Gospel Singer

      William Morrow January 1968 - Author's first book. Dated (3/14/68) inscription to his dear friends. Covers a tad worn; endpapers somewhat discolored; minor chipping and closed tears to jacket. Overall, a good, solid copy of a very important literary debut. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: A Cappella Books, Inc.]
 30.   Check availability:     AbeBooks     Link/Print  


        Gegenverkehr e. V., Zentrum für aktuelle Kunst. Katalog 1 / 1968 - Katalog 28 / 1972.

      Aachen. Gegenverkehr e. V. 1968 - 1972. Erste Auflage. 28 Bände. 20 x 21 cm. Jeweils meist 28 unpaginierte S. OKarton. Umschläge teils marginal angestaubt, mit geringen Gebrauchspuren, sonst sehr gutes, frisches Exemplar. Vollständige Folge aller 28 von 1968 bis 1972 im Gegenverkehr e. V., Zentrum für aktuelle Kunst, Aachen in gleichem Format und gleicher Ausstattung erschienenen Kataloge. Die vertretenen Künstler sind in der Reihenfolge des Erscheinens: Peter Brüning, Rupprecht Geiger, Winfred Gaul (signiert), Allan D´Arcangelo (mit beiliegender Einladungskarte), Robert Stanley, Gerhard Richter, Günther Uecker (signiert, datiert und mit beiliegender Einladungskarte), Daniel Spoerri (mit handschriftlicher Widmung, signiert und datiert, mit Einladungskarte), Dieter Krieg (signiert und datiert, mit Einladunsgkarte), Mel Ramos (signiert und datiert, mit Einladungskarte. Ebenfalls von Allen Jones signiert und Mel Ramos gewidmet), Lambert Maria Wintersberger (signiert, mit Einladungskarte), Jos Manders (signiert und datiert), Buthe / Lüpertz / Mields / Päsler / Ullrich, Jan Dibbets (mit Einladungskarte), Gruppe SYN (mit Einladungskarte), Lawrence Weiner, Erich Reusch (mit Einladungskarte), Reiner Ruthenbeck (mit Einladungskarte), Gilbert & George (mit Einladungskarte), Adolf Luther (mit Einladungskarte), Breuste (mit Einladungskarte), Bernd & Hilla Becher, Ferdinand Spindel (mit Einladungskarte), Stanley Brouwn (mit Einladungskarte), Mario Nigro, Hansjoachim Dietrich, Georg Karl Pfahler, Klaus Rinke. 7 Kataloge sind signiert oder mit einer handschriftlichen Widmung versehen. Vielen Katalogen liegen Zettel mit handschriftlichen Notizen von Preisen aller darin gezeigten Kunstwerke bei. In dieser Form als Ensemble selten. Versand D: 2,00 EUR 20. Jahrhundert / 20th Century, Deutschland / Germany, Kunst

      [Bookseller: Antiquariat Querido - Kunst und Fotograf]
 31.   Check availability:     buchfreund.de     Link/Print  


        Souper Dress

      Campbell's Soup Co, 1968. Used; Like New/Used; Like New. "Campbell's Souper Dress, on you, it'll lookâ?¦ M'm ! M'm ! Good !" - CAMPBELL SOUP ADVERTISEMENTScreenprint in colors on a disposable A-line dress made of screen-printed tissue, wood pulp and rayon mesh with binding tape, circa 1965, labeled 'The Souper Dress' at the neck, from the edition of unknown size, vertical and horizontal folds (as issued), wear/losses along parts of several of the folds, but this example, unlike most, does not have the bottom 3-inch hem cut off, and is thus complete. 36½ x 21½ in. (927 x 546 mm.). Beautifully framed in conservation-grade materials under UV-plexi. <br>The  Souper Dress  is a classic example where fashion, art and industry intersect into one image, capturing the vibrant, youthful, optimistic and consumerist zeitgeist of the 1960s in America to perfection.  As art historian Marco Livingstone has stressed, Pop Art was never a circumscribed movement with membership and manifestos. Rather, it was a sensibility emergent in the 1950s and rampant in the 1960s. Andy Warhol (who began his career as a fashion illustrator) had been painting Campbell's soup cans since 1962. Such advertising icons, along with cartoons and billboards, yielded a synthesis of word and image, of art and the everyday and fashion quickly embraced the spirit of Pop, playing an important role in its dissemination. The Souper Dress inspired by the iconic Campbell Soup Cans series,  flame-resistant unless previously washed or cleaned, was imagined and produced by the Campbell Soup Company as a mail order offer and as an effective advertising campaign when paper dresses were all the rage in the 60s. Two labels from any different kinds of Campbell's Vegetable Soups and $1.00 got you the dress.

      [Bookseller: Schubertiade Music & Arts]
 32.   Check availability:     Biblio     Link/Print  


        Litoral. Revista de la Poesía y el Pensamiento. Director: Manuel Gallego Morell. [Números 1 a 36, ambos inclusive: Mayo de 1968 a Enero-Febrero de 1973].

      1968. Málaga, Imprenta Dardo, 1968-1973. Veintitrés volúmenes en 4to. Paginación variable. Cubiertas originales.

      [Bookseller: Hesperia Libros]
 33.   Check availability:     maremagnum.com     Link/Print  


        Dante's Lyric Poetry

      Clarendon Press 1968. 2 volls.. LVI-220 + 392 pages. Hardback. Esemplari in ottimo stato, alcune sottolineature e appunti a matita. Contents: v. 1: The poems: text and translation. v. 2: Commentary.

      [Bookseller: Libreria Medievale]
 34.   Check availability:     maremagnum.com     Link/Print  


        Insolations. No. 1 (June 1968) through no. 3 (December 1968) (all published): I. Tourmente. II. Sorbonne. III. Le Seul Mot de Liberté est Tout ce qui m'Exalte Encore

      A complete run of the three issues of the radical anarchist, situationist, and artistic periodical published at the time of and following the student-led unrest in Paris 1968, each issue presenting collaboratively edited writings and visual art by noted cultural figures, profusely illustrated throughout. Original boards portfolios with original labels, contents loose as issued. Montpellier (Editions Fata Morgana) 1968. Issue #1, 1 of 130 copies; Issue #2 H.C. (200 numbered copies), Issue #3, 1 of 200 copies. An extremely rare cultural document reflecting the free-wheeling spirit of the moment in both content and presentation. The first issue presents 11 poems by Michel Butor, with calligraphy, drawings and prints by Pierre Alechinsky, Jacques Herold, and Bernard Dufour; the second includes contributions by Jean Pierre Faye, Claude Ollier, Maurice Roche, Roberto Matta, and Dufour; the final issue includes texts by Pierre Guyotat, Denis Roche, Romain Weingarten, and Kateb Yacine, with illustrations by Dufour, Wifredo Lam, Francois Lunven, and Ipousteguy. A fine set of a document emblematic of the turmoil of 1968. Very scarce; although scattered single issues and later reprints exist, as of February 2016 WorldCat locates only a single complete and original run in North America.

      [Bookseller: F.A. Bernett Books]
 35.   Check availability:     Biblio     Link/Print  


        Douze meilleurs romans policiers

      Sauret André des douze meilleurs romans policiers Relié 1968 12 volumes in-8 carré, plein cuir moderne noir, sous boites, filet doré, tête dorée, comprenant, Allain, Souvestre : Fantomas ; Conan Doyle : Le chien des Baskerville ; Agatha Christie : le meutre de Roger Ackroyd ; Boileau Narcejac : sueurs froides ; J.H. Chase : Pas d'orchidées pour Miss Blandish ; E. Gaboriau : L'affaire Lerouge ; E. A. Poe : Double assassinat dans la rue Morgue ; P. Cheyney : La môme vert-de-gris, E. Wallace : L'affaire Walton ; G. Leroux : Le mystère de la chambre jaune; D. Hammett : le faucon de Malte ; M. Leblanc : L'aiguille creuse ; tous illustrés de lithographies originales de Buffet, Letellier, Minaux, Guiramand, Cottavoz, Bardone, Carzou, Cueco, Mentor, Brasilier, Garcia-Fons, Genis, un des 3000 exemplaires numérotés sur vélin d'arches, en très bel état. Nos envois des ouvrages de moins de 60 Euros se font par colissimo (tarif de La Poste), et en colissimo Recommandes au-dela sauf avis contraire de votre part.

      [Bookseller: Abraxas-Libris]
 36.   Check availability:     Livre-rare-book     Link/Print  


        «Les amours de Cassandre»

      Illustration de Salvador DALI. Édition ARGILLET 1968. Grand in-4 (30xq40cm) en feuilles, couverture décorée, sous chemise et étui toile vert bronze, orné de fers spéciaux.Édition illustrée de 18 cuivres originaux gravés par DALI «à la pointe-sèche et au rubis». Tirage 229 exemplaires. Toutes les planches de ce très bel ouvrage, aujourd'hui rare et recherché, sont revêtues du cachet de l'éditeur à l'empreinte de DALI.

      [Bookseller: Librairie Ancienne Quadr'arts]
 37.   Check availability:     Livre-rare-book     Link/Print  


        The Year's Work in Modern Language Studies (CONVOLUTE of 30 vols./ KONVOLUT aus 30 Bänden) - Vol. 30 (1968) - Vol. 59 (1997).

      Modern Humanities Research Association; 1968 - 1997. - Die hier angebotenen Bände stammen aus einer teilaufgelösten wissenschaftlichen Bibliothek und tragen die entsprechenden Kennzeichnungen (Rückenschild, Instituts-Stempel.). Schnitt und Einband sind etwas staubschmutzig; Einbandkanten sind leicht bestossen; der Buchzustand ist ansonsten ordentlich und dem Alter entsprechend gut; KOMPLETTPREIS für 30 Bände; bei Versand ins Ausland erfragen Sie bitte zuerst die Versandkosten; ENGLISCH! Sprache: Englisch Gewicht in Gramm: 35000

      [Bookseller: Petra Gros]
 38.   Check availability:     ZVAB     Link/Print  


        Andy Warhol. Moderna Museet, Stockholm, February-March 1968 (The Stockholm Catalogue, First Edition, 1st Printing).

      Stockholm: Moderna Museet, 1968. 4to. Original pictorial wrappers - which a previous owner had protected in seethrough plastic and therefore extremely well preserved. The cover is printed in pink, yellow, orange, and green, lettered in black on spine. (638 pp.). Profusely illustrated with full-page black and white photographs by Billy Name and Stephen Eric Shore among others. Minor creases to cover front and back and first two pages with small tears to edges, nothing missing though. Overall a very well preserved copy, clean and sound. More pictures available upon request. First edition, first printing, of the famous Warhol Stockholm-catalogue. The catalogue for Warhol's first major European retrospective. Illustrated card covers, with a design after Warhol's 'Flowers' silk-screen. 614 black-and-white reproductions, divided into three sections: black-and-white reproductions of Warhol's work, followed by two sections of photographs of Warhol and his associates by Billy Name and Stephen Shore. ""As soon as the Factory opened, it became a hyperactive place. People began flocking there in droves for parties, to interview Andy, to take pictures, to make films, to become a part of it... Billy [Name] ran it like a theatre, vacuuming up after each performance and continually repainting the tinfoiling. He also became the Factory's official recorder when Andy gave him his 35-mm camera and Billy began taking great photographs of the action, which he developed in an impromptu darkroom converted from one of the toilets. These photographs, as collected in the 1968 Moderna Muséet catalogue of Warhol's first European retrospective in Stockholm, constitute the best visual documentary of the Silver Factory." -Voctor Bockris, Warhol: The Biography. Warhol's Moderna Muséet catalog "is a fine example of the catalogue-as-artist's-book, a form that ostensibly began with the Dadaists and Surrealists, and is produced with some of the roughest reproductions ever seen, which are entirely appropriate, and supplemented by a long section of Factory snapshots by Billy Name. The genre was revitalized by the Pop movement, and Warhol in particular, which demonstrates his position as a latter-day Dadaist. The Moderna Museet publication especially had a great influence upon Japanese photography in the late 1960s and 1970s, particularly the photobooks of the Provoke era" (Parr and Badger, Vol II). Published by Moderna Muséet, Sweden, in 1968 as an exhibition catalogue for the show "Andy Warhol" at the Moderna Muséet in Stockholm, February - March, 1968.

      [Bookseller: Kirkegaards Antikvariat]
 39.   Check availability:     Antikvariat     Link/Print  


        BEGINNING OF THE OFFICE OF THE DEAD

      Paris, early 15th century. n. Apart from those relatively few copies with illustrated calendars, the miniatures found in Books of Hours are almost entirely devoted to retrospective Bible scenes that are obviously outside the experience of the illuminator; it is only in the present kind of funeral scene at the beginning of the Office of the Dead that we can see a contemporaneous rendering of a scene from the daily life of the Middle Ages. Miniatures that begin the Office of the Dead vary more in iconographic terms than any of the others that recur in the Book of Hours, and while our painting is typical in subject matter and design, it is noteworthy in at least a couple of ways. The frame and border here are beautifully executed in the style of the Boucicaut Master, with much delicate and very elaborate painting, all of which is shown to good advantage inside unusually comfortable margins. And although the miniature itself shows in general a relatively primitive attempt at perspective (for example, the pews and the altar are steeply raked), the presence of the lovely slender column in the foreground, in concert with the darkened vaulting behind the altar, gives the painting a convincing sense of depth.The work here was done by an artist under Parisian influence, and the developed architecture suggests that the painter was familiar with the Burial Services compositions created by Parisian illuminators in the 1410s. (see Millard Meiss, "French Painting in the Time of Jean de Berry: Boucicaut Master," London, 1968, figs. 135-50 and 172-74). 178 x 125 mm. (7 x 5"). Text in single column (four lines on recto, 15 lines on verso) in an excellent gothic book hand. A FINE SQUARE MINIATURE SHOWING A FUNERAL SERVICE, two priests reciting from an elevated lectern and next to a large draped coffin, mourners in black seated to the left, the activity taking place inside a space enclosed by elegant columns and under a vaulted ceiling, a lovely four-line initial beneath it in burnished gold and several colors, infilled with ivy leaves in white and orange, other one- or two-line initials in blue with red penwork or (on the verso) in burnished gold and colors, THE MINIATURE SURROUNDED BY AN EXQUISITE FULL BORDER OF IVY LEAVES in colors or gold on painted and hairline stems. Remains of mounting hinge at top, a few speckles, a bit of yellowing, and slight wrinkling in margins, but the leaf very well preserved in general, with no significant flaking of paint and with the gold still bright. Apart from those relatively few copies with illustrated calendars, the miniatures found in Books of Hours are almost entirely devoted to retrospective Bible scenes that are obviously outside the experience of the illuminator; it is only in the present kind of funeral scene at the beginning of the Office of the Dead that we can see a contemporaneous rendering of a scene from the daily life of the Middle Ages. Miniatures that begin the Office of the Dead vary more in iconographic terms than any of the others that recur in the Book of Hours, and while our painting is typical in subject matter and design, it is noteworthy in at least a couple of ways. The frame and border here are beautifully executed in the style of the Boucicaut Master, with much delicate and very elaborate painting, all of which is shown to good advantage inside unusually comfortable margins. And although the miniature itself shows in general a relatively primitive attempt at perspective (for example, the pews and the altar are steeply raked), the presence of the lovely slender column in the foreground, in concert with the darkened vaulting behind the altar, gives the painting a convincing sense of depth.The work here was done by an artist under Parisian influence, and the developed architecture suggests that the painter was familiar with the Burial Services compositions created by Parisian illuminators in the 1410s. (see Millard Meiss, "French Painting in the Time of Jean de Berry: Boucicaut Master," London, 1968, figs. 135-50 and 172-74).

      [Bookseller: Phillip J. Pirages Fine Books and Mediev]
 40.   Check availability:     Biblio     Link/Print  


        The Lord of the Rings.

      London: George Allen and Unwin Ltd,, 1968. Finely bound by the Chelsea Bindery in red morocco, titles to spine gilt, raised bands, single rule to front boards gilt with large eye of Sauron motif in gilt, green endpapers, twin rule to turn ins, gilt edges. A fine copy. First one-volume edition. The Lord of the Rings was always intended as a single-volume work, though it was originally published in three volumes in 1954 and 1955, in part due to post-war paper shortages. This edition, originally issued as a paperback, has Tolkien's definitive text, from the second edition of 1966, published in one volume for the first time.

      [Bookseller: Peter Harrington]
 41.   Check availability:     Biblio     Link/Print  


        Corrida

      Electa editrice, 1968. Testo di Luis Miguel Dominguin. Disegni di Pablo Picasso

      [Bookseller: Di Mano in Mano]
 42.   Check availability:     maremagnum.com     Link/Print  


        Georgia O'Keeffe Drawings

      New York: Atlantis Editions. First edition. Original portfolio. Fine. SIGNED LIMITED FIRST EDITION, one of only 230 copies (out of a total edition of 250 copies), complete with 10 very large (approx. 20x26 inches) O'Keeffe lithographs. A fine copy. "In 1968 under Doris Bry's imprint of Atlantis Editions, Georgia O'Keeffe selected ten of her drawings to represent the range and variety of her work in this medium. The portfolio was titled 'Georgia O'Keeffe Drawings' and two hundred and thirty editions were numbered and signed by O'Keeffe. The ten drawings were printed in 300-line screen offset lithography at The Meriden Gravure Co. in Connecticut" (O'Keeffe Museum). With Introduction by Lloyd Goodrich. New York: Atlantis Editions, 1968. Large folio (approximately 20 x 26 inches), plates loose in lettered folders and laid into a folding box (as issued). Nine plates in black-and-white, and the magnificent "Blue Lines" printed in blue. Complete with all drawings and text booklet. A fine copy of a stunning collection. RARE.

      [Bookseller: The Manhattan Rare Book Company]
 43.   Check availability:     Biblio     Link/Print  


        I NEVER SANG FOR MY FATHER

      1968 - ANDERSON, Robert. I NEVER SANG FOR MY FATHER. NY: Random House, [1968]. 8vo., cloth and boards in dust jacket. First Edition. Signed presentation from Anderson on the front endpaper: "Dear Mort- Thank you for investing in `Father' Best, Gil. -And thank you too- Robert Anderson." Near fine; minor wear & soil (few small tears) d/j. $650.00. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Antic Hay Books]
 44.   Check availability:     AbeBooks     Link/Print  

______________________________________________________________________________


      Home     Wants Manager     Library Search     563 Years   Links     Contact      Search Help      Terms of Service      Privacy     


Copyright © 2019 viaLibri™ Limited. All rights reserved.