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Displayed below are some selected recent viaLibri matches for books published in 1968

        African American Montage - WWII thru 1970 Civil Rights Movement

      Photographic Image. Illus. by Illustated with photos. Very Good. Hardcover. A montage expressing Black pride and the community's participation in American life; spanning the WWll years through the civil rights marches and the 1968 Presidential campaign. This is an artful intermingling of family photos, wire service photos, newspaper items and images. Unique.

      [Bookseller: Peter Austern & Co. Books & Ephemera / B]
 1.   Check availability:     Biblio     Link/Print  

        Luigi Spacal. Opera grafica. 1936 - 1967. Testi di Rodolfo Pallucchini e Franco Russoli. Catalogo a cura di Giulio Montenero.

      Edizioni di Vanni Scheiwiller (stampa: Tipografia U. Allegretti di Campi - tavole Graphis, Trieste), 1968. in 8° oblungo cofanetto in tela editoriale grigia con titoli impressi in blu (confezione ad hoc per la tiratura di testa) Raro e pregiato catalogo della mostra personale al museo Revoltella di Trieste. Splendide le tavole, stampate con un metodo a rilievo. Bell'oggetto, oltre che importante repertorio iconografico. Esemplare 70 / 100 nella tiratura di testa (tiratura comune di 900 es.), completo della silografia originale numerata e firmata a mano dall'artista.

      [Bookseller: Libreria Pontremoli]
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        Secret Marriages.

      Manchester: Phoenix Pamphlets Poets Press, 1968 - Octavo. Original red cloth. With the dust jacket. A fine copy in the slightly toned jacket. First edition, first impression. Signed limited edition, number 23 of 50 copies signed by the author. [Attributes: First Edition; Signed Copy]

      [Bookseller: Peter Harrington. ABA member]
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        Inni omerici

      Edizioni dell'Elefante,, Il tridente, 1968. Tradotti di Filippo Maria Pontani. Introduzione di Giorgio Seferis. Dieci illustrazioni originali di Corrado Cagli riprodotte al tratto a piena pagina. Folio (cm 53x36,5). pp. 180. Ottimo (Fine). Edizione originale di 500 es. numerati e firmati.

      [Bookseller: Studio Bibliografico Marini]
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        Natura in posa all'italiana

      Roma: Il Torcoliere, , 1968. Serigrafia originale a colori su specchio. Cm 45x60 (Specchio 54x69). . . .

      [Bookseller: Studio Bibliografico MArini]
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        Ken Cox Memorial (on yellow paper)

      A South Street Publication, Sherborne, Dorset 1968 - Print. Double-sided screenprint/ lithograph, 57x50.3cm. Dom Sylvester's memorial to the artist Ken Cox, who died in November 1968 after a tragic accident. This double-sided print was printed at the Compton Press, Salisbury, in green and orange on yellow stock. The verso side of the print features silkscreen in two colours together with the title and date. Recto, printed in black, contains the full length title "Ken Cox Memorial/Sun-Cheese wheel-ode, a double-rolling-gloster memorial for kencox" and the complex workings of Houedard's Consonant and Vowel System as well as acknowledging Semi-Bold Flaxman by Edward Wright. Circa 300 prints were produced on white, pink and yellow stock. This copy being on yellow stock. The letters K- E- N- C- O- X are missing from the composition - reflecting the loss of the artist. Condition: fine A historic print - the concrete poetry movement mourning the loss of their most prominent sculptor. [Attributes: First Edition]

      [Bookseller: William Allen Word & Image]
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      oxford university press, 1968. 3 volumi in ottime condizioni, copertina rigida con sovracopertavol. 1 - Testi 220 ppvol. 2 - Testi 310 ppvol. 3 (grande formato) - 26 Tavole di cui alcune ripiegate

      [Bookseller: Messinissa Libri]
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        Senza titolo

      Milano: Ariete Grafica, , 1968. Ottimo (Fine). Litografia originale su lastra litografica di zinco, firmata in basso a sinistra. Al retro dichiarazione di V. Agnetti. Cm 90 x 69. . Ottimo (Fine). Tiratura 90 esemplari.

      [Bookseller: Studio Bibliografico MArini]
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        Mercure. (Mercury.)

      Basel: Werbungs- und Commerz Union Anstalt, 1968 - Excellent condition. Presented in a lime wax ash frame with UV filtered glass. Drypoint etching in colours on Japon nacré paper. Plate size: 17.5 x 12.5 cm. Sheet size: 44.5 x 31.8 cm. Edition of 75. Signed in pencil lower right by Dalí, numbered lower left. One of 15 plates from the portfolio Quinze Gravures. Field 68-4C. Michler & Lopsinger 286

      [Bookseller: Peter Harrington. ABA member]
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      Berkeley: University of California Press, 1968. 1st Edition. Hardcover. Very Good. Tay Garnett (1894-1977) was one of the great American film directors of Hollywood's Golden Age, best known for the MGM film noir masterpiece, The Postman Always Rings Twice. This is a presentation copy to him from another great film director, who was one of the subjects in his book DIRECTING: LEARN FROM THE MASTERS, published posthumously in 1996. Inscribed by Luis Bunuel to Tay Garnett "To Tay Garnett with/ my good wishes / and friendship./ Luis Bunuel" . Luis Bunuel was a highly acclaimed Spanish director who, along with Salvador Dali and Federico Garcia Lorca, formed the core of the Spanish Surrealist movement. Laminated pictorial covers over cloth spine, worn about edges . spine slightly soiled. Issued without dustjacket.

      [Bookseller: Johnnycake Books ABAA, ILAB]
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        Giant Night (Signed)

      No Place: Angel Hair, 1968. First edition. Paperback. Very Good +. Folio. Severely uncommon correct first printing of Anne Waldman's first book. A very good plus to near fine copy in tall (14") side-stapled wrappers with striking black, white and red cover artwork by George Schneeman. A three page poem, printed on rectos only. SIGNED by the poet. The poem has a printed date of December 3, 1967, but this title did not get published until early in 1968 by Angel Hair. Printed in an edition of 100 copies. Among the first publications of this press. Not to be confused with the later 1970 reprinting by Corinth.

      [Bookseller: Derringer Books, Member A.B.A.A.]
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        Afghanistan / Salaam Aleikoum / Salaam Aleikum / Saraamu Areicomu / Saramu Areikomu

      Tokyo: Shaken, 1968. Hardcover. First edition, first printing. Fine hardcover in the original clear vinyl dust jacket, now lightly yellowed and soiled at the edges with no tears or chips. A very nice copy. BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, IN A BOX. Tomatsu's extremely scarce documentary photo-essay on Afghanistan in the early 1960s; the third book issued by Shaken, the publishing house he started in 1967. Photographs and text by Shomei Tomatsu (1930-2012.) Unpaginated; 101 full-page gravure-printed b&w plates + 1 map; 7-5/8 x 8-7/8 inches. Text in Japanese. LAID-IN are two publisher's leaflets for the other two books issued by Shaken, Nihon and 11:02 Nagasaki. Due to size and weight, international and expedited shipping will be more than quoted.

      [Bookseller: A&D Books]
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        Werkmeister, Wolfgang. - "Ein Fluß mündet ins Meer".

      - Radierung / Aquatinta, auf BFK-Rives-Bütten, 1968. Von Wolfgang Werkmeister. Auflage Exemplar Nr. 27/30. 34,8 x 45,0 cm (Darstellung / Platte) / 49,5 x 64,5 cm (Blatt). Werkmeister II 66. Rechts unter der Platte in Bleistift signiert und datiert, links betitelt sowie mit eigenhändiger Auflagenbezeichnung versehen. Am Blattrand links unten Prägestempel "Druck Werkmeister" und Wasserzeichen "BFK Rives France". - Am oberen Blattrand unscheinbar fingerspurig. Verso rEste einer ehemaligen Montierung. Sonst sehr schön erhaltenes Exemplar. Wolfgang Werkmeister (*1941 Berlin, lebt und arbeitet in Hamburg). Deutscher Grafiker, bedeutender Vertreter der zeitgenössischen Radierkunst. 1960-64 Besuch der Akademie der Bildenden Künste Stuttgart, Fachklasse für freie Grafik und Illustration bei Gunther Böhmer. 1965 Besuch der Fachhochschule für Gestaltung Hamburg bei W. M. Busch und S. Oelke. 1966-68 tätig als Pressezeichner. 1972/73 Dozent an der Fachhochschule für Gestaltung, Hamburg. Zahlreiche Auslanfsaufenthalte und Stipendien in Marokko, USA, auf den Kanarischen Inseln, etc. 2001 Kunstpreis der Stadt Baden-Baden. Zentrales Ausdrucksmittel ist die Radierung, genauer die Aquatinta, in der er Landschaft als Hauptmotiv regelrecht zelebriert und in technisch ebenso aufwändigen wie raffinierten Blättern druckgrafisch umsetzt. Stilistisch siedelt sein Werk zwischen einem geschickt eingesetzten Fotorealismus und der lakonischen Bildsprache eines Ansel Adams. [Attributes: Signed Copy]

      [Bookseller: GALERIE HIMMEL]
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        Andrew Wyeth. First edition signed & inscribed by Andrew Wyeth.

      Boston: Houghton Mifflin, 1968 - First edition, oblong folio (17½” x 13¼”), pp. (8), 174, (1) colophon, (1) blank, signed & inscribed by the artist on the title: "To my dear friend Joe /Andy." Also inscribed on the half-title “To Rosalie & Joe/ from a great admirer/ & friend with great affection/Peter Knendler”. Original white lettered brown buckram backed brown lettered cream colored buckram in original color pictorial dust jacket. Fine clean bright copy in very good dust jacket not price clipped but with some scuffs and very short closed tears. Sheets clean, unmarked, complete. H7334 [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: J & J House Booksellers, ABAA]
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      Milano: Achille Mauri, , 1968. Ottimo (Fine). Multiplo in PVC bianco non firmato, realizzato per il volume "Enrico Castellani Pittore",  con testo di Vincenzo Agnetti - editore Achille Mauri, Milano. Cm 30 x 30. . Ottimo (Fine). Tiratura 1000 esemplari.

      [Bookseller: Studio Bibliografico MArini]
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        Oeuvres complètes : 3 volumes

      Slatkine Reprints, 1968. gebundene Ausgabe Ausgetragenes Bibliotheksexemplar, mit einzelnen leichten Gebrauchsspuren Versand D: 2,90 EUR

      [Bookseller: Versand-Antiquariat Konrad von Agris]
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      1968 - Archive of correspondence between Federico Fellini and Daniel Selznick regarding Satyricon and The Voyage of G. Mastorna Archive of three typed letters signed from Federico Fellini to Daniel Selznick (along with carbons of Selznick's several letters in reply, as well as an associated memo), written in 1968 and 1969, making reference to "Satyricon" and more specifically to "The Voyage of G. Mastorna," a film project very dear to Fellini that held great interest for Selznick as well -- but was never produced. Mastorna loomed over the second half of Fellini's career, the masterpiece that was perpetually in revision and on the director's mind. Marcus Perryman, in his introduction to The Journey of G. Mastorna: The Film Fellini Didn't Make (Berghahn Books, 2013) writes: "[Fellini] shrouded the film in mystery partly to keep open the option of making it. Every new project he worked on after his 'Satyricon' had first to get past the recurring thought, illusion or delusion of 'Mastorna.' After the initial failure, Fellini tinkered with the script for the next ten years. He came close to returning to it after 'Il Casanova,' which his analyst considered to be an important step in his self-therapy and one that 'Mastorna' would have extended further. "By his own admission, he repeatedly plundered the script for his new films: for the airport scene and award ceremony in 'Toby Dammit,' for the pope's regalia in 'Fellini Roma,' for verbatim inclusions and characters in 'Amarcord.' 'Prova d'orchestra' investigates the world of orchestral music, to which Mastorna belongs, albeit focusing more on the conductor as dictator than the musician as acolyte; 'La città delle donne' has numerous affinities with the unmade film. The bus and motel in 'Mastorna' are very much like Ginger's bus and motel and 'Mastorna' includes one of Fred's dance routines. Some said 'Ela nave va' was 'Mastorna' in disguise. . Fabrizio Borin calls Mastorna the character Fellini 'thought about, continually returned to, abandoned, repudiated, sought out, feared, hated and never created." Daniel Selznick, the son of David O. Selznick, is best known as a producer for films such as Peter Bogdanovich's Targets (1968) and various documentaries about Hollywood. His association with his father allowed him many opportunities to meet and correspond with numerous actors, actresses, and directors of note. Two letters in English, one in Italian, the latter with typed translation. 8 ½ x 11 in. Varying stock, all folded for mailing, NEAR FINE [Attributes: Signed Copy]

      [Bookseller: Walter Reuben, Inc.]
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      A. LONGO, RAVENNA 1968 - IL PORTICO ITALIANO Pagine in buonissimo stato di conservazione, brossura editoriale con alette, leggermente ingiallita e con lievi segni di usura La libreria offre per un periodo limitato uno sconto del 20% su tutti i suoi libri. Il prezzo originale dell'articolo era 999,00 euro.

      [Bookseller: Biblioteca di Babele]
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        Luigi Spacal. Opera grafica. 1936-1967. Testi di Rodolfo Pallucchini e Franco Russoli. Catalogo a cura di Giulio Montenero.

      Edizioni di Vanni Scheiwiller (stampa: Tipografia U. Allegretti di Campi - tavole Graphis, Trieste) 1968 - Raro e pregiato catalogo della mostra personale al museo Revoltella di Trieste. Splendide le tavole, stampate con un metodo a rilievo. Bell'oggetto, oltre che importante repertorio iconografico. Esemplare 70/100 nella tiratura di testa (tiratura comune di 900 es.), completo della silografia originale numerata e firmata a mano dall'artista. -- Scheda tecnica: pp. 31 [5], 40 tavv. a colori f.t. ciascuna in una custodia di carta velina con numero e titolo, fogli sciolti in carta forte; allegato su carta a parte un facsimile di autografo di Giuseppe Montero, e un'incisione a piena pagina numerata e firmata dall'artista, conservata in bifolio semitrasparente protettivo. [Attributes: First Edition; Hard Cover]

      [Bookseller: Libreria Antiquaria Pontremoli]
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      [Lexington, KY]: Gnomon Press, 1968. Large octavo. Paper over boards, printed spine label. Portrait. A fine copy in dust jacket with minor use at the crown of the spine panel. First edition, deluxe issue. One of twenty- five numbered copies, specially bound and signed by Bunting and Williams, from a total edition of five hundred copies. "This book remains the single most important source for biographical information, even though Bunting has, through the passage of time, confused some dates" - Guedalla. Scarce in this issue. GUEDALLA A10b.

      [Bookseller: William Reese Company - Literature ABAA-]
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        The Last Unicorn

      The Viking Press 1968 - First Edition, First Printing. In Very Good condition, in a price-clipped dust jacket. Previous owner address label to pastedown. Foxing to edge of page block. Stamping to spine cloth lightly rubbed. Boards show light spotting near upper edges. The dust jacket shows rubbing and edge wear, with a few short tears; sunning to spine and top edge of flaps. A nice copy. This book served as the basis for the film of the same name. [Attributes: First Edition; Hard Cover]

      [Bookseller: Burnside Rare Books]
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        The Double Helix: A Personal Account of the Discovery of the Structure of DNA

      New York: Atheneum, 1968. First Edition. Hardcover. Like New. First edition. Fine in very Near Fine dust jacket, unclipped ($5.95) with tiny pencil mark to laminate of front panel, barely noticable sunning to spine panel. A lovely copy of the Nobel-winning biologist's memoir of his role in the discovery of the structure of DNA.

      [Bookseller: Burnside Rare Books]
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        Original Portrait of Ringo

      - Enormous original ink and watercolor portrait of Ringo by Heinz Edelmann, 31 x 47 inches, showing him in a Yellow Submarine-esque striped suit jacket against a psychedelic background. Framed and in very good condition, with scattered staining and soiling. Edelmann, a German illustrator and designer, is best known for his art direction and character designs for the Beatles' 1968 animated film Yellow Submarine. This work is unsigned and was presumably intended for some sort of display, possibly a performance set or event promotion. It may have been a preliminary draft for one of those things  - we have puzzled over the name spelling and frankly don't know what to make it of it. We acquired this from a French collector, who likewise didn't know what to make of that feature. But the piece is certainly contemporary to the period and based on the confidence and style of the line and overall impression, we feel confident in ascribing this to Edelman himself. However, as the work is unsigned, we must allow for the possibility it may have been executed by another hand, possibly an assistant or imitator. In any event, impressive in size and style, this is an extraordinary Beatles piece. 

      [Bookseller: Schubertiade Music]
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        Mémoires d'un architecte

      Seuil 1968 - - Seuil, Paris 1968, 14,5x21,5cm, broché. - Edition originale, un des 280 exemplaires numérotés sur fleur d'alfa, le nôtre un des 55 réservés au Club de l'édition originale, seuls grands papiers. Signature manuscrite de Fernand Pouillon en dessous de la justification du tirage. Iconographie. Tampon imprimé de bibliophile en guise d'ex-libris en regard de la page de faux-titre. Petites traces d'insolation sans gravité en tête et en pied du dos, sinon agréable exemplaire. [AUTOMATIC ENGLISH TRANSLATION FOLLOWS] First edition, one of 280 numbered copies on Alfa paper flower ours one of 55 reserved to the Club of the first edition, the only major paper. Pouillon handwritten signature under the justification of the draw. bibliophile print buffer as an bookplate next to the half-title page. Small traces of sunshine minor head and foot of the back, otherwise nice copy. [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: Librairie Le Feu Follet]
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        A Day for Anne Frank

      - The Falcon Press, Philadelphia, 1968. First edition of Williams's first published work: a poetic meditation inspired by the horrors of the Holocaust, with illustrations based on photographs of concentration camp victims. The volume was designed by Eugene Feldman and Sarah J. Williams, and printed by Feldman; this is => one of 1000 copies issued. 8vo (29.8 cm, 11.75"). [16] pp.; illus. Publisher's printed paper wrappers; tiny amount of rubbing to extremities. A nice copy of this uncommon debut from a major contemporary American poet. Signed inside front cover. [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: Pulaski Ave Books]
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        The Double Helix: A Personal Account of the Discovery of the Structure of DNA

      New York: Atheneum, 1968. First Edition. Hardcover. Like New. First edition. Fine in very Near Fine dust jacket, unclipped ($5.95) with tiny pencil mark to laminate of front panel, barely noticable sunning to spine panel. A lovely copy of the Nobel-winning biologist's memoir of his role in the discovery of the structure of DNA.

      [Bookseller: Burnside Rare Books]
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        A mezzo della notte

      Grafica Uno, 1968. 15 litografie a uno e 2 colori di Emilio Scanavino (cm 34x49,5). Poesie di Malabarba . 4to (cm 34x49,5). Ottimo (Fine). Edizione di 50 + XX + 4 H.C. es. numerati.

      [Bookseller: Studio Bibliografico Marini]
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      - (SHULEVITZ,URI)illus. FOOL OF THE WORLD AND THE FLYING SHIP retold by A. Ransome. NY: Farrar Strauss Giroux (1968). Oblong 4to, (10 1/2 x 9 1/4"), cloth, Fine in dust wrapper with price intact (spine ends frayed, a few closed tears and erasure mark on front flap, VG). 1st edition of this CALDECOTT AWARD WINNER, this is a Russian folk tale beautifully illustrated in color by Shulevitz. [Attributes: First Edition; Hard Cover]

      [Bookseller: Aleph-Bet Books, Inc. - ABAA]
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      The Artist, Gloucestershire 1968 - 550 x 50mm. Brass, hand carved and etched by the artist at his studio in Kingscote, Gloucestershire. Condition: near fine. [Attributes: First Edition]

      [Bookseller: William Allen Word & Image]
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        Sagrada Biblia

      Editorial Herder, BARCELLONA 1968 - SPAGNOLO Prefazione, introduzione e revisione generale sui testi originali del R. P. Serafin de Ausejo O.F.M. Cap. Legatura editoriale in tessuto rosso con fregio in oro al piatto anteriore e titolo in oro al dorso, parziale distacco del dorso e del piatto anteriore, timbro del Centro di Documentazione al frontespizio, segnalibro in stoffa, pagine ben conservate, volume corredato da alcune cartine a colori fuori testo. Testo su due colonne La libreria offre per un periodo limitato uno sconto del 20% su tutti i suoi libri. Il prezzo originale dell'articolo era 999,00 euro.

      [Bookseller: Biblioteca di Babele]
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        Catalogue of Galaxies and of Clusters of Galaxies / by F. Zwicky . [Et Al. ] - (Complete in 6 volumes)

      Pasadena] : California Institute Of Technology 1968 - An exceptional set. Fine copies all in the original gilt-blocked buckram cloth. Particularly and surprisingly well-presented, tight, bright, clean and sharp cornered. ; 1 pages; Physical desc. : 6 v. Subject: Galaxies -- Astronomy --Physics. 12 Kg. 1 pp. [Attributes: Hard Cover]

      [Bookseller: MW Books Ltd.]
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        Typed Letter Signed about the Freuds and childhood blindness

      London, 1968. unbound. Two pages each measuring 11 x 8.5 inches, Maresfield Gardens, London, Jan. 7, 1968, concerning British psychoanalyst Ernest Jones and his relationship with Anna and Sigmund Freud, with additional recollections concerning Dr. Melanie Klein. Written to New York book editor and writer Robert Sussman Stewart, in part: "...Dr. Jones came to Vienna a few days after the Anschluss. I was there at the time. I do not think he tried to rescue Professor Freud so much as to try and make arrangements for the family to come to England as well as for some of Professor's chosen co-workers. This he did in his most helpful and competent manner. Dr. Jones's greatest wish was that Professor and his family should come to England, but above all that they should not go anywhere else...I have always understood that Dr. Jones invited Melanie Klein to come to London to start Child Analysis there. From then on he supported her point of view rather than Anna Freud's in her teaching of child analysis. What is interesting is that Melanie Klein in her later years had the feeling that Dr. Jones was not supporting her sufficiently and felt bitterly about it." With additional content pertaining to the congenitally totally blind child who she believes "should be considered quite apart from 'the blind' who have in the present, or have had in the past some degree of sight." Accompanied by the original postmarked envelope. Two horizontal folds; boldly signed and in near fine condition. World acclaimed child psychoanalyst and lifelong partner of Anna Freud, with whom she collaborated on several ground-breaking studies on the analysis of children. Her work with blind children is still considered to be a landmark of empathic scientific observation. She was the daughter of artist Louis Comfort Tiffany and the granddaughter of Charles Lewis Tiffany, the founder of Tiffany & Co.

      [Bookseller: Argosy Book Store]
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        Instruments et livres scientifiques anciens -Autographes

      600 pp. Paris, Alain Brieux 48 rue Jacob, été 1968, in-8, 600 pp, broché, Dont : portrait d'Ambroise Paré dessiné à la pierre noire.

      [Bookseller: Librairie Alain Brieux]
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        Setting Free the Bears

      Random House 1968 - First edition. (Stated "First Printing" on copyright page.) 335 p. Very Good+ in about Very Good dust jacket. Clean text and sturdy binding. Gift inscription on ffep. Rubbing and soiling to head and tail cloth; jacket chipped and torn away there as well. Small faint stain to top edge. Some nicks and scrapes along spine panel edges. Old Doubleday bookstore sticker on back panel (can be removed easily). Front panel creased. Price intact ($5.95). The author's rare first book. [Attributes: First Edition; Hard Cover]

      [Bookseller: Burnside Rare Books]
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        Le marin rejeté par la mer

      - Gallimard, Paris 1968, 12x19cm, broché. - Prima edizione della traduzione francese, uno dei 26 esemplari numerati sul filo pergamena puro solo grandi giornali. Torna un po 'assottigliato, come al solito, copiare bene. - [FRENCH VERSION FOLLOWS] Edition originale de la traduction française, un des 26 exemplaires numérotés sur vélin pur fil, seuls grands papiers. Dos légèrement éclairci comme habituellement, bel exemplaire.

      [Bookseller: Librairie Le Feu Follet]
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        Mémoires d'un architecte

      First edition, one of 280 numbered copies on Alfa paper flower ours one of 55 reserved to the Club of the first edition, the only major paper.Pouillon handwritten signature under the justification of the draw.bibliophile print buffer as an bookplate next to the half-title page.Small traces of sunshine minor head and foot of the back, otherwise nice copy. Seuil Paris 1968 14,5x21,5cm broché

      [Bookseller: Librairie Le Feu Follet]
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        La Venexiana.

      Cerastico, 1968. Prefazione di Diego Valeri; litografie di Carlo Mattioli. In-folio (cm. 57x41), pp. 71 (5) su carta a mano della Filicarta, con undici litografie originali a colori di Carlo Mattioli numerate e firmate a matita dall'artista, di cui una nella copertina (anch'essa firmata), tutto a fogli sciolti entro copertina editoriale ornata in scatola in cartonato editoriale. Bellissima e non comune edizione di complessivi 120 esemplari di cui 100 numerati in numeri arabi da 1 a 100 (il nostro è il numero) e XX in numeri romani. OTTIME CONDIZIONI: unico difetto: sbiaditura del coperchio della scatola dovuta alla luce.

      [Bookseller: Libreria Palatina Editrice]
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        Fantasiens Slot. 12 litografier. Tekst af Gunnar Jespersen. (Bilingvisk). English text by Paula Hostrup-Jessen.

      - Hans Reitzels Forlag, 1968. 4°, 66 s., illustreret med 12 helsides originale farvelitografier, orig. papirbind med plastomslag, i kassette, nummereret og signeret, smukt helt rent eksemplar.

      [Bookseller: Andersens Antikvariat]
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        Archivi del Divisionismo

      Officina Edizioni, 1968. Rilegato tela (cloth) Raccolti e ordinati da Teresa Fiori. Saggio introduttivo di Fortunato Bellonzi. Con 2767 ill. in nero in tavole f.t. e 8 tavole a colori. 2 volumi . 8vo. pp. 556 + 240 - tavole. Ottimo (Fine). .

      [Bookseller: Studio Bibliografico Marini]
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        Tourmente N°1

      - Fata Morgana, Montpellier 1968, 23x30,5cm, en feuilles sous chemise à lacet. - Edizione originale stampato in 130 copie numerate. Illustrato libro di disegni di Alechinsky, Dufour e Herold. firme scritte di Michel Butor Pierre Alechinsky, Bernard Dufour e Jacques Herold alla giustificazione del sorteggio. esemplare piacevoli presentati sotto la camicia di cartone, piatti di carta marmorizzata, tag title incollata sulla copertina. - [FRENCH VERSION FOLLOWS] Edition originale imprimée à 130 exemplaires numérotés. Ouvrage illustré de dessins d'Alechinsky, Dufour et Hérold. Signatures manuscrites de Michel Butor, Pierre Alechinsky, Bernard Dufour et Jacques Hérold à la justification du tirage. Agréable exemplaire présenté sous chemise cartonnée, plats de papier marbré, étiquette de titre encollée sur le premier plat.  

      [Bookseller: Librairie Le Feu Follet]
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        So Long at the Fair (First Edition, signed in the year of publication)

      E.P. Dutton, New York 1968 - First Edition. INSCRIBED by Williams in the year of publication on the half-title page: "For -- and -- / In memory of one of history's most memorable four days, with love and other good things! / Miller / New Orleans / 3-3-68." Williams is the father of noted singer/songwriter Lucinda Williams, and this his third collection of verse, quite uncommon to find signed or in this condition.Near Fine in a Near Fine dust jacket. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Royal Books, Inc., ABAA]
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        [Screenplay]: MASH

      Twentieth Century-Fox Film Corporation and Aspen Productions. 1968. Screenplay. Quarto. 141pp. Brandbound in printed blue studio wrappers marked "Final Screenplay." Title page is present and notes: "Final February 26, 1969." General wear to the extremities, mostly at the yapped foredge which has multiple creases, near fine. The Academy Award-winning screenplay for the black comedy MASH written by Ring Lardner, Jr. and based on Richard Hooker's novel of the same name, which followed a group of doctors stationed with a mobile army hospital during the Korean War. The film was directed by Robert Altman and starred Elliott Gould and Donald Sutherland as surgeons negotiating the absurdities of war, which resonated with audiences during its release at the height of the Vietnam conflict. Though it was a difficult production with apparent friction between Altman, Lardner and many of the actors, the final film was an instant classic and was nominated for an Oscar for Best Picture and awarded the Palme d'Or at Cannes. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
 42.   Check availability:     IOBABooks     Link/Print  


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