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Displayed below are some selected recent viaLibri matches for books published in 1967


      Complete collection of sheets and notes related to the "12 Evenings of Manipulations" destructionist art happening which took place at the Judson Gallery in New York from October 5 through October 22, 1967, with instructions and notes on various destruction art pieces including Lil Picard "Construction Destruction Construction", Geoff Hendricks "Sky/Change", Malcolm Goldstein "State of the Nation", Carolee Schneemann "Divisions + Rubble", Jean Toche "Labyrinths and Psychological Stress", and others, some accompanied by photocopied photographs of the art piece as they occurred. Illustrated throughout. 8to., some sheets folded. Housed in original printed paper envelope, contents loose as issued, some small tears and soiling to envelope. New York (Judson Gallery) 1967. The Judson Publications Manifesto, which is included in this grouping and signed by Ralph Ortiz, John Hendricks, Al Hansen, Lil Picard, and Jean Toche, describes the group as "anti-profit...The Judson Publication is a unique communique to you from artists who are concerned with the corruption of culture by profit. We believe the function of the artist is to subvert culture, since our culture is trivial. We are intent on giving a voice to the artist who shouts fire when there is fire; robbery when there is a robbery; murder when there is a murder; rape when there is a rape. Judson Publications will attempt to serve the public for as long as the trivial culture of the establishment distracts us from the screams of crises." As of February 2017, WorldCat locates six holdings in the United States.

      [Bookseller: F.A. Bernett Books]
 1.   Check availability:     Biblio     Link/Print  

        Omosuper materialaktion.

      (Wien), Zock Press 1967 - 14,9 x 21,1 cm. Titel, 12 num.Seiten. Originalumschlag mit Stempeldruck. Noever S. 406. - Originalausgabe. - Auf dem Titelblatt handschriftlich mit rotem Filzstift mit "20" nummeriert. Gedruckt als Matrizendruck und Karbonkopie. Titelblatt auf rosafarbenem Papier im Stempeldruck. - Der Text beginnt mit einer Auflistung von 39 Aktionen. Durch die Erwähnung des "Grimuides Konzert", das im Februar 1967 stattfand, lässt sich die Schrift auf Frühjahr 1967 datieren. Es folgen Manifeste zur Materialaktion von 1964, 1965, 1965, Totalaktion 1966, Supermarkt 1966, Materialaktion-Totalaktion 1966, immerimmeraction. - Mit grösster Wahrscheinlichkeit von Muehl als Textbeitrag für die geplante Anthologie "Spielpläne" der edition et geschickt. - Die teilweise nicht sorgfältig gefalteten A4Blätter mit einigen Randläsuren. Of the greatest literary value is Mühl’s manifesto written to accompany the 1967 "Zock" festival, a stream-of-consciousness satire that, though clearly a parody of the very idea of revolutionary manifestos, is refreshingly fearless and still socially relevant. (A. Grossman).

      [Bookseller: Daniel Thierstein]
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        New York: The New Art Scene...

      New York: Holt, 1967. FIRST EDITION, SIGNED AND INSCRIBED BY MULAS on the half-title: "ad mio dottore Harry Grabstald, con affetto Ugo Mulas N.Y. M.H. 1972." A MAGNIFICENT COPY IN THE SCARCE SLIPCASE. Mulas's classic photographic study of the vibrant New York art scene in the 1960s, illustrated with over 500 photographs of major artists including Roy Lichtenstein, Jasper Johns, Marcel Duchamp, Andy Warhol, Robert Rauschenberg, and many others."Inspired by the strong American presence at the 1964 Venice Biennale, the Italian photographer Ugo Mulas made three extended visits to New York over the following years. The result [is this] massive, handsomely designed volume [that] captures the art world at one of its most volatile and vivid peaks...[Mulas] was ideally suited to infiltrate that scene as a sympathetic and unobtrusive observer...With more than 500 photos reproduced in heavily inked, knockout black-and-white, the book has a marvelous scope. Its arresting cover image--a pair of New York cops confronting a gaggle of bohemians at a party in Andy Warhol's Factory--isn't typical, but it suggests something of the scene's exhilaration and notoriety..." (Vince Aletti; Roth 101).Text by Alan Solomon. New York: Holt, Rinehart, Winston, 1967. Quarto, original linen, original photo-illustrated dust jacket; original cardboard slipcase. Book fine, extremely bright dust jacket in outstanding condition with only two tiny closed tears at top of spine end and small, nearly invisible tape reinforcement on verso spine ends and flap fold. Small circular orange sticker over price. An exceptional copy -- the finest we've handled -- of an extremely difficult book to find in collectible condition, very scarce signed and with the original slipcase. Very Good / Very Good....

      [Bookseller: The Manhattan Rare Book Company]
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        Contract for "The Green Knight" 5th December 1967.

      One contract of 6 pages, typescript on thin typing paper 32.5 x 20 cm stapled to red card backing, signed by Mick Jagger, Christopher Gibbs and Nigel Lesmoir Gordon, plus Marianne Faithfull, Jagger's then girlfriend, as witness; with a typescript film treatment of 16 pages stapled together at top left, 29 x 22 cm, with manuscript annotations; a little chipping to folds, a little browning, very good. This unique pair of documents records a highly ambitious project that sadly never came to fruition. As Marianne Faithfull recalls in Faithfull: An Autobiography (2000): "Mick began taking acting lessons ...Then there was THE MAN WHO SHOT MICK JAGGER and a whole slew of hippie projects. Christopher Gibbs and Nigel Gordon had written a script based on the mystical Middle English romance GAWAIN AND THE GREEN KNIGHT. Mick was going to play the Green Knight - Mick and Keith do the Middle Ages!" (pp. 149-50). Not only was Jagger going to star, this was also likely to be his debut as a producer. The contract here is between Jagger and Christopher Gibbs, his interior designer, and Nigel Gordon, a film editor working for the producer David Cammell, to produce a 25 page treatment of the legend of Sir Gawain to be called provisionally, The Green Knight. The two writers were to begin work on Christmas Day 1967 and deliver the treatment by 1st May 1968. We cannot be sure when the pair delivered their work, but it was nine pages short and had transformed from The Green Knight into The story of Venus and the quest for Arthur's kingdom, a tale set initially in a Welsh gold mine in 1700 and New York in 1968 before settling on an Arthurian England of knights, mystical ladies and an improbable red floating sphere. The project never went any further than this, but it is a fascinating snapshot of the projects that Jagger, the Rolling Stones and the counter-culture in general were beginning to get involved in as the 1960s progressed and their ambitions grew. Neither was this the end of the road for Gibbs and Gordon as film collaborators with Jagger - Gibbs was employed as Consultant Designer on Jagger's breakthrough film Performance, while Gordon's boss David Cammell, the brother of the movie's director Donald Cammell, was a co-producer.

      [Bookseller: Henry Sotheran Ltd.]
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        rhythmus r. mörbisch, august 1958 oswald wiener gewidmet. - Originaldruckvorlage des Autors mit handschriftlichen Korrekturen, Streichungen und Paginierung.

      (s.l., s.n., s.d.) () 1967 - 19 x 25 cm. Titel, Blatt 1 -9, 11-12, 14. In losen Blättern unter grau bedrucktem Hochglanzkarton. Weibel, Die Wiener Gruppe S.562-569 und S. 784 . - Von Rühm zusammengestellte Originaldruckvorlage mit handschriftlicher Pagination der Blätter, eigenhändigen Korrekturen auf Blatt 5 und Korrekturen am Umschlag. - Der 1958 in Mörbisch am Neusiedlersee geschriebene Text gilt heute als eines der zentralen Bücher der Konkreten Poesie. Ursprünglich sollte der Text im Verlag von Volker Magdalinski erscheinen. Der Projekt zerschlug sich aus finanziellen Gründen. Magdalinski hatte für Rühm bereits Probeabzüge hergestellt. Damals lernte Gernhard Rühm seine spätere Frau die Verlegerin Renate Gerhardt kennen die das Projekt weiterführte und einige wenige Exemplare als Privatdruck veröffentlichte. Rühm entschied sich 1968 für eine grössere Auflage beim Rainer Verlag, der dafür ein neues Titelblatt und die Widmung an Oswald Wiener neu setzen liess. - Die vorliegende Druckvorlage in einem unbekannten Einbandentwurf. Die Blätter sind handschriftlich durchnummeriert. Blatt 5 mit 4 handschriftlichen Korrekturen von Rühm, die aber in den späteren Drucken stehen blieben. Der hier vorliegenden Druckvorlage fehlen das Blatt 10, gedruckt auf Sandpapier, sowie das Blatt 13, auf bedrucktem Transparentpapier. Laut Aussagen von Gerhard Rühm wurden die beiden Blätter beim Druck zerstört. Im Katalog von Weibel ist die hier vorliegende, ursprüngliche Fassung abgedruckt, die ohne Verlagsangabe, Ort und Jahr gedruckt wurde. "rhythmus r", ein Schlüsselwerk Gerhard Rühms, verwirklicht das Programm des sprachlichen Konkretismus konsequent mit allen Sinnen. Als "absolutes Buch" setzt der Text verschiedene Sprachstile in Laut- und Schriftbilder um. Die Printversion nutzt die mechanische Flexibilität der Schreibmaschine und kommuniziert den assoziativen Inhalt durch die räumliche Anordnung von R-Wörtern. Beim Lesen wandert das Auge die Seiten hinauf und hinunter, Kolumnen von R-Wörtern werden zu Texträndern, das Leitmotiv "regen rauscht" rinnt kaskadenförmig über die Seiten. Die akustische Variante stellt laut Rühm eine "Eins-zu-Eins-Übertragung" von der Schrift in die Stimme dar. Regen rauscht, Papier zerreißt hörbar und die HörerInnen swingen im Takt der Verben-Reihe "rauscht reibt rast" mit.

      [Bookseller: Daniel Thierstein]
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        Mai magyar grafika 1967.

      (O.O., o. Dr., ) 1967 - 50,5x35,5 21 signierte Originalgraphiken. Lose in OHLn.-Mappe. Sehr guter Zustand. Mit 21 signierten Originalgraphiken von Csohány Kálmán (im Rand leicht fleckig), Feledy Gyula, Gacs Gábor, Gross Arnold, Gyulai Liviusz, Hincz Gyula, Kass János, Kondor Béla, Kondor Lajos, Lenkey Zoltán, Major János, Maurer Dóra, Gy. Molnár István, Pásztor Gábor, Raszler Károly, Reich Károly, Rozanits Tibor, Stettner Béla, Szabó Vladimir, Varga Nándor Lajos und Würtz Ádám. [Attributes: Hard Cover]

      [Bookseller: Biblion Antiquariat]
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      First edition, one of 80 numbered copies on Hollande, tirage de têteA fine copy. Gallimard Paris 1967 14,5x20,5cm broché

      [Bookseller: Librairie Le Feu Follet]
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        Auguste Bolte

      First edition of the French translation, one of 60 numbered copies and justified by the publisher with, frontispiece, lithography Max Ernst shot in sepia on China and signed by the artist, the only major paper. One of 20 copies which include an additional condition of the blue pulled lithograph on China and also signed by Max Ernst.Stamp of Alex Grall collection.Rare and beautiful copy.L J. Hugues Paris 1967 11,5x22cm broché

      [Bookseller: Librairie Le Feu Follet]
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      Gallimard. First edition, an advance (service de presse) copy. Handsome autograph inscription from André Malraux to Georges Simenon and his wife.Spine slightly wrinkled at head and foot, a good copy. Gallimard Paris 1967 14x20,5cm broché

      [Bookseller: Librairie Le Feu Follet]
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        Courir les rues

      Gallimard. First edition, an advance (service de presse) copy.Handsome autograph inscription from Raymond Queneau to Marguerite Duras.A good copy. Gallimard Paris 1967 12x19cm broché

      [Bookseller: Librairie Le Feu Follet]
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        L'extase matérielle

      First edition, one of 36 numbered copies on Hollande, tirage de tête.One small trace of sunning, not serious, to foot of spine.A good copy.  Gallimard Paris 1967 14,5x21,5cm broché

      [Bookseller: Librairie Le Feu Follet]
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        Richard Avedon Beatles Posters

      A set of all four original Beatles Posters complete with the black and white Banner. Produced in 1967 from photographs and designs by Richard Avedon. These were simultaneously published in England, Germany and the USA. These are from the German edition published by STERN Magazine. In England they were published in approximately the same size by the Daily Express. The American versions were published by 'Look Magazine' and were slightly bigger. The Posters are 68 x 48cm approx. The banner is 36 x 102cm approx. All are laid down on white canvas in the manner acceptable to collectors. There is one thin scratch mark on George Harrison in the banner. The canvas overlaps the posters with a border of approx. 3cm all round. The bottom edges of the canvas are slightly frayed and creased but when framed this would not be seen.

      [Bookseller: David Maynard]
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        A Model of Leptons

      1st Edition Physical Review Letters: American Physical Society, 1967. FIRST EDITION of Steven Weinberg's model of the electroweak force, one of the essential components of the standard model of particle physics. Weinberg shared the 1979 Nobel Prize in Physics for his "contribution to the theory of the unified and weak electromagnetic interaction." "As Steven Weinberg tells the story, there was Isaac Newton's theory of gravity, 'intended to explain the movements of the celestial bodies and how such things as apples fall to the ground; and there was James Clerk Maxwell's account of electromagnetism as a way to explain light, radiation, magnetism, and the forces that operate between electrically charged particles.'" The quantum revolution "introduced two new forces, both operating at very short range, within the nucleus of the atom. The strong force holds the particles of the nucleus together and is very strong... The other is known as the weak force, which is responsible for radioactive decay. And so, until the 1960s there were four forces that needed to be reconciled: gravity, electromagnetism, the strong nuclear force, and the weak radioactive force" (Peter Watson, The Modern Mind).At Berkeley in 1967, "Weinberg produced a gauge theory that correctly predicted electromagnetic and weak nuclear forces. This was later to become known as the electroweak theory. In his paper, 'A model of leptons', he showed that although electromagnetism is much stronger than the weak force of everyday energies, the only way to devise a theory of the weak force is to include the electromagnetic force. Weinberg showed how what was seemingly impossible could be achieved and the forces could be unified through the interchange of particles in spite of the difference in their strengths. Abdus Salam had independently reached the same conclusions and what became known as the Weinberg-Salam model was a major advance on earlier models that had originally been applied to leptons... In 1979 Weinberg shared the Nobel Prize for Physics for this work with Salam and his old school friend Sheldon Glashow, who had extended the work that Weinberg and Salam had independently developed" (Chris Cooper, Physics).The discovery and description of the electroweak force has been confirmed experimentally and now is one of the essential elements of the "standard model" of particle physics. "By 1988, Weinberg's three-page paper in the Physical Review was the most frequently cited paper in elementary particle physics since the end of World War II" (Lightman, The Discoveries). Particle Physics: One Hundred Years of Discoveries; Brian Greene, The Elegant Universe.In: Physical Review Letters, Vol. 19, 1967, pp. 1264-66. Quarto, modern wrappers (without original wrappers); custom box. Fine condition. Fine.

      [Bookseller: The Manhattan Rare Book Company]
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        Moondog Yearbook 1

      NY: [NP], [1967]. [30]pp. Red string tied wraps lettered in black darkened, light vertical crease throughout, else a very good copy of an uncommon book. The 'Yearbook' consists of poems made up of nine couplets that correspond to Hardin's alternative calendar system of nine day weeks and along "comparative calendar that maps out how the system as a whole is structured. Louis Thomas Hardin, known as Moondog was a blind American composer, musician, poet who lived as a street musician busking mostly on the corner of 53rd street and 6th avenue and because of his homemade outfit which included a horned helmet, became known among some as the 'Viking of Sixth Avenue". Written off by some as some street eccentric, Hardin's work has influenced such better known composers as Steve Reich and Philip Glass, has had several songs dedicated to him by the likes of Marc Bolan among others. Uncommon with OCLC showing only three holdings, [one of which we handled].

      [Bookseller: Kenneth Mallory, ABAA]
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        Le lettrisme devant Dada et les nécrophages de Dada !

      Centre de créativité. First edition, one of 50 numbered copies on Arches, tirage de tête. Centre de créativité Paris 1967 14,5x22,5cm broché

      [Bookseller: Librairie Le Feu Follet]
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      José Corti. First edition, one of 53 numbered copies on Lafuma, tirage de tête after 15 vélin de Rives.A very good copy. José Corti Paris 1967 12x19cm broché

      [Bookseller: Librairie Le Feu Follet]
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        Nouveau recueil

      Gallimard. First edition, one of 36 numbered copies on Hollande, tirage de tête.A fine copy. Gallimard Paris 1967 14,5x21,5cm broché

      [Bookseller: Librairie Le Feu Follet]
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        Le lettrisme devant Dada et les nécrophages de Dada !

      Centre de créativité. First edition, one of 50 numbered copies on Arches paper, ours unjustified, deluxe edition.Precious autograph signed by Maurice Lemaître Eric Losfeld below the justification of the draw: "... specially made for Eric Losfeld fifteen years of friendship Sky (but not efficient)." Lemaitre 67. "Our copy does not contain the original drawing of Maurice Lemaître accompanying Top 50 Arches paper.Rare and beautiful copy. Centre de créativité Paris 1967 14,5x22,5cm broché

      [Bookseller: Librairie Le Feu Follet]
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      Gallimard. First edition, one of the 35 copies numbered on "pur-fil" paper, the only large paper copies .Nice copy. Gallimard Paris 1967 12,5x20cm broché

      [Bookseller: Librairie Le Feu Follet]
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      Gallimard. First edition of the French translation, one of the 26 copys numbered on pure vellum wire only leading copies.Bound in red half shagreen with corners, back with five nerves, marbled paper plates, guards and contreplats rougte of paper, wrappers and back preserved and bound in, gilded head.Beautiful copy. Gallimard Paris 1967 14,5x22cm relié

      [Bookseller: Librairie Le Feu Follet]
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        The Comedians. Collection of 19 vintage black-and-white single weight reference photographs from the UK release of the 1967 film.

      8 x 10 inches. 19 photographs. Stills have tiny pinholes (some multiple) at the corners, and light wear at the extremities, one photograph with reapired chip to lower edge, otherwise in very good condition. The notations on the verso of each photograph have been crossed through in black marker. The last of 5 screenplays written by Graham Greene, 4 of which were adapted from his novels. British director Peter Glenville signed on for the production, which was co-produced by the US and France. The fourth of 10 films starring both Richard Burton and Elizabeth Taylor, and a role for which Taylor cut her normal $1 million salary in half when Glenville told her Sophia Loren had been offered the part. The images include 3 photographs of Burton and Taylor in amorous clinch.

      [Bookseller: Henry Sotheran Ltd.]
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        La femme rompue. Monologue. L'âge de discrétion

      Gallimard. First edition, one of 40 numbered copies on Hollande, tirage de tête.A fine copy  Gallimard Paris 1967 13,5x19,5cm broché

      [Bookseller: Librairie Le Feu Follet]
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        Original painting in gouache and wash with gold highlights on heavy art paper depicting parts of the interior of "The Old Met" in New York at 1411 Broadway between 39th and 40th Streets during a performance, the audience on numerous tiers. Signed "Gropper" at bottom right. Undated, but ca. 1965-66, very close to the date of demolition of "The Old Met" in 1967....

      508 x 380 mm. (20" x 15"). Unframed. Remnants of paper tape to upper margin of verso. Gropper, a social realist, was a pupil of George Bellows and Robert Henri. He was active in New York as a painter, lithographer, cartoonist, and illustrator. His work is held in New York by both the Museum of Modern Art and the Metropolitan Museum of Art in New York. Deeply involved in the radical politics of the 1920s and 30s, Gropper contributed to such left wing publications as The Revolutionary Age, The Liberator, The New Masses, The Worker, and The Morning Freiheit. He went on a tour of Soviet Russia with the novelists Sinclair Lewis and Theodore Dreiser in celebration of the 10th anniversary of the Russia Revolution in 1927. During the second half of the 1930s, he dedicated his art to efforts to raise opposition to fascism in Europe. After visiting Eastern Europe in 1948, he decided to make one painting a year as a memorial to the victims of the Warsaw Ghetto. Gropper was called before the House Un-American Activities Committee in 1953. "The Metropolitan Opera said goodbye to its old house on April 16, 1966, with a sentimental gala farewell performance featuring nearly all of the company's current leading artists. The long time Met star soprano Zinka Milanov made her last Met appearance that night and among the many invited guests was soprano Anna Case who had made her debut at the house in 1909. The final performance at the opera house was given not by the Met but the Bolshoi Ballet, which concluded a short run of appearances on May 8, 1966... Despite a campaign to preserve the theater, it failed to obtain landmark status and the old Met was razed in 1967. " Wikipedia The present painting was executed very close to the date of the farewell performance referred to above....

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      Buffalo: Gallery Upstairs Press, 1967. Paperback. First Edition. 193pp. Publisher's plastic comb bound wraps. Just a hint of tanning to the edges of the wraps, else a fine copy of the first published edition of Cardew's masterpiece that has been interpreted by numerous artists including Sonic Youth. Comprising 193 pages of lines, symbols, and various geometric or abstract shapes that eschew convention and allows for absolute interpretive freedom by the performers. As much an artist's book as a musical score from one of the giants in early experimental music. Cardew trained under Stockhausen, playing cello in the group AMM Music on their classic eponymous first record and later founded the Scratch Orchestra before embracing Maoism and completely repudiating all of his avant garde work. Very good.

      [Bookseller: Kenneth Mallory, ABAA]
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        MANUALE DI EPITTETO con pagine dello stesso dalle Diatribe.

      Verona: Officina Bodoni, 1967. 6 x 10. 200 pages. Quarter light blue morocco, top edge gilt. Spine evenly faded, all else fine in slipcase. One of 165 copies. The 19th century translation into Italian is by Giacomo Leopardi. Handsomely printed in Centaur types, with some Greek key borders in blue & yellow.

      [Bookseller: The Veatchs Arts of the Book]
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        CHANG DAI-CHIEN'S PAINTINGS. With 130 Reproductions of the Master's Paintings Since 1944.

      1st edition. Hong Kong: Published by The East Society, Printed by Sing Cheong Printing Co. Ltd. 1967. Unpaginated. Text in One 2-panel color image, otherwise all images black & white. 11-1/4" x 8-1/2" Spine lightly sunned. Prior owner name stamp to t.p. top magin, otherwise a VG - Nr Fine copy.

      [Bookseller: Tavistock Books]
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        No Way to Treat a Lady (Original screenplay for the 1968 film, signed by George Segal)

      Paramount, Los Angeles 1967 - Final Shooting script for the 1968 film. SIGNED by actor George Segal on the title page, with a brief inscription. Based on the 1964 novel by William Goldman. Christopher Gill (Steiger) is a serial killer who always seems to elude police detective Brummel (Segal).Green titled wrappers, with Paramount logo in white and die cut title window on the front wrapper. Title page present, dated June 13, 1967, noted as Final Shooting Script, with credits for screenwriter Gay, director Smight, and producer Sol C. Siegel, rubber stamped copy No. 129. Last leaf of text numbered 143. Mechanically reproduced on eye-rest green stock. Pages and wrapper Near Fine, internally bound with two gold brads.Weldon (1996), p. 406. [Attributes: Signed Copy; Soft Cover]

      [Bookseller: Royal Books, Inc., ABAA]
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        Blanche ou l'oubli

      Gallimard. First edition, one of 60 numbered copies on Hollande, tirage de tête. Bookplate pasted on the flyleaf. A very fine copy. Gallimard Paris 1967 14x21cm broché

      [Bookseller: Librairie Le Feu Follet]
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        Annual Review of Genetics vol. 1-48 complete

      Leinen Sammlung von 1967 bis 2014. Ehemalige Bibliotheksexemplare mit entsprechenden Kennzeichnungen. Gebrauchsspuren können vorhanden sein. Einige wenige Buchrücken sind ausgeblichen

      [Bookseller: Versand-Antiquariat Konrad von Agris]
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        Small, fantastic Archive of signed and inscribed books, audio-files of Desmond O'Grady reading (on CD) and an original, locally produced film portrait (on a small, limited numbers on DVD's only) and an inscribed 5-page essay by Desmond O'Grady on "Beckett in Paris" as well as two original photographs by John Minihan, showing Desmond O'Grady at his future graveside in Kinsale, stating to John Minihan "John, i will be here forever". Wonderful and rare association archive from the library of irish Beckett-photographer John Minihan and irish poet Adam Wyeth. [Includes the signed and inscribed copies of 1.The Road Taken (Poems 1956 - 1996) / 2. Hellas (1971) / 3. The Dark Edge of Europe - Poems (1967) / 4. His Scaldcrane's Nest (1979) / 5. The Headgear of the Tribe: Selected Poems (1979) / 6. Beckett in Paris (inscribed Essay-Offprint from the Journal of Beckett Studies (1993) / 7. The Wandering Celt - Audio - Spoken Word Reading (CD) / 8. Film "A Life in a Day of Desmond O'Grady" by Adam Wyeth / 9. Alexandrian Notebook (1989) / 10. My Fields This Springtime (1993) / 11. My Alexandrina - Poems and Prose (2006) Inscribed by Desmond O'Grady (Bibliotheca Alexandrina) / 12. Two original photographs of Desmond O'Grady by irish photographer John Minihan.

      , 1967. Kinsale, 1967-2002. 8°. 487, 14, 85, 51, 98, 5, 31, 14, 130 pages. / The photographs of Desmond O'Grady signed by John Minihan. Original Hardcover / Softcover editions with original dustjackets (if asked for). Very good condition with only minor signs of external wear. The CD covers broken and scratched. The photograph in excellent condition. Seamus Heaney said about Desmond O'Grady: "Desmond O?Grady is one of the senior figures in Irish Literary life, exemplary in the way he has committed himself over the decades to the vocation of poetry and has lived selflessly for the art." n

      [Bookseller: The Time Traveller's Bookshop ]
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        Hell's Angels.

      NY, Random House, 1967 - NY, Random House, 1967, first edition, dust jacket. Hardcover. Author's First Book, "The Strange and Terrible Saga of the Outlaw Motorcycle Gangs, with a bookplate signed by Thompson with his initials laid in loosely, however, this copy is signed on the half title by Sonny Barger, a founder of the Oakland chapter of the Hell's Angels. Previous owner's names/address, jacket with one internal tape reinforcement. [Attributes: First Edition; Hard Cover]

      [Bookseller: James M. Dourgarian, Bookman ABAA]
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        Farbfächer. - Originalcollage auf Papier, rückseitig signiert und datiert.

      Düsseldorf, Juni 1967 - 21 x 23 cm. Originalvorlage für den "Deutschland-Report" der edition et, wobei nur ein Drittel der Vorlage Verwendung fand.- Bartels (1928 - 1989) gehörte zu den Protagonisten der tachistischen und neuen monochromen Malerei in Deutschland. - dazu 2 Dias mit 2 Werken des Künstlers

      [Bookseller: Daniel Thierstein]
 32.   Check availability:     ZVAB     Link/Print  

        Ritual [The Wicker Man] - from the library of Sir Christopher Lee

      New Authors Limited, 1967 A first edition, first printing published by New Authors Limited in 1967. Original publisher's black cloth, lettered silver at the spine. A very good+ book in a slightly used else very good dust wrapper with slight edgewear and a 2cm closed tear at foot of spine. Front panel of purple and blue jacket in good order showing an eye, designed by Peter Edwards. From the book collection of Christopher Lee with his ownership signature included on a piece of paper tipped onto the Front endpaper, signed Christopher F C Lee. Sir Christopher Frank Carandini Lee, CBE, (1922-2015) was an English actor, singer, author, and World War II veteran. He was notably in 'The Wicker Man' and 'The Man with the Golden Gun' but is best known for his role as Count Dracula in a sequence of Hammer Horror films and later as Saruman in the 'Lord of the Rings' film trilogy. The author, David Pinner sold the film rights to the book to Christopher Lee in 1971, and it became the basis of the famous 1973 film 'The Wicker Man', starring Edward Woodward, Britt Ekland and of course, Sir Christopher Lee.[removed][removed]

      [Bookseller: John Atkinson Books]
 33.   Check availability:     Biblio     Link/Print  

        Mandatory Happening - International Chain Happening - International Chain Happening #1a - International Chain Happening: Finale - for Benn - Card - Seide one/ side two - Piece for me - ZV - Street Piece - Pieces with Xian Yeagan. 4 Blatt Typoskript in Fotokopie, signiert und mit handschriftlichen Ergänzungen. (dazu): Typoskriptdurchschlag der deutschen Übersetzung (durch Tomas Schmit), 3 Blatt.

      (ca. ) 1967 - 28 x 21 cm. total 7 Blatt. "Mandatory Happening #1: s. Barnes, Carolyne: Ken Friedman, 99 events 1956 - 2009. Stendhal Gallery, New York. Das Mandatory Happening sollte von Maciunas herausgegeben als Multipel erscheinen, wurde jedoch nie realisiert. Friedman erhielt ein Einzelexemplar mit dem von Maciunas entworfenen Umschlag zugesandt (s. Silverman 138/I, heute im MOMA New York). Von den anderen "Spielpläne" lassen sich keine Belege finden, weder bei Silverman noch im Archiv von Ken Friedman. Die Übersetzung ist im Archiv von Tomas Schmit nicht bekannt.

      [Bookseller: Daniel Thierstein]
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        Full Set of James Bond Paperbacks - Pan First Editions 1955-67

      Pan, 1967 The complete run of first edition, first printings of the Pan editions of James Bond adventures: (1) Casino Royale: A first edition, first printing published by Pan in 1955. The true first issue with 2/- to the front cover. Very rare Pan paperback with the first 'artistic' appearance of James Bond. (2) Live and Let Die: A first edition, first printing published by Pan in 1957. (3) Moonraker: A first edition, first printing published by Pan in 1956. (4) Diamonds Are Forever: A first edition, first printing published by Pan in 1958. (5) From Russia With Love: A first edition, first printing published by Pan in 1959. (6) Dr. NO: A first edition, first printing published by Pan in 1960. (7) Goldfinger: A first edition, first printing published by Pan in 1961. (8) For Your Eyes Only: A first edition, first printing published by Pan in 1962. (9) Thunderball: A first edition, first printing published by Pan in 1963. (10) The Spy Who Loved Me: A first edition, first printing published by Pan in 1967. (11) On Her Majestys Secret Service: A first edition, first printing published by Pan in 1964. This is the export edition with 60c to the front cover. The rarest paperback of the set. (12) You Only Live Twice: A first edition, first printing published by Pan in 1965. Stated Not for sale in the UK to the rear panel. (13) The Man With The Golden Gun: A first edition, first printing published by Pan in 1966. (14) Octopussy: A first edition, first printing published by Pan in 1967. All in very good+ condition - please do email for individual condition reports. All in protective plastic covers.

      [Bookseller: John Atkinson Books]
 35.   Check availability:     Biblio     Link/Print  

        1945-1965 : an evaluation of two decades of self-deception compiled and annotated by Gabriel Precio; Plain Wrapper Press: Eleven; part two: book six, the S.S.R.S. stories

      Buenos Airies: Plain Wrapper Press, 1967. Hardcover. xv, 63p., appendices, fine first edition limited to 32 copies designed and printed by hand from machine set Simoncini type faces on French 'Canson' papers by Gabriel Precio at the Plain Wrappers Press, Buenos Aires, Argentina, in July, 1967, twenty copies numbered 1-20 (this is #14) were presented to friends, lovers and 'acquaintances'. Twelve copies numbered I through XII were presented to collaborators and family. This copy was presented to Jack Pooler. Marbled endpapers, Allen Tate frontis drawing. Rubricated titles. Numbering and name of recipient in hand by Rummonds/Precio. Tan paper boards over dark gray cloth backing. Richard-Gabriel Price Rummonds. One of the great handpress printers of modern times. Born, raised and educated in California (Sacramento and at UC Berkeley) he started his press in Quito, Ecuador and moved to Argentina in 1967. Thence to Verona, Italy until 1982. The book is a collection of short stories about people Rummonds knew at a library where he worked and supposedly were written for Mark Schorrer's [sic] 106A creative writing class at Berkeley in 1953. Schorer's critiques comprise the appendices. Five copies located in OCLC as of 1/2017.

      [Bookseller: Bolerium Books Inc., ABAA/ILAB]
 36.   Check availability:     Biblio     Link/Print  

        Around the World on a Nickel. (Signed and Inscribed to William Randolph Hearst, Jr.)

      Associated Publishing House (Incorporating Vir Publishing House), New Dehli 1967 - 314pp + ads. Red cloth stamped in white on the front and the spine. Signed and inscribed by Bedford to William Randolph Hearst, Jr., on the half-title page: "For Dr. William Randolph Hearst, Jr. / In remembrance of your / latest trip to Alaska and / in appreciation of your honoring us / by accepting a degree from the / farthest north university. / From a fellow journalist. / Jimmy Bedford / Fairbanks / May 19, 1974 / Attached is the FARE - / for one world tour / (here there is a nickel taped to the page) / if used according to directions!" Also comes with a small note with the letterhead of the University of Alaska that reads: "Dr. Hearst / Note: / This book published / in India using / handset type - / with some very choice / typographical errors - / revised edition now in / preparation / JB." Mild spine slant, cloth shows mild discoloration to the edges and to the spine panel. A very good+ copy in very good price-clipped dustjacket with light edge wear and fading to front and spine panel. An incredible one-man journey around the world travelling by motor scooter (nice picture of the author on his Vespa on the cover), bicycle, train, truck, bus, donkey cart and ship. Scarce and appealing presentation copy. ; Octavo; Signed by Author. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Parigi Books, ABAA/ILAB]
 37.   Check availability:     AbeBooks     Link/Print  

        The Countess

      Blond, 1967. Hardcover. Used; Acceptable. Hardcover; English language; Jacket laminated onto boards; 12mo - over 6.75" - 7.75" tall; ex-library reading copy; Published by Wright & Brown ;. Your book will be securely packed and promptly dispatched from our UK warehouse. All international orders are sent Royal Mail airmail.

      [Bookseller: Sunrise Books Ltd]
 38.   Check availability:     Biblio     Link/Print  

        A fall of moondust (Steamline books-no.12)

      Nelson, 1967. Paperback. Used; Acceptable. Paperback; English language; a fair reading copy. Your book will be securely packed and promptly dispatched from our UK warehouse. All international orders are sent Royal Mail airmail.

      [Bookseller: Sunrise Books Ltd]
 39.   Check availability:     Biblio     Link/Print  

        MG-Posters Wulff-1967 Lithograph

      1967 - "MG-Posters Wulff" by Unknown, Unsigned Lithograph printed in 1967. The overall size of the Lithograph is 39.5 x 27.5 inches. The condition of this piece has been graded as A-: Near Mint, very light signs of handling.

      [Bookseller: Rare Posters]
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        Trout Fishing in America

      San Francisco: Four Seasons Foundation, 1967. First edition. Paperback. Very Good. 1967, First Edition, first printing. Softcover original. One of the scarcer Brautigans out there. Very Good. Spine faded and with a reading crease that runs vertically down the spine. Light shelfwear to the wraps. Clean, unmarked contents.

      [Bookseller: Caliban Books ABAA-ILAB]
 41.   Check availability:     Biblio     Link/Print  

        Antoni Tàpies. O, l'Escarnidor de Diademes.

      Barcelona: Ediciones Polígrafia, 1967 - Quarto. Original broad-weave cream cloth, titles to spine in black, decoration to front board in dark red. With both the paper and acetate dust jackets. A few small spots to board-edges, toning to text leaves, pale marking to front endpapers, rear inner hinge reinforced. A very good copy in the paper dust jacket slightly rubbed at the extremities, with a few nicks to the head of the spine panel, a short closed tear to the foot of the front, and pale staining to the front flap, the acetate jacket slightly marked and with a 60 mm closed tear to the front panel, and a shallow chip to the rear. 64 photographic plates, mostly in colour and all but one double-sided; 4 folding index leaves to the rear. First edition. Inscribed by the artist at the request of Pere Portabella "A Christopher Lee, Souvenir amical [sic] de Tapies, Barcelona, Avril 1970" on the half title. With a laid-in typed letter from Portabella, dated 27 April 2015 with his signature, reading: "I, Pere Portabella, Director and Producer of Films 59 in Barcelona, Spain, certify that many years ago I purchased two art books. One by Antonie Tàpies and the other by Joan Miró. Both were signed by the artists themselves I gave both of these books to Sir Christopher Lee after we spent time together since he appeared as the main character in two of my films shot in 1970 and 1972". The films mentioned were Vampir-Cuadecu, an experimental film with Lee reprising his role as Dracula, and Umbracle, a companion piece. This monograph was published as part of the publisher's Fotoscop series. The text is by Francesc Vicens and the photographs by Joaquim Gomis. [Attributes: First Edition; Signed Copy]

      [Bookseller: Peter Harrington. ABA member]
 42.   Check availability:     ZVAB     Link/Print  

        Original photograph of a rock formation by Paul Caponigro

      Very Good. Original photograph, ca. 1967. Image measures 8 x 9.75 inches mounted on matboard measuring 11 x 14 inches. In very good condition with slightest bumping to the corners. Very slight curve, easily flattened in a frame. Letter of provenance (not included) indicates that these prints were acquired by Robert Natkin in a trade with his close friend and fellow artist, Paul Caponigro. An excellent example of Caponigro's work. Paul Caponigro is considered one of our century's foremost landscape photographers. Having studied with Minor White, Caponigro's technical genius is apparent in each image and is proof of his printing philosophy: "Technique must serve and not dominate a craft which requires creative movement." His hope is that his viewers will allow the prints to speak for themselves. "One might become aware of suggestions whispered by the interaction of tonalities within each print. It is a silent realm worth exploring."

      [Bookseller: Caliban Books ABAA-ILAB]
 43.   Check availability:     Biblio     Link/Print  

        Jean Nouvel, 2 Bde.: Complete Works 1970-2008 [Englisch] [Gebundene Ausgabe] von Jean Nouvel (Autor), Philip Jodidio (Autor) Jean Nouvel ist ohne Zweifel der originellste und wichtigste zeitgenössisch

      Jean Nouvel ist ohne Zweifel der originellste und wichtigste zeitgenössische Architekt Frankreichs. Von 1967 bis 1970 war er Assistent von Claude Parent und Paul Virilio, bevor er sein eigenes Büro in Paris gründete. Das Institut du Monde Arabe in Paris (1981-87, zusammen mit Architecture Studio) war sein erstes von den Kritikern gefeiertes Projekt. Seitdem hat er das Opernhaus in Lyon (1968-93), das Euralille Einkaufszentrum in Lille (1991-94) und die Fondation Cartier in Paris (1991-94) fertiggestellt. Zu seinen bedeutendsten vollendeten Projekten seit dem Jahr 2000 gehören unter anderen das Musik undKonferenzzentrum in Luzern (1998-2000), der spektakuläre Torre Agbar auf der Avenida Diagonal in Barcelona, der Anbau des Museums Reina Sofia in Madrid (1999-2005), das Quai Branly Museum auf der Seine in Paris (2001-06) oder das Guthrie Theater in Minneapolis, Minnesota. Jean Nouvel gewann im Jahr 2001 die Goldmedaille des RIBA (Royal Institute of BritishArchitects) und 2008 den Pritzker Preis. Fünf Jahre arbeitete Nouvel gemeinsam mit dem Autor Philip Jodidio an dieser neuen, wunderbar illustrierten Monografie von TASCHEN. Das Buch zeigt das Talent Nouvels in seiner ganzen Bandbreite. Zwei 400 Seiten starke Hardcover-Bände geben den bis heute vollständigsten Überblick über Nouvels Schaffen. Die grafische Gestaltung und Bildauswahl wurden von dem Architekten selbst vorgenommen, so dass man zu Recht sagen kann: Dieses Buch ist Nouvel über Nouvel.Limited to 1,000 signed and numbered copies packaged in a translucent plexiglass slipcase reminiscent of the translucent facades often seen in Jean Nouvel designs. Jean Nouvel worked for over five years with author Philip Jodidio on this new, prodigiously illustrated TASCHEN monograph, a book that will finally give the full measure of the architect's talent. Two 400-page hardcover volumes give the most complete overview to date of Jean Nouvel's career, including works in progress such as the new Louvre in Abu Dhabi, the Philharmonie de Paris, and the extension of the MoMA in New York. The book's graphic design and images were conceived and selected by the architect in addition, the transparent printed dust jackets mimic the architect's own tendency to play with contrasts and overlaid patterns. One can truly say that this publication is Nouvel by Nouvel, inside and out. This is the work of France's most unique and internationally celebrated contemporary architect in a book designed by the master himself. It is limited to 1,000 signed and numbered copies packaged in a translucent plexiglass slipcase.Recipient of the 2008 Pritzker Prize, Jean Nouvel is without any doubt France's most original and important contemporary architect. From 1967 to 1970, he was an assistant of the influential architects Claude Parent and Paul Virilio, then creating his own office in Paris. His first widely acclaimed project was the Institut du Monde Arabe in Paris (1981-87, with Architecture Studio). Since then he has completed the Lyon Opera House (1986-93), the Euralille Shopping Center, Lille (1991-94), and the Fondation Cartier, Paris (1991-94).His major completed projects since 2000 include the Music and Conference Center in Lucerne, Switzerland (1998-2000), the spectacular Agbar Tower on Barcelona's Diagonal Avenue (2001-03), the extension of the Reina Sofia Museum, (Madrid, 1999-2005), the Quai Branly Museum on the Seine in Paris (2001-06), and the Guthrie Theater in Minneapolis, Minnesota.Winner of the 2001 RIBA Gold Medal, Jean Nouvel is a prolific creator who may not be as well known to the international public as he merits.Jean Nouvel worked for five years with author Philip Jodidio on this new, prodigiously illustrated TASCHEN monograph, a book that will finally give the full measure of the architect's talent. Two 400-page hardcover volumes give the most complete overview to date of Jean Nouvel's career, including works in progress such as the new Louvre in Abu Dhabi, the Philharmonie de Paris, and the extension of the MoMA in New York. The book's graphic design and images were conceived and selected by the architect in addition, the transparent printed dust jackets mimic the architect's own tendency to play with contrasts and overlaid patterns. One can truly say that this publication is Nouvel by Nouvel, inside and out.The collector's edition is limited to 1,000 signed and numbered copies packaged in a translucent plexiglass slipcase reminiscent of the translucent facades often seen in Jean Nouvel designs. Jean Nouvel has well earned his acclaim as one of France's most talented architects working today. One of his most recent professional honors was achieving the 2008 Pritzker Prize. Now the best of his work is showcased in "Jean Nouvel by Jean Nouvel: Complete Works 1970-2008", an impressive, two volume, 896-page compendium that he designed himself and which is also the truly impressive result of a five year collaborative project with architectural author and editor Philip Jodidio. Here displayed with expert and insightful commentary is a seminal monograph on the man and his work that is as informed and informative as it is thoughtful and thought-provoking. A seminal and comprehensive body of work, "Jean Nouvel by Jean Nouvel: Complete Works 1970-2008" is a very highly recommended core addition to professional and academic Architectural Studies reference collections and supplemental reading lists. Two amazing books of architecture that valorize the work of architect making visual reading becomes a unspeakable journey which we have no desire to stop. The printing and finishing are perfect. A real object of desire. Philip Jodidio, geb. 1954 in New Jersey, studierte Kunstgeschichte und Wirtschaftswissenschaften in Harvard. Er ist Autor zahlreicher Publikationen zur zeitgenössischen Architektur. Architekten Nouvel, Jean ISBN-10 3-8365-0935-0 / 3836509350 ISBN-13 978-3-8365-0935-0 / 9783836509350 Jean Nouvel, 2 Bde.: Complete Works 1970-2008 [Englisch] [Gebundene Ausgabe] von Jean Nouvel (Autor), Philip Jodidio (Autor)

      [Bookseller: Buchservice Lars Lutzer]
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        Trattati di architetura ingegneria e arte militare.. A cura di Corrado Maltese. Trascrizione di Livio Maltese Degrassi. [2 Bde.; komplett].

      Mailand, Il polifilo, 1967 4°, LXVIII, 289 S., Taf. 186 Taf.; 290-616 S., Taf. 187-331, OLwd., Min. gebrauchsspurig. EA dieser Ausgabe. (= Classici italiani di scienze techniche e arti / Trattati di architettura. 3. Bd.). Mit einer Einleitung von Arnaldo Bruschi. Exemplar des Schweizer Architektur- und Kunsthistorikers Georg Germann (1935 - 2016) (von diesem Anstreichungen und Marginalien in Bleistift). - Francesco di Giorgio. genauer Francesco di Giorgio Martini (1439 - 1501). italienischer Architekt. Bildhauer und Maler. Er bildete sich in der Malerei bei Vecchietta aus. war anfangs in Orvieto und seit 1463 in Siena tätig. wo er mit untergeordneten dekorativen und konstruktiven Arbeiten. namentlich in Festungsbauten. beschäftigt war. Im Jahr 1490 erhielt er den Auftrag. das Modell für die Kuppel zum Mailänder Dom anzufertigen. welches auch 1493 von Giovanni Antonio Amadeo ausgeführt wurde. Bei der Belagerung von Neapel im Jahr 1495 soll er die Erfindung der Minen gemacht haben. Seine Bedeutung liegt in seiner außerordentlichen Vielseitigkeit. welche ihn in die erste Reihe der Renaissancekünstler erhebt. wenn er auch keine hervorragende Schöpfung hinterlassen hat. Er starb 1502 in Siena. Seinen \"Trattato di architettura civile e militare\" hat Cesare Saluzzo (Turin. 1841) erstmal in einer Bearbeitung herausgegeben. In diesem Werk tauchen viele Maschinenelemente (Zahnräder. Schneckengetriebe. Bewegungsgewindespindeln usw.) in seinen Katapult- oder Schwerlastkran-Konstruktionen auf. Versand D: 20,00 EUR Architektur - Geschichte Italien Militaria-allgemein

      [Bookseller: Antiquariat Peter Petrej]
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        Personal Letters and Ephemera from the Collection of Percival Brundage, Director of the US Office of Management and Budget under Eisenhower

      Original Correspondence, Washington, DC - Over 27 Pieces. Housed in appropriate document folder. An amazing archive of the personal letters of former Director of the US Office of Management and Budget, Percival Brundage. The collection includes more than 27 individual pieces, including four letters signed by Dwight Eisenhower, five letters signed by Mamie Eisenhower and others signed by President Richard Nixon and President Gerald Ford. One of the stand-outs is the 1967 letter from future President Ford discussing the "many mistakes in Vietnam". An insider look from one of the highly trusted advisors of President Dwight Eisenhower.Director of the United States Office of Management and Budget from April, 1956 to March, 1958. The Office of Management and Budget produces and oversees the President's Budget that is handed to Congress. The budget is the main vehicle by which the President of the United States shapes his policies on a day to day basis by identifying where funds are spent by the United States Congress. The Director answers to the President, the Vice-President and the White House Chief of Staff only. As Budget Director, Percy spearheaded the Eisenhower Administration's campaign to get the government out of private industry. By the end of his first six months as Director, Brundage had cut 492 of 19,321 government businesses that he claimed interfered with private enterprise. Throughout the two years he spent in office, he championed the Eisenhower budget of 1958 only to be met with stiff opposition from all sides, including his own. By the end of 1957, Senator Harry Byrd of Virginia, Chairman of the Senate Finance Committee called on President Eisenhower to replace Brundage "with someone dedicated to the economy instead of. finding new ways to spend more money."A graduate of Harvard University, Brundage was a brilliant statistician and an exceptional accountant who had achieved Partner status at Price, Waterhouse, but the taxes of political office seemed a bit too much. He remained a close advisor to President Eisenhower as well as to JFK, LBJ, Nixon and Ford. CONTENT OF THE ARCHIVE:NOTE: All letters in Very Good to Near Fine condition unless otherwise noted.TLS initialed by Dwight Eisenhower dated June 9, 1960 in regards to Percival Brundage serving on IKE's "Mutual Security" Advsiors Team. The committee of civilian members was assembled in an attempt to aid in the development and endorsement of policies that might provide "mutual security" for nations in a world threatened by Communism. In part, "Those opposed to this great program of course hope for a waning of public interest. This must not happen." On Official White House stationery. Initialed by Dwight Eisenhower at close of letter.TLS initialed by Dwight Eisenhower dated December 14, 1960 in regards to a gift sent you him by Percival and his wife Amittai. Eisenhower comments that "Nothing could please me more in view of the life of leisure that I plan to lead, especially in the next few months." On personal DDE stationery from The White House.(with original cover)TLS signed by Dwight Eisenhower dated October 30, 1963. Letter in regards to a trip to the desert that Eisenhower is planning with Mamie. On personal DDE stationery from Gettysburg. (with original cover)TLS initialed by Dwight Eisenhower dated October 22, 1965. A thank you letter to Percy and Amittai for remembering his birthday. On personal DDE stationery from Gettysburg. (with original cover)TLS signed by Mamie Doud Eisenhower addressed to Mr. and Mrs. Brundage dated February 16, 1957. In part, "I am so pleased that you were able to atted the Cabinet Dinner, for it was a pleasure to see you both." On Official White House stationery. Signed in full by Mamie Eisenhower at close.TLS signed by Mamie Doud Eisenhower addressed to Mr. and Mrs. Brundage dated June 14, 1956. In part, "the knowledge that you were thinking of the President and me and hoping for his recovery was comforting." Eisenhower, an avid smoker, had suffered from a heart attack no

      [Bookseller: Back in Time Rare Books]
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        Alan Davie.

      London, Lund Humphries, 1967 4°, 175 S. m. Textabb. u. 106 teilw. farb. Tafeln (compl.)., OLwd. m. Transparent-OU, goldgepr. Deckel u. Rücken., OU m. Fehlstellen, Lwd. an den Rändern etw. gebräunt, min. gebrauchsspurig, sonst gutes Exemplar. First edition. Text engl. Werkverzeichnis m. 520 Arbeiten. m. Biographie. Ausstellungsverzeichnis u. Bibliographie. Einband. Schmuckvorsatz und Textillustrationen wurden vom Künstler für diese Publikation angefertigt. Beiliegend Katalog (8 Bl. m. 7 s/w Abb.) zur Ausstellung in der Galerie Charles Lienhard. 1960; u. Einladung zur Vernissage der Ausstellung bei Gimpel-Hanover u. Emmerich v. 1980. Versand D: 20,00 EUR Kunst - Monographien

      [Bookseller: Antiquariat Peter Petrej]
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