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Displayed below are some selected recent viaLibri matches for books published in 1967

        Les sept péchés capitaux

      - Nice, La Belle Page - La Diane Française, 1967. In-Folio en feuillets, sous couverture rempliée, coffret toilé vert de l'éditeur, pièce de titre rouge en dos.Texte inédit de Jacques Perret. Ouvrage illustré de 8 lithographies originales de Léonor Fini.Tirage limité à 199 exemplaires signés par l'artiste. Celui-ci un des quelques exemplaires d'artistes et de collaborateurs de l'édition, portant le n° F, signé.

      [Bookseller: LIBRAIRIE GIL-ARTGIL SARL]
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        The Shadow on the Moor. By the late Duke of Northumberland. Illustrated by 'B.B.' Denys Watkins-Pitchford.

      Colchester: Privately printed and published Benham and Company Limited 1967 - First Illustrated Edition, limited to 200 copies. Said to be one of the rarerest books illustrated by "BB" Denys Watkins-Pitchford (There is not even one listed on COPAC - British Library). Original plum cloth with gilt titles to front board and spine. Light soiling and rubbing to all surfaces. Small brown mark to top of endpapers, otherwise clean throughout. Clean text throughout illustrated with 7 full-page engraved plates by "B.B." (including the frontis). Last leaf states: "Two hundred copies of this illustrated edition have been privately printed, of which this is number ." . No number has ever been entered. Scarce. VG.This charming ghost story was written by Alan, 8th Duke of Northumberland and published in 1930. As stated in the preface his son Hugh, 10th Duke, decided with his friend Col C. G. Lancaster to reprint the book in a small limited edition for their friends. Almost certainly it woulld have been Col. Lancaster who owned Kelmarsh Hall, Northamptonshire, near to the home of B.B., who would have suggested commisioning him to illustrate the book. The book was never made available to the general public. [Attributes: Hard Cover]

      [Bookseller: CHILTON BOOKS]
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        Summer and Smoke Opera in two acts based on the play by Tennessee Williams Libretto by Lanford Wilson. Op. 27. Autograph musical manuscript of the complete piano-vocal score of the opera, signed and dated by the composer 28 Nov. [19]70, North Salem, N.Y.

      - Folio. Unbound. 314 pp. Notated in pencil on light green 16-stave music manuscript paper, primarily on one side of each leaf only. Ca. 355 x 280 mm. Occasional autograph corrections, annotations, overpastes and cancelled pages. File holes to inner blank margins. Together with:1. Autograph musical manuscripts of early working drafts in piano-vocal score of Summer and Smoke and including material based on the discarded libretto by Wesley Balk. Folio. Unbound. Ca. 500 pp. Various papers. 2. Autograph musical manuscript of the discarded first scene of Summer and Smoke in piano-vocal score. Ca. 1967. 48 pp. Notated in pencil on 16-stave music manuscript paper. Together with a 1-1/2 pp. closely-typed copy of a letter dated February 13, 1967 written by Hoiby to the librettist of the work recounting in considerable detail the challenges hewas having composing the work: "I have been in the lowest of depths for about the last two months, all because of Summer and Smoke. I've never had the depressing conviction that something just didn't 'work.' By now, I'm afraid I'm utterly and completely disenchanted with what I've written, and shall have to begin all over again. I have many times tried to begin Scene 2, and found myself in a paralytic vice of creative blockage. I may find that I am unable finally to do this opera, though at this point I don't accept that idea."3. An envelope with alternate manuscript overpastes with cuts and revisions for the 1980 Chicago Opera Theater broadcast of the opera and the 1989 University of Southern California, Long Beach productions. 4. A copy of the printed piano-vocal score published by Belwin-Mills in ca. 1976 with the composer's annotations and corrections, mostly in pencil, and with occasional printed overpastes. Folio. Publisher's wrappers. 332 pp. With 4 folio-sized sheets with the composer's directions, cuts and corrections to the score laid in. With composer's notes to upper wrapper: "L[ee] H[oiby] Revised '88 Final Copy." 5. A second copy of the above, similarly marked with composer's annotations, corrections and overpastes. With "L[ee] H[oiby] Rev[ised]" to upper wrapper and "Lee Hoiby 2010 The Falls" to title, and with composer's list of cuts and revisions to inner upper wrapper. 6. A dye-line copy of Hoiby's autograph piano-vocal score. 300 pp. The stage manager, Dean Ekberg's, copy, with the addition of blocking diagrams opposite each page of music. Production notes, overpastes, instrumental cues/directions, lighting cues, etc., in coloured ink and pencil throughout. Two volumes. Folio. Spiral-bound. After hearing Hoiby's earlier opera, A Month in the Country (the revised version of his Natalia Petrovna, based on a play by Ivan Turgenev, premiered by the New York City Opera in 1964), Tennessee Williams approached Hoiby with the suggestion that he might be interested in writing an opera based on one of Williams's works. Hoiby's setting of Summer and Smoke was the result; it is the first opera to be based on a Williams play and is perhaps Hoiby's most famous work. Commissioned by the St. Paul Opera Association, Summer and Smoke was composed in 1970 and premiered on June 19th 1971 in St. Paul, Minnesota with Igor Buketoff conducting. It went on to a production by the New York City Opera on March 12th 1971 under Julius Rudel. "It continues to be performed with substantial success, and its 1980 production by the Chicago Opera Theater was broadcast in June 1982 by PBS-TV (WTTW), Chicago, and seen nationally. For its production during the Lee Hoiby Festival at California State University, Long Beach in 1989. Hoiby added a new scene in Act 1 drawn from his Three Women: Scenes for Soprano, Saxophone and Piano (1988).". Summer and Smoke is a skilful interweaving of offstage music and spoken passages. It is a lyrical, poetic and compelling work that critics praised as America's most successful opera to date. Paul Hume (writing in the Washington Post) considered it an 'opera of immense emotional power f [Attributes: Soft Cover]

      [Bookseller: J & J LUBRANO MUSIC ANTIQUARIANS LLC]
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        Summer and Smoke Opera in two acts based on the play by Tennessee Williams Libretto by Lanford Wilson... Op. 27. Autograph musical manuscript of the complete piano-vocal score of the opera, signed and dated by the composer 28 Nov. [19]70, North Salem, N.Y.

      Folio. Unbound. 314 pp. Notated in pencil on light green 16-stave music manuscript paper, primarily on one side of each leaf only. Ca. 355 x 280 mm. Occasional autograph corrections, annotations, overpastes and cancelled pages. File holes to inner blank margins. Together with: 1. Autograph musical manuscripts of early working drafts in piano-vocal score of Summer and Smoke and including material based on the discarded libretto by Wesley Balk. Folio. Unbound. Ca. 500 pp. Various papers. 2. Autograph musical manuscript of the discarded first scene of Summer and Smoke in piano-vocal score. Ca. 1967. 48 pp. Notated in pencil on 16-stave music manuscript paper. Together with a 1-1/2 pp. closely-typed copy of a letter dated February 13, 1967 written by Hoiby to the librettist of the work recounting in considerable detail the challenges hewas having composing the work: "I have been in the lowest of depths for about the last two months, all because of Summer and Smoke... I've never had the depressing conviction that something just didn't 'work.' By now, I'm afraid I'm utterly and completely disenchanted with what I've written, and shall have to begin all over again. I have many times tried to begin Scene 2, and found myself in a paralytic vice of creative blockage... I may find that I am unable finally to do this opera, though at this point I don't accept that idea." 3. An envelope with alternate manuscript overpastes with cuts and revisions for the 1980 Chicago Opera Theater broadcast of the opera and the 1989 University of Southern California, Long Beach productions. 4. A copy of the printed piano-vocal score published by Belwin-Mills in ca. 1976 with the composer's annotations and corrections, mostly in pencil, and with occasional printed overpastes. Folio. Publisher's wrappers. 332 pp. With 4 folio-sized sheets with the composer's directions, cuts and corrections to the score laid in. With composer's notes to upper wrapper: "L[ee] H[oiby] Revised '88 Final Copy." 5. A second copy of the above, similarly marked with composer's annotations, corrections and overpastes. With "L[ee] H[oiby] Rev[ised]" to upper wrapper and "Lee Hoiby 2010 The Falls" to title, and with composer's list of cuts and revisions to inner upper wrapper. 6. A dye-line copy of Hoiby's autograph piano-vocal score. 300 pp. The stage manager, Dean Ekberg's, copy, with the addition of blocking diagrams opposite each page of music. Production notes, overpastes, instrumental cues/directions, lighting cues, etc., in coloured ink and pencil throughout. Two volumes. Folio. Spiral-bound. After hearing Hoiby's earlier opera, A Month in the Country (the revised version of his Natalia Petrovna, based on a play by Ivan Turgenev, premiered by the New York City Opera in 1964), Tennessee Williams approached Hoiby with the suggestion that he might be interested in writing an opera based on one of Williams's works. Hoiby's setting of Summer and Smoke was the result; it is the first opera to be based on a Williams play and is perhaps Hoiby's most famous work. Commissioned by the St. Paul Opera Association, Summer and Smoke was composed in 1970 and premiered on June 19th 1971 in St. Paul, Minnesota with Igor Buketoff conducting. It went on to a production by the New York City Opera on March 12th 1971 under Julius Rudel. "It continues to be performed with substantial success, and its 1980 production by the Chicago Opera Theater was broadcast in June 1982 by PBS-TV (WTTW), Chicago, and seen nationally. For its production during the Lee Hoiby Festival at California State University, Long Beach in 1989... Hoiby added a new scene in Act 1 drawn from his Three Women: Scenes for Soprano, Saxophone and Piano (1988)..." "... Summer and Smoke is a skilful interweaving of offstage music and spoken passages. It is a lyrical, poetic and compelling work that critics praised as America's most successful opera to date. Paul Hume (writing in the Washington Post) considered it an 'opera of immense emotional power flooded with music of great beauty'." Elise Kirk in Grove Music Online. Considered "a modern Romantic from the lineage of Barber and Menotti, "Hoiby's Summer and Smoke is regarded as having achieved "an eloquence comparable to the later works of Barber." op. cit. More recently, the work was revived at the Manhattan School of Music, where it received three performances in December, 2010: "When... Summer and Smoke... had its premiere in 1971, it was criticized by some for its conservative music, awash in the harmonic language of Menotti (Mr. Hoiby's mentor), Barber and Mahler, and its unabashedly lyrical vocal writing. But the work, with an effective and delicately poetic libretto by the playwright Lanford Wilson, also won deserved praise for doing what an opera is supposed to do: telling the story with sure dramatic pacing and understated expressivity, in music admirable for its directness and melodic grace." "These qualities shone through on Wednesday night when the Manhattan School of Music Opera Theater presented the first of three performances, with Mr. Hoiby, 84, in attendance. The conductor Steven Osgood drew supple, beautifully restrained playing from the able musicians." "Set in Glorious Hill, a small Mississippi town, the story unfolds during several momentous months in the lives of two young adults who grew up as neighbors: John Buchanan Jr., a dashing doctor, and Alma Winemiller, the sweet but inhibited daughter of a pious minister. The handsome production, directed by Dona D. Vaughn, using windows and sets that descend into place, imaginatively evoked the neighboring houses: the staid sitting room in the rectory where the Winemillers live and the doctor's office where young John Buchanan practices with his father." Anthony Tommasini in The New York Times, December 9, 2010. A remarkable assemblage of material documenting the creation and production of what has been described as one of the finest operas composed by an American.

      [Bookseller: J & J LUBRANO MUSIC ANTIQUARIANS]
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        Samson.

      Monaco u. Berlin, Cercle International de Bibliophilie u. Galerie Sydow, (1967). - Erste englische Ausgabe. - Nr. 71 von 72 (ges. 100) im Druckvermerk vom Künstler eigenh. signierten Exemplaren auf starkem „Moulin Richard de Bas"-Bütten. - Außer dem hebräisch-englischen Text und den signierten Orig.-Radierungen enthält die vorliegende Ausgabe in Ocker gedruckte Ornament-Illustrationen. - Kassette tlw. leicht berieben bzw. fleckig. Zwei Blätter leicht gebräunt. - Von Odysseus bis Felix Krull 3/27; Tiessen III, 4, 4. Sprache: Englisch Gewicht in Gramm: 5000 Gr.-Fol. (46,5 x 37 cm). Mit Buchschmuck u. 20 (4 doppelblattgr.) sign. Orig.-Radierungen von Ernst Fuchs. 1 nn., 28 num., 2 nn. Doppelbll., lose in illustr. OLwd.-Kassette. [Attributes: First Edition; Signed Copy]

      [Bookseller: Antiquariat Wolfgang Friebes]
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        Memoirs of Aleister Crowley

      Impact Library Book, 1967. Mass Market Paperback Mass Market Paperback. Used Good. A unique item. A mostly fictional narative of Aleister Crowley's life. In impressive condition. The spine is intact, no creases or breaks. Pages are clean and minimal tanning. Cover has a faded old price mark on upper left, and a small tear on the bottom edge that has been covered by clear tape. We carry new and used books in our storefront. We want you to be satisfied with your purchase. Please contact us if you have questions regarding this item.

      [Bookseller: Firefly Bookstore]
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        Fine-Enamelled Ware of the Ch'ing Dynasty, Chi'en-Lung period (2 volumes)

      Cafa Company Limited, Hong Kong 1967 - English and Chinese text; Hardcover (brown cloth with stamped title to front cover and spine. Dust jacket included); 2 volumes in SLIPCASES; 28 x 40 cm, 3.958 Kg, 89 pages (volume 1) and 161 pages (volume 2) with colour illustrations; Signs of wear on the front cover, spine and back cover. Some scuffs and minor tears in the dust jacket. The interior is in very good condition. The splicases show signs of wear.;This series consists of twenty volumes, illustrating the best specimens, selected by experts, of nearly 20.000 pieces of the famous porcelain from the Sung to the Ch'ing period in the collections of the Chinese National Palace Museum and the National Central Museum. Each volume deals with a particular ware of the past and forms a complete system of its own, while all the volumes follow a uniform compilation and format. Descriptions in Chinese and English against the plates will be found useful as well as convenient by the readers. All the pieces thus illustrated and described represent the best of Chinese ceramic art of the various periods concerned and are mostly not to be found anywhere else outside the two Museums. All the pieces are skillfully illustrated according to the colour-shades of the originals. Apart from separate illustrations of the bases, additional plates were made of the bottoms of wares wherever they differed in colour-tone from the bodies. This is an outstanding feature of these catalogues which, while satisfying the aesthetic sense of the general reader, will facilitate studies by the connoisseur. [Attributes: First Edition; Hard Cover]

      [Bookseller: Jorge Welsh Books]
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        A CHRISTMAS STORY

      , 1967. 1967. SHAHN, BEN. PORTER, Katherine Anne. A CHRISTMAS STORY. Illustrated by Ben Shahn. NY: Delacorte, [1967]. 24mo., boards in dust jacket. First Trade Edition. Signed presentation from Porter on front endpaper: "For Katherine Anne Porter Colbert, From her happy Godmother sort of! Love, Bless you! January 9, 1975. Katherine Anne." Also laid in is a reproduced color portrait of Porter, inscribed on the verso: "Photograph of portrait by Armand Thibault de Navarre 1973- given to my room in the library of the University of Maryland- For namesake Katherine Anne Porter Colbert, With love and hope for her sweet life- K.A.P. January 9, 1975." Near fine in nice d/j. A unique copy! $500.00.

      [Bookseller: Antic Hay Books ]
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        Rosencrantz & Guildenstern Are Dead.

      London: Faber & Faber, 1967. First edition of the author's masterpiece. Octavo, original cloth. Fine in a near fine dust jacket with a hint of toning to the spine. Signed by Tom Stoppard on the title page. With "Compliments of Tom Stoppard" slip laid in. Housed in a custom half morocco clamshell box. A superior example. Rosencrantz & Guildenstern Are Dead is the fabulously inventive tale of Hamlet as told from the wormÂ’s-eye view of the bewildered Rosencrantz and Guildenstern, two minor characters in ShakespeareÂ’s play. In Tom StoppardÂ’s best-known work, this Shakespearean Laurel and Hardy finally get a chance to take the lead role, but do so in a world where echoes of Waiting for Godot resound, where reality and illusion intermix, and where fate leads our two heroes to a tragic but inevitable end. "Rosencrantz & Guildenstern Are Dead [is] verbally dazzlingthe most exciting, witty intellectual treat imaginable." (Edith Oliver, The New Yorker).

      [Bookseller: Raptis Rare Books]
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        Holzschnitte von UGO CLEIS - 12 Original Holzschnitte: I. Der Dorfplatz in Stabio, TI - II. Mitternachts-Prozession - III. Monatsblatt April - IV. Der kleine Träumer - V. Am Hüttenfenster - VI. Die wachsame Glucke - VII. Die alte Messerschmiede - VIII. Wetterfahnen - IX. Siesta - X. Die Kirche St. Jakob in Sissach - XI. Bei Arboldswil - XII. Rickenbach BL

      Basel: Buchdruckerei der Strafanstalt, 1967 - Folio (365x535mm)- Portfolio containing 12 Original Woodcuts, published in 200 numbered and signed copies (121/200), text by Hans E. Keller. Original Portfolio. As new! [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: °ART...on paper - 20th Century Art Books]
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        Lese/Arbeits/Handlungs- Stück No. 58. Originalcollage und -federzeichnung mit Stempeldruck, in 3 Teilen auf Halbkarton.

      (C.a. ) 1967 - 22,5x23,6 cm und 23,4x9 cm, 25,c x 3,5 cm. Originalzeichnung und -collage. Veränderte und erweiterte Fassung mit deutschem Text. Vergl. Koepcke, begreifen erleben, Köln 1994, S. 113 und Koepcke, Bilder und Stücke, Berlin 1988, S. 72. - Die Arbeit wurde in 'et 1' als Blatt 23 leicht verändert und ohne Text abgedruckt. - Ein Teil mit Bleistiftangaben für den Drucker auf der Vorder- und Rückseite und Montageflecken des Klebstreifens.

      [Bookseller: Daniel Thierstein]
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        Japon

      1967. Editions Rencontre, Lausanne 1967, 17x27cm, relié. - Editions Rencontre, Lausanne 1967, 17x27cm, relié. - Edizione per il quale non è stato redatto grandi giornali. Il legame di l'editor in piena cartone, schiena liscia, piatti illustrati. autografo firmato di Nicolas Bouvier François Billetdoux. Iconografia. Bella copia. [FRENCH VERSION FOLLOWS] Edition originale pour laquelle il n'a pas été tiré de grands papiers. Reliure de l'éditeur en plein cartonnage, dos lisse, plats illustrés. Envoi autographe signé de Nicolas Bouvier à François Billetdoux. Iconographie. Agréable exemplaire.

      [Bookseller: Librairie Le Feu Follet]
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        Automobile Quarterly. The Connoisseur's Periodical of Motoring Today, Yesterday and Tomorrow. Volume One Number One Spring 1962-Volume Six Number One (missing Volume 4 No. 2)

      Automobile Quarterly, Inc, New York 1967 - Illustrated throughout. 20 vols. Oblong 8vo. Illustrated throughout. 20 vols. Oblong 8vo

      [Bookseller: James Cummins Bookseller, ABAA]
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        TO SEEK A NEWER WORLD.

      New York:: Doubleday & Company, Inc.,. 1967.. First edition. INSCRIBED, "For Tom Corcoran/ With warm regards/ Bob Kennedy." Kennedy's essays on his view of the challenges of the time, which grew out of his speeches, travel, and experiences as Senator and Attorney General. Thomas "Tommy" Corcoran (1900-1981) was one of several New Deal advisors in Franklin D. Roosevelt's brain trust and, later, a close friend and advisor to Lyndon B. Johnson. Nicknamed "Tommy the Cork" by Roosevelt, he held sway even afer leaving the White House. Near fine in dark blue cloth with very minor rubbing on corners and spine ends, in about very good dust jacket with spine ends and tips rubbed and worn and few tiny tears. .

      [Bookseller: Quill & Brush]
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        The Countess

      Wright and brown, 1967. Hardcover. Acceptable/Acceptable. 1967. First Edition. 176 pages. This is an ex-Library book. Pictorial dust jacket with yellow lettering over red cloth boards with black lettering. Ex-library copy with expected inserts, stamps and inscriptions. Front endpaper has been removed. Pages are moderately tanned and thumbed at the edges, with some foxing. Binding has remained firm. Boards are mildly rub worn, with some light shelf wear to spine, edges and corners, corners are bumped. Slight crushing to spine ends. Tanning to spine and edges. Light wear to dust jacket with tears, nicks and creases to spine, edge and corners. With some tanning to spine and edges. Dust jacket attached to boards and protected by plastic wrapper.

      [Bookseller: The World of Rare Books]
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        Igrejas Barrocas de Minas de Aguilar / Aguilar, Baroque Churches of Minas [WITH 10 ORIGINAL WOODBLOCK PRINTS, SIGNED AND NUMBERED BY THE ARTIST]

      Editora Cesar, Sao Paulo, Brasil 1967 - 1/250. Folio (19 1/2 x 13 3/4"). [5] loose leaves (Text), [10] loose leaves (Plates), as issued. Original plywood covers, with embossed red and black lettered leather label on front cover. Two string ties. A series of ten loose woodblock prints on India paper (4 in color, 6 in b/w) depicting ten Baroque Churches of Minas Gerais, a state in the north of Southeastern Brazil.Each print is matted (image size: 15 1/4 x 10"; mat: 18 7/8 x 13"), and numbered and signed in pencil by Brazilian artist Jose Roberto Aguilar at lower marginThis series of woodblock prints is considered to be the turning point in the artist's career, as it brought him fame.One of 250 numbered and signed copies, of which this is No. 165.Very minor and sporadic foxing throughout. Text in English and Portuguese. Plywood covers, interior and woodblock prints in very good condition. About the artist: Considered to be one of the pioneers of the "New Figuration" movement in Brazil, Jose Roberto Aguilar (born in 1941) is a successful Brazilian painter, video maker, sculptor, musician and curator who worked in London and New York before moving back to his native Sao Paulo. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: ERIC CHAIM KLINE, BOOKSELLER (ABAA ILAB)]
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        The New Industrial State

      Houghton Mifflin Company, Boston 1967 - Very good plus/near fine first edition book in very good dust jacket.  Inscribed by the author on the front free end paper.  Tan cloth covered boards with black text on front panel and black and gold text on spine.  Boards are clean with minimal creasing on corners at head and tail of spine.  Fore-edge corners tips just barely rounded.  Two small faint smudges on side page edges.  Book is internally clean and tight.   Dust jacket is a bit soiled overall, more so on the spine which is also sunned.  Head of jacket spine has crescent-shaped stain across the width.  Edges at head of spine are creased and chipped; old tape repair along the edge on the reverse side for stabilizing 3/8" closed diagonal tear on back corner.  Front panel of dust jacket has several small scuffs running vertically down the left side approx. 1" from the fore-edge fold.  Back panel has three small closed vertical tears; two on the upper edge of 3/8" and 1/4", one on the lower edge in right corner of 1/4", all with small tape repairs on reverse side.  Spine and fore-edge folds are creased; fore-edge fold has 1/8" closed horizontal tear.  All fore-edge corners are rubbed and with a small amount of loss.  Upper and lower edges on front and back panel have occasional light creasing.  Inside front flap has 1 1/4" by 9/16" price clip.  Additional photos available at your request.   [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: R & G Bliss Books]
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        Le ça ira

      - Editions Surréalistes, Paris 1967, 15x25,5cm, en feuilles. - Prima edizione, una delle 134 copie numerate sul filo puro solo le carte. Selezione di poesie, manoscritti inediti, bibliografia, disegni e ritratti di Paul Eluard. Insolated un po 'indietro, una piccola traccia di piega Lunghezza del secondo piatto, altrimenti bella copia con tutti i margini. - [FRENCH VERSION FOLLOWS] Edition originale, un des 75 exemplaires numérotés sur papier couleurs surfine, le nôtre un des 25 comportant les trois aquatintes de Mimi Parent retouchées à l'aquarelle qu'elle a signées et justifiées, tirage de tête. Envoi autographe signé de José Pierre à Paul Aveline. Signatures de José Pierre et Mimi Parent en dessous de la justification du tirage. Ouvrage illustré de 3 aquatintes de Mimi Parent. Dos très légèrement insolé sans gravité, sinon agréable exemplaire.

      [Bookseller: Librairie Le Feu Follet]
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        Self-Portrait. Photographs and transparency

      1967. Two Photographs and 8 x 10 transparency of the work, an acrylic polymer silkscreened on color-aid paper. Descriptions on letterhead of the Unna Gallery, Chicago, Il.

      [Bookseller: Alan Wofsy Fine Arts]
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        The Great Brain

      The Dial Press 1967 - First edition. 175 pp. with note about author at rear. Mauve cloth with gilt lettering. Near Fine in Near Fine jacket. Name written on paste down, slight spine lean. Jacket a bit rubbed and lightly worn along edges, price intact ($3.95). The first book in the young adult series of novels set in Mormon Utah at the end of the 19th Century. Rarely found in trade issue. [Attributes: First Edition; Hard Cover]

      [Bookseller: Burnside Rare Books]
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        Not Far From the River

      Barre, Mass 1967 - First edition, one of 200 on Curtis Rag Paper. Signed by the Author. 1 vols. 8vo. Bruns L13 Quarter brown morocco and boards. Fine First edition, one of 200 on Curtis Rag Paper. Signed by the Author. [Attributes: First Edition; Signed Copy]

      [Bookseller: James Cummins Bookseller, ABAA]
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        Delle case de contadini

      Cassa di Risparmio di Firenze, Florence, Italy 1967 - Edition limited to 250 copies, folio, 36 colored plates, one folding, with annotations in front. Very good in green paper wrappers with green slipcase, the slipcase with a chip to one edge and tear to the corners of another. A reproduction of the original 1770 text on rural architecture. The demand for copies of a work representing eighteenth-century Tuscany was quite heavy, and copies were purchased by the major architectural schools throughout the world. As a result, copies of the original edition in private hands are scarce. [Attributes: Soft Cover]

      [Bookseller: Rulon-Miller Books (ABAA / ILAB)]
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        The Literary Remains of Samuel Taylor Coleridge: Collected and Edited by Henry Nelson Coleridge.

      1967 - Reprint by AMS, 1967). [Attributes: Hard Cover]

      [Bookseller: Yushodo Co., Ltd.]
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        Unnatural Causes. (SIGNED).

      1967 - Faber and Faber, London. 1967. First edition. DW. SIGNED presentation copy from the author "To Margaret with love from the author P.D. James 26 May 1991" written on title page. There is a lean to the spine and a light vertical binding blemish to front board, head and tail of spine and corners are slightly bumped. Endpapers are lightly browned, with previous owner's address label to front endpaper, bottom corner of pages 107,108,109 and 110 are creased, not affecting any text, the rear hinge is visible, but contents are clean and sound. The dustwrapper is price clipped, it has a tiny stain at bottom of front flap and is a little worn and rubbed at extremities, with a small closed tear to head of spine at joint with rear cover o/w VG/VG+. [Attributes: First Edition; Hard Cover]

      [Bookseller: Addyman Books]
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        Poontang and Other Poems

      Crescent City, Florida: New Athenaeum Press. Near Fine. 1967. First Edition; First Printing. Stapled wraps. In green wrappers, one of three known variant bindings. Limited to 500 copies, most of which were distributed to non-collectors in Florida. Among Willeford's rarest titles. Herron 13. .

      [Bookseller: Bungalow Books, ABAA/ILAB ]
 25.   Check availability:     ABAA     Link/Print  


        How to Be a Nonconformist

      Silvermine Publishers Incorporated, Norwalk, CT 1967 - A crisp, very nice copy of the 1967 1st edition of this quirky artist's take on non-conformity. Very much of the period but showing a light, humorous touch. Tight and Fine in a bright, price-intact ("$1.95"), Near Fine dustjacket, with just a touch of light creasing along the spine. 16mo, wonderfully illustrated thruout by the author. [Attributes: First Edition; Hard Cover]

      [Bookseller: APPLEDORE BOOKS, ABAA]
 26.   Check availability:     AbeBooks     Link/Print  


        How To Be a Nonconformist.

      Silvermine Publishers Incorporated,, Norwalk: 1967 - Illustrated by the author. First edition. Some light pink discoloration to the yellow paper covered boards, else near fine in a near fine (one very short closed edge tear) dust jacket. A bright, clean, and well preserved copy. B000NYGG4C [Attributes: First Edition; Hard Cover]

      [Bookseller: Grendel Books, ABAA/ILAB]
 27.   Check availability:     AbeBooks     Link/Print  


        How to Be a Nonconformist

      Norwalk, CT: Silvermine Publishers Incorporated, 1967. Hardcover. Fine/Near Fine. A crisp, very nice copy of the 1967 1st edition of this quirky artist's take on non-conformity. Very much of the period but showing a light, humorous touch. Tight and Fine in a bright, price-intact ("$1.95"), Near Fine dustjacket, with just a touch of light creasing along the spine. 16mo, wonderfully illustrated thruout by the author.

      [Bookseller: Appledore Books, ABAA]
 28.   Check availability:     Biblio     Link/Print  


        How To Be a Nonconformist

      Norwalk:: Silvermine Publishers Incorporated,. Near Fine in Near Fine dust jacket. 1967. Hardcover. B000NYGG4C . Illustrated by the author. First edition. Some light pink discoloration to the yellow paper covered boards, else near fine in a near fine (one very short closed edge tear) dust jacket. A bright, clean, and well preserved copy. .

      [Bookseller: Grendel Books, ABAA/ILAB]
 29.   Check availability:     Biblio     Link/Print  


        How to Be a Nonconformist

      Norwalk, CT: Silvermine Publishers Incorporated, 1967. Hardcover. Fine/Near Fine. A crisp, very nice copy of the 1967 1st edition of this quirky artist's take on non-conformity. Very much of the period but showing a light, humorous touch. Tight and Fine in a bright, price-intact ("$1.95"), Near Fine dustjacket, with just a touch of light creasing along the spine. 16mo, wonderfully illustrated thruout by the author.

      [Bookseller: Appledore Books, ABAA ]
 30.   Check availability:     ABAA     Link/Print  


        How To Be a Nonconformist

      Norwalk: Silvermine Publishers Incorporated, 1967. Norwalk:: Silvermine Publishers Incorporated,. Near Fine in Near Fine dust jacket. 1967. Hardcover. B000NYGG4C . Illustrated by the author. First edition. Some light pink discoloration to the yellow paper covered boards, else near fine in a near fine (one very short closed edge tear) dust jacket. A bright, clean, and well preserved copy. .

      [Bookseller: Grendel Books, ABAA/ILAB ]
 31.   Check availability:     ABAA     Link/Print  


        The Confessions of Nat Turner. A Novel.

      8vo., original cloth with dust wrapper. Small chip to foot of spine of wrapper, otherwise a very good copy. First edition inscribed on the title-page by Styron to film producer, actor and writer Bryan Forbes "To Bryan, Happy Memories and fond greetings, Always, Bill S. London '80". Additionally inscribed to Forbes on front-free endpaper by Ray Simon "Bryan, I hope you will share my feelings - 'dy hot - may this please you- As always, Ray. Oct 11 1967". Ray Simon worked as Forbes's Production Designer on Deadfall which was shot in Spain.

      [Bookseller: Henry Sotheran Ltd.]
 32.   Check availability:     Direct From Seller     Link/Print  


        The Magic Toyshop

      London: Heinemann. London, Heinemann, 1967. First Edition. First Impression. A very good copy. Jacket a little soiled, one short 15mm tear, a little rubbing to the edges, abrasion to endpaper. [5622, Hyraxia Books]. . Near Fine. Hardback. 1st Edition. 1967.

      [Bookseller: Hyraxia]
 33.   Check availability:     Biblio     Link/Print  


        The Birds of Britain

      New York: The Macmillan Company, 1967. Cloth. Near Fine/Near Fine. A lovely, unusually crisp copy of the 1967 1st American edition. Clean and Fine in a bright, price-intact, easily Near Fine to Fine dustjacket. Folio, stylish black-and-white portraits thruout of some of the leading fashionistas of mid 60s London, such as Pattie Boyd, Julie Christie, Susannah York, Sarah Miles, Jane Asher, Mary Quant, Marianne Faithfull, Lulu, Hayley Mills, etc. Introduction and captions by Anthony Haden-Guest, designed by David Tree, the wonderful photographs by John d Green. The nicest copy this bookseller has seen.

      [Bookseller: Appledore Books, ABAA]
 34.   Check availability:     Biblio     Link/Print  


        November Girl. Inscribed by Haskins

      The Bodley Head, London / Switzerland 1967 - The third photographic essay by Sam Haskins. Inscribed on the free end paper "For Jannie from Sam." Jan Mostert worked for the Rembrandt Foundation. Very good. Corners slightly bumped Very good, clipped and with a 2cm closed tear to the bottom edge. [Attributes: First Edition]

      [Bookseller: Quagga Books]
 35.   Check availability:     AbeBooks     Link/Print  


        WHERE DO WE GO FROM HERE? Chaos or Community?

      Harper & Row, New York 1967 - Light shelf wear and one small closed tear to DJ. ; SIGNED to front free endpaper, likely by secretary; 8vo; 209 pages [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Complete Traveller Antiquarian Bookstore]
 36.   Check availability:     AbeBooks     Link/Print  


        Planet of the Apes. Final Revised Screenplay.

      Apjac Productions for Twentieth Century-Fox, (1967). 144 pages, Mimeographed on "eye-rest green" paper, brad-bound in mimeographed orange wrappers. "Final Revised Screenplay", dated on the cover April 18, 1967, with two blue revised pages dated 4/20 and 4/24. The cover is also marked with the legend "Confidential. Please do not reveal the contents of this script." A rare copy of this late revision, complete with the surprise ending, which was kept secret and not included in most copies of the script. Rod Serling (The Twilight Zone) and Michael Wilson received credit for the screenplay which Serling adapted from Pierre Boulle's novel. Wilson had been been blacklisted in the 1950s for being a communist and was only belatedly credited for some of his most important work (e.g. Friendly Persuasion (1956), and The Bridge on the River Kwai (1957), like Planet of the Apes adapted from a Pierre Boulle novel. Some pen marks on the first page, fine.

      [Bookseller: Thomas A. Goldwasser Rare Books]
 37.   Check availability:     Direct From Seller     Link/Print  


        3 TALES OF HORROR

      Arkham House [1967], [Sauk City, Wisconsin] - Octavo, cloth. 1522 copies printed. This copy signed on the title page by the artist Lee Brown Coye. Collects three of Lovecraft's best stories; "The Colour Out of Space," "The Dunwich Horror," and "The Thing On the Doorstep," with fifteen plates with full-page black and white illustrations by Lee Brown Coye. Joshi I-A-44. Former owner's signature and date to front free endpaper, a fine copy in a nearly fine dust jacket with some rub marks to right front edge along flap fold, touch of rubbing to extremities and some dust soiling to rear panel. (15190) [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: John W. Knott, Jr, Bookseller, ABAA/ILAB]
 38.   Check availability:     AbeBooks     Link/Print  


        Pablo Picasso-Reverdy-1967 Lithograph

      1967 - "Reverdy" by Pablo Picasso, Unsigned Lithograph printed in 1967 from an edition size of 100. The overall size of the Lithograph is 28.25 x 18.5 inches. The condition of this piece has been graded as A: Mint. Here is some supplemental information about the Lithograph: Czwiklitzer #255A very rare Picasso Aquatintes Originales pour Reverdy. The lithograph was published by Louis Broder in Paris and printed by Fequet & Baudier in Paris in 1967. 100 copies printed on arches paper, the image measures 28 1/4 x 18 1/2 inches. Heliogravure. [Attributes: Signed Copy]

      [Bookseller: Rare Posters]
 39.   Check availability:     AbeBooks     Link/Print  


        Stephen versus Gladstone

      Headington Quarry 1967 - Very scarce publication: this is No 7 of only 50 published by Headington Quarry. First edition, sole impression. None of the copies printed were offered for sale. This copy comes with a compliment slip, "With the Compliments of Simon Nowell-Smith". The pamphlet contains a transcription of a news article by "Virginia Stephen (aged 10)", written in 1892 for the Stephen children's occasional ms. newspaper "The Hyde Park Gate News" and an extract of a letter from L. Stephen to C.E. Norton, dated 7 Dec. 1892, reprinted from F.W. Maitland's The life and letters of Leslie Stephen, 1906. Large octavo. Single quire [4 pages] sewn into the original mulberry wrappers printed in black. On the last page: "Printed by Will and Sebastian Carter at the Rampant Lions Press, Cambridge" [England]. The edition number (7) and “For B J Kirkpatrick from Simon Nowell-Smith 10.viii,67” is handwritten in blue ink beneath. The front wrapper has the printed details and “A40” is handwritten in the top right-hand corner. The back wrapper has an oval watermark image of the Capitoline Wolf (the famous bronze sculpture of a she-wolf suckling twin human infants, inspired by the legend of the founding of Rome) with the word Roma in mirror image beneath (10 x 7.5 cms). [Attributes: First Edition; Soft Cover]

      [Bookseller: RMJ Books - PBFA]
 40.   Check availability:     AbeBooks     Link/Print  


        A Portents Semina - Portents #6 - (for Wallace Berman)

      No Place: Samuel Charters, 1967. First Edition. Paperback. Near Fine. First edition. One of only 100 copies printed. A tribute "book" to Wallace Berman and his groundbreaking artist magazine Semina. Stiff card wrappers. Inside pocket holds 16 cards with poems and photographs by various artists and writers including Jack Kerouac, Anne Waldman (2 copies of her poem Letter S included), William Burroughs, Ted Berrigan, Paul Carroll, Samuel Charters, Susan McBride, Lewis Warsh, and a photo of Wallace Berman by John Martin. Near fine condition.

      [Bookseller: Derringer Books, Member A.B.A.A.]
 41.   Check availability:     Biblio     Link/Print  


        The Hard Hours

      Atheneum, New York 1967 - First edition. Fine in fine dustwrapper. Poetry collection that won the Pulitzer Prize. See this book in 3D on our site. [Attributes: First Edition; Hard Cover]

      [Bookseller: Between the Covers-Rare Books, Inc. ABAA]
 42.   Check availability:     AbeBooks     Link/Print  


        The Master and Margarita

      Collins and Harvill Press 1967 - First British edition, first printing. Very Good, with light scratch to cloth, previous owner details to front free end paper, lean to spine, light soiling to edge of page block, light edge wear, in a Very Good dust jacket with publisher's price intact, foxing to verso, toning, rubbing at edges and several tears along the top edge. A bit tired looking, but still a nice copy. First British edition of Bulgakov's posthumously published novel. [Attributes: First Edition; Hard Cover]

      [Bookseller: Burnside Rare Books]
 43.   Check availability:     AbeBooks     Link/Print  

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