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Displayed below are some selected recent viaLibri matches for books published in 1967

        The Lorsch Gospels. Introduction by Wolfgang Braunfels. [A Facsimile of the Two Parts of the Lorsch Gospels from the Biblioteca Documentara Batthyaneum in Alba Julia, Rumania, and the Biblioteca Apostolica Vaticana in Rome. ] [""Capitulare Euangeliorum Anni Circuli"": Leaves 116-124 Verso (2d Group) ]

      New York; Printed In Western Germany : George Braziller, 1967. 1st Edition in this form. An exceptional example; fine+ in the original gilt-blocked, vellum-backed cloth and slip-case. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new and still in the publisher's protective casing. ; 1 pages; Physical desc. : 111, 124 (i. E. 125) l. With illus. 38cm. Subject: Biblioteca apostolica vaticana. Pal. Lat. 50. Evangeliaries - Germany - Lorsch - Facsimiles. ""This facsimile edition comprises the two parts of the Lorsch Gospels from the Biblioteca Documentara Batthyaneum in Alba Julia, Rumania, and the Biblioteca Apostolica Vaticana in Rome. "" This copy no. 496.

      [Bookseller: MW Books Ltd.]
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        Parade funèbre pour Charles Estienne

      Editions Jeanne Bucher, 1967. Libro d'Artista completamente illustrato con disegni di Dubuffet in serigrafia in bianco e nero. Cm 28 x 22. pp. 40. Molto Buono (Very Good). Edizione originale di 400 es. numerati.

      [Bookseller: Studio Bibliografico Marini]
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        Charlie and the Chocolate Factory

      London: George Allen & Unwin Ltd., , 1967. Illustrated by Faith Jaques. Octavo. Recent red morocco, titles and decoration to spine gilt, raised bands, single rule to boards, marbled endpapers, gilt edges. Vignette illustrations by Jaques in the text throughout. A fine copy. First UK edition, first impression. Originally published in New York, Knopf, 1964, with illustrations by Joseph Schindelman.

      [Bookseller: Peter Harrington]
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        Photograph Signed, black and white matte finish, 8 X 10

      - Hudson is shown in bust length profile, smiling. To the left of his image on the light background, he inscribes and signs in red felt tip pen, "For.Best Wishes, Rock Hudson." Two punch holes in each corner. Docketed on verso, "Ice Station Zebra - MGM October 1967."

      [Bookseller: Schulson Autographs, Ltd.]
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        Come and Go. Dramaticule

      1967 - BECKETT, SAMUEL. Come and Go. Dramaticule. London: Calder and Boyars, [1967]. [6], 10 p. Illus. Cloth. A very fine copy, in the original glassine and publisher's slipcase. One of 100 numbered copies, signed by Beckett. [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Joseph J. Felcone Inc., ABAA]
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        Monplaisir en littérature... - Monplaisir... en histoire

      - Gallimard, Paris 1967-1969, 14x20,5cm, 2 volumes brochés. - Prima flusso cartaceo Edition per il primo volume; una copia del servizio stampa per il secondo. Nel primo volume, l'invio autografo firmato e datato da Paul Morand al suo amico François Legueu. "... Ho passato piacere soprattutto vorrei che la morte come una botte, tutto può essere appreso tuo amico. . P.Morand, marzo 1968. " Per il secondo, bicolore autografo firmato l'invio di Paul Morand al suo amico François Legueu "mentore finanziario, mini storico tributo e amico, lo automobileclubment, Morand. Due annotazioni a penna a sfera nera su l'ultima guardia dedicatario del primo volume. Indietro del secondo volume leggermente insolated, bello insieme. - [FRENCH VERSION FOLLOWS] Edition originale sur papier courant pour le premier volume; un des exemplaires du service de presse pour le second. Pour le premier volume, envoi autographe daté et signé de Paul Morand à son ami François Legueu : "... J'ai fait passer le plaisir avant tout. Je voudrais que la mort aussi en fût un, tout s'apprend. Ton ami. P.Morand, mars 1968." Pour le second, envoi autographe signé bicolore de Paul Morand à son ami  François Legueu : " mentor financier, hommage d'un mini-historien et ami de toujours, automobileclubment à lui, Morand. Deux annotations au stylo bille noir du dédicataire sur la dernière garde du premier volume. Dos du second volume légèrement insolé, agréable ensemble.

      [Bookseller: Librairie Le Feu Follet]
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        Milton: A Poem.

      Clairvaux, Jura, France: The Trianon Press for The William Blake Trust, 1967 - Tall quarto. Original brown quarter morocco, marbled sides, titles gilt to spine, top edge gilt. Housed in the publisher's marbled slipcase. Trivial rubbing to ends, otherwise fine. Colour illuminated facsimiles achieved by collotype and stencil throughout. First edition thus, publisher Arnold Fawcus's copy, number 1 on 380 copies thus, from a total edition of 426 numbered copies printed on Arches rag paper to match that used by Blake. This copy, numbered 1 in the series, derives from the Trianon Press Archive, from the estate of Trianon publisher and founder Arnold Fawcus. Blake's Milton is the second-longest and penultimate of Blake's illuminated books, and contains the lyrics, "And did those feet in ancient time.", that would come to be sung as the hymn "Jerusalem". [Attributes: First Edition]

      [Bookseller: Peter Harrington. ABA member]
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        THE BEST SHORT STORIES BY NEGRO WRITERS: AN ANTHOLOGY FROM 1899 TO THE PRESENT

      New York City, NY: Little, Brown & Company, 1967. First Edition. First Printing.. Hardcover. Fine/Fine Dust Jacket.. New York City, NY: Little, Brown & Company, 1967. Hardcover. Fine/Fine. First Edition/First Printing. 508 pages. Retrospective collection of short stories. One of the most important literary collections of the 20th century. The First Hardcover Edition. Precedes and should not be confused with all other subsequent editions. Published in a small and limited first print run as a hardcover original only. There is no ISBN. The First Edition is now rare. Presents "The Best Short Stories By Negro Writers: An Anthology From 1899 To The Present". Edited, selected, and annotated by Langston Hughes, the leading figure of the Harlem Renaissance, and one of the finest American writers of the 20th century. At the time of publication, the anthology was THE authoritative collection of its kind: Comprehensive, measured, and broadly expansive. Well-known, now great writers like James Baldwin, Ralph Ellison, Richard Wright, John Williams, Gwendolyn Brooks, and Langston Hughes himself are juxtaposed with "equally talented though yet relatively unknown writers such as Alice Walker, Ted Poston, Conrad Kent Rivers, and Mike Thelwell". Alice Walker ("The Color Purple") ascended to Pulitzer heaven shortly thereafter. Other notable inclusions are such now-canonical writers as Jean Toomer and Nora Zeale Hurston. Langston Hughes' tireless efforts on behalf of his fellow African-American writers paid off, and helped lead to a future writer like Toni Morrison, who won the Nobel Prize for Literature in 1993, twenty-six years later, well before the century's close. An absolute "must-have" title for Langston Hughes and American literature collectors. <b><i> This copy is very prominently and beautifully signed, dated (in the month and year of publication) , and inscribed in black fountain pen on the front free endpaper by the author/editor: "Inscribed especially for Lloyd Garrison with cordial regards and good wishes always. Sincerely, Langston Hughes New York February 10, 1967". It is signed directly on the page itself, not on a tipped-in page. Hughes' handwriting is Classically clean, flowing, and elegant. Although it is still clear and visible, the word "sincerely" is smudged a bit (most probably by Hughes himself, whose typical salutation it is, but must have, on second thought, realized it was redundant in this case because he had already written "with cordial regards and good wishes always") . Alas, he seems to have tried in vain to erase it, thereby leaving behind another trace of himself. Writers - and everyone else - today just do not have "penmanship" like this any longer. This title is a great collection. As far as we know, this is the only such signed, placed, dated, and inscribed copy of the First Hardcover Edition/First Printing available online and despite its imperfection (wear and fading on DJ corners and spine) is still in fine condition: The book itself is in fine shape, and every single page is clean, crisp, and bright, a beauty. A rare signed copy thus. </b></i> Some of the finest American writers of the 20th century. A near-fine collectible copy. .

      [Bookseller: Modern Rare]
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        Captain James Cook Collection- Journals and stamps

      J. C. Beaglehole CollectionThe Journals of Captain James Cook Edited by J.C. BeagleholeThe Voyage of The Resolution and Discovery, 1776-1780two volumes: Part One, and Part Two including AtlasCambridge University Press for the Hakluyt SocietyPublished by the Syndics of the Cambridge University Press1967The Journals of Captain James Cook on His Voyages of DiscoveryEdited from the Original Manuscripts by by J.C. BeagleholeFour Volumes and PortfolioVoyage of The Resolution and Discovery, 1776-1780Part One (volume one) with Addenda and CorrigendaPart Two (volume 2) with CorrigendaPublished 1967Volume Three: Voyage of The Resolution and Adventure, 1772-1775Published 1961Volume Four: Voyage of The Endeavor, 1768-1771Published in 1955Complete Portfolio of Charts and Views, Edited by R.A. Skelton in dust jacketAlso included:Full Sheet of Captain James Cook commemorative stamps- together with two first day of issue envelopes, dated January 20, 1978 one from Honolulu, HI and one from Anchorage AK,Also included- The New York Times article announcing the commemorative stamp issueMore photos are available upon request of the books and stamps than the limit here.Packing and shipping of 175.00 to be addedReasonable offers will be considered

      [Bookseller: CNH Booksellers]
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        UNE FORCE IMMENSE ET MYSTERIEUXE venant de Ben. - Hektographyrtes Blatt mit einem s/w Fotoautomatenportr

      () 1967 - 15 x 21 cm. und 4 x 5 cm. Vgl. Fondazione Bonnotto FX 1262-02. - Erschien 1967 auch in der Sammlung "Fourre 2". Hier in der "gratis" Form mit dem Automatenport

      [Bookseller: Daniel Thierstein]
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        When Marnie Was There

      Collins, 1967. Hardcover. Good/Acceptable. 1967. 224 pages. Pictorial jacket covering blue cloth boards with gilt lettering. Pages remain bright with moderate foxing to text block edge and the endpapers. Binding is firm with light corner bumping to the boards and lean to the spine. Unclipped jacket has light edge wear and tear all round and moderate soiling to the covers. Spine has light scuffing to the ends.

      [Bookseller: The World of Rare Books]
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        Mosters are Inoffensive -- 22 Flux Postcards

      (NY?): Fluxus, Division of Implosions (George Maciunas), 1967. Loose in Folder. Fine/envelope. 1967. 22 postcards (4.25 x 6.25 inches) housed in original plain brown envelope. Cards in Fine condition, envelope with minimal shelfwear. A major Fluxus work, spoofing the sexual standards of the time. Each card with a different small statement on the rear (ie, The fatter the men get the sillier they are but MONSTERS ARE INOFFENSIVE). Published by Fluxus and George Maciunas. Rare. Most institutions note that their cards are housed in a translucent box, but the set in the Walker Art Center is also housed in a brown envelope.

      [Bookseller: Caliban Books ABAA-ILAB]
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        The Fixer (Original screenplay for the 1968 film)

      Beverly Hills, CA: Metro-Goldwyn-Mayer [MGM], 1967. Draft script for the 1968 film. Inscribed to noted journalist Robert Ajemian in an unknown hand ("for Robert Ajemian") on the front wrapper. Ajemian worked at this time for LIFE magazine, and beginning in 1972, national political correspondent and then Washington Bureau Chief for TIME magazine. Blue titled wrappers, rubber-stamped copy No. 39, dated July 6, 1967, with credits for Trumbo, Frankenheimer, and Lewis. Title page present, with credits for screenwriter Trumbo, director Frankenheimer and producer Lewis. 130 leaves, mechanically reproduced, with pink and blue revision pages throughout, dated 8/7/67. Pages Near Fine, wrapper Near Fine bound with two gold brads.

      [Bookseller: Royal Books, Inc.]
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        Unicorn Folio, Series One, Number 1. Snyder, Gleason, Maytag, Mytinger, Prevert, Waddington, Rukeyser, Voznesensky [Cover Title]

      Santa Barbara, CA:: Unicorn Press,, 1967. First Edition. Hardcover. Very Good. Signed by Other. LIMITED EDITION of 325 copies printed by Noel Young with typography and devices by Alan Brilliant, this is Number 299, published by The Unicorn Press to commemorate the opening of The Unicorn Book Shop, January 2, 1967. Portfolio. 21 1/2 x 14 1/2 inches. Title-page, List of Contributors, 9 broadsides and 1 bi-fold laid in; text clean, unmarked. The broadsides are each published on a different paper, which are loosely laid into a large goldenrod-paper bi-fold, that in turn is inserted into a larger sheet of green paper whose bottom edge is folded over and taped at the bottom edge to form a pocket; the broadsheets and the goldenrod bi-fold are in fine condition, the edges of the green paper folder are shelf worn with a few small tears. Very Good. Unicorn Broadsheet Series I & II [Portfolio cover title]. [Santa Barbara]: Unicorn Press, 1968-1971. Portfolio. 22 x 14 3/4 inches. 20 broadsides laid into a portfolio with beige cloth spine and corners, red paper over boards, printed paper front cover label, limitation statement printed on a paper label mounted inside the rear board; square and tight, bump to the middle of the fore edge of the rear board. Broadsides are in fine condition, unless otherwise noted, portfolio in Very Good condition. This collection includes Broadside series I and II. Please contact me for a full bibliographical description, which includes information on additional material included but not printed by the Unicorn Press. The Unicorn Press was founded by Alan "Al" Brilliant, and Theo Savory (1907-1989) in Santa Barbara in 1966. In 1972, the press moved to Greensboro, North Carolina, where it has remained ever since. Most of the 33 broadsides included here were printed during the early years of the Unicorn Press when it's home was in Santa Barbara, California; a few items included were printed by others.

      [Bookseller: John Howell for Books]
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        Sahara.

      Hannover, Fackeltr

      [Bookseller: Antiquariat Wolfgang Friebes]
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        2 By Bukowski

      Los Angeles: Black Sparrow Press, 1967. First Edition. Paperback. Fine. Fine first edition of this poetry chapbook containing two poems: Family, Family and A Little Atomic Bomb. One of 99 numbered and SIGNED copies. Among the earliest of the Black Sparrow Bukowski publications.

      [Bookseller: Derringer Books, Member A.B.A.A.]
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        [Portfolio]: Black Jews

      New York: Lawrence N. Shustak. 1967. First. Portfolio. Brown textured paper over boards with ribbon ties. Title stenciled, and author's signature on front board. Seven bifolia (folded card leaves) with mounted photographs. A portfolio of 12 images. An eighth bifolia is laid in with a duplicate image, we think this functioned as a prospectus, with a note by the photographer that seems to indicate that. A little rubbing on the boards else fine, the images are immaculate. Inscribed by the author in 1967. Hand-stenciled title page and stenciled or stamped colophon indicating that this is copy number 97 of an edition of 150 copies Signed by the photographer (considering the do-it-yourself nature of the project, we'd be surprised if the run of 150 portfolios was completed). Strikingly rich black and white gelatin silver prints of black Jews (sometimes known as "Ethiopian Hebrews") worshipping in New York.Shustak (1926-2003) was a white Bronx-born photographer, who moved to, and stayed in New Zealand in 1973. According to a website devoted to his work, he was best "known for his 1960's portfolios of Black Jews, Fisheye nudes, Jazz musicians (for Riverside Records), Graffiti, Street photography..." He was also the subject of an award-winning documentary.A rare and quite wonderful group of images focused on a little known sub-sect of the Jewish religion. The only copy we've seen. OCLC locates two sets of the portfolio (Yale and University of New Mexico). .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Fine Long Autograph Letter to 'Dearest Nana', (Philip Arthur George, b. 1948, Prince of Wales)

      1967 - Miss Helen Lightbody (d. 1987, nanny to Prince Charles and Princess Anne, 1948-1956), written on his last day at Gordonstoun, " . it seems so strange after almost 6 years & yet I shall be pleased to leave in many ways as I think one outgrows school at 18. Papa has just left for Canada having arrived last night for our last service and having said goodbye to some staff. Mummy comes this afternoon to open a new gymnasium & there are going to be hundreds of people here milling about . I am spending the weekend at Innes House", near Elgin, with Captain Iain Tennant, chairman of the governors, "with Mummy before flying down . It will be wonderful to get home & see Mabel", (Mabel Anderson, nanny to all four children) "and the two small horrors. Andrew" (born 1960) "appears to going through a very difficult phase . & practicaly reduces me to tears as well!", he talks of the holidays, "polo . sailing at Cowes. Balmoral & I don't have to leave until the 7th October when Cambridge goes back . poor Anne will have to go back in September & it will be sad . I do hope I see you before . Cambridge . I expect it will be easier for me to get to London more often than when I was up here. I must . finish my last minute packing . I've still got my little brown case I used to put my toys and odds and ends in . very useful", with a newspaper obituary of Miss Lightbody, 4 sides 4to., Gordonstoun, Elgin, Moray, 22nd July Captain Tennant (Knight of the Thistle, 1986), among many public offices in Scotland, was a governor of Gordonstoun from 1951 and Chairman from 1957-1970. Prince Charles often stayed with him at Innes House during term time weekends.

      [Bookseller: Sophie Dupre ABA ILAB PADA]
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        The Starlight Barking More About the Hundred and One Dalmations

      

      [Bookseller: Maggs Bros. Ltd.]
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        Têtes-mortes

      First edition of which there were no large paper copies.Precious copy inscribed by Beckett to his friend the painter Geer (Van Velde) and his wife Lise.Spine very slightly sunned, not serious."What to say of the sliding planes, the shimmering contours, the cut-out figures in the fog, the balance that any little thing can break, breaking and re-forming themselves under our very eyes? How to talk about the colors that breathe and pant? Of the swarming stasis? Of this world without weight, without force, without shadow? Here everything moves, swims, fells, comes back, falls apart, re-forms. Everything stops, non-stop. One would say it's the revolt of the internal molecules of a stone a split second before its disintegration. That is literature" (The van Veldes' Art, or the World and the Trousers, in Cahiers d'Art n°11-12, Paris 1945).Beckett here is not talking - despite how it may appear - about his literary oeuvre, but about the paintings of Geer Van Velde, going on to add a few lines later "[Bram] Van Velde paints distance. G[eer] Van Velde paints succession." This elegy, published on the occasion of the double exhibition of the Van Veldes (Geer at Maeght's and Bram at the Galerie Mai) is the first important text on these painters, more or less unknown to the public at the time: "We've only just started spouting nonsense about the Van Velde brothers, and I'm the first. It's an honor." This is also the first critical text written directly in French by a young Irish writer who had not, as yet, published anything in France.Thus, the first and most important of Beckett's writings on art, composed at the dawn of his literary career, establishes - right from the start - a fundamental relationship between his developing work and his friends' art: "Thus this text has often been read in a hollow or in the mirror, as one of the rare designations of Beckett's poetry (to come) by the man himself, a sort of anamorphic program of writing," (Un pantalon cousu de fil blanc : Beckett et l'épreuve critique by Pierre Vilar).A real statement of dramaturgical intent, this fundamental text whose introspective value Beckett lays out from the introduction on ("one does nothing but tell stories with words") ushers in the writer's most fruitful creative period. In essence, like Apollinaire and Cendrars, Beckett draws from the artistic problems of his contemporaries the catalyst of his own future writing through "the deepest questioning of narrative, figurative or poetical presuppositions" (Pascale Casanova in Beckett l'abstracteur).The major influence of modern painting on the narrative structure - or destructuring - of Beckett's drama and novels would be pointed out and examined by a number of thinkers, among them Gilles Deleuze, Julia Kristeva and Maurice Blanchot. It was, in fact, with the art of the Van Veldes (first Geer then Bram) that Beckett began to formalize this desire to translate the pictorial question into dramaturgical terms. Thus it was that he rejected Nicolas de Staël's set design for Godot, since: "the set must come out of the text without adding anything to it. As for the visual comfort of the audience, you can imagine how much I care. Do you really think you can listen with the backdrop of Bram's set, or see anything other than him?" (Letter to Georges Duthuit, 1952).When he met Geer in 1937, "Beckett was going through a major existential crisis and had just been reworking his first novel, Murphy, which had been rejected by a great many publishers. He was lost in alcohol, leaving Ireland and moving once and for all to Paris" (Le Pictural dans l'

      [Bookseller: Librairie Le Feu Follet]
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        Charlie and the Chocolate Factory. Illustrated by Faith Jaques.

      London: George Allen & Unwin Ltd., 1967 - Octavo. Recent red morocco, titles and decoration to spine gilt, raised bands, single rule to boards, marbled endpapers, gilt edges. A fine copy. Vignette illustrations by Jaques in the text throughout. First UK edition, first impression. Originally published in New York, Knopf, 1964, with illustrations by Joseph Schindelman. [Attributes: First Edition]

      [Bookseller: Peter Harrington. ABA member]
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        Magnificent Presentation photo by Cecil Beaton signed and dated (The Queen Mother, 1900-2002, Queen of George VI)

      1967 - showing her three quarters length in profile, seated on a sofa wearing a bejewelled dress and sash, 7" x 5", in original blue morocco presentation frame with gilt monogram at the domed head, 10" max x 7", no place, circa It is most unusual to find presentation photos of the Queen Mother. From the collection of "Backstairs Billy", the Queen Mother's favourite servant who started as a page and stayed in her service for 51 years. William John Stephenson Tallon, RVM, (1935-2007, steward and extrovert member of the Queen Elizabeth, The Queen Mother's staff at Clarence House). [Attributes: Hard Cover]

      [Bookseller: Sophie Dupre ABA ILAB PADA]
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        Fishing Print: "June Trout Fishing" depicting a lone fisherman casting in a river

      , 1967. 1967. "Privately Printed for the Theodore Gordon Flyfishers in a limited edition of 350 copies". 1 vols. Image size 14-1/2 x 23-1/2 inches. Matted, framed, and glazed. Signed by the artist in pencil on the mount, "Ogden M. Pleissner". "Privately Printed for the Theodore Gordon Flyfishers in a limited edition of 350 copies". 1 vols. Image size 14-1/2 x 23-1/2 inches. PLEISSNER PRINT INSCRIBED TO COLONEL HENRY SIEGEL. Inscribed to famous Bookseller Col. Hank Siegel on bottom. Bergh p. 107

      [Bookseller: James Cummins Bookseller ]
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        Trattati di architetura ingegneria e arte militare (2 Bde.). A cura di Corrado Maltese. Trascrizione di Livio Maltese Degrassi. [2 Bde.; komplett].

      Milano, Edizioni il Polifilo 1967 - 4°, LXVIII, 289 S., Taf. 186 Taf.; 290-616 S., Taf. 187-331, OLwd., Exlibris Name u. Bibliothekssignatur a. Vors., tadell. EA dieser Ausgabe. (= Classici italiani di scienze techniche e arti / Trattati di architettura, 3. Bd.). - Francesco di Giorgio, genauer Francesco di Giorgio Martini (1439 - 1501), italienischer Architekt, Bildhauer und Maler. Er bildete sich in der Malerei bei Vecchietta aus, war anfangs in Orvieto und seit 1463 in Siena tätig, wo er mit untergeordneten dekorativen und konstruktiven Arbeiten, namentlich in Festungsbauten, beschäftigt war. Im Jahr 1490 erhielt er den Auftrag, das Modell für die Kuppel zum Mailänder Dom anzufertigen, welches auch 1493 von Giovanni Antonio Amadeo ausgeführt wurde. Bei der Belagerung von Neapel im Jahr 1495 soll er die Erfindung der Minen gemacht haben. Seine Bedeutung liegt in seiner außerordentlichen Vielseitigkeit, welche ihn in die erste Reihe der Renaissancekünstler erhebt, wenn er auch keine hervorragende Schöpfung hinterlassen hat. Er starb 1502 in Siena. Seinen "Trattato di architettura civile e militare" hat Cesare Saluzzo (Turin, 1841) erstmal in einer Bearbeitung herausgegeben. In diesem Werk tauchen viele Maschinenelemente (Zahnräder, Schneckengetriebe, Bewegungsgewindespindeln usw.) in seinen Katapult- oder Schwerlastkran-Konstruktionen auf. 3000 gr. Schlagworte: Architektur - GeschichteKunst - Kunstgeschichte, Renaissance [Attributes: First Edition; Hard Cover]

      [Bookseller: antiquariat peter petrej]
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        LO STATO IMPRENDITORE VALIDITA' E ATTUALITA' DI UNA FORMULA

      CAPPELLI, 1967. ITALIANO 0,45 Brossura editoriale con alette, scolorita, ingiallita ai bordi, con sottile fioritura e con lievi segni di usura, pagine in buono stato di conservazione, fioritura ai tagli USATO

      [Bookseller: Biblioteca di Babele]
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        Sammlung von 5 Gedichtmanuskripten und Typografiken in 6 Bl.

      (Ca. ) 1967 - Je 21 x 29 cm. 1. "ich, elementar" Gedichttypsokript für Bernhard Höke in roter Tinte signiert, 2 Bl. - 2. "roseroserose eros" 12 Zeilen, schöne Schreibmaschinenarbeit. - 3. "e", Typografik, rückseitig mit Stempelsignatur. - 4. "Rotor", Typografik, rückseitig mit Stempelsignatur (Knickfalte am unteren Rand) - 5. Briefmarkenbogen 1960. Fotokopie, rückseitig handschriftlich bezeichnet und signiert.

      [Bookseller: Daniel Thierstein]
 26.   Check availability:     ZVAB     Link/Print  


        Propyläen Kunstgeschichte. 18 Bände u. 5 Supplementbände. Zusammen 23 Bände.

      Propyläen 1967-1983, Berlin - 4to (28 x 20 cm). Mit tausenden, vielfach farbigen Abb. auf Tafeln. Schwarzes OHldr. m. zwei (Bd. 1-18) bzw. einem roten/blauen RSchild. Gelber Kopfschnitt. Band 1: Die Griechen und ihre Nachbarn. Band 2: Das Römische Weltreich. Band 3: Byzanz und der christliche Osten. Band 4: Die Kunst des Islam. Band 5-6: Das Mittelalter I-II. Band 7: Spätmittelalter und beginnende Neuzeit. Band 8: Die Kunst des 16. Jahrhunderts. Band 9: Die Kunst des 17. Jh. Band 10: Die Kunst des 18. Jh. Band 11: Die Kunst des 19. Jh. Band 12: Die Kunst des 20. Jh. Band 13: Frühe Stufen der Kunst. Band 14: Der Alte Orient. Band 15: Das Alte Ägypten. Band 16: Indien und Südostasien. Band 17: China, Korea, Japan. Band 18: Das Alte Amerika. Suppl.-Bd. 1: Spätantike und frühes Christentum. Suppl.-Bd. 2: Kunst der Gegenwart. Suppl.-Bd. 3: Kunst der Naturvölker. Suppl.-Bd. 4: Kunst der Völkerwanderungszeit. Suppl.-Bd. 5: Europäische Volkskunst. - Die bisher umfangreichste Kunstgeschichte deutscher Sprache in Halblederbänden. Es erschienen noch 3 Sonderbände. Insgesamt ca. 1,80 Regalmeter. - Minimale Lagerspuren, wohlerhaltene Bände. Beiliegend sämtliche Orig.-Schutzumschläge, diese aber teils gebräunt u. etw. lädiert. 55000 gr. [Attributes: First Edition]

      [Bookseller: Antiquariat Düwal]
 27.   Check availability:     ZVAB     Link/Print  


        L'extase matérielle

      First edition, one of 36 numbered copies on Hollande, tirage de tête.One small trace of sunning, not serious, to foot of spine.A good copy.  Gallimard Paris 1967 14,5x21,5cm broché

      [Bookseller: Librairie Le Feu Follet]
 28.   Check availability:     Direct From Seller     Link/Print  


        The Fixer (Original screenplay for the 1968 film)

      Metro-Goldwyn-Mayer [MGM], Beverly Hills, CA 1967 - Draft script for the 1968 film. Inscribed to noted journalist Robert Ajemian in an unknown hand ("for Robert Ajemian") on the front wrapper. Ajemian worked at this time for LIFE magazine, and beginning in 1972, national political correspondent and then Washington Bureau Chief for TIME magazine.Blue titled wrappers, rubber-stamped copy No. 39, dated July 6, 1967, with credits for Trumbo, Frankenheimer, and Lewis. Title page present, with credits for screenwriter Trumbo, director Frankenheimer and producer Lewis. 130 leaves, mechanically reproduced, with pink and blue revision pages throughout, dated 8/7/67. Pages Near Fine, wrapper Near Fine bound with two gold brads. [Attributes: Signed Copy; Soft Cover]

      [Bookseller: Royal Books, Inc., ABAA]
 29.   Check availability:     AbeBooks     Link/Print  


        Senza titolo

      , , 1967. Ottimo (Fine). Tempera su carta. cm 42x28 (Foglio 51x42). Ottimo (Fine). .

      [Bookseller: Studio Bibliografico MArini]
 30.   Check availability:     Biblio     Link/Print  


        LINGUAVIAGEM ( poemcube multiple)

      Brighton Concrete Poetry Festival, London 1967 - Print. Linguaviagem : Poemcube by the Brazilian Concrete Poet and founder member of Noigandres movement, Augusto de Campos. 250 x 255 mm folded. Unfolds to cube shape (250 mm square, 255mm high) with three letters screen printed on each side - the outer sides in blue, the inner sides in green. The three letter groupings are LIN / GUA/ VIA / GEM. Therefore the letter groups combine (as is printed on one page) to make Lingua : Tongue / Via: Via/ Linguagem: Language and viagem : voyage. One of de Campos' most successful and famous poems. A beautiful poetry object/sculpture. Printed in an edition of 100, by Edward Wright, for the Brighton Concrete Poetry Festival, 1967. Screen print and object clean & fresh. Very rare. See Form magazine no.4 (Bann & Steadman) for advert for this item & full breakdown of festival.

      [Bookseller: William Allen Word & Image]
 31.   Check availability:     IberLibro     Link/Print  


        Nemuri no Riyu Reasons for Sleep Nos 1 4

      

      [Bookseller: Maggs Bros. Ltd.]
 32.   Check availability:     Direct From Seller     Link/Print  


        Gotthard Graubner. Atelier Drakeplatz, Düsseldorf 1967.

       40,5 x 30,5 cm. Minimale Gebrauchspuren. Gotthard Graubner und der Galerist Winfried Reckermann in Graubners Atelier am Drakeplatz, Düsseldorf 1967. Schwarz-Weiss Fotografie, Abzug 2004, verso handschriftlich bezeichnet und signiert. Erika Kiffl, geboren 1939 in Karlsbad (heute Tschechien), lebt seit 1951 in Düsseldorf. Seit 1979 als freie Fotografin tätig, zuvor als Artdirektorin. Erika Kiffl hatte bereits in den frühen 60er Jahren begonnen, in der Düsseldorfer Kunstszene aktiv zu fotografieren. Bekannt wurde sie mit ihrem eigenen Blick in die Ateliers der Künstler. Zu diesen Fotoserien erschienen mehrere Publikationen. Versand D: 2,00 EUR 20. Jahrhundert / 20th Century, Deutschland / Germany, Düsseldorf / Düsseldorf, Fotografie / Photography, Kunstakademie Düsseldorf

      [Bookseller: Antiquariat Querido - Kunst und Fotograf]
 33.   Check availability:     buchfreund.de     Link/Print  


        Milton: A Poem.

      Jura, France: The Trianon Press for The William Blake Trust, 1967 - Tall quarto. Original brown full morocco, titles gilt to spine, top edge gilt. Housed in the publisher's marbled slipcase. Fine. Colour illuminated facsimiles achieved by collotype and stencil throughout. First edition thus, copy S of 26 lettered copies reserved for Lessing J. Rosenwald, the LIbrary of Congress, the Trustees of the William Blake Trust and the Publishers, containing an original guide-sheet and stencil, and a set of hand-coloured plates howing progressive stages in the stencil work, as well as colour collotype proofs, from a total edition of 426 numbered copies printed on Arches rag paper to match that used by Blake. Blake's Milton is the second-longest and penultimate of Blake's illuminated books, and contains the lyrics, "And did those feet in ancient time.", that would come to be sung as the hymn "Jerusalem". [Attributes: First Edition]

      [Bookseller: Peter Harrington. ABA member]
 34.   Check availability:     ZVAB     Link/Print  


        JAMES AND THE GIANT PEACH A Children's Story. Illustrated by Michael Simeon.

      Hardcover. No dust-wrapper, as issued. First U. K. edition. Hint of age-toning to the book-block at fore-edges; else a fine copy with no bubbling or chipping of the laminate, and no inscriptions.

      [Bookseller: David Miles]
 35.   Check availability:     Direct From Seller     Link/Print  


        The White House Years: Mandate for Change 1953&#150;1956 [and] Waging Peace 1956&#150;1961 [together with] At Ease: Stories I Tell My Friends.

      New York: Doubleday, 1963, 1965, 1967 - 3 volumes, thick octavo. Bound in brown morocco for the personal library of publisher Nelson Doubleday, Jr., spines lettered in gilt, raised bands. Housed in individual brown morocco leather-entry slipcases. Excellent condition. First editions of Eisenhower's two volumes of presidential autobiography and his later volume of discursive memoirs. Nelson Doubleday Jr. (1933&#150;2015) was the last president of Doubleday and Company (1978&#150;86) before its sale to Bertelsmann AG in 1986; he was grandson of the founder, Frank Nelson Doubleday ("Effendi"). Doubleday were Eisenhower's publishers throughout. Although Eisenhower had been bombarded with offers from other publishers to write his war memoirs, he only conquered his doubts about doing so after meeting Doubleday in December 1947. Doubleday supplied secretaries, researchers and other support; supervised much of the work; and paid for the creation of maps and photographs for the book. The Doubleday editorial board met with him on several occasions and provided extensive comments on the work in progress. Crusade in Europe (1948) was a huge success and established a working relationship between Eisenhower and his publishers that endured throughout his lifetime. [Attributes: First Edition]

      [Bookseller: Peter Harrington. ABA member]
 36.   Check availability:     ZVAB     Link/Print  


        Hell's Angels

      first edition. NY, Random House, 1967, first edition, dust jacket. Hardcover. Author's First Book, "The Strange and Terrible Saga of the Outlaw Motorcycle Gangs, with a bookplate signed by Thompson with his initials laid in loosely, however, this copy is signed on the half title by Sonny Barger, a founder of the Oakland chapter of the Hell's Angels. Previous owner's names/address, jacket with one internal tape reinforcement.

      [Bookseller: James M. Dourgarian, Bookman]
 37.   Check availability:     Biblio     Link/Print  


        Hell's Angels. The Strange and Terrible Saga of the Outlaw Motorcycle Gangs.

      8vo., original cloth with dust wrapper. A little creasing to wrapper that also has a couple of stains on the inside and a few nicks, otherwise a very good copy. First edition. Thompson's first published book which launched Thompson's career as a writer. Though he had by then published numerous articles for various journals and newspapers and was recognized as a journalist, the book was his first true exposure to a national audience. Reviews of the work were generally very positive and despite a poor performance on the publicity tour by Thompson, who was by his own admission drunk or exhausted for nearly every interview, the book sold relatively well.

      [Bookseller: Henry Sotheran Ltd.]
 38.   Check availability:     Direct From Seller     Link/Print  


        Code

      Paris: Editions du Soleil, 1967 Le Soleil Noir; 117 S.; Einbandill. von Victor Vasarely; limitierte, ausser der Reihe numerierte Ausgabe (nicht für den Handel/hors de commerce), hier # HC II/III, enthält eine gleich numerierte u. eigenhändig signierte Original-Radierung (eau-forte) von Victor Vasarely auf BFK Rives; rundum unbeschnitten, im Originalpappschuber, dieser leicht fleckig. Vom Künstler signiert. Erste Ausgabe. Klappenbroschur. Sehr gut. 19,1 cm.

      [Bookseller: Versandantiquariat Rainer Kocherscheidt]
 39.   Check availability:     Biblio     Link/Print  


        Spectacle

      Edition on current paper despite the thirtieth edition of mention. Signed autograph of Jacques Prévert Michel Konsegnian for the Christmas of 1968, enriched with three multicolored drawings of two snowmen holding a sign on which is written the name of the dedicatee and occupy the title page and the next three. Nice copy. Nice copy. Le livre de poche Paris 1967 11x16,5cmbroché

      [Bookseller: Librairie Le Feu Follet]
 40.   Check availability:     Direct From Seller     Link/Print  


        Box with the Sound of Its Own Making 1 und 2. - 2 Silber Gelatine Vintage Prints. rückseitig vom Künstler jeweils handschriftlich bezeichnet, signiert und mit seiner New Yorker Adresse versehen.

      (ca. ) 1967 - 2 s/w Fotos. 19,5 x 22 cm. und 19,5 x 24,3 cm. Die Aufnahme 1 wurde in "et3" abgedruckt. Die 1961 hergestellte Kiste gilt als eines der frühen wichtigen amerikanischen Werke der Minimal Art. Der Holzkasten enthält ein Tonband mit den Aufnahmen der Geräusche bei der Herstellung des Objektes. Die Aufzeichnung dauert 3 1/2 Stunden, gleich lang wie die Herstellung der Box und verbindet erstmals den Prozess der Herstellung des Kunstwerkes mit dem Objekt selbst. Robert Morris hatte sich in den späten 50er Jahren intensiv mit den Werken von Marcel Duchamp auseinandergesetzt. Der erste, dem Morris das Werk präsentierte, war John Cage, dessen 1952 entstandene Komposition 4'33" Morris zum Vorbild nahm. "Morris&#146;s far more famous&#151;and concretely realized&#151;work from the same year, The Box with the Sound of its Own Making, would become the public structure that would generate, in Morris&#146;s account, all the subsequent work" (Lis Kotz, in Make an object to be lost" 2012). - Die Originalarbeit steht heute im Seattle Art Museum. - Ein Blatt rückseitig leicht fleckig und mit einer Knickfalte an der äussersten unteren Ecke.

      [Bookseller: Daniel Thierstein]
 41.   Check availability:     AbeBooks     Link/Print  


        Têtes-mortes

      - Les éditions de minuit, Paris 1967, 9,5x18cm, broché. - Edition originale pour laquelle il n'a pas été tiré de grands papiers Précieux envoi autographe signé de Samuel Beckett à son ami le peintre Geer (Van Velde) et à sa femme Lise. Dos très légèrement insolé sans gravité. - [FRENCH VERSION FOLLOWS] Edition originale pour laquelle il n'a pas été tiré de grands papiers. Précieux envoi autographe signé de Samuel Beckett à son ami le peintre Geer (Van Velde) et à sa femme Lise. Dos très légèrement insolé sans gravité. « Que dire de ces plans qui glissent, ces contours qui vibrent, ces corps comme taillés dans la brume, ces équilibres qu'un rien doit rompre, qui se rompent, et se reforment à mesure qu'on regarde ? Comment parler de ces couleurs qui respirent, qui halètent ? de cette stase grouillante ? de ce monde sans poids, sans force, sans ombre ? Ici tout bouge, nage, fuit, revient, se défait, se refait. Tout cesse, sans cesse. On dirait l'insurrection des molécules, l'intérieur d'une pierre un millième de seconde avant qu'elle ne se désagrège. C'est ça la littérature. » (La Peinture des van Velde ou Le monde et le pantalon, in Cahiers d'Art n°11-12, Paris 1945)   Beckett ne parle pas ici, malgré les apparences, de son

      [Bookseller: Librairie Le Feu Follet]
 42.   Check availability:     maremagnum.com     Link/Print  


        Projekt: DO-IT-YOURSELF-MONTAGE. - Typoskriptmanuskript.

      (Mai/Juni ) 1967 - 21 x 29 cm. 2 Blatt. Interessantes nie realisiertes Projekt der Konzeptkunst. - Peter Roehr (1944 - 1968) studierte nach einer Ausbildung als Werbemaler von 1962 - 1966 an der Wiesbadener Werkkunstschule Malerei. 1964 lernte er den Galeristen und Sammler Paul Maenz kennen, mit dem er 1967 die wegweisende Ausstellung "Serielle Formationen" in Frankfurt organisierte. 1968 eröffneten die beiden unter dem Namen "Pudding-Explosion" den ersten Hippieladen in Deutschland. Roehr starb am 22. August 1968 an Krebs. Sein Archiv wurde 2011 von Paul Maenz dem Museum für Moderne Kunst Frankfurt übergeben. Das Manuskript ist die logische Weiterführung der seriellen Produktion Roehrs auf eine weitere Stufe. "Die Absicht ist, ein Päckchen mit Einzelteilen zu verkaufen, die, nach der beigelegten Anweisung benutzt, eine Montage von Peter Roehr ergeben." Das Konzept beschreibt bis ins kleinste Detail das Projekt. Inhalt: 40 Elemente (Etiketten, gestanzte Papp-Buchstaben u. a.). - Gebrauchsanweisung: Foto-Strip. - Verpackung: 3 verschiedene Typen. - Kosten: Verkaufspreis unter DM 30.--. Auf jeden Fall . ist das Angebot mit 29.80 DM zu machen. - Produktion und Vertrieb: edition et, Versandartikel. - Auflage: 100 Exemplare. - Gestaltung: Paul Maenz. Im Archiv von Peter Roehr befindet sich eine leicht abweichende Fassung zu der hier angebotenen (Archiv Peter Roehr 2015/1293BI1). - Mit Mittelfalz. Ich danke Frau Nadine Hahn vom Peter Roehr Archiv für Ihre Auskunft).

      [Bookseller: Daniel Thierstein]
 43.   Check availability:     ZVAB     Link/Print  


        Das Fenster. Tiroler Kulturzeitschrift. Hefte Nr. 1 - 70 mit Registerband. (Vollständig!)

      Innsbruck: Eigenverlag 1967-2001. OKart. 4°, je Nr. ca. 80 S., m. zahlr Abb., 71 Bde. (v. 71), Einbände leicht berieben u. minimal unfrisch. Stellenweise an Ecken und Kanten bestoßen, ansonsten sehr guter Zustand. Versand D: 5,00 EUR Kulturgeschichte, Kunstgeschichte / Literatur,

      [Bookseller: Antiquariat Gallus]
 44.   Check availability:     buchfreund.de     Link/Print  

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