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Displayed below are some selected recent viaLibri matches for books published in 1967

        Thomas-Mann-Studien. Hrsg. vom Thomas-Mann-Archiv der eidgenössischen technischen Hochschule in Zürich. Band 1-18 u. 20. Zusammen 19 Bände.

      Bern u. München bzw. Frankfurt am Main, Francke bzw. Vittorio Klostermann, (1967-1999),. Gr.-8vo (nur Band 4 in 4to). Mit einigen Abb. u. Faksimiles. Je Band durchschnittl. 300 S. Türkise OLwd. m. goldgeprägt. Rückentitel sowie Orig.-Schutzumschlag (1. Bd. ohne Umschl.).. Band 1: Scherrer/Wysling: Quellenkritische Studien. 2. Dierks: Studien zu Mythos und Psychologie. 3. Wysling: Dokumente u. Untersuchungen. 4. White: The Yale Zauberberg-Manuskript (Potempa H 4.4.8.). 5. Wysling: Narzissmus u. illusionäre Existenzform. 6. Wisskirchen: Zeitgeschichte im Roman. 7. Intern. Th.-M.-Kolloquium 1986. 8. Dichter oder Schriftsteller? Der Briefwechsel zw. Th. M. u. Josef Ponten 1919-1930 (Pot. C 86.1.). 9. Lenert/Wessell. Nihilismus der Menschenfreundlichkeit. 10. Jahre des Unmuts. Th. Ms. Briefwechsel m. Rene Schickele (Pot. C 93.3.). 11. Das "Zauberberg"-Symposium 1994 in Davos. 12. Galvan: Zur Bachofen-Rezeption im Joseph-Roman. 13. Wysling: Ausgewählte Aufsätze 1963-1995. 14. Joseph: Nietzsche im Zauberberg. 15. Hamacher. Th. Ms. letzter Werkplan "Luthers Hochzeit". (vgl. Pot. H 24). 16. Auf dem Weg zum "Zauberberg". Davoser Literaturtage 1996. 17. Makoschey. Quellenkrit. Untersuchungen zum Spätwerk. 18. Theodor Fontane u. Th. M. Vorträge d. intern. Kolloquiums in Lübeck 1997. 20. Th. M./ Käte Hamburger. Briefwechsel 1932-1955. Vollständige Reihe (bis auf Bd. 19) von guter Erhaltung, teils kl. Preisschilder u. minimale Lagerspuren.

      [Bookseller: Antiquariat Düwal]
 1.   Check availability:     ZVAB     Link/Print  


        Perry Rhodan, der Erbe des Universums. Die große Weltraumserie. Herausgegeben von K. H. Scheer und Clark Darlton. Mit Illustrationen. Heft 1 - 1.125 in erster, zweiter und dritter Auflage in 75 Bänden gebunden.

      München, Moewig Verlag. 1967 bis 1983.. Private rote Leinenbände mit gedruckten Rückentiteln..

      [Bookseller: Antiquariat Hermann Bresinsky]
 2.   Check availability:     ZVAB     Link/Print  


        V. & H. V. Rolland's Illustrations to the Armorial General by J.-B. Rietstap --- I - VI in 3 Bänden --- Reprint --

      Heraldry Today 1967 London. Zustand: Sehr gut Lex 8°, , Leinen 1979 S.. Überwiegend englischsprachige Ausgabe der 6 illustrierten Bände des 'Armorial - General'. Einfarbige Wappenabbildungen auf 316 + 376 362 + 331 + 377 + 217 Seiten +Vorwort und Erläuterungen. In 3 Bücher gebunden, 8°lex, blaues kaschiertes Leinen mit geprägten Rückentiteln. Vorsätze mit Eigentumsstempeln versehen, sehr guter Zustand.

      [Bookseller: Antiquariat HPeter Lastovka GbR]
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        Zock. 21. April 1967 20 Uhr Grünes Tor [Plakat Walter Pichler]. Dreifarbig mit eigenh. Signaturen von Akteuren.

      Wien 1967.. 59 x 41 cm.. Schöner Farbdruck (der Plakatausgabe) mit fünf eigenh. Signaturen der Akteure unter den Pseudonymen ihrer Teilnahme (fnufi / spermint, d.i. Dominik Steiger; Attersee als Attersee, Omo Super d.i. Otto Muehl, Mr. Message d.i. Reinhard Priessnitz, Michel Conference d.i. Michel Würthle). Sehr seltenes Dokument eines der Höhepunkte des Wiener Aktionismus (nach der Zock-Veranstalung in der Galerie nächst St. Stephan) der vom Studenten Bertram Mayer (mit seinen Freunden, den Muehlhunden, später Zünd-up) organisierten Veranstaltung. Makelloses Blatt mit dem schönen Zock-Signet von Pichler, dessen Farbgebung an den Umschlag des Romans Fasching von Gerhard Fritsch erinnert, der im selben Jahr bei Rowohlt erschienen ist und ebenso von Pichler gestaltet wurde. Als weitere Teilnehmer sind auf dem Plakat angeführt: Johnnes 007 d.i. Hermann Nitsch, Contergan d.i. Kobalek d.i. Otto Kobalek, der Halbbruder von Franz West, Ford Mustang 70 d.i. Peter Weibel, Garth d.i. Oswald Wiener, Gustav Werwolf d.i. Gerhard Rühm. Im Grünen Tor am Beginn der Lerchenfelder Straße, die den siebenten vom achten Bezirk trennt, fand zu jener Zeit noch regelmäßig auch der Wiener Buchhändlerball statt.

      [Bookseller: Georg Fritsch Antiquariat]
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        Mythologiques II: Du Miel aux Cendres.

      Paris, Editions Plon, 1967.. 24 x 16 cm, 452 pages. Broche. Bon etat general. Bon exemplaire. Couverture un peu defraichie. Interieur tres propre. Dedicace par l'auteur sur page de faux titre "To Raymond First with regards Levi-Stauss". / The copy is inscribed and signed by the author, "To Raymond Firth with regards, Levi-Strauss." Spine is mildly warped and couple faint nicks to fore-edge of pages, else near fine in publisher's glossy illustrated self-wrappers. With several underlinings and markings within the text. Loosely inserted are several newspaper-clippings.. Resume : Partant de l'opposition du miel et du tabac, qui tient une place considerable dans la vie et la pensee des Indiens de l'Amerique du Sud, l'auteur explore a travers leurs mythes deux itineraires qui se rejoignent : le miel exprime la puissance seductrice de la nature, tandis que la fumee du tabac, s'elevant vers les etres surnaturels, retient l'homme sur la voie qui l'eloigne de la culture. [mollat]. _______________ Sir Raymond William Firth, CNZM, FBA (25 March 1901 - 22 February 2002) was an ethnologist from New Zealand. As a result of Firth's ethnographic work, actual behaviour of societies (social organization) is separated from the idealized rules of behaviour within the particular society (social structure). He was a long serving Professor of Anthropology at London School of Economics, and is considered to have singlehandedly created a form of British economic anthropology. (Wikipedia) _______________

      [Bookseller: Old Head Books & Collections]
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        Szene am Strand von Porto Garibaldi. Lithographie..

      1967. 35 x 52 cm, Randläsuren von fachfrauisch abgelösten Klebstreifen, sonst gutes Exemplar. Preis in CHF: 2420. Exemplar 7 von 9. Unten rechts m. Bleistift sign. (VARLIN). Varlin hielt sich 1956 in dem zwischen Ravenna und Venedig liegenden Ort Porto Garibaldi auf. (Laut Auskunft von Frau Guggenheim vom Varlin-Archiv, der unser Dank gebührt, ein seltenes Blatt).Der Maler Varlin, 1900 als Willy Guggenheim in Zürich geboren, nimmt innerhalb der Schweizer Malerei des 20. Jahrhunderts eine Sonderstellung ein. Unbeeindruckt von den avantgardistischen und abstrakten Strömungen seiner Zeit, schuf er ein eigenständiges figuratives Werk, das die Fragilität des Alltäglichen ins Zentrum rückt. Varlin starb 1977 im bündnerischen Bondo. Gerne senden wir Ihnen eine Abbildung.

      [Bookseller: Antiquariat Peter Petrej]
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        Typed letter signed.

      Vence, 22. V. 1967.. 4to. 1 p.. To publisher Alecto Book in London, on the card game they are about to publish. Dubuffet finds the specimen model excellent but adds that if the impression is on a different sheet of paper and not on the card itself, they will have to be conscious about the collage: "[...] Dans le specimen en question il y a une feuille collee sur le dos propre de la carte, et le collage n'est pas bon (la feuille de papier rapportee se decolle, ne tient pas bien collee; et aussi alle se plisse et se marque de cassures quand on tord un peu la carte; d'ailleurs ce collage a tendance a donner a la carte un peu de courbure). Je ne sais si vous envisagez d'imprimer sur le dos meme de la carte (ce qui serait surement preferable) ou bien de proceder comme pour ce specimen, en contre-collant une feuille de papier rapportee au dos la carte. Dans ce cas il faudrait etudier tres soigneusement la nature de la colle a employer, afin d'obtenir un collage tres solide, et qui n'ait pas cette consequence de courber un peu la carte. Il est evidemment important que les cartes soient parfaitement planes, bien exemptes de courbure. A part cet inconvenient du au collage, je suis maintenant tres content avec ce dos des cartes; il me semble qu'il fait tres bon effet; etes vous de mon avis? [...]". - He adds in a post-scriptum that M. Jaeger, from the Jeanne Bucher gallery, submitted the English translation of the text that will serve as instructions for use. The original edition of this card game, named "Banque de l'Hourloup, playing and drawing cards", was published in 350 numbered copies in an illustrated casing.

      [Bookseller: Antiquariat Inlibris, Gilhofer Nfg. GmbH]
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        Don't Drink The Water (Plus MOVIE TIE-INS)

      Random House, New York 1967 - 1st Edition/1st Stated Printing. $4.50 price present on DJ flap; mylar protected. DJ has some light toning to rear panel and foxing on edges of rear flap. SIGNED by WOODY ALLEN on a B&W photo card attached to front end page (signature only). Also includes several movie tie-ins from 1967 film version of play. Attached to half-title page is a card SIGNED by ESTELLE PARSONS (played Marion Hollander). Attached to page opposite half-title are cards SIGNED by MICHAEL CONSTANTINE (played Commassar Krojack) and a card SIGNED by AVERY SCHRIEBER (played Sultan in film). 112 pages. Relatively scarce 1st Printing of Woody Allen's first book. Unique copy for the Woody Allen fan or collector. 8vo - over 7¾" - 9¾" tall [Attributes: First Edition; Hard Cover]

      [Bookseller: Daniel Montemarano]
 8.   Check availability:     IberLibro     Link/Print  


        Keziah Dane " Signed

      The Macmillan Company. 1967. Hardback. Fine. First Edition. First Print. Signed by Author on the title page. This is the authors first published book. Dust jacket is protected with a Mylar cover. Books are packed and shipped in boxes.

      [Bookseller: Bodacious Books]
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        Keziah Dane

      MacMillan, 1967. Hardcover. Very Good/Near Fine. MacMillan Company, New York 1967. First Edition / First Printing. Stated First Printing, no additional printings. Red cloth boards with gold lettering. Scarce. Signed by Sue Grafton on the title page and inscribed to Mitchell. The Signature is Guaranteed Authentic. Book Condition: Very Good+, tight spine, clean pages. Light stain at the foot of the front and rear board. Light spots at the foot of the text block. Dust Jacket Condition: Near Fine+, wrapped in a new removable mylar cover. Original jacket priced at $4.95 at the front flap, soft shelf wear. Light crease at the front flap.

      [Bookseller: 1st Editions and Antiquarian Books, ABA,]
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        Eighteenth Century Views of Florence, Portfolio of 27 Plates (Reproduction of the 1754 Edition Scelta Di XXIV Vedute della principali Contrade, Pizze, Chiese, e Palazzi dell Citta di Firenze)

      New York:: Walker and Company,, 1967. New York: Walker and Company, 1967. Portfolio of 27 plates in facsimile, 17.5 x 22.5 inches, in a buckram bound box. First edition / limited edition of 950 copies, of which this is number 476. Includes 29 page booklet, Views of Florence, which are notes on the individual prints. Original drawings are in the collection of the Pierpont Morgan Library in New York City. Giuseppe Zocchi (c. 1711-1767) was an Italian painter and printmaker, active in Florence, and best known for his vedute of the city. Prints are fine. Box has some wear.

      [Bookseller: Raptis Rare Books, ABAA/ ILAB ]
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        Lolita.] Pomah: Pereval s angliiskogo avtor

      Phaedra [1967], New York - First Russian language edition, wrapper issue; 8vo, pp. [8], 304; in Cyrillic character throughout; original printed wrappers; extremely minor wear; generally fine. Nabokov's own translation into his native Russian of his best-known novel. [Attributes: Soft Cover]

      [Bookseller: Rulon-Miller Books (ABAA / ILAB)]
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        [Lolita.] Pomah: Pereval s angliiskogo avtor

      New York: Phaedra, [1967]. New York: Phaedra. [1967]. "First Russian language edition, wrapper issue; 8vo, pp. [8], 304; in Cyrillic character throughout; original printed wrappers; extremely minor wear; generally fine. Nabokov's own translation into his native Russian of his best-known novel."

      [Bookseller: Rulon-Miller Books]
 13.   Check availability:     Biblio     Link/Print  


        New York: The New Art Scene

      [New York/Milan]: Holt, Rinehart, Winston, 1967. [New York/Milan]: Holt, Rinehart, Winston. 1967. First Edition. Hardcover. Very Good+. Small Folio. Linen over boards with black lettering on spine, photo- pictorial endpapers; photo-pictorial dust jacket; pp. 337, [7]; with more than 500 b/w photographs. Stated first edition. ? One corner slightly frayed; small bump at top edge of both boards; binding a trifle shaken. Dust jacket sunned, chipped, and price-clipped; in two pieces and missing half the spine, pieced back together (no adhesive) in mylar. ? In the course of one year, Mulas made three extended visits to New York, and the result is this unique, personal, and up-close document of the Pop Art scene. It includes enlarged contact sheets, glimpses into private studios, and environmental portraits of Marcel Duchamp, Jasper Johns, Roy Lichtenstein, Claes Oldenburg, Robert Rauschenberg, and Andy Warhol (to name just a few).

      [Bookseller: Caliban Books ABAA-ILAB]
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        Thirtyfour Parking Lots in Los Angeles.

      Edward Ruscha, 1967 - Quarto. Original white wrappers, titles to front cover and spine printed in red. With the unprinted tissue dust jacket. Owner's name to front free endpaper, dust jacket with small chips to spine and foot of font panel. Photographic illustrations by Art Alanis. First edition, first printing. Only 2,500 copies printed. Ruscha commissioned aerial photographer Art Alanis to take the photographs and told him to shoot all the empty lots he came across.`

      [Bookseller: Peter Harrington. ABA member]
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        A Personal Anthology. Edited and with a Foreword by Anthony Kerrigan.

      New York: Grove Press, Inc., 1967 - Octavo. Original grey cloth, titles to spine in black. With the dust jacket. Edges of boards a little toned. An excellent copy in the slightly toned jacket. First US edition, first printing, originally published in Buenos Aires as Antologia Personal in 1961. Advance review copy with the publisher's slip loosely inserted. [Attributes: First Edition]

      [Bookseller: Peter Harrington. ABA member]
 16.   Check availability:     IberLibro     Link/Print  


        The Shadow on the Moor. Signed Limited edition copy

      Illustrated Limited Edition [37/200]. Maroon hardback cloth cover. VG : in very good condition without dust jacket as issued. In clear protective wraps. 200mm x 120mm (8" x 5"). 69pp. B/w illustations by 'B.B'. Inscribed 'For Ted from Northumberland, Christmas 1968'.

      [Bookseller: Barter Books Ltd]
 17.   Check availability:     UKBookWorld     Link/Print  


        Eleven Poems

      VG : in very good condition without dust jacket as issued. Small mark on front cover. Slight browning to edges Third issue Grey-green card cover 205mm x 145mm (8" x 6"). [14pp.].

      [Bookseller: Barter Books]
 18.   Check availability:     TomFolio     Link/Print  


        Unnatural Causes (Signed)

      Faber and Faber 1967 - The First UK printing published by Faber and Faber in 1967.The BOOK is in VERY GOOD condition.Mild pushing to the spine tips.There is some rubbing a the spine folds,edges and spine tips.Some offsetting to the end papers due to the cheap quality of paper used. Previous owner's name in ink to second blank end paper.The WRAPPER is complete and in VERY GOOD + condition.Mild fading of red lettering to the spine.Mild edge wear with a little rubbing and loss at corners .One small closed tear to the lower front panel.The wrapper looks very attractive in the removable Brodart archival protector.The book has been SIGNED to the title page by P.D.James.The ticket for the signing event accompanies this title as provenance.The third of the author's books to feature Superintendent Dalgleish.Early P.D.James titles are scarce on the ground.A very presentable copy with such attributes.More images available on request/ ashtonrarebooks welcomes direct contact. [Attributes: First Edition; Hard Cover]

      [Bookseller: Ashtonrarebooks]
 19.   Check availability:     AbeBooks     Link/Print  


        Poèmes de Mao-Tse-Toung

      Paris: Argillet, 1967. - DALI (Salvador): Poèmes de Mao-Tse-Toung. [Paris: Argillet, 1967]. COMPLETE SUITE OF EIGHT HAND-COLOURED ETCHINGS on Arches blanc paper, embossed with Dali’s signature at bottom right and each print is signed in pencil by the artist at lower right, with limitation number penciled at lower left (#10/150). Each measures 9-3/8 x 7-3/8 inches on larger hand-made paper. This separate production of hand-colored art prints in a limitation of 150 sets, each containing 8 signed engravings, illustrating the “Poèmes” of Chairman Mao was created for collectors wanting the prints hand-colored. With a certificate from the Museé du Surréalisme secretary Pierre Argillet (dated 07/07/1995) attesting to these coloured gravures as by the hand of Dali, executed in 1967. Reference: Catalogue Raisonné PRESTEL Nos. 209-216 Most of the original series of the Poèmes de Mao-Tse-Toung (in an edition of 229) came with uncolored etchings (or in sanguine) except for the first eight numbered copies, each of which also was accompanied by an original design. INCLUDED HERE IS A COPY front the original edition OF THE BOXED PORTFOLIO. Folio, 16 fascicles of [4]pp each, inserted loosely are 8 prints in black and white + 1 facsimile Mao calligraphy; embossed paper wrappers protected in gilt-stamped gray silk chemise; matching cloth clam-shell box. Copy #157 (of 229), this on Arches blanc. [Attributes: First Edition; Hard Cover]

      [Bookseller: Battledore Ltd]
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        Regarding Wave (Broadside Poem, Inscribed to Poet and Editor James Laughlin)

      No Place: Grabhorn-Hoyem, 1967 No Place: Grabhorn-Hoyem, 1967. First edition. Loose Sheets. Fine. Single sheet broadside poem by Snyder. A fine example with light folds (as issued) framed under glass. One of 125 copies printed for Don Allen by Grabhorn-Hoyem December 1967. This poem became the title poem of the book of the same name published two years later, first by Windhover and then by New Directions. This copy of the broadside has been INSCRIBED by Snyder "For James Laughlin - Christmas - 1967 Gary Snyder". As noted above, Laughlin would later publish this poem in his 1970 New Directions edition. A pleasing association. Broadside measures 8 x 13 3/4" tall. Total dimensions including frame are 13 1/2 x 19" tall.

      [Bookseller: Derringer Books, Member A.B.A.A. ]
 21.   Check availability:     ABAA     Link/Print  


        The Crying of Lot 49 [Pynchon's Editor's Copy]

      London|~|: Cape|~|, (1967)|~|. London: Cape. (1967). The first British edition. Winner of the Rosenthal Award from the American Academy and Institute of Arts and Letters, and the most overtly political, and paranoid, of Pynchon's novels. Chosen by David Pringle as one of the hundred best novels of Modern Fantasy. Small bookplate of Ray Roberts on the front pastedown; Roberts was Pynchon's editor from the time of his publication by Viking (Gravity's Rainbow) through Little, Brown and eventually, Henry Holt (Mason & Dixon). He died in 2009. Mild bowing else fine in a near fine dust jacket with a small tear and crease at the crown. . First Edition. Hardcover.

      [Bookseller: Ken Lopez Bookseller, ABAA]
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        The Crying of Lot 49

      Jonathan Cape, UK 1967 - London, Cape, 1967. Hardback first edition and first impression. The book and jacket are near fine. Some bumping to the spine tipes, edge wear to the jacket at the spine tips and corners. Some spots to front endpaper and a small area of thinning (around 5mm) to leaf edge. [Attributes: First Edition; Hard Cover]

      [Bookseller: Hyraxia Books. ABA, PBFA]
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        Bibbia. Biblia Sacra vulgatae editionis. Nihil obstat quominus imprimat

      Milano,: Sumptibus et typis Rizzoli editoris/Mediolani, 1967,. Milano,: Sumptibus et typis Rizzoli editoris/Mediolani, 1967,. 105 riproduzioni in litografia a colori di Salvador Dalì. 5 voll.cm.39x50,pp.380+16, 362+18, 346+26, 449+13, 435+21,legature in tutta pelle di capra color noce, dorsi con 5 nervi,fregi e titoli in or

      [Bookseller: Libreria Editrice Chiari]
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        Rosemary's Baby (Inscribed first edition)

      New York: Random House, 1967. New York: Random House, 1967. First edition. Fine/Near Fine. A sharp copy of the book, inscribed "To John Hooper, With all good wishes, Ira Levin," dated October 10, 1997. A Fine copy of the book in a Near Fine dust jacket with a small chip at the spine fold and slight wear and scuffing on the spine panel, otherwise clean and bright. Levin's novel builds suspense like a diving submarine with a hairline crack, inexorably moving towards that final chilling blast. Almost immediately, Roman Polanski directly the film, starring: Mia Farrow and John Cassavetes. Contemporary reviewer, Thomas J. Fleming wrote: "Mr. Levin';s suspense is beautifully intertwined with everyday incidents; the delicate line between belief and disbelief is faultlessly drawn.". Fine in Near Fine. dust jacket.

      [Bookseller: Whitmore Rare Books]
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        De la grammatologie.

      (Paris), Minuet, 1967. 8vo. Original wrappers. An excellent, very nice, clean, and fresh copy, with only faint tanning to wrappers. Spine a bit browned. Internally near mint. 445, (3) pp.. First edition (20 Septembre, 1967, numéro 630) - SIGNED PRESENTATION-COPY FOR ANDRÈ GREEN AND WIFE - of Derrida's seminal main work, the foundational text for deconstructive criticism.1967 marks a turning point in the history of modern philosophy, constituting the birth of "Deconstruction". In this one year, Derrida publishes all of his three break-through books, "De la grammatologie", "L'écriture et la difference" and "La Voix et le phenomene", profoundly altering the course of modern thought. Although all three books are responsible for the introduction of Deconstruction, it is primarily "De la Grammatologie", Derrida's magnum opus, that has come to be associated with this groundbreaking concept.This magnificent presentation-copy of Derrida's main work unites two of the greatest intellectual thinkers of the 20th century, both having profoundly altered the face of psychoanalysis and intellectual history in general. As Derrida is considered one of the greatest philosophers of the 20th century, so André Green (1927 - 2012) is considered one of the most important psychoanalytic thinkers of our times, creating what is now known as the Greenian theory of psychoanalysis."Jacques Derrida's revolutionary theories about deconstruction, phenomenology, psychoanalysis, and structuralism, first voiced in the 1960's, forever changed the face of European and American criticism. The ideas in "De la grammatologie" sparked lively debates in intellectual circles that included students of literature, philosophy, and the humanities, inspiring these students to ask questions of their disciplines that had previously been considered improper. Thirty years later, the immense influence of Derrida's work is still igniting controversy..." (Review, Spivak's translation of Derrida's "Of Grammatology", 1997).Derrida's concern is to bring to light the binary schema that is hidden in all kinds of texts and ideas of culture. In the present text Derrida brilliantly reveals some of the principles of deconstruction, not through theoretical explication, but, rather, by demonstration, showing that the arguments promulgated by their subject-matter exceed and contradict the oppositional parameters in which they are situated. Put into other words, deconstruction seeks to expose, and then to subvert, the various binary oppositions that undergird our dominant ways of thinking.The ideas that Derrida here present have had an enormous impact on a number of the human sciences, including psychology, literary theory, cultural studies, linguistics, feminism, sociology and anthropology. Due to this work, a whole new world of problematic suppression and marginalisation has become apparent, making "De la grammatologie" one of the most important philosophical works of the later part of the 20th century. "One of the major works in the development of contemporary criticism and philosophy". (J. Hillis Miller, Yale University)

      [Bookseller: Lynge & Søn A/S]
 26.   Check availability:     Antikvariat     Link/Print  


        Hornblower and the Crisis:

      London: Michael Joseph,, 1967. An unfinished novel. Octavo (190 x 130 mm). Finely bound by Sangorski & Sutcliffe in full blue morocco, titles to spine gilt, raised bands tooled in gilt, gilt rule to compartments, single rule to boards, twin rule to turn-ins, all edges gilt. An excellent copy. Spine a touch sunned but gilt still bright, edges of prelims and end leaves faintly tanned. An excellent copy. First edition, first impression of the last Hornblower novel. The author's family's specially bound copy. With the loosely inserted posthumous estate label signed by the author's great nephew Mr A. S. Troughton-Smith.

      [Bookseller: Peter Harrington]
 27.   Check availability:     Biblio     Link/Print  


        Don't Just STAND There! [The Wrong Venus] (Original screenplay for the 1968 film)

      Universal City, CA: Universal Pictures, 1967. Final Script for the 1968 film, based on the 1966 novel, "The Wrong Venus" (published in the UK as "Don't Just Stand There!") by Charles Williams, who also adapted it for the screen. Prop master C.S. Chrisman's copy, with his trademark holograph ink initial on the front wrapper, and profuse holograph notations throughout the text regarding scenes that will require props. & & Screenwriter Charles Williams was one of the most popular hard-boiled authors in the Gold Medal stable, publishing a string of paperback originals that sold well, as well as six hardcover titles in the latter half of his career. All told, he produced a body of work that has placed him today in the pantheon of the great hard-boiled writers. Beginning in the early 1960s, he found work as a screenwriter, adapting his novel "All the Way" (first adapted in the US as an obscure, late film noir, "The 3rd Voice," in 1960) as a comedy for French director Marcel Ophuls. This American adaptation of his novel, "The Wrong Venus," for Universal, was the first of two screenplays Williams wrote in Hollywood, also a comedy. In the story, Robert Wagner is hired to finish a "sex" novel by a famous authoress in Europe (Mary Tyler Moore) who has suddenly decided to stop writing. & & Red studio wrappers, noted as FINAL SCREENPLAY on the front wrapper and dated February 8, 1967. Title page present, with credits for producer Stan Marguiles and screenwriter Williams. 131 leaves, mimeograph, eye-rest green stock. Pages and wrapper Near Fine, bound with three gold brads.

      [Bookseller: Royal Books, Inc.]
 28.   Check availability:     Biblio     Link/Print  


        Lettrines -

      José Corti 1967 -, Paris - 1 volume. In-8 217 pp. Couverture jaune à rabats. Intérieur très frais. Parfait Etat. EDITION ORIGINALE limitée à 270 exemplaires numérotés. Celui-ci un des 200 exemplaires sur alfa mousse. [Attributes: Soft Cover]

      [Bookseller: Librairie KOEGUI]
 29.   Check availability:     AbeBooks     Link/Print  


        The Time of Friendship. A volume of short stories.

      Holt, Rinehart and Winston, New York, 1967 - Octavo. Original white boards, decoration and titles to upper board and spine in red, top edge stained blue. With the dust jacket. Boards a little tanned at the edges ant the spine but an excellent copy in the slightly tanned, price-clipped dust jacket. First Edition, First Printing. Signed by the author on the title page. [Attributes: First Edition]

      [Bookseller: Peter Harrington. ABA member]
 30.   Check availability:     AbeBooks     Link/Print  


        A Personal Anthology

      New York: Grove Press, Inc.,, 1967. Edited and with a Foreword by Anthony Kerrigan. Octavo. Original grey cloth, titles to spine in black. With the dust jacket. Edges of boards a little toned. An excellent copy in the slightly toned jacket. First US edition, first printing, originally published in Buenos Aires as Antologia Personal in 1961. Advance review copy with the publisher's slip loosely inserted.

      [Bookseller: Peter Harrington]
 31.   Check availability:     Biblio     Link/Print  


        Fabulous 208 vol 1 03/June/67 to 25/November/67 vol 2 02December/67 to 01/June/68 custom bound magazines

      Fleetway Publications, Great Britain 1967 - a collection a teen magazine from the sixties about the pop icons Beatles The Stones Bee Gees Dave Clark Five Size: Large Book - between A4 and A3. Text body is clean, and free from previous owner annotation, underlining and highlighting. Binding is tight, covers and spine fully intact. No foxing in this copy. All edges clean, neat and free of foxing. Quantity Available: 1. Shipped Weight: 2-3 kilos. Category: Music; History. Inventory No: 36295. [Attributes: First Edition; Hard Cover]

      [Bookseller: AgnesBooks]
 32.   Check availability:     AbeBooks     Link/Print  


        Gotthard Graubner. Atelier Drakeplatz, Düsseldorf 1967.

      0 - 40,5 x 30,5 cm. Minimale Gebrauchspuren. Gotthard Graubner und der Galerist Winfried Reckermann in Graubners Atelier am Drakeplatz, Düsseldorf 1967. Schwarz-Weiss Fotografie, Abzug 2004, verso handschriftlich bezeichnet und signiert. Erika Kiffl, geboren 1939 in Karlsbad (heute Tschechien), lebt seit 1951 in Düsseldorf. Seit 1979 als freie Fotografin tätig, zuvor als Artdirektorin. Erika Kiffl hatte bereits in den frühen 60er Jahren begonnen, in der Düsseldorfer Kunstszene aktiv zu fotografieren. Bekannt wurde sie mit ihrem eigenen Blick in die Ateliers der Künstler. Zu diesen Fotoserien erschienen mehrere Publikationen.

      [Bookseller: Antiquariat Querido - Inh. Frank Hermann]
 33.   Check availability:     AbeBooks     Link/Print  


        Derriere le Miroir. Nos. 164-165

      Maeght editeur, Paris 1967 - Miro: L'Oiseau Solaire, L'Oiseau Lunaire, Etincelles. Five original coloured lithographs by Miro (one, a three page lithograph), and five colour lithographs after Miro (including the front and back cover). Slight wear on the spine and edges of the cover, but the lithographs, all of them, are in very fine condition. [Attributes: First Edition; Soft Cover]

      [Bookseller: JMHunt]
 34.   Check availability:     AbeBooks     Link/Print  


        The Death of a President

      New York: Harper & Row, 1967. First edition of the historian's most well-known and enduring work. Octavo, original blue cloth. Signed by the author on the title page. Near fine in a near fine dust jacket with the lightest of shelfwear to the crown of the spine. A very bright copy.Originally published in the spring of 1967 to positive reviews, it sold more than a million copies by the summer of that same year. It went on to "became a best seller and later was given the Dag Hammarskjold International Literary Prize" (New York Times).

      [Bookseller: Raptis Rare Books, ABAA/ ILAB ]
 35.   Check availability:     ABAA     Link/Print  


        TO SEEK A NEWER WORLD

      Doubleday & Company, Inc., Garden City 1967 - INSCRIBED and SIGNED on the front endpaper by the author "For Clark ----/With appreciation/Robert Kennedy." Books authentically signed by this great American are uncommon. Fine in a Very Good dustwrapper with a short closed tear at the top front and a skim mark from the removal of a label on the bottom of the spine [Attributes: First Edition; Hard Cover]

      [Bookseller: Charles Agvent, est. 1987, ABAA, ILAB]
 36.   Check availability:     AbeBooks     Link/Print  


        Eleven Poems

      Belfast Festival Publications [1967]. VG : in very good condition without dust jacket as issued. Small mark on front cover. Slight browning to edges Third issue Grey-green card cover 205mm x 145mm (8" x 6"). [14pp.].

      [Bookseller: Barter Books]
 37.   Check availability:     TomFolio     Link/Print  


        TO SEEK A NEWER WORLD

      Doubleday & Company, Inc. Garden City Garden City: Doubleday & Company, Inc., 1967. First Edition. Hardcover. Fine in a Very Good dustwrapper with a short closed tear at the top front and a skim mark from the removal of a label on the bottom of the spine. INSCRIBED and SIGNED on the front endpaper by the author "For Clark ----/With appreciation/Robert Kennedy." Books authentically signed by this great American are uncommon.

      [Bookseller: Charles Agvent, ABAA ]
 38.   Check availability:     ABAA     Link/Print  


        Eleven Poems

      Belfast: Festival Publications. VG : in very good condition without dust jacket as issued. Small mark on front cover. Slight browning to edges. [1967]. Third issue. Grey-green card cover. 205mm x 145mm (8" x 6"). [14pp.]. .

      [Bookseller: Barter Books Ltd]
 39.   Check availability:     IOBABooks     Link/Print  


        A Hall of Mirrors

      Boston: Houghton Mifflin, 1967. First edition of the author's first book. Octavo. Signed by Stone who has additionally added the line from this title as follows, "They killed my girl," Rheinhardt said, walking down the street. "I'm gonna to bust up the bar." Laid in a program from a literary festival signed by Stone as well. Light wear to the bottom boards, else near fine in a very good dust jacket.A Hall of Mirrors served to identify a major new talent who lived up to his seeming promise with the critically acclaimed novels Dog Soldiers (1974, National Book Award), A Flag for Sunrise (1981), and Outerbridge Reach (1992). "Stone's position as a leading novelist has been well earned for the skill with which he imbues the novel of action with moral and political dimensions" (Stringer, 646).

      [Bookseller: Raptis Rare Books, ABAA/ ILAB ]
 40.   Check availability:     ABAA     Link/Print  


        Autograph postcard signed and 2 postcards signed.

      Cortona and Venice, 1959 to 1967. - Oblong 8vo. Altogether 3 pp. With one envelope. To Mr. and Ms. Julien Cain: "Bien à vous. Merci à bientôt | Marc Chagall", followed by some autogr. lines and signature of Aimé Maeght and his wife (Venice, [12. IX. 1960]. - The two other cards were written and signed by Vava, and signed by Chagall ("Marc").

      [Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH]
 41.   Check availability:     AbeBooks     Link/Print  


        Cerceaux ‘sorcellent.

      - Paris, Jeanne Bucher; Bale, Edit. Beyeler, 1967. Mm. 215x270, illustrato in nero e a colori. Brossura editoriale illustrata a risvolti. Edizione originale. Uno dei 750 esemplari numerati. [Attributes: First Edition; Soft Cover]

      [Bookseller: Fabio Freddi]
 42.   Check availability:     AbeBooks     Link/Print  


        Emil Cimiotti,stehende II, 1967, signiert

      1967 - Emil Cimiotti, Stehende II, signiert, 1967 emil cimiotti,stehende II, 1967, unter der standfläche gestempelt cimiotti und nummeriert LL 10, auflage 100, hier exemplar 10, bronze geschliffen, erschienen als jahresgabe kunstverein braunschweig, maße etwa 21,5 x 7 x 4,5 cm, abgebildet auf seite 161 des werkverzeichnisses der plastiken 1955 - 1977, brusberg dokumente 10, 1978, Cimiotti (19. August 1927 in Göttingen) ist ein Bildhauer des deutschen Informel.Cimiotti begann 1949 nach der Rückkehr aus der Kriegsgefangenschaft und einer Lehre als Steinmetz sein Studium an der Kunstakademie Stuttgart bei Otto Baum und Karl Hils. Willi Baumeister, der an der Akademie Malerei lehrte, forderte und förderte ihn durch sein Interesse. 1951 ging Cimiotti an die Hochschule der Künste nach Berlin zu Karl Hartung, der ihn allerdings nach zwei Monaten aus seiner Klasse wies. Cimiotti ging für ein Semester nach Paris zu Ossip Zadkine. Er besuchte Constantin Brâncuși, Le Corbusier sowie Fernand Leger. 1952 kehrte Cimiotti an die Kunstakademie Stuttgart zurück, wo er 1954 sein Akademiestudium beendete. 1956 kam es zu ersten Ausstellungsbeteiligungen und heftigen Verrissen durch die Kunstkritik. 1957 erhielt Cimiotti den Kunstpreis „junger westen 57“ für Bildhauerei. Dieselben Arbeiten, die eben noch verrissen worden waren, wurden nun begeistert gefeiert, nachdem Albert Schulze Vellinghausen und John Antony Thwaites sehr positiv darüber berichtet hatten. 1958 war Cimiotti mit einer Werkgruppe im Italienischen Pavillon der 29. Biennale in Venedigvertreten. 1959 erhielt Cimiotti den Kunstpreis „junger westen 59“ für Handzeichnung sowie das Stipendium der Villa Massimo in Rom. Er nahm an derdocumenta II 1959 in Kassel sowie an Ausstellungen in den USA und Paris teil. 1960 wurden die in Rom entstandenen Arbeiten im Kölner Kunstverein ausgestellt und fast sämtlich von Museen erworben. Er nahm an der 30. Biennale in Venedig im Deutschen Pavillon mit Baumeister, Bissier und Schmidt-Rottluff teil. 1963 wurde er als Gründungsmitglied der Hochschule für Bildende Künste Braunschweig berufen. Er nahm 1964 an der documenta III teil. 1966 änderte er seine Arbeitsweise, er schaffte Auflagengüsse in Sandguss. Es entstanden größere Freiplastiken für die Universitäten Göttingen, Kiel und Konstanz. 1971 kehrte Cimiotti zu seiner alten Technik des direkten Arbeitens in Wachs zurück. Es entstanden Stillleben, letztlich Vanitasmotive. Cimiotti setzte erstmals bei seinen Plastiken Farbe ein. 1981 erlaubte ein schwerer Unglücksfall in der Familie bis Mitte 1983 kaum plastisches Arbeiten. 1989 folgten die letzten Jahre der Lehrtätigkeit an der Hochschule für Bildende Künste Braunschweig und der Umzug in das neue Atelier in Hedwigsburg. Äußerst produktive Jahre folgten, mit Retrospektiven inOsnabrück und Recklinghausen. Er nahm an der Ausstellung „Europäische Plastik der Informel“ im Wilhelm-Lehmbruck-Museum in Duisburg teil und wurde zum Mitglied der Akademie der Künste in Berlin-Brandenburg gewählt. Preise: 1957 Kunstpreis junger westen für Bildhauerei, 1959 Kunstpreis junger westen für Handzeichnung, 1959 Stipendium der Villa Massimo in Rom, 1984 Niedersachsenpreis für Kultur, 2006 Ernst-Rietschel-Kunstpreis Infos: Internet [Attributes: First Edition]

      [Bookseller: mip]
 43.   Check availability:     AbeBooks     Link/Print  


        Emil Cimiotti, Stehende I, signiert, 1967

      1967 - Emil Cimiotti, Stehende I, signiert, 1967, unter der standfläche gestempelt cimiotti sowie (wohl) nummeriert 69, bronze geschliffen, auflage 100 als jahresgabe kunstverein braunschweig, maße etwa 19 x 7,5 x 3,5 cm, abgebildet auf seite 160 des werkverzeichnsses der plastiken 1955 - 1977, brusberg dokumente 10, 1978, Cimiotti (19. August 1927 in Göttingen) ist ein Bildhauer des deutschen Informel.Cimiotti begann 1949 nach der Rückkehr aus der Kriegsgefangenschaft und einer Lehre als Steinmetz sein Studium an der Kunstakademie Stuttgart bei Otto Baum und Karl Hils. Willi Baumeister, der an der Akademie Malerei lehrte, forderte und förderte ihn durch sein Interesse. 1951 ging Cimiotti an die Hochschule der Künste nach Berlin zu Karl Hartung, der ihn allerdings nach zwei Monaten aus seiner Klasse wies. Cimiotti ging für ein Semester nach Paris zu Ossip Zadkine. Er besuchte Constantin Brâncuși, Le Corbusier sowie Fernand Leger. 1952 kehrte Cimiotti an die Kunstakademie Stuttgart zurück, wo er 1954 sein Akademiestudium beendete. 1956 kam es zu ersten Ausstellungsbeteiligungen und heftigen Verrissen durch die Kunstkritik. 1957 erhielt Cimiotti den Kunstpreis „junger westen 57“ für Bildhauerei. Dieselben Arbeiten, die eben noch verrissen worden waren, wurden nun begeistert gefeiert, nachdem Albert Schulze Vellinghausen und John Antony Thwaites sehr positiv darüber berichtet hatten. 1958 war Cimiotti mit einer Werkgruppe im Italienischen Pavillon der 29. Biennale in Venedigvertreten. 1959 erhielt Cimiotti den Kunstpreis „junger westen 59“ für Handzeichnung sowie das Stipendium der Villa Massimo in Rom. Er nahm an derdocumenta II 1959 in Kassel sowie an Ausstellungen in den USA und Paris teil. 1960 wurden die in Rom entstandenen Arbeiten im Kölner Kunstverein ausgestellt und fast sämtlich von Museen erworben. Er nahm an der 30. Biennale in Venedig im Deutschen Pavillon mit Baumeister, Bissier und Schmidt-Rottluff teil. 1963 wurde er als Gründungsmitglied der Hochschule für Bildende Künste Braunschweig berufen. Er nahm 1964 an der documenta III teil. 1966 änderte er seine Arbeitsweise, er schaffte Auflagengüsse in Sandguss. Es entstanden größere Freiplastiken für die Universitäten Göttingen, Kiel und Konstanz. 1971 kehrte Cimiotti zu seiner alten Technik des direkten Arbeitens in Wachs zurück. Es entstanden Stillleben, letztlich Vanitasmotive. Cimiotti setzte erstmals bei seinen Plastiken Farbe ein. 1981 erlaubte ein schwerer Unglücksfall in der Familie bis Mitte 1983 kaum plastisches Arbeiten. 1989 folgten die letzten Jahre der Lehrtätigkeit an der Hochschule für Bildende Künste Braunschweig und der Umzug in das neue Atelier in Hedwigsburg. Äußerst produktive Jahre folgten, mit Retrospektiven inOsnabrück und Recklinghausen. Er nahm an der Ausstellung „Europäische Plastik der Informel“ im Wilhelm-Lehmbruck-Museum in Duisburg teil und wurde zum Mitglied der Akademie der Künste in Berlin-Brandenburg gewählt. Preise: 1957 Kunstpreis junger westen für Bildhauerei, 1959 Kunstpreis junger westen für Handzeichnung, 1959 Stipendium der Villa Massimo in Rom, 1984 Niedersachsenpreis für Kultur, 2006 Ernst-Rietschel-Kunstpreis Infos: Internet [Attributes: First Edition]

      [Bookseller: mip]
 44.   Check availability:     AbeBooks     Link/Print  


        Aspen Winter Jazz

      John & Kimiko Powers, Aspen, 1967 - Artist poster. Offset color lithograph on glossy stock. 65.9 x 111.7 cm. Created by Lichtenstein for John & Kimiko Powers' “Aspen Winter Jazz Festival” held the weekend of 25 - 26 February, 1967. 1 cm-long horizontal soft crease to left margin edge, center; tiny bump to upper left corner, still VG+/Fine. Refrence: Corlett 44 [Attributes: First Edition]

      [Bookseller: ARCHIVES]
 45.   Check availability:     AbeBooks     Link/Print  

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