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Displayed below are some selected recent viaLibri matches for books published in 1967

        De la grammatologie.

      (Paris), Minuet, 1967. 8vo. Original wrappers. An excellent, very nice, clean, and fresh copy, with only faint tanning to wrappers. Spine a bit browned. Internally near mint. 445, (3) pp.. First edition (20 Septembre, 1967, numéro 630) - SIGNED PRESENTATION-COPY FOR ANDRÈ GREEN AND WIFE - of Derrida's seminal main work, the foundational text for deconstructive criticism.1967 marks a turning point in the history of modern philosophy, constituting the birth of "Deconstruction". In this one year, Derrida publishes all of his three break-through books, "De la grammatologie", "L'écriture et la difference" and "La Voix et le phenomene", profoundly altering the course of modern thought. Although all three books are responsible for the introduction of Deconstruction, it is primarily "De la Grammatologie", Derrida's magnum opus, that has come to be associated with this groundbreaking concept.This magnificent presentation-copy of Derrida's main work unites two of the greatest intellectual thinkers of the 20th century, both having profoundly altered the face of psychoanalysis and intellectual history in general. As Derrida is considered one of the greatest philosophers of the 20th century, so André Green (1927 - 2012) is considered one of the most important psychoanalytic thinkers of our times, creating what is now known as the Greenian theory of psychoanalysis."Jacques Derrida's revolutionary theories about deconstruction, phenomenology, psychoanalysis, and structuralism, first voiced in the 1960's, forever changed the face of European and American criticism. The ideas in "De la grammatologie" sparked lively debates in intellectual circles that included students of literature, philosophy, and the humanities, inspiring these students to ask questions of their disciplines that had previously been considered improper. Thirty years later, the immense influence of Derrida's work is still igniting controversy..." (Review, Spivak's translation of Derrida's "Of Grammatology", 1997).Derrida's concern is to bring to light the binary schema that is hidden in all kinds of texts and ideas of culture. In the present text Derrida brilliantly reveals some of the principles of deconstruction, not through theoretical explication, but, rather, by demonstration, showing that the arguments promulgated by their subject-matter exceed and contradict the oppositional parameters in which they are situated. Put into other words, deconstruction seeks to expose, and then to subvert, the various binary oppositions that undergird our dominant ways of thinking.The ideas that Derrida here present have had an enormous impact on a number of the human sciences, including psychology, literary theory, cultural studies, linguistics, feminism, sociology and anthropology. Due to this work, a whole new world of problematic suppression and marginalisation has become apparent, making "De la grammatologie" one of the most important philosophical works of the later part of the 20th century. "One of the major works in the development of contemporary criticism and philosophy". (J. Hillis Miller, Yale University)

      [Bookseller: Lynge & Søn A/S]
 1.   Check availability:     Antikvariat     Link/Print  


        Hornblower and the Crisis:

      London: Michael Joseph,, 1967. An unfinished novel. Octavo (190 x 130 mm). Finely bound by Sangorski & Sutcliffe in full blue morocco, titles to spine gilt, raised bands tooled in gilt, gilt rule to compartments, single rule to boards, twin rule to turn-ins, all edges gilt. An excellent copy. Spine a touch sunned but gilt still bright, edges of prelims and end leaves faintly tanned. An excellent copy. First edition, first impression of the last Hornblower novel. The author's family's specially bound copy. With the loosely inserted posthumous estate label signed by the author's great nephew Mr A. S. Troughton-Smith.

      [Bookseller: Peter Harrington]
 2.   Check availability:     Biblio     Link/Print  


        Don't Just STAND There! [The Wrong Venus] (Original screenplay for the 1968 film)

      Universal City, CA: Universal Pictures, 1967. Final Script for the 1968 film, based on the 1966 novel, "The Wrong Venus" (published in the UK as "Don't Just Stand There!") by Charles Williams, who also adapted it for the screen. Prop master C.S. Chrisman's copy, with his trademark holograph ink initial on the front wrapper, and profuse holograph notations throughout the text regarding scenes that will require props. & & Screenwriter Charles Williams was one of the most popular hard-boiled authors in the Gold Medal stable, publishing a string of paperback originals that sold well, as well as six hardcover titles in the latter half of his career. All told, he produced a body of work that has placed him today in the pantheon of the great hard-boiled writers. Beginning in the early 1960s, he found work as a screenwriter, adapting his novel "All the Way" (first adapted in the US as an obscure, late film noir, "The 3rd Voice," in 1960) as a comedy for French director Marcel Ophuls. This American adaptation of his novel, "The Wrong Venus," for Universal, was the first of two screenplays Williams wrote in Hollywood, also a comedy. In the story, Robert Wagner is hired to finish a "sex" novel by a famous authoress in Europe (Mary Tyler Moore) who has suddenly decided to stop writing. & & Red studio wrappers, noted as FINAL SCREENPLAY on the front wrapper and dated February 8, 1967. Title page present, with credits for producer Stan Marguiles and screenwriter Williams. 131 leaves, mimeograph, eye-rest green stock. Pages and wrapper Near Fine, bound with three gold brads.

      [Bookseller: Royal Books, Inc.]
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        Lettrines -

      José Corti 1967 -, Paris - 1 volume. In-8 217 pp. Couverture jaune à rabats. Intérieur très frais. Parfait Etat. EDITION ORIGINALE limitée à 270 exemplaires numérotés. Celui-ci un des 200 exemplaires sur alfa mousse. [Attributes: Soft Cover]

      [Bookseller: Librairie KOEGUI]
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        The Time of Friendship. A volume of short stories.

      Holt, Rinehart and Winston, New York, 1967 - Octavo. Original white boards, decoration and titles to upper board and spine in red, top edge stained blue. With the dust jacket. Boards a little tanned at the edges ant the spine but an excellent copy in the slightly tanned, price-clipped dust jacket. First Edition, First Printing. Signed by the author on the title page. [Attributes: First Edition]

      [Bookseller: Peter Harrington. ABA member]
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        A Personal Anthology

      New York: Grove Press, Inc.,, 1967. Edited and with a Foreword by Anthony Kerrigan. Octavo. Original grey cloth, titles to spine in black. With the dust jacket. Edges of boards a little toned. An excellent copy in the slightly toned jacket. First US edition, first printing, originally published in Buenos Aires as Antologia Personal in 1961. Advance review copy with the publisher's slip loosely inserted.

      [Bookseller: Peter Harrington]
 6.   Check availability:     Biblio     Link/Print  


        Fabulous 208 vol 1 03/June/67 to 25/November/67 vol 2 02December/67 to 01/June/68 custom bound magazines

      Fleetway Publications, Great Britain 1967 - a collection a teen magazine from the sixties about the pop icons Beatles The Stones Bee Gees Dave Clark Five Size: Large Book - between A4 and A3. Text body is clean, and free from previous owner annotation, underlining and highlighting. Binding is tight, covers and spine fully intact. No foxing in this copy. All edges clean, neat and free of foxing. Quantity Available: 1. Shipped Weight: 2-3 kilos. Category: Music; History. Inventory No: 36295. [Attributes: First Edition; Hard Cover]

      [Bookseller: AgnesBooks]
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        Gotthard Graubner. Atelier Drakeplatz, Düsseldorf 1967.

      0 - 40,5 x 30,5 cm. Minimale Gebrauchspuren. Gotthard Graubner und der Galerist Winfried Reckermann in Graubners Atelier am Drakeplatz, Düsseldorf 1967. Schwarz-Weiss Fotografie, Abzug 2004, verso handschriftlich bezeichnet und signiert. Erika Kiffl, geboren 1939 in Karlsbad (heute Tschechien), lebt seit 1951 in Düsseldorf. Seit 1979 als freie Fotografin tätig, zuvor als Artdirektorin. Erika Kiffl hatte bereits in den frühen 60er Jahren begonnen, in der Düsseldorfer Kunstszene aktiv zu fotografieren. Bekannt wurde sie mit ihrem eigenen Blick in die Ateliers der Künstler. Zu diesen Fotoserien erschienen mehrere Publikationen.

      [Bookseller: Antiquariat Querido - Inh. Frank Hermann]
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        Derriere le Miroir. Nos. 164-165

      Maeght editeur, Paris 1967 - Miro: L'Oiseau Solaire, L'Oiseau Lunaire, Etincelles. Five original coloured lithographs by Miro (one, a three page lithograph), and five colour lithographs after Miro (including the front and back cover). Slight wear on the spine and edges of the cover, but the lithographs, all of them, are in very fine condition. [Attributes: First Edition; Soft Cover]

      [Bookseller: JMHunt]
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        The Death of a President

      New York: Harper & Row, 1967. First edition of the historian's most well-known and enduring work. Octavo, original blue cloth. Signed by the author on the title page. Near fine in a near fine dust jacket with the lightest of shelfwear to the crown of the spine. A very bright copy.Originally published in the spring of 1967 to positive reviews, it sold more than a million copies by the summer of that same year. It went on to "became a best seller and later was given the Dag Hammarskjold International Literary Prize" (New York Times).

      [Bookseller: Raptis Rare Books, ABAA/ ILAB ]
 10.   Check availability:     ABAA     Link/Print  


        TO SEEK A NEWER WORLD

      Doubleday & Company, Inc., Garden City 1967 - INSCRIBED and SIGNED on the front endpaper by the author "For Clark ----/With appreciation/Robert Kennedy." Books authentically signed by this great American are uncommon. Fine in a Very Good dustwrapper with a short closed tear at the top front and a skim mark from the removal of a label on the bottom of the spine [Attributes: First Edition; Hard Cover]

      [Bookseller: Charles Agvent, est. 1987, ABAA, ILAB]
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        Eleven Poems

      Belfast Festival Publications [1967]. VG : in very good condition without dust jacket as issued. Small mark on front cover. Slight browning to edges Third issue Grey-green card cover 205mm x 145mm (8" x 6"). [14pp.].

      [Bookseller: Barter Books]
 12.   Check availability:     TomFolio     Link/Print  


        TO SEEK A NEWER WORLD

      Doubleday & Company, Inc. Garden City Garden City: Doubleday & Company, Inc., 1967. First Edition. Hardcover. Fine in a Very Good dustwrapper with a short closed tear at the top front and a skim mark from the removal of a label on the bottom of the spine. INSCRIBED and SIGNED on the front endpaper by the author "For Clark ----/With appreciation/Robert Kennedy." Books authentically signed by this great American are uncommon.

      [Bookseller: Charles Agvent, ABAA ]
 13.   Check availability:     ABAA     Link/Print  


        Eleven Poems

      Belfast: Festival Publications. VG : in very good condition without dust jacket as issued. Small mark on front cover. Slight browning to edges. [1967]. Third issue. Grey-green card cover. 205mm x 145mm (8" x 6"). [14pp.]. .

      [Bookseller: Barter Books Ltd]
 14.   Check availability:     IOBABooks     Link/Print  


        A Hall of Mirrors

      Boston: Houghton Mifflin, 1967. First edition of the author's first book. Octavo. Signed by Stone who has additionally added the line from this title as follows, "They killed my girl," Rheinhardt said, walking down the street. "I'm gonna to bust up the bar." Laid in a program from a literary festival signed by Stone as well. Light wear to the bottom boards, else near fine in a very good dust jacket.A Hall of Mirrors served to identify a major new talent who lived up to his seeming promise with the critically acclaimed novels Dog Soldiers (1974, National Book Award), A Flag for Sunrise (1981), and Outerbridge Reach (1992). "Stone's position as a leading novelist has been well earned for the skill with which he imbues the novel of action with moral and political dimensions" (Stringer, 646).

      [Bookseller: Raptis Rare Books, ABAA/ ILAB ]
 15.   Check availability:     ABAA     Link/Print  


        Autograph postcard signed and 2 postcards signed.

      Cortona and Venice, 1959 to 1967. - Oblong 8vo. Altogether 3 pp. With one envelope. To Mr. and Ms. Julien Cain: "Bien à vous. Merci à bientôt | Marc Chagall", followed by some autogr. lines and signature of Aimé Maeght and his wife (Venice, [12. IX. 1960]. - The two other cards were written and signed by Vava, and signed by Chagall ("Marc").

      [Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH]
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        Cerceaux ‘sorcellent.

      - Paris, Jeanne Bucher; Bale, Edit. Beyeler, 1967. Mm. 215x270, illustrato in nero e a colori. Brossura editoriale illustrata a risvolti. Edizione originale. Uno dei 750 esemplari numerati. [Attributes: First Edition; Soft Cover]

      [Bookseller: Fabio Freddi]
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        Emil Cimiotti,stehende II, 1967, signiert

      1967 - Emil Cimiotti, Stehende II, signiert, 1967 emil cimiotti,stehende II, 1967, unter der standfläche gestempelt cimiotti und nummeriert LL 10, auflage 100, hier exemplar 10, bronze geschliffen, erschienen als jahresgabe kunstverein braunschweig, maße etwa 21,5 x 7 x 4,5 cm, abgebildet auf seite 161 des werkverzeichnisses der plastiken 1955 - 1977, brusberg dokumente 10, 1978, Cimiotti (19. August 1927 in Göttingen) ist ein Bildhauer des deutschen Informel.Cimiotti begann 1949 nach der Rückkehr aus der Kriegsgefangenschaft und einer Lehre als Steinmetz sein Studium an der Kunstakademie Stuttgart bei Otto Baum und Karl Hils. Willi Baumeister, der an der Akademie Malerei lehrte, forderte und förderte ihn durch sein Interesse. 1951 ging Cimiotti an die Hochschule der Künste nach Berlin zu Karl Hartung, der ihn allerdings nach zwei Monaten aus seiner Klasse wies. Cimiotti ging für ein Semester nach Paris zu Ossip Zadkine. Er besuchte Constantin Brâncuși, Le Corbusier sowie Fernand Leger. 1952 kehrte Cimiotti an die Kunstakademie Stuttgart zurück, wo er 1954 sein Akademiestudium beendete. 1956 kam es zu ersten Ausstellungsbeteiligungen und heftigen Verrissen durch die Kunstkritik. 1957 erhielt Cimiotti den Kunstpreis „junger westen 57“ für Bildhauerei. Dieselben Arbeiten, die eben noch verrissen worden waren, wurden nun begeistert gefeiert, nachdem Albert Schulze Vellinghausen und John Antony Thwaites sehr positiv darüber berichtet hatten. 1958 war Cimiotti mit einer Werkgruppe im Italienischen Pavillon der 29. Biennale in Venedigvertreten. 1959 erhielt Cimiotti den Kunstpreis „junger westen 59“ für Handzeichnung sowie das Stipendium der Villa Massimo in Rom. Er nahm an derdocumenta II 1959 in Kassel sowie an Ausstellungen in den USA und Paris teil. 1960 wurden die in Rom entstandenen Arbeiten im Kölner Kunstverein ausgestellt und fast sämtlich von Museen erworben. Er nahm an der 30. Biennale in Venedig im Deutschen Pavillon mit Baumeister, Bissier und Schmidt-Rottluff teil. 1963 wurde er als Gründungsmitglied der Hochschule für Bildende Künste Braunschweig berufen. Er nahm 1964 an der documenta III teil. 1966 änderte er seine Arbeitsweise, er schaffte Auflagengüsse in Sandguss. Es entstanden größere Freiplastiken für die Universitäten Göttingen, Kiel und Konstanz. 1971 kehrte Cimiotti zu seiner alten Technik des direkten Arbeitens in Wachs zurück. Es entstanden Stillleben, letztlich Vanitasmotive. Cimiotti setzte erstmals bei seinen Plastiken Farbe ein. 1981 erlaubte ein schwerer Unglücksfall in der Familie bis Mitte 1983 kaum plastisches Arbeiten. 1989 folgten die letzten Jahre der Lehrtätigkeit an der Hochschule für Bildende Künste Braunschweig und der Umzug in das neue Atelier in Hedwigsburg. Äußerst produktive Jahre folgten, mit Retrospektiven inOsnabrück und Recklinghausen. Er nahm an der Ausstellung „Europäische Plastik der Informel“ im Wilhelm-Lehmbruck-Museum in Duisburg teil und wurde zum Mitglied der Akademie der Künste in Berlin-Brandenburg gewählt. Preise: 1957 Kunstpreis junger westen für Bildhauerei, 1959 Kunstpreis junger westen für Handzeichnung, 1959 Stipendium der Villa Massimo in Rom, 1984 Niedersachsenpreis für Kultur, 2006 Ernst-Rietschel-Kunstpreis Infos: Internet [Attributes: First Edition]

      [Bookseller: mip]
 18.   Check availability:     AbeBooks     Link/Print  


        Emil Cimiotti, Stehende I, signiert, 1967

      1967 - Emil Cimiotti, Stehende I, signiert, 1967, unter der standfläche gestempelt cimiotti sowie (wohl) nummeriert 69, bronze geschliffen, auflage 100 als jahresgabe kunstverein braunschweig, maße etwa 19 x 7,5 x 3,5 cm, abgebildet auf seite 160 des werkverzeichnsses der plastiken 1955 - 1977, brusberg dokumente 10, 1978, Cimiotti (19. August 1927 in Göttingen) ist ein Bildhauer des deutschen Informel.Cimiotti begann 1949 nach der Rückkehr aus der Kriegsgefangenschaft und einer Lehre als Steinmetz sein Studium an der Kunstakademie Stuttgart bei Otto Baum und Karl Hils. Willi Baumeister, der an der Akademie Malerei lehrte, forderte und förderte ihn durch sein Interesse. 1951 ging Cimiotti an die Hochschule der Künste nach Berlin zu Karl Hartung, der ihn allerdings nach zwei Monaten aus seiner Klasse wies. Cimiotti ging für ein Semester nach Paris zu Ossip Zadkine. Er besuchte Constantin Brâncuși, Le Corbusier sowie Fernand Leger. 1952 kehrte Cimiotti an die Kunstakademie Stuttgart zurück, wo er 1954 sein Akademiestudium beendete. 1956 kam es zu ersten Ausstellungsbeteiligungen und heftigen Verrissen durch die Kunstkritik. 1957 erhielt Cimiotti den Kunstpreis „junger westen 57“ für Bildhauerei. Dieselben Arbeiten, die eben noch verrissen worden waren, wurden nun begeistert gefeiert, nachdem Albert Schulze Vellinghausen und John Antony Thwaites sehr positiv darüber berichtet hatten. 1958 war Cimiotti mit einer Werkgruppe im Italienischen Pavillon der 29. Biennale in Venedigvertreten. 1959 erhielt Cimiotti den Kunstpreis „junger westen 59“ für Handzeichnung sowie das Stipendium der Villa Massimo in Rom. Er nahm an derdocumenta II 1959 in Kassel sowie an Ausstellungen in den USA und Paris teil. 1960 wurden die in Rom entstandenen Arbeiten im Kölner Kunstverein ausgestellt und fast sämtlich von Museen erworben. Er nahm an der 30. Biennale in Venedig im Deutschen Pavillon mit Baumeister, Bissier und Schmidt-Rottluff teil. 1963 wurde er als Gründungsmitglied der Hochschule für Bildende Künste Braunschweig berufen. Er nahm 1964 an der documenta III teil. 1966 änderte er seine Arbeitsweise, er schaffte Auflagengüsse in Sandguss. Es entstanden größere Freiplastiken für die Universitäten Göttingen, Kiel und Konstanz. 1971 kehrte Cimiotti zu seiner alten Technik des direkten Arbeitens in Wachs zurück. Es entstanden Stillleben, letztlich Vanitasmotive. Cimiotti setzte erstmals bei seinen Plastiken Farbe ein. 1981 erlaubte ein schwerer Unglücksfall in der Familie bis Mitte 1983 kaum plastisches Arbeiten. 1989 folgten die letzten Jahre der Lehrtätigkeit an der Hochschule für Bildende Künste Braunschweig und der Umzug in das neue Atelier in Hedwigsburg. Äußerst produktive Jahre folgten, mit Retrospektiven inOsnabrück und Recklinghausen. Er nahm an der Ausstellung „Europäische Plastik der Informel“ im Wilhelm-Lehmbruck-Museum in Duisburg teil und wurde zum Mitglied der Akademie der Künste in Berlin-Brandenburg gewählt. Preise: 1957 Kunstpreis junger westen für Bildhauerei, 1959 Kunstpreis junger westen für Handzeichnung, 1959 Stipendium der Villa Massimo in Rom, 1984 Niedersachsenpreis für Kultur, 2006 Ernst-Rietschel-Kunstpreis Infos: Internet [Attributes: First Edition]

      [Bookseller: mip]
 19.   Check availability:     AbeBooks     Link/Print  


        Aspen Winter Jazz

      John & Kimiko Powers, Aspen, 1967 - Artist poster. Offset color lithograph on glossy stock. 65.9 x 111.7 cm. Created by Lichtenstein for John & Kimiko Powers' “Aspen Winter Jazz Festival” held the weekend of 25 - 26 February, 1967. 1 cm-long horizontal soft crease to left margin edge, center; tiny bump to upper left corner, still VG+/Fine. Refrence: Corlett 44 [Attributes: First Edition]

      [Bookseller: ARCHIVES]
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        James and the Giant Peach. A Children's Story

      London: George Allen & Unwin Ltd.,, 1967. Octavo. Original pictorial laminated boards, titles to spine and front cover in black. No dust jacket issued for this edition. Illustrated throughout the text by Michel Simeon. Name to front free endpaper, rubbing to spine tips a very presentable copy. First UK edition, first impression. A very good copy.

      [Bookseller: Peter Harrington]
 21.   Check availability:     Biblio     Link/Print  


        Predictions for the End: A Process Anthology

      Np: The Process Church of the Final Judgement, [1967]. Square 8vo, 81 pp, perfect bound in laminated wraps. Wraps and interior pages toned, with a faint smell as if from cigarette smoke; some creasing; very good. & & A historical survey of quotes by various hands aligned into an apocalyptic narrative by Father Joab, who was co-director of the Chicago chapter,accompanied by illustrations by Father Anatole. OCLC locates only five holdings.

      [Bookseller: Division Leap, ABAA]
 22.   Check availability:     Biblio     Link/Print  


        Fish and Sky.

      New York: Tanglewood Press Inc., 1967 - Excellent condition. Presented float mounted in a light ash frame. Two colour screenprint on silver gelatin photographic print mounted on a lenticular offset lithograph on white compostion board with window mount. Image size: 27.9 x 35.5 cm. Mount size: 60.4 x 50.8 Edition of 200. Signed on the mount in pencil lower right by Lichtenstein, numbered lower left, also signed on verso of image in pencil upper right. The mount is an integral part of the print. Corlett 50

      [Bookseller: Peter Harrington. ABA member]
 23.   Check availability:     AbeBooks     Link/Print  


        The Season to be Wary.

      Little Brown & Company, Boston, MA 1967 - Hardcover 1967, 1st edition edition. Inscribed and signed by Rod Serling to Lillian and Fred on front free endpaper. A lot of foxing to dust jacket, otherwise very good. Dust jacket bound in brodart cover. Binding firm. Pages unmarked and clean. Minor discoloration to front paste-down otherwise covers and text in very good condition. [276 pages] [Attributes: First Edition; Hard Cover]

      [Bookseller: Doss-Haus Books]
 24.   Check availability:     AbeBooks     Link/Print  


        A White Paper Will Blow Through the Streets

      Np: 1967. Artists' book, 25" circular sheet of Japanese paper, offset lithograph. Heavily creased, with some light toning to margins, else very good. & & A very early bookwork by Byars, consisting of the title phrase printed in small black letters on a large circular white sheet of Japanese paper, and distributed in Kyoto, Japan. At least one example of the work was supposed to have been released to blow through the streets of Kyoto. Rare. [Reference: Perfect is My Death Word No. 44]&

      [Bookseller: Division Leap, ABAA]
 25.   Check availability:     Biblio     Link/Print  


        THE WISHING TREE

      RANDOM HOUSE, NEW YORK 1967 - THE WISHING TREE BY WILLIAM FAULKNER, RANDOM HOUSE 1967, 8VO, PP 82. ILLUSTRATED TEXT AND DJ BY DON BOLOGNESE. TURQUOISE BOARDS WITH FLORAL DECORATION, GILTED TITLE ON SPINE. CONDITION IS FINE THROUGHOUT AND DJ IS NEAR FINE WITH SOME WRINKLING NEAR TOP EDGE FRONT AND BACK. SEE PHOTOS DJ IS UNCLIPPED WITH ORIGINAL PRICE OF 3.95 UPPER RIGHT OF FRONT FLAP, BOTTOM OF FRONT FLAP HAS DATE OF 4/67, THIS IS FIRST PRINTING, SO STATED. THE LCCCN IS 66-21458 FAULKNER'S ONLY CHILDREN'S BOOK TELLS THE TALE OF DULCIE AND HER FRIENDS TAKEN ON A BIRTHDAY HUNT TO FIND THE WISHING TREE. [Attributes: First Edition; Hard Cover]

      [Bookseller: Boyson Books]
 26.   Check availability:     AbeBooks     Link/Print  


        An Expensive Place to Die

      Jonathan Cape, 1967. 1st. Hardcover. Very Good/Very Good. Very Good book in likewise Very Good dustwrapper. Some minor shelfwear to extremities mainly foot and top of dw spine. Not price-clipped no inscriptions. Secret Documents complete (10) in attached file. Very Good copy.

      [Bookseller: Anulios Books]
 27.   Check availability:     Biblio     Link/Print  


        WHERE DO WE GO FROM HERE? Chaos or Community?

      Harper & Row 1967 Slight wear & slight chipping to DJ; SIGNED to front free endpaper, likely by secretary. Pamphlet laid in reprinting speech by Jack Greenberg of the NAACP. Stated first edition ; 8vo; 209 pages

      [Bookseller: The Complete Traveller]
 28.   Check availability:     maremagnum.com     Link/Print  


        The Outsiders

      New York: Viking, 1967. First edition of the author's first book, published when she was only seventeen years of age. Octavo, original black. Fine in near fine dust jacket that shows only light wear. Signed by the author on the title page. A very nice copy of an uncommon book. Published when she was only 18, Susan Eloise Hinton's first book was praised as "an impressive performance… a book alive with the fresh dialogue of her contemporaries" (New York Times). It was the basis of the acclaimed Francis Ford Coppola film, starring Tom Cruise, Rob Lowe and Diane Lane.

      [Bookseller: Raptis Rare Books, ABAA/ ILAB]
 29.   Check availability:     Biblio     Link/Print  


        Anales de la Corona de Aragon,compuestos por Jeronimo Zurita. Edicion preparada por Angel Canellas Lopez. 9 Volumenes

      Institución Fernando el Católico / CSIC, Zaragoza 1967 - cubiertas bien conservadas láminas. . 5831 págs.

      [Bookseller: LIBRERIA ANTICUARIA EPOPEYA]
 30.   Check availability:     AbeBooks     Link/Print  


        Fish and Sky

      New York: Tanglewood Press Inc.,, 1967. Two colour screenprint on silver gelatin photographic print mounted on a lenticular offset lithograph on white compostion board with window mount. Image size: 27.9 x 35.5 cm. Mount size: 60.4 x 50.8 Excellent condition. Presented float mounted in a light ash frame. Edition of 200. Signed on the mount in pencil lower right by Lichtenstein, numbered lower left, also signed on verso of image in pencil upper right. The mount is an integral part of the print.

      [Bookseller: Peter Harrington]
 31.   Check availability:     Biblio     Link/Print  


        emil cimiotti, kleine figur ein exemplare von 5, signiert

      1967 - emil cimiotti, kleine figur ein exemplare von 5, handsigniert, kleine figur, bronze geschliffen, maße etwa 20 x 8 x 4 cm, auflage 5 exemplare, eigenedition , 1967, abgebildet auf seite 160 des werkverzeichnsses der plastiken 1955 - 1977, brusberg dokumente 10, 1978, unter dem fuß von cimiotti bezeichnet "1 v. 5 ex." und handsigniert Emil Cimiotti (19. August 1927 in Göttingen) ist ein Bildhauer des deutschen Informel.Cimiotti begann 1949 nach der Rückkehr aus der Kriegsgefangenschaft und einer Lehre als Steinmetz sein Studium an der Kunstakademie Stuttgart bei Otto Baum und Karl Hils. Willi Baumeister, der an der Akademie Malerei lehrte, forderte und förderte ihn durch sein Interesse. 1951 ging Cimiotti an die Hochschule der Künste nach Berlin zu Karl Hartung, der ihn allerdings nach zwei Monaten aus seiner Klasse wies. Cimiotti ging für ein Semester nach Paris zu Ossip Zadkine. Er besuchte Constantin Brâncuși, Le Corbusier sowie Fernand Leger. 1952 kehrte Cimiotti an die Kunstakademie Stuttgart zurück, wo er 1954 sein Akademiestudium beendete. 1956 kam es zu ersten Ausstellungsbeteiligungen und heftigen Verrissen durch die Kunstkritik. 1957 erhielt Cimiotti den Kunstpreis „junger westen 57“ für Bildhauerei. Dieselben Arbeiten, die eben noch verrissen worden waren, wurden nun begeistert gefeiert, nachdem Albert Schulze Vellinghausen und John Antony Thwaites sehr positiv darüber berichtet hatten. 1958 war Cimiotti mit einer Werkgruppe im Italienischen Pavillon der 29. Biennale in Venedigvertreten. 1959 erhielt Cimiotti den Kunstpreis „junger westen 59“ für Handzeichnung sowie das Stipendium der Villa Massimo in Rom. Er nahm an derdocumenta II 1959 in Kassel sowie an Ausstellungen in den USA und Paris teil. 1960 wurden die in Rom entstandenen Arbeiten im Kölner Kunstverein ausgestellt und fast sämtlich von Museen erworben. Er nahm an der 30. Biennale in Venedig im Deutschen Pavillon mit Baumeister, Bissier und Schmidt-Rottluff teil. 1963 wurde er als Gründungsmitglied der Hochschule für Bildende Künste Braunschweig berufen. Er nahm 1964 an der documenta III teil. 1966 änderte er seine Arbeitsweise, er schaffte Auflagengüsse in Sandguss. Es entstanden größere Freiplastiken für die Universitäten Göttingen, Kiel und Konstanz. 1971 kehrte Cimiotti zu seiner alten Technik des direkten Arbeitens in Wachs zurück. Es entstanden Stillleben, letztlich Vanitasmotive. Cimiotti setzte erstmals bei seinen Plastiken Farbe ein. 1981 erlaubte ein schwerer Unglücksfall in der Familie bis Mitte 1983 kaum plastisches Arbeiten. 1989 folgten die letzten Jahre der Lehrtätigkeit an der Hochschule für Bildende Künste Braunschweig und der Umzug in das neue Atelier in Hedwigsburg. Äußerst produktive Jahre folgten, mit Retrospektiven inOsnabrück und Recklinghausen. Er nahm an der Ausstellung „Europäische Plastik der Informel“ im Wilhelm-Lehmbruck-Museum in Duisburg teil und wurde zum Mitglied der Akademie der Künste in Berlin-Brandenburg gewählt. Preise: 1957 Kunstpreis junger westen für Bildhauerei, 1959 Kunstpreis junger westen für Handzeichnung, 1959 Stipendium der Villa Massimo in Rom, 1984 Niedersachsenpreis für Kultur, 2006 Ernst-Rietschel-Kunstpreis [Attributes: First Edition]

      [Bookseller: mip]
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        Star Stone. Farbige Lithographie in Blau und Rot. 1963. Innerhalb der Darstellung unten Mitte in Bleistift monogrammiert. Verso in Bleistift numeriert: 132/150.

      - Nahezu blattgross auf Arches-Velin 65,5 : 50,5 cm. Drucker: Maurice Beaudet, Paris. – Blatt 20 aus der "Graphikmappe der Hochschule St.Gallen", 1967.

      [Bookseller: Zähringer]
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        Charlie and the Chocolate Factory

      London: George Allen & Unwin Ltd., , 1967. Illustrated by Faith Jaques. Octavo. Original laminated pictorial boards, titles to front cover and spine in black. Vignette illustrations by Jaques in the text throughout. Spine tips and corners slightly rubbed and a little cracked to the lamination, but still an excellent copy. First UK edition, first impression. A very nice copy of the increasingly scarce first UK edition (originally published New York, Knopf, 1964, with illustrations by Joseph Schindelman).

      [Bookseller: Peter Harrington]
 34.   Check availability:     Biblio     Link/Print  


        Dialogues of Creatures Moralised.

      [Kentfield, California: The Allen Press, 1967. - This book was first translated into English in 1535. The only other English edition appeared in 1816, and it is excessively rare, all but forty-two copies having been destroyed by fire. Folio. 13Ó x 9 .Ó With 122 woodcut illustrations from the original edition, printed in Latin by Gerard Leeu at Gouda, Holland. Title-page in red and brown. Printed in black, with several colors used in the decorative borders of the illustrations. Joseph HaslewoodÕs introduction to the 1816 English edition is used here as the preface. Edited by Cott Hobart Original light brown cloth, with front cover pictorially stamped in brown. Spine and front cover lettering in red. A fine copy in publisherÕs matching slipcase. With the original prospectus laid in, signed "Merry Christmas Lewis and Dorothy [Allen]." One of 130 copies printed on Fabriano Book paper by the Allen Press. This was the most ambitious project of the Allens up to that date. [Attributes: Hard Cover]

      [Bookseller: Michael R. Thompson Books, A.B.A.A.]
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        DOCUMENTS MARIANISTES. NOTES D'INSTRUCTION. TOME 1 A 13.

      REGINA MUNDI 1967 - RO30118226: 13 volumes de 100 à 200 pages. Code en pied de 8 volumes. 1er plat du volume 11 et 13 détaché. Dos du tome 5 se détachant en coiffes. 1 : Petites feuilles détachées. 13 : INDEX In-8 Broché. Bon état. Couv. convenable. Dos satisfaisant. Intérieur frais Classification Dewey : 366.5-Sociétés secrètes [Attributes: Soft Cover]

      [Bookseller: le-livre]
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        Canadian Journal of Zoology (1967-1993)

      Ottawa: National Research Council, 1967-1994. Hard bound. Vol. 45 (1967) to Vol. 72 (1993) -- with just a few missing vols. All 61 volumes are bound in blue cloth with 2-3 bound volumes per year, all are quartos (10-12 inches high), in this 27-yr run of a foremost journal in zoology, comprising a record that is seldom seen in the discipline. All volumes are ex-lib and are in very good or better condition. Illustrated with numerous diagrams and in earlier volumes many fold-out plates as well. The missing volumes are as follows: Vol. 47; Vol. 48(2); Vol. 53(2); and Vol. 57. We only list books for sale that we physically hold in stock. Obviously, due to the immense weight of this journal run, shipping cost will need to be worked out with any prospective buyer. Please note as well that we hold in stock numerous softcover issues of the Canadian Journal of Zoology, including the following: 1995-1997 - 36 softbound issues (12/year, or the complete run for these three years); 1963-1966 (11 issues); and 1969-1980 (137 issues). These titles are available for immediate shipment from Winnipeg, Manitoba.

      [Bookseller: Collectors Treasury]
 37.   Check availability:     TomFolio     Link/Print  


        The Dainty Monsters

      (Coach House)|~| (Toronto): (Coach House). (1967). His first book, a volume of poetry. One of 500 numbered copies. This copy is inscribed by Ondaatje, "with best wishes," in 1968. Ripple to rear pastedown, else fine in a very near fine dust jacket with just a bit of creasing to the upper edge. . First Edition. Hardcover.

      [Bookseller: Ken Lopez Bookseller, ABAA]
 38.   Check availability:     Biblio     Link/Print  


        The Genocides

      London -Ronald Whiting and Wheaton 1967 - A scarce copy of Disch'sfirst novel, being a truly powerful work of science fiction. First English edition. With the original illustrated dustwrapper by Penny Carey. Condition: In original cloth covered binding with original illustrated unclipped dustwrapper. Externally, cloth is generally smart, though with the spine very slightly cocked. Dustwrapper is smart, with only some light chipping, and minor sunning to the rear. Internally, firmly bound andbright, with instances of light scattered foxing. Overall:NEAR FINEwith aNEAR FINEdustwrapper. [Attributes: Hard Cover]

      [Bookseller: Rooke Books PBFA]
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        Théoda. Dix-huit lithographies originales de Jaques Berger.

      André u. Pierre Gonin,, Lausanne, 1967 - Lausanne, André u. Pierre Gonin, (1967) Folio. 203 (4) S. Mit 18 farb. Lithogrphien von Jaques Berger. Orig.-Halbpergament (lose in Einband). Nr. 153 von 153 (Gesamtausgabe 215) Ex. Von der Autorin, vom Verleger und vom Künstler signiert. Sprache: Französisch / Français / French Orig.-Halbpergament (lose in Einband).

      [Bookseller: EOS Buchantiquariat Benz]
 40.   Check availability:     AbeBooks     Link/Print  


        Andy Warhol's Index [Book] (First Edition)

      New York: Random House, 1967. First Edition. Quarto. First Edition. photo illustrated silver wrappers, with various tipped- and bound-in materials. Unpaginated (72 pp.), black-and-white illustrations throughout. Very Good or better condition, lacking the protective wrapper, and the price sticker on the front wrapper. Light rubbing overall, spine slightly shaken. & & Castle pop-up complete; red accordion complete, but inaudible; biplane pop-up complete; "The Chelsea Girls" paper wheel present and attached to spring; 12-sided "sphere" complete but unattached from band, which is present; Lou Reed Picture Disc Record present; rainbow nose with pink overlay complete, as are the fold-out pages; "Hunt's Tomato Paste" can pop-up complete; all eight rectangular name tabs present; lacking balloon, yet the two corresponding pages are stuck together (common with this book). Though not a rare publication, to find a copy with most of the pop-ups and affixed items included, particularly the Lou Reed picture, is uncommon. & & Warhol's first widely accessible photo illustrated book, after a series of smaller, private publications. A nearly complete, visually stunning book.& & Roth 101. Parr & Badger, pp. 144-145.

      [Bookseller: Royal Books, Inc.]
 41.   Check availability:     Biblio     Link/Print  


        [Poster]: Mechanischer Kopf (Der Geist Unserer Zeit) [Mechanical Head - The Spirit of Our Time]. Moderna Museet Stockholm 21okt.-19 nov.1967

      Moderna Museet Stockholm Stockholm: Moderna Museet Stockholm. 1967. Black and white poster (halftone print). Professionally framed. Measuring approximately 30" x 40". Fine. Large poster advertisement for the 1967 exhibition at the Modern Museum in Stockholm: the first full-scale retrospective of Raoul Hausmann's artwork.Hausmann, one of the key founders of the Berlin Dada movement, instigated several important firsts in the modern art movement. In 1917-1918 he invented the optophonetic poem and photomontage, and published the first Dada Manifesto; his pioneering work in photography and numerous writings (manifestos and institutional critiques) had a profound influence on the European Avant-Garde throughout the 1930s-1940s; and in 1958 he helped to found the Fluxus movement.The poster reproduces his most famous work: "Mechanischer Kopf (Der Geist Unserer Zeit)," circa 1919-1920. Constructed from a hairdresser's wig-making dummy, the piece has various measuring devices attached: a ruler, a pocket watch mechanism, a typewriter, some camera segments, and a crocodile wallet. Interpreted by critics as a Marxist reversal of Hegel, "a head whose thoughts are materially determined by objects literally fixed to it," Hausmann himself likened it to the average German of the day, who has "no more capabilities than those which chance has glued on the outside of his skull; his brain remains empty."Hausmann also played an important role in the Neo-Dada and Fluxus movements inspired by the famous 1958 Dada exhibition in Frankfurt-Dusseldorf, which included many of his artworks. By the time of his 1967 retrospective, Hausmann had formed close personal and working relationships with the leading figures of both intertwined movements, including Jasper Johns, Robert Rauschenberg, Yves Klein, and fluxus-impresario George Maciunas, who had assumed the leadership role in Fluxus "happenings."Maciunas included Hausmann's works in the earliest happenings or "Fluxfests," and had initially referred to the movement as "neo-dadaism." In a letter to Maciunas from 1962, Hausmann discouraged the use of the term: "I note with much pleasure what you said about German neodadaists---but I think even the Americans should not use the term "neodadaism" because neo means nothing and -ism is old-fashioned. Why not simply "Fluxus"? It seems to me much better, because it's new, and dada is historic." A very scarce, beautifully printed copy of the Stockholm poster, well-preserved in a clean wood and glass frame. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
 42.   Check availability:     ABAA     Link/Print  


        The Master and Margarita

      Collins Harvill 1967 - Collins Harvill 1967 , Hardback , 1st edition, 1st impression .Fine copy in near fine unclipped dust jacket. First UK printing, and first printing in the English language. Copyright page states 1967, with no statement of later printing. Translated by Michael Glenny with jacket design by Alex Jawdokimov. [Attributes: First Edition; Hard Cover]

      [Bookseller: JBS MACKELLAR]
 43.   Check availability:     AbeBooks     Link/Print  

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