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Displayed below are some selected recent viaLibri matches for books published in 1967

        The Outsiders

      New York: Viking, 1967. First edition of the author's first book, published when she was only seventeen years of age. Octavo, original black. Fine in near fine dust jacket that shows only light wear. Signed by the author on the title page. A very nice copy of an uncommon book. Published when she was only 18, Susan Eloise Hinton's first book was praised as "an impressive performance… a book alive with the fresh dialogue of her contemporaries" (New York Times). It was the basis of the acclaimed Francis Ford Coppola film, starring Tom Cruise, Rob Lowe and Diane Lane.

      [Bookseller: Raptis Rare Books, ABAA/ ILAB]
 1.   Check availability:     Biblio     Link/Print  


        Anales de la Corona de Aragon,compuestos por Jeronimo Zurita. Edicion preparada por Angel Canellas Lopez. 9 Volumenes

      Institución Fernando el Católico / CSIC, Zaragoza 1967 - cubiertas bien conservadas láminas. . 5831 págs.

      [Bookseller: LIBRERIA ANTICUARIA EPOPEYA]
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        Fish and Sky

      New York: Tanglewood Press Inc.,, 1967. Two colour screenprint on silver gelatin photographic print mounted on a lenticular offset lithograph on white compostion board with window mount. Image size: 27.9 x 35.5 cm. Mount size: 60.4 x 50.8 Excellent condition. Presented float mounted in a light ash frame. Edition of 200. Signed on the mount in pencil lower right by Lichtenstein, numbered lower left, also signed on verso of image in pencil upper right. The mount is an integral part of the print.

      [Bookseller: Peter Harrington]
 3.   Check availability:     Biblio     Link/Print  


        emil cimiotti, kleine figur ein exemplare von 5, signiert

      1967 - emil cimiotti, kleine figur ein exemplare von 5, handsigniert, kleine figur, bronze geschliffen, maße etwa 20 x 8 x 4 cm, auflage 5 exemplare, eigenedition , 1967, abgebildet auf seite 160 des werkverzeichnsses der plastiken 1955 - 1977, brusberg dokumente 10, 1978, unter dem fuß von cimiotti bezeichnet "1 v. 5 ex." und handsigniert Emil Cimiotti (19. August 1927 in Göttingen) ist ein Bildhauer des deutschen Informel.Cimiotti begann 1949 nach der Rückkehr aus der Kriegsgefangenschaft und einer Lehre als Steinmetz sein Studium an der Kunstakademie Stuttgart bei Otto Baum und Karl Hils. Willi Baumeister, der an der Akademie Malerei lehrte, forderte und förderte ihn durch sein Interesse. 1951 ging Cimiotti an die Hochschule der Künste nach Berlin zu Karl Hartung, der ihn allerdings nach zwei Monaten aus seiner Klasse wies. Cimiotti ging für ein Semester nach Paris zu Ossip Zadkine. Er besuchte Constantin Brâncuși, Le Corbusier sowie Fernand Leger. 1952 kehrte Cimiotti an die Kunstakademie Stuttgart zurück, wo er 1954 sein Akademiestudium beendete. 1956 kam es zu ersten Ausstellungsbeteiligungen und heftigen Verrissen durch die Kunstkritik. 1957 erhielt Cimiotti den Kunstpreis „junger westen 57“ für Bildhauerei. Dieselben Arbeiten, die eben noch verrissen worden waren, wurden nun begeistert gefeiert, nachdem Albert Schulze Vellinghausen und John Antony Thwaites sehr positiv darüber berichtet hatten. 1958 war Cimiotti mit einer Werkgruppe im Italienischen Pavillon der 29. Biennale in Venedigvertreten. 1959 erhielt Cimiotti den Kunstpreis „junger westen 59“ für Handzeichnung sowie das Stipendium der Villa Massimo in Rom. Er nahm an derdocumenta II 1959 in Kassel sowie an Ausstellungen in den USA und Paris teil. 1960 wurden die in Rom entstandenen Arbeiten im Kölner Kunstverein ausgestellt und fast sämtlich von Museen erworben. Er nahm an der 30. Biennale in Venedig im Deutschen Pavillon mit Baumeister, Bissier und Schmidt-Rottluff teil. 1963 wurde er als Gründungsmitglied der Hochschule für Bildende Künste Braunschweig berufen. Er nahm 1964 an der documenta III teil. 1966 änderte er seine Arbeitsweise, er schaffte Auflagengüsse in Sandguss. Es entstanden größere Freiplastiken für die Universitäten Göttingen, Kiel und Konstanz. 1971 kehrte Cimiotti zu seiner alten Technik des direkten Arbeitens in Wachs zurück. Es entstanden Stillleben, letztlich Vanitasmotive. Cimiotti setzte erstmals bei seinen Plastiken Farbe ein. 1981 erlaubte ein schwerer Unglücksfall in der Familie bis Mitte 1983 kaum plastisches Arbeiten. 1989 folgten die letzten Jahre der Lehrtätigkeit an der Hochschule für Bildende Künste Braunschweig und der Umzug in das neue Atelier in Hedwigsburg. Äußerst produktive Jahre folgten, mit Retrospektiven inOsnabrück und Recklinghausen. Er nahm an der Ausstellung „Europäische Plastik der Informel“ im Wilhelm-Lehmbruck-Museum in Duisburg teil und wurde zum Mitglied der Akademie der Künste in Berlin-Brandenburg gewählt. Preise: 1957 Kunstpreis junger westen für Bildhauerei, 1959 Kunstpreis junger westen für Handzeichnung, 1959 Stipendium der Villa Massimo in Rom, 1984 Niedersachsenpreis für Kultur, 2006 Ernst-Rietschel-Kunstpreis [Attributes: First Edition]

      [Bookseller: mip]
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        Star Stone. Farbige Lithographie in Blau und Rot. 1963. Innerhalb der Darstellung unten Mitte in Bleistift monogrammiert. Verso in Bleistift numeriert: 132/150.

      - Nahezu blattgross auf Arches-Velin 65,5 : 50,5 cm. Drucker: Maurice Beaudet, Paris. – Blatt 20 aus der "Graphikmappe der Hochschule St.Gallen", 1967.

      [Bookseller: Zähringer]
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        Charlie and the Chocolate Factory

      London: George Allen & Unwin Ltd., , 1967. Illustrated by Faith Jaques. Octavo. Original laminated pictorial boards, titles to front cover and spine in black. Vignette illustrations by Jaques in the text throughout. Spine tips and corners slightly rubbed and a little cracked to the lamination, but still an excellent copy. First UK edition, first impression. A very nice copy of the increasingly scarce first UK edition (originally published New York, Knopf, 1964, with illustrations by Joseph Schindelman).

      [Bookseller: Peter Harrington]
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        Dialogues of Creatures Moralised.

      [Kentfield, California: The Allen Press, 1967. - This book was first translated into English in 1535. The only other English edition appeared in 1816, and it is excessively rare, all but forty-two copies having been destroyed by fire. Folio. 13Ó x 9 .Ó With 122 woodcut illustrations from the original edition, printed in Latin by Gerard Leeu at Gouda, Holland. Title-page in red and brown. Printed in black, with several colors used in the decorative borders of the illustrations. Joseph HaslewoodÕs introduction to the 1816 English edition is used here as the preface. Edited by Cott Hobart Original light brown cloth, with front cover pictorially stamped in brown. Spine and front cover lettering in red. A fine copy in publisherÕs matching slipcase. With the original prospectus laid in, signed "Merry Christmas Lewis and Dorothy [Allen]." One of 130 copies printed on Fabriano Book paper by the Allen Press. This was the most ambitious project of the Allens up to that date. [Attributes: Hard Cover]

      [Bookseller: Michael R. Thompson Books, A.B.A.A.]
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        DOCUMENTS MARIANISTES. NOTES D'INSTRUCTION. TOME 1 A 13.

      REGINA MUNDI 1967 - RO30118226: 13 volumes de 100 à 200 pages. Code en pied de 8 volumes. 1er plat du volume 11 et 13 détaché. Dos du tome 5 se détachant en coiffes. 1 : Petites feuilles détachées. 13 : INDEX In-8 Broché. Bon état. Couv. convenable. Dos satisfaisant. Intérieur frais Classification Dewey : 366.5-Sociétés secrètes [Attributes: Soft Cover]

      [Bookseller: le-livre]
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        Canadian Journal of Zoology (1967-1993)

      Ottawa: National Research Council, 1967-1994. Hard bound. Vol. 45 (1967) to Vol. 72 (1993) -- with just a few missing vols. All 61 volumes are bound in blue cloth with 2-3 bound volumes per year, all are quartos (10-12 inches high), in this 27-yr run of a foremost journal in zoology, comprising a record that is seldom seen in the discipline. All volumes are ex-lib and are in very good or better condition. Illustrated with numerous diagrams and in earlier volumes many fold-out plates as well. The missing volumes are as follows: Vol. 47; Vol. 48(2); Vol. 53(2); and Vol. 57. We only list books for sale that we physically hold in stock. Obviously, due to the immense weight of this journal run, shipping cost will need to be worked out with any prospective buyer. Please note as well that we hold in stock numerous softcover issues of the Canadian Journal of Zoology, including the following: 1995-1997 - 36 softbound issues (12/year, or the complete run for these three years); 1963-1966 (11 issues); and 1969-1980 (137 issues). These titles are available for immediate shipment from Winnipeg, Manitoba.

      [Bookseller: Collectors Treasury]
 9.   Check availability:     TomFolio     Link/Print  


        The Dainty Monsters

      (Coach House)|~| (Toronto): (Coach House). (1967). His first book, a volume of poetry. One of 500 numbered copies. This copy is inscribed by Ondaatje, "with best wishes," in 1968. Ripple to rear pastedown, else fine in a very near fine dust jacket with just a bit of creasing to the upper edge. . First Edition. Hardcover.

      [Bookseller: Ken Lopez Bookseller, ABAA]
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        The Genocides

      London -Ronald Whiting and Wheaton 1967 - A scarce copy of Disch'sfirst novel, being a truly powerful work of science fiction. First English edition. With the original illustrated dustwrapper by Penny Carey. Condition: In original cloth covered binding with original illustrated unclipped dustwrapper. Externally, cloth is generally smart, though with the spine very slightly cocked. Dustwrapper is smart, with only some light chipping, and minor sunning to the rear. Internally, firmly bound andbright, with instances of light scattered foxing. Overall:NEAR FINEwith aNEAR FINEdustwrapper. [Attributes: Hard Cover]

      [Bookseller: Rooke Books PBFA]
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        Théoda. Dix-huit lithographies originales de Jaques Berger.

      André u. Pierre Gonin,, Lausanne, 1967 - Lausanne, André u. Pierre Gonin, (1967) Folio. 203 (4) S. Mit 18 farb. Lithogrphien von Jaques Berger. Orig.-Halbpergament (lose in Einband). Nr. 153 von 153 (Gesamtausgabe 215) Ex. Von der Autorin, vom Verleger und vom Künstler signiert. Sprache: Französisch / Français / French Orig.-Halbpergament (lose in Einband).

      [Bookseller: EOS Buchantiquariat Benz]
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        Andy Warhol's Index [Book] (First Edition)

      New York: Random House, 1967. First Edition. Quarto. First Edition. photo illustrated silver wrappers, with various tipped- and bound-in materials. Unpaginated (72 pp.), black-and-white illustrations throughout. Very Good or better condition, lacking the protective wrapper, and the price sticker on the front wrapper. Light rubbing overall, spine slightly shaken. & & Castle pop-up complete; red accordion complete, but inaudible; biplane pop-up complete; "The Chelsea Girls" paper wheel present and attached to spring; 12-sided "sphere" complete but unattached from band, which is present; Lou Reed Picture Disc Record present; rainbow nose with pink overlay complete, as are the fold-out pages; "Hunt's Tomato Paste" can pop-up complete; all eight rectangular name tabs present; lacking balloon, yet the two corresponding pages are stuck together (common with this book). Though not a rare publication, to find a copy with most of the pop-ups and affixed items included, particularly the Lou Reed picture, is uncommon. & & Warhol's first widely accessible photo illustrated book, after a series of smaller, private publications. A nearly complete, visually stunning book.& & Roth 101. Parr & Badger, pp. 144-145.

      [Bookseller: Royal Books, Inc.]
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        [Poster]: Mechanischer Kopf (Der Geist Unserer Zeit) [Mechanical Head - The Spirit of Our Time]. Moderna Museet Stockholm 21okt.-19 nov.1967

      Moderna Museet Stockholm Stockholm: Moderna Museet Stockholm. 1967. Black and white poster (halftone print). Professionally framed. Measuring approximately 30" x 40". Fine. Large poster advertisement for the 1967 exhibition at the Modern Museum in Stockholm: the first full-scale retrospective of Raoul Hausmann's artwork.Hausmann, one of the key founders of the Berlin Dada movement, instigated several important firsts in the modern art movement. In 1917-1918 he invented the optophonetic poem and photomontage, and published the first Dada Manifesto; his pioneering work in photography and numerous writings (manifestos and institutional critiques) had a profound influence on the European Avant-Garde throughout the 1930s-1940s; and in 1958 he helped to found the Fluxus movement.The poster reproduces his most famous work: "Mechanischer Kopf (Der Geist Unserer Zeit)," circa 1919-1920. Constructed from a hairdresser's wig-making dummy, the piece has various measuring devices attached: a ruler, a pocket watch mechanism, a typewriter, some camera segments, and a crocodile wallet. Interpreted by critics as a Marxist reversal of Hegel, "a head whose thoughts are materially determined by objects literally fixed to it," Hausmann himself likened it to the average German of the day, who has "no more capabilities than those which chance has glued on the outside of his skull; his brain remains empty."Hausmann also played an important role in the Neo-Dada and Fluxus movements inspired by the famous 1958 Dada exhibition in Frankfurt-Dusseldorf, which included many of his artworks. By the time of his 1967 retrospective, Hausmann had formed close personal and working relationships with the leading figures of both intertwined movements, including Jasper Johns, Robert Rauschenberg, Yves Klein, and fluxus-impresario George Maciunas, who had assumed the leadership role in Fluxus "happenings."Maciunas included Hausmann's works in the earliest happenings or "Fluxfests," and had initially referred to the movement as "neo-dadaism." In a letter to Maciunas from 1962, Hausmann discouraged the use of the term: "I note with much pleasure what you said about German neodadaists---but I think even the Americans should not use the term "neodadaism" because neo means nothing and -ism is old-fashioned. Why not simply "Fluxus"? It seems to me much better, because it's new, and dada is historic." A very scarce, beautifully printed copy of the Stockholm poster, well-preserved in a clean wood and glass frame. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
 14.   Check availability:     ABAA     Link/Print  


        The Master and Margarita

      Collins Harvill 1967 - Collins Harvill 1967 , Hardback , 1st edition, 1st impression .Fine copy in near fine unclipped dust jacket. First UK printing, and first printing in the English language. Copyright page states 1967, with no statement of later printing. Translated by Michael Glenny with jacket design by Alex Jawdokimov. [Attributes: First Edition; Hard Cover]

      [Bookseller: JBS MACKELLAR]
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        THIS IMMORTAL

      London: Rupert Hart-Davis,. 1967. boards.. A near fine copy in near fine dust jacket with small closed tear at. bottom edge of front panel, some rubbing along front fold, and two. tiny abrasions to lamination at upper edge of front panel. (#126591). First edition. Label signed by Zelazny affixed to the half title page. The author's first book. 1966 Nebula nominee. The shorter magazine version, "... And Call Me Conrad," won the 1966 Hugo award for best novel. Anatomy of Wonder (2004) II-1311. Survey of Science Fiction Literature V, pp. 2260- 63.

      [Bookseller: L. W. Currey, Inc. ]
 16.   Check availability:     ABAA     Link/Print  


        The Ticket That Exploded

      New York: Grove Press, Inc.. (1967). First. First American edition. Fine in a very slightly age-toned, else fine dustwrapper. Inscribed by Burroughs to Ruth Ford: "For Ruth Ford, William S. Burroughs." Ford, the Mississippi-born sister of surrealist author Charles Henri Ford, was a beautiful model and actress, first in Orson Welles's Mercury Theatre, and later in films and theater. Notably, she starred on Broadway in Jean Paul Sartre's No Exit in 1946, under the direction of John Huston (the last of five Broadway plays he directed). Her apartment in the Dakota became a salon for authors such as Tennessee Williams, Edward Albee, Terrence McNally, and Truman Capote. A chance encounter between Stephen Sondheim and Arthur Laurents in her Manhattan living room led to their collaboration, with her Dakota-neighbor Leonard Bernstein, on West Side Story. Similarly, she brought together Kay Thompson and Hilary Knight to create the celebrated stories of Eloise, the little girl who lived at the Plaza.Ford is well known also for her long friendship with William Faulkner, which began with her dating his brother Dean in the early 1930s. Faulkner was openly smitten with Ford for many years. He wrote his experimental 1951 title Requiem for a Nun, a sequel to his early and controversial novel Sanctuary, with her in mind. He further declared, to the consternation of his agent and publisher, that it was her dramatic property (Requiem for a Nun was a mixture of stage play and novel). Stage production of the title stalled for years, partly because Faulkner's experimental drama did not lend itself to live theatre, and partly because the producers were unsure of Ford's suitability. Faulkner was adamant that it was her dramatic property, and in 1959 she adapted the play herself and starred in its London production opposite her second husband, Zachary Scott. Her stage version received enthusiastic reviews in both London and New York, but did not fare so well with audiences and closed after a short run on Broadway. Ford continued to act on both stage and screen well into the 1980s. She passed away in 2009 at the age of 98. A nice association. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
 17.   Check availability:     ABAA     Link/Print  


        Poetry in the Making: Catalogue of an Exhibition of Poetry Manuscripts in the British Museum, April - June 1967

      London: Turret Books,, 1967. With contributions by C. Day Lewis, T. C. Skeat and Philip Larkin. Octavo. Original dark blue cloth, title to spine in gilt. In the dust jacket. A fine copy in the jacket. One of 126 copies signed by the authors. Loosely inserted are a 7-page pamphlet entitled Poetry in the Making: Illustrative Material, and an invitation to poetry readings by John Betjeman, Edmund Blunden, Roy Fuller, Ted Hughes, Christopher Logue, George Macbeth and Stevie Smith.

      [Bookseller: Peter Harrington]
 18.   Check availability:     Biblio     Link/Print  


        Paintings by Chi Pai-Shih (Qi Baishi, 1864-1957)

      Cultural Museum Agency, NP 1967 - Large Folio (15 x 10 1/2"). (6) 190pp. Original illustrated stiff brown wrappers with black lettering on cover. Frontispiece portrait, hand-colored pochoir over offset reproduction. Early major monograph of the artist. Profusely illustrated with artwork typical for his mid career featuring flowers, insects, and birds. 9 pages (131-139) of calligraphic poems, and 22 pages(141-162) of red seals are reproduced as lithographs, not offset printing. Trained as a carpenter for ten years starting when he was eight he went on to become a cabinet maker, master carver, renowned great seal cutter, and fine artist. He is quoted to have said: "I learned finger-painting in my youth; landscape painting after 30; and specialized in flowers, insects and birds after 40." Some of the offset reproductions in this book are covered with tipped-in on-lays of the same images with different density, the original print still viewable. Text in Chinese, captions and list of paintings in English. Wrappers are covered with a protective acetate cover which is moderately chipped and repaired with tape in some instances. Two red circular stickers, one on spine with the handwritten number 12 and the other blank in lower left corner of back cover. Small spot of ink on tissue guard and in margin 1 1/2" above portrait.On last page "of" penciled into margin. Book block moderately age-toned. Wrappers in overall good-, interior in good+ to very good condition. [Attributes: First Edition; Soft Cover]

      [Bookseller: ERIC CHAIM KLINE, BOOKSELLER (ABAA ILAB)]
 19.   Check availability:     AbeBooks     Link/Print  


        Poster]: Mechanischer Kopf (Der Geist Unserer Zeit) [Mechanical Head - The Spirit of Our Time]. Moderna Museet Stockholm 21okt.-19 nov.1967

      Moderna Museet Stockholm, Stockholm 1967 - Black and white poster (halftone print). Professionally framed. Measuring approximately 30" x 40". Fine. Large poster advertisement for the 1967 exhibition at the Modern Museum in Stockholm: the first full-scale retrospective of Raoul Hausmann's artwork.Hausmann, one of the key founders of the Berlin Dada movement, instigated several important firsts in the modern art movement. In 1917-1918 he invented the optophonetic poem and photomontage, and published the first Dada Manifesto; his pioneering work in photography and numerous writings (manifestos and institutional critiques) had a profound influence on the European Avant-Garde throughout the 1930s-1940s; and in 1958 he helped to found the Fluxus movement.The poster reproduces his most famous work: "Mechanischer Kopf (Der Geist Unserer Zeit)," circa 1919-1920. Constructed from a hairdresser's wig-making dummy, the piece has various measuring devices attached: a ruler, a pocket watch mechanism, a typewriter, some camera segments, and a crocodile wallet. Interpreted by critics as a Marxist reversal of Hegel, "a head whose thoughts are materially determined by objects literally fixed to it," Hausmann himself likened it to the average German of the day, who has "no more capabilities than those which chance has glued on the outside of his skull; his brain remains empty."Hausmann also played an important role in the Neo-Dada and Fluxus movements inspired by the famous 1958 Dada exhibition in Frankfurt-Dusseldorf, which included many of his artworks. By the time of his 1967 retrospective, Hausmann had formed close personal and working relationships with the leading figures of both intertwined movements, including Jasper Johns, Robert Rauschenberg, Yves Klein, and fluxus-impresario George Maciunas, who had assumed the leadership role in Fluxus "happenings."Maciunas included Hausmann's works in the earliest happenings or "Fluxfests," and had initially referred to the movement as "neo-dadaism." In a letter to Maciunas from 1962, Hausmann discouraged the use of the term: "I note with much pleasure what you said about German neodadaists---but I think even the Americans should not use the term "neodadaism" because neo means nothing and -ism is old-fashioned. Why not simply "Fluxus"? It seems to me much better, because it's new, and dada is historic." A very scarce, beautifully printed copy of the Stockholm poster, well-preserved in a clean wood and glass frame.

      [Bookseller: Between the Covers-Rare Books, Inc. ABAA]
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        A Grain of Wheat

      London: Heinemann, 1967. First edition of the author's magnum opus. Octavo. Original green cloth. Fine in a very good dust jacket. Signed by Ngugi who has also transcribed the last sentence of this title. A very nice copy. Liberated from a Kenyan prison by Amnesty International, Ng?g? wa Thiong'o has taught at both Yale University and New York University. In 1973, he won the Lotus Prize for Literature and in 2012 the National Book Critics Circle Award. Ng?g? has been and nominated for the Man Booker International Prize, and he has frequently been regarded as a likely candidate for the Nobel Prize in Literature (The Guardian).A Grain of Wheat seamlessly weaves multiple narratives as it depicts Kenya's struggle for independence (1952-9159). It was published by Heinemann in 1967, and it can be seen as a reference to Ngugi's time in prison.

      [Bookseller: Raptis Rare Books, ABAA/ ILAB]
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        RUN PIGEON RUN - ORIGINAL ARTWORK. Pagan

      Los Angeles: Parliament. 1967. pp. 26-27. Magazine not seen. Artwork by Bill Edwards. . "Image 17.5"" x 16.875"" on board 27.75"" x 18.75"". Ink, gouache and crayon on board. Corners bumped, image very good. "

      [Bookseller: Alta-Glamour Inc.]
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        WHERE DO WE GO FROM HERE: CHAOS OR COMMUNITY?

      New York: Harper & Row, (1967). First Edition. Hardcover. Spine of the book quite sunned, still Near Fine in a close to Fine dustwrapper. INSCRIBED and SIGNED by the author on the front free endpaper: "To Mrs. B. Hockaday/Martin Luther King Jr.

      [Bookseller: Charles Agvent]
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        Siebdruckbilder 1 (Signed)

      Edition Hansjorg Mayer Stuttgart: Edition Hansjorg Mayer, 1967. First edition. Loose Sheets. Fine. Collection of twelve post cards (12 x 16 cm) illustrated by Diter Rot, EACH CARD INITIALED AND DATED BY HIM IN 1967. One of only fifty sets printed. These cards were cut up from four screenprints, each cut up into twelve cards. A collaboration with Emmett Williams. Cards in fine condition. This set has been artfully arranged flat and framed under plexi to form a large and quite striking screenprint. Framed at 23" square. Scarce. Only one example in WorldCat (located at The Getty). (Dobke, Books + Multiples, page 210) Please note: This is a large and heavy item due to its frame. Additional postgage charges will apply.

      [Bookseller: Derringer Books, Member A.B.A.A. ]
 24.   Check availability:     ABAA     Link/Print  


        Atlas Shrugged 10th Anniversary Signed #d Limited Edition in slipcase, #41 of 2,000 copies

      New York: Random House. F/F. [1967] 1957. 1st Edition. Hardcover; 9th Printing. SIGNED by the author, #41 of 2000 copies, this is the 9th printing of Atlas Shrugged. Copyright is 1957 though this printing was retained by Random House and released in 1967 as a 10th anniversary signed numbered limited edition in slipcase, with a limitation page Ms. Rand has signed. Bound in blue cloth with blue upper page edge stain, the author's initials in gold on the front panel and, on the spine, the author's name and the book title in gold on a navy and gold background and the publisher's name in gold at the bottom. Fine book, close to 'as new' condition. It is straight, clean and tightly bound (probably unread) with no soiling or wear to the binding cloth, text or page edges and no rubbing of the gold areas or spine decoration. There is a very short previous owner gift inscription (father to daughter) on the dedication page, and some sunning of the upper page edge stain near the spine. The clear acetate dustjacket is also in Fine condition with no tears, chips or folds (you're seeing it on the book in our images). As usual, the blue-green paper-covered boards of the slipcase - though the case is intact and strong - show sunning of the paper color. About half of the slipcase is now more olive-colored than blue-green. It has a few very small nicks to the paper surface around the case opening and again as usual unevenness of the sunning of the case color depending on what size books it was shelved with in the past that allowed sunlight to reach parts of the case. Truly lovely examples of the book and clear dustjacket. We've graded the slipcase Very Good+ because it is as strong as the day it was made so very structurally sound but we've also downgraded its condition because of surface color sunning.; 8-5/8" x 6"; 1,168 pages; Signed by Author .

      [Bookseller: Authors & Artists]
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        The Floral Hall, Covent Garden

      London: Curwen Studio,, 1967. Sheet size: 55 x 71 cm. Image size: 45.8 x 60.8 cm. Linocut in colours on white wove paper. Presented in a black wooden frame with UV glass. Edition of 25 artist's proofs aside from the edition of 75. Signed lower right by Bawden, titled and numbered 'artist's proof', 'out of series' lower left.

      [Bookseller: Peter Harrington]
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        A Hall Of Mirrors

      Boston: Houghton Mifflin. F/NF. 1967. 1st Edition. Hardcover; 1st Printing. LOC - 6711109 . 1st printing (stated) of the 1st edition, in 1st issue DJ. Author's first book. SIGNED by the author on the title page. William Faulkner Award for best first novel of the year and Houghton Mifflin Literary Fellowship Award winner. Made into a movie. Fine straight, clean and tight (probably unread) book with no handwriting in it other than the author's signature, in a Near Fine (close to Fine) price intact dustjacket with a few of the usual very small and faint toning spots this dustjacket gets to the upper edges and lower spine, and a bit of faint shelving rubbing to the lower back spine fold. No tears, chips or fading. Lovely example of this rather poorly produced book. ; 8-3/4" x 6"; 409 pages; Signed by Author .

      [Bookseller: Authors & Artists]
 27.   Check availability:     Biblio     Link/Print  


        The Endemic Flora of Tasmania. Parts 1-6 [complete]

      London: Ariel Press. 1967-78.. Illustrations painted by Margaret Stones. Six volumes, elephant folio. Full-page colour plates, endpaper maps. Bound in red linen with gilt map/title device on upper boards, with dustwrappers (in new protective sleeves). The dustwrapper of Vol VI has some closed tears at the corners and is missing a small piece near the foot of the spine. This is a very good clean set - with each volume signed by Curtis and Stones. .

      [Bookseller: Astrolabe Booksellers]
 28.   Check availability:     Biblio     Link/Print  


        The Soap Opera (Signed Limited Edition)

      London: Trigram Press, 1967. First edition. Hardcover. Near Fine/near fine. Wide quarto. Illustrated with artwork by Wallace Berman, Andy Warhol, Jack Smith, Harold Chapman and others. This is number 25 of only 60 special copies numbered and SIGNED by the author. A near fine copy in purple boards stamped in silver in near fine pictorial dustwrapper.

      [Bookseller: Derringer Books, Member A.B.A.A.]
 29.   Check availability:     Biblio     Link/Print  


        Wales - A Visitation July 29th 1967

      London: Cape Goliard, 1967. First Edition. Hardcover. Fine/Near Fine. #54 of 100 SIGNED copies of this beautiful book accompanied by photographs by Tom Maschler and a 45 rpm recording of the poet reading this poem. A fine copy in near fine dustwrapper. Includes the original waxy paper protective wrapper which is slightly used, but has protected the book very well. Scarce. Signed by Author

      [Bookseller: Derringer Books, Member A.B.A.A.]
 30.   Check availability:     Biblio     Link/Print  


        Les Chants de Moldorors. Aquatintes de Jean Lecoultre.

      Editions des Gaules, Lausanne, 1967. - 310 X 410 mm. en feuilles sous couverture rempliée et double emboîtage. 137 pp. Illustré par Jean Lecoultre de 14 aquatintes en couleurs à pleine page. Edition tirée à 210 ex. 1/180 ex. num. sur vélin d'Arches signés par l'artiste et l'éditeur. Etui légèrement taché.

      [Bookseller: Serge Paratte, Livres anciens & modernes]
 31.   Check availability:     AbeBooks     Link/Print  


        Regarding Wave (Broadside Poem, Inscribed to Poet and Editor James Laughlin)

      No Place: Grabhorn-Hoyem, 1967. First edition. Loose Sheets. Fine. Single sheet broadside poem by Snyder. A fine example with light folds (as issued) framed under glass. One of 125 copies printed for Don Allen by Grabhorn-Hoyem December 1967. This poem became the title poem of the book of the same name published two years later, first by Windhover and then by New Directions. This copy of the broadside has been INSCRIBED by Snyder "For James Laughlin - Christmas - 1967 Gary Snyder". As noted above, Laughlin would later publish this poem in his 1970 New Directions edition. A pleasing association. Broadside measures 8 x 13 3/4" tall. Total dimensions including frame are 13 1/2 x 19" tall.

      [Bookseller: Derringer Books, Member A.B.A.A.]
 32.   Check availability:     Biblio     Link/Print  


        NICOLAS POUSSIN.

      Phaidon London 1967 3 voll, bella ril in tela, 1 con sovr. ed 1 con cof., tit. in oro al dorso, 2 cm 31x21, 1 cm 24x31, Vol. I: Text, pp XXIV, 431, 271 ill. b/n; Vol. II: A Critical Catalogue, pp 271, 38 tavv f.t. con numerosiss. ill. b/n; Vol. III: Plates, pp 47 di t., 265 tavv b/n f.t. ottimo esemplare.

      [Bookseller: Editoriale Umbra]
 33.   Check availability:     maremagnum.com     Link/Print  


        THE MASTER & MARGARITA

      COLLINS HARVILL, 1967-01-01. First Edition. Hardcover. Very Good. London: Collins and Harvill Press, 1967: First UK printing, and first printing in the English language. Copyright page dated 1967, with no statement of later printing. In a price clipped dust jacket. Hardcover and dust jacket are in Good+ to Very Good condition. Clean pages, sound binding. Bookplate from previous owner to front paste down. Side of page block shows spotting to top edge. Light edge wear to cloth. Gilt lettering strong and sharp on spine. The dust jacket shows edge wear and light soiling and rubbing. There is a long piece of tape at the bottom of the jacket that extends from the front panel, over the spine and onto the rear panel. The top of the spine panel of the jacket shows loss to the surface, obscuring the first two letters of the author's name. A nice copy overall, presents well.

      [Bookseller: Odd Duck Books]
 34.   Check availability:     Biblio     Link/Print  


        Wales - A Visitation July 29th 1967

      Cape Goliard London: Cape Goliard, 1967. First Edition. Hardcover. Fine/Near Fine. #54 of 100 SIGNED copies of this beautiful book accompanied by photographs by Tom Maschler and a 45 rpm recording of the poet reading this poem. A fine copy in near fine dustwrapper. Includes the original waxy paper protective wrapper which is slightly used, but has protected the book very well. Scarce. Signed by Author

      [Bookseller: Derringer Books, Member A.B.A.A. ]
 35.   Check availability:     ABAA     Link/Print  


        Castrum Peregrini. LXXVI-CLXX. 85 Nummern in 56 Heften.

      Castrum Peregrini 1967-1985, Amsterdam - Gr.-8vo. Mit einigen Taf. OBrosch. m. Deckel- u. Rückentitel. Lückenlose Folge der Nummern von 86 bis 170 mit zahlr. Beiträgen zu Stefan George u. seinem Kreis, z. B. "Dokumente seiner Wirkung. Aus dem Friedrich Gundolf Archiv der Universität London", "Karl u. Hanna Wolfskehl. Briefwechsel mit Friedrich Gundolf, 2 Bände" etc. - Numeriert m. rotem Stempel. - Einige lose Beilagen. Schnitt teils etw. fleckig. Wohlerhalten. gr.

      [Bookseller: Antiquariat Düwal]
 36.   Check availability:     AbeBooks     Link/Print  


        2 By Bukowski

      Los Angeles: Black Sparrow Press, 1967. First Edition. Paperback. Fine. Fine first edition of this poetry chapbook containing two poems: Family, Family and A Little Atomic Bomb. One of 99 numbered and SIGNED copies. Signed by Author

      [Bookseller: Derringer Books, Member A.B.A.A.]
 37.   Check availability:     Biblio     Link/Print  


        The Death of a President

      New York: Harper & Row, 1967. First edition of the historian's most well-known and enduring work. Octavo, original blue cloth. Signed by the author on the title page. Near fine in a near fine dust jacket with the lightest of shelfwear to the crown of the spine. A very bright copy. Originally published in the spring of 1967 to positive reviews, it sold more than a million copies by the summer of that same year. It went on to "became a best seller and later was given the Dag Hammarskjold International Literary Prize" (New York Times).

      [Bookseller: Raptis Rare Books, ABAA/ ILAB]
 38.   Check availability:     Biblio     Link/Print  


        The Ibis. Journal of the British Ornithologists' union..

      Subject: (Ornitologia). London, 1967/1983 (vol. 109/125) : 18 annate complete di quattro fascicoli cad. Uniamo due numeri del 1984.

      [Bookseller: LIBRERIA PIANI]
 39.   Check availability:     TomFolio     Link/Print  


        Collection of 31 Programs for The New Strand Independent Theater

      Art Carduner Lambertville, New Jersey: Art Carduner. 1963-1967. A collection of 31 monthly programs published between 1963-1967 for The New Strand, an independent film theater. All octavos. In several formats from single sheets folded to stapled wrappers in a variety of pages counts, typically 16pp. to 32pp. Overall near fine with some minor wear and age toning, a half dozen with addresses and canceled stamps from being mailed. The New Strand Theater was located in Lambertville, New Jersey on the banks of the Delaware and Raritan Canal, just one block from the Delaware River in West Central New Jersey. The theater was opened in 1962 by Art Carduner, a film lover and bookseller who also ran the Brand Box, a Philadelphia theater. Both venues displayed his eclectic taste in cinema with monthly programs that ran the gamut from silent films to modern studio films, but specialized in obscure, foreign, and art films. A wonderful collection of programs from a passionate supporter of art films from a golden era of independent film theaters. OCLC locates no copies. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
 40.   Check availability:     ABAA     Link/Print  

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