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Displayed below are some selected recent viaLibri matches for books published in 1967

        Tea Party And Other Plays - 1st Edition/1st Printing

      Methuen & Company, London 1967 - First Edition/First Impression in about Fine condition, title page and opposite page ever so slightly browned (likely from inlaid newspaper clip) in very Nearly Fine dust-wrapper, very slightly rubbed. Signed by author and Nobel Prize winner Harold Pinter on the title page; Pinter's play, adapted from his own 1964 short story of the same title. The screenplay was first transmitted on BBC Television in March 1965 with Pinter's first wife Vivien Merchant as Wendy, the first stage production was in October 1968 as part of a double bill with Pinter's play The Basement First Edition; First Printing; Signed by Author [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Books Tell You Why - ABAA/ILAB]
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        Alan Davie.

      London, Lund Humphries, 1967. 4°, 175 S. m. Textabb. u. 106 teilw. farb. Tafeln (compl.)., OLwd. m. Transparent-OU, goldgepr. Deckel u. Rücken., OU m. Fehlstellen, Lwd. an den Rändern etw. gebräunt, min. gebrauchsspurig, sonst gutes Exemplar. Preis in CHF: 726. First edition. Text engl. Werkverzeichnis m. 520 Arbeiten, m. Biographie, Ausstellungsverzeichnis u. Bibliographie. Einband, Schmuckvorsatz und Textillustrationen wurden vom Künstler für diese Publikation angefertigt. Beiliegend Katalog (8 Bl. m. 7 s/w Abb.) zur Ausstellung in der Galerie Charles Lienhard, 1960; u. Einladung zur Vernissage der Ausstellung bei Gimpel-Hanover u. Emmerich v. 1980.

      [Bookseller: Antiquariat Peter Petrej]
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        The World Jones Made

      Ace Books, NY 1967 - First printing of Ace Books F-429 mass market paperback edition which was the first separate book publication after Ace Double D-150 (1956). 192pp. Pictorial paper covers. 40c cover price. Signed by Dick to title page. Book is in As New, unread condition [only opened for signature]. Miniscule production rub to spine base right corner. " [In] The World Jones Made' Philip K. Dick examin[es] notions of precognition, humanity, and politics. The World Jones Made is set in 2002 AD. On a then-future post-apocalyptic Earth, there was a devastating conflict that involved the use of nuclear weapons. Many United States cities were targeted, and the Peoples Republic of China (and Soviet Union) also collapsed, leading to the imposition of a Federal World Government (Fedgov). In this dystopia, Relativism emerged as the governing political orthodoxy. Relativism is said to be a moral and ethical philosophy that states everyone is free to believe what they wish, as long as they don't make anyone else try to follow that principle, which has become established law after the destructiveness of the war unleashed by ideologies. (However, dissidents from that orthodoxy do end up in forced labor camps). This sacrosanct principle is challenged by a man named Floyd Jones, whose assertions about the future prove correct. Relativism enables legal consumption of drugs like heroin and marijuana, as well as watching live sex shows with hermaphrodite human mutants. Due to the mutagenic effects of radiation from wartime nuclear exchanges, mutants earn their living within the entertainment industry, although one group has been subjected to deliberate genetic engineering, which later enables them to settle an (inhabitable) Venus. Doug Cussick is an agent of Fedgov, and his involvement with Jones encompasses this book. Jones has precognitive abilities that let him see a year into the future, which allows Dick to explore questions of predestination, free will and determinism. Fedgov (and Jones) encounter an apparently unintelligent alien lifeforms named Drifters, which turn out to be one gamete of a spore-based migratory alien life form, and whose xenophobic destruction leads to alien quarantine of the Solar System. Jones foresees his own birth (and death) one year before they actually happen, but makes no attempt to stop the latter event. However, he and his followers create a cult that overthrows Fedgov, leading to the resettlement of Doug, his wife Nina and their three year-old son on Venus, in an artificial habitat. The novel addresses questions of Jones' agenda and trustworthiness, as well as the ambiguous benefits of individual precognition." - wikipedia. [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: John Marston's Book Shop]
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        Eighteenth Century Views of Florence, Portfolio of 27 Plates (Reproduction of the 1754 Edition Scelta Di XXIV Vedute della principali Contrade, Pizze, Chiese, e Palazzi dell Citta di Firenze).

      Walker and Company, New York 1967 - Portfolio of 27 plates in facsimile, 17.5 x 22.5 inches, in a buckram bound box. First edition / limited edition of 950 copies, of which this is number 476. Includes 29 page booklet, Views of Florence, which are notes on the individual prints. Original drawings are in the collection of the Pierpont Morgan Library in New York City. Giuseppe Zocchi (c. 1711-1767) was an Italian painter and printmaker, active in Florence, and best known for his vedute of the city. Prints are fine. Box has some wear. [Attributes: First Edition; Hard Cover]

      [Bookseller: Raptis Rare Books, ABAA/ ILAB]
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        Haselhuhn, Werner. - "Kornfeld am Waldrand".

      . Aquarell, auf hellem Karton, 1967. Von Werner Haselhuhn. 43,5 x 68,5 cm (Darstellung / Blatt). Rechts unten signiert und datiert. Verso in Kugelschreiber betitelt. - Prächtiges Blatt des vom Impressionismus inspirierten Malers. - Blattrand mit leichten Mängeln und insgesamt etwas knickspurig. Insgesamt guter Zustand. Werner Haselhuhn (1925 Bad Frankenhausen - 2007 Dresden). Deutscher Maler und Grafiker. 1940-43 Lehre als Dekorationsmaler. 1943-46 Militärdienst und Kriegsgefangenschaft. 1947-1952 Tätigkeit und Möbellackierer. 1953?55 Studium an der Arbeiter-und-Bauern-Fakultät für Architektur in Weimar. 1955-60 Studium an der Hochschule für Bildende Künste Dresden (HfBK) bei Erich Fraaß und Paul Michaelis. Seit 1960 freischaffend. 1961 Mitglied des VBK der DDR. 1969 Auszeichnung mit dem Martin-Andersen-Nexö-Kunstpreis der Stadt Dresden. 2005 Verleihung der Ehrenbürgerschaft der Kurstadt Bad Frankenhausen..

      [Bookseller: Galerie Himmel]
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        A Hall of Mirrors

      Boston: Houghton Mifflin. 1967. His first book, a novel of drifters in New Orleans in the early Sixties caught up in the web of a quasi-religious political machine. Winner of the William Faulkner Award for best first novel of the year as well as a Houghton Mifflin Literary Fellowship Award. Basis for the film WUSA (the call letters of the right-wing radio station that figures prominently in the book), starring Paul Newman, Joanne Woodward and Anthony Perkins. Inscribed by the author: "For ___ & ___/ All of these things have I seen and some of them I was/ Love/ Bob Stone." One of the recipients was a Wallace Stegner Fellow at Stanford at the same time Stone was there, where he was writing this novel, which at that time was titled "Children of Light," the name of the Robert Lowell poem that serves as epigraph for the book and contains the phrase that eventually became the published book's title. By all appearances a contemporary inscription, and one to a close friend/colleague; we have seen few copies of this title with such a revealing and personal inscription. Very good in a good dust jacket with a long tear to the lower front flap fold, previously internally tape-mended. First Edition. Hardcover.

      [Bookseller: Ken Lopez Bookseller, ABAA]
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        The Eighth Day [Inscribed Association Copy]

      NY: Harper. (1967). The three-time Pulitzer Prize-winning (Our Town, The Skin of Our Teeth, The Bridge of San Luis Rey) author's National Book Award winning novel. Inscribed by the author: "For JEAN and WALTER with deep regard and affection ever/ Thornton/ March 21, 1967." The names are printed large, with "Jean" in a different pen, whilst the rest of the inscription is in small cursive. We are unaware of the point of this. We do know, from another inscription, that Wilder was in New York on this date, and that he had reason to behold the Pulitzer Prize-winning critic Walter Kerr and his wife, the writer Jean Kerr (of Please Don't Eat the Daisies fame) with deep regard and affection: Walter Kerr lauded Wilder's work repeatedly in the 1960s, from his off-Broadway work ("the very special voice of Thornton Wilder...the homely, jaunty, gently poetic sound of it..."), to the cultural phenomenon that was Hello, Dolly!, which was based on Wilder's The Matchmaker. This is conjecture on our part, but suffice it to say we could not come up with another New York Jean and Walter that would fit the bill here. Regardless, an undeniably gorgeous, inscribed copy of a National Book Award winner: fine in a fine dust jacket -- so much so that we first wondered if this copy was a facsimile (it's not). First Edition. Hardcover.

      [Bookseller: Ken Lopez Bookseller, ABAA]
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        Thirtyfour parking lots in Los Angeles

      s. l. [Los Angeles] , Edward Ruscha , 2. Auflage (2.000 Exemplare) , 1967 (gedruckt 1974) , nicht paginiert [48 Seiten] , 26 cm , kartoniert. bestens erhaltenes Exemplar ohne Gebrauchsspuren, mit 31 einfarbigen Abbildungen, die letzte Abbildung mit einem anmontierten Foto zum Umklappen; alle Fotos mit Angaben der geographischen Lage.

      [Bookseller: Antiquariat Bernhard]
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        Trout Fishing in America

      San Fransisco: Four Seasons Foundation, 1967: First Edition, Third Printing of the original Four Seasons edition, Signed and dated by Richard Brautigan on the title page, In Good overall condition. The pages are clean, but show signs of handling. Red mark to front free end paper. Glue at the front and rear hinge is slightly dried with age. The wraps show light rubbing, sunning and a few folds. Rear cover shows stains and rubbing. Rounded corners. The spine shows a gentle reading crease and a small split starting at the foot. Side edge of page block shows light foxing and light soiling. A rare, signed, very early printing of the original edition.

      [Bookseller: Burnside Rare Books]
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        BUÑUEL, LUIS) (KESSELL, JOSEPH, Adapted from) BELLE DE JOUR (1967)

      Paris Film Productions / Five Films 1967 - Vintage original 20 x 57" (51 x 145 cm.) poster, Japan. Catherine Deneuve, Jean Sorel, Michel Piccoli, Genevieve Pate, Pierre Clementi, dir: Luis Buñuel; Paris Film Productions / Five Films. The film's intimate moments are presented in this unique poster layout. Called Luis Buñuel's masterpiece of erotica, it is the story of a frigid housewife who spends her afternoons as a prostitute while otherwise maintaining her chaste relationship with her doctor husband. The title refers to a day lily, a flower which blooms only by day. A surreal classic from Luis Buñuel. On linen, FINE.

      [Bookseller: Walter Reuben, Inc.]
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        Las Afueras

      Editorial Seix-Barral, Barcelona 1967 - Sobrecubierta algo rozada y restaurada 8º. 200 Pp [Attributes: Soft Cover]

      [Bookseller: Vilallibres]
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        La Regla Abstracta

      Ediciones Ellena - Rosario 1967 - Ejemplar numerado n° 123. Esta edición de "la Regala Abstracta" consta de 403 ejemplares. Todos ellos incluyen una impresión original sobre papel Ingres de un grabado en madera de Joaquín Torres García realizado en 1931. Los tres primeros ejemplares llevan la denominación I/III, II/III y III/III y son propiedad de la familia Torres-García, del señor Ignacio Acquarone y del señor Emilio Ellena, respectivamente. Los restantes ejemplares están numerados de 1 a 400. Los primeros doscientos incluyen una reimpresión del grabado en madera en una hoja fuera de texto. De ellos, los diez primeros contienen un dibujo original de Torres-García. La foto de Torres- García, fue tomada por Roberto Lagarmilla en 1939. Las tares de impresión de los textos se realizaron en los talleres de Perelló S.A de Rosario (Argentina). El grabado original se imprimió en los talleres de Francisco A. Colombo en la ciudad de Buenos Aires, bajo el cuidado de Raúl Veroni. Rebeca Ch de Guber, Víctor L. Rebuffo, Daniel Zelaya, Albino Fernández y Eduardo Serón, colaboraron gentilmente en distintas labores vinculadas a esta edición que se concluyó el 12 de Octubre de 1967. Firma Original Ifigenia Torres (Hija de J.T.C) 1068 gr. [Attributes: Hard Cover]

      [Bookseller: Libros JyE]
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        Clown i cirkus. ("The Circus with the yellow Clown").

      Colourlithographed poster. Landskrona: Borsthusens konstförening 1967. Printed by Mourlot. 80 x 55 cm. Orig. woodframe. No. 882 of 1000 copies. Orig. program enclosed.. Julien Cain: The Lithographs of Chagall 1962-1968, No. 443

      [Bookseller: Peter Grosells Antikvariat]
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        JOURNAL OF COMPOSITE MATERIALS, 41 Volumes: 1 (1967) - 41 (2007). [= 41 Jahrgänge: 1 (1967) - 41 (2007).] Fachzeitschrift für Verbundstoffe. ISSN: 0021-9983.

      London : Sage Publications, 1967 - 2007.. 41 Jahrgänge in 69 Bänden und 85 Einzelheften. Bibliothekseinbände. 41 Jahrgänge in 69 Bänden und 85 Einzelheften!!! Der Titel stammt aus einer aufgelösten Spezialbibliothek für Luft- und Raumfahrt und ist mit entsprechenden Kennzeichnungen versehen. Überwiegend fest eingebunden, teils mehrere Bände pro Jahrgang. Folgende Jahrgänge sind nicht mit eingebunden (orig. Einzelhefte): 27 (1993), 39 (2005), 40 (2006) und 41 (2007). Leider sind diese Jahrgänge unvollständig. Folgende Ausgaben fehlen dort: 10.1993, 12.2005, 13.2006, 23.2007 und 24.2007. Bucheinbände leicht berieben und etwas angestaubt. Seiten sauber. Bindungen fest. Hefte teils etwas knittrig, jeweils mit Abo-Verdandetikett auf dem Deckblatt. Guter Zustand. Mehr Fotos und Angaben zu den Versandtkosten schicken wir Ihnen gern auf Anfrage. Bitte beachten Sie unser reichhaltiges Angebot an antiquarischen Zeitschriften. // From library-stock. The following volumes are not bound in hard-covers: 27 (1993), 39 (2005), 40 (2006) and 41 (2007). Those volumes are incomplete. Following issues are missing: 10.1993, 12.2005, 13.2006, 23.2007 and 24.2007. Covers with light shelf wear. Pages clean. Good condition. More pictures on demand. Please ask for shipping-fees. zqx mbx jqx

      [Bookseller: Antiquariat BOOKFARM]
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        BASS, SAUL, Designer) TWO OF US, THE [LE VIEIL HOMME ET L'ENFANT] (1967 or later) SILKSCREEN POSTER

      Art Krebs Studio 1967 - Vintage original 26 x 35 ½" (66 x 90 cm.) silkscreen poster, USA. Our friend, poster collector and dealer Daniel Strebin, provided this information: About a decade ago, he received consignments of Saul Bass silkscreens from the Bass estate. He personally saw invoices for some of them which were printed around 1965. Most of the silkscreens were produced at Art Krebs Studio in Los Angeles. Bass continued to have silkscreens created up until around 1980. All of the silkscreen editions appear to have been in editions of between 50-150. It also seems that once an edition was exhausted, Bass did not make a second edition; as s a result, all of these art silkscreens are very rare indeed. Bass never intended for these posters to be sold -- they were intended to be given away. Since he was frequently frustrated with the compromises the film studios inflicted on his magnificent modernist designs, the silkscreens were intended to represent his imagery in its purest possible form. This was for the U.S. release of a French film by Claude Berri, about a young Jewish boy who goes to live with a Catholic couple in France during World War II. The husband (Michel Simon), who does not know his young charge is Jewish, is in fact a virulent anti-Semite, but comes to love the young man and outgrow his prejudices. The original U.S. theatrical one sheet poster has a similar design, but it is only printed in black, with an obtrusive slogan at the top -- making this silkscreen infinitely more effective. Unfolded, VERY GOOD.

      [Bookseller: Walter Reuben, Inc.]
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        Keziah Dane

      MacMillan, 1967. Hardcover. Very Good/Near Fine. MacMillan Company, New York 1967. First Edition / First Printing. Stated First Printing, no additional printings. Red cloth boards. Original jacket priced at $4.95. Scarce. Signed by Sue Grafton on the title page. Inscribed to Mitchell. The Signature is Guaranteed Authentic. Book Condition: Very Good+, tight spine, clean pages. Light stain at the foot of the front and rear board. Light spots at the foot of the text block. Dust Jacket Condition: Near Fine+, soft shelf wear. Light crease at the front flap. Wrapped in a new removable mylar cover.

      [Bookseller: 1st Editions and Antiquarian Books, ABA,]
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        Rosencrantz and Guildenstern are Dead

      London: Faber & Faber, 1967 London: Faber & Faber, 1968. First Edition, Second Impression in original dust jacket with price of 18s net intact. In Very Good condition, in a Very Good+ dust jacket. Clean text. Sound binding. Previous owner name in ink on front paste down, small ding to side edge of page block. Mottling to cloth on front and rear. The dust jacket shows rubbing, light soiling and foxing, fading to spine, and a faint surface wear to front and rear panels. Rare in hardcover issue and dust jacket.

      [Bookseller: Burnside Rare Books]
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        Ainmal nur das Alphabet Gebrauchen

      Stuttgart, Edition Hansjorg Mayer 1967 - Artist Book. Cm 33x33. No.200 ex. Signed by artist. Signed dedication to an italian poetry. Concrete Poetry [Attributes: First Edition; Soft Cover]

      [Bookseller: Giorgio Maffei]
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        9 Optical Poems

      Writers Forum 1967 - Nine loose sheets in original Giant Manilla envelope with optical poem on recto, and visible in photo. Manilla envelope has some staining that is visible in photo. The 9 optical poems are all fine except one which has a 3/4 inch soft crease to top left corner--visible in photo.

      [Bookseller: Dela Duende Books]
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        Where Do We Go From Here Chaos or Community

      Harper & Row, 1967. Hardcover. Fine/Near Fine. Harper & Row, New York 1967. First Edition / First Printing. Stated First Edition, no additional printings. Jacket priced at $4.95. Signed by the Editor Hermine Popper on a page thanking the editor. Inscribed to Helen and Edward. The inscription is Guaranteed Authentic. Book Condition: Fine, clean boards, tight spine. Dust Jacket Condition: Near Fine, light shelf wear and spots. Wrapped in a new removable mylar cover. "A Special note of thanks is due Hermine Popper, whose editorial skills and warm spirit of cooperation contributed greatly toward the completion of the book." - Martin Luther King.

      [Bookseller: 1st Editions and Antiquarian Books, ABA,]
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        24 Poèmes Pour Coeur Mal tempéré

      Chez Vodaine 1967 - DUNE (Edmond) - 24 poèmes pour cœur mal tempéré. 6 gravures de Jean Vodaine - Basse-Yutz, chez Vodaine, 1967 - in4 en feuilles sous chemise rempliée 80pp - Tirage à 150 ex. celui-ci H. C. - Envoi d'Edmond Dune en page de faux-titre - Importante décharge rousse en pages 14 et 15 n'entamant pas le texte, dos de la chemise fragile .Edmond Dune (1914-1988) fut un génial auteur : théâtre, poésie, romans, traductions . Né en Belgique, il se fixa au Luxembourg après la 2nde guerre. BON ETAT Size: In 4 [Attributes: Signed Copy; Soft Cover]

      [Bookseller: L'ENCRIVORE]
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        Sun Children of Ra

      Regency Press 1967 - 1967 Regency Press Hardcover 1st Edition 1st Impression. Near fine clean tight binding in very good+ unclipped dustjacket. Jacket design by Christopher Leather. [Attributes: First Edition; Hard Cover]

      [Bookseller: MacKellar Art & Books (JBS MacKellar)]
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        The Confessions of Nat Turner

      New York: Random House,, 1967. Octavo. Original black cloth, titles to spine and front cover in gilt, silver, and orange, buff endpapers, top edge dark red. With the dust jacket. Owner signature and date on front free endpaper. A fine copy in an excellent dust jacket with a few small nicks to spine ends. First edition, first printing.

      [Bookseller: Peter Harrington]
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        House of Bondage: A South African Black Man Exposes in His Own Pictures and Words the Bitter Life of His Homeland Today

      New York: Random House, 1967. First edition. Quarto, original cloth. Signed by Ernest Cole on the title page. Bookplate on the verso of the front free endpaper, fine in a fine dust jacket. A searing exposé of the social and economic effects of apartheid on South Africa's black population, House of Bondage was banned by the government…Authored by a self-taught black South African photojournalist, Ernest Cole, [it] shows his experience of apartheid from the inside. To do this, Cole managed to get himself officially reclassified as 'coloured' rather than 'black… gaining for himself more freedom of movement to carry out his self-imposed assignment" (Parr & Badger II:93, 106).

      [Bookseller: Raptis Rare Books, ABAA/ ILAB]
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        BE PART OF WHAT'S / HAPPENING !! / ANDY / WARHOL.UNDERGROUND FILMMAKER / COMES TO THE BOSTON TEA PARTY / THIS WEEKEND TO CAPTURE THE / PEOPLE ON FILM AS THEY EXPLODE / TO THE SIGHTS AND SOUNDS OF / THE VELVET UNDERGROUND / YOU / ARE THE STAR / ARE THE HAPPENING / BE A PART OF BOSTON'S FIRST / AUTHENTIC UNDERGROUND MOVIE / ANDY WARHOL / VELVET UNDERGROUND / BOSTON TEA PARTY / AND YOU!!!! / FRI AUGUST 11 / AUG 12 SAT / 8pm / $3.00. [Original Concert/Event Poster]

      np [1967], Boston - 11 3/8" x 8.5" offset poster, black ink on brown paper. Hand-lettered in a psychedelic style designed by "T. [F?] Murphy." PROVENANCE: From the estate of Velvet Underground guitarist Sterling Morrison, with Morrison's widow Martha's signed letter of provenance included. Originally glued to another piece of paper, the poster has been professionally restored and is now backed with archival rice paper. Fine. Rare poster to what has become an historic event. The Velvet Underground played The Boston Tea Party (the Beantown equivalent of Max's Kansas City) numerous times throughout their career. And their performances over the weekend of August 11th-12th might have been just another appearance had Andy Warhol not been present to film the band. The footage he shot is one of only two performance films of The Underground with synched sound, and more importantly, is the only footage of the band in color extant. Capturing The Velvets just before the WHITE LIGHT/WHITE HEAT sessions, Warhol's footage features the Exploding Plastic Inevitable, and utilizes numerous experimental techniques – in- camera edits, sudden zooms, single-frame stills, sweeping panoramas – meant to mimic the experience of seeing live The Velvets and their troupe. Warhol's film was long believed lost. As Steve Nelson remembered: "There's this mythical film that was shot at the Tea Party in August 1967 [.] That weekend [was] the first time they incorporated the Andy Warhol side of The Velvet Underground into the Tea Party presentation. Andy actually came there [.] and Paul Morrissey was there, and supposedly they filmed [.] I know they were there; I know they were pointing cameras. Was there any film in the cameras, or did it just disappear? I really don't know. The film just never seems to have shown up" (quoted in WHITE LIGHT/WHITE HEAT 158). The film was unearthed, remastered, and restored in 2009-2010, and toured museums and art houses around the country from late 2010 through early 2011 as THE VELVET UNDERGROUND IN BOSTON (1967, 16mm, 33 mins. Dir: Andy Warhol). C/O THE VELVET UNDERGROUND (53) and NEW YORK ART (202) reproduce the original art for this poster (but not the poster itself), the latter noting (it now seems erroneously) that the shows "never took place." Not in DeRogatis. A rare artifact to an important Warhol film and document of The Velvet Underground in their prime. Warhol's film work continues to be recognized as being as groundbreaking as anything he did on canvas, and The Velvets remain probably the most influential band of the last fifty years. As Lester Bangs has written: "Modern music begins with the Velvets and the implications [.] of what they did seem to go on forever." With extraordinary provenance from the estate of VU member Sterling Morrison, knee-weakeningly cool. [Attributes: First Edition]

      [Bookseller: Brian Cassidy, Bookseller ABAA/ILAB]
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        Ten Signed Postcards]

      [ca. 1967-1971] - 10 postcards, various sizes. Very good or better overall. Usual marks from mailing. Mild edge-wear and some toning. A series of ten signed holograph postcards (selections below) from Sol LeWitt to NYC-based sculptor and performance artist Marjorie Strider, mailed over the course of five years, majority from Europe and various other overseas travels. Most include typical postcard sentiments. Several are more substantive, discussing sales, openings, work, etc. One card includes original Lewitt drawing of a red heart in a black box. Holograph material from Le- Witt is decidedly uncommon in the marketplace. [Attributes: Signed Copy]

      [Bookseller: Brian Cassidy, Bookseller ABAA/ILAB]
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        Where Do We Go From Here Chaos or Community

      Harper & Row 1967. Hardcover Book Condition: Fine Dust Jacket Condition: Near Fine. Harper & Row, New York 1967. First Edition / First Printing. Stated First Edition, no additional printings. Jacket priced at $4.95. Signed by the Editor Hermine Popper on a page thanking the editor. Inscribed to Helen and Edward. The inscription is Guaranteed Authentic. Book Condition: Fine, clean boards, tight spine. Dust Jacket Condition: Near Fine, light shelf wear and spots. Wrapped in a new removable mylar cover. "A Special note of thanks is due Hermine Popper, whose editorial skills and warm spirit of cooperation contributed greatly toward the completion of the book." - Martin Luther King.

      [Bookseller: 1st Editions and Antiquarian Books]
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        Le grand atlas ou Cosmographie blaviane, en laquelle est exactement descritte la terre, la mer et le ciel: The Third Centenary Edition. Facsimile of the 1663 Amsterdam Edition. [Blaeu's Atlas Major].

      Theatrum Orbis Terrarum Ltd. 1967 - 12 volume set. Folios. Handsome vellum decorated in gilt. Blue morocco gilt spine labels. Good bindings and covers. Clean, unmarked pages. Limited edition of 1000. Facsimile of the 1663 Amsterdam Edition. This is an oversized and heavy set that requires additional postage for international delivery outside of the US. [Attributes: Hard Cover]

      [Bookseller: Sequitur Books]
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        HELL'S ANGELS: The Strange and Terrible Saga of the Outlaw Motorcycle Gangs

      Random House, New York 1967 - New York: Random House, 1967. First edition. Thompson's first published book and his first attempt at a nonfiction novel. It was widely lauded for its up-close and uncompromising look at the Hells Angels motorcycle club, during a time when the gang was highly feared and accused of numerous criminal activities. Octavo. Original black cloth binding, with red and silver stamping. A fine copy in a fine dust jacket. [Attributes: First Edition; Hard Cover]

      [Bookseller: The Book Shop, LLC - ABAA, ILAB]
 29.   Check availability:     AbeBooks     Link/Print  


        La societe du spectacle (Society of the Spectacle)

      Buchet Chastel, 1967. Paperback. Very Good. Paris: Buchet/Chastel, 1967. 221 pages. Paperback original rebound in unlabeled contemporary black leather with bookmark, original white wraps intact and spine label present as a mini-leaf at rear. In French. First edition, first issue. (Portrait of Debord on original back cover.) Very Good condition. Clean pages. Foxing to original wraps. A bit of scratching to original back wrapper, initials "SP" punched in it. Black leather covers in Good condition, has a small gouge in the front cover, wear along fore edge, small punctures or holes in cover. Can be easily reverted to its original softcover by a binder, with all parts of the original wraps included. Rare. The first appearance of French radical philosopher and political theorist Guy Debord's most famous work. It debuted just in time to become arguably the central text of the May 1968 rebellion, and then one of the most significant works of late 20th-Century philosophy.

      [Bookseller: Burnside Rare Books]
 30.   Check availability:     IOBABooks     Link/Print  


        Jedermann. Das Spiel vom Sterben des reichen Mannes. Erneuert von Hugo von Hofmannsthal. Nach der Inszenierung von Max Reinhardt. Musik: Joseph Messner und Einar Nilson. Regie: Helene Thimig. Kostüme: Magda Oberhofer-Gstrein. 250. Vorstellung. Jedermann: Walther Reyer. Buhlschaft: Nadja Tiller. Guter Gesell: Michael Heltau.Tod: Kurt Heintel.

      -,, Salzburg, 1967 - Salzburg, -, 1967. o. Pag. OBrosch. Jaklitsch III 147. Mit den eighd. Signaturen von Helene Thimig, Magda Oberhofer-Gstrein, Karl Blühm, Kurt Heintel, Heinrich Schweiger, Walther Reyer, Mila Kopp, Michael Heltau, Jörg Liebenfels, Friedemann Held, Hans Thimig, Helmut Janatsch, Evi Servaes, Nadja Tiller, Rudolf Rhomberg, Franz Messner, Jochen Brockmann, Sonja Sutter, Judith Holzmeister, Alfons Lipp, Wolfgang Dauscha und Herbert Juzek, Ernst Hinreiner, Inge Leddihn, Oskar Peter. - Leichte Gbrsp. - Mit einer Aufzählung der "Jedermann"-Darsteller. Deutsch [Attributes: Soft Cover]

      [Bookseller: Antiquariat Weinek]
 31.   Check availability:     AbeBooks     Link/Print  


        Original Heavily Revised Autograph Manuscript of:] "HIGH WIRE TO THE CRATER" [caption title].

      [Np] [nd but ca. 1967]. - Seven leaves of ruled 8 x 13" paper. Horizontal fold, paperclip rust mark at top edge, otherwise very good. An extensively revised working manuscript, in blue, red and black ink, of this review of Lowry's SELECTED LETTERS and UNDER THE VOLCANO, both published by Cape, the former the first UK edition, the latter the first UK edition to include Spender's Introduction. Redgrave had been at Cambridge at the same time as Lowry, and co-edited CAMBRIDGE POETRY 1930, which included Lowry's first appearance in book form. The actor incorporates in his review a substantial personal component, as well as the critical stance of a reviewer: "I remember him chiefly for his presence, as distinct from his personality. He was bright- eyed, sharp-nosed, burly and probably a bit muscle-bound . but, with all his strength, extremely gentle ." The review saw publication in the SUNDAY TIMES.

      [Bookseller: William Reese Company - Literature, ABAA]
 32.   Check availability:     AbeBooks     Link/Print  


        All Watched Over By Machines of Loving Grace

      San Francisco: Communications Company , 1967. First Edition. Stapled wrappers. Fine. Mimeographed book. 8-1/2" x 7", stapled pictorial canary yellow card wrappers. An early book of poetry by Richard Brautigan, author of the cult classic Trout Fishing in America. This is Jack Kerouac's personal copy from his library in Lowell, Massachusetts, as identified with an official rubberstamp and signed below "John Sampas, Estate of Jack & Stella Kerouac, July 8, 1991" on the inside front cover. Per the instructions of the Kerouac literary executor, this copy is also stamped on the inside front cover, "The book is from the personal library of Jack Kerouac" with facsimile stamped signature of "Jeffrey H. Weinberg, Water Row Books" who assisted in the disposition of the Kerouac library. The ink from the stamp on inside front cover is faintly visible through the front cover, minor edge wear, else a very fine copy. An exceptional item. Kerouac's Copy

      [Bookseller: Third Mind Books]
 33.   Check availability:     Biblio     Link/Print  


        The Master and Margarita

      London: Collins and Harvill Press,, 1967. Translated from the Russian by Michael Glenny. Octavo. Original green boards, titles to spine gilt. With the pictorial dust jacket. Spine very gently cocked, spine ends lightly bumped, very mild foxing to top edge. An excellent copy in a bright jacket with slightly faded spine, a few nicks to head of spine, and a small closed tear to rear panel. First edition, first impression of the English translation by Glenny. This translation was preceded earlier in 1967 by Mirra Ginsburg's translation, as published by Grove, New York. However, Ginsburg's copy text was the bowdlerised Soviet version, in which huge portions had been excised. The Glenny translation used a complete copy text and is generally considered the standard English translation of one of the 20th century's literary masterworks.

      [Bookseller: Peter Harrington]
 34.   Check availability:     Biblio     Link/Print  


        New York: The New Art Scene

      New York: Holt, Rinehart & Winston, 1967. First printing. Very good in a very good price-clipped dust jacket, with the jacket showing slight edgewear, minor chipping around the extremeties, wear along the folds, but complete and without significant loss. A solid copy of this title, a comprehensive visual history of the New York art world circa 1966. A cornerstone title (Parr; Open Book; Roth) as important as it is scarce.

      [Bookseller: John Kehoe, Bookseller ABAA]
 35.   Check availability:     Biblio     Link/Print  


        "Irish Megalith," Original photograph by Paul Caponigro, with test print

      . Very Good. 1967 Original photograph, 9.5 x 13.5 inches, mounted on matboard trimmed to size. Signed, titled, and dated on the verso by Caponigro. In very good condition with slightest bumping to the corners and two small tape remainders on the verso. Very slight curve, easily flattened in a frame. Also included is a test print, 4.5 x 7 inches. The test print is labeled "Wedge Shape Gallery Grace, Balleyedmonduff Co., Dublin, Nov. '66". Letter of provenance indicates that these prints were acquired by Robert Natkin in a trade with his close friend and fellow artist, Paul Caponigro. An excellent example of Caponigro's work. Paul Caponigro is considered one of our century's foremost landscape photographers. Having studied with Minor White, Caponigro's technical genius is apparent in each image and is proof of his printing philosophy: "Technique must serve and not dominate a craft which requires creative movement." His hope is that his viewers will allow the prints to speak for themselves. "One might become aware of suggestions whispered by the interaction of tonalities within each print. It is a silent realm worth exploring."

      [Bookseller: Caliban Books ABAA-ILAB ]
 36.   Check availability:     ABAA     Link/Print  


        Andy Warhol's Index (Book)

      New York: Random House. 1967. First. First edition, stiff wrappered issue. Quarto. Silvered photographically illustrated paper over boards. Lacking the Velvet Underground flexi-disc and the postcard, but with all other original inserts, and two pages stuck together from the disintegrated balloon. Edges a bit worn, else near fine. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
 37.   Check availability:     ABAA     Link/Print  


        The journal of a forty-niner.

      London Curwen Press 1967 - Edition limited to 50 copies, 67pp., entry headings in red, contemporary blue half morocco gilt by Sangorski & Sutcliffe, top edge gilt, a fine copy. A very handsome volume. The first-hand narrative of a journey from Elyria Lorain Co. Ohio to the Sacramento Valley in 1849 from March 16th to September 22nd. [Attributes: Hard Cover]

      [Bookseller: Shapero Rare Books]
 38.   Check availability:     AbeBooks     Link/Print  


        The Lieutenant

      Dial Press, New York 1967 - Remainder 'R' stamped to front endpaper. The white jacket, quite susceptible to soiling and wear is bright and attractive, with some very light edgewear and a nailhead sized chip on the rear panel where there is a half inch tear. His first book, and only novel. Very uncommon signed. Near fine in a near fine jacket, and quite handsome. This copy has been inscribed by the author, his first book and only novel. The first edition, from Dial in 1967. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: The Reluctant Bookseller]
 39.   Check availability:     AbeBooks     Link/Print  


        South Australia Illustrated

      A. H. & A. W. Reed, 1967-01-01. Leather Bound. VeryGood.

      [Bookseller: Schwabe Books]
 40.   Check availability:     Biblio     Link/Print  


        Poste Restante (First Edition with Dust Jacket)

      Stockholm: P.A. Norstedt & Soners Forlag, 1967. Hardcover. Fine/Fine. This is a first edition, first printing of Christer Stromholm\'s critically acclaimed photobook \"Poste Restante\" published by P.A. Norstedt & Soners Forlag, Stockholm in 1967. Commenting on the book, Parr & Badger in their reference work, \"The Photobook: A History\" wrote, \"Poste Restante remains one of the most significant European photobooks of the 1960s.\" Steidl published a limited edition reissue of the book towards the end of 2010. In the prospectus they provide an excellent summary of the significance of the book, \"Originally published in 1967, Poste Restante has become one of the most collectible photography books from the mid-twentieth century, ranking alongside the better known publications of Robert Frank and Ed van der Elsken. Strömholm\'s photographic autobiography details his extensive travels across the globe in a book constructed as an Existentialist diary. Juxtaposing the urbane and the macabre, combining portraiture and street scenes with abstract photographic fragments, the book uses metaphor and visual pun in an unrelenting stream of consciousness. In its sequence and design it is a book which pre-figures much of contemporary photographic publishing and art practice.\" Containing 96 black-and white photographs and measuring approximately 10 x 8 inches, the book is bound in black cloth covered boards stamped in silver with a photographically illustrated dust jacket. The condition of the book is FINE. The dust jacket is in Fine- condition with minor wear to the top edge and a shallow crease to the front. There are the remnants of a very small sticker on the back cover. Overall, this is an exceptional copy of one of the most important photobooks ever published that is rarely found in such wonderful condition. Cited in both The Open Book by Andrew Roth and The Photobook: A History by Parr and Badger.

      [Bookseller: Franklin Books]
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        The New Industrial State.

      Boston, Houghton Mifflin Company 1967 - First edition. Octavo, original brown cloth with titles to spine in black and silver. Fine in a near fine dust jacket that shows only the lightest of wear. Signed by the author. A very sharp copy of this economic highspot. Galbraith's ideas often addressed the influence of the potential market power of large corporations (Dunn and Pressman, 2005). He believed that corporations could become price makers, rather than price takers, by weakening the accepted principle of consumer sovereignty (Galbraith, 1970). This, in turn, allowed corporations to efficiently increase the production of their goods if they could achieve the strongest market power. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Raptis Rare Books, ABAA/ ILAB]
 42.   Check availability:     AbeBooks     Link/Print  

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