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Displayed below are some selected recent viaLibri matches for books published in 1967

        Zap Comix. Numéro 1 à n° 9.

      Apex Novelties - Print Mint 1967 - CRUMB - CLAY WILSON - GRIFFIN - WILLIAMS - SHELTON - SPAIN - MOSCOSO.Zap Comix. Numéro 1 à n° 9.Apex Novelties. San Francisco. 1967 / 1978.9 volumes in-8 brochés ( 250x170 mm ) ( 230x175 pour n°1 ).- n° 1 : Fair warning : For adult intellectuals anly ! All new Zap Comix. Zap Comix are Squinky Comics !! Special Bonnus Kitxhen Kut-outs ! Mr Natural visits the city. ( sans date ).- n° 2 : In this issue !Gags, Jokes, Kozmic trooths, 52 big action-packed pages !! 1968.- n° 3 : Special 69 issue. Abraxas.- n° 4 : sans date.- n° 5 : Special Business executive issue ! 1970.- n° 6 : The original Zap comics. 1973.- n° 7 : 1974.- n° 8 : Deep Psychological Insights and Mystic Revelations !!! 1975.- n° 9 : 10th Anniversary Issue. 1978.Parfait état. Très bel exemplaire de cette très rare série complète de Comics. Comics [Attributes: Soft Cover]

      [Bookseller: Tiré à Part]
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      NY: Random House, (1967) - Stunning Fine First Edition in glorious, equally Fine dust jacket of this 1967 winner of the Pulitzer Prize. This is not the more commonly seen signed limited edition, but it is the TRUE First Edition which has been boldly signed on the half-title by William Styron. A true collector's copy. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Mystery Pier Books, Inc.,ABAA, ILAB, ABA]
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        An Archive of Hand-decorated Cards, Letters and Envelopes

      1967-1975. A collection of approximately 120 large format, handmade and heavily hand-decorated postcards and letters, mostly with envelopes. Various dates from 1967-1975, all by Mrs. Brightman of Akron, Ohio to Ned Osthaus of Scranton, Pennsylvania. The content and accompanying art are highly eccentric, very entertaining, and occasionally slightly addled. Many are patriotic or moralistic in tone. Virtually all of the cards and letters are heavily painted, as are most of the envelopes. Several of the envelopes are made from busily patterned wrapping paper, some of which are additionally embellished, some not. Minor wear at the edges, else fine. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        [Poster]: Mechanischer Kopf (Der Geist Unserer Zeit) [Mechanical Head - The Spirit of Our Time]. Moderna Museet Stockholm 21okt.-19 nov.1967

      Stockholm: Moderna Museet Stockholm. 1967. Black and white poster (halftone print). Professionally framed. Measuring approximately 30" x 40". Fine. Large poster advertisement for the 1967 exhibition at the Modern Museum in Stockholm: the first full-scale retrospective of Raoul Hausmann's artwork.Hausmann, one of the key founders of the Berlin Dada movement, instigated several important firsts in the modern art movement. In 1917-1918 he invented the optophonetic poem and photomontage, and published the first Dada Manifesto; his pioneering work in photography and numerous writings (manifestos and institutional critiques) had a profound influence on the European Avant-Garde throughout the 1930s-1940s; and in 1958 he helped to found the Fluxus movement.The poster reproduces his most famous work: "Mechanischer Kopf (Der Geist Unserer Zeit)," circa 1919-1920. Constructed from a hairdresser's wig-making dummy, the piece has various measuring devices attached: a ruler, a pocket watch mechanism, a typewriter, some camera segments, and a crocodile wallet. Interpreted by critics as a Marxist reversal of Hegel, "a head whose thoughts are materially determined by objects literally fixed to it," Hausmann himself likened it to the average German of the day, who has "no more capabilities than those which chance has glued on the outside of his skull; his brain remains empty."Hausmann also played an important role in the Neo-Dada and Fluxus movements inspired by the famous 1958 Dada exhibition in Frankfurt-Dusseldorf, which included many of his artworks. By the time of his 1967 retrospective, Hausmann had formed close personal and working relationships with the leading figures of both intertwined movements, including Jasper Johns, Robert Rauschenberg, Yves Klein, and fluxus-impresario George Maciunas, who had assumed the leadership role in Fluxus "happenings."Maciunas included Hausmann's works in the earliest happenings or "Fluxfests," and had initially referred to the movement as "neo-dadaism." In a letter to Maciunas from 1962, Hausmann discouraged the use of the term: "I note with much pleasure what you said about German neodadaists---but I think even the Americans should not use the term "neodadaism" because neo means nothing and -ism is old-fashioned. Why not simply "Fluxus"? It seems to me much better, because it's new, and dada is historic." A very scarce, beautifully printed copy of the Stockholm poster, well-preserved in a clean wood and glass frame. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        The Ticket That Exploded

      New York: Grove Press, Inc.. (1967). First. First American edition. Fine in a very slightly age-toned, else fine dustwrapper. Inscribed by Burroughs to Ruth Ford: "For Ruth Ford, William S. Burroughs." Ford, the Mississippi-born sister of surrealist author Charles Henri Ford, was a beautiful model and actress, first in Orson Welles's Mercury Theatre, and later in films and theater. Notably, she starred on Broadway in Jean Paul Sartre's No Exit in 1946, under the direction of John Huston (the last of five Broadway plays he directed). Her apartment in the Dakota became a salon for authors such as Tennessee Williams, Edward Albee, Terrence McNally, and Truman Capote. A chance encounter between Stephen Sondheim and Arthur Laurents in her Manhattan living room led to their collaboration, with her Dakota-neighbor Leonard Bernstein, on West Side Story. Similarly, she brought together Kay Thompson and Hilary Knight to create the celebrated stories of Eloise, the little girl who lived at the Plaza.Ford is well known also for her long friendship with William Faulkner, which began with her dating his brother Dean in the early 1930s. Faulkner was openly smitten with Ford for many years. He wrote his experimental 1951 title Requiem for a Nun, a sequel to his early and controversial novel Sanctuary, with her in mind. He further declared, to the consternation of his agent and publisher, that it was her dramatic property (Requiem for a Nun was a mixture of stage play and novel). Stage production of the title stalled for years, partly because Faulkner's experimental drama did not lend itself to live theatre, and partly because the producers were unsure of Ford's suitability. Faulkner was adamant that it was her dramatic property, and in 1959 she adapted the play herself and starred in its London production opposite her second husband, Zachary Scott. Her stage version received enthusiastic reviews in both London and New York, but did not fare so well with audiences and closed after a short run on Broadway. Ford continued to act on both stage and screen well into the 1980s. She passed away in 2009 at the age of 98. A nice association. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        The Ticket that Exploded

      New York, Grove Press, Inc. 1967, 1967. FIRST US EDITION, SIGNED, Publisher's orange cloth boards and original pictorial dust-jacket. A fine copy, slight shelfwear. Signed by Burroughs to title page. A prophetic vision of a world in which technology has gone haywire, 'The Ticket that Exploded' is the middle book in the Nova Trilogy beginning with 'The Soft Machine' and ending with 'Nova Express'.

      [Bookseller: Adrian Harrington Rare Books]
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      CSR 19 janvier - 7 février 1967, Le Caire - 4pp 23cm à 27,5cm x 16,5cm à 21cm. "Légers plis d'envoi, sinon excellent état. Quatre lettres: Lettre signée d'une page dactylographiée adressée par G(aston) Soumialot, Président du Conseil Suprême de la Révolution - CSR, à Jacques Grippa "Secrétaire général du Parti Communiste belge" (en fait Secrétaire du Comité Central du Parti Communiste de Belgique (alors pro-chinois)), datée Le Caire, 19 janvier 1967, sur papier à en-tête et avec cachet du CSR, annonçant l'envoi en mission (à Bruxelles) de Casimir M'Baguira "vice-Président du CSR et Haut-Commandant de la Zone II", qui "pourra vous exposer les grandes lignes de la politique de notre Organisation ( ) ainsi que des autres questions d'intérêt commun (et) vous entretiendra sur certains problèmes qui se posent au CSR ayant trait à l'aide morale-matérielle indispensables pour équilibrer et améliorer la situation de nos combattants"; Gaston Soumialot exprime en outre la "grande satisfaction du CSR pour la publication de la Déclaration du CSR du 30 novembre 1966 dans "La Voix du Peuple" et exprime sa profonde reconnaissance pour les "précieuses informations qui (y) paraissent régulièrement". Lettre signée d'une page dactylographiée adressée par G(aston) Soumialot à Luc-Daniel Dupire, Secrétaire du Comité de Solidarité avec la Résistance Congolaise, datée Le Caire, 19 janvier 1967, sur papier à en-tête et avec cachet du CSR, l'informant de l'envoi de Casimir M'Baguira auprès de son Organisation et des sujets qui feront l'objet des entretiens. Lettre signée d'une page dactylographiée adressée par Mahmoud Aly (pseudonyme de Casimir M'Baguira) à Luc-Daniel Dupire datée Le Caire, 2 février 1967, sur papier à en-tête du Haut-Commandement de l'Armée Populaire de Libération et adressant "ses plus profonds remerciements pour tout ce que vous avez fait pour moi pendant mon bref séjour dans votre Capitale" et annonçant son départ pour Nicosie le 10 février 1967 afin de participer à la 8ème Session (du Conseil de l'Organisation de Solidarité des Peuples Afro-Asiatiques, convoquée à l'initiative d'organisations pro-soviétiques), à propos de laquelle "nous ne savons quel (sic) sera l'issue des travaux ( ) d'autant plus que les camarades chinois ont refusé d'y participer". Il remet "ses bons souvenir (sic) au camarade Arnold (Hauwaert) et à René (Raindorf)" (membres du Bureau Politique du Comité Central du PC de Belgique). Lettre signée d'une page dactylographiée adressée par G(aston) Soumialot à Jacques Grippa, datée Le Caire, 7 février 1967, sur papier à en-tête et avec cachet du CSR, par laquelle il l'informe que "le camarade M'Baguira vient de nous faire part des résultats fructueux issus des conversations qu'il a eu le privilège d'avoir avec vous", en relevant "l'identité de vues qui s'est manifestée"; il accuse réception du "don des tickets avion" et l'informe que "en ce qui concerne les médicaments ( ), le camarade Augustin Ntamagara, Député National et Secrétaire général de la F(édération des) T(ravailleurs du) B(urundi) ( ) nous a assuré qu'il est disposé à recevoir ces médicaments au Burundi au nom du Syndicat". Congo-Kinshasa / Congo-Léopoldville / Belgique / Communisme / Marxisme-léninisme."

      [Bookseller: LIVRESCOLLECTOR]
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      4 bd. (1: Traktorer. 2-4: Personbiler). Kbhvn. [1967]. Rigt illustr. Privat hellærred

      [Bookseller: Peter Grosells Antikvariat]
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        Dossier 2357. The Thirteen Most Wanted, Police Department, City of New York

      Paris: Galerie Ileana Sonnabend,, 1967. Text by Otto Hahn. Small quarto. Original white card wrappers, titles to front cover in black, 6 leaves of text and an original screenprint stapled to the inside back cover. Screenprint of John Joseph H. Jr. (20.8 x 16.9 cm) First edition, only printing. An exhibition catalogue executed in the style of a criminal's dossier with an original screenprint.

      [Bookseller: Peter Harrington]
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        Andy Warhol's Index (Book)

      New York: Random House, 1967 - ". one of the most important and exuberant Pop art objects ever published" (Parr/Badger) (WARHOL, ANDY) First edition, wrappered issue. 4to. Profusely illustrated from "Factory Fotos," and with the following inserted items, as issued 1) castle pop-up 2) red accordion (still squeaks) 3) bi-plane pop-up 4) Chelsea Girls disk on a spring 5) polyhedron, detached from the string 6) Lou Reed record, still attached 7) the triple-page fold-out nose 8) Hunt's Tomato Paste can pop-up 9) Andy Warhol tabs 10) ballon, melted and partially sealing together facing pages, as usual. Original pictorial silver and black wrappers, lightly scratched; with Warhol's original price sticker still attached; a near fine, complete copy. Roth 101, pp. 188-9; Parr/Badger II, pp. 144-5 [Attributes: First Edition; Soft Cover]

      [Bookseller: James Cummins Bookseller, ABAA]
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        Andy Warhol's Index Book (Softbound) [SIGNED by Stephen Shore]

      Random House, New York 1967 - First edition, first printing. Signed in black ink above printed signature by Stephen Shore. Soft cover. Photographically illustrated silver foil wrappers; no dust jacket as issued. Contributions by Andy Warhol, Stephen Shore, Billy Name, Nat Finkelstein, Paul Morissey, Ondine, Nico, Christopher Cerf, Alan Rinzler, Gerald Harrison, Akihito Shirakawa and David Paul. Unpaginated (74 pp.), with pop-ups, fold-outs and affixed items, one 45-rpm record and black-and-white illustrations throughout. 11-1/8 x 8-5/8 inches. CONDITION: Near Fine. Binding and spine are secure (the first signature is slightly loose) and endpapers are attached and in Fine condition; Covers have some surface wear (common to the soft cover edition); front cover has a faint crease and sticker residue at the upper right corner; Castle pop-up is attached, complete and fully-functioning; Red accordion is attached, complete and squeaker is fully-functioning; Bi-plane pop-up is attached, complete and fully-functioning; "The Chelsea Girls" paper wheel mounted on a spring is attached; The 12-sided "sphere" is complete (rubber band inside is broken). The "sphere" is attached to the black string, which is still attached to book; The Lou Reed Picture Disc Record is detached from the binding, but within its square (not removed, but small spindle hole has been removed); The double image of the rainbow nose with pink overlay is complete, functioning and attached, as are the fold-out pages; The "Hunts Tomato Paste" can pop-up is complete, functioning and attached; All eight of the rectangular tear-offs, from the "FOR A BIG SURPRISE!!!" page (four on left and four on right) are present including all four printed with "Andy Warhol"; The balloon has deteriorated and is sticking the two pages together (this is common in virtually all copies of this book). [Cited in Andrew Roth, ed., The Book of 101 Books: Seminal Photographic Books of the Twentieth Century. (New York: PPP Editions in association with Roth Horowitz LLC, 2001), and in Martin Parr and Gerry Badger, The Photobook: A History, Volume II. (London and New York: Phaidon, 2006).] From Vince Aletti in The Book of 101 Books: "One of the earliest and most thoroughly documented [books] of the Factory's crews is memorialized in [this book], the artist's first publication to use photography and text after an earlier series of privately printed illustrated books. A disjointed and playful pastiche, Index (Book) has the impromptu feel of a project thrown together as a lark. Most of its pages are filed with high-contrast, snapshot-style black-and-white photographs taken by.Billy Name. As if to puncture this glam bubble, Index (Book) is also filled with an ingratiating array of gimmicks. Among them: a pop-up illustration of a castle under attack (with photos of Warhol & Co. collaged into its windows), a red pleated accordion tucked into a gatefold, another gatefold with Andy's nose in profile sliced into a series of colored flaps, a balloon, a Velvets record, a Chelsea Girls ad on a spring, and a Hunt's tomato past can that pops up between two head shots of International Velvet." Signed by Author [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: Vincent Borrelli, Bookseller]
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        Andy Warhol's Index (Book)

      Black star/random House, 1967. First Edition. Oversize Paperback. Very Good . XL. Silver foil wrappers with b&w photo. Contributors include Andy Warhol, Stephen Shore, Billy Name, Nat Finkelstein, Paul Morissey, Ondine, Nico, Christopher Cerf, Alan Rinzler, Gerald Harrison, Akihito Shirakawa, and David Paul. Unpaginated (74 pages), with pop-ups, fold-outs and affixed items, one flexi 45-rpm record and black-and-white illustrations throughout. 11-1/8 x 8-5/8 inches. CONDITION: Binding and spine are tight; Covers have some surface wear, scuffing, and minor creasing, very minor edge wear, sharp corners. Castle pop-up is in excellent condition, red accordion is attached, complete and excellent in form but only inhales and exhales with gentle silence, bi-plane pop-up is attached, complete, clean ready for lift-off and fully-functioning; "The Chelsea Girls" paper wheel mounted on a spring is in fine shape, the self-inflating dodecahedron is complete (rubber band is slack), on string and with sharp corners revolving around subject's nipple, the Lou Reed Picture Disc Record is attached and in excellent shape with center hole unpunched, the double image of the rainbow nose with pink overlay is complete, functioning, clean and sharp, as are the fold-out pages, the "Hunts Tomato Paste" can pop-up is complete, functioning and in excellent condition, all eight of the rectangular tear-offs, from the "FOR A BIG SURPRISE!!!" page are present including all four printed with "Andy Warhol" (though prospective buyer should verify this at time of purchase, as we may determine shelf life), the balloon has melted and stuck the last two pages together, though you can still see Warhol's arm raised in the fold where he would be holding the balloon's string. No postcard or original polybag with price sticker.

      [Bookseller: Pistil Books Online]
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        Andy Warhol's Index (Book)

      Black Star / Random House, New York 1967 - Silver and black wrappers, 29 cm., [74] pp., with black and white plates and color pop-ups. All pop-ups, fold-outs and attached materials are present: castle pop-up, accordian, bi-plane, paper wheel (detached from page), dodecahedron attached with string, Lou Reed record (still attached and unplayed), Warhol nose overlays, Hunt's Tomato Paste can, 'Big Surprise' eight-sectioned paste down, and balloon. All pop-ups and other materials in very good condition except for Chelsea Girl wheel, which still has its metal spring but is laid in, and the balloon, which is shrunken, browned, and is causing the two pages to stick together. A small area (2 cm. x 2 cm.) of sticker residue on upper front cover. Some slight wear to bottom right corner. Minor scratch marks on back cover. Very Good [Attributes: First Edition]

      [Bookseller: Moe's Books]
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        When She Was Good - 1st Edition/1st Printing

      Random House, New York 1967 - A very nice First Edition/First Printing in Fine condition in alike dustjacket, SIGNED by author Philip Roth on the title page. A most collectible copy of Roth's third novel; In this funny and chilling novel, the setting is a small town in the 1940s Midwest, and the subject is the heart of a wounded and ferociously moralistic young woman, one of those implacable American moralists whose "goodness" is a terrible disease First Edition; First Printing; Signed by Author [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Books Tell You Why - ABAA/ILAB]
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        Andy Warhol's Index Book

      Random House, New York 1967 - First edition. The stiff softcover issue. One of the best books the pop-art era. A highly inventive book with all of the pop-ups and inserts present and in fine condition but with the typical decay to the balloon which has stuck to the pages were it was originally inserted and with the string detached from the dodecahedron. Many of the photographs in the book were taken by a young Stephen Shore. A fresh and tight very near fine copy in silver wrappers. A much nicer than usual copy of this fragile book. (Roth 188-189: Parr & Badger v2, 144-145) [Attributes: First Edition; Soft Cover]

      [Bookseller: Jeff Hirsch Books, ABAA]
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        Two Monumental Hook-Work Parade Banners: Chairman Mao Reviewing The Great Army of the Cultural Revolution

      Cultural Revolution Committee of Urumqi / Xinjiang Army Divisioni 1967/8, Urumqi, XinJiang Uyghur Autonomous Region - Both banners bear the inscription "Chairman Mao Reviewing the Great Army of the Cultural Revolution," and depict the August, 1966 mass rally at Tiananmen Gate, where more than 10 million Red Guards from all over China converged to express their solidarity with Mao and his second-in-command, Lin Biao. Additional text on the lower banner reads "Long Live Chairman Mao for ten thousand years" and "Sailing in the ocean requires a helmsman" -- both quotes from Lin Biao. The agencies responsible for the banners are identified in lower right of each: "Cultural Revolution Committee of Xinjiang Army Division, 1968" (upper banner) and "Cultural Revolution Committee of Urumqi, 1967" (lower). The presence of Biao (the figure to the right of Mao, holding the Little Red Book in the top banner) is of particular interest. Biao, compiler of The Quotations of Chairman Mao (popularly known as the "Little Red Book") and coiner of the phrase "Maoism," was probably more responsible than any other figure for creating the cult of personality around Mao, particularly at the time of the Cultural Revolution. He quickly ascended Party ranks, and was widely seen as Mao's obvious successor. But in 1971, Biao was exposed in the process of an apparent coup attempt (the details of the event have never been made public). He died in an airplane crash attempting to leave China, and from this point forward was officially condemned as a traitor by the Communist Party; any record of his achievements on behalf of the Revolution was expunged from the official record, and any positive image of Biao would have been confiscated and destroyed as a matter of course -- suggesting either that these banners left China prior to 1971, or that they remained out of sight until some later date. The second possibility is plausible given whence the banners issued - both were created by Red Guard branches in the Xinjiang Uyghur Autonomous Region, an extremely remote province in China's northwest corner (and for many years the center of a militant independence movement for Uyghur and other Turkic minorities). In any case, the precise manner in which these banners left China will likely never be known; they surfaced at a New England antiques show in 2011. Two extraordinary hand-crafted parade banners, ca. 110" x 84" (9 feet x 7 feet), one slightly smaller. Each entirely composed of hook-work with colored yarns on white muslin backing. Slight age-toning and soil; a few threads loose but no significant losses; Near Fine condition overall. Folded and stored in original velvet draw-string carrying bags, as found.

      [Bookseller: Lorne Bair Rare Books, ABAA]
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        Report on the UFO Wave of 1947

      National Investigations Committee on Aerial Phenomena [NICAP], No Location 1967 - [no location, but author's preface was written in Washington, D.C]: NICAP [uncredited][National Investigations Committee on Aerial Phenomena], 1967. First Edition. Introduction by Dr. James E. McDonald. Quarto, white wraps imprinted in black. Non-traditionally paginated. Text, charts, case histories, listing of witnesses. Spot-soiling to both covers, primarily the back, which may be cleanable; bit of wear from having been read, probably once. A solid Very Good. Rare first edition of the absolutely remarkable 1967 research opus of ufologist Ted Bloecher, on the question of just what it was that started in June of 1947 - and why. Kenneth Arnold's famous Cascade Mountain sighting then got the headlines, but there was a crush of American sightings that summer, and more than 850 of them are in this dense and absorbing compendium. University of Arizona Senior Physicist for the Institute of Atmospheric Physics Dr. James McDonald, in his introduction, summarized what this meant: "What I see in all this as primarily important is the abundance of good case-material scattered through a dross of less reliable reports - an abundance that official agencies should have recognized by late 1947 as constituting a problem of the utmost scientific importance. No such recognition appears to have occurred" - and in so saying, echoed through to today's international bafflement about that very question. Bloecher himself, a Columbia drama/theater grad, chose to say the same with a more colorful quote from Charles Fort: "The little harlots will caper, and freaks will distract attention, and the clowns will break the rhythm of the whole with their buffooneries--but the solidity of the procession as a whole; the impressiveness of things that pass and pass, and keep on and keep on and keep on coming; the irresistibleness of things that neither threaten nor jeer nor defy, but arrange themselves in mass-formations that pass and pass and keep on passing. So, by the damned, I mean the excluded." Then, Bloecher makes the same point yet again, far more eloquently than either of the first two: he simply presents data, page after page of it; he presents "the things that pass" themselves, in the detail his research has afforded. No one can read this without feeling that recognition the absence of which McDonald lamented. Certainly one of the best researched and most seriously presented UFO reports in history; perhaps the single most so. So important, in fact, that Project 1947 has, with permission, recently reprinted the entire book - something which seldom occurs among serious UFO research reports. Originally published for Bloecher by NICAP, which he joined after his CSI group became defunct, though NICAP is not internally credited for the publication. A piece of history within the field. First Edition. L102 [Attributes: First Edition; Soft Cover]

      [Bookseller: Singularity Rare & Fine]
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        dé-coll/age 6. Bulletin der Fluxus und Happening Avantgarde, herausgegeben von Wolf Vostell. No. 6, Juli 1967.

      Typos Verlag., Fft. 1967 - 1. Auflage. Fft. Typos Verlag. 1967. 4°. 95 unpaginierte Blatt. OKarton mit Klammerheftung. Sehr gutes, frisches Exemplar, nur der Umschlag marginal gedunkelt. Letzte Nummer des legendären Fluxus-Periodikums. Der Umschlag gibt das Titelblatt des "Figaro" vom 6. September 1954 wieder. Enthält Abbildungen von Werken, Fotos, Aktionen etc. u.a.v. Al Hansen, Wolf Vostell, Daniel Spoerri, Stefan Wewerka, Diter Rot, Jean Tinguely, Alan Kaprow, Dick Higgins, Bernhard Höke, Texte u.a.v. Franz Mon, Peter O. Chotjewitz, Ben Vautier etc. Beiliegend Korrekturkarte hinsichtlich des Preises wegen Überschreiten des Umfangs. "Die Blaue Flut" respektive "Das blaue Geheul" von Diter Rot (eigenhändige Schrift mit blauem Filzstift auf Photopapier) liegt als Original dem Heft bei. [Vgl. Sammlung Andersch, S. 117, S. 158; Archiv Sohm S. 111]. Sehr gutes, frisches Exemplar, nur der Umschlag marginal gedunkelt. [Attributes: Hard Cover]

      [Bookseller: Antiquariat Querido - Frank Hermann]
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        The Education of a Baseball Player

      Simon & Schuster, New York 1967 - The autobiography of the late great Yankee. This was Mantle's first book and he includes lessons on the art and techniques of playing baseball. 16pgs. of photos. Owner signature on front endsheet, price clipped, light rubbing to the lettering on the spine panel, soft corner fold to the table of contents page, soft fold to the back corner of the flap, and minute ink mark and edge wear to the back dj. panel and light chipp to the top edge of the front dj. panel. Vg/vg. LAID IN THE BOOK IS A LOVELY SMALL CARD PORTRAIT OF MICKEY MANTLE PAINTED BY ROBERT STEPHEN SIMON THAT HAS BEEN SIGNED IN BLUE INK BY MICKEY MANTLE. THE CARD WAS PART OF SIMON'S SUPER STAR CARD SET AND WAS PUBLISHED IN 1986. THE VERSO OF THE CARD HAS BIO. AND CAREER INFORMATION ON MANTLE AND WAS THIS CARD WAS NO. 11 IN THE SET. Fine. [Attributes: First Edition; Hard Cover]

      [Bookseller: Ira Joel Haber - Cinemage Books]
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        Allen Ginsberg: A Reading at the University of San Francisco Gill Theater in Campion Hall

      [San Francisco: University of San Francisco. 1967]. First. Large poster. Approximately 12" x 21". Fine. Framed. Signed by Ginsberg. Photo image by Jeff Hunter of a full-bearded Ginsberg. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        New York: The New Art Scene: Photographs by Ugo Mulas

      New York: Holt Rinehart and Winston. 1967. First. First edition. Fine in fine dustwrapper, and fine original cardboard slipcase. Very uncommon in this condition. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Derriere Le Miroir

      France: Maeght Editeur, 1967. Hardcover. Ex-Library. 40 p. plus 4 p. 39 cm. 7 colour lithographs by MirÛ, including 2 diptychs, 1 triptych. Non-coloured MirÛ lithographs interspersed with the text. 25 pictures depict other works by MirÛ. Card cover, unbound signatures. Library stamp on front cover. Slightly bumped top-right corner. "Chroniques" section is rough along the top. Derriere le Miroir was associated with some of the best-known artists of the 20th century. Despite presenting himself in a very orderly, upstanding manner, MirÛ's work belies a sense of playfulness with its bright colours and bold shapes. Though Joan MirÛ eschewed group membership, he was well connected with the surrealist community, and his works are still considered very valuable today.

      [Bookseller: Attic Books]
 22.   Check availability:     Biblio     Link/Print  

        Rosencrantz and Guildenstern are Dead

      London: Faber & Faber. (1967). First. First edition, hardcover issue. Fine in fine, price-clipped dustwrapper with the slightest of toning at the spine. Signed by the author. The author's signature work, exceptionally uncommon, especially signed. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
 23.   Check availability:     IOBABooks     Link/Print  

        Giovanni Battista Piranesi

      Edizioni Alfa Bologna - Bologna 1967 - A cura di Maurizio Calvesi e Augusta Monferini. Traduzione di Giuseppe Guglielmi. Illustrato abbondantemente, con le lamine fuori di testo.Limiti in copertura dura del redattore, con il rivestimento di polvere. 388 pagine. 31x24 cm. [Attributes: Hard Cover]

      [Bookseller: El Incunable]
 24.   Check availability:     AbeBooks     Link/Print  

        The Red-Figured Vases of Lucania, Campania and Sicily (Complete in Two Volumes with First, Second and Third Supplements volumes)

      NP n/d - Quarto. Blue cloth with gilt decorated spine. Oxford at the Clarendon Press, 1967. Vol. I: Text; xxix,699,[1]pp. Vol. II: Indexes and Plates; 700-812,256pp. Illustrated with b/w reproductions of photographs on glossy paper. "The primary purpose of this work is to provide classified lists of Lucanian, Campanian and Sicilian red-figured vases, accompanied by some explanatory comments on style and dating and by a fairly wide selection of illustrations to enable the reader to follow the various attributions or groupings." Color frontispiece in Vol.I, b/w frontispiece in Vol.II. Minor age wear, scuffing and staining on bindings. Head and tail of spine and corners slightly bumped. Slight staining to top page edges. Bindings in overall good, interior in very good condition. Part of the series "Oxford Monographs on Classical Archaeology." Three supplement volumes in blue wrappers with black lettering to cover and spine. Quarto. University of London, Institute of Classical Studies. Bulletin Supplement No. 26 (First supplement). 1970. xiv,144,xxviii,pp. Bulletin Supplement No. 31 (Second supplement). 1973. xii,145-294,xxix-xliv,pp. Bulletin Supplement No.41 (Third supplement, consolidated). 1983. xxvi,392,xxxii,pp. Illustrated wraps. Slight staining to wrappers on first supplement. All supplement volumes illustrated with b/w reproductions of photographs showing hundreds of vases. Plates on glossy paper. Minor age wear, creasing and staining on wraps. Interior in very good to near fine condition. [Attributes: Soft Cover]

 25.   Check availability:     IberLibro     Link/Print  

        Allgemeine Deutsche Biographie. Hrsg. durch die Historische Commission bei der Königlichen Akademie der Wissenschaften. (2. unveränderte Auflage).

      Berlin, Duncker & Humblot. - 1967 - 1971. 56 volumes (Bände 1 - 45: A-Z. Bände 45 - 55: Nachträge A-Z. Band 56: Register) Orig. blue cloth with red title labels.; 24 cm. Text in German gothic (fraktur) script. (Price when new 6200 euro for the unchanged 1981 edition). - (traces of removed library labels on spines, ticket on rear title page, library stamp on some bottom edges, cloth sl. (sun)faded, although still very good set, see image) Neudruck der von 1875 - 1912 erschienenen 1. Aufl. -- Die Allgemeine Deutsche Biographie (ADB) ist auch heute noch für die historische Forschung auf allen Gebieten des polititschen, kulturellen und wirtschaftlichen Lebens eine unersetzliche Fundgrube für Informationen über ca. 26.300 bedeutende Persönlichkeiten aus dem deutschen Sprachraum, sofern sie vor dem Jahre 1900 verstorben sind. Bis 1648 sind auch Niederländer aufgenommen. Während die Werke der Biographierten im Artikel charakterisiert werden, findet sich die Sekundärliteratur an dessen Schluß. Die ADB enthält eine Vielzahl von Biographien über Persönlichkeiten, die in neueren Nachschlagewerken nicht mehr erwähnt werden. Die Artikel sind in einem individuellen, meist sehr gepflegten, oft essayistischen Stil verfaßt und bringen Informationen in einer nicht mehr erreichten Ausführlichkeit. -- Info from Duncker & Humblot.n [Attributes: Hard Cover]

      [Bookseller: Emile Kerssemakers]
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      Something Else Press New York 1967 - Artist's Book. Künstlerbuch. Front cover illustration: Coeurs Volants (1936) by Marcel Duchamp. Hardcover in dustjacket in a very good like new condition. Sehr guter neuwertiger Zustand. [Attributes: First Edition; Hard Cover]

      [Bookseller: Gura]
 27.   Check availability:     AbeBooks     Link/Print  

        Autograph letter

      - Two pages, 8vo., on personal stationery, signed "Ben Spock," to New York Mayor John Lindsay; New York, circa 1967; approximately 180 words; unpublished. "Dear Mayor Lindsay, In our hearing in the Federal Court of Appeals on the 7th, it became clear that the government had finally conceded that the Whitehall St. demonstration had nothing to do with the rest of the so-called conspiracy and that it was not intended to be anything but symbolic. In the words of the lawyers and the justices, the latter point was always proved by references to the fact that the Mayor of New York himself entered the negotiations to make sure there was no violence. In general, the intentions of the three justices indicated that they were doubtful about any conspiracy. So your generosity in testifying in Boston was crucial in removing Whitehall from the case. And the removal of Whitehall was important in throwing doubt on the whole idea of conspiracy. We owe a lot to you and will always be grateful." ---- According to "Time," December 1967 was billed as "Stop the Draft and End the War Week." The biggest turnout was in Manhattan, where a crowd of up to 2,000 surrounded the Whitehall Street induction center near city hall, and surged through the rest of Manhattan playing antidraft tag with twice as many police for four straight days. Greeted by freezing temperatures and the ominous rattle of police clubs on the barricades, the demonstrators never managed to reach the main door of the center. Police allowed Dr. Benjamin Spock, poet Allen Ginsberg and author Susan Sontag, among others, to sit-in symbolically on the cold stone steps, then just as symbolically arrested them. An important piece of protest Americana. [Attributes: Signed Copy]

      [Bookseller: North Star Rare Books & Manuscripts]
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        Carte a jouer par Salvador Dali

      "Puiforcat" Limoge, France, Limited Edition 1967 - Five Limoge Plates ie Jack, Queen, King, and Ace of Hearts plus the Joker. No 737 of 2000 Limited Edition Signed in the plate by Salvador Dali [Attributes: First Edition; Signed Copy]

      [Bookseller: George's Books & Autographs]
 29.   Check availability:     AbeBooks     Link/Print  

        PAUL KLee (from the Electric Poems portfolio)

      New York, ca. 1967. Silkscreen. 34 x 27 inches. Printed by Brice Marden. One of 48 signed and numbered impressions. Once folded in quarters.Marginal defects.

      [Bookseller: Alan Wofsy Fine Arts]
 30.   Check availability:     Biblio     Link/Print  


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