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Displayed below are some selected recent viaLibri matches for books published in 1967

        The Magus [Fowles' Screenplay - Rare]

      Blazer Films, London 1967 - Fowles' screenplay for the 1968 film of his second novel, a near-fantasy set on a Greek island and involving a young expatriate Englishman who is drawn into the fantastic designs of a self-styled psychic. The film, with Anthony Quinn, Michael Caine, Candice Bergen and Anna Karina, gained a cult following in the Sixties. The cast included two of the best-known male leads of their time (Quinn & Caine), an up-and-coming young actress who had been nominated for a "Most Promising Newcomer" Golden Globe two years earlier (Bergen), and Anna Karina, a staple in the films of French avant garde director Jean-Luc Godard. The director was Guy Green, a former cinematographer, and while the material may have been a bit much for Green, whose previous movies had been more straightforward than the complicated, partly fantastic plot that Fowles' novel presented him with, the film was nominated for a British Academy award for cinematography. This script bears the name of David Harcourt and has revision sheets dated September 4, 7 and 12, and November 25, 1967. Harcourt is listed as a camera operator on a production schedule (laid in) dated August 15, 1967. Also laid in is the shooting schedule for November 11. These sheets are torn and sunned, but the script itself is near fine and claspbound in very good red covers. An early, complete piece of writing by Fowles, and likely the scarcest item in his bibliography: the Harry Ransom Center acquired a copy with Fowles' papers; the University of Iowa has a copy in its 20th Century Fox collection. It is Fowles' only screenplay to have been produced, and we have never heard of another copy coming on the market. [Attributes: First Edition]

      [Bookseller: Ken Lopez Bookseller, ABAA (Lopezbooks)]
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        Herbier. Poèmes de Jean Grosjean. Aquatintes de J.J.J. Rigal. (Paris), aux dépens d'un amateur, (1967).

      - Folio. Uncut with all original wrappers in publisher's portfolio and clothbox. Loose as issued. No 64 signed by aythor and artist of 65 "sur Velin des papeteries de Rives", a total of 126. With 17 fine original aquatinteplates in colour (32x18 cm.) by Rigal. [Attributes: Signed Copy; Soft Cover]

      [Bookseller: Lynge & Søn ILAB-LILA]
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        Fahrenheit 451

      Simon & Schuster 1967 - First printing thus, stated. Black binding, gilt titles to spine. Red topstain. With a new introduction by the author. Book very good with slight wrinkle to boards at top edge of spine and some stains spots to top & foreedge, bleeding of topstain onto ffep. DJ also very good with just a bit of edgewear at head of spine and some rubbing. $4.95 price intact. In Mylar. 192 pp. [Attributes: First Edition; Hard Cover]

      [Bookseller: citynightsbooks]
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        Original [Double] Signed Photograph

      Rudyard [Joseph Rudyard Kipling, 1865-1936] & Andre Maurois [Emile Salomon Wihelm Herzog, 1885-1967] - Kipling, Rudyard [Joseph Rudyard Kipling, 1865-1936] & Andre Maurois [Emile Salomon Wilhelm Herzog, 1885-1967]. Original 4" x 6" Black & White photo Signed. A terrific photo in excellent condition with strong signatures by both authors at the lower portion. A rather unique image set on the path of the estate gardens, with both authors relaxed & enjoying each others company. Although Kipling was 20-years older, he and Maurois were friends & colleagues. Beautifully framed & glazed & creatively triple matted to an overall size of 13" x 16. An excellent display. "A people always ends by resembling its shadow." Said by Kipling to Author & Critic André Maurois c. 1930, on the subject of the transformation of Germany. Quoted in Maurois, The Art of Writing, "The Writer's Craft," Sect. 2 (1960) [Attributes: First Edition; Signed Copy]

      [Bookseller: TBCL The Book Collector's Library]
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        Typescript draft of ‘To you old ox at the stall’ with holograph corrections.

      1967 - 5 typed pages on rectos only, first line in red, multiple holograph corrections and additions throughout in black and blue ink, pp. [5], 4to, original self wrappers printed in black with corrections in pencil and ink, red border to front with coffee drip, some creasing and marks, good The poem is here titled ‘Christmas at Itteringham 1967’ (crossed-through) and ‘Buntry Farmhouse Xmas 67’ - for the published version, Barker elected simply to use the first line as its title. Barker moved to Buntry farmhouse in Norfolk, with his wife Elspeth and their three children, in 1967 and remained there for the rest of his life. This poem is a record of their first family Christmas in their new home. The version here shows variants for many lines.

      [Bookseller: Blackwell's Rare Books ABA ILAB BA]
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        Chang Dai-chien's paintings: with 130 reproductions of the master's paintings since 1944, SIGNED by Chang Dai Chien

      Hong Kong: East Society, 1967 - 1st edition, 1st printing. Quarto, 28.7*21.6*1.7cm. Text in English and Chinese. 130 p, chiefly illustrations. Edited and published by Kao Ling-mei, English text by Yao Hsin-nung. Complete with 130 paintings. Signed by Chang Dai Chien in Chinese. [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: Chinese Art Books]
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        Monterey Pop Festival Tickets, Program, and Business Card

      Monterey Pop Festival Inc., [Monterey, California] 1967 - Collection of items from the Monterey Pop Festival, including four concert tickets, measuring 3.5" x 1.25"; two business cards, measuring 3.5" x 4"; and a quarto, 80-page full-color event program perfectbound in stiff paper wrappers. The tickets and business card are fine, while the program is near fine with very minor wear at the extremities. The legendary three-day Monterey Pop Festival, held in Monterey, California on June 16-18, 1967, included a lineup of classic rock performers second only to Woodstock. It is considered by some music historians as an even more important event: it kicked off the Summer of Love, was the first widely promoted and heavily attended rock festival, featured a particularly diverse group of performers, and was an early model of benefit concerts to follow (almost all the musicians performed for free, with all proceeds donated to a charitable foundation). The four tickets included here are unused front-row seats, labeled "stage front," for performances held on Friday, Saturday, and two different times on Sunday. The two double-sided business cards are from concert producer Alan Pariser, who first dreamed up the idea of the festival, with the address for the festival's office and its logo and artwork featuring Pan playing his flute. The event program is filled with editorials, advertisements, illustrations, and photographs of Jimi Hendrix, The Who, Jefferson Airplane, Simon & Garfunkel, and Otis Redding, as well as several other performers who did not appear (The Rolling Stones, Bob Dylan, and The Beach Boys), but who placed ads in support of the festival. This includes full-page artwork by The Beatles made specially for the program (Paul McCartney had also arranged for the booking of Hendrix and The Who at the festival). Also sprinkled throughout are essays from various musicians, critics, and music industry insiders including Leonard Bernstein, Jan Wenner, Bob Shelton, Derek Taylor, Peter Tork, and others commenting on the forthcoming festival. A wonderful collection of items from the first major pop music festival. [Attributes: First Edition; Soft Cover]

      [Bookseller: Between the Covers-Rare Books, Inc. ABAA]
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        Where Do We Go From Here: Chaos or Community?

      New York: Harper & Row. (1967). First. First edition. Fine in fine dustwrapper. Inscribed by the author: "To Mrs. Thomas Taylor In appreciation for your great support. Martin Luther King, Jr." A beautiful copy of this extended essay on power and its uses. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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      1967 - Signed "Wernher von Braun" on NASA letterhead dated July 17, 1967. The letter is addressed to Luigi Romersa in Rome, Italy. The letter also mentions Bart Slattery who was Chief of Public Affairs at the NASA Marshall Space Center. Letter in fine condition. Wernher von Braun (1912-1977) was one of the most important rocket developers and champions of space exploration during the period between the 1930s and the 1970s. As a youth he became enamored with the possibilities of space exploration by reading the science fiction of Jules Verne and H.G. Wells, and from the science fact writings of Hermann Oberth, whose 1923 classic study, Die Rakete zu den Planetenräumen (By Rocket to Space), prompted young von Braun to master calculus and trigonometry so he could understand the physics of rocketry. From his teenage years, von Braun had held a keen interest in space flight, becoming involved in the German rocket society, Verein fur Raumschiffarht (VfR), as early as 1929. As a means of furthering his desire to build large and capable rockets, in 1932 he went to work for the German army to develop ballistic missiles. While engaged in this work, on 27 July 1934, von Braun received a Ph.D. in Physics from the University of Berlin. Von Braun is well known as the leader of what has been called the "rocket team," which developed the V-2 ballistic missile for the Nazis during World War II. The V-2s were manufactured at a forced labor factory called Mittelwerk. Scholars are still reassessing his role in these controversial activities. The brainchild of von Braun's rocket team operating at a secret laboratory at Peenemünde on the Baltic coast, the V-2 rocket was the immediate antecedent of those used in space exploration programs in the United States and the Soviet Union. A liquid propellant missile extending some 46 feet in length and weighing 27,000 pounds, the V-2 flew at speeds in excess of 3,500 miles per hour and delivered a 2,200 pound warhead to a target 500 miles away. First flown in October 1942, it was employed against targets in Europe beginning in September 1944. By the beginning of 1945, it was obvious to von Braun that Germany would not achieve victory against the Allies, and he began planning for the postwar era. Before the Allied capture of the V-2 rocket complex, von Braun engineered the surrender of 500 of his top rocket scientists, along with plans and test vehicles, to the Americans. For fifteen years after World War II, von Braun would work with the United States army in the development of ballistic missiles. As part of a military operation called Project Paperclip, he and his "rocket team" were scooped up from defeated Germany and sent to America where they were installed at Fort Bliss, Texas. There they worked on rockets for the United States army, launching them at White Sands Proving Ground, New Mexico. In 1950 von Braun's team moved to the Redstone Arsenal near Huntsville, Alabama, where they built the Army's Jupiter ballistic missile. In 1960, his rocket development center transferred from the army to the newly established NASA and received a mandate to build the giant Saturn rockets. Accordingly, von Braun became director of NASA's Marshall Space Flight Center and the chief architect of the Saturn V launch vehicle, the superbooster that would propel Americans to the Moon. Von Braun also became one of the most prominent spokesmen of space exploration in the United States during the 1950s. In 1970, NASA leadership asked von Braun to move to Washington, DC, to head up the strategic planning effort for the agency. He left his home in Huntsville, Alabama, but after about two years he decided to retire from NASA and to go to work for Fairchild Industries of Germantown, Maryland. He died in Alexandria, Virginia, on 16 June 1977. [Attributes: Signed Copy]

      [Bookseller: Legends In History]
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        Where Do We Go from Here: Chaos or Community?

      New York: Harper & Row, 1967 - Inscribed on the dedication page, "To Harlow Unger, with Best Wishes for Peace and Brotherhood. Martin Luther King, Jr." Mr. Unger had just done an interview in 1967 for the CBC with Rev. King First edition. 8vo. . Half black cloth and boards. Fine in fine unclipped dj with one short closed tear [Attributes: First Edition; Hard Cover]

      [Bookseller: James Cummins Bookseller, ABAA]
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        Smith of Wooton Major

      Houghton Mifflin and Co. 1967 - Price clipped dj. Gift inscription. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Collectorsemall]
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        WHERE DO WE GO FROM HERE? Chaos or Community?

      New York: Harper & Row. Very Good+ in Very Good dust jacket. 1967. First Edition. Hardcover. Slight wear & slight chipping to DJ; SIGNED to front free endpaper, likely by secretary. Pamphlet laid in reprinting speech by Jack Greenberg of the NAACP. Stated first edition ; 8vo; 209 pages .

      [Bookseller: Complete Traveller Antiquarian Bookstore]
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        Don't Just STAND There! [The Wrong Venus] (Original screenplay for the 1968 film)

      Universal City, CA: Universal Pictures, 1967. Final Script for the 1968 film, based on the 1966 novel, "The Wrong Venus" (published in the UK as "Don't Just Stand There!") by Charles Williams, who also adapted it for the screen. Prop master C.S. Chrisman's copy, with his trademark holograph ink initial on the front wrapper, and profuse holograph notations throughout the text regarding scenes that will require props. Screenwriter Charles Williams was one of the most popular hard-boiled authors in the Gold Medal stable, publishing a string of paperback originals that sold well, as well as six hardcover titles in the latter half of his career. All told, he produced a body of work that has placed him today in the pantheon of the great hard-boiled writers. Beginning in the early 1960s, he found work as a screenwriter, adapting his novel "All the Way" (first adapted in the US as an obscure, late film noir, "The 3rd Voice," in 1960) as a comedy for French director Marcel Ophuls. This American adaptation of his novel, "The Wrong Venus," for Universal, was the first of two screenplays Williams wrote in Hollywood, also a comedy. In the story, Robert Wagner is hired to finish a "sex" novel by a famous authoress in Europe (Mary Tyler Moore) who has suddenly decided to stop writing. Red studio wrappers, noted as FINAL SCREENPLAY on the front wrapper and dated February 8, 1967. Title page present, with credits for producer Stan Marguiles and screenwriter Williams. 131 leaves, mimeograph, eye-rest green stock. Pages and wrapper Near Fine, bound with three gold brads.

      [Bookseller: Royal Books, Inc. ]
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      Casterman 1967 - RO40189042: 11 volumes reliés (années-recueils) et 64 fascicules d'env. 100 pages chacun. 6, puis 7 numéros par année. Couvertures brochées conservées dans les ouvrages reliés. Pièces de titre rouges sur les dos, avec titre, tomaison et filets dorés. Etiquettes de code sur les dos. Tampons de bibliothèque en 1res pages. N° 6 de nov. 1950 et n° 3 de mai 1953 manquants. Du n° 1, 1re année, jan. 1946, au n° 7, 22e année, déc. 1967. Sommaire du n° 1, jan. 1946: Le Saint-Siège et la Démocratie, J. Dermine. Un expérience de vie, 24 mois de vie sacerdotale au milieu des prisonniers, Marius Levallois. Melchisédech a-t-il offert un sacrifice, figure de l'Eucharistie ?, Pierre Samain. Eucharistie et Corps mystique dans Saint Paul I Cor., X, 17, Pierre Samain. La Consécration, partie essentielle de la Messe ?, Joseph Thomas, etc. Sommaire du n° 7, déc. 1967: J.M. Georgery, Pour une Eglise accueillante aux travailleurs musulmans. Ch. Lefevre et E. Michel, Adaptation des séminaires: Louvain et Jumet. M. Dayez, Certitudes et possibilités en morale conjugale. M. Papeleux, Chronique de lectures: Citoyen du monde. J. Huard, Dimension sacramentelle du mariage. In-8 Relié. Bon état. Couv. légèrement passée. Dos satisfaisant. Intérieur acceptable Classification Dewey : 270-Histoire et géographie de l'Eglise [Attributes: Hard Cover]

      [Bookseller: le-livre]
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        Canteen Owned by John Wayne ?used in ?The Green Berets?

      n.p., c. 1967 This olive green covered metal Canteen was purchased at the October 6-7, 2011, Heritage Auction of ?The Personal Property of John Wayne.? Imprinted under the top of this G.P. Ammo Bag is ?Morrow & Douglas / 1944? and, under the lower strip, ?U.S.,? indicating it was manufactured for the U.S. Army during World War II. The Vietnam War motion picture ?The Green Berets? (1968) was the only John Wayne movie for which the U.S. Army provided accoutrements. In addition to supplies and equipment, the U.S. Army even supplied Wayne with actual weapons for use during the filming. John Wayne starred and also directed ?The Green Berets.? His son Michael was the producer and son Patrick was one of the stars. The canteen (including covering) is approximately 8.25? x 5.5?. Fine condition.John Wayne had written to President Lyndon B. Johnson about making a film based on Robin Moore?s book, ?The Green Berets.? LBJ?s assistant Bill Moyers wrote back that the President ?was interested in the project and

      [Bookseller: University Archives]
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        Frost On Sunday and The Frost Report: Typescripts of sketches, many amended by hand, written for two shows starring David Frost.

      Np -8, N.p. [London] 1967 - A small quantity of original typescripts, printed typescripts and photocopied typescripts, many secured with staple to top left corner, and many with handwritten amendments, additions and deletions. Housed in a blue card folder bearing a typed white paper label label reading TERRY JONES & MIKE PALIN. Some wear and toning consistent with their age, staples mostly rusted, otherwise in near fine condition. A SMALL QUANTITY OF ORIGINAL, PRINTED AND PHOTOCOPIED TYPESCRIPTS OF SKETCHES WRITTEN BY TERRY JONES AND MICHAEL PALIN FOR FROST ON SUNDAY AND THE FROST REPORT, WITH EXTENSIVE CORRECTIONS, AMENDMENTS AND REWRITES BY BOTH. Terry Jones and Michael Palin first met as undergraduates at Oxford and, after graduating, began writing together for TV comedy shows. All the future Pythons save Terry Gilliam worked together for the first time on The Frost Report (1966-7), which also featured, both as writers and performers, Ronnie Barker and Ronnie Corbett. The show ran for twenty-eight episodes over two series, and launched everyone who was to be anyone in British comedy for the next twenty years. Less well-known but just as formative for those who worked on it, Frost On Sunday ran for thirty-six episodes between 1968 and 1970. It again featured the two Ronnies, and featured among its writers Barry Cryer, David Nobbs, Esmonde and Larbey, Dick Vosburgh, Neil Shand -- and Jones and Palin, once again writing as a team. Although the programme only ever credited the pair as writers on two late episodes, the material offered here shows that the pair were an integral part of the team from the show's beginning. This remarkable collection features one sketch written for The Frost Report.; most of the rest of the material was written for Frost On Sunday. Many episodes of the show were wiped and are now presumed lost; the surviving material has been released on a 3-disc DVD distributed by Network. A UNIQUE COLLECTION OF ORIGINAL SKETCH MATERIAL BY TWO OF BRITAIN'S BIGGEST COMEDY NAMES, WRITTEN JUST BEFORE THE BIRTH OF MONTY PYTHON. The sketches for Frost On Sunday, all typescripts, are headed FROST ON SUNDAY unless otherwise stated, followed by either 'by Terry Jones & Michael Palin' or 'by Jones & Palin', and are as follows: -- Julie Andrews. 3pp. 2 copies. i) Original typescript written for Palin to perform with Ronnie Corbett (specified in text). ii)Photocopied typescript, earlier draft, with pencilled amendments in Palin's hand to first page. Dated 22 July 1968. -- Political Commentator. 1p. 2 copies, one typescript and one photocopy, the latter heavily rewritten in Palin's hand. Dated 31 July 1968. -- Holidays. 2pp. 2 copies, one typescript and one photocopy Dated 1 August 1968. -- The New Breed. 2 copies, 2pp. and 3pp. Printed typescripts, same text but differently set. 2pp. version dated 8 August 1968. Other undated. -- Olympics Selection. 2pp. Printed typescript, written for Palin to perform with Ronnie Corbett (specified in text). Dated 14 August 1968. -- The Friendly Postman and The Friendly Postman Mark II (two copies). 2pp. each. Original typescripts and a printed typescript, significantly different drafts of the same sketch, written for Ronnie Corbett to perform (specified in the text). Four minor handwritten corrections to the first draft, one to the second, and two to the printed copy. All three headed FORST [sic]ON SUNDAY; both dated 15 August 1968. -- New University. 1p. Original typescript. Three small handwritten corrections, inked ticks and question marks to margin. Dated 21 August 1968. -- Nixon. 2pp. Printed typescript. Dated 22 August 1968. -- Cricket Commentators. 3pp. Photocopied typescript, with numerous rewrites in Palin's hand in blue biro. Dated 27 August 1968. -- Argyll And Sutherland Highlanders (film). 2pp. Original typescript. Inked ticks, crosses and question marks to margin, otherwise unmarked. Dated 27 August 1968. -- Opening Speech. 1p. Photocopied typescript. Dated 11 September 1968. -- Monologue For His Good Sel

      [Bookseller: Neil Pearson Rare Books]
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        Startling Mystery Stories, Volume 1, 2 & 3, # 1, 2, 3, 4, 5, 6, ---18 Issues ---the Complete Set ( Glass Floor & Reaper's Image by Stephen King )( Whole Number: 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16, 17, 18 )

      N.Y.: Health Knowledge Inc / Startling Mystery Stories, Volume 1, 2 & 3, # 1, 2, 3, 4, 5, 6, 1966, 1967, 1968, 1969, 1970, 1971, 1st Edition, 1st Printing for All 18 Issues - ---------18 volumes, all are Near Fine copies, just dandy copies meant for the collector, some volumes have a bit of browning to the paper, short corner crease on volume 18, the 2 most important issues are the STEPHEN KING issues, they are not only desireable but surprisingly scarce in comparison to the other volumes, volume 1 # 6 contains: My Lady of the Tunnel by Arthur J Burks; The Glass Floor by Stephen King; Death from Within by Sterling S Cramer; A Vision (verse) by Robert E Howard; Aim for Perfection by Beverly Haaf; The Dark castle by Marion Brandon; Dona Diabla by Anna Hunger; The Druid's Shadow ( Jules de Grandin ) by Seabury Quinn; ---volume 2 # 6 contains: The Woman with the Velvet Collar by Gaston Leroux; The Reaper's Image by Stephen King; Sirrush (verse) by L Sprague de Camp; Sword for a Sinner by Edward D Hoch; Tiger by Bassett Morgan; The City of the Blind by Murray leinster (aka Will Jenkins ), ---THE GLASS FLOOR by King is his first professionally published piece and pre-dates his first book, Carrie, by a full 7 years, both of the King issues are quite scarce especially the 1st issue, ---VOLUME 1 contains: Village of the Dead by Edward D Hoch; House of the Hatchet by Robert Bloch; The Off Season by Gerald W Page; The Tell Tale Heart by Poe; The Lurking Fear by H P Lovecraft; The Awful Injustice by S B H Hurst; Ferguson's Capsules by Derleth; The Mansion of Unholy magic by Quinn ---VOLUME 2 contains: House of Horror by Quinn; The Men in Black by John Brunner; The Strange Case of Pascal by Hoch; Doctor Satan by Paul Ernst; Secret of the City by Terry Carr & Ted White; The Street by Lowndes; Scourge of the B'Moth by Bertram Russell ---.VOLUME 3 contains: The Inn of Terror by Gaston Leroux; The Other by Lowndes; The Door of Doom by Hugh B Cave; A Matter of Blleding by Ralph E Hayes; Esmerelda by Roma Wells; The Trial for Murder by Charles Collins & Charles Dickens; The Blood Flower by Quinn ---VOLUME 4 contains: The Tottenham Werewolf by August Derleth; The Secret of Lost valley by Robert E Howard; Medium for Justice by Victor Rousseau; Si Urag of the Tail by Oscar Cook; The Temptation of Harringay by H G wells; The Tenants of Broussac, a Jules de Grandin story by Seabury Quinn ---VOLUME 5 contains: Gods of East & West by Quinn; The Council & The House by Lowndes; Behind the Curtain by Leslie Jones; A Game of Chess by Robert Barr; The man from Nowhere by Hoch; Darkness on Fifth Avenue by Leinster ---VOLUME 7 contains: Bride of the Peacock by E Hoffman Price Nice Old House by Dona Tolson; Those Who Seek by Derleth; John bartine's Watch by Ambrose Bierce; The Pet of Mrs Lilith by Tobert Barbour Johnson; The Man Who Changed the Lightning by paul Ernst; ---VOLUME 8 contains: The White Lady of the Orphanage by Quinn; The Gray People by John Campbell Haywood; And Then No More by Jay Tyler; The Endocrine Monster by R Anthony; The Return of the Sorcerer by Clark Ashton Smith; The Three from the Tomb by Edmond Hamilton ---VOLUME 9 contains: The Black Mass by Colonel S P Meek; The Last Archer by Earl Pierce Jr.; The Sight of Roses by Jay Tyler; Acrophobia (verse) by L Sprague de Camp; Webbed hands by Ferdinand Berthoud; Hollywood Horror -a Dr Satan novelet by Paul Ernst ---VOLUME 10 contains: The House of the Living Dead by harold Ward; The Indoor Safari by Max Nugor; The House Party at Smoky Island by L M Montgomery; Settler's Wall by Lowndes; The Isle of Missing Ships, a Jules De Grandin Story by Seabury Quinn ---VOLUME 11 contains: Wolf Hollow Bubbles by David H Keller; Mrs Kaye by beverly Haaf; The Haunter of the Ring by Robert E Howard; The Vengeance of India, a Jules de Grandin story by Seabury Quinn; After Sunset by Philip Philip Hazleton; The Ship of Silent Men by Philip M Fisher; The Whisperer (verse) by Lowndes ---VOLUME 13 contains: The Gray Killer by Everil Worrell; The Scar by J Ramsey Campbell; Where ther's Smoke by Donna Gould Welk; Ancient Fires, a Jules de Grandin story by Seabury Quinn; The Cases of Jule [Attributes: First Edition; Soft Cover]

      [Bookseller: Leonard Shoup (Member of IOBA)]
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        The Lord of the Rings The Fellowship of the Ring, The Two Towers, The Return of the King

      Houghton Mifflin Company 1967 - 1st printing of the Revised 2nd edition. Volume 1 first 2 chapter pages show slight corner creases. No further defects present. Top edges stained orange, red, and purple, respectively. All books include fold-out maps. Dustjackets mild edgewear. Vol. 1 dustjacket small edgetears. All dustjackets protected within mylar covers. Dustjackets include price of six dollars on top flap. Bindings sturdy, cloth boards very bright, corners sharp and inner pages unmarked. [Attributes: First Edition; Hard Cover]

      [Bookseller: Books on the Boulevard]
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      [Bookseller: NOSTROMO2]
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        Menaud maître-draveur

      Fides, Montréal et Paris 1967 - In-4. 211 pages. Sous étui de toile. Plein maroquin havane, tranche supérieure dorée, pages de garde marbrées. Reliure signée Lise Dubois. [Attributes: Hard Cover]

      [Bookseller: Librairie Bonheur d'occasion (LILA/ILAB)]
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        Bouquet De Rêves

      Fernand Mourlot, France 1967 - In-4° (331 x 257), en feuilles, sous couverture blanche rempliée et illustrée d'une lithographie sur les 2 plats. Chemise et étui d'éditeur,18 lithographies en couleurs soit : 1 frontispice, 11 in-texte, 6 hors-texte dont 3 à double page. Edition totale à 200, celui-ci n° 47, 1 des 150 sur Vélin de Rives, signé par l'artiste au colophon [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Librairie Artcurial]
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        The Pardoner's Tale. With woodcuts by Bronislaw M. Bak. [In a Silvia Rennie Design Bookbinding].

      Studio Press, Chicago. An out-of-series copy printed on Strathmore Ivory Antique paper (The Colophon mentions a total of 285 copies). In a design bookbinding by Silvia Rennie. 1967 - Size of the binding: 14 1/4 inches x 11 1/4 in., half-title; colophon page; title-page with a woodcut; 82 pp., printed on one side of the page only, each page with a woodcut, and text in Cloister Black type on the side. In a stunning design bookbinding created by Silvia Rennie, with her name, blind-stamped on the lower edge of the inner back cover. The binding features flexible covers which are bound with four black leather flat bands across the spine and the inner covers and cover fore-edges. The front and back covers display a running panorama of figures and scenes relating to the Pardoner's Tale in black, white and red leather inlays and onlays, with some objects depicted in silver, and with her typical silver stars and dots. There are two figures in medieval dress, one is based on a Bak woodcut; a figure of death, skull, dice, playing cards, jugs, goblets, a crossed sword and spear, a cityscape and various other objects. With the top-edge stained in an abstract pattern in red and purple, with various sized silver dots. This is one of Silvia Rennie's finest interpretive bindings. Housed in a specially constructed, top-opening case, which has two drop-back sides, the case in covered in black cloth, with a red leather title label with the titling in silver, which is mounted on one side; a red paper-covered inner flap folds over the book, and is partly visible from the cut-out top of the case, when the case is laying flat; the lower interior, of the box, and the underside of the flap is lined with gray suede Weight: 7 lbs. [Attributes: Hard Cover]

      [Bookseller: Peter Keisogloff Rare Books, Inc.]
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        Derniers messages. Derriere Le Miroir No 166.

      - Paris, Maeght Éditeur 1967. Folio. Number 37 of 150 copies on vélin de lana. (4),18,(14, 3 last blank). Seven colour litographs. Unsewn as issued in original chemise and slipcase. Slipcase slightly rubbed and bumped lower corner at spine. 39,5 x 29 cm.*The seven litographs are: Front cover design, three double page plates and three single page plates. Also 8 portrait photographs of Braque at work.[#\10593]

      [Bookseller: Antiquaria Bok & Bildantikvariat AB]
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      - Lausanne et Paris, Editions du Bibliophile et Union latine d'éditions, 1967. Trois ouvrages réunis dans un coffret : 1. FAC-SIMILE du volume latin d'après l'exemplaire unique conservé au musée de Bâle et illustré par HOLBEIN (Edition Johannes FROBEN 1515). 17x23 cm. Reliure en pleine peau de truie. Plats ornés d'encadrements à volutes en relief dans le style des reliures du XVIème siècle. Dos lisse portant le nom ERASMVS à l'encre brune. 2. TRADUCTION française illustrée de bois de JEAN CHIEZE. 19,5x24,5 cm. Tranche supérieure dorée. Reliure en pleine peau noire ornée sur les plats d'un motif de fou montant et descendant un escalier. Dos lisse portant le nom ERASME en lettres dorées. 3. ETUDE de Hanspeter Landolt sur l'édition de 1515 de l'Eloge de la folie. 15,5x23 cm. Broché. Couverture rempliée verte. L'ensemble est conservé dans un magnifique coffret doublé de velour rouge à l'intérieur et recouvert de feuilles de bois minces à l'extérieur. Ensemble en excellent état et de facture très soignée, notamment le facsimilé. Tirage limité à 5000 exemplaires. [Attributes: Soft Cover]

      [Bookseller: Librairie de l'Univers]
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        A Garden of Earthly Delights

      Vanguard Press, New York 1967 - [1967]. Fine in a Very Good+ dustjacket. Bound in full green cloth. The spine is stamped in green and white. Octavo. Red endpapers and topstain. 440pps. There is a touch of fading to the extreme upper and lower edges of the cloth, otherwise clean, tight, square, and bright. The textblock is immaculate; no previous ownership markings. The dustjacket, glossy in a new mylar sleeve, has light edgwear and is only faintly faded on the spine; the original price (5.95) is intact. SIGNED by the author -- without further inscription -- on the title-page. An excellent, collector's-quality copy of this early Oates novel. ".In her second novel, Joyce Carol Oates created one of her most memorable heroines, Clara, the beautiful daughter of migrant farmworkers. Intent upon rising above her haphazard life of violence and poverty, Clara struggles for independence while relying on four men to fashion her destiny: her father, a hardened laborer simmering with resentment; Lowry, who rescues the teenage Clara from her family and offers her a first glimpse of love; Revere, the wealthy married man who promises Clara stability; and Swan, Clara's son, who bears the burden of his mother's mistaken identity." Purchase with confidence: all books, gradings, and descriptions are rendered the care of a genuine bibliophile. Satisfaction guaranteed or all costs you've incurred will be promptly refunded. Thanks for your interest in Nooks Of Books. To assist with your decision, photos, comprehensive, can be emailed upon request. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Nooks Of Books (IOBA, Betr. Bus. Bureau)]
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        Hell's Angels

      Random House 1967 - First Edition, First Printing with "First Printing" printed on the copyright page. This copy is SIGNED by Hunter S. Thompson on a laid in signature. A stunning dustjacket that is rich in color with slight wear to the edges. This ORIGINAL First Printing dustjacket has the price present on the front flap. The book is in excellent condition. The binding is tight, and the boards are crisp with slight wear to the edges. The pages are clean with no writing, marks or bookplates in the book. Overall, a superb copy of this TRUE FIRST EDITION SIGNED by the author. We buy SIGNED Hunter S. Thompson First Editions [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Quintessential Rare Books, LLC]
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        El Mundo de las Manos

      Quito : Casa de la Cultura Ecuatoriana 1967 - ~ Prólogo de Benjamín Carrión ~ Con 9 dibujos de Guayasamín, 1 en cubierta y otros 8 reproducidos en láminas de cartulina color gris azulado fuera de texto. En la cubierta posterior, retrato de la poeta, reproducción en negro de un óleo del artista ~ Con dedicatoria autógrafa del artista en anteportada y de la poeta en primera blanca ~ Rústica original ~ 44p+2f ~ 25x19x1cm. ~ Mínimas manchas en la cubierta, por lo demás, en perfecto estado ~ LANGUAGE: Español / Additional images available/ [Attributes: First Edition; Signed Copy]

      [Bookseller: Lirolay]
 27.   Check availability:     IberLibro     Link/Print  

        A Letter

      1967 - NEAR FINE; a letter on Cornell University letterhead with watermark by HANS BETHE concerning one of the aspects of his recieving the 1967 NOBEL PRIZE for PHYSICS; folded; ONE OF A KIND ITEM; Size: 4to - over 9¾" - 12" tall [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: Virtual Books]
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        Derrière Le Miroir MIRÓ L`Oiseau Solaire L Oiseau Lunaire Etincelles,

      Maeght, Saint-Paul De Vence / Paris 1967 - Text französisch. Heft in Mappe, diese im Schuber. Schuber intakt, jedoch mit minimalen Gebrauchsspuren. Mappe und Heft tadellos. 150 Exemplare (dieses: Nr. 90, signiert von Miró - l`édition de tête de ce numero de "Derrière le Miroir", consacré à Joan Miró est limité à 150 exemplaires sur vélin de Rives numerotés et signés par l`artiste, exemplaire 90). Contient le texte: "Le Micromonde" par Patrick Waldberg avec deux lithographies dont une en double page, deux lithographies en double page et une lithographie en triple page, le texte "Deux Oiseaux Fabuleux à Altomiro" par André Frenaud, (avec lithographie), le texte "Itinéraire" par Shuzo Takiguchi avec une lithographie + 8 pages de représentation d`oeuvres de Miró (peintures, dessins, sculptures, céramiques). Couverture du cahier entièrement lithographiée. Une édition rare et magistrale! Weitere Fotos verfügbar. D`autres photos sont à votre disposition! Gewicht 2,8 kg, 29 x 38,5 Cm. Gewicht in Gramm: 1800 Limitierte & Signierte Ausgabe Im Schuber Illustrierte Pappe Sehr gut [Attributes: Signed Copy; Soft Cover]

      [Bookseller: Antiquariat Clement]
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        Atlante dei Pesci delle Coste Italiane. [8 Volumi + I Pesci dei Mari d'Italia. Introduzione all'Atlante dei Pesci delle Coste Italiane].

      1967 - Roma, Mondo Sommerso Editrice, 1967; 9 voll., cartonato, pp. 1650, ill. b/n col., cm 21,5x29. (Sirio). [Attributes: Hard Cover]

      [Bookseller: Libro Co. Italia Srl]
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        Trattati di Archittetura ingegneria e arte militare (2 Bde.). A cura di Corrdo Maltese. Trascrizione di Livia Maltese Degrassi.

      Milano, Edizioni il Polifilo, 1967 - 4°, LXVIII, 289 S., Taf. 186 Taf.; 290-616 S., Taf. 187-331, OLwd., Exlibris Name u. bibliothekssignatur a. Vors., tadell. Francesco di Giorgio, genauer Francesco di Giorgio Martini (1439 - 1501), italienischer Architekt, Bildhauer und Maler. Er bildete sich in der Malerei bei Vecchietta aus, war anfangs in Orvieto und seit 1463 in Siena tätig, wo er mit untergeordneten dekorativen und konstruktiven Arbeiten, namentlich in Festungsbauten, beschäftigt war. Im Jahr 1490 erhielt er den Auftrag, das Modell für die Kuppel zum Mailänder Dom anzufertigen, welches auch 1493 von Giovanni Antonio Amadeo ausgeführt wurde. Bei der Belagerung von Neapel im Jahr 1495 soll er die Erfindung der Minen gemacht haben. Seine Bedeutung liegt in seiner außerordentlichen Vielseitigkeit, welche ihn in die erste Reihe der Renaissancekünstler erhebt, wenn er auch keine hervorragende Schöpfung hinterlassen hat. Er starb 1502 in Siena. Seinen "Trattato di architettura civile e militare" hat Cesare Saluzzo (Turin, 1841) erstmal in einer Bearbeitung herausgegeben. In diesem Werk tauchen viele Maschinenelemente (Zahnräder, Schneckengetriebe, Bewegungsgewindespindeln usw.) in seinen Katapult- oder Schwerlastkran-Konstruktionen auf. 3000 gr. [Attributes: Hard Cover]

      [Bookseller: antiquariat peter petrej]
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        Clown i cirkus. ("The Circus with the yellow Clown").

      . Colourlithographed poster. Landskrona: Borsthusens konstförening 1967. Printed by Mourlot. 80 x 55 cm. Orig. woodframe. No. 882 of 1000 copies. Orig. program enclosed. * Julien Cain: The Lithographs of Chagall 1962-1968, No. 443..

      [Bookseller: Peter Grosell, Antiquarian Bookseller]
 32.   Check availability:     ZVAB     Link/Print  

        Cerceaux 'sorcellent Jean Dubuffet

      Editions Beyeler & Jeanne Bucher, Bale & Paris 1967 - Unpaginated. Square 4to, 27 x 22 cm. Approx. 60 pages, illustrated with twenty-one original silkscreens by Dubuffet, most are colored. French text. Limited edition, copy 260 of 800. FROM MANET TO HOCKNEY 140. MONOD #7280. Lovely, fresh copy. Orig. illustrated stiff wrappers. Fine in fine slipcase. [Attributes: First Edition; Soft Cover]

      [Bookseller: Royoung Bookseller, Inc. ABAA]
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        Cerceaux 'sorcellent (Limited Ed.: 20 screenprints by Jean Dubuffet)

      Jean Bucher & Beyeler, Paris 1967. - With text by Max Loreau; with 20 full page colored screenprints, including the cover, title page on wove paper by Jean Dubuffet; softcover -as issued; black pp-coverd slipcase; French text opposite the plates; numbered limited edition of 800 (this is #250); 4to size: 8-1/2x10-3/4in; book is tight, a little sunning to softcover's spine, just a very little self rubbing to slipcase, otherwise illustrated front cover, interior text pages and screenprints in EXCELLENT COND. [Attributes: First Edition; Soft Cover]

      [Bookseller: DR FINE ARTS]
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        Affiche pour une exposition d'estampes et illustrations pour " Du monde entier "

      Kieffer, Paris 1967 - Impression typographique en noir sur fond en couleurs par l'imprimerie Watelet-Arbelot. Format : 65 X 50 cm.

      [Bookseller: La Basse Fontaine]
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        Le grand atlas ou cosmographie Blauiana. Faksimile der Ausgabe Amsterdam 1663.

      Theatrum Orbis Terrarum, Amsterdam, 1967 - 12 Bände. Amsterdam, Theatrum Orbis Terrarum (1967-68). Imperial-Folio (55 x 34 cm). Mit mehr als 600 Karten. Helles Original-Kunstleder mit Goldprägung, welches die vergoldeten Pergamentausgaben nachahmt. Teilweise gestossen, ein Gelenk etwas eingerissen, im Schnitt stellenweise stock- und braunfleckig. Einzige vollständige Faksimile-Ausgabe des prächtigsten Kartenwerkes aller Zeiten, eins von 1000 num. Exemplaren. VERSAND NUR NACH ABSPRACHE, DA DAS WERK NICHT NUR ALLE STANDARDKISTEN SPRENGT, SONDERN AUCH CA. 100 KILO WIEGT! Only complete facsimile edition of the worlds most famous atlas. PLEASE ASK FOR SHIPPING CONDITIONS, THIS OPUS MAGNUM WEIGHS MORE THAN 220 LBS. Helles Original-Kunstleder mit Goldprägung, welches die vergoldeten Pergamentausgaben nachahmt.

      [Bookseller: Antiquariat Peter Fritzen]
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        Alan Davie. Edited by Alan Bowness.

      Lund Humphies., London. 1967 - Decorated cloth, a little worn and rubbed at corners, original acettate wrapper, this fragile and chipped with loss. Colour and b/w plates, documentation. With a lengthy warm presentation inscription from Davie to Joy M. Edwards dated 1970 on the half-title. With a further lengthy signed typed letter to Joy Edwards, dated 1983 on Davie's Gamel Studio paper. Also two private view invitations. Joy Edwards may have been connected to the Weitzenhoffer Gallery of New York with whom the Gimpel Gallery shared a space in the 1980's. With a fine large b/w portrait of Davie, by Jorge Lewinski (with his studio stamp on reverse). [Attributes: First Edition; Hard Cover]

      [Bookseller: Roe and Moore]
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        Tea Party and Other Plays

      Methuen & Co Ltd, London 1967 - First edition. Spine slightly tilted and boards bowed, with light discoloration on the endpapers, thus very good only in a very good dustwrapper with a sticker shadow on the front panel and some dampstaining on the rear panel and flap. Signed by the author. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Between the Covers-Rare Books, Inc. ABAA]
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        Tea Party And Other Plays - 1st Edition/1st Printing

      Methuen & Company, London 1967 - First Edition/First Impression in about Fine condition, title page and opposite page ever so slightly browned (likely from inlaid newspaper clip) in very Nearly Fine dust-wrapper, very slightly rubbed. Signed by author and Nobel Prize winner Harold Pinter on the title page; Pinter's play, adapted from his own 1964 short story of the same title. The screenplay was first transmitted on BBC Television in March 1965 with Pinter's first wife Vivien Merchant as Wendy, the first stage production was in October 1968 as part of a double bill with Pinter's play The Basement First Edition; First Printing; Signed by Author [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Books Tell You Why - ABAA/ILAB]
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        Alan Davie.

      London, Lund Humphries, 1967. 4°, 175 S. m. Textabb. u. 106 teilw. farb. Tafeln (compl.)., OLwd. m. Transparent-OU, goldgepr. Deckel u. Rücken., OU m. Fehlstellen, Lwd. an den Rändern etw. gebräunt, min. gebrauchsspurig, sonst gutes Exemplar. Preis in CHF: 726. First edition. Text engl. Werkverzeichnis m. 520 Arbeiten, m. Biographie, Ausstellungsverzeichnis u. Bibliographie. Einband, Schmuckvorsatz und Textillustrationen wurden vom Künstler für diese Publikation angefertigt. Beiliegend Katalog (8 Bl. m. 7 s/w Abb.) zur Ausstellung in der Galerie Charles Lienhard, 1960; u. Einladung zur Vernissage der Ausstellung bei Gimpel-Hanover u. Emmerich v. 1980.

      [Bookseller: Antiquariat Peter Petrej]
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        Eighteenth Century Views of Florence, Portfolio of 27 Plates (Reproduction of the 1754 Edition Scelta Di XXIV Vedute della principali Contrade, Pizze, Chiese, e Palazzi dell Citta di Firenze).

      Walker and Company, New York 1967 - Portfolio of 27 plates in facsimile, 17.5 x 22.5 inches, in a buckram bound box. First edition / limited edition of 950 copies, of which this is number 476. Includes 29 page booklet, Views of Florence, which are notes on the individual prints. Original drawings are in the collection of the Pierpont Morgan Library in New York City. Giuseppe Zocchi (c. 1711-1767) was an Italian painter and printmaker, active in Florence, and best known for his vedute of the city. Prints are fine. Box has some wear. [Attributes: First Edition; Hard Cover]

      [Bookseller: Raptis Rare Books, ABAA/ ILAB]
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        Haselhuhn, Werner. - "Kornfeld am Waldrand".

      . Aquarell, auf hellem Karton, 1967. Von Werner Haselhuhn. 43,5 x 68,5 cm (Darstellung / Blatt). Rechts unten signiert und datiert. Verso in Kugelschreiber betitelt. - Prächtiges Blatt des vom Impressionismus inspirierten Malers. - Blattrand mit leichten Mängeln und insgesamt etwas knickspurig. Insgesamt guter Zustand. Werner Haselhuhn (1925 Bad Frankenhausen - 2007 Dresden). Deutscher Maler und Grafiker. 1940-43 Lehre als Dekorationsmaler. 1943-46 Militärdienst und Kriegsgefangenschaft. 1947-1952 Tätigkeit und Möbellackierer. 1953?55 Studium an der Arbeiter-und-Bauern-Fakultät für Architektur in Weimar. 1955-60 Studium an der Hochschule für Bildende Künste Dresden (HfBK) bei Erich Fraaß und Paul Michaelis. Seit 1960 freischaffend. 1961 Mitglied des VBK der DDR. 1969 Auszeichnung mit dem Martin-Andersen-Nexö-Kunstpreis der Stadt Dresden. 2005 Verleihung der Ehrenbürgerschaft der Kurstadt Bad Frankenhausen..

      [Bookseller: Galerie Himmel]
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        A Hall of Mirrors

      Boston: Houghton Mifflin. 1967. His first book, a novel of drifters in New Orleans in the early Sixties caught up in the web of a quasi-religious political machine. Winner of the William Faulkner Award for best first novel of the year as well as a Houghton Mifflin Literary Fellowship Award. Basis for the film WUSA (the call letters of the right-wing radio station that figures prominently in the book), starring Paul Newman, Joanne Woodward and Anthony Perkins. Inscribed by the author: "For ___ & ___/ All of these things have I seen and some of them I was/ Love/ Bob Stone." One of the recipients was a Wallace Stegner Fellow at Stanford at the same time Stone was there, where he was writing this novel, which at that time was titled "Children of Light," the name of the Robert Lowell poem that serves as epigraph for the book and contains the phrase that eventually became the published book's title. By all appearances a contemporary inscription, and one to a close friend/colleague; we have seen few copies of this title with such a revealing and personal inscription. Very good in a good dust jacket with a long tear to the lower front flap fold, previously internally tape-mended. First Edition. Hardcover.

      [Bookseller: Ken Lopez Bookseller, ABAA]
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        The Eighth Day [Inscribed Association Copy]

      NY: Harper. (1967). The three-time Pulitzer Prize-winning (Our Town, The Skin of Our Teeth, The Bridge of San Luis Rey) author's National Book Award winning novel. Inscribed by the author: "For JEAN and WALTER with deep regard and affection ever/ Thornton/ March 21, 1967." The names are printed large, with "Jean" in a different pen, whilst the rest of the inscription is in small cursive. We are unaware of the point of this. We do know, from another inscription, that Wilder was in New York on this date, and that he had reason to behold the Pulitzer Prize-winning critic Walter Kerr and his wife, the writer Jean Kerr (of Please Don't Eat the Daisies fame) with deep regard and affection: Walter Kerr lauded Wilder's work repeatedly in the 1960s, from his off-Broadway work ("the very special voice of Thornton Wilder...the homely, jaunty, gently poetic sound of it..."), to the cultural phenomenon that was Hello, Dolly!, which was based on Wilder's The Matchmaker. This is conjecture on our part, but suffice it to say we could not come up with another New York Jean and Walter that would fit the bill here. Regardless, an undeniably gorgeous, inscribed copy of a National Book Award winner: fine in a fine dust jacket -- so much so that we first wondered if this copy was a facsimile (it's not). First Edition. Hardcover.

      [Bookseller: Ken Lopez Bookseller, ABAA]
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        Thirtyfour parking lots in Los Angeles

      s. l. [Los Angeles] , Edward Ruscha , 2. Auflage (2.000 Exemplare) , 1967 (gedruckt 1974) , nicht paginiert [48 Seiten] , 26 cm , kartoniert. bestens erhaltenes Exemplar ohne Gebrauchsspuren, mit 31 einfarbigen Abbildungen, die letzte Abbildung mit einem anmontierten Foto zum Umklappen; alle Fotos mit Angaben der geographischen Lage.

      [Bookseller: Antiquariat Bernhard]
 45.   Check availability:     ZVAB     Link/Print  


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