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Displayed below are some selected recent viaLibri matches for books published in 1967

        ???Since I could hold a pencil I have always drawn pictures?????? ???In 1924 I illustrated A.A. Milne???s ???When we were Very Young??? and 2 years later ???Winnie the Pooh??? followed by ???Now we are six??? and ???The House at Pooh Corner?????????

      "Rare Autograph Letter Signed, ???Ernest H. Shepard,??? 1p, 6.25??? x 7???. To Miss Evelyn B. Byrne. New York. Lodsworth, [England], October 26, 1967, with an Autograph Biographical Manuscript (unsigned) of over 150 words at the conclusion of a two page typescript of his previous letter to Miss Byrne. Accompanied by the original airmail envelope (enclosing his letter and annotated typescript) addressed by him to Byrne, postmarked October 27, 1967, handwritten on back flap by Shepard: ???E.H. Shepard / Woodmancote / Lodsworth / Sussex / England.â? Slit open at top. Fine condition. In full, â??Many thanks for your letter and for all the information you give me. I am indeed glad to know of the success of your venture and I hope that your new book will meet with great success. By all means reprint my letter. I am particularly pleased to know that schools, parents and teachers showed such interest. I am returning you the typescript of my letter and, as you will see, have added something that may be of interest to you personally. With all good wishes, Yours Sincerely Ernest H. Shepard.â? A color photocopy of Shepardâ??s September 6, 1967, letter to Byrne is present, as is the typescript Miss Byrne sent him where he had told her â??Since I could hold a pencil I have always drawn picturesâ?¦â? 1.5 pages, 8.5â? x 11â?, separate sheets. In the blank half of the second page of the typescript, Shepard handwrote the following, in full, â??I started working for â??Punchâ?? when I was 26 and fifteen years later, when I came back from 3 years service as a Gunner in the 1914 war, I was elected to the Punch â??Tableâ?? staff. In 1924 I illustrated A.A. Milneâ??s â??When we were very youngâ?? and 2 years later â??Winnie the Poohâ?? followed by â??Now we are Sixâ?? and â??The House at Pooh Cornerâ??. I also illustrated a New edition of Pepyâ??s Diary titled â??Everybodys Pepys. This was followed by â??Everybodys Boswell.â?? Then a few years later, I illustrated â??Wind in the Willowsâ?? â?? â??Dream Daysâ?? and the â??Golden Ageâ?? by Kenneth Grahame. I illustrated â??Bevisâ?? the Story of a boy, by Richard Jeffries. Then came Laurence Housmanâ??s Palace Plays â??Victoria Regina,â?? â??Golden Sovereignâ?? and Gracious Majesty.â?? Within the last 3 years, I have written & illustrated two books for Children â??Ben & Brockâ?? and â??Betsy & Jo.â?? Both have been published in the U.S.A. besides in England and several European Countries.} I think this may interest you, though it is outside the scope of your new book.â?"

      [Bookseller: University Archives ]
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        [Program]: La Turista

      New York: The American Place Theatre. [1967]. Octavo. [8]pp. Stapled wrappers. Two small bookstore stamps on the rear wrap, else near fine. Program for the first production of the author's first full-length play. Although it won the Obie Award for Best Play, La Turista lasted off-Broadway for less than a month. The program lists the original cast of the play featuring Sam Waterston. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Jazz At The Philharmonic, Original Concert Tour Program, final North American Tour 1967, Signed By Coleman Hawkins, Zoot Sims & Clark Terry

      - Jazz At The Philharmonic, Original Concert Tour Program, final North American Tour 1967. SIGNED in ink at their respective b&w photographs, by saxophone greats Coleman Hawkins and Zoot Sims and trumpet and flugelhorn master, Clark Terry. Letter of provenance laid in from previous owner who acquired the autographs in Montreal, Quebec, one of several Canadian stops on the tour; the Hawk's signature is particularly significant in that the great saxophonist was in failing health at this time, having stopped recording in 1966, and his performances were very curtailed after this tour, until his death in 1969. A handsome large format (14" by 11") concert program, staple bound wraps, original cover art by David Stone Martin, unpaginated (24 pp, plus wraps), lavishly illustrated with b&w photos. Touch of rubbing to front wrap and mild creasing to the corners and spine, rear wrap is lightly soiled with faint pen strike , else very good+, tightly bound, clean and unmarked. The autographs are fine, clean, without loss or fading. Although impresario Norman Granz had officially ended the JATP national tours with his eighteenth in 1957, a decade later he mounted a final farewell tour of North America which featured the Duke Ellington Orchestra with Ella Fitzgerald as vocalist, as well as other jazz luminaries long associated with Granz, including Oscar Peterson and Benny Carter. After the tour Granz was quoted as saying "I'll never do that again", although he did intermittently continue the tradition, reprising JATP at Monterey in 1971, as well as at the Montreux Jazz Festival in the 70's and with final concerts held in Tokyo in 1983, marking the 30th anniversary of the first time JATP had played there. A highly collectible vintage concert program, an historic tour, with the signatures of three jazz luminaries. J1542 [Attributes: Signed Copy]

      [Bookseller: JazzFirst Books]
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        The artist who gave us Winnie the Pooh, Ernest Shepard, in a long ALS, talks about Dickens and R.L. Stevenson, and says, ?Since I could hold a pencil I have always drawn pictures ??

      "Rare Autograph Letter Signed ?Ernest H. Shepard,? 3 pages, 6.25? x 7?, front and verso. To Miss Evelyn B. Byrne. Lodsworth, [England], September 6, 1967. Accompanied by the original airmail envelope hand addressed by Shepard to ?Miss E.B. Byrne Ph.D. / 2192 Morris Avenue / Bronx 53 / New York / U.S.A.? Slit open at top. Fine condition. Miss Byrne then sent a typescript of the letter here offered to Shepard asking permission to reprint it in a book she was writing. A color photocopy of Shepard?s reply to Byrne, dated, October 26, 1967, is present as is a color photocopy of the typescript of this September 6th letter which she had sent him, upon which he wrote a 150+ word autobiography including the fact that he his illustrated A.A. Milne?s ?Winnie the Pooh? in 1924. This September 6, 1967, letter, In full, ?Thank you for your letter. I will do my best to answer your questions. When I was 12 years old my Father read Dickens to us ?" my sister, brother and myself ?" I was the youngest. We had David Copperfield, Martin Chuzzlewhit, Dombey & Son, The Old Curiosity Shop and, of course, Pickwick Papers. I think half of my enjoyment of these books came from my father?s reading ?" Having had experience as an actor he not only read beautifully but also dramatized the parts. For my own reading I had several of Henty?s books and I read R.L. Stevenson when I was 16 to 17. A book that was a great stand by was called ?The World of Adventure? published by Cassells (England) I think about 1890. ?It was given to me when I was 12 and proved to be a mine of information, enjoyment & excitement. Every story was true and well illustrated ?" Shipwrecks and Fires Adventures in the Alps, avalanches polar expeditions, Wild West with Buffalo Bill, battles in India and Zulu land, ballooning, Inventions Mine Explosions ?" For lighter reading I had ?Alice in Wonderland? of which I have never tired, and Randolph Caldecott?s illustrated rhymes ?" at the age of 87, I still enjoy these. ?Since I could hold a pencil I have always drawn pictures mostly of people and was encouraged by both my parents to do so. I do not know much about American writers. I have limited time for serious reading as I still work many hours a day and enjoy it. I think your students may be interested to know that I have written and illustrated two autobiographies. One ?Drawn from Memory? about my childhood, from age 7 to 8, was published by Lippincott in 1957. The other ?Drawn from Life,? published, Dutton, 1959, about my school days, aged 12 to 16, art student, aged 17 to 21. Then my early struggles to earn a living and then my marriage at the age of 24. I hope some of all this will be of interest to your students. Yours Sincerely Ernest H. Shepard.?"

      [Bookseller: University Archives]
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        [Manuscript]: The Black Jacobins

      London: C.L.R. James 1967. Two volumes. Each volume comprised of side-stapled folio leaves. Mixed ribbon copy typescript with some mimeographed or mechanically copied leaves printed rectos only, with handwritten corrections, as well as typed sections taped in. The first volume is 25 leaves, the second is hand titled in ink and consists of 24 leaves all but one printed rectos only. The final leaf, which is hand titled "Alternative Version of Epilogue" is detached but present. James's address on first leaf. James's dramatization for the stage of his earlier pioneer study of the revolution that resulted in the foundation of present day Haiti. That book helped to define and elevate Toussaint into his now accepted place as one of the most important political figures of his generation. James originally wrote the play Toussaint Louverture in 1934, which featured Paul Robeson, and then revised it in 1967 and changed the title to The Black Jacobins. This is the manuscript of the 1967 revision.

      [Bookseller: Between The Covers]
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        ROSETTENKNÜLCHE....ODER TOD UND VERKÄRUNG

      Hannover: Fischersträssner Presschen, 1967.. [7] leaves, plus six sheets of etchings. Oblong folio (45.5 x 34cm). Loose sheets, laid into slightly larger folding cloth folder with inset. Fine. First edition. One of an edition of twenty- five numbered copies, illustrated with six original etchings (including two with color and one with additional blind-embossing around the plate margins), each numbered and signed by the artist. The text, which follows typographic designs by Klaus Burkhardt, is by Günther Wirth, Klaus Basset, Reinhard Döhl, et al.

      [Bookseller: William Reese Company - Literature ABAA-]
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        We Are Many. translation by Alastair Reid, photographs by Hans Ehrmann.

      London, Cape Goliard Press, 1967.. 1. Auflage unpaginiert (19) Blatt mit zwei Photographien. 8°, gebundene Ausgabe, Hardcover/Pappeinband. mit Schutzumschlag (Faserpapier), sauber und gut, das Cover cut out von Jim Dine, der Vortitel ist ausgeschnitten und zeigt den Blick auf ein Originalphoto Nerudas von Hans Ehrmann, auf dem Titel die Signaturen des Lyrikers und Literatur-Nobelpreisträgers Pablo Neruda und des Übersetzers Alastair Reid, Exemplar Nr. 72 einer Vorzugsausgabe von 100; dazu heißt es im Kolophon: " bound in two editions: 1400 sewn in wrappers, 100 copies handbound in hardcovers, signed and numered by the author and translator", auf dem letzten Blatt fünfzeilge Widmung und Mitteilung Pablo Nerudas in teils füchtiger Schrift: " I am (coming ?)... in London / on the 1 st or 2 nd July / visited (by ?) Ted Hughes. Wile / be 10 days. Hope to see you / every one of them. / Neruda, Pablo",

      [Bookseller: Bührnheims Literatursalon GmbH]
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        Chang Dai-Chien's Paintings; with 130 reproductions of the Master's paintings since 1944

      Hong Kong: The East Society, 1967. 1st. Paperback. Near fine. Bound in the publisher's original illustrated wraps. Original plastic dust cover is lightly rubbed, else fine. Illustrated throughout with black & white reproductions of Professor Chang Dai-chien's paintings from 1944 to 1966, with one two-panel reproduction in color. Text in English and Chinese.

      [Bookseller: James & Mary Laurie Booksellers (A.B.A.A]
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        Diploma. Reverse with 4 autogr. lines and signature by Castro.

      Havana, 22. VII. 1967.. Oblong royal folio. 1 p.. Diploma issued by the "General Maximo Gomez" school to Lt. Angel Poutou Alvarez, who completed a special course in artillery ("El T[enien]te Angel Poutou Alvarez ha recibido el Curso Regular de la Especialidad de Artilleria en esta Escuela, habiendo resultado Aprobado en el mismo, en virtud de lo cual se le otorga el presente Diploma"). - Severe wear and edge damage.

      [Bookseller: Antiquariat Inlibris, Gilhofer Nfg. GmbH]
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        Giving her permission to publish her letter about books she read as a teenager, Agatha Christie writes she is ?content to leave it as written ? later additions & deletions ? or indeed corrections of any kind are nearly always a mistake ??

      "Rare Autograph Letter Signed ?Agatha Christie,? 2 pages, 5.5? x 7?, front and verso with blank integral leaf. Winterbrook House, Wallingford, Berks., England, September 29 [1967]. To Miss Evelyn Byrne, New York. With original addressed envelope emclosed by Byrne to Christie for her reply, postmarked October 2, 1967. Fine condition. In full, ?Thank you for your letter ?" I am so glad your project met with such wide appreciation ?" I certainly give you full permission to reprint my letter to you in book form. I am quite content to leave it as written ?" later additions & deletions ?" or indeed corrections of any kind are nearly always a mistake. With best wishes to you ...? From 1966 to 1970, Evelyn Byrne ran a program at New York City's Elizabeth Barrett Browning Junior High School where she asked major literary and artistic figures of the time to write back with their recollections of what books inspired them while they were teenagers. An assortment of their responses were published in the book Attacks of Taste, printed in 1971 by Gotham Book Mart. Accompanied by a 4? x 5.5? unsigned photograph of Agatha Christie and a photocopy of her February 19, 1966, TLS to Miss Byrne about books she read as a teenager."

      [Bookseller: University Archives]
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        La Regla Abstracta

      Ediciones Ellena - Rosario, Argentina 1967 - Ejemplar numerado n° 123. Esta edición de "la Regala Abstracta" consta de 403 ejemplares. Todos ellos incluyen una impresión original sobre papel Ingres de un grabado en madera de Joaquín Torres García realizado en 1931. Los tres primeros ejemplares llevan la denominación I/III, II/III y III/III y son propiedad de la familia Torres-García, del señor Ignacio Acquarone y del señor Emilio Ellena, respectivamente. Los restantes ejemplares están numerados de 1 a 400. Los primeros doscientos incluyen una reimpresión del grabado en madera en una hoja fuera de texto. De ellos, los diez primeros contienen un dibujo original de Torres-García. La foto de Torres- García, fue tomada por Roberto Lagarmilla en 1939. Las tares de impresión de los textos se realizaron en los talleres de Perelló S.A de Rosario (Argentina). El grabado original se imprimió en los talleres de Francisco A. Colombo en la ciudad de Buenos Aires, bajo el cuidado de Raúl Veroni. Rebeca Ch de Guber, Víctor L. Rebuffo, Daniel Zelaya, Albino Fernández y Eduardo Serón, colaboraron gentilmente en distintas labores vinculadas a esta edición que se concluyó el 12 de Octubre de 1967. Firma Original Ifigenia Torres (Hija de J.T.C) [Attributes: Hard Cover]

      [Bookseller: Eduardo Martínez Moreira]
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        Master and Margarita

      London: Collins Harvill, 1967: First British Edition, First Printing. In Near Fine+ condition, in a Near Fine price clipped dust jacket. Hardcover shows faint edge wear. The dust jacket shows light toning, light rubbing along spine edges and a small tear to the top of the rear panel. A very sharp copy.

      [Bookseller: Burnside Rare Books]
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        WOODLAND MUSIC By R. H. MILLER 1967 First Edition Super Rare

      PAGEANT PRESS, NY 1967 - TITLE: WOODLAND MUSIC By R. H. MILLER 1967 First Edition Super Rare AUTHOR: R. H. MILLER PUBLISHER - (LOCATION) / COPYRIGHT: PAGEANT PRESS, NY 1967 EDITION: First Edition CATEGORY: Super Rare, First Edition, Education BINDING/COVER: Hardback with dust jacket COLOR: Cream CONDITION: The dust jacket is in fair++ condition there is a chip to the top back edge near the hinge (see photo); the front has what appears to be really light age foxing; there is a really small sized name or word written in ink (almost invisible) to the front left near the lower hinge area. The $4.50 price is still on the front flap; the flaps have left age shadow imprints on the free endpapers; there is light age foxing to the fore edge. Book is without marks or writings, pages are fairly clean and book is tight and sturdy. SIZE: 5 ½ x 8 ½ (approximately) PAGES: 268 pages. Fair++/Fair++ dust jacket condition. BACKGROUND/DESCRIPTION: First Edition. PAGEANT PRESS, NY 1967. THERE ARE NO OTHER COPIES OF THIS BOOK FOUND FOR SALE ON THE INTERNET AT THE TIME OF THIS RESEARCH!!! COMPETITIVE PRICING! Once paid, book(s) will ship immediately to customer (it's on the way), you are welcomed to email about shipment date! REFUNDS: All ViewFair books, prints, and manuscript items are 100% refundable up to 14 business days after item is received. InvCodePrc 2500 E H V VIEWFAIR BOOKS: 006696 [Attributes: Hard Cover]

      [Bookseller: VIEWFAIR BOOKS]
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        Bright Orange for the Shroud

      Robert Hale, London 1967 - Very slight bumping to corners but otherwise near Fine. Dustjacket has a small tear in the front panel next to the spine and two small closed tears in the top edge where there is some edge creasing. Rubbing to the top corners with some light surface wear to the rear panel. First printing. [Attributes: First Edition; Hard Cover]

      [Bookseller: Raymond Tait]
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        Handbuch der vergleichenden Anatomie der Wirbeltiere (3 Bände in 4 Teilen) - Bd. II/ 1: Nervensystem/ Bd. II/ 2: Sinnesorgane/ Bd. III: Darmsystem - Atmungssystem/ Bd. VI: Urogenitalsystem: zweiter Teil: Geschlechtsorgane - Gefäßsystem.,

      A. Asher & Co.; 1967 - 854/ 1018/ 1444 Seiten; Die hier angebotenen Bände stammen aus einer teilaufgelösten Bibliothek und tragen die entsprechenden Kennzeichnungen (Rückenschild, Instituts-Stempel.). Schnitt und Einband sind etwas staubschmutzig; Der Buchzustand ist ansonsten ordentlich und dem Alter entsprechend gut; KOMPLETTPREIS für 4 Bände; bei Versand ins Ausland erfragen Sie bitte zuerst die Versandkosten; Sprache: de Gewicht in Gramm: 6800

      [Bookseller: Petra Gros]
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        Serengeti darf nicht sterben : 367000 Tiere suchen e. Staat. Bernhard u. Michael Grzimek

      Frankfurt/M, Berlin, Wien : Ullstein, 1967.. 167-174. Tsd. 351 S. : Ill. ; 8°, Pp. Gut erhaltenes Exemplar. K16030.

      [Bookseller: Antiquariat Buchhandel Daniel Viertel Ei]
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        Andy Warhol's Index (Book). With the assistance of Stephen Shore, Paul Morissey, Ondine, Nico.

      Random House, New York 1967 - 4to. Mit zahlr. Abb. u. 10 Beigaben (Castle Pop-up; red accordian; Bi-plane Pop-up; Chelsea Girls paper wheel; Sphere mobile (mit Gummiband); Record (Lou Reed); Double image rainbow nose; Tomato Can Pop-up; Andy Warhol tear-offs) 36 nn. Bl. Illustr. OBrosch. First Printing. - Gering berieben u. bestoßen, Peel-off auf dem Umschlag unvollständig, Akkordeon ohne Ton, der Luftballon - wie fast immer - in den angrenzenden Seiten verklebt. Insgesamt gutes, vollständiges Ex. gr. [Attributes: First Edition]

      [Bookseller: Antiquariat Düwal]
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        Master and Margarita

      London: Collins Harvill, 1967: First British Edition, First Printing. In Near Fine+ condition, in a Near Fine price clipped dust jacket. Hardcover shows faint edge wear. The dust jacket shows light toning, light rubbing along spine edges and a small tear to the top of the rear panel. A very sharp copy.

      [Bookseller: Burnside Rare Books]
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        Akt. Mischtechnik (Acryl, Kreide, Dispersion) auf Papier.

      . 1967. Unten rechts in Kreide signiert. 40 : 52 cm.. Gerahmt.

      [Bookseller: Gerhard Zähringer Antiquariat und Galeri]
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        Diary Of A Mad Housewife

      New York: Random House, 1967. First edition. Near fine in a near fine unclipped jacket, with the jacket showing light edgewear, rubbing. Slight crease to inner front flap. This copy inscribed and signed by the author in the month of publication on the front free endpaper. A far better than average copy of an important 60's era novel, the basis for an under-appreciated Frank Perry film, and a book that is quite nearly unobtainable when signed, for whatever reasons.

      [Bookseller: John Kehoe, Bookseller ABAA]
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        Ritual

      London: Hutchinson of London. New Authors Limited. (1967). First. First edition. Fine in fine, Peter Edwards-designed dustwrapper with a touch of lamination disturbance at the gutters. A lovely copy of the author's first novel. Basis for the cult film The Wicker Man starring Edward Woodward, Christopher Lee, and Britt Ekland. Much scarcer than the later novelization co-written by Anthony Shaffer from his screenplay for the film. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Sera italiana di Gentilini

      Milano: Edizioni del Naviglio, 1967. Prima edizione di 90 + XX + 10 es. numerati. Quartini sciolti in custodia in tela a colori con legaccio (loose as issued in original cloth slip-case). Ottimo (Fine). Folio. Una poesia inedita di Raffaele Carrieri. Sei serigrafie originali a colori di Franco Gentilini, numerate e firmate a matita (cm 44x34) Serigrafie curate personalmente dall'Artista e tirate nella stamperia La Pergola di Pesaro. La serigrafia in copertina è stata realizzata da Sergio Tosi stampatore in Milano. Edizione numerata e firmata al colophon da Carrieri. Esemplare XVII/XX [Jouffroy, 1987; Gambetti, 2007: "molto raro"]

      [Bookseller: Studio Bibliografico MArini]
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        Kühl, Johannes. - "Fensterausblick mit Stillleben".

      . Zeichnung / Aquarell, auf Büttenpapier, 1967. Von Johannes Kühl. 56,3 x 36,0 cm (Darstellung / Blatt). Links unten in Tusche signiert: "Johannes Kühl". Rechts unten nochmals signiert: "Johannes". Verso in Bleistift signiert und bezeichnet: "Johannes Kühl / Fensterausblick mit Stilleben". - Stillleben mit chinesischem Porzellanhund, Azaleen und Forsythia-Zweigen. - Papier insgesamt geringfügig knickspurig. Die Ecken stärker knickspurig. Blattrand mit wenigen kleinen Fehlstellen. VErso Reste einer ehemaligen Montierung. Johannes Kühl (1922 Dresden - 1994 Dresden). Deutscher Maler. 1938 Besuch der Kunstschule Richter Dresden. Ab 1938-43 Studium an der Akademie der Bildenden Künste Dresden. 1940 Meisterschüler bei Rudolph Schramm-Zittau. 1942 Ehrenpreis der Stadt Dresden. Ab 1944 Soldat, 1945 Kriegsgefangenschaft am Niederrhein in Rheinsberg und Chartre. 1946 Entlassung nach Hannover. Im selben Jahr Rückkehr nach Dresden, dort freischaffend tätig und Mitglied des Verbandes Bildender Künstler Deutschlands. Beteiligt an Organisation und Aufbau vieler Ausstellungen des Verbandes Bildender Künstler im Bezirk Dresden. Vereinsarbeit und Leitung der Sektion Maler und Grafiker des Bezirkes bis 1960. 1947 Erste Beschäftigung mit gegenstandsloser Malerei. 1948 Ehe mit Irmingard Grünwald. 1950-60 Gastmitglied des VBK Berlin. 1953 Gründungsmitglied der Genossenschaft Bildender Künstler Dresden (Kunst der Zeit). Seit 1953 stellvertr. Vorsitzender, Mitglied der Jury, Leiter der Geschäftsführung. 1958 Ehe mit Anneliese Schneider. 1962 Übernahme der Kunstausstellung Kühl Dresden. Aufgabe des eigenen künstlerischen Schaffens. 1990 Erster Vorsitzender des Neuen Sächsischen Kunstvereins e.V..

      [Bookseller: Galerie Himmel]
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        The Death Ship

      Sphere, 1967. Paperback. Used; Acceptable. Paperback; English language; a fair reading copy. Your book will be securely packed and promptly dispatched from our UK warehouse. All international orders are sent Royal Mail airmail.

      [Bookseller: Sunrise Books Ltd]
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        [Manuscript]: "Reminiscences of an Editor"

      1967. First. Typewritten manuscript. [13]pp. Carbon transcript typed rectos only secured with a paperclip. Folds as mailed else near fine in original envelope with author's notations. A transcript from the latter half of John Hall Wheelock's career for "Reminiscences of an Editor," which was broadcast on The Third Programme on BBC radio, July 1967 and directed by Geoffrey Bridson. All pages are heavily edited with notations in Wheelock's hand. An essay on his long tenure as an editor at Charles Scribner's Sons, where he took over from Maxwell Perkins, and was a discoverer of new talent. "What an exhausting job it is to be an editor! Like teaching, it is a creative activity and involves the same areas of energy and imagination that are involved in writing." Known as the "cultural boss of the BBC," D.G. [Geoffrey] Bridson, worked until 1969 producing over 800 programs including The Third Programme, which was aimed at "high brow" audiences and aimed to promote "something fundamental to our civilization." .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Contract for "The Green Knight" 5th December 1967.

      1967 - One contract of 6 pages, typescript on thin typing paper 32.5 x 20 cm stapled to red card backing, signed by Mick Jagger, Christopher Gibbs and Nigel Lesmoir Gordon, plus Marianne Faithfull, Jagger's then girlfriend, as witness; with a typescript film treatment of 16 pages stapled together at top left, 29 x 22 cm, with manuscript annotations; a little chipping to folds, a little browning, very good. This unique pair of documents records a highly ambitious project that sadly never came to fruition. As Marianne Faithfull recalls in Faithfull: An Autobiography (2000): "Mick began taking acting lessons .Then there was THE MAN WHO SHOT MICK JAGGER and a whole slew of hippie projects. Christopher Gibbs and Nigel Gordon had written a script based on the mystical Middle English romance GAWAIN AND THE GREEN KNIGHT. Mick was going to play the Green Knight - Mick and Keith do the Middle Ages!" (pp. 149-50). Not only was Jagger going to star, this was also likely to be his debut as a producer. The contract here is between Jagger and Christopher Gibbs, his interior designer, and Nigel Gordon, a film editor working for the producer David Cammell, to produce a 25 page treatment of the legend of Sir Gawain to be called provisionally, The Green Knight. The two writers were to begin work on Christmas Day 1967 and deliver the treatment by 1st May 1968. We cannot be sure when the pair delivered their work, but it was nine pages short and had transformed from The Green Knight into The story of Venus and the quest for Arthur's kingdom, a tale set initially in a Welsh gold mine in 1700 and New York in 1968 before settling on an Arthurian England of knights, mystical ladies and an improbable red floating sphere. The project never went any further than this, but it is a fascinating snapshot of the projects that Jagger, the Rolling Stones and the counter-culture in general were beginning to get involved in as the 1960s progressed and their ambitions grew. Neither was this the end of the road for Gibbs and Gordon as film collaborators with Jagger - Gibbs was employed as Consultant Designer on Jagger's breakthrough film Performance, while Gordon's boss David Cammell, the brother of the movie's director Donald Cammell, was a co-producer. [Attributes: Signed Copy]

      [Bookseller: Henry Sotheran Ltd]
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        TYPED LETTER - Signed

      Santa Ana, California 1967 - Typed letter signed "Wm P Lear" in black ink. Letter is dated August 7, 1967, is on company letterhead and measures 8.5" X 11.0" in size. It has normal mailing folds and is in fine condition. Letter states 'Dear Mr. Firca / Congratulations on your / interesting hobby of collecting autographs. I hope you will be / successful in amassing a large and varied collection that will be ' a source of satisfaction and pleasure for you. / Very truly yours, / (signed) Wm P Lear / Wm. P. Lear, Sr. / President". William P. Lear, (born June 26, 1902, Hannibal, Mo., U.S.¿died May 14, 1978, Reno, Nev.), self-taught American electrical engineer and industrialist whose Lear Jet Corporation was the first mass-manufacturer of business jet aircraft in the world. Lear also developed the automobile radio, the eight-track stereo tape player for automobiles, and the miniature automatic pilot for aircraft. The child of immigrant parents and a broken home, Lear said that at the age of 12 he had worked out a blueprint of his life, based upon profiting by inventing what people wanted. He held some 150 patents at his death. After completing eighth grade, Lear quit school to become a mechanic and at the age of 16 joined the navy, lying about his age. During World War I, Lear studied radio and after his discharge designed the first practicable auto radio. Failing to secure the financial backing to produce the radio himself, Lear sold the radio to the Motorola Company in 1924. In 1934 he designed a universal radio amplifier (i.e., one that would work with any radio.) The Radio Corporation of America purchased the plans, giving Lear the capital he needed to expand his operations. He founded the Lear Avia Corporation in 1934 to make radio and navigational devices for aircraft. In 1939 he founded Lear, Inc. By 1939 more than half the private airplanes in the United States were using Lear radio and navigational equipment. In World War II, the company manufactured cowl-flap motors and other precision devices for Allied aircraft. After World War II, Lear, Inc. introduced a new, miniaturized autopilot that could be used on small fighter aircraft. Between 1950 and 1962 the sales of Lear, Inc., rose to $90,000,000. New plants were added in the Midwest and on both coasts, and the company embarked on the manufacture of stereophonic sound systems and miniature communications satellites. Lear himself wanted to expand into low-priced, small jet aircraft for businessmen. When his board of directors would not approve the expenditure, Lear sold his share of the company and formed Lear Jet, Inc., Wichita, Kan., which produced its first compact jet in 1963. The new company¿s jets became among the world¿s most popular private jet aircraft. Lear sold his interest in the corporation in 1967 and formed Lear Motors Corporation (1967¿69) to produce a steam car. [Attributes: Signed Copy]

      [Bookseller: Legends In History]
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        FOR THE YEAR OF THE INSANE (Broadside )

      Boston: Impressions Workshop, 1967. 1st edition, limited (1/25) numbered and signed, broadside. An exceptionally rare Sexton publication, this broadside is illustrated by Barbara Swan, designated "Artist's Proof" on the colophon, and signed by both Swan and Sexton in pencil. The colophon calls for a total print run of 150 copies, this copy being one of twenty-five designated as an "Artist's Proof." The colophon further states: "printed from the stone and from hand set Goudy Bold." In addition to being signed, there is a pencil correction to the text in the last line of the poem. Size: 29.75 inches high x 21 inches wide. Broadsides of Sexton's poems are exceptionally scarce, and especially so as represented with an "Artist's Proof" copy. Minimal wear to edges, else fine.

      [Bookseller: Jett W. Whitehead Rare Books (ABAA)]
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        May We Borrow Your Husband? And Other Comedies of the Sexual Life.

      . London: The Bodley Head 1967. 188 pp. Publisher's cloth in dustwrappers. * First edition..

      [Bookseller: Peter Grosell, Antiquarian Bookseller]
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        Philip

      New York: Thomas Y. Crowell. (1967). First. First edition. Thin quarto. Fine in a very lightly rubbed, fine dustwrapper. A lovely copy of a rare children's book by the author better known for his mystery and suspense novels. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Epigrammi

      Verona: Corubolo & Castiglioni, 1967. Edizione originale di 40 + XL es. numerati. Piena pergamena rossa, cartella ricoperta in carta Roma di Fabriano per le incisioni (full vellum binding, slip-case). Ottimo (Fine). 8vo. Dedica firmata dell'Artista, datata 25/10/1967, con un'opera originale (cravatta di plastica colorata) spillata alla prima pagina (Inscribed and signed by the Artist with an original art work). Otto epigrammi di Marziale con versione italiana a fronte espressamente curata da Roberto Sanesi. Due acqueforti originali a colori, numerate e firmate di Baj (cm 26x19). Una delle prime 10 copie con allegata una suite delle incisioni, stampate su carta Rosaspina di Fabriano, numerate e firmate, raccolte con un frontespizio in cartella ("Due aqueforti per Marziale", cm 25x35) Acquaforti stampate da Giorgio Upiglio. Carta Ventura, carattere Garamond Stempel, marca in rosso. Esemplare n. 10 [La Chimerea Officina, 1991; Baj, 1986; Mussini, Tedeschi, Caprile, 1990]

      [Bookseller: Studio Bibliografico MArini]
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        Playtime [Play Time] (Original French Poster for the 1967 film)

      Jolly Film, Paris 1967 - Original French theatrical poster for the 1967 French film, large variant.Monsieur Hulot first came to the attention of the world during his beach vacation in "Monsieur Hulot's Holiday" (1953), then reappeared in a modern French neighborhood in "Mon Oncle" (1958). The third feature finds him in the city, whose complexities unfold, revolve, deconstruct, and reconstruct before his eyes. A masterpiece of French cinema. Using his own money, director Tati meticulously constructed a second "Paris" outside of Paris for the third--and most magnificent--of the four Hulot films.Fine, 47 x 63 inches, on linen, rolled.Criterion 112.

      [Bookseller: Royal Books, Inc., ABAA]
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        Hell's Angels. The Strange and Terrible Saga of the Outlaw Motorcycle Gangs.

      1967 - 8vo., original cloth with dust wrapper. A little creasing to wrapper that also has a couple of stains on the inside and a few nicks, otherwise a very good copy. First edition. Thompson's first published book which launched Thompson's career as a writer. Though he had by then published numerous articles for various journals and newspapers and was recognized as a journalist, the book was his first true exposure to a national audience. Reviews of the work were generally very positive and despite a poor performance on the publicity tour by Thompson, who was by his own admission drunk or exhausted for nearly every interview, the book sold relatively well. [Attributes: First Edition; Hard Cover]

      [Bookseller: Henry Sotheran Ltd]
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        Mythologiques II: Du Miel aux Cendres

      Paris: Éditions Plon. Bon état général. Bon exemplaire. Couverture un peu défraichie. Intérieur très propre. Dédicacé par l'auteur sur page de faux titre "To Raymond First with regards Lévi-Stauss". / The copy is inscribed and signed by the author, "To Raymond Firth with regards, Lévi-Strauss." Spine is mildly warped and couple faint nicks to fore-edge of pages, else near fine in publisher's glossy illustrated self-wrappers. With several underlinings and markings within the text. Loosely inserted are several newspaper-clippings. . Paris, Éditions Plon, 1967. 24 x 16 cm, 452 pages. Broché. Bon état général. Bon exemplaire. Couverture un peu défraichie. Intérieur très propre. Dédicacé par l'auteur sur page de faux titre "To Raymond First with regards Lévi-Stauss". / The copy is inscribed and signed by the author, "To Raymond Firth with regards, Lévi-Strauss." Spine is mildly warped and couple faint nicks to fore-edge of pages, else near fine in publisher's glossy illustrated self-wrappers. With several underlinings and markings within the text. Loosely inserted are several newspaper-clippings. Résumé : Partant de l'opposition du miel et du tabac, qui tient une place considérable dans la vie et la pensée des Indiens de l'Amérique du Sud, l'auteur explore à travers leurs mythes deux itinéraires qui se rejoignent : le miel exprime la puissance séductrice de la nature, tandis que la fumée du tabac, s'élevant vers les êtres surnaturels, retient l'homme sur la voie qui l'éloigne de la culture. [mollat]. _______________ Sir Raymond William Firth, CNZM, FBA (25 March 1901 ?- 22 February 2002) was an ethnologist from New Zealand. As a result of Firth's ethnographic work, actual behaviour of societies (social organization) is separated from the idealized rules of behaviour within the particular society (social structure). He was a long serving Professor of Anthropology at London School of Economics, and is considered to have singlehandedly created a form of British economic anthropology. (Wikipedia) _______________

      [Bookseller: The Time Traveller's Bookshop]
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        OBRAS COMPLETAS. VI Tomos

      - Traducción, prólogo de Rafael Cansinos Assens. Madrid. Aguilar. 1967-1972. 18x14 cm. T. I, 1.640 págs. + 33 ilust. * T. II, 1.468 págs. 2 h. 34 ilust. * T. III, 1.842 págs. 2 h. 25 ilust. * T. IV, 1.304 págs. 13 ilust. * T. V, 1.360 págs. 28 ilust. * T. VI, 1.685 págs. 8 ilust. texto a dos columnas, plena piel editorial con dorados, cintas de seda, papel biblia. # literatura La librería ofrece por tiempo limitado un descuento del 10%. El precio original de este ejemplar era de 500 EUR. [Attributes: Soft Cover]

      [Bookseller: Librería Torreón de Rueda]
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        THE NINE BILLION NAMES OF GOD: THE BEST SHORT STORIES OF ARTHUR C. CLARKE

      New York: Harcourt, Brace & World, Inc.,. [1967]. Octavo,. cloth.. A fine copy in fine dust jacket. (#132154). First edition. A collection of twenty-five stories selected by Clarke as those he himself liked best.

      [Bookseller: L. W. Currey, Inc.]
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        Color photograph of the spouses of the Justices of the United States Supreme Court, framed and matted, the frame measuring 16x19 inches and the image 10x13 1/2 inches, taken before the fountain of Georgia marble in one of the Court's four courtyards

      Washington: Photograph by Joseph J. Scherschel [National Geographic Society], 1967. A good clear image, the wood frame somewhat scuffed, two signatures to some degree faded, but clearly legible A rare photograph signed by eight of the nine Court spouses with their given names [Elizabeth S. Black; Marjorie L. Brennan; Mary R. Clark; Dorothy K. Goldberg 3-18-67; Ethel Harlan; Mary Anne Stewart; Nina E. Warren 3-14-67; and Marion L. White]

      [Bookseller: Meyer Boswell Books, Inc.]
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        If I Had Your Wings

      [No place]: The Saturday Press 1967. First edition. Quarto. Engravings by Edward Porter. A couple of small spots on the front board, else near fine. Copy number 51 of 200 numbered copies Signed by both Bok and Porter. Nautical poetry with delicate illustrations. A lovely fine press production. OCLC locates three copies.

      [Bookseller: Between The Covers]
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        NO RETREAT FROM TOMORROW. PRESIDENT LYNDON B. JOHNSON'S 1967 MESSAGES TO THE 90TH CONGRESS

      n.p., [1967]. First Edition. Hardcover. Near Fine in a Very Good dustwrapper. Quarto (8-1/2" x 11"); illustrated with photographs. Fine Association Copy SIGNED by the President on a bookplate with a printed presentation "To Morris K. Udall with my best wishes Christmas 1967." Mo Udall, who played one year of professional basketball with the Denver Nuggets, served as a U.S. Representative from Arizona from 1961 to 1991. His brother Stewart Udall was Kennedy's Secretary of the Interior. A Mormon, Mo Udall was known for his championship of environmentalist causes and his devotion to campaign finance reform and the welfare of Native Americans. In 1976, he ran for the Democratic nomination for President losing to Jimmy Carter by 1% in the Wisconsin Primary and finishing a distant second place to Carter at the Democratic National Convention. In 1996, Udall received the Presidential Medal of Freedom from President Clinton. He died in 1998 as a result of complications from Parkinson's disease.

      [Bookseller: Charles Agvent]
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        PanAmerica

      Tridente 1967 - First edition, signed and inscribed by the author to the famous Brazilian film and theatre actor Paulo Autran - Sao Paulo, 15 October 1967. 208 x 135 mm, 261 pp. Cover design by the celebrated artist Antonio Dias. This being the true first edition has dark brown newsprint pages - designed to be read on the beach. This experimental novel is a fundamental work to the development of the Tropicália movement, and has been publicly recognized by Caetano Veloso as such. Written in an irreverent, avant-garde style, without a logical narrative, the book features surrealist episodes starring personalities like Che Guevara, Marilyn Monroe, Cary Grant, Marlon Brando and Andy Warhol, among other icons of mass culture. The novel was written during the height of the military dictatorship. In one scene, the narrator enlists in the army and has sexual intercourse with another soldier; once reprimanded, he/she say: 'But I remember that the bugler had said that there were no more corruption problem with soldiers, that this idea of morality was already outdated.' Condition: general handling to covers, but overall clean and fresh - internally near fine. No tears or writing, other than that of Agrippino de Paulo's inscription! Overall VG/NF. [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: William Allen Word & Image]
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        Yarrowstalks Vol. 00 No. 1

      Philadelphia: Yarrowstalks, 1967. First edition. Paperback. Very Good. Tabloid underground newspaper. The scarce first issue of Brian Zahn's underground newspaper publication which ran for twelve issues. This is the newsprint format version. Folded once horizontally and with small chips and tears to the inexpensive quality newspaper stock. A very good copy overall. This issue especially notable for the first appearance of R. Crumb's Mr. Natural, a 20-panel psychedelic comic strip as well as "The Trip" and some additional drawings. It also includes a two page interview with Timothy Leary. Among the earliest of all Crumb published appearances.

      [Bookseller: Derringer Books, Member A.B.A.A.]
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        La Voix et le Phenomene Introduction au probleme du signe dans la phenomenologie de Husserl

      Paris: Presses Universitaires de France. First Edition.. Very good condition with only minor signs of wear. Halftitle signed by Derrida.. First Edition. Paris, Presses Universitaires de France, 1967. 18cm x 13.5cm. (3) 117 (3) pages. Original illustrated softcover in protective Mylar. Very good condition with only minor signs of wear. Halftitle signed by Derrida.

      [Bookseller: The Time Traveller's Bookshop]
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        Van Dongen. L'homme et l'artiste - La vie et l'oeuvre.

      . Geneve, Pierre Cailler 1967. 32 : 24 cm. 328 S. Text u. 208 Tafeln davon 32 farb. Orig.-Leinen mit farb. illustr. Schutzumschlag.. Schutzumschlag an 2 Stellen unterlegt, sonst schönes Exemplar.

      [Bookseller: Gerhard Zähringer Antiquariat und Galeri]
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        Restoree

      Rapp & Whiting, London - 1967, 1st British Edition. () Fine in near fine dust jacket. 256pp. Octavo. Publisher's red cloth; spine title in silver. Illustrated dust jacket, unclipped; crown and foot slightly creased, edges of panels lightly rubbed, small scuff to front panel. Small mark to front fly. Interior exceptionally bright and clean; dust jacket crisp. One of Anne McCaffrey's early novels, she later went on to incredible success as a science fiction writer with her stories of the "Dragons of Pern". Scarce in such exemplary condition, moreso in jacket. [Attributes: First Edition; Hard Cover]

      [Bookseller: Aquila Books(Cameron Treleaven) ABAC]
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