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Displayed below are some selected recent viaLibri matches for books published in 1967

        Ritual

      UK: New Authors Limited. London, New Authors Limited, 1967. Hardback first edition and first impression. The book is near fine and is presented in a near fine jacket, there's some wear to the upper spine tip and the corners. There's some light bubbling to the laminate, particularly near the spine. Some liquid markings to inside jacket. Presents very well in the jacket protector. Not price-clipped. The basis for the film 'The Wicker Man'. A very nice copy. . Fine. Hardback. 1st Edition. 1967.

      [Bookseller: Hyraxia]
 1.   Check availability:     Biblio     Link/Print  


        Rene Magritte Learns The Kids Dig His Work (ALS)

      Brussels 1967 - One page ALS, in French, to his dealer, Alexandre Iolas. The painter takes a moment to compose a chatty note and in passing reveals he has been made aware the Pepsi generation likes his work. To wit: "My friend, I enclose this letter that I answered by saying it is up to you to organize a retrospective exhibition of my works and that you own necessary documents and data for such an undertaking. Not withstanding this question I received so many proposals that I would need a full staff to help me answer all the requests. But the letter of Dr. Schmidt does deserve, I believe, to be taken into consideration. I have learned through Mr and Mrs Majar whom met you last Saturday that my exhibition is not indifferent to many of the young people who visit it. This is less important but I would like to receive by registered post a number of the catalogs of the exhibition. I have friends here who are very hungry for this sort of book. Thank you so much in advance, if you see Nikky give her a kiss for me." Historically, correspondence and written material from the great painter has been difficult to procure, particularly when it reveals even the slightest degree of Magritte's awareness of his popular standing. A few pencil notations and light creases, otherwise in very good condition. [Attributes: Signed Copy]

      [Bookseller: John Kehoe, Bookseller ABAA]
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        LE DIT DU MALHEUR DE LA TERRE RUSSE

      [Nice or Paris (?): The Artist, 1967].. Folio (37 x 27 cm). Loose bifolia laid into collage handmade paper wrapper. Some speckling inherent in the paper stock, but fine, laid between two wooden boards with a single remaining jute tie. First edition of this artist's book. Only the title, the introductory paragraph and the justification are letterpress (in French). The remainder of the text (in Cyrillic) was hand lettered in multi-colors by the artist, accompanied by 11 original woodcuts and linocuts in colors. One of 25 numbered copies, each with variations, executed on rustic Brut d'Annonay paper, and signed by the artist. The text is attributed to a solder in the 18th century army of Prince Alexandre Nevsky. Staritsky (1908 - 1981) was born in Poltava in the Ukraine, and after formal training in Russia from the early 1920s through 1931, emigrated first to Belgium, where she worked in the advertising department of L?'École de la Cambre in Brussels (1932?-46). She relocated to Nice in 1946 and died in Paris. She is considered one of the leading representatives of the second generation of Russian émigré abstract artists.

      [Bookseller: William Reese Company - Literature ABAA-]
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        Typed letter signed (as "Plum") to Don Bensen.

      Remsenburg, NY: 17 July,, 1967. Single typed sheet, octavo (199 × 149 mm), with Wodehouse's Remsenburg letterhead printed in blue. Two neat transverse creases from folding. Excellent condition. Wodehouse, in the latter years of his American exile, writes to "Don" at the Scott Meredith Literary Agency, in a wistful mood: "I was terribly sorry to hear from Scott that the two books had done so badly and of course I am all for cancelling the next two. I don't think it's either of our faults. It is just that the taste of the paperback public has completely changed … The world has become so serious now and they only want serious stuff". The recipient is almost certainly noted author and editor Donald Bensen, who began his career with Scott Meredith before pursuing a career in publishing and also writing a run of science-fiction novels. He is perhaps best remembered for editing a number of works of Wodehousiana, including P. G. Wodehouse: A Centenary Celebration 1881-1991 and A Wodehouse Bestiary. One of the books to have done "so badly" is probably The Purloined Paperweight (UK title: Company for Henry), which had been published by Simon & Schuster two months previously on 12th May; prior to that, his short-story collection Plum Pie had been published by Herbert Jenkins in September 1966, though there was no US edition until December the following year. These books were by no means his last, however: he would write some half a dozen more before his death in 1975, starting with Do Butlers Burgle Banks? (1968) and A Pelican at Blandings (1969, US edition 1970).

      [Bookseller: Peter Harrington]
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        Atlantes Neerlandici. 6 Bände

       Theatrum Orbis Terrarum Ltd., Amsterdam, 1967-1985. Zusammen CLI, 2201 S., original Leinen-Einbände, quart, (teils mit Bleistiftanmerkungen und -anstreichungen/Einbände teils etwas berieben und gelockert) - Bibliography of terrestrial, maritime and celestial atlases and pilot books, published in the Netherlands up to 1880 / Enthalten: Volume I: Van der Aa bis Blaeu / Volume II: Blussé bis Mercator / Volume III: Merula bis Zeegers / Volume IV: Celestrial and maritime atlases and pilot books / Volume V: Indexes / Volume VI: A supplement to the Volumes I-V and a bibliography of geographical, celestial and thematic atlases published in the Netherlands between 1880 and 1940 - Versand D: 5,90 EUR Kartographie/Karten,Buch- und Zeitungswesen

      [Bookseller: Celler Versandantiquariat]
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        Atlantes Neerlandici. Bibliography of terrestrial, maritime and celestial atlases and pilot books, published in the Netherlands up to 1880.

      Amsterdam. Theatrum Orbis Terrarum.1967. 5 Volumes + Supplement. 42,5 x 30 cm./ 31,5 x 24 cm. XXIX, 377 P., XXXV, 549 P., XXV, 217 P., XLV, 519 P., 287 P., XV, 249 P. Original red Hardcover with gilt back./ Original blue Hardcover. In good condition, blue Hardcover lightly used. Volume I: Van der Aa - Blaeu./ Volume II: Blusse - Mercator./ Volume III: Merula - Zeegers./ Volume IV: Celestial and maritime atlases and pilot books./ Volume V: Indexes./ Volume VI: A supplement to the Volumes I-V and a bibliography of geographical, celestial and thematic atlases published in the Netherlands between 1880 and 1940.; - With Illustr. - Page edges partly lightly shop-soiled, one Title page lightly blotchy, Volume II page 407-416 wrong bounded, otherwise in very clean condition. English Language. Versand D: 6,00 EUR Atlanten; Geographie; Naturwissenschaften, Englische Sprache; Sammelband, Anthology; Sammelwerke; Werkausgaben

      [Bookseller: P.u.P. Hassold OHG]
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        Paris.

      Paris: Flammarion,, 1967. Quarto. Original buff cloth, spine lettered in green. With the dust jacket. 408 half-tone photographs of Paris. A fine copy in the dust jacket with a few nicks and bottom edge of front panel with a small tear ineffectually tape-repaired on verso. First published in 1961; this copy inscribed on the front free endpaper "à Robert Kennedy Jr., en mémoire de son père et en souvenir d'amitié pour les Etats Unis, d'une petite fille française, Paris le 28 juin 1968"*, signed in a different hand "Isabelle Turpin de Grissé, 7 ans", and below the pencilled ownership inscription of "Shriver". Robert F. Kennedy had been assassinated three weeks before, on 6th June; his son, Robert Kennedy Jr., was fourteen-years-old at the time. Shriver was the married name of Kennedy's sister Eunice, following her marriage to Sarjent in 1953. The Shrivers had five children, though Eunice would have presumably been the original owner in any case.

      [Bookseller: Peter Harrington]
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        Hitchcock

      New York: Simon and Schuster,, 1967. With the collaboration of Helen G. Scott. Quarto. Original grey cloth, titles to spine white, pictorial endpapers. With the dust jacket. Bookseller's ticket to verso of front free endpaper, inkstamp and ownership signature to title page. Spine ends and tips lightly rubbed, board edges slightly faded. A very good copy in the ragged jacket with chipped and torn extremities and tape repairs to verso. First edition in English, first printing. This copy is inscribed by Truffaut on a card laid down to the front pastedown ("de la part de d'amitié"), and is from the library of Peter Bogdanovich, the American director, writer, and film historian, with his library stamp and signature to the title page. It is likely a gift to Bogdanovich from the author, as Truffaut consulted Bogdanovich's 1961 interview with Hitchcock in preparation for this book. It is based on an interview series with Alfred Hitchcock, conducted over a week at his offices at Universal Studios in 1962. The result of this journalistic enterprise "was one Truffaut's most enduring contributions to film culture". It was first published the preceding year under the title Le Cinèma selon Hitchcock.

      [Bookseller: Peter Harrington]
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        1967 Marc Chagall The Circus With The Yellow Clown Mourlot Lithograph

      1967 - "The Circus With The Yellow Clown" by Marc Chagall, Unsigned Lithograph printed in 1967 from an edition size of 2000. The overall is size of the Lithograph is 34 x 22 inches. The conditon of this piece has been graded as C: Several Signs of use and handling, some visible marks. Here is some supplemental information about the Lithograph: Original lithograph poster created for an exhibition of lithographs and engravings at the Berggruen Gallery in Paris in 1967, published by Berggruen, Paris. It was printed on the lithographic presses of Mourlot Freres in Paris, engraved by Charles Sorlier. Chagall's early life left him with a "powerful visual memory and a pictorial intelligence". After living in France and experiencing the atmosphere of artistic freedom, his "vision soared and he created a new reality, one that drew on both his inner and outer worlds." But it was the images and memories of his early years in Belarus that would sustain his art for more than 70 years.Of circus people he said, "Why am I so touched by their make-up and grimaces? With them I can move forward toward new horizons. Chaplin seeks to do in film what I am trying to do in my paintings. He is perhaps the only artist today I could get along with without having to say a single word."

      [Bookseller: Rare Posters]
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        Entwurf Trigon 67.

      o. O., -, 1967. Orig. Buntstiftzeichnung in Rot, Gelb, Blau. 60 x 43 cm [Bl.]. Gerahmt. Mit eighd. Titelei sowie im Blatt signiert und datiert. - Vgl. Aussstellungskat. Versand D: 7,00 EUR Kunst

      [Bookseller: Antiquariat Weinek]
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        A Shorter Finnegans Wake

      New York: Viking Press, 1967. Octavo, original maroon cloth boards, unclipped original dust jacket. Jacket lightly soiled, with small closed tears, chips to corners, and two abrasions to spine. First American edition of this abridged critical version of Joyce's sprawling final novel: "Well, you know or don't you kennet or haven't I told you every telling has a taling and that's the he and the she of it." Edited by Anthony Burgess, author of A Clockwork Orange. This copy bears the ownership stamps of two notable American writers: novelist Jean Stafford, winner of the Pulitzer Prize for fiction, and legendary New Yorker journalist Joseph Mitchell. The book is additionally signed by Mitchell in ink. Laid in are Mitchell's notes on Finnegans Wake, all excerpts from the book with corresponding page numbers, penciled on a letterhead envelope from Mitchell's family's tobacco warehouse in Fairmont, North Carolina. A terrific association copy.

      [Bookseller: Honey & Wax Booksellers]
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        De la grammatologie.

      (Paris), Minuet, 1967. 8vo. Original wrappers. A bit of light wear to extremities, a few spots to back wrapper, and upper corner slightly bent, otherwise a nice and clean copy. 445, (3) pp.. First edition (20 Septembre, 1967, numéro 630) of Derrida's seminal main work, the foundational text for deconstructive criticism.1967 marks a turning point in the history of modern philosophy, constituting the birth of "Deconstruction". In this one year, Derrida publishes all of his three break-through books, "De la grammatologie", "L'écriture et la difference" and "La Voix et le phenomene", profoundly altering the course of modern thought. Although all three books are responsible for the introduction of Deconstruction, it is primarily "De la Grammatologie", Derrida's magnum opus, that has come to be associated with this groundbreaking concept."Jacques Derrida's revolutionary theories about deconstruction, phenomenology, psychoanalysis, and structuralism, first voiced in the 1960's, forever changed the face of European and American criticism. The ideas in "De la grammatologie" sparked lively debates in intellectual circles that included students of literature, philosophy, and the humanities, inspiring these students to ask questions of their disciplines that had previously been considered improper. Thirty years later, the immense influence of Derrida's work is still igniting controversy..." (Review, Spivak's translation of Derrida's "Of Grammatology", 1997).Derrida's concern is to bring to light the binary schema that is hidden in all kinds of texts and ideas of culture. In the present text Derrida brilliantly reveals some of the principles of deconstruction, not through theoretical explication, but, rather, by demonstration, showing that the arguments promulgated by their subject-matter exceed and contradict the oppositional parameters in which they are situated. Put into other words, deconstruction seeks to expose, and then to subvert, the various binary oppositions that undergird our dominant ways of thinking.The ideas that Derrida here present have had an enormous impact on a number of the human sciences, including psychology, literary theory, cultural studies, linguistics, feminism, sociology and anthropology. Due to this work, a whole new world of problematic suppression and marginalisation has become apparent, making "De la grammatologie" one of the most important philosophical works of the later part of the 20th century. "One of the major works in the development of contemporary criticism and philosophy". (J. Hillis Miller, Yale University)

      [Bookseller: Lynge & Søn A/S]
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        Antimémoires

      Gallimard 1967 - - Gallimard, Paris 1967, 14,5x20,5cm, broché. - Edition originale, un des 80 exemplaires numérotés sur Hollande, tirage de tête. Très bel exemplaire. [AUTOMATIC ENGLISH TRANSLATION FOLLOWS] Edition originale, un des 80 exemplaires numérotés sur Holland papere, tirage de tête. Très bel exemplaire. [Attributes: First Edition; Soft Cover]

      [Bookseller: Librairie Le Feu Follet]
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        The Mimic Men.

      London: Andre Deutsch,, 1967. Octavo. Original dark red boards, titles to spine gilt. With the dust jacket. Slight offsetting from dust jacket onto spine, couple of small stains to top edge. An excellent copy in a slightly toned jacket with a few minor nicks to extremities. First edition, first impression. Signed by Naipaul on the title page. From the library of historian and auctioneer Anthony Hobson and with his bookplate to the front pastedown.

      [Bookseller: Peter Harrington]
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        Talmud Bavli - Large Edition [Talmud Bavli : mevo\'ar, meturgam u-menuKad / \'a. y. \'Adin Shtainzalts] (Talmud Steinsaltz Edition) - 30 (von 31) Bände/Volumes. Band 1: Ber¯a_k¯ot. Band 2: MasseKet Šabbat (Part 1). Band 3: MasseKet Šabbat (Part 2). Band 4: MasseKet \'Erûvîn (Part 1). Band 5: MasseKet \'Erûvîn (Part 2). Band 6: MasseKet Pesahîm (Part 1). Band 7: MasseKet Pesahîm (Part 2). Band 8: MasseKet Yômâ. Band 9: MasseKet Sûkka. Band 10: MasseKet Bêsa. Band 11: MasseKet Ta\'anît (MasseKet Megilla). Band 12: MasseKet Mô\'ed qatan (MasseKet Hagîga). Band 13: MasseKet Yevamôt (Part 1). Band 14: MasseKet Yevamôt (Part 2). Band 15: MasseKet Ketûbbôt (Part 1). Band 16: MasseKet Ketûbbôt (Part 2). Band 17: MasseKet Nedarîm (Part 1) Band 18: MasseKet Nedarîm (Part 2). Band 19: MasseKet n¯azîr. Band 20: MasseKet Sôta. Band 21: MasseKet Gîttîn. Band 22: MasseKet Qiddûšîn. Band 23: MasseKet Bavâ qammâ (Part 1). Band 24: MasseKet Bavâ qammâ (Part 2). Band 25: MasseKet Bavâ mesî\'â (Part 1). Band 26: MasseKet Bavâ mesî\'â (Part 2). Band 27: MasseKet Bavâ batrâ (Part 1). Band 28: MasseKet Bavâ batrâ (Part 2). Band 30: MasseKet Sanhedrîn (Part 1). Band 31: MasseKet Sanhedrîn (Part 2).

      Jerusalem, ha-Makhon ha-Yi re eli li-firsumim Talmudiyim (Israel Institue for Talmudic Publication) 1967-1997. 30 Bände (von 44); Bände 1-28 und 30-31. 2° (36,5 x 26,5 cm). Blindgeprägte Orig.-Kunstlederbände mit goldgeprägtem Titel auf Deckel und Rücken sowie Orig.-Schutzumschlägen (Imitation leather with gilt design). [Hardcover / fest gebunden]. 30 Bände der insgesamt 44 Bände umfassenden \"Large Edition\" des Talmud; Lebenswerk des Gelehrten Adin Steinsaltz. - Aus der Verlagswerbung: \"The Steinsaltz Talmud is the most accessible edition available of the Talmud, the nearly 2,000-year-old, central text of the Jewish people. Translated from the Aramaic to modern Hebrew, with explanations and commentary by one of the great Talmud scholars of all time, Rabbi Adin Steinsaltz, The Steinsaltz Talmud fosters deep and creative engagement with the text. The Steinsaltz Talmud offers solutions to linguistic and contextual issues in the text, removes obstacles stemming from the its non-linear construction, and provides succinct commentaries, pertinent Halakhic rulings, explanatory notes to Rashi and other commentators, detailed indexes, and background from the sciences, history and the humanities. The Steinsaltz Talmud enables both beginning and seasoned students to participate in the living Talmudic conversation.\" - Band 29 fehlt. - Schutzumschläge etwas berieben und angestaubt, teils wenig fleckig, teils mit kleineren Randläsuren; bei einigen Bänden kleinere Beschädigungen der Schutzumschläge am oberen und unteren Kapital; bei Band 8 mit kleiner Fehlstelle unten; bei Band 31 Rücken etwas verblichen. - Kopfschnitte gering fleckig, sonst sehr saubere und gute Exemplare. - Dust jackets slightly rubbed; some a little stained, some with a few small tears and some creases. - Copies with some minor signs of use. - Fine copies. - 30 Volumes (1-28 + 30-31) of the Large Edition, nearly complete up to Vol. 31 (without Vol. 29). Versand D: 11,00 EUR Steinsalz [Steinsaltz, Stainsalts], Adin (Hrsg.): Talmud Bavli [Talmud Bavli : mevo\'ar, meturgam u-menuKad / \'a. y. \'Adin Shtainzalts] (Steinsaltz Edition) - 30 (von 31) Bände/Volumes. Band 1: Ber¯a_k¯ot. Band 2: MasseKet Šabbat (Part 1). Band 3: MasseKet Šabbat (Part 2). Band 4: MasseKet \'Erûvîn (Part 1). Band 5: MasseKet \'Erûvîn (Part 2). Band 6: MasseKet Pesahîm (Part 1). Band 7: MasseKet Pesahîm (Part 2). Band 8: MasseKet Yômâ. Band 9: MasseKet Sûkka. Band 10: MasseKet Bêsa. Band 11: MasseKet Ta\'anît (MasseKet Megilla). Band 12: MasseKet Mô\'ed qatan (MasseKet Hagîga). Band 13: MasseKet Yevamôt (Part 1). Band 14: MasseKet Yevamôt (Part 2). Band 15: MasseKet Ketûbbôt (Part 1). Band 16: MasseKet Ketûbbôt (Part 2). Band 17: MasseKet Nedarîm (Part 1) Band 18: MasseKet Nedarîm (Part 2). Band 19: MasseKet n¯azîr. Band 20: MasseKet Sôta. Band 21: MasseKet Gîttîn. Band 22: MasseKet Qiddûšîn. Band 23: MasseKet Bavâ qammâ (Part 1). Band 24: MasseKet Bavâ qammâ (Part 2). Band 25: MasseKet Bavâ mesî\'â (Part 1). Band 26: MasseKet Bavâ mesî\'â (Part 2). Band 27: MasseKet Bavâ batrâ (Part 1). Band 28: MasseKet Bavâ batrâ (Part 2). Band 30: MasseKet Sanhedrîn (Part 1). Band 31: MasseKet Sanhedrîn (Part 2). 30 Bände (von 31); Bände 1-18 und 20-31. Jerusalem, Makhon ha-Yi?re?eli le-Firsumim Talmudiyim 1967-1997. Judentum, Judaica

      [Bookseller: Antiquariat Kretzer]
 15.   Check availability:     buchfreund.de     Link/Print  


        THE MASTER AND MARGARITA Translated from the Russian

      Collins and The Harvill Press. London. 1967. FIRST EDITION of this translation. A very good copy in the original full colour illustrated dustwrapper which has one small closed tear, without any loss, to the top rear edge but still overall a very good, clean example. The scarce first printing of Glenny's popular translation. Preceded in 1967 by an inferior translation, by Mirra Ginsburg, which was taken from the heavily edited Russian edition, the Glenny version translates the complete novel and has always been the prefered text.

      [Bookseller: Paul Foster Books]
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        THE MASTER AND MARGARITA. Translated from the Russian.

      Collins and The Harvill Press. London. 1967 - FIRST EDITION of this translation. A very good copy in the original full colour illustrated dustwrapper which has one small closed tear, without any loss, to the top rear edge but still overall a very good, clean example. The scarce first printing of Glenny's popular translation. Preceded in 1967 by an inferior translation, by Mirra Ginsburg, which was taken from the heavily edited Russian edition, the Glenny version translates the complete novel and has always been the prefered text. [Attributes: First Edition; Hard Cover]

      [Bookseller: Paul Foster. - ABA & PBFA Member.]
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        Samson. Mit 20 (4 doppelblattgr.) sign. Orig.-Radierungen und zahlr. Ornamenten von E. Fuchs.

      Monaco, Cercle International de Bibliophilie und Frankfurt, Galerie Sydow 1967. - M13301 Folio ( 46 : 37 cm). Lose Bogen in Originalumschlägen und in illustrierter Originalleinwand-Kassette. Das sind die XXVIII (+I) Doppelbogen mit dem hebräisch-deutschen Text, den 20 ganzseitigen (davon 4 doppelblattgroße) jeweils voll signierten Radierungen sowie die in Ocker gedruckten Ornament-Illustrationen. Diese Exemplar der seltenen Luxusausgabe umfaßt neben den 20 signierten Radierungen 3 weitere komplett signierte Suiten der Graphiken, zwanzig Graphiken auf Seide, zwanzig auf Japon nacré und noch einmal 20 auf grünem Ingres-Papier, des weiteren eine vollständige Folge ( 70 Stück!) der Ornamente des Buches auf weißem Japanbütten sowie eine Orig.-Kupferplatte dieser Edition; lediglich die drei Orig.-Ornamentzeichnungen fehlen hier. Nur die Kassette mit leichten Anstaubungen und Bestoßungen, der ganze Inhalt nahezu tadellos sauber und neuwertig. Ein Hauptwerk des Wiener Surrealismus! - Vorliegend Nummer 3 von 3 numerierten Exemplaren der deutschen Luxusausgabe auf "Moulin Richard de Bas"-Bütten, im Druckvermerk vom Künstler signiert. - - "Der hebräische Text ist ein Auszug aus dem Buch der Richter, der deutsche Text folgt Luthers Übersetzung. Ernst Fuchs, ein Hauptvertreter der Wiener Schule des Surrealismus, arbeitet mit den Mitteln der optischen Überraschung und einem ungewohnten visuellen 'Erlebnis." (Von Odysseus bis Felix Krull) Die Wiener Schule des Phantastischen Realismus zeigt eine stärkere Neigung zu den Gedanken Sigmund Freuds, insbesondere seiner Methode der Traumdeutung, und zeichnet sich durch eine bewusst forcierte 'altmeisterliche' Malweise aus. -- A main work of Vienna Surrealism! - 1 of 3 numb. copies fromthe German de-luxe edition on "Moulin Richard de Bas" laid paper, printer's note signed by the artist. With 20 (4 double-page) signed orig. etchings and numerous ornaments by E. Fuchs. Loose sheets in orig. wrappers and illustr. orig. cloth case. 46 : 37 cm 11111

      [Bookseller: Antiquariat und Buchhandlung Carl Wegner]
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        Lyndon Johnson appoints a nuclear physicist and former Manhattan Project scientist who would be instrumental in forging the 1970 Nuclear Non-Proliferation Treaty and in opposing Reagan's "Star Wars" program

      Washington, D.C., September 21, 1967. 23" x 18". "Partly-printed Document Signed, ""Lyndon B. Johnson,"" as President, 1 page, 23"" x 18"", Washington, September 21, 1967, appointing ""Henry De Wolf Smyth of New Jersey,"" as ""an Alternate Representative of the United States of America to the Eleventh Session of the General Conference of the International Atomic Energy Agency..."" Two or three very minor specks of dirt, a few very mild creases, else extremely fine condition.The recipient, Henry De Wolf Smyth (1898-1986), was an accomplished physicist and diplomat. Smyth received his undergraduate and graduate degrees at Princeton, and was a member of the university's faculty for much of his career. During the Second World War he was a member of the National Defense Research Committee (1941-1943) where he proposed the electromagnetic methods that were used to enrich early samples of U-235 used in early work on the atomic bomb. From 1943 to 1945 he was a consultant to the Manhattan Project heading research on heavy water while also serving as director of the University of Chicago's Metallurgical Laboratory. In 1945, in the wake of the atomic bombings of Hiroshima and Nagasaki, he authored A General Account of the Development of Methods of Using Atomic Energy for Military Purposes (popularly known as the ""Smyth Report"") which was the first official, public account of the development of the atomic bomb.In 1949, Harry Truman nominated Smyth to become a member of the Atomic Energy Commission. Following the first successful Soviet atomic test the same year, he argued against Truman's proposal to pursue the hydrogen bomb. He resigned from the Atomic Energy Commission in 1954 over Lewis Strauss' campaign to revoke Robert Oppenheimer's security clearance despite his personal antipathy toward the former head of the Manhattan Project. In 1961 John F. Kennedy appointed Smyth the United States Representative to the International Atomic Energy Agency where he played a crucial role in the adoption of the Nuclear Non-Proliferation Treaty in 1970. He retired from the IAEA the same year, but remained active in public affairs, most notably in his opposition to Ronald Reagan's Strategic Defense Imitative (a.k.a. ""Star Wars""), calling instead for joint reductions in nuclear arms stockpiles. "

      [Bookseller: University Archives]
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        Hell's Angels

      Random House, 1967. Hardcover. Near Fine/Near Fine. Random House, New York 1967. First Edition / First Printing. Stated First Printing on the copyright page. Black cloth boards. Original jacket priced at $4.95. Rare Book. Book Condition: Near Fine, tight spine, clean boards and pages. Light shelf wear, a few pages have notes and underlining. Dust Jacket Condition: Near Fine, light shelf wear, light rubbing. Wrapped in a new removable mylar cover.

      [Bookseller: 1st Editions and Antiquarian Books, ABA,]
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        1967 Roy Lichtenstein Aspen Jazz Serigraph

      1967 - "Aspen Jazz" by Roy Lichtenstein, Unsigned Serigraph printed in 1967 from an edition size of 300. The overall is size of the Serigraph is 40 x 26 inches. The conditon of this piece has been graded as A-: Near Mint, very light signs of handling. Here is some supplemental information about the Serigraph: Screen-print on heavy, glossy white paper. Published by Leo Castelli Gallery for the Aspen jazz Festival in 1967. Printed by Chiron Press, New York. The project was initiated by John and Kimiko Powers who invited several leading jazz musicians to participate in a weekend called the Aspen Jazz Festival in 1967. Page 82 #44 of "The Prints of Roy Lichtenstein" a catalogue raisonne 1948-1993.Lichtenstein sought an anonymous style, removing personal reference to convey the appearance of mass production. He borrowed familiar subjects like comic strips, bank notes and advertising from magazines and newspaper comics. Using a pallet of bright primary colors in his composition, Lichtenstein developed the, now famous, technique of stenciled dotted lines that mimicked and amplified commercial printing patterns.

      [Bookseller: Rare Posters]
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        1967 James Rosenquist Aspen Jazz Lithograph

      1967 - "Aspen Jazz" by James Rosenquist, Unsigned Lithograph printed in 1967. The overall is size of the Lithograph is 26 x 26 inches. The conditon of this piece has been graded as A-: Near Mint, very light signs of handling.

      [Bookseller: Rare Posters]
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        New York: Arte e Persone.

      Milano, Longanesi, 1967 4°, 342 S., zahlr. Abb., OLwd. m. OU., OU randrissigm. kleinen FehlstellenAuf schmutztitel 2 kleine Klebspuren, ansonsten tadell. Erste ital. Ausgabe. Neorealistische Photographien von Ugo Mulas (1928-1973). Text von Alan Solomon. Design von Michele Provinciali. Schwarzweiss-Photographien von Duchamp. Newman. Bontecou. Chamberlain. Dine. Johns. Noland. Poons. Rauschenberg. Rosenquit. Segal. Stella. Warhol. Oldenburg. Lichtenstein. Wesselmann etc. Versand D: 20,00 EUR Photographie

      [Bookseller: Antiquariat Peter Petrej]
 23.   Check availability:     buchfreund.de     Link/Print  


        Lyriker (1920-1970): Eigenh. Briefkarte m. U. [Paris], 10. X. 1967 (Poststempel). Quer- 8°. 2 S. - DABEI: Eigenh. adressierter Umschlag.

       An die befreundete Buchhändlerin Edith Hübner in Würzburg, vor seiner Abreise zur Frankfurter Buchmesse: \"... entschuldigen Sie meine - weiß Gott ungewollte - Säumigkeit. // Vor Juli nächsten Jahres werde ich kaum kommen können - leider! Ich fahre auch nicht, wie ursprünglich beabsichtigt, in der zweiten Oktoberhälfte nach Frankfurt, sondern ... [die drei Punkte sind von Celan] morgen. // (am 12., um 17 Uhr lese ich bei M. [Monsieur] Unseld, etwa 20 Minuten lang aus dem neuen Gedichtband). // Vielleicht bringt die Messe auch Sie, liebe Frau Hübner, nach Frankfurt. Sie erreichen mich dann im \'Römerhof\' Frankfurt - Heddernheim, Oranienstr. 1 oder bei S u h r k a m p. // Ich würde mich freuen, Sie schon jetzt wieder zu sehen Ihr sehr ergebener Paul Celan\". - // - 1967 war bei Suhrkamp Celans Gedichtband \"Atemwende\" erschienen. Versand D: 4,00 EUR

      [Bookseller: Antiquariat Husslein]
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        History of Four-Footed Beasts and Serpents and Insects, the Vol. 1: Four-Footed Beasts Vol. 2: The History of Serpents Vol. 3: The Theater of Insects

      White Lotus, New York 1967 - History of Four-Footed Beasts and Serpents and Insects, the Vol. 1: Four-Footed Beasts Vol. 2: The History of Serpents Vol. 3: The Theater of Insects [Attributes: Hard Cover]

      [Bookseller: SEATE BOOKS]
 25.   Check availability:     ZVAB     Link/Print  


        Izvestiya Mathematics. Erschien bis Band 40/56 unter dem Titel: Mathematics of the USSR.

      London, Turpion, 1967-2010. - ISSN: 0025-5726, 1064-5632. Titel rückseitig gestempelt und Buchrücken mit Bibliotheks-Signatur-Schild. Sprache: Deutsch Gewicht in Gramm: 140000 Gr.-8°. Graue Bibliotheksleineneinbände. Bände 1-39, 40/56-45/58, 59-74 (so vollständige Reihe) in 77 Bänden.

      [Bookseller: Antiquariat Trageser]
 26.   Check availability:     IberLibro     Link/Print  


        FAKE: An Identity Theft Denunciation by Rufino Tamayo ******* An extraordinary art forgery, sold as by Rufino Tamayo and later personally denounced and defaced by the artist. Rufino Tamayo documented the event for Jacob D. Weintraub (the owner and prominent NY art dealer) by dramatically writing FAKE through the head and autographing his declaration below. The nonpareil Rufino Tamayo autograph nearly spans the width of the drawing. Accompanying the illustrated forgery document from Weintraub's collection is the rare deluxe issue of "Tamayo", which provides additional forensic support with its authentic Rufino Tamayo signature from the same time period on the justification leaf signed by contributors. *******

      - FORGED DRAWING: Three pieces of documentation on the rear backing, the art gallery seller label, a museum sticker used to augment provenance, and Weintraub's jottings on the purchase, establish some of the historical background. Forger: unknown. Media: pen & ink and pastel. Size: 240 x 319 mm (9.5 x 12.6 inches). Title: Woman with Outstretched Arms. Date: 1967. Artwork Price: $2,500.00 (after trade discount). Sale Date: February, 4, 1969. Seller: Maxwell Galleries, 551 Sutter St., San Francisco. Buyer: Weintraub Gallery, 992 Madison Avenue, New York. Date of Declaration of Forgery and the Altered Artwork: unknown, possibly Weintraub showed Tamayo the pastel drawing in 1971 or 1973 when the artist was visiting NY for the opening of solo exhibitions at the Perls Gallery. The on-the-spot denunciation transforms a mediocre forgery into a conceptual artwork on identity fraud and an art market that ceaselessly searches for in demand product. The banner style declaration in capitals spans 65 x 182 mm (2.6 x 7.2 inches) and is done in the manner of voiding a financial instrument with an artist's confidence in combining line and space; piercing a wrist and cutting into an eye, the central k carefully done with an insult-v-along the figure's nose joined to a cross-out x: the long T-bar of Tamayo's signature highlights the denunciation. PROVENANCE: The altered forgery and deluxe issue book were purchased together at auction from the Jacob D. Weintraub estate. After making his reputation as a dealer in German Expressionist art, Jacob Weintraub [1905-2000] opened a gallery in Manhattan in 1967 and he would have been purchasing after the 1968 Christmas season to add to inventory. Weintraub had a personal connection to the altered work and recognizing the great rarity of the event, kept this remarkable art history picture-document for his private collection. BOOK: "Tamayo" by Juan Garcia Ponce, Galeria de Arte Misrachi, Mexico City, 1967, first edition (the American Tudor edition is often misidentified as the first edition), example no. 71 from the deluxe issue, comprising the first 110 examples from the limited edition of 3110 examples, all texts in Spanish and English, printing by Litografia Graue, Sociedad Anónima. DELUXE ISSUE: Printed on Sirius cardstock paper, justification leaf signed and numbered no. 71 by Rufino Tamayo, additionally signed by Fernando Lopez Valencia, the bookbinder, Francisco Graue, the principal editor and German Torres, the printer; handbound in soft tan calf, the upper side decorated with an original Tamayo brush design in green with title in black letters, the top edge rolled in heavy gold leaf imprinted with a repeating lozenge scale pattern; folio sewn with raffia endpapers delicately brushed with gold leaf, one inner panel on each side ruled with gold leaf borders, binding signed by Fernando Lopez Valencia in gold leaf. SIZE: 410 x 320 mm (16.14 x 12.6 inches). PAGINATION: Complete; 66 unnumbered pages, 28 pages of texts in Spanish, followed by a complete English translation, texts illustrated with 23 b/w reproductions, some full-page, one double-page + suite of 33 lithographed, full-page color plates reproducing selected Tamayo oil paintings with facing captions. CONDITION: Forged Drawing: Fine / Tamayo Documentation: Fine / Gallery Label: Fine / SBMA Sticker: Very Good / Picture Frame: Poor / Book: lacks the called for, original signed Tamayo drawing, lacks the raffia board slipcase. / Pages: bright and clean, many with light fore-edge bend, some with the top corner slightly bumped. / Covers: bright and clean; slight rubs, top corners slightly bumped, spine with some footwear and a light crown rub. / Gilt: Fine / Binding: Very Good. FERNANDO LOPEZ VALENCIA [1905-?]: born in Madrid, trained with his father in the family business of handcrafted leather goods and bookbinding, immigrated to Mexico in 1939 and became one of Mexico's leading bookbinders. ADDITIONAL IMAGES: by request. [Attributes: Signed Copy]

      [Bookseller: Steven Waldman]
 27.   Check availability:     IberLibro     Link/Print  


        Miro Oiseau Solaire * Oseau Lunaire * Etincelles

      New York: Pierre Matisse Gallery, 1967. First edition. Stiff Wraps. Orig. illustrated stiff wrappers. Near fine. Miro, Joan. 39 pages. 31 x 24.5 cm. Limited edition, copy 90 of 1200. An unusual handsome production to celebrate Miro's exhibition at the Pierre Matisse Gallery, and include die cut cover with accompanying color lithograph, two single page and triptych color lithographs, one tipped-in silkscreen, two color panels printed on sandpaper, plus additional black and white illustrations in the text -- all printed by Daniel Jacomet.

      [Bookseller: Royoung bookseller, Inc. ]
 28.   Check availability:     ABAA     Link/Print  


        Les Chevaux du soleil. 1. Les Chevaux du soleil. 2. Une Femme au nom d'étoile. 3. Les Cerises d'Icherridène. 4. Le Maître de la Mitidja. 5. Les Ames interdites. 6. Le Tonnerre et les Anges.

      Paris: Grasset, 1967, 1968, 1969, 1970, 1972, 1975 - Edition originale, 6 volumes in-8; exemplaires hors commerce: 1. l'un des 133 sur vélin pur fil, exemplaire d'auteur nominatif n° D (second grand papier après 30 Madagascar); 2. l'un des 86 sur vergé à barbe, exemplaire nominatif n° Q pour Monique Mayaud (second papier après 30 Madagascar); 3. l'un des 86 sur vergé à barbe, exemplaire nominatif n° Q (second papier après 30 Madagascar); 4. l'un des 86 sur vergé à barbe, exemplaire nominatif n° P (second papier après 30 Madagascar); 5. l'un des vergé à barbe non numéroté (86 exemplaires numérotés sur le papier); 6. l'un des 99 sur vergé de Lana exemplaire n° F (seul grand papier). 452p., 461p., 405p., 390p., 524p., 429p. Broché à l'état de parution, couvertures imprimées à rabats, en parfait état de fraîcheur, sauf pour le premier et troisième volumes dont les dos sont légèrement tachés. Avec envois dans les volumes 1, 3, 4. et 6. [Attributes: First Edition; Soft Cover]

      [Bookseller: LIBRAIRIE DES CARRÉS]
 29.   Check availability:     AbeBooks     Link/Print  


        Ernst Fuchs - das graphische Werk - Luxusausgabe - Nummerierte Ausgabe - Nummer 8 von 200 Exemplaren - dreiteiliege Originalradierungen - Werksnummer 116/III beigebunden und handsigniert von Ernst Fuchs -

      Jugend und Volk/Wien-München/1967, Seiten/Illustr.: 191/geb/Illustriert Zustand: sehr gut mit Schuber 60857 - G70 Versand D: 6,00 EUR

      [Bookseller: Antiquarische Fundgrube]
 30.   Check availability:     buchfreund.de     Link/Print  


        Allgemeine Deutsche Biographie. Hrsg. durch die Historische Commission bei der Königlichen Akademie der Wissenschaften. (2. unveränderte Auflage)

      Berlin, Duncker & Humblot. 1967 - 1971. 56 volumes (Bände 1 - 45: A-Z. Bände 45 - 55: Nachträge A-Z. Band 56: Register) Orig. blue cloth with red title labels.; 24 cm. Text in German gothic (fraktur) script. (Price when new 6200 euro for the unchanged 1981 edition). - (traces of removed library labels on spines, ticket on rear title page, library stamp on some bottom edges, cloth sl. (sun)faded, although still very good set, see image) ¶ Neudruck der von 1875 - 1912 erschienenen 1. Aufl. -- Die Allgemeine Deutsche Biographie (ADB) ist auch heute noch für die historische Forschung auf allen Gebieten des polititschen, kulturellen und wirtschaftlichen Lebens eine unersetzliche Fundgrube für Informationen über ca. 26.300 bedeutende Persönlichkeiten aus dem deutschen Sprachraum, sofern sie vor dem Jahre 1900 verstorben sind. Bis 1648 sind auch Niederländer aufgenommen. Während die Werke der Biographierten im Artikel charakterisiert werden, findet sich die Sekundärliteratur an dessen Schluß. Die ADB enthält eine Vielzahl von Biographien über Persönlichkeiten, die in neueren Nachschlagewerken nicht mehr erwähnt werden. Die Artikel sind in einem individuellen, meist sehr gepflegten, oft essayistischen Stil verfaßt und bringen Informationen in einer nicht mehr erreichten Ausführlichkeit. -- Info from Duncker & Humblot.n

      [Bookseller: Boekhandel - Antiquariaat Emile Kerssema]
 31.   Check availability:     Biblio     Link/Print  


        Journal of American Studies. Edited by Dennis Welland for the British Association for American Studies.

      Cambridge, University Press, 1967-2011. Bände 1 - 45 in 52 Bänden. 8°. Blaue Leineneinbände. ISSN: 0021-8758. Titel gestempelt. Buchrücken mit Bibliothekssignaturschild. Versand D: 5,00 EUR

      [Bookseller: Antiquariat Trageser]
 32.   Check availability:     buchfreund.de     Link/Print  


        A Ritual Pentagon Exorcism / October 21 / Washington [poster]

      n.p.: n.pub., [1967]. 23.75x23.75 inch poster, purple background with mandala cenetered around a skull surrounded by five mushroom clouds, a ring of Geronimo heads, a pentagonal array of Uncle Sam portraits, and an outermost ring of images of Allen Ginsberg pointing up with his index finger. A former closed tear has been archivally repaired and the poster de-acidified. The location of the closed tear is still faintly visible down the left field. Promotes the infamous "levitation" of the Pentagon by Abbie Hoffman, Jerry Rubin, Allen Ginsberg and others.

      [Bookseller: Bolerium Books Inc., ABAA/ILAB]
 33.   Check availability:     Biblio     Link/Print  


        Atlantes Neerlandici. Bibliography of Terrestrial, Maritime and Celestial Atlases and Pilot Books. Published in the Netherlands up to 1880. // With 88 plates. 5 Volumes (5 Bände vom auf 10 Bände konzipierten Werk).

      Amsterdam, Theatrum Orbis Terrarum. 1967 - 1971. 1. edition / Auflage. 4°-quer. [42,5 : 30 cm]. XXX/377, XXXVI/549, XXVI/220, XLVI/519, (VIII)/287 pages / Seiten. Hard cover / red cloth with gilty titles to spine. / Rote Originalleinenbände mit goldgeprägten Rückentiteln - Sehr gut erhaltene, annähernd neuwertige Exemplare. - Contents: Volumes I - IV: Bibliography of Atlases. Volume V: Indexes (I./II.: Index of terrestrial atlases, sea-atlases, rutters and pilot books = 1.450 titles. III.: Nominal index names of cartographers, engravers, map-authors and publishers = 4.500 titles. IV.: Index of geographicla names = over 25.000 titles). Versand D: 4,70 EUR Atlas, Bibliographie, Nachschlagewerk

      [Bookseller: Antiquariat Tarter, Einzelunternehmen]
 34.   Check availability:     buchfreund.de     Link/Print  


        The Original Kiss Drawings Picture Letter Sent to Staff and Contributors at MAD

      - THE PICTURE LETTER: illustrates the collegial working atmosphere at MAD. It begins with a work update for Jerry DeFuccio and ends with eight valediction kiss drawings, each done for a prominent MAD staff member, or contributor, seven displayed, as a continuous strip on the rear, all on the theme of, "What is my response to a kiss from Sergio?" Each drawing shows an affectionate Sergio kiss and the comic response of the recipient, respectively: Jerry DeFuccio (Associate Editor), Lenny Brenner (Chief Production Consultant), Nick Meglin (Contributing Editor), Al Feldstein (Editor), Bill Gaines (Publisher), John Putnam (Art Director), Antonio Prohias (mentor to Aragonés, known for his "Spy vs. Spy" feature), and Al Jaffee (much admired by Aragonés, known for his rear fold-in, and regular feature, "Snappy Answers to Stupid Questions"). The letter is done in pen & red ink, both sides of a 10.9 x 8.4 inches (276 x 213 mm) sheet, English, except date in Spanish (August 21, 1967), sited Palma on Majorca, 17 lines, and with 5 corrections, signing off, "Smack! Love" with the 8 valediction kiss drawings, first with the unnamed DeFuccio. An arrow points to the strip's continuation, at the rear, where a heading names the others receiving a goodbye, four mentioned in the letter. CONTENTS: Aragonés posted from the island of Majorca, where he was vacationing with his wife and recovering from the 'flu'. Now feeling much better, he tells DeFuccio he is drawing again and New York can soon expect more of his marginals, (his MAD feature, "crammed with crowds of silly people doing silly things.") [Evanier] He requests art supplies from Lenny Brenner; cheerily mentions John Putnam's visit; references sending an early version of, "What is a Square" and asks for feedback on cells Al Feldstein has approved (feature in June 68 issue, no. 119), suggesting MAD feature writer, Tom Koch could do an allied feature, "What is a Sucker?", for which he would do the artwork. PORTRAITS WITH SERGIO SHOW: 1) Jerry DeFuccio, a model of patience; 2) Lenny Brenner, goggle-eyed with hair standing on end; 3) Nick Meglin, a satyr, panting with extended tongue; 4) Al Feldstein, kissed on the back of the head, grimaces with teeth bared; 5) Bill Gaines, yelping in mock resignation; 6) John Putnam, closely embraced, waits in shock for his release; 7) Antonio Prohias, eyes closed, blissfully smiles (as if remembering something sweet); 8) Al Jaffee smacks Sergio with a roundhouse to the jaw, captioned, "Soc!" (no fold-in from Al). CONDITION: Bright and clean, customary mailing folds; never mounted; a bottom corner crease, two tips with gentle creases, one tip with trace bend; a few fingering impresses, chiefly at bottom edge. SERGIO ARAGONÉS [1937-]: began drawing for MAD shortly after coming to New York City in 1962, from Mexico. A prolific contributor, he had two longtime features, "A Mad Look At", and his celebrated, marginals. In 1967 he began work at DC comics, including on "Bat Lash". But beyond his MAD artwork, he is principally known for, "Groo the Wanderer", a series done in collaboration with Mark Evanier from 1981. He is the recipient of numerous awards, including the Shazam (1972), Harvey (9 times since 1990), National Cartoonist Society Comic Book Award (1986), and the Reuben (1996). MY LISTINGS: Search in 3 easy steps. 1) Click my name in bookseller field below title and author description. 2) Click bookseller & payment information. 3) Click my name again. You can now search by catalog, keyword, etc.

      [Bookseller: Steven Waldman]
 35.   Check availability:     IberLibro     Link/Print  


        Alisa v strane chudes. Skvoz' zerkalo i chto tam uvidela Alisa. [Alice's Adventures in Wonderland. Through the Looking-Glass and What Alice Found There]

      Izdatel'stvo literatury na inostrannykh iazykakh, Sofia [BUL] 1967 - 225pp. Quarto [26 cm] 1/4 white cloth over blue illustrated boards. Very good/Very good. Translated into Russian and foreword by Nina Demurova. Illustrated by Peter Chuklev (1936-) a Bulgarian artist, who illustrated the Bulgarian edition of 'The Hobbit (1975). This is the first Russian edition of both novels in one book. Uncommon. [Attributes: First Edition; Hard Cover]

      [Bookseller: Ken Sanders Rare Books, ABAA]
 36.   Check availability:     AbeBooks     Link/Print  


        A Survey of Persian Art. 14 volumes. Under the Aspices of The Asia Institute of Pahlavi University.

      London: Oxford University Press, 1967-1977. 2nd impression (Volume 1-12 and 14/15, There was no volume 13 in the 2nd impression.) Mit zahlr. Abb. Originalhalbleinen. Aus der Bibliothek von Prof. Dr. Wolfram Kleiss, langjährigem Leiter der Außenstelle Teheran des Deutschen Archäologischen Instituts. Schnitt angestaubt. - Volume 1 TEXT PAGES 1-492, FIGURES 1-126 INTRODUCTORY ESSAYS, PRE-ACHAEMENID, ACHAEMENID AND PARTHIAN PERIODS -- Volume 2 TEXT PAGES 493-895, FIGS. 127-310 SASANIAN PERIOD: ARCHITECTURE, POTTERY, TEXTILES, METALWORK, JEWELRY, SEALS, COINAGE -- Volume 3 TEXT PAGES 896-1445, FIGS. 311-517 ISLAMIC PERIOD: ARCHITECTURE AND ITS ORNAMENT MURALS, CITY PLANS, GARDENS -- Volume 4 TEXT PAGES 1446-1807, FIGS. 518-636 ISLAMIC PERIOD: THE CERAMIC ARTS, CALLIGRAPHY AND EPIGRAPHY -- Volume 5 TEXT PAGES 1809-2256, FIGS. 637-752 ISLAMIC PERIOD: PAINTING, ART OF THE BOOK THE TEXTILE ARTS, COSTUME -- Volume 6 TEXT PAGES 2257-2817, FIGS. 753-967 ISLAMIC PERIOD: CARPETS, METALWORK, MINOR ARTS, ORNAMENT, MUSIC; INDEX -- Volume 7 PLATES 1 - 75 PRE-ACHAEMENID PLATES 76-127 ACHAEMENID PLATES TO 128 PARTHIAN PLATES TO 257 SASANIAN -- Volume 8 PLATES 258-510 ARCHITECTURE -- Volume 9 PLATES 511-554 ARCHITECTURAL ORNAMENT PLATES 812-980 THE ART OF THE BOOK -- Volume 10 PLATES 555-811 POTTERY AND FAIENCE -- Volume 11 PLATES 1107-1275 CARPETS -- Volume 12 PLATES 981-1106 TEXTILES PLATES 1276-1433 METALWORK PLATES 1434-1482MINOR ARTS -- Volume 14 TEXT PAGES 2879-3205 PLATES 1483-1530 FIGS. 968-1210 NEW STUDIES 1938-1960 PROCEEDINGS, THE IVth INTERNATIONAL CONGRESS OF IRANIAN ART AND ARCHAEOLOGY, PART A APRIL 24-MAY 3, 1960 -- Volume 15 BIBLIOGRAPHY OF PRE-ISLAMIC PERSIAN ART TO 1938. Versandkostenfreie Lieferung

      [Bookseller: Fundus-Online GbR Borkert, Schwarz, Zerf]
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        Bernard Buffet. Werkverzeichnis der Lithographien 1952 - 1966. Mit einem Vorwort von Georges Simenon. Zusammengestellt von Fernand Mourlot.

      Köln, Orangerie 1967 - 177 SS., 2 Bll. Mit 66 farbigen Abbildungen auf Tafeln und 11 Original - Lithographien des Künstlers. Folio. Farb. lithogr. Opbd. Sauberes Exemplar. [Attributes: Hard Cover]

      [Bookseller: Antiquariat Andreas Moser]
 38.   Check availability:     ZVAB     Link/Print  


        Andy Warhol`s Index (Book). With the assistance of Stephen Shore, Paul Morrissey, Ondino, Nico. Several photographs by Nat Finkelstein, Christopher Cerf, Alan Rinzler, Gerald Harrison, Akihito Shirakawa and particularly David Paul. Factory Fotos by Billy Name. A Black Star Book. First printing.

      New York, Random House, 1967. 4°. 28,1 x 21,6 cm. Unpaginiert. 36 Blatt. Original-Karton. Erste Ausgabe des berühmten Pop-Art Buches von Warhol. Mit zahlreichen Fotografien und teils farbigen Beilagen und Faltobjekten (Ritterburg, Ziehharmonika - mit Ton, Doppeldecker, Andy Warhol`s The Chelsea Girls`, gefaltete Laterne, Schallplatte - lose, buntes Papierobjekt, Tomatenmarkdose, Abreiss-Etiketten und der Luftballon - dadurch zwei Seiten verklebt. Exemplar ohne das gelbe Preisettikett auf Vorderdeckel. Sehr gutes Exemplar. First printing. With pop-ups and many photographs in b/w, two sheets glued by the ballon. Fine copy. Versand D: 4,90 EUR Künstlerbuch / artist`s book; Pop Art, Pop-Art, Popart

      [Bookseller: Antiquariat Lenzen GbR]
 39.   Check availability:     buchfreund.de     Link/Print  


        CARTE SEGRETE RIVISTA D'AVANGUARDIA trimestrale di lettere ed arti - 1967 - 1980 TUTTO IL PUBBLICATO DELLA PRIMA SERIE - dal numero 1 del gennaio - marzo 1967 al numero 50 del settembre - ottobre 1980., Roma, Vari editori, 1967

      tutti i fascicoli ( cm. 13,5 x 20,8) sono rilegati con le originali copertine in cartonato da imballo ed ognuno è di circa 200 - 250 pagine. Le figure in copertina sono assemblate con fantasia e riportano i nomi di molti degli scrittori ed illustratori protagonisti ed anche iniziative e tendenze, spesso controcorrente, del periodo. DOMENICO JAVARONE è l'anima - fondatore e direttore fino alla sua scomparsa (1 dicembre 1979) , poi viene sostituito dal suo vice GIANNI TOTI per gli ultimi numeri dal 47 al 50 quando la rivista cessa la sua PRIMA SERIE. La testata riprenderà dopo qualche anno, con altri protagonisti ed obiettivi. Il taglio che JAVARONE ha dato alla rivista è stato di grande ampiezza culturale ma "CONTROCORRENTE" ed alla continua ricerca di nuovi protagonsti e nuovi SCHEMI e spesso fuori dai sentieri editoriali cosidetti "vincenti" Le due linee base CARTE SEGRETE E CARTE SCOPERTE sottolineano la continua ricerca ed i tentativi di sviscerare cose "nascoste" e da "scoprire" dando luminosità al lavoro proposto da questa simpatica rivista che sottolinea nella sua testata il significato di AVANGUARDIA e lo mette in PRATICA. L'ampiezza delle tematiche spesso trattate è grande, STORIA, POLITICA, POESIA, LETTERATURA STRANIERA, ARTE, ILLUSTRAZIONI con nomi italiani importanti (ci sono scritti di Pasolini, D'Annunzio, Enzo Siciliano, Musil, Marinetti, Comisso,Saba, De Pisis, Zavattini, Buzzati, Flaiano,Bevilacqua, C.E. Gadda, Corrado Alvaro, ecc.) ma anche stranieri (James Yojce, Alexander Blok, Mao Tse Tung, Andrè Breton, Che Guevara, Karl Marx, ecc.). Nel settore degli illustratori i nomi sono importanti (Mucha, Paul Klee,Purificato, Cantatore, Aligi Sassu, Giacomo Balla, Prampolini ecc. ecc.. L'insieme mette in sincero imbarazzo il vostro libraio nel compilare la scheda, convinto di proporre una collezione veramente significativa, non trovando però nelle bibliografie ufficiali riferimenti concreti ed ampi appunto perchè il lavoro di JAVARONE è stato di "opposizione". Saranno percio' graditi suggerimenti e completamenti per arricchire questa scheda.

      [Bookseller: Libreria Commissionaria Licosa SpA]
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        Ed Ruscha: Twentysix Gasoline Stations (Second Edition of 500) [SIGNED]

      Ed Ruscha (Self-published), Los Angeles 1967 - 1963/1967. Second edition. (Originally published in 1963 in an edition of 400 numbered copies). Signed in blue ink on the dedication page by Ruscha. Soft cover. White matte wrappers with title printed in red on cover and spine, with glassine dust jacket. Photographs, artist's book concept and design by Ed Ruscha. Unpaginated (48 pp.), with 26 black-and-white illustrations printed by The Cunningham Press, Alhambra, California. 7-1/16 x 5-9/16 inches. This second edition was limited to 500 unnumbered copies. Out of print. Very scarce.[Cited in Andrew Roth, ed., The Open Book. (Göteborg, Sweden: Hasselblad Center in association with Steidl Verlag, Göttingen, Germany, 2004), and in Martin Parr and Gerry Badger, The Photobook: A History, Volume II. (London and New York: Phaidon, 2006).]. Fine in Near Fine dust jacket (two 1/8-inch chips at crown of spine and bottom front edge, slight toning, else Fine). A bright, tight copy. A coveted, landmark artist's book which included photographs of gasoline stations dotting old Route 66 between Los Angles and Oklahoma City (the artist's hometown). Each "snapshot" (as Ruscha referred to them at the time) is captioned only with its location and the oil company name, and was originally made, according to Ruscha, solely to serve the book's conceptual approach. The publication was rejected by the Library of Congress for its unorthodox form and supposed lack of information. Twentysix Gasoline Stations is a monumental, albeit unassuming, contribution that helped shape the strong resurgence of interest in artist's books from the 1960s to the present. Signed by Author. [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Vincent Borrelli, Bookseller]
 41.   Check availability:     AbeBooks     Link/Print  


        Derrière Le Miroir MIRÓ L`Oiseau Solaire L´Oiseau Lunaire Etincelles

      Maeght, Saint-Paul De Vence / Paris 1967 Limitierte & Signierte Ausgabe Im Schuber Illustrierte Pappe Sehr gut Text französisch. Heft in Mappe, diese im Schuber. Schuber intakt, jedoch mit minimalen Gebrauchsspuren. Mappe und Heft tadellos. 150 Exemplare (dieses: Nr. 90, signiert von Miró - l`édition de tête de ce numero de \"Derrière le Miroir\", consacré à Joan Miró est limitée à 150 exemplaires sur vélin de Rives numerotés et signés par l`artiste, exemplaire 90). Contient le texte: \"Le Micromonde\" par Patrick Waldberg avec deux lithographies dont une en double page, deux lithographies en double page et une lithographie en triple page, le texte \"Deux Oiseaux Fabuleux à Altomiro\" par André Frenaud, (avec lithographie), le texte \"Itinéraire\" par Shuzo Takiguchi avec une lithographie + 8 pages de représentation d`oeuvres de Miró (peintures, dessins, sculptures, céramiques). Couverture du cahier entièrement lithographiée. Une édition rare et magistrale! Weitere Fotos verfügbar. D`autres photos sont à votre disposition! +++ Gewicht 2,8 kg, 29 x 38,5 Cm. Versand D: 5,50 EUR Moderne Kunst Klassische Moderne Bibliophilie Rara Rarum Surrealismus Lithographie

      [Bookseller: Antiquariat Clement]
 42.   Check availability:     buchfreund.de     Link/Print  


        Rosencrantz and Guildenstern Are Dead

      London: Faber & Faber, 1967. First edition, first printing. Very good in original blue cloth a good, mildly soiled dust jacket, edgeworn and chipped at the head of the spine. A major work in contemporary drama.. Octavo. 96 pages.

      [Bookseller: Captain's Bookshelf, Inc., ABAA]
 43.   Check availability:     Biblio     Link/Print  


        Dag Hammarskjöld: The Statesman and His Faith

      New York: Harper & Row 1967 - 8vo., blue boards and black cloth lettered in gilt; pictorial dust jacket; with one closed tear. First edition, first printing, signed by Van Dusen on the title page. A presentation copy, inscribed by Van Dusen to Philip C. Jessup: "For Phil, with gratitude and high regard, H.P.V.D, Christmas 1966," on the front endpaper; Jessup praised the volume in a dust-jacket blurb.[Together with] "Dag Hammarskjöld: The Statesman and His Faith" (Advance Uncorrected Proof with Jessup's annotations). ---- The recipient, Philip C. Jessup, a judge on the International Court of Justice at The Hague and veteran U.S. diplomat, was credited with playing a major role in ending the Soviet blockade of West Berlin. Jessup was a representative to the United Nations General Assembly, as well as a U.S. ambassador at large from 1949 until his resignation in 1953. During that time, he was one of the closest advisers of then- Secretary of State Dean Acheson. After Jessup was maligned by Senator Joe McCarthy for purported communist "affinities," General Dwight D. Eisenhower heralded Jessup's "devotion to the principles of Americanism." McCarthy's charges kept Jessup from being reappointed to the U.S. delegation to the United Nations in 1951 but President Harry S. Truman made him an alternate delegate the following year. Advancing the mission of the United Nations, Jessup was on familiar terms with Hammarskjöld. On the inside of the dust jacket of "Dag Hammarskjöld," Jessup declared: "I have read this book with fascination. Dr. Van Dusen contributes to a better understanding of Dag Hammarskjöld himself." A compelling presentation copy. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: North Star Rare Books & Manuscripts]
 44.   Check availability:     AbeBooks     Link/Print  

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