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Displayed below are some selected recent viaLibri matches for books published in 1967

        Archaeologia Homerica. Die Denkmäler und das frühgriechische Epos. Im Auftrage des Deutschen Archäologischen Instituts begründet bzw. hrsg. von Friedrich Matz und Hans-Günter Buchholz. 4 Bände in 27 Faszikeln (alles).

      Vandenhoeck & Ruprecht 1967-2015, Göttingen - Gr.-8vo. Mit zahlr. Abb. im Text u. auf Taf. OBrosch. m. illustr. Deckel u. Rückentitel. Vollständige Folge des in Lieferungen erschienenen Werkes, das jüngst mit dem Registerband abeschlossen wurde. Vom Verlag können auf Wunsch Einbanddecken erworben werden, um die Hefte in 4 Bände binden zu lassen. Jew. kl. Exlibris. Frische Bände. (Neupreis über EUR 1.000,-) 7000 gr. [Attributes: First Edition]

      [Bookseller: Antiquariat Düwal]
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        After violent riots in Newark and Detroit, just a week before his acclaimed "Where Do We Go from Here?" address to the SCLC Convention, Dr. King writes a Board member that "In view of the riots and the overall crisis that our nation faces, SCLC is going to have to assert itself even more ? they need to return to their deprived communities and carry on the fight for human dignity ??

      Atlanta, Georgia, August 7, 1967. 8.5" x 11". "Typed Letter Signed ""Martin,"" 1 page, 8.5"" x 11"". Atlanta, August 7, 1967. To Mrs. Marian Bruce Logan. On Southern Christian Leadership Conference stationery listing Martin Luther King, Jr. as President. Mrs. Logan wrote several pencil and ink notations in blank areas around the text. Fine condition.In full, ""Our Board Meeting is approaching and we contemplate a very challenging and urgent session. Your in depth thinking is certainly needed on the total agenda especially the crisis that we face in our cities.In view of the riots and the overall crisis that our nation faces, SCLC is going to have to assert itself even more and accelerate present programs to new dimensions. In order to implement this, your moral and financial support is greatly needed.Instead of the customary Board Member contribution of $50.00, I hope that you will find it possible to make your contribution $100.00 and above. This would greatly relieve the excessive budget of our Convention this year. Of the 1500 delegates that we expect, at least 500 will be coming to the Convention from Black Belt areas of the deep South and we are having to assume the expense of the majority of them. We feel, however, that it is necessary to encourage them to participate in the Convention in order to provide them with the information and inspiration they need to return to their deprived communities and carry on the fight for human dignity.?The SCLC's Annual Convention was held in Atlanta August 14-17, 1967. In his August 16th address, Dr. King said, in part,""Where do we go from here? First, we must massively assert our dignity and worth. We must stand up amid a system that still oppresses us and develop an unassailable and majestic sense of values. We must no longer be ashamed of being black. The job of arousing manhood within a people that have been taught for so many centuries that they are nobody is not easy ... The futility of violence in the struggle for racial justice has been tragically etched in all the recent Negro riots. Now, yesterday, I tried to analyze the riots and deal with the causes for them. Today I want to give the other side. There is something painfully sad about a riot. One sees screaming youngsters and angry adults fighting hopelessly and aimlessly against impossible odds. And deep down within them, you perceive a desire for self-destruction, a kind of suicidal longing.""Occasionally, Negroes contend that the 1965 Watts riot and the other riots in various cities represented effective civil rights action. But those who express this view always end up with stumbling words when asked what concrete gains have been won as a result. At best, the riots have produced a little additional anti-poverty money allotted by frightened government officials and a few water sprinklers to cool the children of the ghettos. It is something like improving the food in the prison while the people remain securely incarcerated behind bars. Nowhere have the riots won any concrete improvement such as have the organized protest demonstrations ..."""

      [Bookseller: University Archives]
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        Autograph letter signed ("J. P. Sartre").

      [Paris], 27. VI. 1967. - Large 4to. ½ p. With autogr. envelope. To the dramatist Georges Michel (b. 1926), who sent him a tin tobacco box on the occasion of Sartre's 62nd birthday: "Oui, le tabac se conserve mieux dans les pots. Surtout dans les beaux, ceux en étain comme le votre. Merci. Ca me fait plaisir de le voir sur ma table, et de penser qu'il me vient de votre amitié [.]". - Somewhat wrinkled.

      [Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH]
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        Rosemary's Baby

      New York: Random House,, 1967. Octavo. Original purple cloth-backed pale purple boards, titles to spine metallic silver and purple, author's initials to front board metallic purple, top edge green. With the dust jacket. Bookplate to front pastedown. Spine slightly rolled, minor toning to edges of boards, small bump to head of front board, front hinge cracked but holding; a very good copy in the unclipped jacket with a few nicks and shallow chips to extremities and short closed tear to head of front and rear panels. First edition, first printing. Presentation copy, inscribed by the author on the front free endpaper: "Mickey dear; write a book and not send you a copy? Impossible. Love, Ira." The book was the basis for the 1968 American horror film directed by Roman Polanski, and starring Mia Farrow.

      [Bookseller: Peter Harrington]
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        Rivista delle società. Fondata da Tullio Ascarelli. Diretta da Giuseppe Auletta Alberto Crespi Gino de Gennaro Cesare Grassetti Guido Landi Luigi Mengoni Ariberto Mignoli Guido Rossi Bruno Visentini

      Giuffrè 1967-1996, Milano - La rivista fu fondata nel 1956 da Tullio Ascarelli. n.d. p. dal 1967 al 1974 dal 1976 al 1997 dal 1999 al 2002 e 2004 2005 per un totale di 36 annate in-8

      [Bookseller: Libreria Antiquaria Giulio Cesare]
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        Atlas). The third centenary edition of Johan Blaeu Le Grand Atlas Ou Cosmographie Blaviane. Amsterdam , 1663. Facsimile Edition.

      Amsterdam : Theatrum Orbis Terrarum 1967 - LIMITED EDITION 183/ 1000. 12 vols. Folio. (55 x 33 cm). Original "faux vellum" gilt with twin gilt lettered blue labels to spines. Occasional minor soiling to extremities, short split to upper joint of vol.III. A very good set. 598 maps & plates. A reprint of the 1st French Ed (1663) of Blaeu's Atlas Major. [Attributes: Hard Cover]

      [Bookseller: Robert Frew Ltd. ABA ILAB]
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      (New York):: Dramatists Play Service. (1967).. First edition and only edition. SIGNED by Williams. Fine in stapled, olive-green paperwraps. Rare signed. .

      [Bookseller: Quill & Brush]
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      Parma: Franco Maria Ricci, 1967. ONE OF 700 COPIES n. Hardcover. 438 x 292 mm (17 1/4 x 11 1/2"). Two volumes. Preface and introduction by U Thant. ONE OF 700 COPIES. Publisher's excellent red straight-grain morocco, covers with gilt frame and central coat of arms, raised bands flanked by decorative gilt rules, panels with gilt lettering or central fleuron. In original morocco-lipped marbled paper slipcase. In mint condition. Produced in conjunction with the Museo Bodoni, these volumes commemorate the 1965 visit by Pope Paul VI to the United Nations. "Allocutio Pro Pace" ["Address for Peace"] presents the Pope's speech (in French) to the United Nations General Assembly, with a preface and introduction in English by UN Secretary General U Thant. The companion volume is a facsimile of a work produced in 1806 by the great Italian printer Giambattista Bodoni in honor of the visit of Pope Pius VII to the coronation of Napoleon in Paris. In this second work, we see Bodoni's printing of the Lord's Prayer in 155 languages from Asia, Europe, Africa, and the Americas, including many using non-Roman alphabets. It was a tour de force in typography requiring the design of Illyric, Ethiopian, Russian, Arabic, Hebrew, and Greek types (among others), and manifesting Bodoni's unequalled virtuosity. Apart from their content, the thick paper, beautiful typefaces, and fine bindings make this a most appealing set.

      [Bookseller: Phillip J. Pirages Fine Books and Mediev]
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      Paris: Gallimard, 1967. Fine. Gallimard, Paris 1967, 14,5x22cm, relié. - First edition of the French translation, one of the 26 copys numbered on pure vellum wire only leading copies. Bound in red half shagreen with corners, back with five nerves, marbled paper plates, guards and contreplats rougte of paper, wrappers and back preserved and bound in, gilded head. Beautiful copy. - [FRENCH VERSION FOLLOWS] Edition originale de la traduction française, un des 26 exemplaires numérotés sur vélin pur fil, seuls grands papiers. Reliure en demi chagrin rouge à coins, dos à cinq nerfs, plats de papier marbré, gardes et contreplats de papier rougte, couvertures et dos conservés, tête dorée. Bel exemplaire.

      [Bookseller: Librairie Le Feu Follet]
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        Béru et ses dames.

      Fleuve Noir, 1967, - in-8vo, 504 p. + 2 ff., illustré par Roger Sam, avec un envoi signé sur faux-titre ?des deux mains. San Antonio?, reliure en toile originale. Jaquette couleur (celle-ciavec pt. déchirure en haut du dos, sans perte). Avec envoi de la main de Frédéric Dard. Please notify before visiting to see a book. Prices are excl. VAT/TVA (only Switzerland) & postage. [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Harteveld Rare Books Ltd.]
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        Andy Warhol's Index (Book)

      New York: Random House. FIRST EDITION, preferred hardcover issue, of Warhol's iconic Index (Book), complete with all components. Hardcover. Very Good. FIRST EDITION, preferred hardcover issue, of Warhol's iconic Index (Book), complete with all components. "Andy Warhol's Index (Book), which is an expensive rarity today, was another portrait of the mysterious silver factory as a schizoid fun house. It consists primarily of photographs, blank pages, joke pages, and a pop-up cut-out of a medieval castle inhabited by Warhol's superstars above the logo 'We are constantly under attach.' The text is a rambling, seemingly random, classically monosyllabic interview with Warhol. Although it stands today as an essential report on the Warhol factory, the Index book operates on a different level entirely inasmuch as it does not rely primarily on language" (Bockris, Warhol: The Biography). Complete with pop-up castle; a paper accordion (still with squeak!); a multi-colored pop-up airplane; a folded geodesic dome (detached from string, as often), a paper disc with "The Chelsea Girls" in printed type; 45 R.P.M. flexi-disc with portrait of Lou Reed, which plays a supposedly unrecorded song by Nico and the Velvet Underground; an illustration of a nose with two colored overlays on a double-folded page; pop-up Hunt's Tomato Paste can; a sheet of eight stamps to be placed in water; and a gold balloon not quite melted as usual, but worn and fused between the two pages. New York: Random House, 1967. Octavo, original black cloth with holographic front board. Binding extremely bright and clean. An outstanding copy of a notoriously fragile book.

      [Bookseller: The Manhattan Rare Book Company]
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        Publications de la Compagnie de L Art Brut. 19 Bände. Band 1 - 18 und ein Ausstellungskatalog,

      - Enthält: Fascicule 1: le Prisonnier de Bale, le Lambris de Clément, Dessins Mediumniques du Facteur Lonné, Palanc L Écrituriste; Fascicule 2: Adolf Wölfli, Par le Prof. Dr. W. Morgenthaler; Fascicule 3: le mineur lesage, Salingardes l aubergiste, Le cabinet du professeur Ladame, Les telgrammes de Charles Jaufert, Jayet le Boucher, Les coquilles de maisonneuve, Filaquier le simplet; Fascicule 4: Scottie Wilson, Emmanuel le calligraphe, Guillaume, Paul End, Moindre l égyptologue, Florent, l écrit du comte du bon sauveur, Jacqueline; Fascicule 5: Le philateliste, Broderies d' Elisa, Joseph Crepin, Rose Aubert, Gaston le zoologue, Sylvain, Xavier Parguey; Fascicule 6: Carlo, la double vie de Laure, Simone Marye, Anais, robe nuptiale et tableaux brodes de Marguerite; Fascicule 7: Aloise par Jacqueline Porret-Forel; Fascicule 8: Messages et clichés de Jeanne Tripier la Planétaire, la Fabrique D Auguste, Gustav le Démoniste, Francois, Olive, piéces D Arbre Historiées de Bogosav Zivkovic; Fascicule 9: Madge Gill, Nataska, Jane Ruffié, Bentivegna, Èmile Ratier, Collection du D A. Marie; Fascicule 10: Jules Doudin, Vojislav Jakic, Gaston Teuscher, Pierre Jain, Albino Braz, Samuel Failloubaz, Katharina, Louise Fisher, Solange Lantier, Louise Tournay; Fascicule 11: Léontine, Sylvan Fusco, Alois Wey, Edmund Monsiel, André Robillard, Carlo (2), Joseph Vignes, Italo Perugi, Francois Portrat, Samuel Daiber, Thérése Bonnelalbay; Fascicule 12: Gugging; Fascicule 13: Reinhold Metz par Michel Thévoz; Fascicule 14: Josef Wittlich, Willem van Genk, Angelo Meani, Hans Krüsi, Henriette Zephir, Jean Radovic, Yvonne Robert, Anna Zemankova, Armand Schulthess, Camille Renault; Fascicule 15: Giovanni Battista Podestá par Lucienne Peiry; Fascicule 16: Yanko Domsic, Eugéne Gabritschevsky, Ted Gordon, Benjamin Bonjour, Michel Nedjar, Edouard Boschey, Eugenio Santoro, Helmut, Pepe de Valence, René le Bedeau; Fascicule 17: Dwight Mackintosh, Monsieur Poladian, Johann, Johann Fischer, Marcomi, Théo, Erika Orysik la Tinaia, Michael Pankoks; Fascicule 18: Emile Josome Hodinos par Lise Maurer; Ausstellungskatalog: Expostion L`Art Brut, Musée des Arts Décoratifs, Paris 1967 Sprache: Deutsch Gewicht in Gramm: 8710 Compagnie de l Art Brut, Paris, 1964 - 1994. zusammen ca. 2700 S., mit zahlr. Abb., orig. kart. [Attributes: Soft Cover]

      [Bookseller: Celler Versandantiquariat]
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        T.V. Baby Poems

      London: Cape Goliard Press,, 1967. Quarto. Original yellow rice paper covered boards, titles to spine gilt. With the dust jacket. Original photograph frontispiece by Malcolm Hart, title page decorated in yellow and printed in purple, illustrations to text by Allen Ginsberg, Victorien Sardou, and The Great Crystal. Spine ends and edge of rear board lightly bumped, faint foxing to edges and endleaves; an excellent copy in the lightly foxed and nicked jacket. First edition, signed limited issue. Number 91 of 100 copies signed and numbered by the author on the half-title. The rest of the edition consisted of 1,500 wrappered copies and 400 casebound library copies.

      [Bookseller: Peter Harrington]
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        Atlas Shrugged

      New York: Random House, 1967. Limited. hardcover. near fine. Thick 8vo, blue cloth, acetate d.w, slipcase. New York: Random House, 1957. First Edition. Ninth printing. Special Tenth Anniversary Edition, limited to 2000 copies, and signed by Ayn Rand. Near fine, in a good rubbed publisher's slipcase.

      [Bookseller: Argosy Book Store]
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        Ernst Jünger Druckvorlage "Carabus Rutilans",

      [Biberach/Wilflingen], [1967/68]. - (5) 42 Seiten (5) 42 Seiten Typoskript (41 paginierte Blatt plus betiteltes Deckblatt), original Druckvorlage von Heinz Saueressig für die Privatdruckausgabe Biberach (MÜhleisen 0146) mitsamt den für dieses äusserst seltene Ausgabe typischen Setzfehler.- Dazu Hektographie der gesamten Vorlage, offensichtlich Überschussexemplar, das nicht mehr als Privatdruck gebunden wurde.// interner Vermerk kxx \m/' Sprache: Deutsch Gewicht in Gramm: 10000 [Attributes: Hard Cover]

      [Bookseller: Wimbauer Buchversand]
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        Informationen über Persien und den Schah. Herausgegeben vom Allgemeinen Studentenausschuß der Freien Universität Berlin

      (Berlin, AStA der Freien Universität, 1967).. 5 hektographierte Blätter, oben links geklammert. DIN-A-4 Schreibmaschinen-Bögen. Über KVK nur ein Exemplar in Deutschland in der Württembergischen Landesbibliothek nachweisbar. - Die am 1. Juni 1967 zum Besuch des Schahs Reza Pahlevi mit seiner Gattin in Berlin verteilte Schrift kritisiert in scharfer Form das Regime im Iran und die wirtschaftlichen und politischen Verflechtung zu den USA. Die vorliegende Flugschrift tat ihr übriges zu der aufgepeitschten Stimmung unter den Studenten; am 2. Juni traf der Schah mit seiner Gattin, der Kaiserin Farah Diba in Berlin ein, der Empfang des Paares im Schöneberger Rathaus wurde von Prügeleien zwischen den Studenten und den sog. "Jubel-Persern" begleitet - am Abende spitzte sich die Situation bei der Aufführung der "Zauberflöte" in der Deutschen Oper zu: Während der iranische Despot mit deutschen Politikern der Aufführung lauschte, wurden die Demonstranten vor der Oper zusammen geknüppelt und der eher unbeteiligte Student Benno Ohnesorge durch den Polizeiobermeister Karl-Heinz Kurras ermordet (der Jahre später als Inoffizieller Mitarbeiter des Ministeriums für Staatssicherheit enttarnt wurde). Die am 2. Juni 1967 stattgefundenen Ereignisse gelten als Auslöser der Radikalisierung der Studentenbewegung und letztlich der Gründung der Rote Armee Fraktion; die in den 1970er Jahren in West-Berlin aktive terroristische Vereinigung "Bewegung 2. Juni" spielt auf dieses Datum an. - Die hier vorliegende, wohl mittlerweile recht selten gewordene Flugschrift kann als historisches Dokument zur Geschichte der Bundesrepublik Deutschland und speziell der Studentenbewegung bezeichnet werden. - Mittig gefaltet, in den Faltungen etwas gebräunt. Insgesamt recht gutes Exemplar!

      [Bookseller: Antiquariat Turszynski]
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      New York: Random House, 1967. First Edition. First Printing. Octavo; black cloth, with titling and decorations stamped in red and silver on spine and front panel; black topstain; dustjacket; 278pp, [1]. Partial, rough erasure to previous owners ink stamp at half-title, else Fine in a Near Fine dustjacket, unclipped, with some trivial rubbing to corners. Thompson's first book, chronicling his year riding with the Hell's Angels Motorcycle Club and other motorcycle gangs, an "experiment" that ended when he was beaten nearly to death by a group of Angels. Written in Thompson's no-holds-barred style, and filled with drugs, sex, and violence, Hell's Angels continues to remain one of the best in the author's ouevre, and one of the few books that offers unprecedented access and insight into biker culture.

      [Bookseller: Captain Ahab's Rare Books]
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        ODE A LA NEIGE”

      Paris: Le bibliophiles Franco-Suisse, 1967 - 4° DECOREE DE 12 ESTAMPILLES , CONçUES PAR E.HAJDU N° 106 / 160 EX. SIGNES PAR L’AUTEUR ET L’ARTISTE BOITE ORIGINALE. PARFAIT ETAT . [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: °ART...on paper - 20th Century Art Books]
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        Covent Garden Flower Market.

      Curwen Studios, [1967] - Original colour lithograph, image size 24 x 18 inches. A little very gentle creasing but an excellent copy of a scarce print issued in an edition of 75; one of the "Six London Markets" series. This copy is unsigned and bears the Curwen Press Proof Stamp to the verso. [Attributes: Soft Cover]

      [Bookseller: Michael S. Kemp, Bookseller]
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        Andy Warhol's Index Book

      Random House, 1967. Softcover. Very Good. Random House, New York 1967. First Edition / First Printing. Stated First Printing. Softcover silver foil. Rare Illustrated pop up book. Book Condition: Very Good, tight spine, shelf wear, light spots. Crease at the rear board corner. Protected by a poly bag with cardboard backing.

      [Bookseller: 1st Editions and Antiquarian Books, ABA,]
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      Hollywood, Califoarnia: Mirisch Corporation, United Artists, 1967. 1st Edition 1st Printing. Soft cover. Good. ORIGINAL COMBINED CONTINUITY SCRIPT / SCREENPLAY of IN THE HEAT OF THE NIGHT, the 1967 FILM Directed by NORMAN JEWISON and Starring ROD STEIGER and SIDNEY POITIER. This Combined Continuity (each scene is described in full detail "combining" camera shots, camera angles, dialogue, actions, etc.) is dated June 12th, 1967. At the end of the last page is the statement: "Continuity taken from work picture (a working print) & mag track (magnetic sound track) by Laura Rosser's Film Continuity Service, P.O. Box 1603, Hollywood 28, California, Phone: NO 1-16115". The film was produced by The Mirisch Corporation and Released by United Artists on August 2, 1967. Continuities (Continuity Scripts) were an important part of the film industry. Typically created after a film was "in the can", but before it was released, a continuity created a written "copy" of a film. A good "Continuity", especially a "Combined Continuity", provided a comprehensive transcription of the finished film. Continuities were created both for copyright protection and for a "record" of a film. Many early films easily degenerated, and many others were wiped out to recover their silver. A true continuity script was therefore often the only archived, word-by-word, shot-by-shot, scene-by-scene, record of many films. Mimeographed sheets, yellow front cover, 8.5x14", mimeographed on one side only, 98 pages plus the cover page. Two hole punched at the top and bound by a metal bracket. Laid in a legal size manila folder. The metal bracket has rusted somewhat and has left its rust imprint onto both the front and rear covers of the manila folder. The manila folder has a typed title on its tab: "IN THE HEAT OF THE NIGHT". This script was clearly filed away, perhaps in a legal department, perhaps in the Studio's files. LAID-IN the manila folder, on top of the Continuity / Screenplay, is a TYPED SIGNED LETTER by NORMAN JEWISON. The letter is on NORMAN JEWISON'S PERSONAL STATIONERY. The letter is addressed to PHILLIP LAMBRO, a Composer of Film Scores. The letter is dated APRIL 24, 1968, only 14 days after the April 10, 1968, 40th ACADEMY AWARDS that presented Oscars to films released in 1967. IN THE HEAT OF THE NIGHT won MULTIPLE OSCARS at the 40th Academy Awards, including BEST PICTURE (and, perhaps of interest to Phillip Lambro, BEST SOUND). Norman Jewison's letter to Phillip Lambro clearly refers to the film's success at the Academy Awards. The letter reads: "Dear Phillip: / Thank you for your thoughtful letter. It was muchly appreciated. / It was a very exciting and rewarding night for our picture, and I thank you again for caring. / Yours, / Norman (signed)". (Phillip Lambro is a composer who had a short career as a composer of film scores. Lambro wrote the original score to Polanski's film Chinatown, which, before the film was released, was replaced by a score by Jerry Goldsmith.) Condition: The cover / title page is mostly torn away from the metal bracket at the top, and is worn along its edges with small closed tears; the last few pages are worn along their bottom edge; otherwise a bright, clean copy that clearly has been safely filed away. The laid-in TLS letter has folds from where it was probably folded to fit into an envelope (envelope is not present), and has some general creases from handling, but remains sturdy, bright and clear. One of the 20th Centuries Great Films, with an Associated Letter from the Film's Director. Scarce. About the 40th Academy Awards (from Wikipedia): ******The 40th Academy Awards honored film achievements of 1967. Originally scheduled for April 8, 1968, the awards were postponed for two days until April 10, 1968, because of the assassination of Dr. Martin Luther King, Jr. The big winner was Norman Jewison's IN THE HEAT OF THE NIGHT with FIVE OSCARS for Best Picture, Best Actor, Best Screenplay, Best Film Editing, and Best Sound).******

      [Bookseller: Blank Verso Books]
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        New York: Arte e Persone

      Longanesi 1967. Zustand: Gut Einband: Hardcover 336x245 338 S.. bontecou, Chamerlain, Dine, Duchamp, Johns, Lichtenstein, Newman, Noland, Oldenburg, Poons, Rauschenberg, Rosenquist, Segal, Stella, Warhol, Wesselmann / Fotografie die Ugo Mulas, Testo die Alan Solomon / Hardcover / 336x245mm / 338 pages / published 1967 by Longanesi & Co, Milano / Text Italienisch, kein Deutsch, kein Englisch! / normal used condition / Zustand: für das Alter ein gepflegtes gebrauchtes Buch mit normalen Spuren. Seiten gleichmässig nachgedunkelt. Das Buch wurde in Plastikfolie gehüllt und innen mit Klebestreifen fixiert, diese Klebestreifen haben gelbe/braune Spuren hinterlassen (siehe Bild!). Plastikfolie könnte entfernt werden, gelbe Kleberspuren innen bleiben. Aussen etwas normal lager- und gebrauchsspurig. Bindung hält perfekt. Normal altersbedingt nachgedunkelt. Sonst einwandfrei. / Sammlerstück!

      [Bookseller: Spiritfeger - Wortfeger Media GmbH]
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        Viaje a Argel

      Juan Hidalgo, Madrid 1967 - Poesía. Movimiento Zaj. 502 pag [Attributes: Hard Cover]

      [Bookseller: Arranca Thelma Libros]
 23.   Check availability:     IberLibro     Link/Print  

        We Are Many

      London: Cape Goliard,, 1967. Translation by Alastair Reid. Square octavo. Original pale brown fibrous cloth, gilt lettered spine. With the dust jacket. Photographic portrait of Neruda (with cover cut-out, in the shape of a hammer, by pop artist Jim Dine), one other plate by Hans Ehrmann; text in Spanish and English. Spine sunned otherwise an exceptional copy. First and limited edition, first impression, one of 100 copies in hardback (1400 copies were issued in wrappers) and signed by both author and translator on the title page. An attractively produced book.

      [Bookseller: Peter Harrington]
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        The Letters of William and Dorothy Wordsworth (1787-1853). Arranged and edited by Ernest De Selincourt.

      Oxford at the Clarendon Press, - In 8 vols. 1967-2000. Second edition. Revised by Chester L.Shaver. With a frontis.(vol.1-7). Vol.8 is A Supplement of New Letters, edited by Alan G.Hill (with d.w.). Top edges of several [Attributes: Hard Cover]

      [Bookseller: Ogawa Tosho,Ltd. ABAJ, ILAB]
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        The Master and Margarita

      London: Collins and Harvill Press,, 1967. Translated from the Russian by Michael Glenny. Octavo. Finely bound by The Chelsea Bindery in purple morocco, titles and decoration to spine, raised bands, single rule to boards, twin rule to turn-ins, dark green endpapers, gilt edges. A fine copy. First Glenny edition, first impression. Although the Glenny translation was beaten to the press in 1967 by that of Mirra Ginsburg, Ginsburg had taken as her copy text the heavy bowdlerized Soviet version. This version is complete and remains the standard English translation of one of the 20th century's literary masterworks.

      [Bookseller: Peter Harrington]
 26.   Check availability:     Biblio     Link/Print  

        Human heart Transplantation / Hartoorplanting in de mens: "South African Medical Journal, Vol. 41: no. 48, 30 December 1967. [Containing, among other writings: A Human Cardiac Transplant: An Interim Report of a Successful Operation Performed at Groote Schuur Hospital, Cape Town].

      (Cape Town, 1967). 4to. The entire issue, in the original green/white and illustrated wrappers, bound in very nice full burgundy cloth with gilt lettering to front board. A bit of brownspotting to a couple of leaves, due to the paper quality, but overall an excellent, clean and bright copy of this richly illustreted issue, which is devoted entirely to the groundbreaking medical performance that was Barnard's human heart transplant. LX pp. + pp. 1257-1278 (the pagination includes the wrappers).. First printing in this scarce issue, in which Barnard's milestone paper of modern medicine appeared, describing for the first time one of the most important medical performances in the course of history - "the most publicised event in world medical history", namely the first human heart transplant. This medical breakthrough introduced to the world a way to prolong life that would become of seminal importance to modern man.The entire issue of the "South African Medical Journal" is devoted to Barnard's astonishing performance (done only three weeks prior to the publication) and is very interesting in itself, constituting a magnificent historical document. Apart from the first appearance of Barnard's paper, it also contains tributes to Barnard and his team by other leading physicians, ethical discussions about tranplantations, a description of the honourary degree bestowed upon Barnard due to the operation, discussions about donors for heart transplantations, papers on legal requirements, pre-operative assessment, tissue typing tests anestesia, and, of course, the great operation itself. To that also comes the highly interesting "Provisional Report on the Autopsy of L.W. (the patient, Louis Washkansky) as well as numerous advertisements and several heartfelt congratulations to Barnard (and his team) upon the operation (e.g. a half-page "add" saying "UPJOHN and their S. African Subsidiary/ TUCO (PTY LTD./ heartily congratulate/ all concerned/ in the historic/ HEART TRANSPLANTATION/ carried out at Groote Schuur Hospital" and many others like it), reflecting the astonishing effect that this historic event immidiately had upon contemporary society. "Christiaan (Chris) Barnard was born in 1922 and qualified in medicine at the University of Cape Town in 1946. Following surgical training in South Africa and the USA, Barnard established a successful open-heart surgery programme at Groote Schuur Hospital and the University of Cape Town in 1958. In 1967, he led the team that performed the world's first human-to-human heart transplant. The article describing this remarkable achievement was published in the South African Medical Journal just three weeks after the event and is one of the most cited articles in the cardiovascular field. In the lay media as well, this first transplant remains the most publicised event in world medical history. Although the first heart transplant patient survived only 18 days, four of Groote Schuur Hospital's first 10 patients survived for more than one year, two living for 13 and 23 years, respectively. This relative success amid many failures worldwide did much to generate guarded optimism that heart transplantation would eventually become a viable therapeutic option. This first heart transplant and subsequent ongoing research in cardiac transplantation at the University of Cape Town and in a few other dedicated centres over the subsequent 15 years laid the foundation for heart transplantation to become a well-established form of therapy for end-stage cardiac disease. During this period from 1968 to 1983, Chris Barnard and his team continued to make major contributions to organ transplantation, notably the development of the heterotopic ( 'piggy-back') heart transplants; advancing the concept of brain death, organ donation and other related ethical issues; better preservation and protection of the donor heart (including hypothermic perfusion storage of the heart; studies on the haemodynamic and metabolic effects of brain death; and even early attempts at xenotransplantation." (Cardiovasc J Afr. 2009 Jan-Feb; 20(1):31-5.)Garrison&Morton: 3047.12 ("First cardiac homotransplant in man.")

      [Bookseller: Lynge & Søn A/S]
 27.   Check availability:     Antikvariat     Link/Print  


      New York: Macmillan, 1967. First Edition. First Printing. Octavo; full red cloth, with titles stamped in gilt on spine; blue-gray topstain; 220pp. Bookplate signed by Grafton loosely laid in. Fine in a Near Fine, unclipped dustjacket, lightly worn along lower edge, with a few tiny tears. A nice copy of the author's first book, written 15 years prior to 'A Is For Alibi.'

      [Bookseller: Captain Ahab's Rare Books]
 28.   Check availability:     Biblio     Link/Print  


      London: Ernest Benn Limited. Very Good+ in Very Good+ dust jacket. 1967. First Edition. Hardcover. With illustrations by D. J. Watkins-Pitchford, a very good copy in very good dustjacket, unclipped dustjacket has two short closed tears to top edge, now with loose fitting clear protective covering. ; 190 x 125mm; 120 pages .

      [Bookseller: M & A Simper Bookbinders]
 29.   Check availability:     Biblio     Link/Print  

        Adam et Ève

      Les Impénitents, Paris 1967 - In-4, en feuilles, couverture imprimée à rabat, chemise et étui illustré de l'éditeur, dos passé. Frontispice de Antoni Clavé, onze aquatintes, deux bois et six vignettes de André Gas. Tirage limité à 160 exemplaires, tous sur vélin de Rives. Celui-ci est un des 25 exemplaires de tête comprenant une estampe originale signée et une des suite des illustrations tirée sur Japon ancien Hodomura. Bel exemplaire. [Attributes: Signed Copy; Soft Cover]

      [Bookseller: Librairie Pierre Adrien Yvinec]
 30.   Check availability:     AbeBooks     Link/Print  

        Ed. Rhabanus Haacke. Corpus Christianorum, Continuatio Mediaevalis, 7, 9, 21, 22, 23, 24, 29.

      Turnhout, Brepols, 1967-79.. Gr.-8°. XXI, 456 S. Hldr. (Orig.-Umschl. eingebunden). (verso gest./ St. a. Titelrückseite - aus aufgelöster Klosterbibliothek - sonst sehr guter Zustand). CCCM 7, 9, 21, 22, 23, 24, 29.. Vol 7: Liber de divinis officiis. 1967 - Vol 9: Commentaria in Evangelium sancti Iohannis.1969 - Vol. 21: De sancta trinitate et operibus eius I.1971 - Vol 22: De sancta trinitate et operibus eius II.1972 - Vol 23: De sancta trinitate et operibus eius III. 1972 - Vol 24: De sancta trinitate et operibus eius. De operibus spiritus sancti. 1972 - Vol 29: De gloria et honore filii hominis super Mattheum. 1979 (es fehlt der 1974 ersch. Band 26: Commentaria in Canticum canticorum. 1974 - Bd. 28: Opera apologetica. ist vom Verlag für 2013 angekündigt

      [Bookseller: Antiquariat Clemens Lehmann-Dronke (Vers]
 31.   Check availability:     ZVAB     Link/Print  

        Stamped Indelibly

      1967. [POP ART]. Stamped Indelibly. Edited by William Katz. With fifteen rubber-stamp prints by various artists including Robert Creeley, Allen Ginsberg, Robert Indiana, Andy Warhol, and Tom Wesselmann among others. 4to., bound in original linen. New York: Indianakatz, 1967. |~||~||~||~||~| William Katz wanted to create a book using as modest and simple a technique as possible. He asked his Pop artist writer friends to design commercially made rubber stamps which he then hand printed to create this book. The book consists of a title-page and 15 rubber-stamped images printed in color and black-and-white. Each print is signed and dated by the artist except for the prints by Grooms, Koch, and Warhol which are signed in rubber stamps. One of 225 copies signed by William Katz on the colophon page. An immaculate copy of what is now a very scarce book. Printed Art: A View of Two Decades 19. Books as Art 90. The American Livre de Peintre 51.

      [Bookseller: Ursus Rare Books]
 32.   Check availability:     Biblio     Link/Print  

        A Human Cardiac Transplant: An Interim Report of a Successful Operation Performed at Groote Schuur Hospital, Cape Town. [Offprint from: "S.A. Medical Journal", Vol. 41, 30 December 1967, pages 1271-1274].

      (Cape Town, 1967). 4to. Bound with the original printed wrappers in very nice full burgundy cloth with gilt lettering to front board. Signed by the author on the front wrapper ("Chris Barnard"). A very nice, clean, and fresh copy. Pp. 1271-1274.. First printing in the very rare offprint, signed by the author, of this milestone paper of modern medicine, describing for the first time one of the most important medical performances in the course of history - "the most publicised event in world medical history", namely the first human heart transplant. This medical breakthrough introduced to the world a way to prolong life that would become of seminal importance to modern man."Christiaan (Chris) Barnard was born in 1922 and qualified in medicine at the University of Cape Town in 1946. Following surgical training in South Africa and the USA, Barnard established a successful open-heart surgery programme at Groote Schuur Hospital and the University of Cape Town in 1958. In 1967, he led the team that performed the world's first human-to-human heart transplant. The article describing this remarkable achievement was published in the South African Medical Journal just three weeks after the event and is one of the most cited articles in the cardiovascular field. In the lay media as well, this first transplant remains the most publicised event in world medical history. Although the first heart transplant patient survived only 18 days, four of Groote Schuur Hospital's first 10 patients survived for more than one year, two living for 13 and 23 years, respectively. This relative success amid many failures worldwide did much to generate guarded optimism that heart transplantation would eventually become a viable therapeutic option. This first heart transplant and subsequent ongoing research in cardiac transplantation at the University of Cape Town and in a few other dedicated centres over the subsequent 15 years laid the foundation for heart transplantation to become a well-established form of therapy for end-stage cardiac disease. During this period from 1968 to 1983, Chris Barnard and his team continued to make major contributions to organ transplantation, notably the development of the heterotopic ( 'piggy-back') heart transplants; advancing the concept of brain death, organ donation and other related ethical issues; better preservation and protection of the donor heart (including hypothermic perfusion storage of the heart; studies on the haemodynamic and metabolic effects of brain death; and even early attempts at xenotransplantation." (Cardiovasc J Afr. 2009 Jan-Feb; 20(1):31-5.)Garrison&Morton: 3047.12 ("First cardiac homotransplant in man.")

      [Bookseller: Lynge & Søn A/S]
 33.   Check availability:     Antikvariat     Link/Print  

        Autograph letter signed.

      Pacific Palisades, 14. II. 1967. - Large 4to. 2 pp. To a photographer named Bishop: "Got your letter and samples of photo experiments. You must not think because I used 'glum + sombre' that I was disparaging your work. It's simply that I can't stand the 'sad gorilla' aspect of myself which I often see in photos. Of the hundreds of photos people have taken from me there are only about a half-dozen I really like (when you come again I'll show you my favourite one). In general photography leaves me cold. I never used a camera in my life. Nor will I in the future. Now and then in magazines I find photos I like - could be in a good or cheap magazine. These experimental ones you just sent - I must confess they too leave me cold. Too slick for my taste. Too commercial. But I'm prejudiced - so don't take it hard. I hung out with advertising men, salesmen and artists both, when in my twenties - and became thoroly [!] disgusted with everything which they found exciting [.]". - On stationery with printed letterhead. [Attributes: Soft Cover]

      [Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH]
 34.   Check availability:     AbeBooks     Link/Print  

        Varieties of The Japanese Print, Volume 1

      Private Printing, Tokyo 1967 - Signed by the artist in English and Japanese on the title page. Decorated paper covered boards with cloth label, purple silk cord tie. In slipcase. 20 hand-printed woodblocks, each design is unique and they are printed on 12 different types of paper. Only volume one was printed. Toshi Yoshida (1911-1995), was a Japanese printmaking artist associated with the sosaku-hanga movement, and son of shin-hanga artist Hiroshi Yoshida. From as early as the age of three, Toshi Yoshida showed exceptional talent in woodblock print design, amazing and delighting his father. Together father and son traveled widely in East Asia, completing sketching tours of India, Burma, and Ceylon by the time the younger Yoshida was twenty. As with the work of his father Hiroshi Yoshida, Toshi Yoshida's woodblock prints are not only treasured in Japan, but have an international reputation for excellence, hanging in the permanent collections of the world's leading museums, including the New York Museum of Modern Art and the Boston Museum of Fine Arts. . Brief gift inscription on title page, and very faint sunning to purple silk tie, else the volume is in perfect, pristine condition, unmarked, tight, square and clean. Slipcase has a tiny dent on the back cover. NEAR FINE. . Varieties of The Japanese Print Series. Vol. 1. Hand Printed Woodblocks. Oblong 8vo 8" to 9" tall. Signed by Artist [Attributes: First Edition; Hard Cover]

      [Bookseller: Round Table Books, LLC]
 35.   Check availability:     AbeBooks     Link/Print  

        A leather watch band once owned by Jimi Hendrix, from the estate of his longtime friend and Woodstock rhythm guitarist, Larry Lee

      Nashville, Tennessee, 1967. 10.5" x 1.5", 3.5" x 2.25". "A thick, leather watch band, 10.5"" long and 1.5"" wide, with a brass buckle and riveted mount given by Jimmy Hendrix to Lawrence ""Larry"" Lee (1943-2007) who accompanied Hendrix at Woodstock in August 1969. Offered together with a partly printed Document Signed, ""Lawrence Lee"" 1p. 3.5"" x 2.25"" Nashville, 1967, being Lee's membership card for the Nashville Association of Musicians, additionally signed by the local's president: ""R.T. Payne Pres"" The watch band bears some mounting remnants on verso, expected wear including some fraying at the buckle end, else very good. The union card bears some light marginal wear and soiling, else very good. Lawrence ""Larry"" Lee was a student at Tennessee State University, writing songs for Stax records on the side, when he first encountered Hendrix with Billy Cox at the Del Morocco, a Nashville nightclub. At first, Lee thought Hendrix to be ""the worst guitar player I had ever heard."" (John McDermott, Interview with Larry Lee, Guitar World, October 2005) Looking for someone to practice with, Lee thought Hendrix a perfect fit: ""I was just happy I wasn't the worst guitar player in Nashville."" As it turned out, Hendrix had been playing a very mediocre guitar and even worse amplifier. Lee encountered Hendrix a few weeks later and was thunderstruck. Jimi had acquired a new guitar, ""and man did he surprise me! His ideas were different from other players-but he was good! Once he got that guitar, he was always great."" The pair played together with Joe Fisher and the Barnevilles and other acts (including the King Kasuals with Billy Cox). In late 1963, the pair parted: Jimi for the East Coast and Lee was drafted into the Army and spent some time in Vietnam where he was wounded. Lee hadn't been discharged for more than two weeks in mid July-1969 when he received a call from Billy Cox asking him to come and play with Jimi and him - Jimi was then forming a new group to replace the Jimi Hendrix Experience. Lee accepted the invitation, and he, together with Cox on bass, Mitch Mitchell on drums, Juma Sultan on percussion and Jerry Velez on congas, formed The Gypsy Sun & Rainbows. They spent the balance of July and early August rehearsing at an eight-bedroom house that Hendrix's management had rented for him for the summer near Shokan, New York. They most famously performed at Woodstock on August 18, 1969. The combo only performed again live once, at a street festival in Harlem in September 1969 before disbanding. The same month, Lee left New York for Memphis where he established himself as a session guitarist and band director, most notably for Al Green's touring band appearing on Johnny Carson and television specials worldwide. Provenance: Lawrence Lee 1943-2007; Lee Family; Sotheby's, New York, December 17, 1991, Lot 461A. The watch band was part of a larger collection of Hendrix memorabilia obtained by Lee during the 1960s. Images and copies of the other pieces in the collection, together with the original typed notes, are included for reference."

      [Bookseller: University Archives]
 36.   Check availability:     Biblio     Link/Print  

        Andy Warhol's Index Book

      New York Random House 1967 - Pap., 28 x 23 cms, lavishly illustrated. Details: pop-up castle complete; accordion complete (but silent); plane pop-up complete; Chelsea girls wheel on spring complete; Lou Reed record complete; rainbow nose complete; Hunt's Tomato Can pop-up complete all eight tear-offs on the 'In for a big surpise' page complete; balloon stuck between two pages, as usual. A very good copy of this legendary, but vulnerable, artist book. For a large set of pictures, see our website.

      [Bookseller: Prentwerk Art Books]
 37.   Check availability:     AbeBooks     Link/Print  

        Altenbourg, Gerhard. - "Versuch einer Beziehung".

      . Holzschnitt, auf hellem glattem Papier, 1967. Von Gerhard Altenbourg. Auflage Exemplar Nr. 9/40. 22,7 x 12,1 cm (Darstellung / Druckstock) / 24,7 x 13,5 cm (Blatt) / 30 x 21 cm (Trägerblatt). Mehnert 234. In schwarzer Feder rechts unten signiert und datiert. Links eigenhändige Auflagenbezichnung. Unten mittig Prägestempel des Künstlers. Auf dem Trägerpapier darunter bezeichnet: "Versuch einer Beziehung (vielleicht an einem untauglichen Objekt?)." - Ausgezeichnet erhalten. Gerhard Altenbourg (1926 Rödichen-Schnepfetal - 1989 Meißen). Deutscher Maler und Grafiker. 1929 Umzug nach Altenburg. 1944-45 Soldat im Zweiten Weltkrieg. 1946-48 als Schriftsteller und Journalist tätig, Zeichenunterricht bei Erich Dietz. 1948-50 Studium an der Hochschule für Baukunst und Bildende Kunst in Weimar bei Hans Hoffmann-Lederer. 1959 Teilnahme an der documenta II in Kassel. 1961 Gastatelier an der Kunstakademie in Westberlin. 1961 Erwerb einiger Arbeiten durch das Museum of Modern Art in New York. 1962-89 Atelier in Altenburg, Annahme des Künstlernamens "Altenbourg". 1966 Burda-Preis für Grafik in München. 1968 Will-Grohmann-Preis in Westberlin. 1970 Mitglied der Akademie der Künste, Berlin. 1977 Teilnahme an der documenta 6 und Mitgliedschaft bei der ?Life Fellow of the International Biographical Association? in Cambridge. In den 1980er Jahren Ausstellungsverbot und Schließung der Ausstellungen, da er sich den offiziellen Kunstauffassungen der DDR widersetzte.Seit 1998 vergibt das Lindenau-Museum in Altenburg aller zwei Jahre den Gerhard-Altenbourg-Preis.; 940.

      [Bookseller: Galerie Himmel]
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        Trout Fishing in America

      San Francisco: Four Seasons. 1967. The true first edition of Brautigan's breakthrough book, which established his unique writing style and sensibility and for the first time earned him a wide audience. Issued as "Writing 14" in the Four Seasons Foundation publishing series and preceding the Delta edition. Don Allen of Four Seasons picked up Trout Fishing after Grove Press dumped Brautigan when A Confederate General from Big Sur failed to meet sales expectations when it was published in 1964. With virtually no advertising or promotion, Trout Fishing went through multiple printings, sold 35,000 copies -- an unheard of number for any Four Seasons Foundation publication -- and made Brautigan one of the key writers of his generation. The book has sold two million copies in all its editions. The first edition of Trout Fishing is one of the most elusive of the key books of the 1960s. Reportedly its first printing was, like several other Four Seasons Foundation books, 1000 copies (2000 has also been stated); but copies of Trout Fishing turn up with markedly less frequency than his other Four Seasons Foundation titles, In Watermelon Sugar and The Pill versus The Springhill Mine Disaster: currently, one online site has listings for 14 copies of the Four Seasons edition of Watermelon and 20 copies of The Pill; the only copies of Trout Fishing listed are third and fourth printings or heavily worn ex-library copies. Often when copies do turn up, their condition is poor from having been read and re-read and, often, passed around. We could find records of only four copies appearing at auction, and three of those copies had pages detached. This copy has a coffee stain on the rear cover, light reading creases to the spine, and pages 9-18 detached. A good copy in wrappers only, but an extraordinary rarity in the first printing. First Edition. Softcover.

      [Bookseller: Ken Lopez Bookseller, ABAA]
 39.   Check availability:     IOBABooks     Link/Print  

        Picnic at Hanging Rock

      Melbourne: F. W. Cheshire, 1967. First Australian edition. First Australian edition. A near fine book in a near fine dust jacket. Some foxing to the top edges of the book. Creasing to the rear flap, closed tear at the top of the rear panel. The story of school girls who vanish from an Australian women's college in 1900 who vanish at hanging rock. It was later made into a successful filrm by Australian director Peter Wier.

      [Bookseller: Sawtooth Books]
 40.   Check availability:     Biblio     Link/Print  

        Simplicissimus - Illustrierte Wochenschrift. 9. Okt. 1954 - 3. Juni 1967, 23 Bände komplett.

      München, Simplicissimus Verlagsgesellschaft, 1954-, 1967. - circa 37,5 x 28 cm. Mit Tausenden von farbigen Abbildungen Illustriertes schwarzes Original-Leinen mit Deckelillustration (bzw. 1x Original-Halbleder) Die vollständige Nachkriegsserie des Simplicissimus, von dem 1946-50 bereits unter dem Titel "Simpl" eine schwächere Wiederbelebung erschienen war. Hier das komplette Set der von Iversen herausgegeben Folge. - Ein Band (1960, I. Halbjahr) hier in der Vorzugsausgabe in Halbleder mit rotem Rückenschild, alle anderen in schwarzem Leinen mit dem Hund auf dem Vorderdeckel. - Gut erhalten und sauber, nur der Halblederband etwas berieben. Schöne Reihe. - Sehr schwer! Kein Versand ausserhalb der EU, kein Versand in die Schweiz!!. [Attributes: Hard Cover]

      [Bookseller: Antiquariat Thomas Rezek]
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        A Historical Collection of the Several Voyages and Discoveries in the South Pacific Ocean. Volume 1/2.:

      Bibliotheca Australiana No.11., Amsterdam Da Capo Press 1967 - Reprint Two volumes in one,, 204, 224, 20, [60], 4 folding maps, illustrations.

      [Bookseller: John Randall (Books of Asia), ABA, ILAB]
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        Group of Eleven A.L.S., with envelopes, nine 4to; two 8vo; one 12mo, Saint Louis, MO, 1967-1971

      - Letters sent to Lola Pergament in NY about art items popularized by comic characters (roll paper, watches, postages), which Trova was interested to buy for his collection. Letters sigined in full, "Ernest Trova." " Thanks for informing me of the Mickey+Donald wall paper. Could I have a roll of each?" The letter on personal stationery, dated on Oct 12, 1971 reads, "Any way I do hope you will let me know if you can find me also items, movie star jewelery, rings, bracelets, necklaces of Frank Sinatra, Elvis Presley etc?."; The letter dated on Oct 22, 1967 reads, " I am interested in buying Mickey Mouse watches, Shirley Temple wrist watch?"; Letter of March 29, 1968 reads, "?I will wait till you find the radio items to complete my collection?"; Letter on Nov 13, 1967 reads, " Thank you for Buck pin? I do want the Duck Tracy pin?"; Letter on Nov 2, 1967 reads, "?I would also be interested in a Tom Mix ring and other small items popularized by comic characters of the 1930's?"; Letter dated July 22, 1968 reads, "Thank you for informing me of the Mickey + Donald wall paper. Could I have a roll of each?"; Letter of Dec 4, 1968 reads, "Dear? thank you for writing. I do have these two rolls but I will use them for trade include $ 12.00 + postage?". Some of Trova's first art was acquired by the collections of the Guggenheim Museum and the Museum of Modern Art in New York City, as well as by the St. Louis Art Museum in his hometown and by the Tate Gallery in London.

      [Bookseller: Schulson Autographs]
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        Citoyens de Beaute. Poemes.

      Editions Subervie, 1967.. 8°. 77 pages. Edition originale, broche / Softcover. Tres bon etat. Envoi dedicace et autographe signe de Jean Senac a poete cubain Fayad Jamis.. Jean Senac, ne a Beni-Saf en Oranie (Algerie1) le 29 novembre 1926 et assassine a Alger le 30 aout 1973 (sans que l'affaire ne soit elucidee), est un poete chretien, socialiste et libertaire2. Il a rejoint des 1955 la cause de l'independance algerienne (Wikipedia) Fayad Jamis (1930-1988) was a Cuban poet, painter, designer, journalist and translator. He was born in Zacatecas, Mexico to a Lebanese-Cuban father and a Mexican mother. Moving to Cuba at the age of six, Jamis trained at the San Alexandro Academy before gaining renown as an abstract painter. He was a member of the modernist group of Cuban painters known as "Las Once" ("The Eleven"). Jamis lived in Paris in the 1950s, and attended the Sorbonne. The surrealist writer Andre Breton was a supporter of his work, and he co-exhibited with the sculptor Agustin Cardenas. Jamis returned to Cuba in 1959 and became involved in a wide range of activities including teaching, painting, and writing. He served as cultural attache in the Cuban embassy in Mexico for over a decade. Jamis received the Casa de las Americas prize for his book Por Esta Libertad (For This Liberty). His paintings can be seen in collections in Cuba and abroad. He often used pseudonyms such as Fernando Moro, Onirio Estrada or the initials F.J.N. Jamis died in Havana in 1988. A bookshop is named after him in Calle Obispo in Havana Vieja. (Wikipedia) Jean Senac (1926-1973) was an Algerian author. Born of an unknown father in Beni Saf in the Oran region of Algeria, the "poet who signed with a sun", was murdered in Algiers on August 30, 1973. His murder remains unsolved. Besides his poems and writings, he was renowned for a long-running relationship and correspondences with Albert Camus. A portion of his papers are stored at the City Archives in Marseille, France. Jean Senac was an Algerian francophone poet who remained strongly attached to his Algerian nationality despite the French exodus from Algeria in the aftermath of the war of liberation. His poems were largely songs of revolution, which he hoped would help create a world of beauty and brotherhood in an Algeria that was open to all cultures. His own struggles were strongly linked with his quest to better Algeria through poetry: a profound search for identity, both personal and cultural and his struggle to find acceptance in his homosexuality plagued him throughout his life; "This poor body also/ Wants its war of independence", he once wrote. Senac was a great admirer of the work of such poets as Gerard de Nerval, Arthur Rimbaud, Antonin Artaud and Jean Genet. Jean Senac had a long-running friendship with French Algerian-born writer and Literary Nobel Prize laureate Albert Camus that lasted from 1947 to 1958. The contents of the letters remain mostly unknown, although Hamid Nacer-Khodja published a few and wrote about the history of the friendship in his essay Le Fils rebelle. many correspondences are of a literary nature, but some also discuss the independence movement in Algeria. In April 1958 he broke relations with Albert Camus on a sour note blaming him for not supporting the plight of an Algerian student named Taleb executed for his political activities against the French. He did not communicate further with Camus from that day on until Camus' death early 1960. (Wikipedia)

      [Bookseller: The Time Traveller's Bookshop Ltd.]
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        Hell?s Angels: A Strange and Terrible Saga of the Outlaw Motorcycle Gangs.

      Random House, New York 1967 - First edition of the author’s first book. Octavo, original black cloth. Fine in a fine dust jacket. Boldly signed by Hunter S. Thompson on the half-title page. A superior example of this title. Thompson, the creator of Gonzo jornalism, writes with energy and brutal honesty, and with a nuanced and incisive eye, as The New Yorker stated, "For all its unihabited and sardonic humor, Thompson’s book is a thoughtful piece of work." He captures in Hell’s Angels a singular moment in American history, when the biker lifestyle was first defined, and when such countercultural movements were electrifying America. "He has presented us with a close view of a world most of us would never encounter. His language is brilliant, his eye remarkable" (The New York Times Book Review). [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Raptis Rare Books, ABAA/ ILAB]
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        PAPA OMO. DIREKTE KUNST. DIRECT ART. materialaktion 3.

      (Wien, Institut für Direkte Kunst / Vienna Institute for Direct Art) 1967.. Schmal 4°. 18 S. (= 18 Blatt) und Siebdruckplakat Zock Festival (gelb). OBr.. Deckelaufdruck: Direkte Kunst / Direct Art / PAPA OMO/ materialaktion / 3 / ZOCK PRESS 67. Enthält hektographiert '100 schweine', brief an KNORR, action für 5 justizwachebeamte, leichen aufschlichten, action lionsclub, muttertag, OMO SUPER weisheit u.a. - Eines von 50(?) auf dem Deckel rot numerierten Exemplaren. - Sehr gut erhalten.

      [Bookseller: Georg Fritsch Antiquariat]
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        Andy Warhol's Index (Book)

      New York: Random House, 1967. Fine copy in 3-D overlaid paper-covered illustrated boards.. First Edition. Quarto. SIGNED by Warhol. The quintessential sixties Pop Art Book, complete with disjointed black and white images (some by Stephen Shore), popups, fold-outs, bags, disks, balloons, records, and other cultural detritus manufactured at Warhol's Factory. While the book may seem like a well-staged child's joke, it is no coincidence that this volume and Warhol's Stockholm catalogue were spied at the offices of the Japanese group Provoke. Warhol's influence, both as an artist and an innovator in the growing world of mechanical reproduction, had repercussions in the growing world of Japanese photography. (Roth 188-189).

      [Bookseller: Harper's Books, Inc.]
 47.   Check availability:     Biblio     Link/Print  

        Calling Life's Signals + 42 player & coach signatures 1968 Shriner East West Game + 1968 Street & Smith's Official Yearbook

      Zondervan, Michigan 1967 - The first part of this 3-part package is 2 sheets of 3-ring binder type lined paper found in the back of the below Sloan book contains 42 signatures of coaches and football players from the 1968 Shriner East West Football game. I've done nothing with the sheets as far as framing; they are currently just protected in an acid-free plastic bag. The sheets are in very good condition, with some aging and 'limpness' to the paper, one tear through one of the 3-ring binder holes, and non-instrusive to the signatures fold lines (one each horizontal and vertical), from where they had been folded and placed in Mr. Sloan's book. My football-fanatic brother and various football fan friends (some of whom I owe a great deal to as they're very familiar with many of the signatures on these sheets and could also give me some background on the players and coaches) have identified all but one of these signatures (a prize to any of you who can identify the one unknown!). They are, for the Western team: (Eugene) Mercury Morris, Al Brenner, Jim Seizemore, Charles H. Rosenfelder, Gene Huey, Roger Wehrli, Bill Earthquake Enyart, Edd Hargett, Terry Brown, Paul Gipson, Jon Kolb, Bill Bradley, John Zook, Jim Anderson, Mike Montler, Al Worley, James Mitchell, Pepper Rodgers, Keith Christensen, Jack O'Malley, Mike Schwier, Joe Paterno (coach, then at Penn State), Malcolm Soveron, Bobby Douglass, Jon Sandstrom and Jerry LeVias. For The Eastern team, they are: C. Rip Engle, Coach Paul Dietzel (then at So. Carolina), Ben Johnson, John Shiners, Charlie Jarvis, Dave Bradley, Bobby Campbell, Vince Dooley (coach, then at Georgia), Coach Jim Root (then at NH), Marti Stewart, Pay Dyer, Dave Foley, Gene Ferguson, Mike Hall, and Jack Rudnay. Plus the unknown is on one of the Eastern sheets: Julian (could I suppose be John, though it has that dotted 'i') Nurcenalson (or Rurcenalson, or something similar; I was unable to find such a name in the 1968 College Football Magazine that is another part of this package). Of course huge scans on request, so you can see the signatures. The second part of this package is an excellent condition Street and Smith's Official Yearbook College Football 1968 magazine (lots about O. J. Simpson in it). The magazine is bright and crisp without any handwriting in it. The spine is uncreased, but very slightly slanted forward. There is one short closed tear upper back binding, the upper back binding corner tip has a small fold crease, and there's just a bit of browning to the white background along the upper and spine edges. Tons of information about that year's college teams and coaches, and the players who have signed the above sheets. The last part of this package consists of a 1st edition/1st printing book by Steve Sloan titled Calling Life's Signals published by Zondervan Publishing House in 1967, containing an Introduction by Paul W. (Bear) Bryant. The book is signed and inscribed "To Marc, Best Regards, Steve Sloan (Phil.1:21)" on the front end page (I believe this may be inscribed to Marc Lyons, another football player). The book is straight, clean and tight with no other handwriting in it, with slight edgewear from shelving. The price intact dustjacket is clean, crisp and bright with some fading to the spine and some small edge chips and tears. Steve Sloan is himself a continuing part of college football history (as are several others who signed the sheets). Mr. Sloan was inducted into the Tennessee Sports Hall of Fame in 2000. Steve Sloan's biography, from an internet page about him: In both 1960 and 1961, Steve Sloan was selected to the All-State football and basketball teams. In 1961, he signed with the University of Alabama, where he enjoyed an outstanding career earning All-American honors in 1965 and guided his team to a national title. That same year, he earned Southeastern Conference MVP honors and was an Academic All-American. His first head coaching position was with Vanderbilt University (1973-74), earning him SEC Coach of [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: AAABOOKS (Authors & Artists)]
 48.   Check availability:     AbeBooks     Link/Print  


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