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Displayed below are some selected recent viaLibri matches for books published in 1967

        Nemuri no Riyu Reasons for Sleep Nos 1 4

      

      [Bookseller: Maggs Bros. Ltd. ]
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        Quotations from Chairman Mao Tse Tung, Versions in 10 Different Languages, Including Filipino, Bengali, Burmese, Tamil.

      Peking: Foreign Languages Press 1967 - Small size books, ca. 11*8cm, some 400 pages. In the languages of Filipino, Bengali, Burmese, Tamil, Hungarian, Arabian, Thai, Italian, Czech, and Polish. Most are first editions. [Attributes: First Edition; Soft Cover]

      [Bookseller: Chinese Art Books]
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        [Corrected typed manuscript of] AT THE JERUSALEM

      [ Np], 1967. [3],253 leaves. Quarto. Carbon typescript (prelims and final leaf of text in original typescript), typed on rectos only, with occasional insertions in manuscript. Very good. A late draft of the author's first novel, subsequently published by Cape (and Atheneum in the U.S.) in 1967, and the recipient of the Somerset Maugham Award for its year and an Arts Council award. The insertions, and in a few cases revisions, are generally single words, and involve matters of uniformity of tense and agreement. Accompanied by a set of bound page proofs of the UK edition, with ink annotations on the upper wrapper, inside the rear wrapper, and on the last page of text, in an unknown hand.

      [Bookseller: William Reese Company - Literature ABAA-]
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        Ebert, Albert. - "Liebespaar II (Die Begegnung)".

      - Lithografie / Pinsel- & Schablithografie, 1967. Von Albert Ebert. Auflage Exemplar Nr. 5/30. 12,8 x 12,2 cm (Darstellung / Druckbild) / 21,5 x 15 cm (Blatt). Brade/Stula L 12. Rechts unten in Bleistift signiert und datiert. Links Auflagenbezeichnung. Im Stein rechts unten nochmals Signatur und Jahr. - Selten. - Guter Zustand. Albert Ebert (1906 Halle - 1976 Halle). Deutscher Maler und Grafiker. 1922 Abbruch einer Lehre zum Maurer. Bis 1939 diverse Tätigkeiten u.a. als Möbelträger, Markthelfer und Bauarbeiter. Ab 1939 als Soldat im Zweiten Weltkrieg, Verwundung. Während des Lazerettaufenthaltes erste Beschäftigung mit Malerei. 1946 Studium an der Burg Giebichenstein in Halle bei Charles Crodel und Waldemar Grzimek. 1948 Hospitant an Landesgalerie Sachsen-Anhalt in der Moritzburg in Halle als Restaurator. 1948 erste Ausstellung in der Künstlergemeinschaft "Die Fähre". 1954-56 Arbeit als Heizer in der Kunsthochschule Burg Giebichenstein. Durch Förderung von Freunden und ein Stipendium der Block-CDU ab 1956 freischaffend. 1973 Kunstpreis der Stadt Halle. Wegen seines naiven Stils oft als "Rousseau von der Saale" apostrophiert. [Attributes: Signed Copy]

      [Bookseller: GALERIE HIMMEL]
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        CIEN AÑOS DE SOLEDAD - Sudamericana 1967 - 2ª edición, 1ª con portada de Vicente Rojo

      - Buenos Aires, Editorial Sudamericana, junio de 1967. 352 p. 8º mayor. Rústica editorial ilustrada, con la portada de Vicente Rojo, levement rozada. Muy buen ejemplar. Segunda edición de Cien años de soledad, la primera con la histórica portada de Vicente Rojo, del mismo año que la primera: una del mes mayo y esta de junio. Al parecer, la portada de Rojo, enviada desde México, no llegó a tiempo y se editó con una portada de autor desconodico. Literatura latinoamericana. Colombia. Novela. Boom. [Attributes: Soft Cover]

      [Bookseller: Llibres del Mirall]
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        Cien años de Soledad (Primera edición - Primera impresión)

      Editorial Sudamericana, Buenos Aires 1967 - Firma del antiguo propietario en su página de respeto. Algunos roces y fatigas en el encuadernado. Texto íntegro. For major safety in your decision of purchase, we send (free of charge) a video demonstration of the conservation status of the book. Pour une plus grande sécurité dans votre décision d'achat, nous envoyons (sur demande et gratuitement) un vidéo de démonstration de l'état de conservation du livre. Para mayor seguridad en su decisión de compra, le enviamos (a solicitud y sin cargo) un video de demostración del estado de conservación del ejemplar. [Attributes: Soft Cover]

      [Bookseller: Eduardo Martínez Moreira]
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        Finian's Rainbow (Archive of original title card maquettes for the 1967 film)

      Burbank: Warner Brothers / Seven Arts, 1967. Four title card maquettes hand lettered by Harold Adler for the 1967 film. Based on the 1947 musical by E.Y. Harburg and Fred Saidy, who also adapted the story to the screen. The four maquettes in this archive are stylistically similar, but quite different from the titles used in the finished film. Harold Adler was a calligrapher who created hand lettered titles on over 100 films, worked frequently with Alfred Hitchcock, and was a favorite of legendary title sequence designers Saul Bass and Pablo Ferro. In addition to "Finian's Rainbow" his credits include "Comanche!" (1956), "The Man with the Golden Arm" (1955), "The Seven Year Itch" (1955), "Carmen Jones" (1954), "Psycho" (1960), "The Birds" (1963), "In the Heat of the Night" (1967), and "Justine" (1969). In 2012, an exhibition of Adler's work was organized by noted typographer and design historian Jill Bell at the American Advertising Federation, Kansas City. Warner Brothers optioned the musical shortly after its premiere in 1947, but Harburg and Saidy were unwilling to tone down the racial satire to fit studio demands, holding out until the option was about to expire and Warner agreed to a script with only minimal changes twenty years later. Coppola was an odd choice to direct, with his realistic, New Hollywood Cinema approach to filmmaking at odds with the fantastical nature of the material, and the results were decidedly mixed, despite a widely-loved performance by Clark. Each study 16 x 8 inches, containing a reproduction of a color landscape photograph mounted on board and matted in black, with two plastic overlays - one with white lettering, and the second with color embellishments to the letters attached to the top of the mats with tape. Very Good plus condition overall.

      [Bookseller: Royal Books, Inc.]
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        Jidai no Shashu / The Archer of the Times

      Tokyo: Haga Shoten, 1967. Small Japanese bookstore ticket, tiny stain to the fore edge, else very close to fine in a near fine jacket. OCLC locates a scant 3 copies.. First Edition. Octavo. Early Moriyama / Terayama collaboration. SIGNED by Daido, with 10 grainy Provoke-era photographs sprinkled throughout over 300 pages of text.

      [Bookseller: Harper's Books, Inc.]
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        Biblia Sacra vulgatae editionis

      Mediolani Italy: Rizzoli editoris, 1967 Fine, 1967. 105 offset colour lithograh plates. 1 of the 199 Magni Luxus copies, complete with the publishers signed vellum limitation sheet & the stamped & numbered gold cast of the artists hand with support & leather pouch. 5 volumes of the publishers green crushed full morocco, t.e.g. Spines, raised bands enclosing coloured inlaid floral designs, gilt titles on red labels. Internally, gilt inner dentelles, moire silk endpapers, 105 offset colour lithograph plates, after watercolour drawings by Salvador Dali, each with a Japanese paper tissue guard bearing a printed biblical quotation, text block edges uncut. Each volume encased in its green morocco and moire silk slipcase, small marks to cases. Stunning to say the least! (Michler and Lopsinger 1600). Title continues: Sixti V pont. max. iussu recognita et Clementis VIII auctoritate edita. Dr Giuseppe Albaretto arranged to have the bible published by the Rizzoli press with himself as the editor. The typeface was derived from type designed by Aldus Manutius, cut and cast especially for this Bible.99 "ad personam" copies were printed, each on hand-made, pure rag paper, interspersed with illuminated drawings and bound in green Morocco leather; the binding itself is embellished with gold with mosaic-like gold ornamentation on the spine. Each unique copy contains at least one of the original pictures by Salvador Dali?.199 copies of the "magnus luxus" edition, numbered I to CXCIX, were printed on hand-made, pure rag paper, interspersed with illuminated drawings and bound in green aluta leather; the binding is also embellished with gold with mosaic-like gold ornamentation on the spine.1499 copies of the "luxus" edition, numbered 1 to 1499, were printed on special wood-pulp paper with the Dali? watermark, interspersed with illuminated drawings and bound in natural-colored goatskin, embellished with gold. This is a copy magnus luxus edition.

      [Bookseller: Madoc Books (ABA-ILAB)]
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        I like sex

      Genova-Boccadasse: Edizioni del Deposito, , 1967. Perfetto (Mint). Cartella di 5 serigrafie originali a colori firmate e numerate di Enrico Baj (cm 36x36). cm 40,5x41,5. Perfetto (Mint). Edizione originale di 100+V+2 es. numerati.

      [Bookseller: Studio Bibliografico MArini]
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        Oeuvres Completes de Christiaan Huygens. Publiees par la Societe Hollandaise des Sciences. Vol. 1-22 [in 23 Vols.].

      Swets & Zeitlinger Amsterdam, 1967. ca14600 S. Cloth fest gebunden Cover shows mild wear. Stamped edges. Vol. 1: Correspondance 1638-1656. Vol. 2: Correspondance 1657-1659. Vol. 3: 1660-1661. Vol. 4: 1662-1663. Vol. 5: 1664-1665. Vol. 6: Correspondance 1666-1669. Vol. 7: 1670-1675. Vol. 8: 1676-1684. Vol. 9: 1685-1690. Vol. 10: 1691-1695. Vol. 11: 1645-1651. Vol. 11: Travaux Mathématiques 1645-1651. Vol. 12: Travaux de Mathematiques pures 1652-1656. Vol. 13, Fasc 1: Dioptrique 1653; 1666; 1685-1692. Fascicule I 1653; 1666. Dioptrique 1653; 1666; 1685-1692. Fascicule II: 1685-1692. Vol. 14: Calcul des Probabilites. Travaux de Mathematiques pures 1655-1666. Vol. 15: Observations Astronomiques. Systeme de Saturne. Travaux Anstronomiques 1658-1666. Vol. 16: Percussion. Question de L\' Existence et de la Perceptibilite du Mouvement absolu. Force Centrifuge. Travaux divers de Statique et de Dynamique de 1659 a 1666. Vol. 17: L\' Horloge a Pendule de 1651 a 1666 travaux divers de Physique, de Mecanique et de Technique de 1650 a 1666. Traite des Couronnes et des Parhelies (1662 ou 1663). Vol. 18: L\' Horloge a Pendule Ou a Balancier de 1666 a 1695. Anecdota. Vol. 19: Mecanique Theoretique et Physique de 1666 a 1695. Huygens a L\' Academie Royale des Sciences. Vol. 20: Musique et Mathematique de 1666 a 1695. Vol. 21: Cosmologie. Vol. 22: Supplement a la Correspondance varia Biographie de Chr. Huygens. Catalogue de la Vente des Livres de Chr. Huygens. [23 Vols.]. Guter Zustand/ Good With figures. With fold-out plates. Ex-Library. Versand D: 3,99 EUR Mathematikwissenschaft Naturwissenschaft Physik Astronomie astronomische mathematische naturwissenschaftliche physikalische Forschung Mathematics Physics Astronomy Mathematical Natural Sciences research Mechanics Mechanik Musik

      [Bookseller: Antiquariat Thomas Haker GmbH & Co. KG]
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        Words

      Charles Scribner's Sons 1967 - Inscribed (to Herb Yellin, founder of the Lord John Press) and SIGNED by Robert Creeley on the title page. Even though this has the full cloth number line on the copyright page it is not a first printing, as the volume was published in 1967 and Scribner's started using the number line in 1972; also, this copy has the ISBN on both the copyright page and the rear panel of the jacket. Fine volume in an unclipped dust jacket which has spine area chips and closed tears, and much surface scratching. The jacket is now protected in mylar. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Trilby & Co. Books]
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        Campo tissurale

      Edizioni Flaviana, Lugano, "Serie minimultipli". 1967 - Multiplo in plexiglass cm 21x17,5 contenuto in una custodia di plastica. Normali segni d'uso. Libro d'artista.

      [Bookseller: Libreria Ardengo]
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        Christel. Portrait der Schwester des Künstlers. Original-Ölgemälde auf Leinwand, ohne Rahmen, Format 70 x 60 cm.

      1967 - Der Künstler Klaus Heidtke ist 1935 in Berlin geboren, Studium an der Meisterschule für Kunsthandwerk, unterrichtete bis zum Jahr 2000 an der Hochschule der Künste Berlin (HDK, heute UDK), zahlreiche Einzel- und Gemeinschaftsausstellungen. Außer den Berlinbildern ist Klaus Heidtke mit Stilleben, Akt- und Porträtbildern hervorgetreten. Weitere Bilder von Klaus Heidtke finden Sie auf unserer Homepage. 10000 Gramm. [Attributes: Soft Cover]

      [Bookseller: Versandantiquariat Bürck (VDA / ILAB)]
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        The Treasure of the Sierra Madre

      New York: Hill & Wang, 1967. First edition thus. 308pp. Octavo [21 cm] Maroon cloth with title gilt stamped on backstrip. Good/Very good. Jacket chipped at corners and split at folds all with tape "repairs". Library label on Jacket's spine at foot. Front free endsheet damaged from bookplate removal. Library stamp at foot of title page. A volume from the library of Edward Abbey. This copy signed and dated by the author: "Abbey/Tucson '68" in red ink on the front free endsheet. Additionally inscribed to the author by his soon to be deceased third wife: "1/29/68/ Tucson/Pooh darling, Happy 41st/All My Love,/Judy P." The inscription is dated on Abbey's 41st birthday and inscribed to him by his third wife Judy, who would not long after this inscription, die of leukemia in a New Jersey hospital, leaving both her not yet famous husband, and an infant daughter, Susannah behind. The year is also significant, being the same year as Desert Solitaire, the author's most famous work was published. The mysterious author of "The Treasure of the Sierra Madre" , B. Traven was also a hero of Abbey's and his themes of anarchy, identity and revolution echo in Abbey's own work. An extraordinary association copy and a unique Abbey artifact. Additionally signed by the author on the bottom edge of the book in large block letters "ABBEY". When Edward Abbey moved from Moab, Utah to Tucson, Arizona, he donated some books from his personal library to the Grand County Library in Moab. This copy bears the stamp of the library on the title page and has all of the usual library markings. Although not marked discard, this copy was purchased (although not by us) at a Grand County library sale. Treverton 333

      [Bookseller: Ken Sanders Rare Books, ABAA]
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        LOT D'ARCHIVES DE 11 REGISTRES MANUSCRITS DES VENTES DE L'IMPRIMERIE J.ROUMAZEILLE DE LANGON (GIRONDE) DES ANNEES 1918 A 1967 - VOIR DESCRIPTION.

      IMPRIMERIE ROUMAZEILLE 1967 - R240104699: LOT D'ARCHIVES DE 11 REGISTRES MANUSCRITS DES VENTES DE L'IMPRIMERIE J.ROUMAZEILLE DE LANGON (GIRONDE) + ENVIRON 20 FACTURES DE L'IMPRIMERIE - Un agenda d'environ 150 pages années 1936 à 1948 (in-4) + un classeur d'environ 70 pages années 1964 à 1967 + un registre d'environ 360 pages des années 1941 à 1948 + un registre d'environ 100 pages des années 1943 à 1944 + un registre d'environ 100 pages des années 1946 + un registre d'environ 150 pages des années 1953 à 1955 + un registre d'environ 150 pages des années 1948 à 1952 + un registre d'environ 120 pages des années 1948 à 1950 + un registre d'environ 100 pages des années 1946 à 1947 + un repertoire d'environ 20 pages + un registre d'environ 300 pages des années 1918 à 1926 - 15 photos disponibles. Lot d'archives de 11 regisitres manuscrits des ventes de l'imprimerie J.Roumazeille de Langon (gironde) . In-4 Broché. Etat d'usage. Couv. convenable. Dos satisfaisant. Intérieur acceptable Classification Dewey : 686.2-Imprimerie [Attributes: Soft Cover]

      [Bookseller: Le-Livre]
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        Grundriss der vergleichenden Grammatik der indogermanischen Sprachen. 9 Bände [alles erschienene]. Kurzgefasste Darstellung der Geschichte des Altindischen, Altiranischen, (Avestischen und Altpersischen); Altarmenischen, Altgriechischen, Albanesischen, Lateinischen, Oskisch-Umbrischen, Altirischen, Gotischen, Althochdeutschen, Litauischen und Altkirchenslavischen.

      Berlin: de Gruyter, 1967 - Sehr gute Exemplare - Band 1: Vergleichende Laut-, Stammbildungs- und Flexionslehre der indogermanischen Sprachen: Einleitung und Lautlehre (2 Bände) -- Band 2:Vergleichende Laut-, Stammbildungs- und Flexionslehre nebst Lehre vom Gebrauch der Wortformen der indogermanischen Sprachen (4 Bände) -- Band 3-5: Vergleichende Syntax der indogermanischen Sprachen. Sprache: Deutsch Gewicht in Gramm: 4500 Reprint der Ausgabe Berlin, Leipzig 1893-1916.

      [Bookseller: Fundus-Online GbR Borkert SchwarzZerfaß]
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        Razem" ["Together"]

      - Typ: etching / akwaforta; Sygnatura: The etching signed with a pencil under the composition: "Razem 4/20 Zbylut Grzywacz 67". / Rycina sygnowana olowkiem pod kompozycja: "Razem 4/20 Zbylut Grzywacz 67".; Technika: The etching on cardboard / Akwaforta na kartonie; Format: 180x135 mm.; Datowanie: 1967.; Inf o autorze: Zbylut Grzywacz (born 4th June 1939 in Cracow, died 16th July 2004), the Polish painter, a graphic designer, sculptor, tutor, publicist, an a collector; he graduated from the Fine Arts Academy in Cracow, 1963, in the faculty of painting, he was professionally assosciated with the Academy, full professor since1992, co-founder of the Group Wprost ("Direct") in 1966; see biographical note on Wikipedia.Zbylut Grzywacz (4.06.1939 Krakow - 16.07.2004) polski malarz, grafik, rzezbiarz, pedagog, publicysta i kolekcjoner; ukonczyl w 1963 Wydzial Malarstwa Akademii Sztuk Pieknych w Krakowie, zawodowo zwiazal sie z ta uczelnia, od profesor zwyczajny 1992, wspolzalozyciel w 1966 Grupy Wprost; zob. biogram w Wikipedii.; Uwagi: The Polish Neo-Avantgarde - Polska neoawangarda. (K085); Kategorie tematyczne: / Radierung / etching; Item in a nearly mint condition. Pozycja w bardzo ladnym stanie.

      [Bookseller: POLIART Beata Kalke]
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        THE MASTER AND MARGARITA

      

      [Bookseller: Lucius Books]
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        Original painting in gouache and wash with gold highlights on heavy art paper depicting parts of the interior of "The Old Met" in New York at 1411 Broadway between 39th and 40th Streets during a performance, the audience on numerous tiers. Signed "Gropper" at bottom right. Undated, but ca. 1965-66, very close to the date of demolition of "The Old Met" in 1967

      - 508 x 380 mm. (20" x 15"). Unframed. Remnants of paper tape to upper margin of verso. Gropper, a social realist, was a pupil of George Bellows and Robert Henri. He was active in New York as a painter, lithographer, cartoonist, and illustrator. His work is held in New York by both the Museum of Modern Art and the Metropolitan Museum of Art in New York. Deeply involved in the radical politics of the 1920s and 30s, Gropper contributed to such left wing publications as The Revolutionary Age, The Liberator, The New Masses, The Worker, and The Morning Freiheit. He went on a tour of Soviet Russia with the novelists Sinclair Lewis and Theodore Dreiser in celebration of the 10th anniversary of the Russia Revolution in 1927. During the second half of the 1930s, he dedicated his art to efforts to raise opposition to fascism in Europe. After visiting Eastern Europe in 1948, he decided to make one painting a year as a memorial to the victims of the Warsaw Ghetto. Gropper was called before the House Un-American Activities Committee in 1953."The Metropolitan Opera said goodbye to its old house on April 16, 1966, with a sentimental gala farewell performance featuring nearly all of the company's current leading artists. The long time Met star soprano Zinka Milanov made her last Met appearance that night and among the many invited guests was soprano Anna Case who had made her debut at the house in 1909. The final performance at the opera house was given not by the Met but the Bolshoi Ballet, which concluded a short run of appearances on May 8, 1966. Despite a campaign to preserve the theater, it failed to obtain landmark status and the old Met was razed in 1967. " WikipediaThe present painting was executed very close to the date of the farewell performance referred to above.

      [Bookseller: J & J LUBRANO MUSIC ANTIQUARIANS LLC]
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        THE MASTER AND MARGARITA

      

      [Bookseller: Lucius Books]
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        June Trout Fishing

      Theodore Gordon Flyfishers, New York 1967 - One of 350 signed printed. Signed lower right in pencil by the artist. Embossed stamp of TGF. Printed by Frost & Reed, Ltd., Bristol and London, England. 1 vols. 22-7/8 x 30-3/4 inches. Bergh, p. 107 (no. 16) Matted. Some toning at the mat edge Signed lower right in pencil by the artist. Embossed stamp of TGF. Printed by Frost & Reed, Ltd., Bristol and London, England. 1 vols. 22-7/8 x 30-3/4 inches [Attributes: Signed Copy; Hard Cover]

      [Bookseller: James Cummins Bookseller, ABAA]
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        Parade funèbre pour Charles Estienne

      Paris: Éditions Jeanne Bucher, , 1967. Brossura (wrappers). Molto Buono (Very Good). Libro d'Artista completamente illustrato con disegni di Dubuffet in serigrafia in bianco e nero. Cm 28 x 22. pp. 40. Molto Buono (Very Good). Edizione originale di 400 es. numerati.

      [Bookseller: Studio Bibliografico MArini]
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        Querner, Curt. - "Sitzender weiblicher Akt, von vorn, die Arme erhoben".

      - Aquarell, auf kräftigem Schoellershammer-Bütten, 1967. Von Curt Querner. 62,6 x 43,7 cm (Darstellung / Blatt). Dittrich B 1550. Rechts unten in Bleistift signiert und datiert. Verso eigenhändiges Qualitätskürzel "XX". - In den Ecken kleine Reißzwecklöchlein. Insgesamt sehr guter Erhaltungszustand. Curt Querner (1904 Börnchen bei Freital - 1976 Kreischa). Deutscher Maler. Bedeutender Vertreter des Spätexpressionismus und der Neuen Sachlichkeit. Nach einer Schlosserlehre Arbeit als Fabrikschlosser. 1926-30 Studium an der Dresdner Kunstakademie. Mitglied der Künstlergruppe Asso. 1933 erstmalige Ausstellung in der Kunsthandlung Kuehl in Dresden. Freundschaft mit dem Freitaler Maler Hellmuth Heinz. 1971 Käthe-Kollwitz-Preis. 1972 Nationalpreis der DDR. [Attributes: Signed Copy]

      [Bookseller: GALERIE HIMMEL]
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        Hommage A Konrad Adenauer. Illustriert mit einer handsignierten Original-Radierung von Salvador Dalí.

      Köln - Fontenay-aux-Roses, Verlag L`Orangerie - Atelier Rigal, 1967 - Diese Original Aquantinta > wurde im Mai 1967 von Salvador Dali graviert. Am 25. Mai 1967 ist die Auflage im Atelier Rigal in Fontenay-aux-Roses vollendet worden. 60 Exemplare auf Japanpapier, numeriert von I/LX bis LX/LX, sind den Angehörigen der Familie Adenauer gewidmet. Die Aquatinta wurde in einer Auflage von 200 Exemplaren auf Büttenpapier, numeriert von 1/200 bis 200/200, verlegt. Alle Exemplare sind vom Künstler signiert. Die Kupferplatte wurde nach dem Druck der Auflage zerstört. Dies ist die Nummer XLVI. Salvador Felipe Jacinto Dalí i Domènech, seit 1982 Marqués de Púbol (* 11. Mai 1904 in Figueres/Spanien - + 23. Januar 1989 ebenda), war ein berühmter spanischer Maler, Grafiker, Schriftsteller, Bildhauer und Bühnenbildner. Als einer der Hauptvertreter des Surrealismus zählt er zu den bekanntesten Malern des 20. Jahrhunderts. Um das Jahr 1929 hatte Dalí seinen persönlichen Stil und sein Genre gefunden, die Welt des Unbewussten, die in Träumen erscheint. Schmelzende Uhren, Krücken und brennende Giraffen wurden zu Erkennungsmerkmalen in Dalís Malerei. Sein malerisches technisches Können erlaubte es ihm, seine Bilder in einem altmeisterlichen Stil zu malen, der an den späteren Fotorealismus erinnert. Sprache: Deutsch Gewicht in Gramm: 650 Sonderangebot: Dieser Verkäufer bietet Kunden einen exklusiven Rabatt von 30% auf sämtliche Preise. Alter Preis: 2500,00 EUR Einmalige Auflage von 60 römisch numerierten Exemplaren. [Attributes: First Edition; Signed Copy]

      [Bookseller: Bührnheims Literatursalon GmbH]
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        La Divina Commedia. La Commedia secondo l'antica vulgata.

      Alpignano, Tallone, 1967. Tre volumi in folio (cm. 33,5); belle legature in mezza pergamena firmate: L. Defilippi, Torino; pp. 214. Con copertine originali. Ogni volume con elegante cofanetto. Tiratura di 700 copie numerate in cifre arabe su carta vergata delle manifatture Ventura, recante nella filigrana il nome di Dante. P. Pellizzari, L'Opera tipografica di A. Tallone, p. 199/203. Questa edizione talloniana della Divina Commedia coronava le ricerche e le ansie di tutta una vita di studio, di esperienze di lavoro e rappresentava per Tallone, anche se non poteva prevedere una così prossima morte, il canto del cigno, il diapason delle sue tensioni creative. Bellissima copia in legatura Defilippi. Axs

      [Bookseller: Libreria Bongiorno Paolo]
 26.   Check availability:     maremagnum.com     Link/Print  


        Andy Warhol´s Index (Book). With assistent of Stephen Shore, Paul Morrissey, Onidne, Nico, Christopher Cerf, Alan Rinzler, Gerald Harrison, Akihito Shirakawa and particulary David Paul. Several photographs by Nat Finkelstein.

      New York. Random House. 1967. First edition. 28 x 22 cm. 70 unpaginierte S. Schwarz und Silber illustrierter OKarton. Umschlag minimal berieben. Die Verklebung der Doppelseite mit dem Würfel einseitig geöffnet und etwas eingerissen. Der Luftballon wie fast immer verklebt. Insgesamt sehr gutes Exemplar. Das berühmte Pop-Art Buch Warhol´s mit allen 10 Beilagen: Pop-Up-Ritterburg, rote Ziehharmonika (funktionsfähig mit Ton), Pop-Up-Doppeldecker, Chelsea Girls Scheibe (ohne Sprungfeder), mehrkantiger Fotowürfel an montiertem Faden (funktionsfähig) in zur Tüte verbundenen 2 Seiten eingelegt (eine Seite geöffnet und eingerissen), Single von Lou Reed (lose), Pop-Up-Regenbogen (Double image rainbow nose), Dose Hunt´s Tomato Paste als Pop-Up, Abrissscheine mit Andy Warhol Schriftzug (lose montiert, alle 8 Abschnitte vorhanden) sowie der Luftballon, der allerdings die beiden vorletzten Seiten wie meist verklebt hat. Gutes, vollständiges Exemplar der broschierten Ausgabe. [Vgl. Andy Warhol. Record Covers 1949 - 1987, Nr. 30 mit Abbildung; Hans Dickel. Künstlerbücher mit Photographie seit 1960, S.69ff]. Versand D: 2,00 EUR 20. Jahrhundert / 20th Century, Amerika / America, Pop-Art / Pop Art, Pop-up-Buch / Pop up book

      [Bookseller: Antiquariat Querido - Kunst und Fotograf]
 27.   Check availability:     buchfreund.de     Link/Print  


        Collected Poems: 1924 - 1955 [Signed]

      Princeton, NJ: Princeton University Press, 1967. First edition. Hardcover. Very Good +/very good. A Very Good or perhaps better copy of the First American Edition -- also being the first edition in English, first printing (modest rubbing and slight pushing at spine ends, surface rubs to the board corners, upper leading board corners bumped, minor age darkening to the top of the page block, page block settled with a gap between the spine head and the closed page block), in a Very Good dust jacket (with the toning common to this title and light corner wear panel corners), SIGNED BY GEORGE SEFERIS on the title page where he also has marked through his printed name. (The dust jacket is translucent and carries the Publisher's list of Princeton paperbacks on the verso.) The book presents a collection of George Seferis' Poetry, written over a three-decade period, in parallel text with the Poems given in Greek on the verso of the leaves and the English translation thereof presented on each facing recto. A Greek Diplomat and Ambassador to the UK, and one of the Twentieth Century's most important Greek Poets, George Seferis won the 1963 Nobel Prize in Literature for "his eminent lyrical writing, inspired by a deep feeling for the Hellenic world of culture", making him the first Greek ever to have received the Prize. Copies of this title are rather scarce to the market and signed copies of Seferis' works in translation are quite scarce to the market. A Very Good or better copy of a rather scarce book from the winner of a Nobel Prize in Literature, SIGNED BY GEORGE SEFERIS. QUITE SCARCE.

      [Bookseller: Allington Antiquarian Books, LLC]
 28.   Check availability:     Biblio     Link/Print  


        Psalms of Praise

      Flemington, N. J.: St. Teresa's Press, 1967. Limited edition. Hardcover. Near fine. Thin 4to. 30pp. Quarter green Oasis Niger goatskin, Japanese Kinho paper boards. Gilt spine title, illustration blind stamped on the upper board. A dozen psalms printed in handset Cancelleresca Bastarda, each beginning with an original hand drawn initial and illustration. One of 100 copies, this being No, 74. This is one of the early treasures produced by St. Teresa's Press in its golden age of fine book production. Spine lightly sunned and traces of offset form the leather at the beginning and end else this is a near fine copy.

      [Bookseller: Thorn Books]
 29.   Check availability:     IOBABooks     Link/Print  


        Manuale di Epitteto con pagine dello stesso dalle Diatribe.

      Officina Bodoni,, Verona, 1967 - Cm. 25, pp. 197 (3). Leg. edit. in mezzo marocchino celeste con titoli in oro al dorso e fregio al piatto. Taglio di testa dorato. Entro custodia orig. in cart. decorato. Perfetta conservazione. Edizione a cura di Enzo Alfieri, composta nel carattere Centauro col torchio a mano di Giovanni Mardersteig. Tiratura limitata a 165 esemplari numerati (ns. n. 1) impressi su carta di Cernobbio. Cat. Mardersteig 149. [Attributes: Hard Cover]

      [Bookseller: Studio Bibliografico Benacense]
 30.   Check availability:     AbeBooks     Link/Print  


        3 TALES OF HORROR .

      Arkham House [1967]., [Sauk City, Wisconsin] - Octavo, cloth. First printing of this collection. 1522 copies printed. Signed by Coye on the half title page. Collects three of Lovecraft's best stories; "The Colour Out of Space," "The Dunwich Horror," and "The Thing On the Doorstep," with fifteen plates with full-page black and white illustrations by Lee Brown Coye. Joshi I-A-44. Mild bump to lower spine end, else a fine copy in fine dust jacket. A lovely copy. Copies signed by Coye are uncommon. (#152287) [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Currey, L.W. Inc. ABAA/ILAB]
 31.   Check availability:     AbeBooks     Link/Print  


        The Pavilion.

      London: Ganymed Original Editions Limited, , c. 1967. Two colour stone lithograph on heavy wove paper. Sheet size: 63.4 x 74.2 cm. Tape residue to margins from previous framing, hidden by the mount. Edition of 75. Signed in pencil lower right by the artist, numbered lower left. Original Ganymed label to upper right corner of verso. This is one of only 16 works Lowry produced in original lithography.

      [Bookseller: Peter Harrington]
 32.   Check availability:     Biblio     Link/Print  


        Vers la complétude

      GLM (1967) - In-8 en feuillets, couverture, non coupé. Achevé d'imprimé le 31 décembre 1966 par Guy Lévis Mano, "un des quelques exemplaires hors commerce, marqués HC" Envoi autographe signé de Henri Michaux à René Bertelé : "A René Bertelé, quelques uns des instants qu'on croit inoubliables". Une délicate plaquette sortie des presses de Guy Lévis Manot, portant ce magnifique envoi d'Henri Michaux, aussi humble que poétique. [Attributes: First Edition]

      [Bookseller: L'Oeil de Mercure]
 33.   Check availability:     AbeBooks     Link/Print  


        James and the Giant Peach (Signed)

      George Allen & Unwin 1967 - First edition, fourth impression (1975), signed with characteristic flourish to the ffep by the author: “To Elane/ love/ Roald Dahl”. A lovely, Fine copy: tight and square binding in unfaded pictorial boards; both internally and externally, very bright, crisp and clean; light bump to the head of the spine. As issued, no dustwrapper; publisher’s original price sticker to the lower board. By any measure a very attractive copy, with the distinction of Dahl’s signature. All orders are sent carefully wrapped in bubble wrap and sturdy cardboard. ROALD DAHL SPECIALISTS [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Bradhurst Fine Editions]
 34.   Check availability:     AbeBooks     Link/Print  


        The Endemic Flora of Tasmania Parts 1-6 [complete]

      London: Ariel Press. 1967-78.. Painted by Margaret Stones. Six volumes, folio. Full-page colour plates, coloured endpaper maps. Red linen, gilt map/title device on upper boards, with dustwrappers. Previous coverings of the dustwrappers of the first five volumes have left small tape stains on the cloth at the head and foot edges of the boards, and slight stains (a thin horizontal band) near head and tail of spine of the wrappers (on the inside but showing through a little); the wrapper of Vol IV has a few closed clean tears; the endpapers unaffected and all now in new (untaped!) protective sleeves. Internally very clean and, apart from the tape stains described a very good clean set .

      [Bookseller: Astrolabe Booksellers]
 35.   Check availability:     Biblio     Link/Print  


        Rosencrantz and Guildenstern are Dead

      Faber, 1967 A fine first edition in a fine dust jacket. One small spot on fore-edge of book. Housed in a custom-made collector's slipcase.. 1st Edition. Hardcover. Fine/Fine.

      [Bookseller: Bookbid Rare Books]
 36.   Check availability:     Biblio     Link/Print  


        OPERAÇÃO 1

      - Organização de E. M. de Melo e Castro. Edição dos autores. Lisboa. 1967. Composição e impressão na Tip. do Jornal do Fundão. 51,5x37 cm. 25 folhas em capa própria, cartonada e com relevo, sendo que a capa de cada exemplar da tiragem tem um relevo diferente. 2 Cartazes ? António Aragão. Alfabeto estrutural (8 fases de desenvolvimento 1 ideograma) ? Ana Hatherly. 10 sintagmas ? E. M. de Mello e Castro. 9 homeóstatos ? José Alberto Marques. 4 epithalamia ? Pedro Xisto. Capas de João Vieira. Organizado por E. M. de Melo e Castro a obra junta os principais autores da poesia experimental portuguesa num trabalho de investigação de signos e estruturas linguisticos, exemplificados numa dimensão predominantemente visual. De acordo com Roland Barthes existem três tipos de signos, que implicam três tipos de relação. Simbólica, paradigmática e sintagmática. Os trabalhos de António Aragão são recolhas de signos paradigmáticos provenientes de diversas esferas de significação. Ana Hatherly propõe um alfabeto sem chave, partindo de uma forma geométrica elementar e construíndo um sistema segundo um método combinatório e serial. Melo e Castro parte de formas geométricas simples, sem nenhuma carga simbólica, e analisa-as segundo um sistema de coordenadas verticais e horizontais, demonstrando um dos princípios básicos do método de investigação estruturalista. José Alberto Marques parte de um verso considerado como sintagma decompondo-o segundo leis gráficas, obtendo-se na página em branco uma síntese visual e uma pluralidade de leituras. Pedro Xisto propõe simbolos compósitos que podem funcionar simultaneamente no nível literário, através da chave fornecida para cada um, ou apenas no nível visual, gráfico. ?O Movimento da Poesia Experimental portuguesa caracteriza-se essencialmente pela contestação da crítica literária vigente, denunciando a inadequação da crítica aos novos materiais do poema. Por, outro lado, encontra na repressão política generalizada que então se vivia no país, as origens do desfasamento dessa mesma crítica às práticas poéticas. Deste modo, a poesia experimental, como os seus principais autores não se cansam de mostrar e insistir, precisou de se apoiar numa teorização da sua prática poética. As teorias do texto e da comunicação dos anos 60 foram, neste sentido, fundamentais, verificando-se nos autores um conhecimento profundo da teoria da informação, da semiótica, ou do estruturalismo, mas deixando-se ao mesmo tempo impressionar pela utilização criativa da tipografia, e da publicidade. Outra das razões que poderá ter conduzido à ostracização do Movimento da Poesia Experimental nos anos 60 foi o facto de o clima literário português estar, nessa altura, controlado pela tendência onírico-psicologista dos poetas de cariz surrealista. A rejeição inicial do Surrealismo por parte dos poetas concretistas poderá de facto ter originado uma impressão negativa generalizada, uma vez que o Surrealismo é uma tendência dominante e visível na literatura portuguesa contemporânea. No entanto ao contrário dos interesses subjectivistas dos surrealistas, os experimentalistas centram a sua atenção na palavra como valor humano e substantivo. Também a prevalência da noção de autor e individualidade dos surrealistas é substituída pelos experimentalistas por uma preocupação com o processo de criação e leitura do poema.? In Apresentação da Poesia Experimental Portuguesa por Rui Torres em 2005. Location/localizacao: SDC Loja

      [Bookseller: Livraria Castro e Silva]
 37.   Check availability:     AbeBooks     Link/Print  


        Journal of functional analysis.

      Amsterdam u.a., Elsevier, 1967-2002. - ISSN: 0022-1236. Titel rückseitig gestempelt und Buchrücken mit Bibliotheks-Signatur-Schild. Sprache: Deutsch Gewicht in Gramm: 200000

      [Bookseller: Antiquariat Trageser]
 38.   Check availability:     ZVAB     Link/Print  


        Histoire des sciences mathematiques en Italie. Depuis la renaissance des lettres jusqu'a la fin du 17ieme siecle. 4 tomes (4 Bände) . Paris, 1838-1841 (Nachdruck von 1967)

      Olms, 1967 - Ausgetragenes Bibliotheksexemplar, Nachdruck von 1967, Deckel stellenweise minimal ausgebleicht, Schnitt oben leicht angestaubt und minimal fleckig (nur Band 4) Sprache: Französisch Gewicht in Gramm: 2764 [Attributes: Soft Cover]

      [Bookseller: Versand-Antiquariat Konrad von Agris]
 39.   Check availability:     AbeBooks     Link/Print  


        Senza titolo

      , , 1967. Ottimo (Fine). Acquaforte. cm 39x49,6 (Foglio 56x76,5). . Ottimo (Fine). Tiratura 190.

      [Bookseller: Studio Bibliografico MArini]
 40.   Check availability:     Biblio     Link/Print  


        Querner, Curt. - "Liegender weiblicher Akt von vorn".

      - Aquarell, auf Büttenpapier, 1967. Von Curt Querner. 24,4 x 62,2 cm (Darstellung / Blatt). Dittrich B 1564. Rechts unten in Bleistift signiert und datiert. Verso eigenhändiges Qualitätskürzel "XOX". - Blatt mit leichten Lagerspuren. In der Blattmitte weitgehend ausgelegene vertikale Knickspur. Mäßig bis guter Erhaltungszustand. Curt Querner (1904 Börnchen bei Freital - 1976 Kreischa). Deutscher Maler. Bedeutender Vertreter des Spätexpressionismus und der Neuen Sachlichkeit. Nach einer Schlosserlehre Arbeit als Fabrikschlosser. 1926-30 Studium an der Dresdner Kunstakademie. Mitglied der Künstlergruppe Asso. 1933 erstmalige Ausstellung in der Kunsthandlung Kuehl in Dresden. Freundschaft mit dem Freitaler Maler Hellmuth Heinz. 1971 Käthe-Kollwitz-Preis. 1972 Nationalpreis der DDR. [Attributes: Signed Copy]

      [Bookseller: GALERIE HIMMEL]
 41.   Check availability:     ZVAB     Link/Print  


        Handgeschreven brief aan 'Zeer geachte Heer [Simon] Vestdijk'.

      25,6 x 20,9 cm. Drie bladen. Alleen recto. Gesigneerd 'M. 't Hart' en gedateerd 'Warmond, 5 sept. 1967'. 76 regels tekst.* Uitvoerige, kritische, lyrische brief van de 22-jarige aspirant-schrijver aan de 68-jarige Schrijver. Maarten 't Hart schrijft aan zijn idool in Doorn over muziek. Hij vreest, nu hij De symfonieën van Anton Bruckner (1966) heeft gelezen, dat Vestdijk geen muziekboeken meer zal schrijven en vraagt hem of deze 'aan de indrukwekkende reeks nog enige boeken zou kunnen toevoegen'. Vervolgens legt hij uit waarin het plezier van Vestdijks muziekessays voor hem schuilt: de uitgesproken meningen. 'Ergernis is daarbij vaak een uitstekende aanleiding tot het herzien van het eigen oordeel, zoals mij meermalen is overkomen'.Oneens is 't Hart het met Vestdijk over de waardering voor de componist César Franck. Over een volle alinea geeft hij voorbeelden van mooie stukken van Franck. Hij is, als organist, ook verbaasd dat Vestdijk Bachs Triosonates voor orgel nergens noemt. 'Dit zijn toch onbeschrijfelijk mooie werken! Het tweede deel van de 5e sonate is met de Passacaglia, het e- en h-moll preludium & fuga ongetwijfeld het mooiste wat Bach voor orgel heeft geschreven'. Ook uitgebreid over hun meningsverschillen over Bachs Cantates.Aan het slot spreekt 't Hart nogmaals zijn wens uit dat Vestdijk over muziek zal blijven schrijven, 'al past het mij niet, zolang er nog zulke mieterse romans als Het spook en de schaduw en Een huisbewaarder verschijnen'.Maarten 't Hart zou een van de grootste pleitbezorgers van het werk van Vestdijk worden. In 1967 had 't Hart alleen nog maar gepubliceerd in het blaadje van de korfbalclub te Maassluis. Zijn debuut Stenen voor een ransuil verscheen in 1971, na de dood van Vestdijk.

      [Bookseller: Antiquariaat Fokas HOLTHUIS]
 42.   Check availability:     NVvA     Link/Print  


        The Milky Way (Original photograph from the set of the 1969 film)

      Paris: Robert et Raymond Hakim Sud-Films Distribution, 1967. Vintage black-and-white borderless single weight press photograph of director Luis Bunuel with cinematographer Christian Matras and the cast on the set of the 1967 film. With a European press agency stamp on the verso ("Photo exclusive / EUROPANEWS"), a date stamp of April 8, 1969, and a few other notations. 8 x 10 inches (20 x 25 cm). Very Good to Near Fine.

      [Bookseller: Royal Books, Inc.]
 43.   Check availability:     Biblio     Link/Print  


        Senza titolo

      , , 1967. Litografia originale a colori. cm 50,5x70,5. . . Tiratura 100.

      [Bookseller: Studio Bibliografico MArini]
 44.   Check availability:     Biblio     Link/Print  


        Twenty Poems.

      Madison: Sixties Press, 1967. First edition. Octavo, original cloth. Signed by Pablo Neruda and Robert Bly, who served as translator along with James Wright. Fine in a fine dust jacket. "Pablo Neruda is the greatest poet of the twentieth century-in any language" (Gabriel Garcia Marquez).

      [Bookseller: Raptis Rare Books, ABAA/ ILAB]
 45.   Check availability:     Biblio     Link/Print  


        The Master and Margarita

      Paris: YMCA Press, 1967. First Edition. Softcover. Very Good. First edition, first printing; first ever edition in book form. Text in Russian. Very Good. Wraps lightly soiled, toned, and worn. Glue repair evident at base of spine; light shelf lean to binding. Front free end paper torn, and repaired with tape. Very light marking to text on several occasions; previous owner inscription in ink on half-title page. A very nice copy of this scarce and important title, published in book format here for the very first time.

      [Bookseller: Burnside Rare Books]
 46.   Check availability:     IOBABooks     Link/Print  

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