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Displayed below are some selected recent viaLibri matches for books published in 1967

        Eine Geschichte von der Wahrheit.

      (München,) Hanser 1967, 4°, anthrazitfarb.genarbt.Lederband m.farbigen Intarsien a.beiden Deckeln, silberfarb.RTitel u.Halblederkassette (sign.:Legatoria Artistica Ascona Entwurf Mary Horstschulze Ascona).77 S., 11 ganzs.Or.-Radierungen v.Wilfried Blecher.(3.Hanser-Pressendruck).Spindler 63,3.Druck der Stamperia Valdonega nach Angaben von G.Mardersteig in der Dante-Antiqua auf Handbütten in 190 num.Expl., Druckvermerk v.Künstler signiert.Beeindruckende Arbeit der bekannten Einbandkünstlerin, die Deckelverzierungen nehmen Motive der Textillustrationen auf.Kassettenrücken gering berieben.

      [Bookseller: Antiquariaat DIE SCHMIEDE]
 1.   Check availability:     NVvA     Link/Print  


        Keziah Dane.

      New York: The Macmillan Company,, 1967. Octavo. Original red cloth, spine lettered in gilt, top edge blue. With the dust jacket. Top edge slightly faded. An excellent copy in the bright dust jacket with a portion of water-staining to spine on verso, not perceptible on recto. First edition, first printing of Grafton's first book. With two original photographs of the author laid in, one in colour (94 × 50 mm) and the other in black and white (73 × 44 mm).

      [Bookseller: Peter Harrington]
 2.   Check availability:     Biblio     Link/Print  


        The Red and the White [Csillagosok, katonák] (Original artwork for the 1967 film)

      Budapest: Mafilm / Mosfilm, 1967. Original maquette for the Hungarian poster for 1967 film. A combination of original artwork (tempera paint) and applied lettering designs. Designed by Antal Révész. One of the masterpieces of Hungarian cinema. A Russian-Hungarian co-production, "The Red and the White" was originally commissioned to celebrate the 50th anniversary of the October Revolution in Russia in which the Bolsheviks seized power. However, Jancsó chose to set the action two years later in 1919 and showed Hungarian irregulars supporting the Communist "Reds" in fighting the Tsarist "Whites" as the two sides battled for control in the hills overlooking the Volga river. As well as deviating on the required setting, Jancsó also chose to use a radically different approach to the film than that expected. Rather than shooting a hagiographic account of the birth of Soviet communism, Jancsó produced a profoundly anti-heroic film that depicts the senseless brutality of the Russian Civil War specifically and all armed combat in general. 32 x 46.5 inches (81.5 x 118.5 cm). Very Good, with a few closed tears at the extremities, but no loss, quite bright and colorful overall.

      [Bookseller: Royal Books, Inc.]
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        Nociones de espacios normados

      Editorial Universitaria de Buenos Aires 1967 - Colección Ediciones Previas / Matemáticas. 361 p. 22,5 x 14,5 cm. Buen estado. Cubiertas rozadas. [Attributes: Soft Cover]

      [Bookseller: La Leona LibreRía]
 4.   Check availability:     IberLibro     Link/Print  


        Manuale di Epitteto con pagine dello stesso dalle Diatribe.

      Officina Bodoni, 1967. Cm. 25, pp. 197 (3). Leg. edit. in mezzo marocchino celeste con titoli in oro al dorso e fregio al piatto. Taglio di testa dorato. Entro custodia orig. in cart. decorato. Perfetta conservazione. Edizione a cura di Enzo Alfieri, composta nel carattere Centauro col torchio a mano di Giovanni Mardersteig. Tiratura limitata a 165 esemplari numerati (ns. n. 1) impressi su carta di Cernobbio. Cat. Mardersteig 149.

      [Bookseller: Studio Bibliografico Benacense]
 5.   Check availability:     maremagnum.com     Link/Print  


        Blanche ou l'oubli

      Gallimard, 1967. - Gallimard, Paris 1967, 14x20,5cm, broché. - Prima edizione, una delle copie del servizio stampa. Autografo Precious firmata dall'autore Françoise Sagan. Leggermente insolated, un piede traccia piegatura del primo piatto che comprende anche una lacrima, chiaro bagnatura a capo del secondo piatto. - [FRENCH VERSION FOLLOWS] Edition originale sur papier courant. Précieux envoi autographe signé de Louis Aragon à Françoise Sagan. Dos légèrement insolé, une trace de pliure en pied du premier plat qui comporte également une déchirure, une claire mouillure en tête du deuxième plat.

      [Bookseller: Librairie Le Feu Follet]
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        Sharon Tate (Original photograph shot for LIFE magazine in 1967)

      N.p.: N.p., 1967. Vintage double weight keybook photograph of Sharon Tate, shot in 1967 by photographer Curt Gunther, on assignment for LIFE Magazine as part of a piece on the film adaptation of Jacqueline Susann's "Valley of the Dolls." With a stamp crediting Gunther and a stamp for the LIFE magazine collection on the verso. Freelance photographer Curt Gunther came to the US from Germany in the late 1940s and earned a his reputation while photographing The Beatles' first North American tour in 1964. In his most successful years he worked freelance for many major magazines and newspapers. Gunther's shoot for LIFE magazine was designed to show Tate at home, in her daily life, and on the set. 8 x 10 inches (20 x 25 cm). Three keyhole punches along the left margin as called for. Near Fine.

      [Bookseller: Royal Books, Inc.]
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        Ernst Jünger Druckvorlage \"Carabus Rutilans\"

      [Biberach/Wilflingen], [1967/68]. (5) 42 Seiten Typoskript (5) 42 Seiten Typoskript (41 paginierte Blatt plus betiteltes Deckblatt), original Druckvorlage von Heinz Saueressig für die Privatdruckausgabe Biberach (MÜhleisen 0146) mitsamt den für dieses äusserst seltene Ausgabe typischen Setzfehler.- Dazu Hektographie der gesamten Vorlage, offensichtlich Überschussexemplar, das nicht mehr als Privatdruck gebunden wurde.// interner Vermerk kxx Versand D: 4,99 EUR

      [Bookseller: Wimbauer Buchversand]
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        Les Temps Situationistes. International Parisian Edition.

      Jacqueline de Jong,, Paris,, 1967 - Consists 33 original lithographies by 33 artists in 4 colours. ( incl. the cover) 2000 expl. Some names: Alechinsky, Bertholo, Buri, Engelman, Asger Jorn, Topor. Dedication and drawing on first paper: ' Paris. Voor Wout Woltz met veel liefs van Jacqueline'. (=Jacqueline de Jong) VG

      [Bookseller: adr. van den bemt]
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        When Marnie Was There

      Collins 1967 - 1967 Collins Hardcover 1st Edition 1st Impression. Near fine clean tight binding in very good+ unclipped dustjacket. Wonderful jacket design & illustration by Peggy Fortnum. [Attributes: First Edition; Hard Cover]

      [Bookseller: MacKellar Art & Books]
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        May We Borrow Your Husband? And Other Comedies Of The Sexual Life

      The Bodley Head, London 1967 - Number 98 of 500 copies signed by the author. 8vo. [202 x 135 x 22 mm]. [1] ff, 188, [4] pp. Bound in the original quarter green cloth, patterned paper sides, the spine lettered in gilt. In the original acetate dustjacket. A very good copy. [Attributes: First Edition]

      [Bookseller: George Bayntun ABA ILAB]
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        Lolita. [In Cyrillic.]

      New York: Phaedra Inc., Publishers,, 1967. Octavo. Original black and white wrappers, title to front cover in multicolours and to spine in green. A little rubbing to spine panel and extremities, a couple of light creases to wrappers, a few faint spots to edges of text block. An excellent copy. First edition in Russian, first issue: Juliar's issue "a", in wrappers (issue "b" was published in pink cloth, with three cancel leafs). The translation was the only one prepared by Nabokov himself and includes a postscript by him that appears only in this edition.

      [Bookseller: Peter Harrington]
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        Le Samourai (Collection of 8 French reference photographs from the 1967 film)

      N.p.: N.p., 1967. Collection of 8 single weight borderless reference photographs from the French release of the 1967 film. Arguably Jean-Pierre Melville's crowning achievement (though we feel there are no low points among his crime films), wherein Delon plays an icy hitman who is utterly anonymous, living alone in a single bedroom apartment with only a small bird in a birdcage for company. Things are fine, and then he meets a woman. 9.5 x 8 inches (25 x 20 cm). Near Fine. Criterion Collection 306. Buss, p. 201.

      [Bookseller: Royal Books, Inc.]
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        Ice Station Zebra (Original screenplay for the 1968 film)

      Culver City, CA: Metro-Goldwyn-Mayer [MGM], 1967. Revised draft script for the 1968 film. Copy belonging to an uncredited crew member, with notations in holograph pencil on the versos of pages throughout, mostly numeric notations, with a few pages noting on-the-set supplies, and some personal notations. Based on Alistair MacLean's 1963 novel of the same name. Commander James Ferraday (Hudson) receives orders to rescue the crew of Ice Station Zebra, a weather station located at the North Pole. David Jones (McGoohan), a British civilian, Captain Anders (Brown), a Marine with a platoon of troops, and Boris Vasilov (Borgnine) accompany Ferraday on the nuclear submarine USS Tigerfish. But once arrived at the station, not all is as it seems, and someone will do anything to interfere with the mission. Nominated for two Academy Awards, Best Cinematography and Best Effects. Set the Arctic Circle, shot on location in California. Goldenrod titled wrappers, rubber-stamped copy No. 170, dated June 14, 1967, with credits for director Sturges, producer Martin Ransohoff, and writer Douglas Heyes. 189 leaves, with last leaf of text numbered 203. Mimeograph, dated variously between 4/28//67 and 6/30/67, with blue and gray revision pages throughout, dated variously between 6/27/67 and 7/3/67. Pages Very Good plus, wrapper Near Fine, bound with two gold brads. Weldon (1996), p. 281.

      [Bookseller: Royal Books, Inc.]
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        Nietzsche, Friedrich Werke Kritische Gesamtausgabe [Works: Complete Critical Edition] NIETZSCHE BRIEFWECHSEL (complete) Kritische Gesamtausgabe set of 51 bde.

      , Berlin, New York, Walter de Gruyter, 1967. -2000. Orig. cloth. 51 volumes. Title labels with gilt text on spines. With dustjackets. - Werke: I1, I2, I4, II1, II2, II3, II4, II5, III1, III2, III3, III4, III5/1, III5/2, IV1, IV2, IV3, IV4, V1, V2, VI1, VI2, VI3, VI4, VII1, VII2, VII3, VII4/1, VII4/2, VIII1, VIII2, VIII3. Briefwechsel: I1, I2, I3, I4, II1, II2, II3, II4, II5, II6/1, II6/2, II7/1, II7/2, III1, III2, III3, III4, III5, III6. (small signs of use, few d.j. very sl. dam., good set).*Werke, Weitergeführt von Wolfgang Müller-Lauter und Karl Pestalozzi. Briefwechsel, Weitergeführt von Norbert Miller und Annemarie Pieper.Friedrich Nietzsche Januar 1887 - Januar 1889 .Unter Mitarb. v. Anania-Hess, Helga. 1984. IV, 436 S. Ln. Nietzsche, Friedrich: Werke Kritische Gesamtausgabe 9 Abt. (ca. 40 Bde.). Abt 1: Hrsg. v. Figl, Johann.Bd 1: Nachgelassene Aufzeichnungen (Anfang 1852 - Sommer 1858) Bearb. v. Figl, Johann. Unter Mitarb. v. Hödl, Gerald. 1995. XIV, 397 S. Ln. ;Bd 2: Nachgelassene Aufzeichnungen (Herbst 1858 - Herbst 1862) Bearb. v. Hödl, Hans Gerald. Unter Mitarb. v. Rath, Ingo W.2000. IX, 528 S. 3 Abb. Ln;Bd 4: Nachgelassene Aufzeichnungen (Herbst 1864 - Frühjahr 1868) Bearb. v. Rath, Ingo W.1999. XIII, 586 S. Ln; Abt 2: Hrsg. v. Bornmann, Fritz. Bearb. v. Bornmann, Fritz / Carpitella, Mario. Bd 1: Philologische Schriften (1867 - 1873) 1982. X, 379 S. Ln.;Bd 2: Vorlesungsaufzeichnungen (SS 1869 - WS 1869/70). Anhang: Nachschriften von Vorlesungen Nietzsches 1993. XII, 446 S. Ln. ;Bd 3: Vorlesungsaufzeichnungen (SS 1870 - SS 1871) 1993. VI, 441 S. Ln ;Bd 4: Vorlesung saufzeichnungen (WS 1870/71 - WS 1874/75) 1995. VI, 637 S. Ln. ;Bd 5: Vorlesungsaufzeichnungen (WS 1874/75 - WS 1878/79) 1995. VI, 527 S. Ln. ;Abt 3: Bd 1: Die Geburt der Tragödie. Unzeitgemäße Betrachtungen I - III (1872 - 1874) 1972. IV, 427 S. Ln.;Bd 2: Nachgelassene Schriften 1870 - 1873 .1973. VIII, 394 S. Ln. ;Bd 3: Nachgelassene Fragmente Herbst 1869 - Herbst 1872. 1978. IV, 448 S. Ln; Bd 4: Nachgelassene Fragmente Sommer 1872 - Ende 1874 1978. IV, 464 S. Ln. Bd 5: Kohlenbach, Michael / Haase, Marie-Luise: Nachbericht zur dritten Abteilung. Erster Halbband: Kritischer Apparat: Die Geburt der Tragödie. Unzeitgemäße Betrachtungen I - III. Nachgelassene Schriften 1870 - 1873. Zweiter Halbband: Kritischer Apparat: Nachgelassene Fragmente Herbst 1869 - Ende 1874. Beschreibung der Manuskripte. Erläuterungen. Hrsg. v. Groddeck, Wolfram / Kohlenbach, Michael. Unter Mitarb. v. Kuhn, Elisabeth / Götz, Frank. 1997. 2 Halbbde. Zus. 1704 S. Ln. Abt 4: Bd 1: Richard Wagner in Bayreuth (Unzeitgemäße Betrachtungen IV). Nachgelassene Fragmente Anfang 1875 - Frühling 1876 1967. IV, 366 S. Ln. ;Bd 2: Menschliches, Allzumenschliches. Erster Band. Nachgelassene Fragmente 1876 - Winter 1877/78 ,1967. IV, 586 S. Ln.; Bd 3: Menschliches, Allzumenschliches. Zweiter Band. Nachgelassene Fragmente Frühling 1878 - November 1879 .1967. IV, 482 S. ;Bd 4: Montinari, Mazzino: Nachbericht zur vierten Abteilung. Richard Wagner in Bayreuth. Menschliches, Allzumenschliches I u. II. Nachgelassene Fragmente (1875 - 1879),1969. VIII, 615 S. Ln. Abt 5: ;Bd 1: Morgenröthe. Nachgelassene Fragmente Anfang 1880 - Frühjahr 1881 .1970. IV, 772 S. Ln,; Bd 2: Idyllen aus Messina. Die fröhliche Wissenschaft. Nachgelassene Fragmente Frühjahr 1881 - Sommer 1882 1973. VIII, 587 S. Ln. Abt 6: Bd 1: Also sprach Zarathustra. Ein Buch für Alle und Keinen (1883 - 1885) 1968. IV, 410 S. Ln.;Bd 2: Jenseits von Gut und Böse. Zur Genealogie der Moral (1886 - 1887) . 1968. IV, 436 S. Ln. Bd 3: Der Fall Wagner. Götzen-Dämmerung. ? achgelassene Schriften (August 1888 - Anfang Januar 1889): Der Antichrist. Ecce homo. Dionysos-Dithyramben. - Nietzsche contra Wagner .1969. IV, 449 S. Ln. Bd 4: Haase, Marie-Luise / Montinari, Mazzino: Nachbericht zum ersten Band der sechsten Abteilung. Also sprach Zarathustra,1991. X, 988 S. 40 Faks. Ln. Abt 7: Bd 1: Nachgelassene Fragmente Juli 1882 - Winter 1883 - 1884 .1977. VIII, 743 S. Ln; Bd 2: Nachgelassene Fragmente Frühjahr - Herbst 1884 .1974. IV, 323 S. Ln; Bd 3: Nachgelassene Fragmente Herbst 1884 - Herbst 1885 .1974. IV, 472 S. Ln; Bd 4: Montinari, Mazzino: Nachbericht zur siebenten Abteilung .Unter Mitarb. v. Haase, Marie-Luise. ; Bd 4.1: Nachgelassene Fragmente Juli 1882 - Winter 1883/84 .1984. X, 381 S. Ln; Bd 4.2: Nachgelassene Fragmente Frühjahr 1884 - Herbst 1885 .1986. X, 712 S. 32 Taf. Ln. Abt 8: Bd 1: Nachgelassene Fragmente Herbst 1885 - Herbst 1887 .1974. XII, 367 S. Ln. Bd 3: Nachgelassene Fragmente Anfang 1888 - Anfang Januar 1889 .1972. X, 481 S. Ln. Abt 9: Der handschriftliche Nachlaß ab Frühjahr 1885 in differenzierter Transkription. Hrsg. v. Haase, Marie-Luise / Kohlenbach, Michael. Bd 1: Bd. 1. Notizheft N VII 1. Bd. 2. Notizheft N VII 2. Bd. 3. Notizheft N VII 3. Notizheft N VII 4 .Bearb. v. Haase, Marie-Luise / Kohlenbach, Michael / Neininger, Johannes / et al.

      [Bookseller: Erik Tonen Books]
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        Lolita

      Phaedra Publishers, New York 1967 - 8vo. 1st edition in Russian, hardcover issue, with three cancels (Juliar A28.7). Text in Russian. Slight soiling to front joint. Mild toning to leaves. Light rubbing to dust jacket panels and joints. Very small closed tear and crease to top of d.j. rear panel. Minor toning to d.j. overall. NF/VG. [Attributes: First Edition; Hard Cover]

      [Bookseller: Strand Book Store, ABAA]
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        The Outsiders.

      Viking Press, New York 1967 - First edition of the author's classic first book. Octavo, original black. Inscribed by the author on the front free endpaper in a contemporary hand, "I hope you enjoy my book! Best wishes, Susie Hinton." Fine in near fine dust jacket with some light wear to the extremities. Published when she was only 18, Susan Eloise Hinton’s first book was praised as "an impressive performance a book alive with the fresh dialogue of her contemporaries" (New York Times). It was the basis of the acclaimed Francis Ford Coppola film, starring Tom Cruise, Rob Lowe and Diane Lane. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Raptis Rare Books, ABAA/ ILAB]
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        1967 Roy Lichtenstein Brushstrokes at Pasadena Art Museum Serigraph

      1967 - "Brushstrokes at Pasadena Art Museum" by Roy Lichtenstein, Unsigned Serigraph printed in 1967 from an edition size of 1000. The overall is size of the Serigraph is 25 x 33 inches. The condition of this piece has been graded as B: Very Good Condition, with signs of handling or age. Here is some supplemental information about the Serigraph: Exhibition poster, designed for Pasedena Art Museum April 18- May 28, 1967 and Walker Art Center June 23- July 30, 1967. Corlett cat. no. III.22, Published by Poster Originals, Ltd, NY, Produced by Aetna Silkscreen Products in New York. [Attributes: Signed Copy]

      [Bookseller: Rare Posters]
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        THE SHADOW ON THE MOOR

      Private Printed By Benham and Company Limited, Colchester 1967 - THE RAREST BOOK ILLUSTRATED BY "B.B.", first illustrated edition, limited to 200 copies, this copy number 197, 6 full-page engraved illustrations by "B.B.", inscribed in ink on front endpaper "Joe from Hughie and Jubie", original plum cloth, privately printed 1967. This charming ghost story was written by Alan, 8th Duke of Northumberland and published in 1930. As stated in the preface his son Hugh, 10th Duke, decided with his friend Col C. G. Lancaster to reprint the book in a small limited edition for their friends. Almost certainly it woulld have been Col Lancaster who owned Kelmarsh Hall, Northamptonshire, near to the home of B.B., who would have suggested commisioning him to illustrate the book. The book was never made available to the general public. Size: 7.5. x 5 Inches [Attributes: First Edition; Hard Cover]

      [Bookseller: Old Hall Bookshop, ABA ILAB PBFA BA]
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        Verdures de la nuit - Les grandes journées de printemps - Testament du Haut-Rhône - Office des morts - Tendres campagnes.

      Lausanne, Cahiers de la Renaissance Vaudoise, 1967. - 5 volumes gr. in-8°. Edition de luxe numérotée 1/100 exemplaires sur vélin pur chiffon (ceux-ci portent tous le N° 48). Chaque volume comporte un frontispice de Palézieux. Signatures de l'auteur et de l'artiste à la justification de chaque volume. Typographie soignée en 2 couleurs. Ex-libris en page de garde de chaque volume. Bel exemplaire. Brochés, réunis sous coffret commun. [Attributes: Soft Cover]

      [Bookseller: Le Cabinet d'Amateur]
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        Milton A Poem.

      1967 - 4to. (277 x 218 mm). Original quarter brown morocco over marbled paper-covered boards, t.e.g., marbled paper-covered card slipcase; ff. [59], including 50 coloured facsimile plates printed by collotype in two colours and hand-coloured by the pochoir method and 1 monochrome plate reproducing the original preface; the spine of the volume evenly sunned, otherwise a very good copy. Edition limited to a total of 426 copies. This copy one of 380, numbered 273. Blake's penultimate illuminated book, the last being Jerusalem. The present facsimile was reproduced from the Rosenwald copy held at the Library of Congress, Washington, D.C., being the most complete of the four extant copies. In the commentary Geoffrey Keynes describes the main theme of the poem as 'an account of how Milton, realizing the errors he had committed during life, descended to Earth and entered into Blake. Communing intimately with Blake's mind, Milton achieves self-annihilation, so becoming the perfect man and saviour of the world.' Keynes further notes that 'The epic as a whole contains many passages of exceptional beauty and provides numerous clues useful for the elucidation of Blake's symbolism and philosophy.' [Attributes: Hard Cover]

      [Bookseller: Henry Sotheran Ltd]
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        ALLGEMEINE DEUTSCHE BIOGRAPHIE.- Auf Veranlassung und mit Unterstützung seiner Majestät des Königs von Bayern Maximilian II. herausgegeben durch die Historische Commission bei der Königl. Akademie der Wissenschaften. Band 1 bis 45: A - Z, Band 46 bis 55: Nachträge A - Z , Band 56: Generalregister

      (Duncker & Humblot), Berlin 1967 - 2. unveränderte Auflage nach der 1. Auflage von 1875. 56 Bände. Berlin (Duncker & Humblot), 1967-1971. ca 40000 S. OLn mit goldgeprägten Rücken. Feines Ex. Ordnungsgemäß aus Bundeswehrbeständen ausgesondertes Bibliotheksexemplar (kleiner Stempel am Druckvermerk). Feines Ex. Ordnungsgemäß aus Bundeswehrbeständen ausgesondertes Bibliotheksexemplar (kleiner Stempel am Druckvermerk). [Attributes: Hard Cover]

      [Bookseller: Antiquariat Bebuquin (Alexander Zimmeck)]
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        Derrière Le Miroir N° 163. Rebeyrolle.

      Maeght 1967 - In folio en feuilles sous chemise et étui. 8 lithographies originales en couleurs dont 2 en double page. 1 lithographie originale en noir. Edition de tête sur vélin limité à 150 exemplaires numérotés et signés.

      [Bookseller: La Basse Fontaine]
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        Bizarre No. 43-44, 1967, Shakespeare dans les tarots et autres lieux

      Paris 1967 - 0 400 100 19 x 27 cm Frans / French / Français / Französisch [Attributes: Soft Cover]

      [Bookseller: IPB-BOOKS]
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        [Photo Album]: 50th Anniversary of the Russian Revolution

      Russia. 1967. Oblong quarto. Measuring 8.5" x 12". Red cloth photo album containing 36 black and white or color photographs measuring 6.5" x 9" mounted on boards with a few captions in Russian. Album is near fine with some edgewear; the photographs are fine.A photo album compiled by a group of Czech communists visiting Tula, Russia to celebrate the 50th Anniversary of the Russian Revolution in 1967. On the verso of the front board is written, "Propaganda demonstration at facilities and institutions of Tula," roughly translated from Russian. The photos are large and are taken throughout the city at various locations for the observance of the anniversary of the revolution. The album features busts of and monuments to the communist leaders of the past including Lenin. There are lists of people involved and memorials dedicated to those who participated in the cause, all written in Russian. One photo shows a mosaic on the side of a building of a worker, another shows a road lined with revolutionary images, and one shows a museum with a giant banner proclaiming the 50th Anniversary and "Glory to October." The travelers are pictured reading together at a table and in front of the memorials throughout the city. An interesting collection of high quality tourist photos taken by Czech Communists in 1967. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
 25.   Check availability:     Biblio     Link/Print  


        Teatr. (Teatp). 1967 12 issues

      Moscow (Moskva): Iskusstvo, 1967. 4to. Original wraps. 12 issues complete for the year. Later issues ISSN 0131-6885 1965--1969 -- « » -- , , . 1937 « ». 1941 1945, 1995, 1998--1999, 2009--2010. , 1990- ( 1996 1997 ). 2010 1 2 . 1945--1953 , 1954--1990

      [Bookseller: Alan Wofsy Fine Arts]
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        The Endemic Flora of Tasmania. Painted by Margaret Stones. Botanical and Ecological Text by Winifred Curtis [the complete set of six volumes]

      Ariel Press, London 1967 - 1967 to 1978. Folio, six volumes, totalling 482 pages and 155 full-page colour plates (describing 254 species) plus endpaper maps throughout. Cloth; tiny light mark to the leading edge of two volumes; essentially a fine set with the dustwrappers in excellent condition apart from a handful of small chips and tears, with most of them on the rear panel of the last volume (which also lacks a small postage stamp-sized piece near the rear top corner). Please use the 'Ask Bookseller a Question' link below to confirm availability and postage charges. [Attributes: First Edition; Hard Cover]

      [Bookseller: Michael Treloar Booksellers ANZAAB/ILAB]
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        The Master and Margarita.

      London: Collins and Harvill Press,, 1967. Translated from the Russian by Michael Glenny. Octavo. Original green and black boards, titles to spine gilt. With the dust jacket. Spine sunned and gently rolled; an excellent copy in the jacket with a couple of nicks to spine ends. First Glenny edition, first impression. Although the Glenny translation was beaten to the press by Mirra Ginsburg's translation earlier the same year, Ginsburg had taken as her copy text the heavily bowdlerized Soviet version. This version is complete and remains the standard English translation of one of the 20th century's literary masterworks. The Russian text was first published (albeit in censored form) in two issues of the journal Moskva in November 1966 and January 1967; the full text in Russian was not published until 1969.

      [Bookseller: Peter Harrington]
 28.   Check availability:     Biblio     Link/Print  


        Royal Road Test.

      Los Angeles: Self-published, 1967 Paperback SIGNED. Third edition, 1971. Near Fine spiral-bound paperback original with light wear/blunting to the tips and a slight curl at the corners of the covers; one blank page shows moderate rub-off, presumably from the printing or binding. Ed Ruscha's sixth artist's book, a collaboration with Mason Williams and Patrick Blackwell in which they photographically document the participants and results of throwing a Royal typewriter from the window of a 1963 Buick LeSabre, cruising at ninety mph along US Highway 91, "approximately 122 miles Southwest of Las Vegas" in "perfect" weather. Ruscha is the "Driver," Blackwell the "Photographer," and Williams the "Thrower." Most of the images are of the wreckage of the typewriter. SIGNED BY RUSCHA on the title page; no inscription. From an unnumbered edition limited to 2000 copies. Spiral bound, card covers; unpaginated [60 pages]; 36 b&w illustrations; 6-1/4 x 9-3/8 inches. Reference: Engberg, Edward Ruscha Editions 1959-1999, B6; Hasselblad Center, Open Book, p.198-201. BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, IN A BOX.

      [Bookseller: A&D Books]
 29.   Check availability:     Biblio     Link/Print  


        Haselhuhn, Werner. - "Nach dem Regen".

      - Aquarell, 1967. Von Werner Haselhuhn. 50 x 70 cm (Darstellung / Blatt). Rechts unten signiert und datiert. Verso in Bleistift und Kugelschreiber betitelt. - Blattrand minimal knickspurig. Guter Erhaltungszustand. Werner Haselhuhn (1925 Bad Frankenhausen - 2007 Dresden). Deutscher Maler und Grafiker. 1940-43 Lehre als Dekorationsmaler. 1943-46 Militärdienst und Kriegsgefangenschaft. 1947-1952 Tätigkeit und Möbellackierer. 1953?55 Studium an der Arbeiter-und-Bauern-Fakultät für Architektur in Weimar. 1955-60 Studium an der Hochschule für Bildende Künste Dresden (HfBK) bei Erich Fraaß und Paul Michaelis. Seit 1960 freischaffend. 1961 Mitglied des VBK der DDR. 1969 Auszeichnung mit dem Martin-Andersen-Nexö-Kunstpreis der Stadt Dresden. 2005 Verleihung der Ehrenbürgerschaft der Kurstadt Bad Frankenhausen. [Attributes: Signed Copy]

      [Bookseller: GALERIE HIMMEL]
 30.   Check availability:     ZVAB     Link/Print  


        Master and Margarita

      London: Collins and Harvill Press, 1967. Uncorrected Proof. Softcover. Very Good. Uncorrected advance proof copy of the first British edition. Bound in drab tan wraps, with light general wear and a bit of foxing to the top edge of the page block, in dust jacket with a bit of fading to the red printing on the spine, light rubbing at the folds, pencil notation to rear panel, and light general wear. Very uncommon in this format

      [Bookseller: Burnside Rare Books]
 31.   Check availability:     IOBABooks     Link/Print  


        L'évanouissement

      Gallimard 1967 - - Gallimard, Paris 1967, 12,5x20cm, broché. - Edition originale, un des 35 exemplaires numérotés sur pur fil, seuls grands papiers. Bel exemplaire. [AUTOMATIC ENGLISH TRANSLATION FOLLOWS] First edition, one of the 35 copies numbered on "pur-fil" paper, the only large paper copies . Nice copy. [Attributes: First Edition; Soft Cover]

      [Bookseller: Librairie Le Feu Follet]
 32.   Check availability:     AbeBooks     Link/Print  


        Vom deutschen Volk zum deutschen Staat : Eine Geschichte d. dt. Nationalbewusstseins.

      Göttingen : Vandenhoeck u. Ruprecht, 1967 - Taschenbuch in gutem Zustand. Altersbedingt sind die Seiten angegilbt. Leichte Gebrauchsspuren. dtv1x Sprache: Deutsch Gewicht in Gramm: 400 [Attributes: Soft Cover]

      [Bookseller: Versandantiquariat Olaf Roehder]
 33.   Check availability:     ZVAB     Link/Print  


        Antigone. In der Übersetzung von Karl Reinhardt.

      Frankfurt Ars Librorum 1967 - 2°. 81, 3 S. Mit 10 Orig.-Radierungen von Eduard Bargheer (eine auf Einband montiert). Lose Bögen in Original-Leinenband -Einband mit Original-Leinenband -Kassette. Ars librorum, 16. Druck. Eins von 15 Ex. der Vorzugsausgbe, welche dem Künstler und dem Verlag vorbehalten war. (Gesamtaufl. 265). Von Bargheer im Impressum handschriftlich signiert. Mit Widmung des Buchbinders Helmuth Halbach an den Rastatter Starkoch Rudolf Katzenberger. Gewicht (Gramm): 1000 [Attributes: Signed Copy]

      [Bookseller: Müller & Gräff e.K.]
 34.   Check availability:     AbeBooks     Link/Print  


        THIRTYFOUR PARKING LOTS IN LOS ANGELES

      Los Angeles: Edward Ruscha, 1967. First edition. Ruscha, Edward. Small 4to., 31 b&wplates from photographs, 1 with extended gatefold. Printed stiff wrappers. Slight bump at the spine ends; wrappers moderately hand-soiled. A sticker, " American Distributor: Wittenborn and Company" is affixed to the title page. A better than good copy. A series of aerial photographs by Art Alanis commissioned for this work by Ed Ruscha. Limited to 2213 unnumbered copies. The fifth book issued by Ruscha. Parr and Badger, The Photobook, Volume 2, p. 141.

      [Bookseller: Andrew Cahan: Bookseller, Ltd]
 35.   Check availability:     Biblio     Link/Print  


        Derrière Le Miroir N° 164-165. Miro " L'oiseau Solaire, L'oiseau Lunaire, Etincelles"

      Maeght 1967 - In folio en feuilles. 5 lithographies originales en couleurs dont 1 en triple page. 5 lithographies en couleurs dont 2 en double page. Première édition, bel exemplaire. Cramer " Miro, Les livres illustrés" N° 112. In folio, loose as issued in pictorial wrappers. Five original color lithographs by Miro, of which a three page lithograph, and five colour lithographs after Miro (including the front and back cover).First edition,nice copy. Cramer " Miro, Les livres illustrés" N° 112.

      [Bookseller: La Basse Fontaine]
 36.   Check availability:     AbeBooks     Link/Print  


        Cien años de soledad [One Hundred Years of Solitude] (First Argentine Edition)

      Buenos Aires: Editorial Sudamericana, 1967. First Argentine Edition, preceding all others. The correct first edition of the Nobel Prize winner's masterpiece, published three years prior to the US edition, and the book that gained García Márquez prominence amongst Latin American writers like Mario Vargos Llosa and Christopher Fuentes. A bright, attractive copy of a genuinely scarce high spot of Latin American literature, uncommon in any condition. Strong Very Good plus in illustrated wrappers. Slight lean, minor nicking to the crown, shallow creasing to the spine.

      [Bookseller: Royal Books, Inc.]
 37.   Check availability:     Biblio     Link/Print  


        Psalms of Praise

      Flemington, N. J.: St. Teresa's Press, 1967. Limited edition. Hardcover. Near fine. Thin 4to. 30pp. Quarter green Oasis Niger goatskin, Japanese Kinho paper boards. Gilt spine title, illustration blind stamped on the upper board. A dozen psalms printed in handset Cancelleresca Bastarda, each beginning with an original hand drawn initial and illustration. One of 100 copies, this being No, 74. This is one of the early treasures produced by St. Teresa's Press in its golden age of fine book production. Spine lightly sunned and traces of offset form the leather at the beginning and end else this is a near fine copy.

      [Bookseller: Thorn Books]
 38.   Check availability:     Biblio     Link/Print  


        Four Pianos: Three Evenings of Music by Steve Reich at Park Place Gallery in New York City (Original poster for the 1967 performance)

      New York: Park Place Gallery, 1967. Poster advertising an early performance by Steve Reich at Park Place Gallery in New York on March 17, 18, and 19, 1967, also featuring Max Neuhaus performing and "distributing" a new piece called "BI-PRODUCT" (currently listed on Neuhaus' website as "By-Product," in contravenance of the poster). In 1967 Steve Reich wrote a prototype piece, "Slow Motion Sound" that involved two separate pairs of hands clapping out of phase and coming into phase over the course of 144 bars. Though it was the foundation of all his work that would follow, it was not recorded until 1994 (by Chris Hughes). Reich worked the same concept into his first "traditional" piece, "Four Organs" in 1970.This performance represents a bridge between "Slow Motion Sound" and "Four Organs," only conceived as "Four Pianos" instead. "Four Pianos" was never formally recorded, only performed. Texas composer Max Neuhaus was in the 1960s a renowned percussionist and interpreter of contemporary music who at this point was moving toward his ultimate identity as a pioneer of artistic work in sound, and would become one of the innovators of sound works and the concept of sound installations. Blue card stock with printing in black, 7 x 10 inches (18 x 25.5 cm). Near Fine with just a touch of fading at the edges.

      [Bookseller: Royal Books, Inc.]
 39.   Check availability:     Biblio     Link/Print  


        The Wanderer

      Dobson, London, . 1967 - First UK edition first impression. Price clipped Jacket else a Fine copy. Clean, bright and tight copy in similar Jacket. No ownership marks, in a protective cover. [Attributes: First Edition; Hard Cover]

      [Bookseller: finecopy Ltd PBFA]
 40.   Check availability:     AbeBooks     Link/Print  


        The Groucho Letters

      New York: Simon & Schuster, 1967 - Second printing. Very good or better in dust jacket. Presentation copy; apparently inscribed to his step-grandson (by ex-wife Kay Gorcey); ÒHappy birthday and FatherÕs Day. Daddy O xx Groucho.Ó With a laid in snapshot of an older Groucho with a woman (presumably Gorcey), and an infant in a walker. Inside the cover of this book is the ownership inscription of a Percy Dittig; Kay GorceyÕs maiden name was Dittig. [Attributes: Hard Cover]

      [Bookseller: Peter L. Stern & Co., Inc., A.B.A.A.]
 41.   Check availability:     AbeBooks     Link/Print  


        Oggetto trovato sull'autostrada

      Bellasich e Bossi editori, Milano 1967 - Manifesto dalla cartella "Il Traffico"

      [Bookseller: Giorgio Mastinu]
 42.   Check availability:     AbeBooks     Link/Print  


        Only When I Larf.

      Privately printed, 1967 - Comb-bound foolscap, titles and illustration to front and back cover in black and blue. Light creasing to upper corner of back cover, very small loss of paper to fore edge of first page due to paper manufacturing fault First edition, first impression, limited to 150 copies only privately printed by the author to establish copyright while negotiating the motion picture deal with Paramount Pictures. The first trade edition was published a year later in 1968. [Attributes: First Edition]

      [Bookseller: Peter Harrington. ABA member]
 43.   Check availability:     AbeBooks     Link/Print  


        Complete set of the Galeria Bonino monographs: Floats | More Floats | 93 Floats | Constructions and Films (First Edition)

      New York: Galeria Bonino, 1967. Complete set of four matching exhibition catalogs for a staggered series of installations by avant-garde film director Robert Breer, held at the Galeria Bonino in New York between 1965 and 1970.The first catalog is for an exhibition at the gallery titled "Constructions and Films," and was held in early 1965, noted as Exhibition No. 10.The other three catalogs deal with exhibitions of Breer's "floats," three-dimensional geometric shapes that the director would construct, then roll down a street as one would a float in a parade--though typically Breer chose rural roads as a means of offsetting the sheer modernity of his objects. Each catalog ends with a list of Breer's exhibitions to date. These three exhibitions, titled "Floats," "More Floats," and "93 Floats," were held at the gallery in 1966, 1967, and 1970, and are labeled Exhibition Nos. 18, 29, and 44, respectively.All four volumes Near Fine or better, each in saddle stitched wrappers, with light occasional rubbing.

      [Bookseller: Royal Books, Inc. ]
 44.   Check availability:     ABAA     Link/Print  


        Hommage A Konrad Adenauer. Illustriert mit einer handsignierten Original-Radierung von Salvador Dalí.

      Köln - Fontenay-aux-Roses, Verlag L\'Orangerie - Atelier Rigal, 1967. Einmalige Auflage von 60 römisch numerierten Exemplaren 4°, blauer Original Pappband Diese Original Aquantinta > wurde im Mai 1967 von Salvador Dali graviert. Am 25. Mai 1967 ist die Auflage im Atelier Rigal in Fontenay-aux-Roses vollendet worden. 60 Exemplare auf Japanpapier, numeriert von I/LX bis LX/LX, sind den Angehörigen der Familie Adenauer gewidmet. Die Aquatinta wurde in einer Auflage von 200 Exemplaren auf Büttenpapier, numeriert von 1/200 bis 200/200, verlegt. Alle Exemplare sind vom Künstler signiert. Die Kupferplatte wurde nach dem Druck der Auflage zerstört. Dies ist die Nummer XLVI. Salvador Felipe Jacinto Dalí i Domènech, seit 1982 Marqués de Púbol (* 11. Mai 1904 in Figueres/Spanien - + 23. Januar 1989 ebenda), war ein berühmter spanischer Maler, Grafiker, Schriftsteller, Bildhauer und Bühnenbildner. Als einer der Hauptvertreter des Surrealismus zählt er zu den bekanntesten Malern des 20. Jahrhunderts. Um das Jahr 1929 hatte Dalí seinen persönlichen Stil und sein Genre gefunden, die Welt des Unbewussten, die in Träumen erscheint. Schmelzende Uhren, Krücken und brennende Giraffen wurden zu Erkennungsmerkmalen in Dalís Malerei. Sein malerisches technisches Können erlaubte es ihm, seine Bilder in einem altmeisterlichen Stil zu malen, der an den späteren Fotorealismus erinnert. Versand D: 5,00 EUR signiert, signed, Salvador Dali, Original-Radierung

      [Bookseller: Bührnheims Literatursalon GmbH]
 45.   Check availability:     buchfreund.de     Link/Print  

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