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Displayed below are some selected recent viaLibri matches for books published in 1967

        A BRIEF CORRESPONDENCE AMONG THE PROFESSIONAL ICE SKATER "CHARLOTTE", INVENTOR OF THE DEATH SPIRAL AND OLYMPIC CHAMPION DICK BUTTON, AND DR. ARTHUR N. FOXE. The collection includes several signed autograph and typed letters and related ephemera including the original program for the 1917 movie "The Frozen Warning".

      Germany, October 1967 through June 1968. [1967].. [1967].. - A brief correspondence begun on October 1, 1967 among "Charlotte", Dick Button and Dr. Arthur N. Foxe. The material includes 3 autograph letters signed by Charlotte. Also included are 2 autograph notes signed by Charlotte on the versos of real-photo portrait postcards, and 5 Typed Letters Signed by the Olympic champion figure skater and television broadcaster Dick Button, together with related material. In a 91-word Typed Letter on "Candid Productions" stationery, dated September 6, 1967, Dick Button introduces himself to Dr. Foxe and mentions having dropped in at the Tuttle Publishing Company in Rutland, Vermont where he purchased a copy of Dr. Foxe's book "Skating for Eveyone". While there, he was told about Dr. Foxe's collection of skating books. "I think it might be interesting for us to meet...." Signed "Dick". In a subsequent letter typed on September 21, 1967, Dick Button thanks Dr. Foxe for the book, "I enjoyed talking with you...." In a retained copy of a letter, Dr. Foxe recalls that Dick Button showed him 4 books he did not know about and asks if Dick could jot down their titles for him. Dick Button replies on October 30th with a letter in which he mentions enclosing a comprehensive bibliography which includes the books he showed him. In a 160-word letter dated October 1, 1967 penned in red ink on a 7-1/2 inch high by 11-1/2 inch wide light blue air letter, Charlotte replies to a letter from Dick Button, thanking him for thinking of her and her husband, her former skating partner, Kurt Neuman. "We both have not been well ... had a little collapse and I a bit of a breakdown...." Though she is now 77 years old she states that "I am still skating". Signed "Charlotte", together with an annotation in blue ink "and your 'old' Friend," signed "Kurt". Charlotte's red stamp depicting a line drawing of a figure skater is stamped at the top of the page. On November 9th, Dick Button writes to Dr. Foxe thanking him for his note about some "Harper's Weekly" prints and lets him know that he's not heard anything further from Charlotte beyond what she'd written in October. On November 15, 1967, Charlotte again writes in red ink on light blue paper. In her 150-word letter to Dick Button, Charlotte mentions putting some things together to send him: "I think you will pick out some of it that will interest you as I do not know what [?] your friend Dr. Arthur N. Foxe would like...." Signed "Charlotte". Kurt Neuman has also signed the letter in blue ink, sending his regards to Dick & to Dr. Foxe. Dr. Foxe appears to have been researching the image which appears in a poster which Dick shown him. In a retained letter dated December 1st, Dr. Foxe informs Dick that his card file tells him that Wm. H. Fuller "was born c.1833 in Boston, Mass. He was a skater of considerable repute..." He goes on to point out that there was another "Fuller" "an Englishman who flourished, as the saying goes around 1895" but that the "garb on the man of your poster is typical American...." In a brief note typed on December 12, 1967, Dick asks Dr. Foxe "Is this what we talked about...." signed "Dick Button" in blue ink. In a retained copy of a letter addressed to Charlotte, dated January 21, 1968, Dr. Foxe thanks Charlotte for the skating items she sent him. "I chose the program of The Frozen Warning", the Hippodrome Photograph and you doing the Split jump.... It seems almost unbelievable that you performed so dynamically and in so modern a way before Sonja Henie...." In an autograph letter signed, penned in red ink January 29, 1968, Charlotte responds to Dr. Foxe thanking him for his book. In this letter of approximately 180 words penned on light blue paper with her red skating stamp at top left, Charlotte writes about her accomplishments. "when I was a child in 1910 I already skated this new style and [at] 12 years I jumped already the Axel and Axel Paulsen himself saw me do it.... In 1929 Mr. Neuman and I created the Death spiral...." Signed "Charlotte". Charlotte has penned brief notes in red ink on the verso of two real-photo postcards titled "Charlotte 'Queen of the Ice'". The real-photo postcard of Charlotte doing the split jump which Dr. Foxe mentions in his letter of January 21st is here included as is a photo-postcard of the Hippodrome. The collection includes a German newspaper clipping with a photograph of the 77 year old Charlotte performing a high leg raise while standing on the point of her skate. On a sheet of paper are early photocopies of two photographs. Annotated "created in 1924" in blue ink, one of the images depicts Kurt Neuman with Charlotte performing a "ONE HAND" Death Spiral. The material also includes the program which Dr. Foxe mentioned, the original 4-page program for the 1917 American film "The Frozen Warning" directed by Oscar Eagle and starring Charlotte. The cover title reads "Charlotte in The Frozen Warning" and proclaims her to be "The Greatest, Most Graceful and Most Wonderful Ice Skater in the World in a Photoplay of Great Appeal...." The 8 inch high by 5-1/4 inch program is illustrated with a portrait of Charlotte gracefully skating on the front cover page. Inside are numerous illustrations from the movie and the rear cover features an illustration of a dance troupe. The program is folded and there are a couple of tiny tears to the front edge. Apparently once mounted into a scrapbook, there are paper remnants adhering to the left edge of the rear cover with some slight damage to that edge. Billed simply as "Charlotte", the German professional figure skater Charlotte Oelschlagel (1898-1984) invented and first performed the death spiral. She was also the creator of what became known as the Charlotte Spiral and Charlotte Stop. At the age of 17, while starring as the leading skater in Leo Bartuschek's spectacular ice ballet "Flirting at St. Moritz" at Berlin's Admiralspalast Arena in Berlin, in 1915, she was discovered by New York theatrical producer Charles Dillingham. Dillingham was looking for a grand finale for his sensational production at the Hippodrome which was then the largest such theatre in the world. Broadway had never seen the likes of this show called "Hip Hip Hooray". It opened on September 30th of that year and went on for a record breaking 425 performances over 300 days. Charlotte went on to perform "Hip Hip Hooray" and "Flirting at St. Moritz" on tour. She went on to choreograph and star in the 1921 shows "Get Together" and "The Red Shoes" at the Hippodrome, toured Europe and returned to the Hippodrome for a brief engagement with her partner and future husband Kurt Neuman. She became the first figure skater to perform at Madison Square Garden. The first female skater to include an Axel jump in her performances, she invented the "Charlotte Stop" and she and Kurt Neuman invented the Death Spiral. Although some sources claim that Charlotte and Kurt's Death Spiral was a "two-handed" death spiral and credit Canadians Suzanne Morrow and Wallace Diestelmeyer with developing the "one-handed" version in the 1940s, the photocopy of a photograph (included in this little archive) shows Charlotte performing a "one-handed" death spiral with Kurt Neuman. Though Dick Button has penned that this figure skating element was "created in 1924" in the photocopy and another source states that she first performed it in Budapest in 1928, Charlotte herself, in her letter of January 29, 1968, notes she created the death spiral in 1929. Whatever the case, this letter and photocopy of the photo are indisputable evidence of her first performing this one-handed version. Charlotte was the first ice-skater to star in a motion picture. The 1917 American movie "The Frozen Warning" is a secret agent drama taking place during the First World War. World Wars were to play a crucial part in Charlotte's life as, having returned to Berlin for her mother's funeral in 1939, she was trapped in Germany by the Second World War.A five time World Champion and two time Olympic Champion figure skater, the television skating analyst Dick Button is credited with being the first skater to successfully land the double axel as well as the first triple jump of any kind. The Freudian psychiatrist and criminologist Arthur N. Foxe was an avid skater and a collector of skating books. In addition to articles related to his psychiatric profession, Dr. Foxe was the author of "Skating for Everyone" and of a skating bibliography.

      [Bookseller: Blue Mountain Books & Manuscripts, Ltd.]
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        Gesicht 3", montiertes Relief; Holz, gebeizt oder bemalt, Metall, 79 x 39, verso Widmung mit Monogramm.

      - Werkverzeichnis 1967 - 2004 Bilder Objekte Zeichnungen: P83/06. Hans Ticha, geb. 1940, lebt und arbeitet in Maintal bei Frankfurt.Ticha wuchs in Schkeuditz auf, 1965- 69 Studium an der Hochschule für Bildende und Angewandte Kunst in Berlin-Weißensee bei Kurt Robbel, Werner Klemke, Arno Mohr und Klaus Wittkugel. Ab 1970 als freischaffender Maler, Grafiker und Buchillustrator tätig. 20000 gr.

      [Bookseller: Antiquariat Koenitz im Schloss Pillnitz]
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        WHERE DO WE GO FROM HERE: CHAOS OR COMMUNITY?

      Harper & Row (1967), New York - INSCRIBED and SIGNED by the author on the front free endpaper: "To Mrs. Howard Lewis Allen/In appreciation of your/great support/Martin Luther King Jr." About twenty pages have ink and pencil marks in the margins and single words or sentences underlined by an unknown reader. Two pages have a few words crossed out and replaced in ink. An example: "It is an aspect of their sense of superiority that the white people of America believe they have so little to learn." The reader has underlined the word "superiority" and has written in the margin "ignorance rather." Very Good in a Near Fine dustwrapper [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Charles Agvent, est. 1987, ABAA, ILAB]
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        In a Piegan Lodge

      [Boston: D. Sacilotto for Charles Lauriat's, 1967. Photogravure by Curtis, finely printed from the original plate, on wove paper watermarked "Tweedweave", by the master printmaker D. Sacilotto. A rare edition, not to be confused with later restrikes. A fine print, the beauty and quality of which rivals that of the original plates.(Small discreet collection stamp outside of plate mark on verso.) Very good condition apart from some mild rippling. A breath-taking image from "The North American Indian", the grandest illustrated work ever produced in the United States, the most important illustrated work on American Indians, and the single greatest book in Western Americana. "Little Plume with his son Yellow Kidney occupies the position of honor, the space at the rear opposite the entrance. The picture is full of suggestion of the various Indian activities. In a prominent place lie the ever-present pipe and its accessories on the tobacco cutting-board. From the lodge- poles hang the buffalo-skin shield, the long medicine-bundle, an eagle- wing fan, and a deerskin articles for accoutering the horse. The upper end of the rope is attached to the intersection of the lodge-poles, and in stormy weather the lower end is made fast to a stake near the centre of the floor space." (Curtis, List of Large Plates Supplementing Volume Six) A subgroup of the Blackfoot tribe, the Piegan are of Algonquin stock and inhabited the Plains and Prairies region of North America. They were the quintessential Plains Indians, and in his notes, Curtis described them as amiable people, who had a propensity for social formalities and were easy to work with. The original edition of Curtis' The North American Indian had 214 subscribers and Curtis himself handled the distribution. After Curtis declared bankruptcy, the booksellers Charles Lauriat's of Boston purchased the outstanding stock, and the edition from which this print comes was commissioned in order to complete a number of incomplete portfolios. According to information supplied by the printers, the edition was strictly limited with only 17 sets being produced. Edward Curtis was fascinated with the story of the American Indian from an early age, honing both his knowledge of them and his skill as a photographer on numerous scientific expeditions in the 1890s. With the enthusiastic backing of President Theodore Roosevelt (who wrote the foreword), Curtis evolved his plan for a comprehensive work that would illustrate his romantic vision of American Indian life before the disastrous impact of European contact. He obtained the patronage of J. Pierpont Morgan, whose support (and later, that of his son) enabled the project to go forward. What had originally been projected to take five or six years stretched to twenty-three, consumed $1,200,000 (a third in subsidy from the Morgans), and finally reached a conclusion in 1930, leaving Curtis a broken and bankrupt man. Nonetheless, he succeeded in accomplishing his grand design, and the set remains his monument. Cf. Naef & Goldschmidt The Truthful Lens 40; cf. Howes C-965.

      [Bookseller: Donald Heald Rare Books]
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        Atlas Shrugged (Signed, Limited Edition)

      New York: Random House, 1967. First Edition. Fine/Fine. Stated 9th printing, the signed, limited 10-year anniversary edition of Atlas Shrugged. A Fine copy of the book in Fine publisher's acetate jacket and Fine original cardboard slipcase with only a tiny little smudge on the side where it looks like it rubbed against something. About as nice a copy as we've seen. Rand's magnum opus, where she develops her objectivist theory and explores the question, "what if society's genius goes on strike?" Rand considered the book "not about the murder of man's body, but about the murder and rebirth of man's spirit." "Atlas Shrugged" has remained one of the most popular and influential books written in the twentieth century; one survey in 1991 finding it second only to the Bible in having the greatest impact upon its readers. The book would also place first on Modern Library Reader's Poll of the Top 100 novels of the 20th century. "...the reader will stay with this strange world, borne along by its story and eloquent flow of ideas." (Contemporary Newsweek Review). Fine in Fine dust jacket.

      [Bookseller: Whitmore Rare Books]
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        Hommage a Lidice. 20. Ausstellung der Galerie Rene Block Berlin vom 22. Oktober bis zum 17. November 1967.

      Berlin. Galerie Rene Block. 1967. 1. Auflage. Quer groß 8°. 1 Blatt, 22 Seiten [zweigeteilt], 1 Beilage. OKarton mit OKLappenumschlag. Makellos frisches Exemplar. Mit einer lose beiliegenden Original-Collage von Gerhard Rühm - diese hier verso in Silberstift handschriftlich signiert - sowie Beiträgen in Form wiedergegebener Arbeiten von H.P. Alvermann, Joseph Beuys, K.P. Brehmer, HJ. Dietrich, Gotthard Graubner, K.H. Hödicke, Bernhard Höke, Chris Reinecke, Bernd Koberling, Konrad Lueg, C.O. Paeffgen, [Blinky] Palermo, Sigmar Polke (Doppelportrait, 1965), Gerhard Richter, Dieter Rot, Günther Uecker, W. Vostell, Stephan Wewerka, Lambert M. Wintersberger. Mit einem Klappentext von Herbert von Buttlar. Das erste - geteilte - Blatt enthält im oberen Teil einen wiedergegebenen Brief von Alvermann zu seiner Arbeit, im unteren das biographische Porträt Gerhard Rühms [anläßlich der lose beiliegenden Collage]. Die folgenden Blätter beinhalten dann immer synchron oben eine Werkabbildung sowie unten eine Kurzbiographie des jeweiligen Künstlers. Selten. Versand D: 2,00 EUR 20. Jahrhundert / 20th Century, Deutschland / Germany, Galerie Rene Block, Galeriekataloge

      [Bookseller: Antiquariat Querido - Kunst und Fotograf]
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        Ms. Brief mit eigenh. Unterschrift

      Basel, 25. X. 1967. - 4to. 1 p. An den Zahnarzt Paul Cahen in Basel: „Ich habe Ihnen noch nicht für Ihren lieben Brief vom 24. September 1967 gedankt. Mir scheint die Rede Rabins grossartig. Es ist doch ein anderer Geist in diesem Volk, wenn es gezwungen wird, gegen Gewalt mit Gewalt aufzutreten und zu siegen. Man hört kein Triumphgeheul und nichts von den Tönen, die wir alle zu gut kennen aus preussischem Geist. Was in Israel noch werden wird, wissen wir nicht; aber mit grossen Hoffnungen denken wir an die Zukunft dort [ ]" – Gemeint ist Jitzchak Rabins (damals Stabschef der Streitkräfte Israels) legendäre Rede, gehalten am Ende des Sechstagekriegs auf dem Skopusberg, nachdem ihm von der Universität die Ehrendoktorwürde verliehen worden war. Er nahm die Würdigung im Namen der ganzen Armee entgegen, die sich – so sagte er in der Dankesrede – nicht nur in ihrer spirituellen Größe, dem Trauern um die Opfer des Feindes, vor allen anderen Armeen in der Welt unterscheide. - Beiliegt: Visitkarte von Gertrad Jaspers mit eigenh. Zusatz: „dankt von Herzen dem ,Meister’ und schickt dies Büchlein, in dem Zettel Sie auf vielleicht Interessierendes hinweisen." [Attributes: Signed Copy]

      [Bookseller: Kotte Autographs GmbH]
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        Collection of 15 stills of Audrey Hepburn from various films, many on the set

      Various cities: Various photographers, 1967. Collection of 15 stills of Audrey Hepburn from various films, many on the set. Included are shots with husband and co-star Mel Ferrer, shots on the set and on studio lots, and from the following films: "The Nun's Story" (1959, 3 studio stills, with snipes, 1 reference still ) "Paris When It Sizzles" (1963, 1 studio still) "Two for the Road" (1967, 2 candid stills, 1 studio still) "Wait Until Dark" (1967, 1 reference still, 1 studio still) Hepburn with Rex Harrison and Jack Warner ("My Fair Lady", circa 1964). Hepburn and Rosalind Russell presenting the Academy Award to Fred Zinneman for "A Man for All Seasons". On the beach with a child (2 candid shots, date unknown but circa early 1960s). Candid shot on the set with Mel Ferrer (unknown but circa late 1950s). All photographs 8 x 10 inches (20 x 25 cm), Near Fine or better.

      [Bookseller: Royal Books, Inc.]
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        Where Do We Go From Here: Chaos or Community?

      New York: Harper & Row, Publishers, 1967. First edition. Octavo, original cloth. Inscribed by the author on the front free endpaper, "To Mr. James Nobel With Best Wishes For Peace and Brotherhood Martin Luther King Jr." The recipient James Nobel was the Director of the Council of Human Relations in Cleveland. Near fine in a near fine dust jacket. Housed in a custom half morocco clamshell box. Where Do We Go from Here is Dr. King's analysis of the state of American race relations and the movement after a decade of U.S. civil rights struggles. ''With Selma and the Voting Rights Act one phase of development in the civil rights revolution came to an end,'' he observed (King, 3). King believed that the next phase in the movement would bring its own challenges, as African Americans continued to make demands for better jobs, higher wages, decent housing, an education equal to that of whites, and a guarantee that the rights won in the Civil Rights Act of 1964 and the Voting Rights Act of 1965 would be enforced by the federal government.

      [Bookseller: Raptis Rare Books, ABAA/ ILAB]
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        1967 Bernard Buffet Oeuvre Grave Mourlot Book

      1967 - "Bernard Buffet Oeuvre Grave" by Bernard Buffet, Unsigned Book printed in 1967. The overall is size of the Book is 12.5 x 9.75 inches. The conditon of this piece has been graded as A-: Near Mint, very light signs of handling. Here is some supplemental information about the Book: Lithographies, 1952- 1966. Illustrated with 11 original color lithographs, including the cover wrap, all printed by Mourlot, Paris. 66 other fine color reproductions are also featured in the book. [Attributes: Soft Cover]

      [Bookseller: Rare Posters]
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        Hitchcock/Truffaut (Inscribed to Robert F Blumofe by Francois Truffaut in 1984)

      New York: Simon and Schuster, 1967. Second printing. INSCRIBED by Francois Truffaut to noted Hollywood producer Robert Blumofe on the half title page: "Pour Robert Blumofe / Bien cordialament / Francois Truffaut." The book was inscribed on the occasion of the Academy of Motion Picture Arts and Sciences' "Tribute to Alfred Hitchcock" on December 5, 1984, a gala affair that included remarks by Gregory Peck, Peter Bogdanovich, and James Stewart. Truffaut would pass away later the same year. Laid in is the original 9 x 6 inch program for the event. The New York Times notes that Blumofe was "a notable catalyst for such films as "Around the World in 80 Days," "West Side Story," and "12 Angry Men." A very nice Truffaut association, in a book that we have never before seen inscribed by the director. "Hitchcock/Truffaut" remains the definitive study of Hitchcock's method, a transcription of a series of interviews held by Truffaut in 1966, covering in depth every film made by the Hitchcock up through "Torn Curtain." Near Fine in a Very Good plus, price-clipped dust jacket. Remainder mark on the bottom page edges, and minor wear at the spine ends.

      [Bookseller: Royal Books, Inc.]
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        Thirtyfour [Thirty-Four] Parking Lots in Los Angeles (First Edition)

      Los Angeles: Ed Ruscha, 1967. First Edition. First Edition, with the fold-out flap at the right edge of the last leaf as called for. Ruscha's fifth book, following his iconic "Every Building on the Sunset Strip," containing aerial photographs of mostly empty parking lots and the adjacent structures, from the famous (The Hollywood Bowl, Dodger Stadium) to the mundane (retail and office buildings). About Fine in in a Very Good plus example of the original glassine dust jacket. Jacket has a bit of fray along the top edge of the front panel, and is lightly toned at the edges. A very attractive example of a key Ruscha work.

      [Bookseller: Royal Books, Inc.]
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        "To Colour Thought"

      New Haven: Officina Bodoni for Yale University, 1967. First Edition, #3 of 10 copies. Color frontispiece after Blake, reproductions in collotye and offset by Meriden Gravure. 27, [5]pp. 1 vols. 8vo. Bouund in full orange morocco. Very fine in slipcae. First Edition, #3 of 10 copies. Color frontispiece after Blake, reproductions in collotye and offset by Meriden Gravure. 27, [5]pp. 1 vols. 8vo. ONE OF 10 COPIES. Inscribed on colophoN page to James Tanis and with calligraphed card laid in "For James Tanis/ with apprecition from the/ Graphic Arts Collection/ Yale University Library."

      [Bookseller: James Cummins Bookseller]
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        The Ghost of Opalina, or Nine Lives

      Boston: Little, Brown and Company, 1967. First Edition. Hardcover. Like New. First edition, first printing. Fine, in a Fine dust jacket. Faint scuff to top edge of page block. Small patches of rubbing to dust jacket and faint touches of shelf wear. Pages are remarkably bright. A fantastic copy, unbelievably fresh and in superb condition.

      [Bookseller: Burnside Rare Books]
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        Mosaic. A Journal of the Comparative Study of Literature and Ideas.

      Winnipeg( Canada), University of Manitoba, 1967-1995. - ISSN: 0027-1276. Titel rückseitig gestempelt und Buchrücken mit Bibliotheks-Signatur-Schild. Sprache: Deutsch Gewicht in Gramm: 33000 Gr.-8°. Blaue Halbleinen- und Leineneinbände.

      [Bookseller: Antiquariat Trageser]
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        In the Heat of the Night (Collection of five original title card maquettes)

      Beverly Hills, CA: The Mirisch Corporation / United Artists, 1967. Collection of five original title card maquettes for the 1967 film hand lettered by Harold Adler. Based on the 1965 novel by John Ball. Harold Adler was a calligrapher who created hand lettered titles on over 100 films, worked frequently with Alfred Hitchcock, and was a favorite of legendary title sequence designers Saul Bass and Pablo Ferro. In addition to "In the Heat of the Night," his credits include "Comanche!" (1956), "The Man with the Golden Arm" (1955), "The Seven Year Itch" (1955), "Carmen Jones" (1954), "Psycho" (1960), "The Birds" (1963), "Justine" (1969), and "Finian's Rainbow" (1969). In 2012, an exhibition of Adler's work was organized by noted typographer and design historian Jill Bell at the American Advertising Federation, Kansas City. A film as much, if not more so, about racial tensions in the Civil Rights era South as it is about a murder investigation, "In the Heat of the Night" won five Academy Awards, including Best Picture, Best Actor (Rod Steiger), and Best Adapted Screenplay. 22 x 13.25 inches. White lettering on black ink, tipped onto black board. Near Fine condition overall, with some light rubbing to the boards, some spotting, and minor fraying at the corners. Holograph numbering and editorial markings to the edges. Plastic tabs affixed tot he top of each card with tape. Collation available on request.

      [Bookseller: Royal Books, Inc.]
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        Dangerous Visions (First Edition, signed by Harlan Ellison and 10 others)

      New York: Simon and Schuster, 1967. First Edition. First Edition. INSCRIBED by editor and contributor Harlan Ellison on the title page: " For Russ Vozles / Harlan Ellison / 13 Oct 79." Additionally SIGNED by 10 other contributors, all Hugo Award winners, each at their contribution, including Robert Silverberg, Frederik Pohl, Philip Jose Farmer, Larry Niven, Fritz Lieber, Poul Anderson, Damon Knight, Theodore Sturgeon, John Brunner, and Roger Zelazny. A collection of 33 stories selected by Ellison, winner of a special Hugo Award in 1968 for Best Anthology. Along with its sequel in 1972, "Again, Dangerous Visions," probably the most important single anthology of science fiction produced in the twentieth century, representing nearly every major science fiction author of the 1950s and 1960s. Near Fine in a Very Good plus dust jacket. Boards lightly rubbed, else book is quite nice. Jacket has no chips and none of the usual fading to the spine, but has shallow creasing and rubbing at the corners. Anatomy of Wonder (1995) 4-535.

      [Bookseller: Royal Books, Inc.]
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        Courir les rues

      Gallimard 1967 - - Gallimard, Paris 1967, 12x19cm, broché. - Edition originale, un des exemplaires du service de presse. Précieux envoi autographe signé de Raymond Queneau à Marguerite Duras. Agréable exemplaire. [AUTOMATIC ENGLISH TRANSLATION FOLLOWS] First edition, one of the copies of the press sevice. Precious autograph signed by the author Marguerite Duras. Nice copy. [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: Librairie Le Feu Follet]
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        Kritische Gesamtausgabe. Begründet von Giorgio Colli und Mazzini Montinari. Weitergeführt von V. Gerhardt, N. Miller, W. Müller-Lauter und K. Pestalozzi. 35 Bände. - Und: Briefwechsel. Kritische Gesamtausgabe, Abteilung I-III. 21 Bände. - Zusammen 56 Bände.

      Walter de Gruyter 1967-2006, Berlin u. New York - 4to. Mit einigen Abb. sowie zahlr. Faksimiles, teils als lose Beilagen. Gelbe bzw. grüne OLwd. m. je 2 RSchildern sowie Orig.-Schutzumschlag (3 fehlend). Annähernd vollständige Reihe, ca. 10 weitere Bände sind bereits erschienen. - Vorhanden, I. Abteilung, Band 1,2,4. II. Abt., Bd. 1-5. III. Abt., Bd. 1,3,4,5/1 u. 5/2. IV. Abt., Bd. 1-4 (IV,4 o. Umschl.). V. Abt., Bd. 1-2, VI. Abt., Bd. 1-4 (VI,3 o. Umschl.). VII.Abt., Bd. 1-3, 4/1 u. 4/2. VIII. Abt., Bd. 1-3 (VIII,2 o. Umschl.). IX. Abt., Bd. 1-3 (o. Umschl. erschienen). Briefwecksel. I. Abt., Bd. 1-3, II. Abt., Bd. 1-5, 6/1 u. 6/2, 7/1 u. 7/2. III. Abt., Bd. 1-6, 7/1, 7/3,1 u. 7/3,2. - Viele Bände im Schnitt stockfleckig, innen sauber u. wohlerhalten. gr.

      [Bookseller: Antiquariat Düwal]
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        Panamarenko en Uncle Sam! Tien Millioen Dollars Stock Americain BUK.

      Antwerpen, Galerie Wide White Space, 1967. - 55:61,5 cm. Offsetdruck. Exemplar mit Faltspuren. Katalog Wide White Space

      [Bookseller: M + R Fricke]
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        New York: The New Art Scene.

      New York: Holt Rinehart and Winston, 1967 Hardcover First edition. Fine cloth-bound hardcover with light rubbing to the bottom edges of the boards and a printer's error to one page--one page has a small block of white at the corner where presumably a piece of paper interfered with the printing, a tiny tear at the corner, a tiny spot of printing to the verso, and a one-inch closed tear--in a Near Fine dust jacket with light tanning to the spine and a touch of rubbing to the extremities; lacking the card slipcase. A nice copy. All dust jackets are protected by a clear mylar cover. BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, IN A BOX. A classic photo-essay on the vibrant New York art scene in the 1960's with portraits, studio scenes, the artists at work, rehearsals, performances, happenings, and social scenes. The book features chapters on Lee Bontecou, John Chamberlain, Jim Dine, Marcel Duchamp, Jasper Johns, Roy Lichtenstein, Barnett Newman, Kenneth Noland, Claes Oldenburg, Larry Poons, Robert Rauschenberg, James Rosenquist, George Segal, Frank Stella, Andy Warhol and Tom Wesselmann. Photographs by Ugo Mulas; text by Alan Solomon. 345 pages; over 500 b&w illustrations; 9.75 x 13.25 inches. See: Roth, Book of 101 Books, p.186-187; Open Book, p.230-231; Auer, 802 Photo Books, p.464.

      [Bookseller: A&D Books]
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        PICNIC AT HANGING ROCK.

      Melbourne:: F. W. Cheshire. (1967).. The true first edition, the Australian edition. SIGNED, "With affection / Joan Lindsay 1968." An historical novel about a group of female students at an Australian women's college in 1900 who inexplicably vanish at the site of an enormous rock formation while on a Valentine's Day picnic. The rock formation featured in the story, Hanging Rock, is an actual geological formation located in Victoria, Australia. The novel was adapted into a critically acclaimed film of the same name in 1975 by director Peter Weir. Ring on front cover, otherwise about very good light wear to corners and spine ends and an abrasion, an erasure of a name we assume, at the top of front endpaper (about 2 x .75"). The dust jacket is about a quarter-inch taller than the book but shows only the barest wear and is near fine. .

      [Bookseller: Quill & Brush]
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        Hombre (Original screenplay for the 1967 film, June 1965 draft)

      Los Angeles: Twentieth Century-Fox, 1967. Revised draft script for the 1967 film. One of the great Westerns, and one that epitomizes the revisionist trend sparked by Elmore Leonard's early novels of the 1950s and 1960s. Newman plays a white man who was raised by the Apaches, and has since had to straddle two worlds, feeling truly comfortable in neither. While riding a stagecoach, he is subject to the racial bias of banker Fredric March and March's snooty wife Barbara Rush. In truth, March is an embezzler, a fact that comes out when the coach is held up by murderous bandit-chief Richard Boone. When the passengers fight back, Boone takes Rush as a hostage. Newman proves himself the bravest of the passengers, systematically and intelligently outwitting the bandits one by one, invoking Leonard's brilliant "white flag" scenario from the novel in the process. Along with "The Tall T," one of two superb Westerns adapted from an Elmore Leonard source, and one of Paul Newman's finest performances. Yellow studio wrappers, with "Revised Screenplay," the film's title and the Fox logo stamped on the front wrapper, and dated June 29, 1965. Title and date also stamped along the spine. Project No. 76 stamped at the top left corner of the front wrapper. Title page present, dated June 29, 1965, noted as Revised Screenplay, with credits for screenwriters Ravetch and Frank. 134 leaves, with last leaf of text numbered 131. Mimeograph on eye-rest green stock. Pages Near Fine, wrapper Very Good plus with lightly yapped edges, bound with three gold brads. Housed in a custom cloth clamshell box. Hardy, The Overlook Film Encyclopedia: The Western, p. 304. Hitt, pp. 233-234, 329.

      [Bookseller: Royal Books, Inc.]
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        With assistance of Stephen Shore, Paul Morrissey, Ondine, Nico. Mit zahlreichen Photos von Nat Finkelstein. Komplett - mit allen Beilagen.

      New York, Random House, 1967,. - 36 nn S., OHalb-Leinen mit Hologramm-Vorderdeckel in schwarz und silber; Innen durchgehend mit Abbildungen, die Seiten teilweise doppelblattgroß oder gefaltet. Insgesamt zehn Beilagen wurden ins Buch montiert. Castle Pop-up; red accodian; Bi-plane Pop-up; Chelsea Girls paper wheel; Sphere mobile (mit Gummiband); Record (Lou Reed); Double image rainbow nose; Tomato Can Pop-up; Andy Warhol tear-offs (8 Abschnitte) und der Balloon. Papiergesänge S. 43. Das Sphere mobile liegt lose bei, der Luftballon wie fast immer zwischen den Seiten verklebt. Das Vordergelenk ist gebrochen und in der Innenfalz eingerissen, auf dem Vorderdeckel ein Brandfleck. Der Einband insgesamt etwas verschmutzt. Komplettes Exemplar dieses bedeutenden Pop-Art Buches. Complete book with all gimmicks. Sprache: Englisch Gewicht in Gramm: 1000 [Attributes: First Edition; Hard Cover]

      [Bookseller: Uta-Janine Störmer]
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        SMITH OF WOOTTON MAJOR

      London: George Allen and Unwin. 1967. First edition, second impression. Inscribed presentation copy. Original pictorial paper covered boards. No dustwrapper issued. A VERY GOOD copy, the board edges with a little rubbing and some light marks but no loss. The contents are clean, complete and bright. Inscribed by the author in black ink to the front free endpaper ?"for / Monique / J. R. R. Tolkien?". Further details and images for any of the items listed are available on request. Lucius Books welcomes direct contact with our customers.

      [Bookseller: Lucius Books]
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        Atlantes Neerlandici, Vols I-V

      Theatrum Orbis Terrarum Ltd. 1967-1971, Amsterdam - Numero volumi: Set completo, I-V. Importante catalogo ragionato di tutti gli atlanti olandesi del XVII secolo. Di ogni atlante porta una descrizione completa e accurata delle carte e di tutte le edizioni pubblicate. Opera indispensabile per trattare la cartografia. Usato. [Attributes: Hard Cover]

      [Bookseller: Valeria Bella Stampe Srl]
 26.   Check availability:     AbeBooks     Link/Print  


        The Day We Got Drunk On Cake

      Bodley Head, 1967 - 1st edition. Hardcover. Fine blue boards, very nice clean endpapers and pages. The very near fine dustjacket is fractionally browned at the spine, where there are a few small bits of foxing by the author's name, and is slightly rubbed to the rear panel, otherwise it looks really well and is not price-clipped. A very nice copy, in essence, of the first printing of the author's fourth book, his first collection of short stories, and quite scarce today. [Attributes: First Edition; Hard Cover]

      [Bookseller: Shellhouse Books]
 27.   Check availability:     AbeBooks     Link/Print  


        Collected Poems: 1924 - 1955 [Signed]

      Princeton University Press, 1967, Hardcover, Book Condition: Very Good +, Dust Jacket Condition: very good, First edition. A Very Good or perhaps better copy of the First American Edition -- also being the first edition in English, first printing (modest rubbing and slight pushing at spine ends, surface rubs to the board corners, upper leading board corners bumped, minor age darkening to the top of the page block, page block settled with a gap between the spine head and the closed page block), in a Very Good dust jacket (with the toning common to this title and light corner wear panel corners), SIGNED BY GEORGE SEFERIS on the title page where he also has marked through his printed name. (The dust jacket is translucent and carries the Publisher's list of Princeton paperbacks on the verso.) The book presents a collection of George Seferis' Poetry, written over a three-decade period, in parallel text with the Poems given in Greek on the verso of the leaves and the English translation thereof presented on each facing recto. A Greek Diplomat and Ambassador to the UK, and one of the Twentieth Century's most important Greek Poets, George Seferis won the 1963 Nobel Prize in Literature for "his eminent lyrical writing, inspired by a deep feeling for the Hellenic world of culture", making him the first Greek ever to have received the Prize. Copies of this title are rather scarce to the market and signed copies of Seferis' works in translation are quite scarce to the market. A Very Good or better copy of a rather scarce book from the winner of a Nobel Prize in Literature, SIGNED BY GEORGE SEFERIS. QUITE SCARCE.

      [Bookseller: Allington Antiquarian Books, LLC]
 28.   Check availability:     Bookzangle     Link/Print  


        Geschichte des arabischen Schrifttums. 14 volumes. Complete set.

      - Leiden, Frankfurt am Main, Brill, IGAIW, 1967-2007. Hardcover. Bibliography. Illustrations. *llibrarysticker on spine and endpaper, traces of glue on other spines, librarystamp on titlepage, written numbers on last page, spines volumes 1, 3, 4 discoloured, fold in spine volume 1, binding volume 4 slightly loosened, otherwise fine condition* Volume 1: Qur'anwissenschaften, Hadit, Geschichte, Fiqh, Dogmatik, Mystik bis ca. 430 H., Volume 2: Poesie bis ca. 430 H., Volume 3: Medizin, Pharmazie, Zoologie, Tierheilkunde bis ca. 430 H., Volume 4: Alchimie, Chemie, Botanik, Agrikultur bis ca. 430 H., Volume 5: Mathematik bis ca. 430 H., Volume 6: Astronomie bis ca. 430 H., Volume 7: Astrologie, Meteorologie und Verwandtes bis ca. 430 H., Volume 8: Lexikographie bis ca. 430 H., Volume 9: Grammatik bis ca. 430 H., Volume 10: Mathematische Geographie und Kartographie im Islam und ihr Fortleben im Abendland. Historische Darstellung Teil 1, Volume 11: Mathematische Georgaphie und Kartographie im Islam und ihr Fortleben im Abendland. Historische Darstellung Teil 2, Volume 12. Mathematische Geographie und Kartographie im Islam und ihr Fortleben im Abendland. Kartenband, Volume 13: Mathematische Geographie und Kartographie im Islam und ihr Fortleben im Abendland. Autoren, Volume 14: Gesamtindices zu Band I-IXpicture at www.isis-books.nl [Attributes: Hard Cover]

      [Bookseller: Antiquariaat Isis]
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        Ritual

      UK: New Authors Limited. London, New Authors Limited, 1967. Hardback first edition and first impression. The book is near fine and is presented in a near fine jacket, there's some wear to the upper spine tip and the corners. There's some light bubbling to the laminate, particularly near the spine. Some liquid markings to inside jacket. Presents very well in the jacket protector. Not price-clipped. The basis for the film 'The Wicker Man'. A very nice copy. . Fine. Hardback. 1st Edition. 1967.

      [Bookseller: Hyraxia]
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        LE DIT DU MALHEUR DE LA TERRE RUSSE

      [Nice or Paris (?): The Artist, 1967].. Folio (37 x 27 cm). Loose bifolia laid into collage handmade paper wrapper. Some speckling inherent in the paper stock, but fine, laid between two wooden boards with a single remaining jute tie. First edition of this artist's book. Only the title, the introductory paragraph and the justification are letterpress (in French). The remainder of the text (in Cyrillic) was hand lettered in multi-colors by the artist, accompanied by 11 original woodcuts and linocuts in colors. One of 25 numbered copies, each with variations, executed on rustic Brut d'Annonay paper, and signed by the artist. The text is attributed to a solder in the 18th century army of Prince Alexandre Nevsky. Staritsky (1908 - 1981) was born in Poltava in the Ukraine, and after formal training in Russia from the early 1920s through 1931, emigrated first to Belgium, where she worked in the advertising department of L?'École de la Cambre in Brussels (1932?-46). She relocated to Nice in 1946 and died in Paris. She is considered one of the leading representatives of the second generation of Russian émigré abstract artists.

      [Bookseller: William Reese Company - Literature ABAA-]
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        Typed letter signed (as "Plum") to Don Bensen.

      Remsenburg, NY: 17 July,, 1967. Single typed sheet, octavo (199 × 149 mm), with Wodehouse's Remsenburg letterhead printed in blue. Two neat transverse creases from folding. Excellent condition. Wodehouse, in the latter years of his American exile, writes to "Don" at the Scott Meredith Literary Agency, in a wistful mood: "I was terribly sorry to hear from Scott that the two books had done so badly and of course I am all for cancelling the next two. I don't think it's either of our faults. It is just that the taste of the paperback public has completely changed … The world has become so serious now and they only want serious stuff". The recipient is almost certainly noted author and editor Donald Bensen, who began his career with Scott Meredith before pursuing a career in publishing and also writing a run of science-fiction novels. He is perhaps best remembered for editing a number of works of Wodehousiana, including P. G. Wodehouse: A Centenary Celebration 1881-1991 and A Wodehouse Bestiary. One of the books to have done "so badly" is probably The Purloined Paperweight (UK title: Company for Henry), which had been published by Simon & Schuster two months previously on 12th May; prior to that, his short-story collection Plum Pie had been published by Herbert Jenkins in September 1966, though there was no US edition until December the following year. These books were by no means his last, however: he would write some half a dozen more before his death in 1975, starting with Do Butlers Burgle Banks? (1968) and A Pelican at Blandings (1969, US edition 1970).

      [Bookseller: Peter Harrington]
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        Atlantes Neerlandici. 6 Bände

       Theatrum Orbis Terrarum Ltd., Amsterdam, 1967-1985. Zusammen CLI, 2201 S., original Leinen-Einbände, quart, (teils mit Bleistiftanmerkungen und -anstreichungen/Einbände teils etwas berieben und gelockert) - Bibliography of terrestrial, maritime and celestial atlases and pilot books, published in the Netherlands up to 1880 / Enthalten: Volume I: Van der Aa bis Blaeu / Volume II: Blussé bis Mercator / Volume III: Merula bis Zeegers / Volume IV: Celestrial and maritime atlases and pilot books / Volume V: Indexes / Volume VI: A supplement to the Volumes I-V and a bibliography of geographical, celestial and thematic atlases published in the Netherlands between 1880 and 1940 - Versand D: 5,90 EUR Kartographie/Karten,Buch- und Zeitungswesen

      [Bookseller: Celler Versandantiquariat]
 33.   Check availability:     buchfreund.de     Link/Print  


        Atlantes Neerlandici. Bibliography of terrestrial, maritime and celestial atlases and pilot books, published in the Netherlands up to 1880.

      Amsterdam. Theatrum Orbis Terrarum.1967. 5 Volumes + Supplement. 42,5 x 30 cm./ 31,5 x 24 cm. XXIX, 377 P., XXXV, 549 P., XXV, 217 P., XLV, 519 P., 287 P., XV, 249 P. Original red Hardcover with gilt back./ Original blue Hardcover. In good condition, blue Hardcover lightly used. Volume I: Van der Aa - Blaeu./ Volume II: Blusse - Mercator./ Volume III: Merula - Zeegers./ Volume IV: Celestial and maritime atlases and pilot books./ Volume V: Indexes./ Volume VI: A supplement to the Volumes I-V and a bibliography of geographical, celestial and thematic atlases published in the Netherlands between 1880 and 1940.; - With Illustr. - Page edges partly lightly shop-soiled, one Title page lightly blotchy, Volume II page 407-416 wrong bounded, otherwise in very clean condition. English Language. Versand D: 6,00 EUR Atlanten; Geographie; Naturwissenschaften, Englische Sprache; Sammelband, Anthology; Sammelwerke; Werkausgaben

      [Bookseller: P.u.P. Hassold OHG]
 34.   Check availability:     buchfreund.de     Link/Print  


        Paris.

      Paris: Flammarion,, 1967. Quarto. Original buff cloth, spine lettered in green. With the dust jacket. 408 half-tone photographs of Paris. A fine copy in the dust jacket with a few nicks and bottom edge of front panel with a small tear ineffectually tape-repaired on verso. First published in 1961; this copy inscribed on the front free endpaper "à Robert Kennedy Jr., en mémoire de son père et en souvenir d'amitié pour les Etats Unis, d'une petite fille française, Paris le 28 juin 1968"*, signed in a different hand "Isabelle Turpin de Grissé, 7 ans", and below the pencilled ownership inscription of "Shriver". Robert F. Kennedy had been assassinated three weeks before, on 6th June; his son, Robert Kennedy Jr., was fourteen-years-old at the time. Shriver was the married name of Kennedy's sister Eunice, following her marriage to Sarjent in 1953. The Shrivers had five children, though Eunice would have presumably been the original owner in any case.

      [Bookseller: Peter Harrington]
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        Hitchcock

      New York: Simon and Schuster,, 1967. With the collaboration of Helen G. Scott. Quarto. Original grey cloth, titles to spine white, pictorial endpapers. With the dust jacket. Bookseller's ticket to verso of front free endpaper, inkstamp and ownership signature to title page. Spine ends and tips lightly rubbed, board edges slightly faded. A very good copy in the ragged jacket with chipped and torn extremities and tape repairs to verso. First edition in English, first printing. This copy is inscribed by Truffaut on a card laid down to the front pastedown ("de la part de d'amitié"), and is from the library of Peter Bogdanovich, the American director, writer, and film historian, with his library stamp and signature to the title page. It is likely a gift to Bogdanovich from the author, as Truffaut consulted Bogdanovich's 1961 interview with Hitchcock in preparation for this book. It is based on an interview series with Alfred Hitchcock, conducted over a week at his offices at Universal Studios in 1962. The result of this journalistic enterprise "was one Truffaut's most enduring contributions to film culture". It was first published the preceding year under the title Le Cinèma selon Hitchcock.

      [Bookseller: Peter Harrington]
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        1967 Marc Chagall The Circus With The Yellow Clown Mourlot Lithograph

      1967 - "The Circus With The Yellow Clown" by Marc Chagall, Unsigned Lithograph printed in 1967 from an edition size of 2000. The overall is size of the Lithograph is 34 x 22 inches. The conditon of this piece has been graded as C: Several Signs of use and handling, some visible marks. Here is some supplemental information about the Lithograph: Original lithograph poster created for an exhibition of lithographs and engravings at the Berggruen Gallery in Paris in 1967, published by Berggruen, Paris. It was printed on the lithographic presses of Mourlot Freres in Paris, engraved by Charles Sorlier. Chagall's early life left him with a "powerful visual memory and a pictorial intelligence". After living in France and experiencing the atmosphere of artistic freedom, his "vision soared and he created a new reality, one that drew on both his inner and outer worlds." But it was the images and memories of his early years in Belarus that would sustain his art for more than 70 years.Of circus people he said, "Why am I so touched by their make-up and grimaces? With them I can move forward toward new horizons. Chaplin seeks to do in film what I am trying to do in my paintings. He is perhaps the only artist today I could get along with without having to say a single word."

      [Bookseller: Rare Posters]
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        Entwurf Trigon 67.

      o. O., -, 1967. Orig. Buntstiftzeichnung in Rot, Gelb, Blau. 60 x 43 cm [Bl.]. Gerahmt. Mit eighd. Titelei sowie im Blatt signiert und datiert. - Vgl. Aussstellungskat. Versand D: 7,00 EUR Kunst

      [Bookseller: Antiquariat Weinek]
 38.   Check availability:     buchfreund.de     Link/Print  


        A Shorter Finnegans Wake

      New York: Viking Press, 1967. Octavo, original maroon cloth boards, unclipped original dust jacket. Jacket lightly soiled, with small closed tears, chips to corners, and two abrasions to spine. First American edition of this abridged critical version of Joyce's sprawling final novel: "Well, you know or don't you kennet or haven't I told you every telling has a taling and that's the he and the she of it." Edited by Anthony Burgess, author of A Clockwork Orange. This copy bears the ownership stamps of two notable American writers: novelist Jean Stafford, winner of the Pulitzer Prize for fiction, and legendary New Yorker journalist Joseph Mitchell. The book is additionally signed by Mitchell in ink. Laid in are Mitchell's notes on Finnegans Wake, all excerpts from the book with corresponding page numbers, penciled on a letterhead envelope from Mitchell's family's tobacco warehouse in Fairmont, North Carolina. A terrific association copy.

      [Bookseller: Honey & Wax Booksellers]
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        De la grammatologie.

      (Paris), Minuet, 1967. 8vo. Original wrappers. A bit of light wear to extremities, a few spots to back wrapper, and upper corner slightly bent, otherwise a nice and clean copy. 445, (3) pp.. First edition (20 Septembre, 1967, numéro 630) of Derrida's seminal main work, the foundational text for deconstructive criticism.1967 marks a turning point in the history of modern philosophy, constituting the birth of "Deconstruction". In this one year, Derrida publishes all of his three break-through books, "De la grammatologie", "L'écriture et la difference" and "La Voix et le phenomene", profoundly altering the course of modern thought. Although all three books are responsible for the introduction of Deconstruction, it is primarily "De la Grammatologie", Derrida's magnum opus, that has come to be associated with this groundbreaking concept."Jacques Derrida's revolutionary theories about deconstruction, phenomenology, psychoanalysis, and structuralism, first voiced in the 1960's, forever changed the face of European and American criticism. The ideas in "De la grammatologie" sparked lively debates in intellectual circles that included students of literature, philosophy, and the humanities, inspiring these students to ask questions of their disciplines that had previously been considered improper. Thirty years later, the immense influence of Derrida's work is still igniting controversy..." (Review, Spivak's translation of Derrida's "Of Grammatology", 1997).Derrida's concern is to bring to light the binary schema that is hidden in all kinds of texts and ideas of culture. In the present text Derrida brilliantly reveals some of the principles of deconstruction, not through theoretical explication, but, rather, by demonstration, showing that the arguments promulgated by their subject-matter exceed and contradict the oppositional parameters in which they are situated. Put into other words, deconstruction seeks to expose, and then to subvert, the various binary oppositions that undergird our dominant ways of thinking.The ideas that Derrida here present have had an enormous impact on a number of the human sciences, including psychology, literary theory, cultural studies, linguistics, feminism, sociology and anthropology. Due to this work, a whole new world of problematic suppression and marginalisation has become apparent, making "De la grammatologie" one of the most important philosophical works of the later part of the 20th century. "One of the major works in the development of contemporary criticism and philosophy". (J. Hillis Miller, Yale University)

      [Bookseller: Lynge & Søn A/S]
 40.   Check availability:     Antikvariat     Link/Print  


        Antimémoires

      Gallimard 1967 - - Gallimard, Paris 1967, 14,5x20,5cm, broché. - Edition originale, un des 80 exemplaires numérotés sur Hollande, tirage de tête. Très bel exemplaire. [AUTOMATIC ENGLISH TRANSLATION FOLLOWS] Edition originale, un des 80 exemplaires numérotés sur Holland papere, tirage de tête. Très bel exemplaire. [Attributes: First Edition; Soft Cover]

      [Bookseller: Librairie Le Feu Follet]
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        The Mimic Men.

      London: Andre Deutsch,, 1967. Octavo. Original dark red boards, titles to spine gilt. With the dust jacket. Slight offsetting from dust jacket onto spine, couple of small stains to top edge. An excellent copy in a slightly toned jacket with a few minor nicks to extremities. First edition, first impression. Signed by Naipaul on the title page. From the library of historian and auctioneer Anthony Hobson and with his bookplate to the front pastedown.

      [Bookseller: Peter Harrington]
 42.   Check availability:     Biblio     Link/Print  


        Talmud Bavli - Large Edition [Talmud Bavli : mevo\'ar, meturgam u-menuKad / \'a. y. \'Adin Shtainzalts] (Talmud Steinsaltz Edition) - 30 (von 31) Bände/Volumes. Band 1: Ber¯a_k¯ot. Band 2: MasseKet Šabbat (Part 1). Band 3: MasseKet Šabbat (Part 2). Band 4: MasseKet \'Erûvîn (Part 1). Band 5: MasseKet \'Erûvîn (Part 2). Band 6: MasseKet Pesahîm (Part 1). Band 7: MasseKet Pesahîm (Part 2). Band 8: MasseKet Yômâ. Band 9: MasseKet Sûkka. Band 10: MasseKet Bêsa. Band 11: MasseKet Ta\'anît (MasseKet Megilla). Band 12: MasseKet Mô\'ed qatan (MasseKet Hagîga). Band 13: MasseKet Yevamôt (Part 1). Band 14: MasseKet Yevamôt (Part 2). Band 15: MasseKet Ketûbbôt (Part 1). Band 16: MasseKet Ketûbbôt (Part 2). Band 17: MasseKet Nedarîm (Part 1) Band 18: MasseKet Nedarîm (Part 2). Band 19: MasseKet n¯azîr. Band 20: MasseKet Sôta. Band 21: MasseKet Gîttîn. Band 22: MasseKet Qiddûšîn. Band 23: MasseKet Bavâ qammâ (Part 1). Band 24: MasseKet Bavâ qammâ (Part 2). Band 25: MasseKet Bavâ mesî\'â (Part 1). Band 26: MasseKet Bavâ mesî\'â (Part 2). Band 27: MasseKet Bavâ batrâ (Part 1). Band 28: MasseKet Bavâ batrâ (Part 2). Band 30: MasseKet Sanhedrîn (Part 1). Band 31: MasseKet Sanhedrîn (Part 2).

      Jerusalem, ha-Makhon ha-Yi re eli li-firsumim Talmudiyim (Israel Institue for Talmudic Publication) 1967-1997. 30 Bände (von 44); Bände 1-28 und 30-31. 2° (36,5 x 26,5 cm). Blindgeprägte Orig.-Kunstlederbände mit goldgeprägtem Titel auf Deckel und Rücken sowie Orig.-Schutzumschlägen (Imitation leather with gilt design). [Hardcover / fest gebunden]. 30 Bände der insgesamt 44 Bände umfassenden \"Large Edition\" des Talmud; Lebenswerk des Gelehrten Adin Steinsaltz. - Aus der Verlagswerbung: \"The Steinsaltz Talmud is the most accessible edition available of the Talmud, the nearly 2,000-year-old, central text of the Jewish people. Translated from the Aramaic to modern Hebrew, with explanations and commentary by one of the great Talmud scholars of all time, Rabbi Adin Steinsaltz, The Steinsaltz Talmud fosters deep and creative engagement with the text. The Steinsaltz Talmud offers solutions to linguistic and contextual issues in the text, removes obstacles stemming from the its non-linear construction, and provides succinct commentaries, pertinent Halakhic rulings, explanatory notes to Rashi and other commentators, detailed indexes, and background from the sciences, history and the humanities. The Steinsaltz Talmud enables both beginning and seasoned students to participate in the living Talmudic conversation.\" - Band 29 fehlt. - Schutzumschläge etwas berieben und angestaubt, teils wenig fleckig, teils mit kleineren Randläsuren; bei einigen Bänden kleinere Beschädigungen der Schutzumschläge am oberen und unteren Kapital; bei Band 8 mit kleiner Fehlstelle unten; bei Band 31 Rücken etwas verblichen. - Kopfschnitte gering fleckig, sonst sehr saubere und gute Exemplare. - Dust jackets slightly rubbed; some a little stained, some with a few small tears and some creases. - Copies with some minor signs of use. - Fine copies. - 30 Volumes (1-28 + 30-31) of the Large Edition, nearly complete up to Vol. 31 (without Vol. 29). Versand D: 11,00 EUR Steinsalz [Steinsaltz, Stainsalts], Adin (Hrsg.): Talmud Bavli [Talmud Bavli : mevo\'ar, meturgam u-menuKad / \'a. y. \'Adin Shtainzalts] (Steinsaltz Edition) - 30 (von 31) Bände/Volumes. Band 1: Ber¯a_k¯ot. Band 2: MasseKet Šabbat (Part 1). Band 3: MasseKet Šabbat (Part 2). Band 4: MasseKet \'Erûvîn (Part 1). Band 5: MasseKet \'Erûvîn (Part 2). Band 6: MasseKet Pesahîm (Part 1). Band 7: MasseKet Pesahîm (Part 2). Band 8: MasseKet Yômâ. Band 9: MasseKet Sûkka. Band 10: MasseKet Bêsa. Band 11: MasseKet Ta\'anît (MasseKet Megilla). Band 12: MasseKet Mô\'ed qatan (MasseKet Hagîga). Band 13: MasseKet Yevamôt (Part 1). Band 14: MasseKet Yevamôt (Part 2). Band 15: MasseKet Ketûbbôt (Part 1). Band 16: MasseKet Ketûbbôt (Part 2). Band 17: MasseKet Nedarîm (Part 1) Band 18: MasseKet Nedarîm (Part 2). Band 19: MasseKet n¯azîr. Band 20: MasseKet Sôta. Band 21: MasseKet Gîttîn. Band 22: MasseKet Qiddûšîn. Band 23: MasseKet Bavâ qammâ (Part 1). Band 24: MasseKet Bavâ qammâ (Part 2). Band 25: MasseKet Bavâ mesî\'â (Part 1). Band 26: MasseKet Bavâ mesî\'â (Part 2). Band 27: MasseKet Bavâ batrâ (Part 1). Band 28: MasseKet Bavâ batrâ (Part 2). Band 30: MasseKet Sanhedrîn (Part 1). Band 31: MasseKet Sanhedrîn (Part 2). 30 Bände (von 31); Bände 1-18 und 20-31. Jerusalem, Makhon ha-Yi?re?eli le-Firsumim Talmudiyim 1967-1997. Judentum, Judaica

      [Bookseller: Antiquariat Kretzer]
 43.   Check availability:     buchfreund.de     Link/Print  


        THE MASTER AND MARGARITA Translated from the Russian

      Collins and The Harvill Press. London. 1967. FIRST EDITION of this translation. A very good copy in the original full colour illustrated dustwrapper which has one small closed tear, without any loss, to the top rear edge but still overall a very good, clean example. The scarce first printing of Glenny's popular translation. Preceded in 1967 by an inferior translation, by Mirra Ginsburg, which was taken from the heavily edited Russian edition, the Glenny version translates the complete novel and has always been the prefered text.

      [Bookseller: Paul Foster Books]
 44.   Check availability:     Biblio     Link/Print  


        Samson. Mit 20 (4 doppelblattgr.) sign. Orig.-Radierungen und zahlr. Ornamenten von E. Fuchs.

      Monaco, Cercle International de Bibliophilie und Frankfurt, Galerie Sydow 1967. - M13301 Folio ( 46 : 37 cm). Lose Bogen in Originalumschlägen und in illustrierter Originalleinwand-Kassette. Das sind die XXVIII (+I) Doppelbogen mit dem hebräisch-deutschen Text, den 20 ganzseitigen (davon 4 doppelblattgroße) jeweils voll signierten Radierungen sowie die in Ocker gedruckten Ornament-Illustrationen. Diese Exemplar der seltenen Luxusausgabe umfaßt neben den 20 signierten Radierungen 3 weitere komplett signierte Suiten der Graphiken, zwanzig Graphiken auf Seide, zwanzig auf Japon nacré und noch einmal 20 auf grünem Ingres-Papier, des weiteren eine vollständige Folge ( 70 Stück!) der Ornamente des Buches auf weißem Japanbütten sowie eine Orig.-Kupferplatte dieser Edition; lediglich die drei Orig.-Ornamentzeichnungen fehlen hier. Nur die Kassette mit leichten Anstaubungen und Bestoßungen, der ganze Inhalt nahezu tadellos sauber und neuwertig. Ein Hauptwerk des Wiener Surrealismus! - Vorliegend Nummer 3 von 3 numerierten Exemplaren der deutschen Luxusausgabe auf "Moulin Richard de Bas"-Bütten, im Druckvermerk vom Künstler signiert. - - "Der hebräische Text ist ein Auszug aus dem Buch der Richter, der deutsche Text folgt Luthers Übersetzung. Ernst Fuchs, ein Hauptvertreter der Wiener Schule des Surrealismus, arbeitet mit den Mitteln der optischen Überraschung und einem ungewohnten visuellen 'Erlebnis." (Von Odysseus bis Felix Krull) Die Wiener Schule des Phantastischen Realismus zeigt eine stärkere Neigung zu den Gedanken Sigmund Freuds, insbesondere seiner Methode der Traumdeutung, und zeichnet sich durch eine bewusst forcierte 'altmeisterliche' Malweise aus. -- A main work of Vienna Surrealism! - 1 of 3 numb. copies fromthe German de-luxe edition on "Moulin Richard de Bas" laid paper, printer's note signed by the artist. With 20 (4 double-page) signed orig. etchings and numerous ornaments by E. Fuchs. Loose sheets in orig. wrappers and illustr. orig. cloth case. 46 : 37 cm 11111

      [Bookseller: Antiquariat und Buchhandlung Carl Wegner]
 45.   Check availability:     IberLibro     Link/Print  


        Lyndon Johnson appoints a nuclear physicist and former Manhattan Project scientist who would be instrumental in forging the 1970 Nuclear Non-Proliferation Treaty and in opposing Reagan's "Star Wars" program

      Washington, D.C., September 21, 1967. 23" x 18". "Partly-printed Document Signed, ""Lyndon B. Johnson,"" as President, 1 page, 23"" x 18"", Washington, September 21, 1967, appointing ""Henry De Wolf Smyth of New Jersey,"" as ""an Alternate Representative of the United States of America to the Eleventh Session of the General Conference of the International Atomic Energy Agency..."" Two or three very minor specks of dirt, a few very mild creases, else extremely fine condition.The recipient, Henry De Wolf Smyth (1898-1986), was an accomplished physicist and diplomat. Smyth received his undergraduate and graduate degrees at Princeton, and was a member of the university's faculty for much of his career. During the Second World War he was a member of the National Defense Research Committee (1941-1943) where he proposed the electromagnetic methods that were used to enrich early samples of U-235 used in early work on the atomic bomb. From 1943 to 1945 he was a consultant to the Manhattan Project heading research on heavy water while also serving as director of the University of Chicago's Metallurgical Laboratory. In 1945, in the wake of the atomic bombings of Hiroshima and Nagasaki, he authored A General Account of the Development of Methods of Using Atomic Energy for Military Purposes (popularly known as the ""Smyth Report"") which was the first official, public account of the development of the atomic bomb.In 1949, Harry Truman nominated Smyth to become a member of the Atomic Energy Commission. Following the first successful Soviet atomic test the same year, he argued against Truman's proposal to pursue the hydrogen bomb. He resigned from the Atomic Energy Commission in 1954 over Lewis Strauss' campaign to revoke Robert Oppenheimer's security clearance despite his personal antipathy toward the former head of the Manhattan Project. In 1961 John F. Kennedy appointed Smyth the United States Representative to the International Atomic Energy Agency where he played a crucial role in the adoption of the Nuclear Non-Proliferation Treaty in 1970. He retired from the IAEA the same year, but remained active in public affairs, most notably in his opposition to Ronald Reagan's Strategic Defense Imitative (a.k.a. ""Star Wars""), calling instead for joint reductions in nuclear arms stockpiles. "

      [Bookseller: University Archives]
 46.   Check availability:     Biblio     Link/Print  


        Hell's Angels

      Random House, 1967. Hardcover. Near Fine/Near Fine. Random House, New York 1967. First Edition / First Printing. Stated First Printing on the copyright page. Black cloth boards. Original jacket priced at $4.95. Rare Book. Book Condition: Near Fine, tight spine, clean boards and pages. Light shelf wear, a few pages have notes and underlining. Dust Jacket Condition: Near Fine, light shelf wear, light rubbing. Wrapped in a new removable mylar cover.

      [Bookseller: 1st Editions and Antiquarian Books, ABA,]
 47.   Check availability:     Biblio     Link/Print  


        1967 Roy Lichtenstein Aspen Jazz Serigraph

      1967 - "Aspen Jazz" by Roy Lichtenstein, Unsigned Serigraph printed in 1967 from an edition size of 300. The overall is size of the Serigraph is 40 x 26 inches. The conditon of this piece has been graded as A-: Near Mint, very light signs of handling. Here is some supplemental information about the Serigraph: Screen-print on heavy, glossy white paper. Published by Leo Castelli Gallery for the Aspen jazz Festival in 1967. Printed by Chiron Press, New York. The project was initiated by John and Kimiko Powers who invited several leading jazz musicians to participate in a weekend called the Aspen Jazz Festival in 1967. Page 82 #44 of "The Prints of Roy Lichtenstein" a catalogue raisonne 1948-1993.Lichtenstein sought an anonymous style, removing personal reference to convey the appearance of mass production. He borrowed familiar subjects like comic strips, bank notes and advertising from magazines and newspaper comics. Using a pallet of bright primary colors in his composition, Lichtenstein developed the, now famous, technique of stenciled dotted lines that mimicked and amplified commercial printing patterns.

      [Bookseller: Rare Posters]
 48.   Check availability:     AbeBooks     Link/Print  


        1967 James Rosenquist Aspen Jazz Lithograph

      1967 - "Aspen Jazz" by James Rosenquist, Unsigned Lithograph printed in 1967. The overall is size of the Lithograph is 26 x 26 inches. The conditon of this piece has been graded as A-: Near Mint, very light signs of handling.

      [Bookseller: Rare Posters]
 49.   Check availability:     AbeBooks     Link/Print  

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