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Displayed below are some selected recent viaLibri matches for books published in 1967

        The Lieutenant

      New York: Dial Press, 1967. First edition. Hardcover. Near Fine. Fine in a near fine unclipped dust jacket. Signed twice by Dubus; inscribed and signed on the front free endpaper, and then igned again on the title page. About as pretty a copy of the author's first book and only novel as one could hope for.

      [Bookseller: John Kehoe, Bookseller ABAA]
 1.   Check availability:     Biblio     Link/Print  


        The Thomas Crown Affair (Original Avedon photograph shot to promote the 1968 film)

      N.p.: N.p., 1967. Vintage double weight borderless photograph of Steve McQueen and Faye Dunaway, shot by Richard Avedon for a fashion shoot in conjunction with the film. With two stamps on the verso: one crediting Richard Avedon, and one noting that the photo must be returned to Time, Inc. An unpublished photograph relating to a film with heavy fashion pedigree. McQueen's wardrobe was designed by Alan Levine and Ron Postal, and Dunaway's trendsetting costumes were made by Theadora Van Runkle. The quintessential 1960s caper film, about an adventurous banker (McQueen) who believes he has committed the perfect bank heist, but comes up against a feisty insurance investigator who will stop at nothing to get her man. The film was edited to a 90-minute score by Michel Legrand, who also wrote "The Windmills of Your Mind," the latter winning the Oscar for Best Song, and today a jazz standard. 8.25 x 10 inches (21 x 25 cm). Fine.

      [Bookseller: Royal Books, Inc.]
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        New York: Arte e Persone

      Longanesi,, I Marmi, 1967. Rilegato tela, sovracoperta, custodia (cloth, dust jacket, slip - case) Fotografie di Ugo Mulas. Testo di Alan Solomon. Impaginazione di Michele Provinciali. 4to. pp. 342. Perfetto (Mint). Prima edizione (First edition). In più di 500 fotografie in bianco e nero Ugo Mulas ha colto perfettamente l'ambiente e l'habitat di artisti tanto diversi (Marcel Duchamp, Barnett Newman, Robet Rauschenberg, Jasper Johns, Larry Poons, Kenneth Noland, John Chamberlain, Jim Dine, Frank Stella, Lee Bontecou, George Segal, Jim Rosenquist, Tom Wesselmann, Claes Oldenburg, Roy Lichtenstein, Andy Warhol) che fecero di New York il fulcro e l'asse del mondo. Un certo numero di artisti come Jasper Johns e Kenneth Noland non avevano mai permesso prima che un fotografo li ritraesse al lavoro, e troviamo qui per la prima volta una documentazione della loro attività. Solomon e Mulas ci hanno dato un magnifico intimo studio fotografico della scena creata da alcuni dei membri più produttivi del nuovo microcosmo americano, il mondo artistico di New York (dal rivolto della sovracoperta).

      [Bookseller: Studio Bibliografico Marini]
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        Handbuch der vergleichenden Anatomie der Wirbeltiere (6 Bände in 7 Teilen KOMPLETT plus Indexband) - Bd. I: Allgemeiner Teil/ Spezieller Teil/ Bd. II/ 1: Nervensystem/ Bd. II/ 2: Sinnesorgane/ Bd. III: Darmsystem - Atmungssystem/ Bd. IV: Skelettsystem/ Bd. V: Skelettsystem (Forsetzung)/ Urogenitalsystem: erster Teil: Harnorgane/ Bd. VI: Urogenitalsystem: zweiter Teil: Geschlechtsorgane - Gefäßsystem/ Bd. VII: Gesamt-Inhaltsübersicht/ Gesamt-Sachverzeichnis.

      A. Asher & Co.; 1967. Neudruck; 752/ 1016/ 1106/ 854/ 1018/ 1444/ 191 Seiten; gebundene Ausgabe Die hier angebotenen Bände stammen aus einer teilaufgelösten Bibliothek und tragen die entsprechenden Kennzeichnungen (Rückenschild, Instituts-Stempel...). Schnitt und Einband sind etwas staubschmutzig; Der Buchzustand ist ansonsten ordentlich und dem Alter entsprechend gut; KOMPLETTPREIS für 8 Bände; bei Versand ins Ausland erfragen Sie bitte zuerst die Versandkosten; Das Bild zeigt nur einen Teil der hier angebotenen Bände! Versandkostenfreie Lieferung mfb

      [Bookseller: Petra Gros]
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        Efter Ikaros. Alternate title: Icare aboli.

      (4), 24 pp. poem (in Swedish) by the noted poet and activist Lasse Söderberg with typography and original graphic works, some full-page, by Gianni Bertini, including Söderberg's French translation transcribed in Bertini's hand and 7 supplemental plates, one double page, the entire volume printed in color silkscreen. Minor toning with isolated instances of image ghosting to facing page, a few visibly overlapping primary image. Small 4to. Printed felt wrpps., with contents loose as issued, light soiling and wear to felt. Paris (Castel Rose) 1967. From the edition of 104, this copy no. IV of 8 roman numeral examples containing the additional suite of 7 plates. Signed in pencil by Söderberg and Bertini.

      [Bookseller: F.A. Bernett Books]
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        Calendar of State Papers, Domestic Series, of The Reigns of Edward VI, Mary, Elizabeth and James I

      Nedeln - Kraus Reprint Ltd 1967 - A scarce reprint of this Calendar of State Papers from during the reign of Edward VI to James I, complete in twelve volumes. Detailing all the state papers published between 1547 and 1625, the work contains dates and addressees of the papers, as well as brief outlines of the papers' purpose and contents. Notable occurences detailed here through the state papers concerning them include the militarisation of Hampton Court in 1548, the first and only time in which the palace was used for the purpose of conflict. Although no fighting took place, Lord Somerset was forced to flee to Windsor following external pressure. The volumes here are facsimile reprints of those published between 1856 and 1872by Her Majesty's Stationery Office and offer a detailed and rare insight into the workings of government, monarchy and military during the eras concerned. Each volume contains a preface offering information about the period. A important set of historical documents. Condition: In cloth binding with gilt detailing. Externally very smart, there is some light markings to the boards, as well as minor rubbing to extremities. Internally the pages are firmly bound and are bright and clean throughout. Overall: NEAR FINE. [Attributes: Hard Cover]

      [Bookseller: Rooke Books PBFA]
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        La femme rompue. Monologue. L'âge de discrétion

      Gallimard, 1967. - Gallimard, Paris 1967, 13,5x19,5cm, broché. - Originale, uno dei 40 esemplari numerati su Holland Publishing, testa di stampa. Molto bella copia - [FRENCH VERSION FOLLOWS] Edition originale, un des 40 exemplaires numérotés sur Hollande, tirage de tête. Très bel exemplaire 

      [Bookseller: Librairie Le Feu Follet]
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        Orlando Furioso

      Milano, Electa, 1967. 2 voll. in folio. Il primo di testo (con introduzione di Riccardo Bacchelli); il secondo raccoglie 158 tavole litografiche di Fabrizio Clerici, a fogli sciolti. Le lastre sono state biffate. Legatura editoriale in marocchino di Giovanni De Stefanis. Tiratura di 350 esemplari (ns. n. 128). In cofanetto.

      [Bookseller: Studio Bibliografico Marisa Meroni]
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        The Night I Lost My Baby - a Las Vegas Vignette

      Privately Printed, c1966. 8vo; [64] pages A Fine edition limited to 500 copies, minor rubbing to back board, original photo - illustrated end - papers. Mason Williams signed and inscribed this particular copy "To Romain" [Johnston] in January 1967 with a note "The Smothers Brothers Comedy Hour". Emmy and Grammy award winning Williams, in addition to being the noted guitarist and composer of the legendary title "Classical Gas", wrote for the Comedy Hour and also wrote poetry. Fellow Emmy award winning art director Romain Johnston, also nominated for an Academy Award for art direction, died in 1995. This copy was part of the estate of Romain's widow Gloria Johnston who passed away in September 2013. An attractive association, rather uncommon, rare to see signed;Designed by Edward Ruscha with photographs by Patrick Blackwell, The Night I Lost My Baby is Williams' fourth book.

      [Bookseller: Books Tell You Why]
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        Official document drafted by the California State Legislature being a "Resolution relating to memorializing John Coltrane".

      [Sacramento:] California State Legislature, 28 July 1967 - Folio (460 x 282 mm). Framed, mounted and glazed within the original frame (the patterning of which echoes the typographical border surrounding the document), overall size 677 x 500 mm. In excellent condition. A quite remarkable document issued by the California State Legislature (House Resolution No. 477) a mere 11 days after Coltrane's death in Huntington Hospital, Long Island, on 17 July 1967 at the age of 40. He is buried at Pine Lawn Cemetery, Farmingdale, New York. The resolution passed by the legislature remarks that the Members officially "express their deepest sorrow to the bereaved widow of this musical genius, John Coltrane. [and] that the Chief Clerk of the Assembly be hereby directed to transmit a suitably prepared copy of this resolution to the widow of John Coltrane, Mrs. Alice Coltrane". Jazz and bureaucracy are not comfortable bedfellows and the piece is unintentionally comic as the State Legislature's heartfelt but grandiloquent wording in highlighting the key moments from Coltrane's career is prefaced by a thundering "Whereas", as in "Whereas, 'Trane,' as he was known to fellow musicians, was born in Hamlet, North Carolina." From the collection of the distinguished jazz critic Ralph Gleason, with accompanying typed letter signed from the office of George N. Zenovich, Majority Floor Leader in the California Legislature, to Gleason enclosing the document (dated 29 August 1967, official paper); and accompanied by a 4-page press release issued by ABC Records (the parent company of Impulse!) relating to Coltrane's death.

      [Bookseller: Peter Harrington. ABA member]
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        Allgemeine Geschichte der Musik / Johann Nikolaus Forkel; herausgegeben und mit Registern versehen von Othmar Wessely - Complete in 2 volumes

      Graz : Akademische Druck- u. Verlagsanstalt, 1967, Hardcover, Facsimile reprint. An exceptional set; fine in an equally fine dust wrapper. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new. Series; Die grossen Darstellungen der Musikgeschichte in Barock und Aufklärung ; Bd. 8. Physical description; 2 vols ; 24 cm. Subjects; Music - History and criticism. Other names; Wessely, Othmar. Language; German. Inventory No: 231719. Facsimile reprint

      [Bookseller: MW Books Ltd.]
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        Overture for a Drama for full orchestra. Autograph musical manuscript full score. Signed and dated "Menton-Garavan [France], Nov. 12, 1937."

      Not in Grove's "selective" works list or in the works list in Cooper: The Music of Ross Lee Finney, Musical Quarterly Vol. LIII No. 1, January 1967. Baker-Slonimsky (Centennial Edition) p. 1113 dates the composition at 1940 in error. The New York Public Library holds sound discs of the work in the Rodgers and Hammerstein Archives of Recorded Sound, one made at the Eastman School of Music under Howard Hanson. We have not located a printed score of this early work, first performed in Rochester on October 28, 1941. OCLC 51793868 records a single copy of a reproduction of a later holograph manuscript dated May 8, 1938, held in the Fleisher Collection at The Free Library of Philadelphia. Finney was a pupil of Alban Berg, Roger Sessions, Nadia Boulanger and Donald Ferguson. His early influences included the music of Fauré, Stravinsky, Schoenberg and serialism, as well as folk song.. Oblong folio, 267 x 346 mm. Unbound. Notated in ink on 24-stave music manuscript paper. 1f. (recto title, verso instrumentation), 22 + [i] (blank) pp. With "Villa Noël Menton-Garavan Nov. 12, 1937" in Finney's autograph to foot of final page of music. Evidence of several corrections otherwise a fair copy. "M#2" (manuscript number 2?) in ink to lower inner corner of title and "No. 31" in pencil to upper inner corner. From the estate of the conductor Antonia Brico (1902-1989), first woman conductor of the New York Philharmonic, in July of 1938. Slightly worn; lightly creased at central fold and overall; small tear to inner corner of first leaf; minor rust marks from paper clips to upper margin of first three leaves.

      [Bookseller: J & J Lubrano Music Antiquarians LLC]
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        YALKUT SHIM'ONI 'AL HA-TORAH: TSILUM HA-DEFUS HA-RISHON, SALONIKI R.P.'A-R.P.Z. [FIVE VOLUME SET]

      Yerushalayim; No Publisher, [1967]. Original Cloth. 4to. [132]; [176]; [177 ? 418]; [419-596] pages. 28 cm. Limited edition of 200 copies. Fascimile reprint of Salonika, 1521-1527 edition. Five volume complete set: Volume 1: Sefer Bereshit; Volume 2: Ve-'Elu Shemot; Volume 3: Va-yikra'; Volume 4: Sefer Ba-midbar Sinai; Volume five: Sefer 'Eleh ha-Devarim. Yalkut Shimoni (usually referred to as 'the Yalkut' of Simeon of Frankfurt) the best known and most comprehensive midrashic anthology, covering the whole Bible. Subjects: Manuscripts, Hebrew - Facsimiles. Bible - Commentaries - Early works to 1800. Light wear to cloth, overall very fresh and clean. Very good condition. (RAB-55-18)

      [Bookseller: Dan Wyman Books LLC]
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        DOCUMENTI DELLA RIVOLUZIONE NELL'AMERICA LATINA.

      Libreria Feltrinelli, 1967. Italiano In - 16, 40 volumi, brossura. Offriamo la collana completa in 40 numeri editi dal 1967 al 1970 dalla libreria Feltrinelli. Pagine leggermenente ingiallite per la qualità della carta, peraltro in buono stato. Riportiamo l'elenco dei titoli: 1 - Che Guevara, Creare due, tre, molti Viet - Nam: e' la parola d'ordine. 2 - Fidel Castro Ruz, Per i comunisti dell' America latina: o la rivoluzione o la fine!. 3 - Regis Debray, rivoluzione nella rivoluzione?. 4 - Comitato centrale del partito comunista di cuba, accettiamo le nostre responsabilità  rivoluzionarie. 5 - Che Guevara, il socialismo e l'uomo a cuba. 6 - Camilo Castano, dieci giorni in guatemala. 7 - Douglas Bravo, la guerriglia nel venezuela. 8 - Olas, prima conferenza dell'organizzazione latino - americana di solidarietà . 9 - Fidel Castro, Che Guevara esempio di internazionalismo proletario. 10 - Fabricio Ojeda, verso il potere rivoluzionario. 11 - Regis Debray, autodifesa davanti al tribunale militare di camiri. 12 - Fidel Castro, cultura e rivoluzione. 13 - Mario Menendez, intervista con Fabio Vazquez capo dell' esercito di liberazione nazionale di colombia. 14 - Contro il burocratismo una battaglia decisiva. 15 - Le Far del Guatemala contro il tradimento dei sedicenti partiti marxisti. 16 - Padre Camilo Torres, liberazione o morte. 17 - Fidel Castro, difficoltà  e prospettive della costruzione socialista. 18 - Primo congresso culturale dell' Avana (4 - 11 gennaio 1968) risoluzioni e interventi. 19 - Dichiarazione di Fidel Castro sulla Cecoslovacchia. 20 - La lotta armata del popolo portoricano per l' indipendenza. 21 - Maximo Humbert, guerriglia in Argentina. 22 - Marighella: guerriglia urbana in Brasile. 23 - Perù: intervista a due guerriglieri. 24 - Il Cile davanti a una nuova manovra della D.C. 25 - Patricio Garcia, intervista Francisco Prada. 26 - Leopoldo Avila, Cuba: letteratura e rivoluzione. 27 - Fidel Castro, rivoluzione nell'università . 28 - Il partito comunista venezolano 1961 - 1968. 29 - Hector Bejar, Peru' 1965 appunti di un guerrigliero. 30 - Roberto Gomez, rivoluzione: premessa per lo sviluppo economico dei paesi sottosviluppati. 31 - Lotte contadine in America latina. 32 - Gli intellettuali e la società , a Cuba una tavola rotonda sui rapporti tra l'arte e la rivoluzione. 33 - La posizione di Cuba 1969. 34 - Intervista con Inti Peredo. 35 - Porto rico informa, la lotta del popolo di Porto Rico per la sua liberazione nazionale. 36 - Miles Wolpin, il Cile davanti alle elezioni. 37 - Hector Bejar, Perù: che cos'è e dove va la giunta militare, il vero volto della riforma agraria. 38 - Fidel Castro, nel centenario di Lenin. 39 - Armando Hart, Cuba: un partito comunista all'altezza di un popolo rivoluzionario. 40 - Regis Debray, note sulla situazione politica boliviana.

      [Bookseller: Studio Bibliografico Olubra]
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        AE - Manual der Endoprothetik: Knie (Gebundene Ausgabe)von Dieter Christian Wirtz (Herausgeber)

      Springer, 1967. Die Implantation einer Knieendoprothese gilt heute als Standardoperation, dennoch erfordert sie eine anspruchsvolle Operationstechnik. Der Band, autorisiert von der Arbeitsgemeinschaft Endoprothetik, bietet Hilfestellung bei der Auswahl des Prothesenmodells, pr?operative Planung und Operationstechnik werden in Schritt - f?r - Schritt Anleitungen in Text und Bild dargestellt. Dar?ber hinaus dient das Manual als Leitfaden f?r die postoperative Behandlung und das Komplikationsmanagement. Aspekte der Revisionschirurgie finden besondere Beachtung. Inhalt: Anatomie des Kniegelenks (Articulatio genus). - Biomechanik des Kniegelenks. - ?tiologie und Pathogenese der Gonarthrose. - Entwicklung der Knieendoprothetik, Indikation und sozio?konomische Gesichtspunkte. - Implantate. - Biomechanik des endoprothetisch versorgten Kniegelenks. - Indikation, Untersuchungen, Aufkl?rung und Planung der Knieendoprothese. - An?sthesie. - Operation der Kniegelenksendoprothese. - Knieendoprothetik bei Tumoren. - Retropatellarer Ersatz. - Postoperative Ma?nahmen. - Intra - und postoperative Komplikationen. - Aseptische Knieprothesenlockerung. - Septische Knieendoprothesenlockerung. - Revisionsendoprothetik im Kniegelenksbereich. - Ergebnisse der Knieendoprothetik. - Begutachtung. Univ. - Prof. Dr. med. Dieter Christian Wirtz geb. 10.02.1967 in Neunkirchen/Saar Medizinstudium 1986 - 1992 an der Medizinischen Fakult?t der RWTH Aachen Arzt im Praktikum 01/1993 - 06/1994, Klinik f?r Unfall - und Wiederherstellungs?chirurgie, Zentrum f?r Chirurgie, Katharinenhospital Stuttgart (Prof. Dr. med. U. Holz) Assistenzarzt 07/1994 - 12/1994, Chirurgische Klinik des Klinikums Wiesbaden (Prof. Dr. med. H. Peters) 12/1994 ? 06/1999, Orthop?dische Universit?tsklinik der RWTH Aachen (Univ. - Prof. Dr. med. F. U. Niethard) Oberarzt 07/1999 ? 08/2003, Orthop?dische Universit?tsklinik Aachen Habilitation 21.08.2001 Venia legendi f?r das Fach Orthop?die, Medizinische Fakult?t der RWTH Aachen leitender Oberarzt 09/2003 ? 10/2006, Orthop?dische Universit?tsklinik Aachen apl - Professur 21.07.2006, RWTH Aachen W3 - Professur 30.10.2006, Lehrstuhl f?r Unfallchirurgie/Orthop?die, Universit?t Bonn Klinikdirektor 30.10.2006, Klinik und Poliklinik f?r Orthop?die und Unfallchirurgie am Universit?tsklinikum Bonn Gesch?ftsf?hrender Direktor des Chirurgischen Zentrums des Uniklinikums Bonn, 22.09.08 Mitglied des Gesamtvorstandes der DGOOC (Deutsche Gesellschaft f?r Orthop?die und Orthop?dische Chirurgie), 10/2008 Mitglied des Sachverst?ndigenbeirats "Versorgungsmedizin" des Bundesministerium f?r Arbeit und Soziales, 04.06.2009 Mitglied des Gesamtvorstandes der DGOU (Deutsche Gesellschaft f?r Orthop?die und Unfallchirurgie), 23.10.2009 Beiratsmitglied der VLOU - Vorstandes NRW (Verband Leitender Orthop?den und Unfallchirurgischen e.V.), 11.12.2009 Vertrauensdozent der Konrad - Adenauer - Stiftung, 12/2009 Gew?hlter Kongresspr?sident EFORT 2012 ? Berlin (European Federation of National Associations of Orthopaedis and Traumatology) KlinikPraxis Chirurgie Unfallchirurgie Orthop?die Implantat Knieendoprothese Kniegelenk Kniegelenksendoprothetik Revisionsendoprothetik Tumor ISBN - 10 3 - 642 - 12888 - 2 / 3642128882 ISBN - 13 978 - 3 - 642 - 12888 - 2 / 9783642128882

      [Bookseller: LLU-Bookservice]
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        23rd Psalm Branch: A Feature-Length Film in 8mm on War (Original poster for a screening of the 1967 film)

      N.p.: Stan Brakhage, 1967. Original two color hand printed poster advertising the two first public screenings of the 1967 film, as well as selections from Brakhage's "Songs" and a live lecture by Brakhage. The only poster for a Brakhage screening we have ever encountered, as none of Brakhage's films ever received wide distribution and the kind of poster advertisement that would accompany same. 20 x 14 inches (51 x 36 cm). Near Fine, with a few tiny stains at the top edge, and a few equally tiny tears at the bottom edge.

      [Bookseller: Royal Books, Inc.]
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        International times. IT. Numbers 1-15, 17, 1966-1967. All copies original

      London, 1966-1967 - The early issues of an influential underground newspaper, brimming over with satire and transgression. All copies are in original, unbound state, and all are flat, except No. 17, which is folded once. All are illustrated. Sizes: Numbers 1-9, about 42 x 31 cm (16-3/4 x 12-1/2 inches); Numbers 11 & 12, 38 x 25.5 cm (13 x 10 inches); Numbers 13-15 & 17, 44.5 x 29 cm (15-1/2 x 11-1/2 inches). Nearly the entire run of the excessively rare No. 10 was seized and destroyed by the police. This copy is more worn than the others, with a light stain in the lower right quadrant and some frayed edges on the leading edge. Generally excellent condition, considering the 40-year-old newsprint on which most of the original issues are printed. **The run includes: No. 1, 10/14-27/1966; No. 2, 10/31-11/13/1966 (Ezra Pound broadcast); No. 3, 11/14-27/1966 (Burroughs, Morton Feldman); No. 4, 11/28-12/11/1966 (Dick Gregory, Alexander Trocchi); No. 5, 12/12-25/1966 (Claes Oldenburg); No. 6, 1/16-29/1967 (Paul McCartney, Mailer, Burroughs); No. 7, 1/30-2/16/1967 (Ginsberg address); No. 8, 2/13-26/1967 (Pete Townshend, Ginsberg, Snyder); No. 9, 2/27-3/12/1967; No. 10, 3/13-26/1967 (Frank Zappa and a report by Tom McGrath on a police raid of the IT offices the previous week); No. 11, 4/21-28/1967; No. [12], 4/28-5/12/1967 (color cover and color cut-up by Brion Gysin); No. 13, 5/19-6/2/1967; No. 14, Fri. 6/2/1967 (Warhol); No. 15, Fri. 6/16/1967; 17, 7/28-8/13/1967 (Yoko Ono). Not included: No. 16 and four rare broadsides and supplements (5.5, 10.5, 14.25, 14.5).

      [Bookseller: Laurence McGilvery, ABAA/ILAB]
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        Redondillas, or Something of that Sort (ASSOCIATION COPY)

      New York, New York, USA: New Directions, 1967. First Edition. Hardcover. Fine+/Near Fine. Unpaginated. 4to - over 9¾" - 12" tall. Includes a Note on Pound's Redondillas by Noel Stock. 110 copies of Redondillas, signed by the author , of which 100 are for sale, were printed by Robert Grabhorn and Andrew Hoyem in San Francisco, California. Includes erratum slip. Intact original beige cloth covers with printed paper label on spine. Plain unprinted wrapper with a few nicks at extremities and at top of dj panels. With a note in ink on the front free endpaper: "D.P.'s" (i.e. Ezra Pound's wife Dorothy Pound). With the bookplate of Omar Shakespear Pound on the front pastedown. Gallup A90. Provenance: Dorothy Shakespear Pound's personal copy given to her son Omar Shakespear Pound and purchased from his estate. Fine. Described by Time Magazine in 1933 as: "a cat that walks by himself, tenaciously unhousebroken and very unsafe for children", Ezra Pound (1885-1972) remains a controversial and polarizing literary figure. This is a fine copy of one of his later signed works with impeccable provenance.

      [Bookseller: Come By Chance Books (IOBA)]
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        Briefwechsel, Kritische Gesamtausgabe, 20 volumes Friedrich Nietzsche.

      , Berlin, New York, Walter de Gruyter, 1967. -2000. Orig. cloth. 51 volumes. Title labels with gilt text on spines. With dustjackets. - Briefwechsel: I1, I2, I3, I4, II1, II2, II3, II4, II5, II6/1, II6/2, II7/1, II7/2, III1, III2, III3, III4, III5, III6. (small signs of use, few d.j. very sl. dam., good set).Briefwechsel, Weitergeführt von Norbert Miller und Annemarie Pieper.Friedrich Nietzsche Januar 1887 - Januar 1889 .Unter Mitarb. v. Anania-Hess,

      [Bookseller: Erik Tonen Books]
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        Colloquia Germanica. Internationale Zeitschrift für germanische Sprach- und Literaturwissenschaft.

      Bern, Francke, 1967-1998. - ISSN: 0010-1338. Titel rückseitig gestempelt und Buchrücken mit Bibliotheks-Signatur-Schild. Sprache: Deutsch Gewicht in Gramm: 32000 8°. Halbeleinen- und Leineneinbände. Jahrgänge 1 (1967) - 31 (1998) in 27 Bänden.

      [Bookseller: Antiquariat Trageser]
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        Courir les rues

      Gallimard, 1967. - Gallimard, Paris 1967, 12x19cm, broché. - Edizione originale sulla carta corrente. Autografo Precious firmata dall'autore Jean Dubuffet e la moglie Lili: "... dove egli appendere le scarpe al chiodo" Torna un po 'rugosa, bella copia. - [FRENCH VERSION FOLLOWS] Edition originale sur papier courant. Précieux envoi autographe signé de Raymond Queneau à Jean Dubuffet et à sa femme Lili : "... où va - t - il traîner ses bottes?" Dos légèrement ridé, agréable exemplaire.

      [Bookseller: Librairie Le Feu Follet]
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        Têtes - mortes

      Les éditions de minuit, 1967. - Les éditions de minuit, Paris 1967, 9,5x18cm, broché. - Edition originale pour laquelle il n'a pas été tiré de grands papiers Précieux envoi autographe signé de Samuel Beckett à son ami le peintre Geer (Van Velde) et à sa femme Lise. Dos très légèrement insolé sans gravité. - [FRENCH VERSION FOLLOWS] Edition originale pour laquelle il n'a pas été tiré de grands papiers. Précieux envoi autographe signé de Samuel Beckett à son ami le peintre Geer (Van Velde) et à sa femme Lise. Dos très légèrement insolé sans gravité. « Que dire de ces plans qui glissent, ces contours qui vibrent, ces corps comme taillés dans la brume, ces équilibres qu'un rien doit rompre, qui se rompent, et se reforment à mesure qu'on regarde ? Comment parler de ces couleurs qui respirent, qui halètent ? de cette stase grouillante ? de ce monde sans poids, sans force, sans ombre ? Ici tout bouge, nage, fuit, revient, se défait, se refait. Tout cesse, sans cesse. On dirait l'insurrection des molécules, l'intérieur d'une pierre un millième de seconde avant qu'elle ne se désagrège. C'est ça la littérature. » (La Peinture des van Velde ou Le monde et le pantalon, in Cahiers d'Art n°11 - 12, Paris 1945)   Beckett ne parle pas ici, malgré les apparences, de son œuvre littéraire mais de la peinture de Geer Van Velde, ajoutant quelques lignes plus loin : « [Bram] Van Velde peint l'étendue. G[eer] Van Velde peint la succession. » Cet éloge, publié à l'occasion de la double exposition des Van Velde, Geer chez Maeght et Bram à la galerie Mai, est le premier texte d'importance sur ces peintres alors à peu près inconnus du public : « On ne fait que commencer à déconner sur les frères Van Velde. J'ouvre la série. C'est un honneur. » Il est aussi le premier texte critique écrit directement en français par un jeune écrivain irlandais qui n'a encore jamais publié en France. Ainsi, le premier et plus important écrit sur l'art de Beckett, composé à l'aube de sa carrière littéraire, instaure, dès l'origine, une relation fondamentale entre son œuvre en gestation et la peinture de ses amis : « Aussi a - t - on souvent lu ce texte en creux, ou en miroir, comme une des rares désignations de la poétique (à venir) de Beckett par lui - même, une sorte de programme anamorphique d'écriture » (Un pantalon cousu de fil blanc : Beckett et l'épreuve critique par Pierre Vilar) Véritable déclaration d'intention du dramaturge, ce texte fondamental - dont Beckett confesse dès l'introduction la valeur introspective : « avec les mots on ne fait que se raconter » - inaugure la période créatrice la plus fructueuse de l'écrivain. En effet, à l'instar d'Apollinaire et de Cendrars, Beckett puise dans les problématiques artistiques de ses contemporains le ferment de son écriture à venir par « la mise en cause la plus profonde des présupposés narratifs, figuratifs ou poétiques. » (Pascale Casanova in Beckett l'abstracteur) L'influence majeure de la peinture moderne sur la structure - ou déstructuration - narrative du théâtre et des romans de Beckett sera révélée et analysée par de nombreux penseurs, dont Gilles Deleuze, Julia Kristeva ou Maurice Blanchot. C'est justement à partir de la peinture des Van Velde, de Geer, puis de Bram, que Beckett formalise cette volonté de traduire la question picturale en dramaturgie. Ainsi refuse - t - il les décors de Nicolas de Staël pour En attendant Godot car : « Il faut que le décor sorte du texte, sans y ajouter. Quant à la commodité visuelle du spectateur, je la mets là où tu penses. Crois - tu vraiment qu'on puisse écouter devant un décor de Bram, ou voir autre chose que lui ? » (Lettre à Georges Duthuit, 1952). Lorsqu'il rencontre Geer en 1937, « Beckett traverse une crise existentielle majeure, il vient de remodeler son premier roman Murphy, refusé par un grand nombre d'éditeurs, il sombre dans l'alcoolisme, quitte l'Irlande et s'installe définitivement à Paris » (Le Pictural dans l'œuvre de Beckett, Lassaad Jamoussi). Il revient d'un long voyage artistique en Allemagne où il s'est imprégné d'œuvres classiques et d'art contemporain - c'est lors de ce voyage qu'il découvre les Deux hommes contemplant la lune de Caspar David Friedrich, à l'origine de En attendant Godot. L'art est alors au cœur de sa réflexion créatrice et l'amitié qui va le lier à Geer puis plus tard à Bram et à leur sœur Jacoba (avec laquelle il entretint peut - être une relation plus qu'amicale) va profondément influencer sa vie et son écriture. Son premier écrit sur l'art est une courte notice sur Geer Van Velde dont il impose les œuvres à sa nouvelle amante Peggy Guggenheim à l'occasion de la création de sa galerie londonienne. Malgré l'échec relatif de l'exposition (qui suit celle de Kandinsky), il obtient de Peggy une bourse d'un an pour son ami. James Knowlson avance même que « si Beckett a longtemps gardé des liens étroits avec Peggy, c'est d'abord et avant tout parce qu'elle était susceptible de donner un sérieux coup de pouce à ses amis artistes, à commencer par Geer Van Velde. » (in Beckett p. 474) Enigmatique, la petite note que Beckett rédige alors à la demande de Peggy contient déjà en germe la pensée du dramaturge : « Believes painting should mind it on business, i.e. colours. i.e no more say Picasso than Fabritius, Vermeer. Or inversely.  » (« Pense que la peinture devrait se mêler de ses propres affaires, c'est - à - dire la couleur, c'est - à - dire pas plus de Picasso que de Fabritus ou Vermeer. Et inversement. »)   Plus lents à croître, son amitié pour Bram et son intérêt pour sa peinture modifient peu à peu le regard de Beckett sur la peinture de Geer et lorsque, dix ans après sa première rencontre avec les frères, il écrit Le Monde et le Pantalon, Beckett met à jour une dualité symbolisée par ce titre tiré d'une anecdote placée en exergue de l'article. Le monde, c'est l'œuvre « imparfaite » de Dieu créé en six jours à laquelle le tailleur oppose la perfection de son pantalon achevé en six mois. La relation entre cette anecdote et les frères Van Velde est peut - être à chercher dans le second essai que Beckett leur consacre en 1948, Peintres de l'empêchement (Derrière le miroir n° 11/12) : « L'un d'eux dira : Je ne peux voir l'objet, pour le représenter, parce qu'il est ce qu'il est. L'autre : je ne peux voir l'objet, pour le représenter, parce que je suis ce que je suis. Il y a toujours ces deux sortes d'empêchement, l'empêchement - objet et l'empêchement - œil. [...] Geer Van Velde est un artiste de la première sorte [...], Bram Van Velde de la seconde. ». Résistance de l'objet ou impuissance de l'artiste, cette fable, « véritable noyau narratif premier en forme de kôan zen » (P. Vilar), se retrouvera ensuite dispersée dans l'ensemble de l'œuvre de Beckett et occupera plus particulièrement une place centrale dans Fin de Partie, dont Roger Blin, note par ailleurs la similitude avec l'œuvre de Geer : « Il était ami à cette époque des frères Geer et Bram van Velde, hollandais et peintres tous deux. Geer était un peintre dans la lignée de Mondrian. J'ai le sentiment que Beckett voyait Fin de partie comme un tableau de Mondrian, avec des cloisons très nettes, des séparations géométriques, de la géométrie musicale. » (R. Blin, Conversations avec Lynda Peskine in Revue d'Esthétique).    L'affinité grandissante de Beckett avec l'œuvre de Bram Van Velde et l'énergie qu'il dépense pour défendre son travail, notamment auprès de la galerie Maeght ou de son ami, l'historien d'art Georges Duthuit, se feront sans doute aux dépens de ses relations avec Geer. Cependant, malgré quelques malentendus, leur amitié ne sera jamais rompue, ni le dialogue silencieux mais agité que l'écrivain entretient avec l'œuvre du petit frère van Velde dont il possédait deux grandes toiles : « Le grand tableau de Geer me fait enfin des signes. Dommage qu'il ait si mal tourné. Mais ce n'est peut - être pas vrai. » (lettre à Georges Duthuit, mars 1950) « Geer dégage un grand courage. Des idées un peu tranchantes, mais peut - être seulement en apparence. Je l'ai toujours beaucoup estimé. Mais pas assez je crois. » (lettre à Mania Péron, août 1951) La mort de Geer Van Velde en 1977 affecte profondément Beckett et coïncide avec une période d'intense nostalgie durant laquelle l'écrivain décide de se livrer à un « grand ménage » dans sa demeure pour vivre entre des « murs gris comme le propriétaire ». Confiant ses états d'âme à son amie, la décoratrice de théâtre Jocelyn Herbert, Beckett témoigne de l'indéfectible affection qu'il porte au peintre depuis  quarante ans : « plus de toiles sous les yeux, y compris celle du grand Geer Van Velde derrière le piano ». Précieux témoignage de l'amitié de ces compagnons de route qui, depuis le premier roman de Beckett pour lequel ils vérifiaient ensemble la vraisemblance de la partie d'échecs opposant Murphy à M. Endon, ont affronté ensemble les grands enjeux de la modernité : « C'est qu'au fond, la peinture ne les intéresse pas. Ce qui les intéresse, c'est la condition humaine. Nous reviendrons là - dessus. » (Beckett à propos des frères Van Velde, in Le Monde et le Pantalon)

      [Bookseller: Librairie Le Feu Follet]
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        Reflections Simples Sur Le Corps

      Paris: (E.A.D.), 1967. Stiff Wraps. Loose as issued in plain, cream stiff wrappers with original glassine. Near fine. 133 pages, Folio, 41 x 30.5 cm. 25 original lithographs by Erni, most in color, five double-page in color, printed by Mourlot. This copy marked "Exemplaire d'artiste," with justification -- Editions Originale Collective reservee aux Bibliphiles Suisses: 25 on Japon with a suite hors-texte on Hollande (I -XXV), 110 on velin chiffon de Rives (XXVI-CXXV). 326 numbered 1-326 reserved for bibliophiles francais. MONOD 10908. Fresh, bright copy of livre d'artiste work by Erni.

      [Bookseller: Royoung bookseller, Inc.]
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        Orlando furioso. Introduzione di Riccardo Bacchelli. Tavole illustrative di Fabrizio Clerici

      Electa, 1967. in - folio 3 voll Ns. esemplare n. 170. Ottimo stato di conservazione Tirsatura limitata di 350 esemplari.

      [Bookseller: Libreria Antiquaria Giulio Cesare]
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        The Third Policeman

      London: MacGibbon & Kee,, 1967. Octavo. Original brown boards, titles to spine in gold. With the pictorial dust jacket. Spine gently rolled, an excellent copy in the faintly toned jacket. First edition, first impression of the scarcest of the author's post-war novels.

      [Bookseller: Peter Harrington]
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        Monplaisir en littérature... - Monplaisir... en histoire

      Gallimard, 1967. - Gallimard, Paris 1967 - 1969, 14x20,5cm, 2 volumes brochés. - Prima flusso cartaceo Edition per il primo volume; una copia del servizio stampa per il secondo. Nel primo volume, l'invio autografo firmato e datato da Paul Morand al suo amico François Legueu. "... Ho passato piacere soprattutto vorrei che la morte come una botte, tutto può essere appreso tuo amico. . P.Morand, marzo 1968. " Per il secondo, bicolore autografo firmato l'invio di Paul Morand al suo amico François Legueu "mentore finanziario, mini storico tributo e amico, lo automobileclubment, Morand. Due annotazioni a penna a sfera nera su l'ultima guardia dedicatario del primo volume. Indietro del secondo volume leggermente insolated, bello insieme. - [FRENCH VERSION FOLLOWS] Edition originale sur papier courant pour le premier volume; un des exemplaires du service de presse pour le second. Pour le premier volume, envoi autographe daté et signé de Paul Morand à son ami François Legueu : "... J'ai fait passer le plaisir avant tout. Je voudrais que la mort aussi en fût un, tout s'apprend. Ton ami. P.Morand, mars 1968." Pour le second, envoi autographe signé bicolore de Paul Morand à son ami  François Legueu : " mentor financier, hommage d'un mini - historien et ami de toujours, automobileclubment à lui, Morand. Deux annotations au stylo bille noir du dédicataire sur la dernière garde du premier volume. Dos du second volume légèrement insolé, agréable ensemble.

      [Bookseller: Librairie Le Feu Follet]
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        EUREKA 01-68 RILEGATURA EDITORIALE

      EDITORIALE CORNO, 1967-71. EUREKA rivista di attualità, costume e fumetto sequenza completa dal n. 1 al n. 68 Editoriale Corno 1967-1971 cart. ed. 20 x 27 cm b/n e col. Stato di Conservazione: DA EDICOLA! Con le rarissime rilegature editoriali 1967-68, 1969, 1970 1 e 2, 1971 1 e 2 (6 volumi) con gadget nei seguenti numeri: n. 6 - poster di Andy Capp n. 20 - poster de L'amministratore fiduciario (Maxmagnus di Secchie Magnus) n. 24 - poster di Perkins n. 26 - poster di Virus Psik n. 31 - miniposter di Maxmagnus/Alley Oop n. 32 - miniposter di Perkins/Tommy Wack n. 66 - poster Maxmagnus Epopea

      [Bookseller: Supergulp di Rem Srl]
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        Le lettrisme devant Dada et les nécrophages de Dada !

      Centre de créativité, 1967. - Centre de créativité, Paris 1967, 14,5x22,5cm, broché. - Prima edizione, una delle 50 copie numerate su Arches testina di stampa. La nostra copia è piena di disegno originale firmato da Maurice Lemaître. Esemplare raro e bello. - [FRENCH VERSION FOLLOWS] Edition originale, un des 50 ex numérotés sur Arches, tirage de tête. Notre exemplaire est bien complet du dessin original signé par Maurice Lemaître. Rare et bel exemplaire.

      [Bookseller: Librairie Le Feu Follet]
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        Eine Geschichte von der Wahrheit.

      (München,) Hanser 1967, 4°, anthrazitfarb.genarbt.Lederband m.farbigen Intarsien a.beiden Deckeln, silberfarb.RTitel u.Halblederkassette (sign.:Legatoria Artistica Ascona Entwurf Mary Horstschulze Ascona).77 S., 11 ganzs.Or.-Radierungen v.Wilfried Blecher.(3.Hanser-Pressendruck).Spindler 63,3.Druck der Stamperia Valdonega nach Angaben von G.Mardersteig in der Dante-Antiqua auf Handbütten in 190 num.Expl., Druckvermerk v.Künstler signiert.Beeindruckende Arbeit der bekannten Einbandkünstlerin, die Deckelverzierungen nehmen Motive der Textillustrationen auf.Kassettenrücken gering berieben.

      [Bookseller: Antiquariaat DIE SCHMIEDE]
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        Keziah Dane.

      New York: The Macmillan Company,, 1967. Octavo. Original red cloth, spine lettered in gilt, top edge blue. With the dust jacket. Top edge slightly faded. An excellent copy in the bright dust jacket with a portion of water-staining to spine on verso, not perceptible on recto. First edition, first printing of Grafton's first book. With two original photographs of the author laid in, one in colour (94 × 50 mm) and the other in black and white (73 × 44 mm).

      [Bookseller: Peter Harrington]
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        The Red and the White [Csillagosok, katonák] (Original artwork for the 1967 film)

      Budapest: Mafilm / Mosfilm, 1967. Original maquette for the Hungarian poster for 1967 film. A combination of original artwork (tempera paint) and applied lettering designs. Designed by Antal Révész. One of the masterpieces of Hungarian cinema. A Russian-Hungarian co-production, "The Red and the White" was originally commissioned to celebrate the 50th anniversary of the October Revolution in Russia in which the Bolsheviks seized power. However, Jancsó chose to set the action two years later in 1919 and showed Hungarian irregulars supporting the Communist "Reds" in fighting the Tsarist "Whites" as the two sides battled for control in the hills overlooking the Volga river. As well as deviating on the required setting, Jancsó also chose to use a radically different approach to the film than that expected. Rather than shooting a hagiographic account of the birth of Soviet communism, Jancsó produced a profoundly anti-heroic film that depicts the senseless brutality of the Russian Civil War specifically and all armed combat in general. 32 x 46.5 inches (81.5 x 118.5 cm). Very Good, with a few closed tears at the extremities, but no loss, quite bright and colorful overall.

      [Bookseller: Royal Books, Inc.]
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        Nociones de espacios normados

      Editorial Universitaria de Buenos Aires 1967 - Colección Ediciones Previas / Matemáticas. 361 p. 22,5 x 14,5 cm. Buen estado. Cubiertas rozadas. [Attributes: Soft Cover]

      [Bookseller: La Leona LibreRía]
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        Manuale di Epitteto con pagine dello stesso dalle Diatribe.

      Officina Bodoni, 1967. Cm. 25, pp. 197 (3). Leg. edit. in mezzo marocchino celeste con titoli in oro al dorso e fregio al piatto. Taglio di testa dorato. Entro custodia orig. in cart. decorato. Perfetta conservazione. Edizione a cura di Enzo Alfieri, composta nel carattere Centauro col torchio a mano di Giovanni Mardersteig. Tiratura limitata a 165 esemplari numerati (ns. n. 1) impressi su carta di Cernobbio. Cat. Mardersteig 149.

      [Bookseller: Studio Bibliografico Benacense]
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        Blanche ou l'oubli

      Gallimard, 1967. - Gallimard, Paris 1967, 14x20,5cm, broché. - Prima edizione, una delle copie del servizio stampa. Autografo Precious firmata dall'autore Françoise Sagan. Leggermente insolated, un piede traccia piegatura del primo piatto che comprende anche una lacrima, chiaro bagnatura a capo del secondo piatto. - [FRENCH VERSION FOLLOWS] Edition originale sur papier courant. Précieux envoi autographe signé de Louis Aragon à Françoise Sagan. Dos légèrement insolé, une trace de pliure en pied du premier plat qui comporte également une déchirure, une claire mouillure en tête du deuxième plat.

      [Bookseller: Librairie Le Feu Follet]
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        Sharon Tate (Original photograph shot for LIFE magazine in 1967)

      N.p.: N.p., 1967. Vintage double weight keybook photograph of Sharon Tate, shot in 1967 by photographer Curt Gunther, on assignment for LIFE Magazine as part of a piece on the film adaptation of Jacqueline Susann's "Valley of the Dolls." With a stamp crediting Gunther and a stamp for the LIFE magazine collection on the verso. Freelance photographer Curt Gunther came to the US from Germany in the late 1940s and earned a his reputation while photographing The Beatles' first North American tour in 1964. In his most successful years he worked freelance for many major magazines and newspapers. Gunther's shoot for LIFE magazine was designed to show Tate at home, in her daily life, and on the set. 8 x 10 inches (20 x 25 cm). Three keyhole punches along the left margin as called for. Near Fine.

      [Bookseller: Royal Books, Inc.]
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        Ernst Jünger Druckvorlage \"Carabus Rutilans\"

      [Biberach/Wilflingen], [1967/68]. (5) 42 Seiten Typoskript (5) 42 Seiten Typoskript (41 paginierte Blatt plus betiteltes Deckblatt), original Druckvorlage von Heinz Saueressig für die Privatdruckausgabe Biberach (MÜhleisen 0146) mitsamt den für dieses äusserst seltene Ausgabe typischen Setzfehler.- Dazu Hektographie der gesamten Vorlage, offensichtlich Überschussexemplar, das nicht mehr als Privatdruck gebunden wurde.// interner Vermerk kxx Versand D: 4,99 EUR

      [Bookseller: Wimbauer Buchversand]
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        Les Temps Situationistes. International Parisian Edition.

      Jacqueline de Jong,, Paris,, 1967 - Consists 33 original lithographies by 33 artists in 4 colours. ( incl. the cover) 2000 expl. Some names: Alechinsky, Bertholo, Buri, Engelman, Asger Jorn, Topor. Dedication and drawing on first paper: ' Paris. Voor Wout Woltz met veel liefs van Jacqueline'. (=Jacqueline de Jong) VG

      [Bookseller: adr. van den bemt]
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        When Marnie Was There

      Collins 1967 - 1967 Collins Hardcover 1st Edition 1st Impression. Near fine clean tight binding in very good+ unclipped dustjacket. Wonderful jacket design & illustration by Peggy Fortnum. [Attributes: First Edition; Hard Cover]

      [Bookseller: MacKellar Art & Books]
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        Lolita. [In Cyrillic.]

      New York: Phaedra Inc., Publishers,, 1967. Octavo. Original black and white wrappers, title to front cover in multicolours and to spine in green. A little rubbing to spine panel and extremities, a couple of light creases to wrappers, a few faint spots to edges of text block. An excellent copy. First edition in Russian, first issue: Juliar's issue "a", in wrappers (issue "b" was published in pink cloth, with three cancel leafs). The translation was the only one prepared by Nabokov himself and includes a postscript by him that appears only in this edition.

      [Bookseller: Peter Harrington]
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        Le Samourai (Collection of 8 French reference photographs from the 1967 film)

      N.p.: N.p., 1967. Collection of 8 single weight borderless reference photographs from the French release of the 1967 film. Arguably Jean-Pierre Melville's crowning achievement (though we feel there are no low points among his crime films), wherein Delon plays an icy hitman who is utterly anonymous, living alone in a single bedroom apartment with only a small bird in a birdcage for company. Things are fine, and then he meets a woman. 9.5 x 8 inches (25 x 20 cm). Near Fine. Criterion Collection 306. Buss, p. 201.

      [Bookseller: Royal Books, Inc.]
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        Ice Station Zebra (Original screenplay for the 1968 film)

      Culver City, CA: Metro-Goldwyn-Mayer [MGM], 1967. Revised draft script for the 1968 film. Copy belonging to an uncredited crew member, with notations in holograph pencil on the versos of pages throughout, mostly numeric notations, with a few pages noting on-the-set supplies, and some personal notations. Based on Alistair MacLean's 1963 novel of the same name. Commander James Ferraday (Hudson) receives orders to rescue the crew of Ice Station Zebra, a weather station located at the North Pole. David Jones (McGoohan), a British civilian, Captain Anders (Brown), a Marine with a platoon of troops, and Boris Vasilov (Borgnine) accompany Ferraday on the nuclear submarine USS Tigerfish. But once arrived at the station, not all is as it seems, and someone will do anything to interfere with the mission. Nominated for two Academy Awards, Best Cinematography and Best Effects. Set the Arctic Circle, shot on location in California. Goldenrod titled wrappers, rubber-stamped copy No. 170, dated June 14, 1967, with credits for director Sturges, producer Martin Ransohoff, and writer Douglas Heyes. 189 leaves, with last leaf of text numbered 203. Mimeograph, dated variously between 4/28//67 and 6/30/67, with blue and gray revision pages throughout, dated variously between 6/27/67 and 7/3/67. Pages Very Good plus, wrapper Near Fine, bound with two gold brads. Weldon (1996), p. 281.

      [Bookseller: Royal Books, Inc.]
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        Nietzsche, Friedrich Werke Kritische Gesamtausgabe [Works: Complete Critical Edition] NIETZSCHE BRIEFWECHSEL (complete) Kritische Gesamtausgabe set of 51 bde.

      , Berlin, New York, Walter de Gruyter, 1967. -2000. Orig. cloth. 51 volumes. Title labels with gilt text on spines. With dustjackets. - Werke: I1, I2, I4, II1, II2, II3, II4, II5, III1, III2, III3, III4, III5/1, III5/2, IV1, IV2, IV3, IV4, V1, V2, VI1, VI2, VI3, VI4, VII1, VII2, VII3, VII4/1, VII4/2, VIII1, VIII2, VIII3. Briefwechsel: I1, I2, I3, I4, II1, II2, II3, II4, II5, II6/1, II6/2, II7/1, II7/2, III1, III2, III3, III4, III5, III6. (small signs of use, few d.j. very sl. dam., good set).*Werke, Weitergeführt von Wolfgang Müller-Lauter und Karl Pestalozzi. Briefwechsel, Weitergeführt von Norbert Miller und Annemarie Pieper.Friedrich Nietzsche Januar 1887 - Januar 1889 .Unter Mitarb. v. Anania-Hess, Helga. 1984. IV, 436 S. Ln. Nietzsche, Friedrich: Werke Kritische Gesamtausgabe 9 Abt. (ca. 40 Bde.). Abt 1: Hrsg. v. Figl, Johann.Bd 1: Nachgelassene Aufzeichnungen (Anfang 1852 - Sommer 1858) Bearb. v. Figl, Johann. Unter Mitarb. v. Hödl, Gerald. 1995. XIV, 397 S. Ln. ;Bd 2: Nachgelassene Aufzeichnungen (Herbst 1858 - Herbst 1862) Bearb. v. Hödl, Hans Gerald. Unter Mitarb. v. Rath, Ingo W.2000. IX, 528 S. 3 Abb. Ln;Bd 4: Nachgelassene Aufzeichnungen (Herbst 1864 - Frühjahr 1868) Bearb. v. Rath, Ingo W.1999. XIII, 586 S. Ln; Abt 2: Hrsg. v. Bornmann, Fritz. Bearb. v. Bornmann, Fritz / Carpitella, Mario. Bd 1: Philologische Schriften (1867 - 1873) 1982. X, 379 S. Ln.;Bd 2: Vorlesungsaufzeichnungen (SS 1869 - WS 1869/70). Anhang: Nachschriften von Vorlesungen Nietzsches 1993. XII, 446 S. Ln. ;Bd 3: Vorlesungsaufzeichnungen (SS 1870 - SS 1871) 1993. VI, 441 S. Ln ;Bd 4: Vorlesung saufzeichnungen (WS 1870/71 - WS 1874/75) 1995. VI, 637 S. Ln. ;Bd 5: Vorlesungsaufzeichnungen (WS 1874/75 - WS 1878/79) 1995. VI, 527 S. Ln. ;Abt 3: Bd 1: Die Geburt der Tragödie. Unzeitgemäße Betrachtungen I - III (1872 - 1874) 1972. IV, 427 S. Ln.;Bd 2: Nachgelassene Schriften 1870 - 1873 .1973. VIII, 394 S. Ln. ;Bd 3: Nachgelassene Fragmente Herbst 1869 - Herbst 1872. 1978. IV, 448 S. Ln; Bd 4: Nachgelassene Fragmente Sommer 1872 - Ende 1874 1978. IV, 464 S. Ln. Bd 5: Kohlenbach, Michael / Haase, Marie-Luise: Nachbericht zur dritten Abteilung. Erster Halbband: Kritischer Apparat: Die Geburt der Tragödie. Unzeitgemäße Betrachtungen I - III. Nachgelassene Schriften 1870 - 1873. Zweiter Halbband: Kritischer Apparat: Nachgelassene Fragmente Herbst 1869 - Ende 1874. Beschreibung der Manuskripte. Erläuterungen. Hrsg. v. Groddeck, Wolfram / Kohlenbach, Michael. Unter Mitarb. v. Kuhn, Elisabeth / Götz, Frank. 1997. 2 Halbbde. Zus. 1704 S. Ln. Abt 4: Bd 1: Richard Wagner in Bayreuth (Unzeitgemäße Betrachtungen IV). Nachgelassene Fragmente Anfang 1875 - Frühling 1876 1967. IV, 366 S. Ln. ;Bd 2: Menschliches, Allzumenschliches. Erster Band. Nachgelassene Fragmente 1876 - Winter 1877/78 ,1967. IV, 586 S. Ln.; Bd 3: Menschliches, Allzumenschliches. Zweiter Band. Nachgelassene Fragmente Frühling 1878 - November 1879 .1967. IV, 482 S. ;Bd 4: Montinari, Mazzino: Nachbericht zur vierten Abteilung. Richard Wagner in Bayreuth. Menschliches, Allzumenschliches I u. II. Nachgelassene Fragmente (1875 - 1879),1969. VIII, 615 S. Ln. Abt 5: ;Bd 1: Morgenröthe. Nachgelassene Fragmente Anfang 1880 - Frühjahr 1881 .1970. IV, 772 S. Ln,; Bd 2: Idyllen aus Messina. Die fröhliche Wissenschaft. Nachgelassene Fragmente Frühjahr 1881 - Sommer 1882 1973. VIII, 587 S. Ln. Abt 6: Bd 1: Also sprach Zarathustra. Ein Buch für Alle und Keinen (1883 - 1885) 1968. IV, 410 S. Ln.;Bd 2: Jenseits von Gut und Böse. Zur Genealogie der Moral (1886 - 1887) . 1968. IV, 436 S. Ln. Bd 3: Der Fall Wagner. Götzen-Dämmerung. ? achgelassene Schriften (August 1888 - Anfang Januar 1889): Der Antichrist. Ecce homo. Dionysos-Dithyramben. - Nietzsche contra Wagner .1969. IV, 449 S. Ln. Bd 4: Haase, Marie-Luise / Montinari, Mazzino: Nachbericht zum ersten Band der sechsten Abteilung. Also sprach Zarathustra,1991. X, 988 S. 40 Faks. Ln. Abt 7: Bd 1: Nachgelassene Fragmente Juli 1882 - Winter 1883 - 1884 .1977. VIII, 743 S. Ln; Bd 2: Nachgelassene Fragmente Frühjahr - Herbst 1884 .1974. IV, 323 S. Ln; Bd 3: Nachgelassene Fragmente Herbst 1884 - Herbst 1885 .1974. IV, 472 S. Ln; Bd 4: Montinari, Mazzino: Nachbericht zur siebenten Abteilung .Unter Mitarb. v. Haase, Marie-Luise. ; Bd 4.1: Nachgelassene Fragmente Juli 1882 - Winter 1883/84 .1984. X, 381 S. Ln; Bd 4.2: Nachgelassene Fragmente Frühjahr 1884 - Herbst 1885 .1986. X, 712 S. 32 Taf. Ln. Abt 8: Bd 1: Nachgelassene Fragmente Herbst 1885 - Herbst 1887 .1974. XII, 367 S. Ln. Bd 3: Nachgelassene Fragmente Anfang 1888 - Anfang Januar 1889 .1972. X, 481 S. Ln. Abt 9: Der handschriftliche Nachlaß ab Frühjahr 1885 in differenzierter Transkription. Hrsg. v. Haase, Marie-Luise / Kohlenbach, Michael. Bd 1: Bd. 1. Notizheft N VII 1. Bd. 2. Notizheft N VII 2. Bd. 3. Notizheft N VII 3. Notizheft N VII 4 .Bearb. v. Haase, Marie-Luise / Kohlenbach, Michael / Neininger, Johannes / et al.

      [Bookseller: Erik Tonen Books]
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        Lolita

      Phaedra Publishers, New York 1967 - 8vo. 1st edition in Russian, hardcover issue, with three cancels (Juliar A28.7). Text in Russian. Slight soiling to front joint. Mild toning to leaves. Light rubbing to dust jacket panels and joints. Very small closed tear and crease to top of d.j. rear panel. Minor toning to d.j. overall. NF/VG. [Attributes: First Edition; Hard Cover]

      [Bookseller: Strand Book Store, ABAA]
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        The Outsiders.

      Viking Press, New York 1967 - First edition of the author's classic first book. Octavo, original black. Inscribed by the author on the front free endpaper in a contemporary hand, "I hope you enjoy my book! Best wishes, Susie Hinton." Fine in near fine dust jacket with some light wear to the extremities. Published when she was only 18, Susan Eloise Hinton’s first book was praised as "an impressive performance a book alive with the fresh dialogue of her contemporaries" (New York Times). It was the basis of the acclaimed Francis Ford Coppola film, starring Tom Cruise, Rob Lowe and Diane Lane. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Raptis Rare Books, ABAA/ ILAB]
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        1967 Roy Lichtenstein Brushstrokes at Pasadena Art Museum Serigraph

      1967 - "Brushstrokes at Pasadena Art Museum" by Roy Lichtenstein, Unsigned Serigraph printed in 1967 from an edition size of 1000. The overall is size of the Serigraph is 25 x 33 inches. The condition of this piece has been graded as B: Very Good Condition, with signs of handling or age. Here is some supplemental information about the Serigraph: Exhibition poster, designed for Pasedena Art Museum April 18- May 28, 1967 and Walker Art Center June 23- July 30, 1967. Corlett cat. no. III.22, Published by Poster Originals, Ltd, NY, Produced by Aetna Silkscreen Products in New York. [Attributes: Signed Copy]

      [Bookseller: Rare Posters]
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        THE SHADOW ON THE MOOR

      Private Printed By Benham and Company Limited, Colchester 1967 - THE RAREST BOOK ILLUSTRATED BY "B.B.", first illustrated edition, limited to 200 copies, this copy number 197, 6 full-page engraved illustrations by "B.B.", inscribed in ink on front endpaper "Joe from Hughie and Jubie", original plum cloth, privately printed 1967. This charming ghost story was written by Alan, 8th Duke of Northumberland and published in 1930. As stated in the preface his son Hugh, 10th Duke, decided with his friend Col C. G. Lancaster to reprint the book in a small limited edition for their friends. Almost certainly it woulld have been Col Lancaster who owned Kelmarsh Hall, Northamptonshire, near to the home of B.B., who would have suggested commisioning him to illustrate the book. The book was never made available to the general public. Size: 7.5. x 5 Inches [Attributes: First Edition; Hard Cover]

      [Bookseller: Old Hall Bookshop, ABA ILAB PBFA BA]
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