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Displayed below are some selected recent viaLibri matches for books published in 1967

        Howl and other Poems

      San Francisco: City Lights, 1967. Eighteenth Printing. Number Four in The Pocket Poets Series. 44pp. 12mo. Wrappers. Eighteenth Printing. Number Four in The Pocket Poets Series. 44pp. 12mo. Inscribed on title-page :"Hugo/Allen Ginsberg/near Primrose Hill." With drawing of a flower by Ginsberg.

      [Bookseller: James Cummins Bookseller]
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      LE MONNIER, 1967. ITALIANO 0,28 Due volumi di tre, con brossure editoriali morbide, illustrate, ingiallite ai dorsetti ed ai bordi, con sottile fioritura, macchia al piatto anteriore del fasc.4 e con segni di usura da scaffalatura, pagine brunite attorno ai testi da fattore tempo, quelle del vol. 4 molto più brunite e con tavola in nero fuori testo USATO

      [Bookseller: Biblioteca di Babele]
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        Maigret e la ballerina

      ARNOLDO MONDADORI EDITORE, MILANO 1967 - Le inchieste del Commissario Maigret ITALIANO Volumetto brossurato in cartoncino semi rigido, con copertina illustrata. Pagine in buono stato, con bruniture, come ai tagli. Traduzione di Elena Cantini. Volume n. XLVII ( 47 ) della collana. [Attributes: Soft Cover]

      [Bookseller: Biblioteca di Babele]
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        Yitzhak Rabin

      August 16, 1967. Illustrated philatelic sheet, 8.75” x 11.5”, museum quality framed to 23" x 19", signed <i>“Y. Rabin”</i> in Hebrew. Jerusalem, August 16, 1967. In a special 9” x 11.5” Israel Defense Forces (IDF) folder. Fine condition.<br /><br />Ancient depiction of Jerusalem at top center. All text in Hebrew. Headed, “Honor and Glory to the GeneralsVictory / The Six-Day War / 1967.” Statement by Lieutenant General Yitzhak Rabin beginning, “Now, with the cease fire…” Three Israeli stamps issued to honor the victory of the Israeli forces in June 1967 affixed, postmarked first day of issue in Jerusalem, August 16, 1967, “Day of Issue.” 0.40 stamp depicts Israeli ships in the Straits of Tiran, blockaded by Egypt before the war. 0.15 stamp depicts the Star of David, a sword, and an olive branch, the symbol of the Israel Defense Forces. 0.80 stamp depicts the Wailing (Western) Wall in unified Jerusalem. The tabs beneath the 0.40 and 0.80 stamps also depict the I.D.F. symbol.<br />

      [Bookseller: University Archives]
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        James and the Giant Peach

      George Allen & Unwin, London 1967 - Signed by Dahl on the front flap.This British first edition followed the US edition. Like the Charlie books, George Allen & Unwin published this book in pictorial boards with no dustjackets. The cellophane has gone from around the spine and there is resultant damage. Hence the reduced price. I have collected Dahl books for years (many are signed) and I am now selling them. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Bounteous Ltd]
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      B.G.TEUBNERI, 1967. LATINO 0,47 Pagine in buonissimo stato di conservazione, rilegatura editoriale in tutta tela azzurra, con titoli neri e lievi segni di usura ai bordi, dorso leggermente ingiallito e con piccole tracce di umidità, velo di polvere ai tagli USATO

      [Bookseller: Biblioteca di Babele]
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      First edition, one of 310 numbered copies on "pur-fil" paper, only leading copies with 80 Holland paper. Gallimard Paris 1967 14,5x21cm relié

      [Bookseller: Librairie Le Feu Follet]
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        Umanesimo e Rinascimento

      IL SAGGIATORE, MILANO 1967 - L' universo del conoscere ITALIANO Brossura editoriale in cartoncino semi rigido , con copertina illustrata. Pagine in buonissimo stato, con LXVI ( 66 ) illustrazioni a colori e in nero, nel testo e fuori. Traduzione di Gabriella Antonelli. Volume n. XXIV ( 24 ) della collana. [Attributes: Soft Cover]

      [Bookseller: Biblioteca di Babele]
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        Where Time Has Stopped

      Kashima Kenkyujo Shupankan, [1967]. Near fine. First Edition 11 3/4 x 8 inches, 204 pages, cloth, slight fading to cloth at spine, With illustrated cardboard slipcase and acetate cover containing printed text. Book contains 134 reproductions from color and black and white photographs by Narahara taken in Europe in the early 1960s. Book contains three gatefold leaves.

      [Bookseller: Dawson's Book Shop]
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        Ronald Reagan &#151; The Great Communicator &#151; Shares His Love of Horses with a Little Girl Who Wants One

      1967 - Autograph Letter Signed with Initials, to Carol ?, ca. 1967-1975. 2 pp., 6 x 9 in. "Horses have been a large part of my life and I love them as much as you do. Being a father myself I know how very much your father would like to be able to help you realize your dream but sometimes we have to wait for the good things. If it will help to know this I didn't have a horse of my own until after I was grown up. You'll do better than that so keep on riding & studying." Complete TranscriptDear Carol I certainly can understand how you feel. Horses have been a large part of my life and I love them as much as you do. But your father has brought up a very important point. They can't be stored away in a garage like a bike until you feel like going for a ride and there is an ongoing expense day in & day out. Unfortunately we have had to sell our ranch so I cant be of help in the way you suggested. But let me make some other suggestions. First of all not owning a horse needn't keep you from riding and learning about horses. As a matter of fact in the cavalry (which is where I learned to ride) you weren't assigned a single horse of you own until you'd learn to ride on many different horses-a different one every day. You have many years ahead of you to enjoy riding & to have your own horse. Indeed you'll know too the sorrow of saying goodby because we do outlive our horses. Now and for the next few years why don't you go to a stable-(you probably ride at one now). Ride many horses, learn to know their differences & learn all you can about their care. Then when you are a few years older you might discover you can have a horse of your own and you'll know better the exact kind of horse you want. At that time you can very probably make an arrangement with some one or some stable so that you can board or pasture your horse in return for helping with theirs. You'll know enough about the care of horses so that you'll have something to offer. Being a father myself I know how very much your father would like to be able to help you realize your dream but sometimes we have to wait for the good things. If it will help to know this I didn't have a horse of my own until after I was grown up. You'll do better than that so keep on riding & studying. Kindly, RRHistorical BackgroundLikely written while he was governor of California, this letter from Ronald Reagan consoles a girl whose father has refused to allow her to get a horse. With an understanding tone, Reagan points out the practical reasons for not owning a horse at that time, and then assures his young friend that she will own a horse someday. Reagan concludes his letter by reminding her that fathers only want what is best for their children.Clearly, the "Great Communicator" had already developed an effective public relations approach well before becoming president. Reagan showcases his highly attuned communication skills by relating to Carol personally about their mutual love of horses. His fiscal conservatism, a hallmark of Reagan's later presidency, comes through in his comments about the expenses of owning a horse, as does his belief in the importance of voluntarism, when he advises Carol to learn about horses by working at a stable.Reagan also references his time in the cavalry. In 1935, he enrolled in a series of Army Extension Courses completed at home. In 1937, he enlisted in the Army Reserve as a Private in Troop B, 322nd Cavalry at Des Moines, Iowa. A month later, he was appointed a second lieutenant in the Officers Reserve Corps. Later that year, he moved to Los Angeles to begin his film career, and he accepted his Officer's Commission in the 323rd Cavalry. He was called to active duty in April 1942, but poor eyesight left him fit for limited service. He later transferred to the Army Air Forces, where he made public relations and training films.Ronald Reagan (1911-2004) was born in Illinois and graduated from Eureka College in 1932. After workin. (See website for full description)

      [Bookseller: Seth Kaller Inc.]
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        Modern Art Poster 1967

      Leo Castelli Gallery, New York 1967 - An early Lichtenstein silkscreen print in red yellow and blue on wove paper. Corlett II.8 This copy a proof aside from the signed numbered edition of 300, not signed. Approx 9 x 11 3/4 inches. A few soft handling creases. A lovely example of an early vibrant Lichtenstein silkscreen. *NOT A BOOK* [Attributes: Soft Cover]

      [Bookseller: MODLITBOOKS]
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        Aesop's Fables. A new translation by V. S. Vernon Jones with an introduction by G. K. Chesterton.

      London: William Heinemann, 1967 - Small quarto. Finely bound by Bayntun in tan calf, morocco title labels crimson and green, titles and extra decoration to spine gilt, raised bands, twin rule to boards gilt, inner dentelles gilt, marbled endpapers, gilt edges. An excellent copy. With 12 colour illustrations and numerous black and white drawings. First published in 1912. A handsomely bound copy.

      [Bookseller: Peter Harrington. ABA member]
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        Exceptional collection of books and ephemera relating to and published by the celebrated French luxury brand.

      Paris: Hermès,, 1967-2016. Approximately 210 pieces, various formats, books, brochures and periodicals from small octavo to large square quarto. The entire collection in excellent condition overall. The entire collection in excellent condition overall. Superbly wide ranging and cogently assembled archive of material relating to the celebrated French luxury brand, including some fine original artwork by Hermès scarf designer Dominik Jarlegant, inscribed books containing original sketches by artists Hubert de Watrigant, Philippe Dumas and Kermit Oliver, many lavishly produced monographs, brochures, related ephemera and a number of the famous orange boxes, all reflecting the highest production values associated with the house of Hermès. In 1837 Thierry Hermès established a high-end harness manufactory in the Grands Boulevard quarter of Paris. His son, Charles-Émile succeeded to the business and, in 1880, moved the shop to the fashionable rue du Faubourg Saint-Honoré, where it remains to this day. With the assistance of his sons, Charles-Émile broadened the business to include saddlery and established it as one of the great luxury brands of the late 19th century, numbering the tsar of Russia among its clients. At the beginning of the 20th century Hermès secured exclusive rights to use the recently refined zip fastener in clothes and leather goods, which became known in France as the fermeture Hermès. The brand went from strength to strength, opening branches in the United States in the 20s and, in the 30s, introducing to their catalogue handbags, women's couture, the "chaîne d'ancre" bracelet, timepieces and their signature and renowned range of scarves. The early 50s saw the introduction of the company logo of the Duc-carriage-with-horse and instantly recognisable orange paper boxes. 45 books; 32 Hermès magazines; 3 framed and glazed original artworks; 9 original boxes; a substantial collection of ephemera, including very scarce items available only in-house or as corporate gifts to clients. A complete list is available on request. Highlights include: JARLEGANT, Dominik. Three original designs signed by Hermès scarf artist Dominik Jarlegant, framed and glazed: two original finished pencil and watercolour drawings for "Tuiga" and "Claque au Vent" (measuring respectively: image 300 x 300 mm, overall 450 x 450 mm; 350 x 350 mm, 450 x 450 mm). An original pencil sketch showing block and tackle, ropes and a nautical flag, elements used in the design issued as "Tuiga" (200 x 200 mm; 360 x 330 mm), Acquired directly from the artist, the two watercolours carrying his signed certificate of authentication. MENCHARI, Leïla. The Hermès Shop Windows: Tales of a Wanderer. Text by Michèle Gazier. Preface by Michel Tournier. Translated by Cynthia Hope Liebow. Paris: Imprimerie Nationale, 2000 Quarto. Original sage-green cloth, spine and front cover lettered in gilt. With the dust jacket. Illustrated throughout in colour. First edition, first impression. Much sought after amongst Hermès aficionados, this showcase volume catalogues the celebrated window displays by Leïla Menchari for Hermès' flagship store at 24 rue du Faubourg St-Honoré. Captured in sumptuous full-page and double-spread photographs, the themed displays include unique and extravagant Birkin and Kelly handbags, saddles and scarves. DUMAS, Philippe. Fils Hermès. Paris: Brunet Elizabeth, 2007 Octavo, paperback. Original cellophane wrapper. First edition, first impression, decidedly uncommon: issued in a putative edition of 150 copies. This book tells the story of Hermès "from the inside", providing insights into the origins and evolution of the house, the demanding quality standards and the creative influences in its goal to create objects which are both functional and beautiful. Written and copiously illustrated by Philippe Dumas, member of the Hermès family, scarf designer and illustrator of the Hermès website and numerous Hermès publications. Philippe, brother of Jean-Louis Dumas, one of the great leaders of the house, tells the story of Hermès over several decades through touching, funny or revealing stories known only to a family "insider". WATRIGANT, Hubert de. Passion Cheval. Lausanne: Éditions les Trois Crayons, 2012 Square quarto. Original black boards. With the dust jacket. Illustrated throughout in colour and monochrome. First edition. Presentation copy from the author, inscribed on a preliminary blank: "To Sam (again) with all my pleasure to do (again) this drawing. With all best wishes. Hubert de Watrigant", accompanied by a superb original thumbnail equestrian sketch. Hubert de Watrigant is one of Hermès major scarf designers and an artist with an international reputation for his equestrian and bullfighting paintings. WATRIGANT, Hubert de. Colores. Bordeaux: Art et Aficion, 2014 Square quarto. Original black boards. With the dust jacket. Illustrated throughout in colour. First edition. Presentation copy from the author, inscribed on the verso of the front free endpaper: "Londres 15 v 15 To Sam con abrazo fuerte con todo agradecimiento [with a big hug and all thanks] Hubert de Watrigant", accompanied by a fine original pencil sketch of a bull. DUMAS, Philippe. L'Equitation et l'Ecole espagnole de Vienne. Paris: Flammarion/ éditions du chat perché, 1980 Square quarto. Original pictorial boards. Illustrated throughout with line drawings by Philippe Dumas. First edition. Presentation copy, inscribed on the dedication page (opposite title): "A Jean Saclier le livre qu'il a lu au grand galop [the book that he read at a great gallop], Ph Dumas", accompanied by an amusing original thumbnail sketch of a horseman reading a book astride a galloping horse. DUMAS, Phillipe. À Cheval: la passion de l'art équestre. Paris: Archimède/ l'ecole des loisirs, 2002 Square quarto. Original pictorial boards. First edition. Presentation copy from the author, inscribed on the half-title: "A Sam qui aime les chavaux – avec un gros baiser de l'auteur, Ph Dumas", accompanied by a superb original drawing filling the page, of a female figure flanked by horses, highlighted with red pencil and green ink. DUMAS, Alice. Hermès Crafts Illustrated. Paris: Hermès, 1995 Small landscape octavo. Pictorial wrappers. Illustrated throughout by the author. First edition. Presentation copy from the author, inscribed on the front free endpaper: "Pour Monique qui a choisi le bon parfum, avec les compliment d'Alice Dumas Sept '95". A particularly elusive title. Alice Dumas was the great-granddaughter of Emile Hermès, grandson of the founder of the Hermès dynasty. CATALOGUES: substantial run of Hermès' twice yearly full-colour catalogues of new scarf issues and re-issues in all formats. These periodicals form an essential archive of scarf releases for the collector and are highly sought after. This collection spans more than 26 years and includes all catalogues from Autumn/Winter 1991 onwards plus Autumn/Winter 1989 and Autumn/Winter 1990. Also included are the supplementary scarf story booklets and a number of booklets or cards concerning special issue scarves and special formats. DUMAS, Philippe, & Ionic Parlier. Robidu. Paris: Hachette literature, 1972 Landscape octavo. Original cream-coloured rough cloth. With the (torn) dust jacket. First edition. Presentation copy from the author, inscribed amusingly on the half-title: "Pour Rani et Mich en m'excusant de la betise totale de ce livre. Avec l'indestrucible affection de Ionic [apologizing for the total stupidity of this book. With the indestructible affection of Ionic]", accompanied by a delightful signed pen and ink sketch by Philippe Dumas, showing the hero of the book wearing a dunce's cap (marked "ane" – "ass"). KERMIT OLIVER. Small archive of two original sketches, autograph letters and notes, and photocopies of drawings. Kermit Oliver, a native of Texas and the only American artist to be commissioned by Hermès, is one of their most celebrated scarf designers, specialising in flora and fauna and subjects relating to Native Americans. A famously private man, he continued his work as a postal worker whilst working for Hermès, and the two original sketches here date from when his US Postal Service depot was earmarked for closure. Original drawings: 1. reproduction of a late 19th-century drawing of a Bacchanale, to which Oliver has skilfully added the incongruous figure of a girl in cowboy boots waving at a USPS campervan waiting at the kerb for the Bacchanale to mount up (145 x 265 mm); 2. original sketch in purple ink of the employees of a USPS depot looking into the back of a truck containing a solitary crate (170 x 220 mm). Provenance: obtained directly from one of Oliver's co-workers at the USPS. Together with a copy of: WARDLAW, Alvia J.. Notes from a Child's Odyssey: The Art of Kermit Oliver. Houston: The Museum of Fine Arts, 2005 Square octavo. Original cream-coloured cloth, window-cut front cover with framed image mounted on following leaf. Illustrated throughout in colour. First edition, first printing, of this attractively produced exhibition catalogue. JOUBIN, Arnault. La selle Hermès. Paris: Editions du collectionneur, 1993 Square quarto. Original black cloth, title embossed on front cover. With the dust jacket. Illustrated throughout in monochrome and colour. First edition, first impression. Uncommon and handsomely produced study devoted to Hermès saddlery. Hermès consider that their first client was the horse and the company nods to its origins throughout its diverse product range where the imagery of the horse, saddle and tack abound, where bags like the Birkin and Kelly are handmade using saddle stitch and the opening of a new store is marked by the passage of a horse into the store as the first to cross the threshold. This volume pulls back the curtain to reveal a rich history and gives a behind-the-scenes view of a fundamental part of the illustrious house of Hermès. CHAR, Marie, & Michèle Gazier. Orient- Hermès: Voyages de Leïla Menchari. Preface de Fréderic Mitterand. Paris: Éditions des Busclats, 2010 Square quarto. Paperback. First edition, first impression. Exhibition catalogue to accompany the "Orient-Hermès" show at the Institut du Monde Arabe. The exhibition showcased examples of Leïla Menchari's celebrated Hermès shop windows which were inspired by and drew upon Middle-Eastern themes and influences. COLLECTION of Hermes' publications on how to tie your Hermès scarf, includes two volumes (1998 hardback and 2002 paperback) in signature Hermès orange; Post Scarves, How to Tie booklets, Soie Folle, Folle de Soie, Paris Mon Ami and numerous other booklets. Together with all six issues of Hermès' Knotting Cards (all as new, cellophane sealed and presented in their orange Hermès boxes. All publications are instructional volumes on styling your Hermès scarf in diverse ways including headwear, neckwear, handbag adornment and as a garment and are fully illustrated showing the new season's scarves for the respective year of publication. J'AIME mon carré [I love my square]: Histoire des carrés – 2008 booklet collection (2 sets) Promotional package presented in a classic Hermès orange scarf box (with tissue packaging) – deeply uncommon on the market. Each package contains a series of 7 individual promotional booklets together with a sample of a classic Hermès scarf print. Since the samples are cut from real scarves every package would be entirely unique. The two examples offered feature "La Danse du Cheval Marwari" by Annie Faivre in blue and "Astrologie" by Francois Faconnet in peppermint and yellow. BUREN, Daniel. Photos-Souvenirs au carré. Paris: Éditions Xavier Barral, 2011 Square quarto. Original cloth.With the dust jacket and original Hermès orange box with tissue and ribbon. In 2009, Hermès invited artist Daniel Buren (born 1938) to design its emblematic silk scarves. Consisting of 365 unique pieces, Buren's series incorporates 22 of his Photos-Souvenirs, an archive of thousands of photographs that he has accumulated since the 1950s. BOLOFO, Koto. La Maison. Göttingen: Steidl, 2011 11 volume square octavo. Original boards. Housed in the original Hermès orange slipcase. Illustrated throughout in colour and monochrome. First edition, first impression. Presentation set from the author, inscribed in volume I "To Nicholas – Koto Bofolo, 21 January 2012". Superbly produced photographic chronicle, each volume devoted to a specific aspect of the Hermès brand. Koto Bolofo - South African born but British raised - met Hermès creative director Jean-Louis Dumas through their mutual love of horses and he was the first photographer to be granted unlimited access to the private workshops of Hermès. La Maison, itself an elaborate object comprising eleven volumes and the result of seven years' work, showcases Bolofo's painstaking documentation of the Hermès universe. A rare opportunity to acquire a fine and extensive archive of material relating to one of the great fashion houses of the world.

      [Bookseller: Peter Harrington]
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        Milton: A Poem.

      Clairvaux: The Trianon Press for The William Blake Trust, 1967 - Tall quarto. Original brown quarter morocco, marbled sides, titles gilt to spine, top edge gilt. Housed in the publisher's marbled slipcase. Trivial rubbing to ends, otherwise fine. Colour illuminated facsimiles achieved by collotype and stencil throughout. First edition thus, limited issue, publisher Arnold Fawcus's copy. Number 1 of 380 copies thus, from a total edition of 426 numbered copies printed on Arches rag paper to match that used by Blake. This copy, numbered 1 in the series, derives from the Trianon Press archive, from the estate of Trianon publisher and founder Arnold Fawcus. Blake's Milton is the second longest and penultimate of Blake's illuminated books, and contains the lyrics "And did those feet in ancient time." which would come to be sung as the hymn "Jerusalem". [Attributes: First Edition]

      [Bookseller: Peter Harrington. ABA member]
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        Master i Margarita: roman

      First printing in book form (Preceded only by its printing in two separate issues of the "Moskva" magazine (no. 11, 1966 and no. 1, 1967)). 219 pages.Volume is bound in its original printed wrappers, with black and red lettering to front cover. Book shows external wear, with top of spine cover detaching and loss of material visible at the lower outside corner of front cover. Detaching covers display very light soiling, with faint small water stains. Binding is beginning to crack between pages 16 and 17. Previous owner's name is written in ink at top of first blank page. Page 14 has a vertical marking across the center of page (without affecting text). Lightly age-toned pages are otherwise clean and without markings. Small tear can be seen in the fore edge margin of pages 135-136 (text unaffected). Photo of Bulgakov appears in the upper right corner of page 15.

      [Bookseller: Palimpsest Scholarly Books]
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        The Raswan Index and Handbook for Arabian Breeders. Volume I-VII.

      Acapulco/Mexico, Anthony, 1957-1967. - 7 vols. Original illustrated cloth/gilt embossed percaline. First editions, very rare. - Complete set of this famous reference work. No more than 380 copies were printed (and many destroyed by a flood); vols. III and V were limited to a press run of 250 and 284 copies, respectively. Raswan became an expert on the Arabian breed through his lengthy trips to the desert, where he lived with the Bedouins and learned their language and customs. - Some hinges split. All volumes save for VI and the posthumous VII numbered and signed by Raswan, mostly in the year of publication. In very good condition. [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH]
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        Manifesto 98 x 69 cm. dell'esposizione Lo spazio dell'immagine a Palazzo Trinci in Foligno 2 luiglio 1 ottobre 1967

      s.n, 1967. Exhibition Poster

      [Bookseller: Prometeo Libri]
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        Manifesto 59 x 41 cm. dell'Esposizione alla Modern Agency in Napoli dal 19 Aprile al 28 Maggio 1967

      Modern Agency, 1967. Exhibition Poster

      [Bookseller: Prometeo Libri]
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        A Hall Of Mirrors

      Boston: Houghton Mifflin(1967). 1st printing (stated) of the 1st edition, in 1st issue DJ. Author's first book. SIGNED by the author on the title page.William Faulkner Award for best first novel of the year and Houghton Mifflin Literary Fellowship Award winner. Made into a movie. Fine straight, clean and tight (probably unread) book with no handwriting in it other than the author's signature, in a Near Fine (close to Fine) price intact dustjacket with a few of the usual very small and faint toning spots this dustjacket gets to the upper edges and lower spine, and a bit of faint shelving rubbing to the lower back spine fold. No tears, chips or fading.Lovely example of this rather poorly produced book. ; 8-3/4" x 6"; 409 pages; Signed by Author, 10, 20, F/NF, LOC - 6711109

      [Bookseller: Authors & Artists]
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      [Bookseller: Need new Teeth]
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        Mauro Reggiani.

      Milano, Scheiwiller, 1967. In 16mo (cm. 16,4); copertina originale con sovraccoperta illustrata; pp. 92, (4). Con 23 tavole di opere di Mauro Reggiani. Fotografie Mazzitelli, Genova. Astuccio originale in cartoncino bordeaux. Una delle 100 copie numerate con una serigrafia originale firmata di Mauro Reggiani in occasione della sua mostra personale alla Galleria La Polena di Genova il 2 Dicembre 1967. Axs

      [Bookseller: Libreria Bongiorno Paolo]
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      SUGAR, 1967. ITALIANO 0,45 Premessa di Valerio Fantinel, n. 2 della collana, pagine brunite attorno ai testi causa tempo, brossura editoriale illustrata, ingiallita ai bordi e con lievi tracce d'uso USATO

      [Bookseller: Biblioteca di Babele]
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        Richard Oelze: Erdtiere I (Originalzeichnung)

      1967 - Bleistift auf Pergaminpapier 28,5 x 40 cm Studie zu &#132;Es gibt viele Enden der Welt&#147; Provenienz: Privatsammlung Literatur: Wieland Schmied (Hg.): Richard Oelze. 1900 -1980, Berlin 1987, Nr. S 59, Seite 271 Renate Damsch-Wiehager: Richard Oelze. Ein Alter Meister der Moderne, München 1989, Seite 96

      [Bookseller: Kunkel Fine Art]
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        Lord of Light

      Garden City NY: Doubleday and Company, 1967. First Edition stated on copyright page, no additional printings, $4.95 price on front dj flap; 8vo, navy cloth; vg (shelfworn; four small spots on rear board; spine ends and bottom corners bumped and rubbed; faint blue smudge on top edge) in vg dj (toned, esp. spine; rear panel dustsoiled; spine scraped; edges bumped and worn; creased at spine ends and corners); 257pp. Letter laid in from Ellen Asher of the Science Fiction Club to Roger Zelazny, dated 1982, concerning three possible errors she noticed in the text; Asher was inquiring if she should make corrections to these errors for the Special Cycle Selection 'Lord of Light' being released by the Science Fiction Club.. First Edition. Hard Cover.

      [Bookseller: Page One, Too; Antiquarian Books]
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        The Owl Service (Double Signed By the Author)

      The First UK Printing published by Collins in 1967. The BOOK is in Very Good++ condition. Light pushing at the spine ends. The silver titling remains bright. Light offsetting and spotting to the pictorial end papers. The text block is lightly toned and spotted. The page edges are lightly toned. Free from inscriptions and erasures. The WRAPPER is complete and is in Very Good++ condition. Mild edge-wear with a little loss at the upper spine. Some rubbing along the spine folds in places. A single piece of archival tape to the verso supporting a closed tear to the rear upper spine fold. Some age relating toning and marking to the rear cover and folds. The wrapper presents well in the removable Brodart archival cover. The book has been Signed by the author to the title page. Alan Garner has also inscribed the book on the half title ; 'For Brenda, from Alan'. The dedicatee of this inscription is a family relative and the book has been in their possession until recently. The author's classic novel of the supernatural, based on the Mabinogion's story of Lleu Llaw Gyffes and Blodeugerd which won the Carnegie Medal Literary Award. A very scarce title to find Signed. Collectible. Ashton Rare Books welcomes direct contact.

      [Bookseller: Ashtonrarebooks]
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      [Bookseller: La Palma 40]
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        The Third Policeman

      1967 - First edition. 8vo., original brown cloth, gilt. Dust jacket. London, MacGibbon & Kee. A near fine copy in dust jacket. [Attributes: First Edition; Hard Cover]

      [Bookseller: Maggs Bros. Ltd ABA, ILAB, PBFA, BA]
 27.   Check availability:     AbeBooks     Link/Print  

        The Lieutenant

      New York: Dial, 1967. First Edition. Hardcover. Near fine/near fine. First Edition. Hardcover. Author's first book. Slight shelf wear, several tiny chips at head of spine of dust jacket, chip at top front rear panel of dust jacket, dust jacket price clipped. Signed on title page.

      [Bookseller: Lyons Fine Books]
 28.   Check availability:     Biblio     Link/Print  


      Liviana Editrice, PADOVA 1967 - BIBLIOTECA DI CULTURA ITALIANO Pagine del volume ben conservate, con sottolineature a matita ed a penna. Presente bollo SIAE in rilievo al frontespizio e timbro di libreria alla carta di guardia anteriore. Scurimento ai tagli. Copertina flessibile con macchie di umidità più evidenti al dorso; quest'ultimo strappato alle estremità.

      [Bookseller: Biblioteca di Babele]
 29.   Check availability:     IberLibro     Link/Print  

        Parnaso italiano. Crestomanzia della poesia italiana dalle Origini al Novecento. Volumi I-XI

      Einaudi, I Millenni. Crestomanzia della poesia italiana dalle Origini al Novecento a cura di Carlo Muscetta. Volume I: Poesia del Duecento e del Trecento - Volume II: Dante Alighieri. La Divina Commedia. le Rime, i versi della Vita Nuova e le canzoni del Convivio - Volume III: Francesco Petrarca. Canzoniere, Trionfi, Rime varie e una scelta di versi latini - Volume IV: Poesia del Quattrocento e del Cinquecento - Volume V, 2 tomi: Ariosto. Orlando furioso, Le satire, I cinque canti e una scelta delle altre Opere minori - . Volume VI: Torquato Tasso. Gerusalemme liberata, Aminta, Rime scelte e versi dalla Gerusalemme conquistata dal Rinaldo e dal Mondo creato - Volume VII, 2 tomi: Poesia del Seicento - Volume VIII, 2 tomi: Poesia del Settecento - Volume IX: Giacomo Leopardi. Canti, Paralipomeni, Poesie varie, Traduzioni poetiche e Versi puerili - Volume X, 2 tomi, Poesia dell'Ottocento - Volume XI: Poesia del Novecento. Volumi a cura di Carlo Muscetta, Paolo Rivalta, Cesare Garboli, Daniele Ponchiroli, Luca Lamberti, Luigi De Vendittis, Pier Paolo Ferrante, Maria Rosa Massei, Giuseppe Savoca, Elsa Sormani, Edoardo Sanguineti. Volumi stampati tra il 1967 e il 1971.  Ogni volume contiene note bibliografiche e  tavole a colori fuori testo (riproduzioni di opere del periodo storico analizzato). 8vo. pp. XLVII-1244 + XXXIII-894 + LV-1064 + XLIX-1536 + XXXIX-1698 + XLIII-1348 + LXXVIII-1962 + LXXXVIII-2540 + XXXI-1570 + XCII-2330 + LXIII-1150. . Ottimo (Fine). . . .

      [Bookseller: Studio Bibliografico Marini]
 30.   Check availability:     Link/Print  


      Harcourt, Brace & World, Inc., New York 1967 - Octavo, cloth. Collection of 25 stories selected by Clarke. A near fine copy, some light rubbing to edges in a near fine dust jacket which is price clipped, and showing some mild rubbing. (8923) [Attributes: First Edition; Hard Cover]

      [Bookseller: John W. Knott, Jr, Bookseller, ABAA/ILAB]
 31.   Check availability:     AbeBooks     Link/Print  

        Atemwende. [Gedichte] - Vom Autor signiert.

      8. 105 S., 3 Bl. (Inhalt) [u. 1 weißes Bl.]. Hellgraues OLn. mit goldgeprägt Rückentitel. OU. Von Paul Celan auf dem ersten Blatt (Vortitel) signiert (voller Namenszug). - Atemwende (Glenn B 10) ist der erste Gedichtband Celans, der (EA 1967) im Suhrkamp Verlag erschien. - Der Schutzumschlag mit repariertem Einriss. - Das weiße Papier (Umschlag, Vorsätze und erstes u. letztes Blatt ist naturgemäß etwas vergilbt. - Kleine Buchhändlermarke auf Innenseite des hinteren Deckels. Sonst tadellos.

      [Bookseller: Antiquariat Richard Husslein]
 32.   Check availability:     Link/Print  

        Poste Restante.

      Stockholm: P.A. Norstedt and Söners Verlag, 1967.. FIRST EDITION. Small quarto, unpaginated. With 62 black and white photographic images, each with a written note on grey/green paper preceding the photographs. All text in Swedish. In publisher's dark grey cloth with silver titles to spine and upper board. With original dust-jacket, reproducing an image from the collection on the front cover. A fine copy.

      [Bookseller: Adrian Harrington Rare Books]
 33.   Check availability:     IOBABooks     Link/Print  

        The Criterion 1922 - 1939, in Eighteen Volumes

      Faber and Faber Limited, London 1967 - Hardcovers in good condition. No jackets. Eighteen volumes. Ex-university library. Leading corners, edges and spine ends are bumped and worn. Page blocks and some pages are lightly marked. Labels on pastedowns. Stamps on early and closing pages. Some pages are creased. Overhanging corners due to printing error on one or two pages of volume VI. Spine of volume XIII is cocked. Bindings remain intact. Texts are clear throughout. HCW [Attributes: Hard Cover]

      [Bookseller: PsychoBabel & Skoob Books]
 34.   Check availability:     ZVAB     Link/Print  

        Onze Nus Par Lucien Clergue

      [Lucien Clergue], [Arles], [1967]. Fine. Limited edition: No. 87 from an edition of 250 copies 6 1/4 x 10 inches, wrappers, Signed by the photographer on the limitation page, Small album with 6 leaves of heavy rag paper laid in containing 11 original gelatin silver photographs by Clergue. Photographs range in size from 6 1/4 x 3 1/2 inches to 5 1/2 x 7 inches. The album is titled in blue grease pencil by Clergue on the front cover. A rare and interesting example of photographic bookwork containing original photographs. Small stamp of Wittenborn Art Books on inside flap of rear cover.

      [Bookseller: Dawson's Book Shop]
 35.   Check availability:     Biblio     Link/Print  

        Manifesto 36 X 44 cm. dell'Esposizione alla Galerie Sonnabend in Paris 12 décembre 1967

      Galerie Sonnabend, 1967. Exhibition Poster

      [Bookseller: Prometeo Libri]
 36.   Check availability:     Link/Print  

        Charlie and the Chocolate Factory. Illustrated by Faith Jaques.

      London: George Allen & Unwin Ltd, 1967 - Octavo. Original laminated pictorial boards, titles to front cover and spine in black. Head of joints split and slightly marked, laminate lifting at spine, with partial loss of laminate at spine panel, internally clean and sound. A very good copy. Vignette illustrations by Jaques in the text throughout. First UK edition, first impression. Presentation copy, inscribed by the author on the front free endpaper, "Six years from now, with lots of love from Roald Dahl, Nov. 1967", with "To Todd" inscribed above in a different hand, and a bookplate with "Todd" inscribed in a childish hand pasted to the verso of the dedication page. Dahl's classic story was originally published in 1964 in the US, with illustrations by Joseph Schindelman. [Attributes: First Edition; Signed Copy]

      [Bookseller: Peter Harrington. ABA member]
 37.   Check availability:     ZVAB     Link/Print  

        Lettera dattiloscritta con correzioni e firma autografe

      1967. Dattiloscritto, note autografe e firma «tuo Dino» a inchiostro nero. Inviata all'amica Velia Merlo. Spiritosa lettera nella quale Buzzati, a nome dell'amico giornalista e scrittore Gaetano Afeltra, chiede una «sollecita e attenta intercessione» affinché «si appaghino i trepidi voti della giovane ma dottissima insegnante» - Gabriella Ciuffa - la quale «possa essere assegnata a una delle tre seguenti località [...] raggiungibili da Roma sia pure con grave sacrificio (Ariccia, Colle Ferro, Valmontone)». Buzzati non esclude che ella, la Ciuffa, possa raggiungere in «un giorno non troppo lontano la somma poltrona del dicastero della Minerva». Afeltra, per ringraziare Velia, si adopererà «presso il ministro Colombo per farti avere la croce del cavaliere della repubblica!». Ottime condizioni.

      [Bookseller: Libreria Pontremoli]
 38.   Check availability:     Link/Print  


      - Aux dépens d'un amateur. 1967. 1 volume petit in-folio, en feuilles, sous chemise et étui. Edition originale. Tirage à 128 exemplaires signés par André Verdet et Max Papart. 1 des 100 exemplaires numérotés sur grand vélin de Rives. Illustré de 7 eaux-fortes en couleurs de Max PAPART. Exemplaire unique enrichi : - D'un splendide collage à pleine page, signé et dédicacé par Max Papart à Monsieur Durand. - D'un grand dessin en couleurs signé de Verdet. - D'une maquette de page de texte. - De 3 eaux-fortes refusées. 398 PP+CBGP17 [Attributes: First Edition; Signed Copy]

      [Bookseller: Librairie Pierre PREVOST]
 39.   Check availability:     AbeBooks     Link/Print  

        Charlie and the Chocolate Factory

      London: George Allen & Unwin Ltd,, 1967. Illustrated by Faith Jaques. Octavo. Original laminated pictorial boards, titles to front cover and spine in black. Vignette illustrations by Jaques in the text throughout. Head of joints split and slightly marked, laminate lifting at spine, with partial loss of laminate at spine panel, internally clean and sound. A very good copy. First UK edition, first impression. Presentation copy, inscribed by the author on the front free endpaper, "Six years from now, with lots of love from Roald Dahl, Nov. 1967", with "To Todd" inscribed above in a different hand, and a bookplate with "Todd" inscribed in a childish hand pasted to the verso of the dedication page. Dahl's classic story was originally published in 1964 in the US, with illustrations by Joseph Schindelman.

      [Bookseller: Peter Harrington]
 40.   Check availability:     Biblio     Link/Print  


      (Hillside Press, N.P. 1967 - folio. quarter cloth, paper-covered boards. (vi), 6, (2) pages. Limited to 20 copies (Peich 1). Presentation by Michael C. McCurdy on colophon dated Mary 14, 1977. McCurdy's first published work The 2nd and 3rd chapters of the book of Genesis in the Old Testament of the Bible. Bound in quarter blue patterned cloth and light blue-gray paper-covered boards. Hand printed on double-fold Japanese Masa paper by McCurdy. Hillside Press was a name used by McCurdy before he discovered other printers already using that name (Finding aid, Penmaen Press records, Dodd Research Center, University of Connecticut, Storrs). Cloth portion of boards faded in two small spots. Cloth portion faded near edges and bumped at top fore-edge corner. quarter cloth, paper-covered boards [Attributes: Hard Cover]

      [Bookseller: Oak Knoll Books, ABAA, ILAB]
 41.   Check availability:     AbeBooks     Link/Print  

        Alisa v strane chudes. Skvoz' zerkalo i chto tam uvidela Alisa. [Alice's Adventures In Wonderland; Through The Looking-Glass and What Alice Found There]

      [Bulgaria], [Sofia]; Izdatel'stvo literatury na inostrannykh iazykakh. 1967. 4to. Original quarter cream cloth-backed blue pictorial boards lettered grey to spine, chess and playing card endpapers in white, maroon, and grey, preserved in pictorial dustwrapper; pp. [vi], 7-225 + [ii]; with decorated title in red and black, 8 full-bleed coloured plates on heavier stock and a profusion of sketches throughout in black and white presented as full-, half-, and three-quarter-page illustrations; a very good copy with a minor marking to spine, internally near fine with slight blistering to front pastedown endpaper and one short, and unobtrusive, scuffed tear to fore-edge of rear free endpaper, protected by a very good example of the fragile dustwrapper (priced 1 30 to lower panel) with light overall dusting, one vertical and slightly open, tear to upper joint, small chipping to spine ends and corners, a few very short and closed edge tears (longest 1cm) and mild tanning to spine; very scarce, especially signed. First Russian edition to combine Alice's Adventures in Wonderland and Through the Looking-Glass, And What Alice Found There in one volume. This copy is signed in ink to the title-page by Nina Demurova who is the translator of this edition and author of the foreword. The illustrator Peter Chuklev (1936-) is Bulgarian. He went on to illustrate the Bulgarian version of Tolkien's The Hobbit in 1975.

      [Bookseller: Henry Sotheran Ltd.]
 42.   Check availability:     Direct From Seller     Link/Print  

        Atlas Shrugged

      The Signed, Limited Tenth Anniversary EditionRAND, Ayn. Atlas Shrugged. New York: Random House, [1967].Tenth Anniversary edition, limited to 2,000 copies signed by the author. This being copy number 63. Octavo (8 1/2 x 5 13/16 inches; 215 x 147 mm). [viii], [1]-[1171], [5, blank] pp. This tenth anniversary edition is the ninth printing.Original blue buckram. Front board gilt-stamped with "AR". Spine stamped gilt and blue, lettered in gilt. Top edge blue, fore-edge uncut. Blue endpapers. With original mylar jacket and blue paper slipcase. Slipcase with some chipping and "63" in ink on bottom of spine, which corresponds to the limitation number. Book is fine."To all the readers who discovered The Fountainhead and asked me many questions about the wider application if its ideas, I want to say that I am answering these questions in the present novel and that The Fountainhead was only an overture to ATLAS SHRUGGED." (Ayn Rand, from "About the Author")HBS 67860.$3,250

      [Bookseller: Heritage Book Shop, LLC ]
 43.   Check availability:     ABAA     Link/Print  


      Black Sparrow Press, Los Angeles 1967 - 16mo. #84 of 125 copies signed by Bukowski. One of about 15 copies, with an original drawing on the colophon page (according to his publisher, "Bukowski added a drawing to his signature in every tenth copy or so.") Consists of 3 unpaginated leaves, printed in brown and black sewn with gray thread into thin brown paper wrappers. Front cover printed in black and silver. Conjugate first and last leaves are cream ''arches" paper, as flyleaves. Krumhansl 26. [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: Ed Smith Books, ABAA]
 44.   Check availability:     AbeBooks     Link/Print  


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