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Displayed below are some selected recent viaLibri matches for books published in 1966

        Big as Life

      Simon and Schuster, New York 1966 - The author's scarcest book, his second (1966). A work of science fiction, which was disavowed by Doctorow and never reprinted. Review copy, bearing both the stamp Phyllis Jackson, International Creative Management, and a sticker for the International Famous Agency with Jackson's name (signature?) in manuscript. The later agency merged to form ICM in 1975. Doctorow's literary agent until her death in 1977, Jackson was known as an astute negotiator and represented writers from Theodor Geisel, better known as Dr. Seuss, to Ian Fleming. Near fine dust-jacket, with some wear at the bottom edge and faint evidence of a price sticker removal on the front flap [Attributes: First Edition; Hard Cover]

      [Bookseller: Gerald W. Cloud Rare Books]
 1.   Check availability:     AbeBooks     Link/Print  


        Haggadah for Passover

      1966. First Edition . Signed. (HAGGADAH) SHAHN, Ben. Haggadah for Passover. Paris: Trianon Press, (1966). Large folio (13 by 17 inches), unsewn as issued, original glassine wrappers, original clasped parchment box. $6500.Beautiful large limited folio Passover Haggadah, number 92 of only 228 copies (out of a total edition of 292) on Arches Vergé paper, illustrated by Ben Shahn with 21 color pictorial borders and line drawings and an additional beautiful double-page color lithograph also signed by him.Lithuanian-born graphic artist Ben Shahn executed many of the illustrations for this Haggadah around 1930, while working on a pictorial representation of the Dreyfus case and conceiving his celebrated series of paintings of the Sacco and Vanzetti trial. Like those for his secular works, Shahn's Haggadah illustrations highlight the struggle against oppression, a theme central to the story of Passover. In 1965 Shahn reproduced these Passover drawings, which had already been acquired by the Jewish Museum, incorporating them into this extraordinary Haggadah. Shahn's year-long visit to Djerba, off the Tunisian coast, and his masterful calligraphy lend this Haggadah an oriental feel. Text in Hebrew and English. Box with usual light toning. A beautiful signed copy in fine condition.

      [Bookseller: Bauman Rare Books]
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        Haggadah for Passover, Copied and Illustrated by Ben Shahn.

      80 leaves. Paris: The Trianon Press, 1966. 80 leaves. Large, unbound folio in stiff, glassine covered wrappers, housed in large, vellum box, stamped with gilt lettering on front, back, and spine, with double clasp closure. Includes two extra sets of colored plates, one on Japanese Nacre hand-made paper, and one on Arches Grand Velin, a set of uncolored plates on Arches Verge paper, a series of progressive stages in the hand-stencil coloring of a single plate, three each of the original guide-sheets and stencils, and two proof states of the frontispiece. In addition, there is an original illustration from “An Only Kid”. Fine condition. One of 10 copies numbered A to J, with this being J. Signed and stamped with the artist’s cypher on the frontispiece.

      [Bookseller: John Windle Antiquarian Bookseller]
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        The Acid Test: As photographed and shown in "LOOK" magazine, Recorded from 14 hours of the actual trip

      San Francisco: Sound City Productions, 1966. First Edition. LP Record. Very Good. Original pressing black vinyl LP with purple label in original sleeve with original unprinted inner sleeve. Sleeve EX: b/w front cover in great shape with no fading, unprinted back cover lightly foxed. Record also EX, shows no scratching, a little light rubbing. An excellent copy, graded conservatively. A fantastic document of the psychedelic era that also features the first recordings of The Grateful Dead, who had just changed their name from The Warlocks. Hear tripping Merry Prankster Ken Babbs free associate between live bluesy psychedelic rock, a cover of The Coasters "I'm a Hog for You, Baby" and much much more.

      [Bookseller: Burnside Rare Books]
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        11:02 Nagasaki

      1966. First Edition . TOMATSU, Shomei. 11:02 Nagasaki. Tokyo: Shashin Dojinsha, 1966. Square octavo, original white paper boards, original cardboard slipcase. Housed in a custom clamshell box. $6000.First edition of this important look at Nagasaki, with 119 black-and-white photogravure plates depicting the effect of the atom bomb.This is the first photobook by Tomatsu, a founding member of the avant-garde photographers’ group Vivo and the leading figure in a generation of “angry young men who sought to take photography to the absolute limits” (Parr & Badger I:271). In 1960, the Japan Council Against Atomic and Hydrogen Bombs asked Tomatsu to take photos of Nagasaki and the bomb’s aftereffects. Titled after the time of the bomb’s explosion, this work has had great influence on the development of Japanese photography. The “ultra-fine sensitivity towards the subject and the deep sense of detachment which is to be found in these photographs may, perhaps, be considered as the culmination of modern Japanese photography that had first appeared in the 1930s. In particular, an approach which consisted of transforming everyday subjects into powerful symbolic images was brought to perfection by Tomatsu. His photographs provide a powerful incentive to confront social reality, and his consistent openness towards others, through the medium of photography, means that he exercised a great influence on young photographers” (Frizot, 691). The text by Motoi Tamaki and interviews with survivors is in Japanese. Open Book, 226. Parr & Badger, 276. Images and book clean and bright. A fine copy.

      [Bookseller: Bauman Rare Books]
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        de-coll/age happenings

      Something Else Press, New York 1966 - Number 26 of 500 copies, signed by Vostell on the color serigraph. According to the Frank bibliography of SEP 500 copies of the book were printed, but only 50 were done with the signed print. 1966, First Edition. COMPLETE, includes all original pieces: book in pink wraps, 15 posters, mounted Bromo Seltzer packet and matzoh cracker, photo of the author, all housed in wood box with Plexiglas cover. Previous owner's bookplate on the inside front cover of the booklet; small chip to wood box; matzoh cracked. Small chip to wooden box, otherwise Fine. One of the more adventurous projects commission by Dick Higgins' Something Else Press. Serigraph measures 8 x 5.5 inches. Posters measure 16.5 x 22 inches when opened. Vostell's anti-war Happenings were at the intersection of Destruction in Art and performance art, promoting a strong sense of the excess and violence of Western culture. Complete sets are RARE. [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: Caliban Books Pittsburgh PA, ABAA]
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        Cours de Téléphonie Générale (16 Volumes) [ I ] Le multiple extensible. Les répartiteurs. Transmission téléphonique. Réseau de Paris. Installations d'Abonnés ; Chapitre II : Le standard à batterie locale ; Chapitre III : Le Relais téléphonique ; Chapitre IV : Le Commutateur multiple ; Chapitre V : La Batterie Centrale ; Chapitre VI : Le Multiple extensible ; Chapitre VII : Les Répartiteurs ; Chapitre VIII : Le trafic téléphonique ; Chapitre IX : Eléments de téléphonie automatique ; Chapitre X : Transmission téléphonique ; Chapitre XI : Le service universel. Organisation du réseau téléphonique. Plan de transmission. Plan d'acheminement ; Chapitre XII : Caractéristiques générales des Centres de Commutation. Conditions d'utilisation des circuits interurbains et locaux ; Chapitre XIII : L'établissement des communications téléphoniques ; Chapitre XIV : Le service téléphonique international ; Chapitre XV : Organisation du réseau téléphonique de la région parisienne ; Chapitre XVII : La signalisation

      16 brochure agrafées, Postes et Télécommunications ; Direction des Services d'Enseignement ; Cours Professionnels Techniques, 1966 (I), 1970-1971, [ 67-264 pp. non suivies) ; 24 ; 37 ; 14 ; 15 ; 30 ; 67 ; 27 ; 80 ; 120 ; 33 ; 39 ; 24 ; 25 ; 23 ; 67 pp. Bon ensemble. Le premier fascicule indiqué, daté de 1966, n'a pas de mention de classement en couverture, le chapitre XVI manque. Ce rare ensemble est une importante source de renseignement sur les réseaux téléphoniques des années 1960-1970 Français

      [Bookseller: Librairie Du Cardinal]
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        Une saison au Congo

      1966. Seuil, Paris 1966, 13x18,5cm, relié. - Seuil, Paris 1966, 13x18,5cm, relié. - Edizione per il quale non è stato redatto grandi giornali. autografo firmato Aimé Césaire ad un amico: "... D Gombos anima Edith sempre in nome dell'amicizia fondamentale ... ???" Bella copia. [FRENCH VERSION FOLLOWS] Edition originale pour laquelle il n'a pas été tiré de grands papiers. Reliure à la bradel en plein papier à motifs africanisants, dos lisse, pièce de titre maroquin noisette, couvertures et dos conservés, élégante reliure signée de T. Boichot. Envoi autographe signé d'Aimé Césaire à une proche amie : "... D? Gombos? Soul? Toujours Edith au nom d'une amitié fondamentale..." Bel exemplaire agréablement établi.

      [Bookseller: Librairie Le Feu Follet]
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        Mort du Papier

      Paris: Pierre Gaudin, 1966. First Edition. Hardcover. Fine. Pierre Gaudin. Woodcut by Pierre Gaudin. Unknown limitation. This slim volume is the text of a speech Delluegue delivered at the July 1966 commencement and prize-giving ceremony at the Lycée Technique et Moderne à Isle–sur-Sougue. In it he continually refers to recently published works of fiction by Eero Tolvanen and René Zuber in which an unstoppable bacterium destroys all paper, including paper currency, causing the collapse of civilization. No doubt, many of these graduates assisted in the rescue of the millions of books and works of art damaged in the catastrophic flood of the Arno in November of the same year. The accompanying woodcut by Pierre Gaudin, printed in flaming red, and the charred aspect of Giard’s binding underscore Delluegue’s point by using vivid imagery of the destruction of paper. Bradel binding. Burned paper, painted and applied over Japanese paper. Titled in pyrography. Clamshell box. Bound by Christine Giard in 2007. 11.7 x 20.3 cm.

      [Bookseller: Abby Schoolman Books]
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        The Raj Quartet:] The Jewel in the Crown; The Day of the Scorpion; The Towers of Silence; A Division of the Spoils; [and:] Staying On.

      London: Heinemann, 1966–77 - 5 works, octavo. Original various coloured boards, titles to spine gilt. With the dust jackets. Light foxing to edges of text blocks; an excellent set in the jackets with sunned spines and a few nicks and creases to extremities. First editions, first impressions of "one of the most important landmarks of post-war fiction" (The Times). Staying On, the pendant volume to Scott's "Raj Quartet", is a distinct work in its own right and won the Booker Prize for 1977. [Attributes: First Edition]

      [Bookseller: Peter Harrington. ABA member]
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        A Set of All 11 (Auto)Biographies - SIGNED by the 1966 England World Cup Winning Team

      Pelham, Stanley Paul, Headline, A Set of All 11 (Auto)Biographies - SIGNED by the 1966 England World Cup Winning Team This is perhaps the first time a set of signed and inscribed biographies of the World Cup winning team have been offered for sale. The set includes the elusive signatures of Bobby Moore (in addition to that of George Best), Ray Wilson and Roger Hunt. All are first edition, first printings, some flat-signed, some inscribed. All in very good to fine condition. RARE[removed][removed]

      [Bookseller: John Atkinson Books]
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        Du Royaume de Siam. Amsterdam, Abraham Wolfgang, 1691. 2 volumes bound as 1. 12mo. With the same woodcut printer's device on both title-pages, 2 folding engraved maps, 17 double-page engraved plates with printed music, Siamese alphabets, inhabitants etc., 21 full-page engraved plates, engraved headpiece and several woodcut illustrations in text. Contemporary vellum.

      - STCN (6 copies); Walravens 92; cf. Lach & Van Kley III, pp. 1194-1196; Wyatt, "Introduction" in: A new historical relation of the Kingdom of Siam (1966). Second edition, published in the same years as the first, of a comprehensive work on the history of the kingdom of Siam, "Universally regarded as the finest work on seventeenth-century Thailand" (Wyatt). The French diplomat Simon de La Loubère (1642-1729) was appointed as Louis XIV's envoy extraordinary to the court of Siam, and while he stayed in Siam for only three months he diligently and systemically asked questions, "probably stimulated by the Jesuit scientists who accompanied the mission to take more than a passing interest in Siamese cosmology, astronomy, and mathematics" (Lach & Van Kley). Loubère compensated his short stay with a thorough study of earlier writers, referring to twenty-three European authors from Pinto to Gervaise in the first volume and collecting French translations of native works in the second. Besides presenting information on Siam itself, Loubère also incorporates information on India and China and their influence on Siam's past.With the armorial bookplate of Anton Ernst Burckhard van Birckenstein (active 1686-1744) on paste-down. Very good copy.

      [Bookseller: ASHER Rare Books]
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        Moses zerbricht die Gesetzestafeln.

      Farblithographie The Story of the Exodus erschienen bei Léon Amiel Paris und New York 1966 - Aufl. 250 auf Arches + XX auf Japanpapier sowie 15 H.C.Exemplare A - O, 45 x 33 cm auf 50,5 x 37 cm Mourlot 461 Blatt 18 aus dem 24 Lithographien umfassenden Mappenwerk nach Themen aus dem 2. Buch Mose, im Impressum signiert und nummeriert. Eine Blatt für Blatt signierte Auflage ist nie erschienen. Graphik in gutem Zustand. ** Photos auf Wunsch im JPG-Format erhältlich.**

      [Bookseller: Kunsthandlung Goyert]
 13.   Check availability:     IberLibro     Link/Print  


        6/8/1945 /HIROSHIMA. - Typoskript und Tusche 5 Blatt.

      () 1966 - 19 x 21 cm. Mit Heftklammern. Originaltyposkript und Tuschezeichnung. Umschlag mit maschinengeschriebenem Titel und Name. - Eindrückliche visuelle Interpretation des Wortes "Hiroshima". In einer leicht abweichenden Fassung gedruckt in: Bory: Post-Scriptum, Eric Losfel 1970.

      [Bookseller: Daniel Thierstein]
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        Karate: Goju-ryu by the Cat

      International Karate-Do Goju-kai, 1966. Hardcover is very good with shelfwear and some wear to the binding. The mylar protected dust jacket is near good with a 2 inch square piece missing from the top of the front cover, rubbing and edgwear (including a number of small tears and smaller pieces missing from the corners). A nice example of a very scarce book.. Hard Cover. Very Good/Fair.

      [Bookseller: MyFirstEditions]
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        Karate Goju-ryu by The Cat

      International Karate-Do Goju-kai, Tokyo, 1966. First Edition. Hardcover. Very Good/Poor. 296 pages (complete). A VERY, VERY RARE copy of this autobiography of the great Gogen Yamaguchi, "The Cat". Yamaguchi was a household name for many, many years, in Japan and any place where Karate was practiced. The dustjacket is much worn, torn, scuffed. It is however, intact and concerted. The cover is glorious. It is covered with blue woven cloth, with gilt Japanese script. Other than very light shelving wear to the corners, the covers are very appealing. The front and end papers are of woven paper. These are neat and tidy. The early pages have some storage rubbing, wear and marks. Beyond these the pages are comfortable, clean, clear, benevolent, diligent, personal, very pleasing. A happy copy. fk

      [Bookseller: Chapter 1 Books]
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        Inselbuchnr. 891 Irische Elfenmärchen.

      F, Insel-Verlag, 1966. - EA, 1. - 6. Tsd. J-291. Z 1-. Inselverlag, Märchenr, Insel - Bücherei, Insel-Verlag, Inselbücherei 250 gramm

      [Bookseller: Matthias Neumann]
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        Entretiens avec Eugène Ionesco

      - Pierre Belfond, Paris 1966, 11x18cm, broché. - Edizione originale per il quale non è stato redatto grandi giornali. Autografo Precious firmato da Eugene Ionesco Raymond Queneau: "Per Raymond Queneau, il satrapo con la mia ammirazione affettuosa (e come mi piacerebbe vedere più di tanto in tanto) Eugène Ionesco .." Torna un po 'scolorito come generalmente. - [FRENCH VERSION FOLLOWS] Edition originale pour laquelle il n'a pas été tiré de grands papiers. Précieux envoi autographe signé d'Eugène Ionesco à Raymond Queneau : "Pour Raymond Queneau, le Satrape, avec mon admiration affectueuse (et que tant je voudrais revoir plus que de temps à autre). Eugène Ionesco." Dos légèrement décoloré comme généralement.

      [Bookseller: Librairie Le Feu Follet]
 18.   Check availability:     maremagnum.com     Link/Print  


        Question. 1. - 3. - 3 Originaltuschezeichnungen auf starkem Papier, rückseitig bezeichnet und mit dem Stempel des Künstlers versehen, umfasst von einer Papierbauchbinde mit Stempel und handschriftlichem Titel.

      (Ca. ) 1966 - 19 x 21 cm. Schöne lettristische Arbeit. Noch Fragen? - Dazu: Maschinengeschriebener und signierter Brief von J.F. Bory vom 24.3.1967 an die edition et in radebrechender deutscher Sprache. Sendet 2 (eigentlich waren es 3) Texte mit der Bitte um Aufnahme in 'et3' oder 'et4' und bittet um Rücksendung bei Nichtgebrauch (was natürlich weder für die Publikation noch die Rücksendung eintrat). - Die Arbeit scheint bisher nicht veröffentlicht zu sein.

      [Bookseller: Daniel Thierstein]
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        Typed letter signed to Renee Longy Miquelle. The Joy of Music [and] The Infinite Variety of Music.

      New York, [Simon & Schuster,] 1945 [1959, 1966] - Single leaf folded for mailing with the envelope. Octavos. Original cloth, with the dust jackets. Housed in a dark blue quarter morocco solander box by the Chelsea Bindery. Letter very lightly marked, books very good in torn and creased dust jackets. First editions, first printings. Each book bearing the composer's signed presentation inscription, "To Renee who taught me much about the Joy of teaching Love Lenny", "For Renee with love & every good warm wish for '67 - Lenny B". The recipient was Bernstein's former teacher at the Curtis Institute where Longy taught ear training. Bernstein studied score reading under her tutelage. The letter was written just 5 days after the opening of his first Broadway musical, On The Town. "Well the show has opened and is a phenomenal hit, in spite of it all. The reviews are fantastic raves, especially the Times and PM, and the Hollywood Reporter which called it the greatest musical ever produced! It's thrilling, and I would be a rich man, except that whatever money I get goes back to Uncle Samovitch for taxes." He concludes that he is "struggling to get back into my beard (long-hair) and study Brahms First for Pittsburgh next week" signing off with "Love and thanks again Lenny Spookietchka". A touching and resonant group and a key association in Bernstein's musical life. [Attributes: First Edition; Signed Copy]

      [Bookseller: Peter Harrington. ABA member]
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        Vivien Leigh writes about plays and looking for a role in London theatre that would suit her

      New York, New York, May 7, 1966. 5.75" x 7.75". "Single page TLS on off-white stationary, 5.75"" x 7.75"". Dated May 7, 1966, and signed by Vivien Leigh as ""Vivien Leigh"". Right and lower edges slightly discolored, else near fine condition.Vivien Leigh writes a letter to her close friend, Joyce Huddart. One can project that she perhaps met Joyce during her period acting in the theaters of London. Joyce was head of wardrobe and also participated as stage crew for the London Tower Theatre, and the two corresponded regularly over a period of many years. Vivien Leigh's ultimate passion was for roles in theater. She was quoted as saying, ""I'm not a film star – I'm an actress. Being a film star – just a film star – is such a false life, lived for fake values and for publicity. Actresses go on for a long time and there are always marvelous parts to play.""This letter to Joyce was written during the run of Ivanov, Vivien's last stage play appearance. The revival of this play would open May 3rd, 1966 at the Shubert Theatre in New York City and run for only 47 performances. However the letter reflects Vivien's love of acting, along with her continued concerns about how she is reviewed by the media. But in addition, the letter also demonstrated both her tenacity to continue to perform, along with her reflection of her wish to return to England with her comments ""We have been having wonderful audiences here in New York, and the reviews, except for the Times, have been very fine indeed, so we are hoping for a good season… I am reading plays and trust that I shall find one that I shall do at home"". However within a year, Leigh's intermittent battle with tuberculous returned and she passed away on July 7, 1967A poignant wonderful signed letter to her personal friend, reflecting her strong constitution and passion for her career."

      [Bookseller: University Archives]
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        Die letzten Paradiese. Auf den Spuren seltener Tiere

      Bertelsmann, Gütersloh 1966 - 21,7 x 27,3 cm 320 Seiten 1270 gr. guter Zustand, leichte Gebrauchsspuren, Schutzumschlag fehlt

      [Bookseller: Schueling Buchkurier]
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        Alfie.

      London: MacGibbon and Kee. 1966 - INSCRIBED FIRST EDITION. Octavo, pp.208. Publisher's original brown cloth binding in photographic dustwrapper attributed to Colin O'Brien. Warmly inscribed "To|Kate Oatham|with every|good wish|from|Bill Naughton". Some moderate water marking to the endpapers, some sporadic light marking through the textblock, cloth slightly bumped and rubbed, dust-jacket has some chipping, water marking and creasing, front inner flap fully detached along fold. A used copy, unusual to find inscribed. Scarce original novel that was the basis for the cult 1966 film starring Michael Caine, re-made in 2004 with Jude Law. Book Collector No.287 (p32-62) 'The Sixties'. [Attributes: First Edition; Hard Cover]

      [Bookseller: Adrian Harrington Ltd, PBFA, ABA, ILAB]
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        [La marche des Hébreux sous la nuée divine] For the cloude of the Lorde was upon the Tabernacle by day, and fire was in it by night, in the sight of all the house of Israel thorowout all their journeys. (La nuée du Seigneur était de jour sur le tabernacle; et de nuit, il y avait un feu, aux yeux de toute la maison d'Israël, pendant toutes leurs marches) - The Story of Exodus

      Original lithograph in colors, one of the 15 proofs printed on Imperial Japan paper and reserved for the artist and his collaborators, one draw with 20 other japan and 250 Arches paper. unsigned Event, as all races in the series except the frontispiece.Superb test of Japan made especially for The Story of Exodus, published in 1966, Chagall painted the 24 lithographs inset printed by Mourlot.Fernand Mourlot, undoubtedly the best artisan lithographer of the twentieth century, was naturally the printer and the friend of the greatest artists of his time. "Picasso, Matisse, Chagall, Miró, Braque, Dubuffet, Léger, Giacometti ... have enriched their own expressions and contemporary art a new area of ??research. With Mourlot, and thanks to him, lithography has acquired both personality and future. " (Pierre Cabanne, in fifty years of lithography).Already printer of the two volumes of the Bible illustrated by Chagall, Mourlot contributed to the formation of the artist in the art of lithography in the 1950s it was at this time that Chagall indeed begins to attend workshop Mourlot to learn the lithographic processes and he became friends with the artisans of printing, including Charles Sorlier.So is this the top of his game as Chagall realizes this Exodus story that coincides with the completion of his immense lithographic and pictorial work on the Bible began in 1930 at the initiative of Ambroise Vollard. This decorative cycle entitled Biblical Message T will also behind the creation of the Marc Chagall Museum, originally the National Museum of Biblical Message Marc - Chagall.Extremely rare first test printed on Japan, the best paper and the best for color prints. AMIEL Léon Paris,New-York 1966 36x49.5cm une feuille

      [Bookseller: Librairie Le Feu Follet]
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        Equation Lettrique n°8. Symphonie lettriste

      Paris, Editions PSI, 1966 - In-8, (145 X 215), (32) pages, sous couverture rempliée illustrée. Tiré à 68 exemplaires (dont 6 sur Japon, 12 sur Arches et 50 sur BFK Rives), numérotés et signés par Satier et Sabatier, comportant les deux linogravures originales de Alain Satier • Un des 6 exemplaires sur Japon, comportant en plus un dessin original de Alain Satier et une page manuscrite du poème. [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: Librairie Lecointre-Drouet]
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        [Moïse sauvé des eaux] Then the daughter of Pharaoh opened the arke, and saw it was a childe (Et la fille du Pharaon ouvrit l'arche et vit que c'était un enfant) - The Story of Exodus

      - AMIEL Léon, Paris, New-York 1966, 36x49.5cm, une feuille. - Litografia originale a colori stampate su carta giapponese imperiale. Superba e rarisime test effettuato sul Giappone per la storia dell'Esodo illustrazione pubblicato nel 1966 e gli hanno sparato 20 copie su Imperial Giappone e 250 litografie su archi con 24 fuori testo Marc Chagall. stampa Mourlot, stampante già due volumi della Bibbia illustrate da Chagall e che hanno partecipato alla scoperta della litografia dall'artista nel 1950. cultura biblica di Marc Chagall (1887-1985) è importante: nato in una famiglia ebrea religiosa chassidica, legge la Bibbia fin dall'infanzia. La sua opera pittorica è rapidamente influenzato da questo tema, come evidenziato nel 1908 Sacra Famiglia. Tenuto conto di questa predilezione per soggetti religiosi, il suo amico il mercante d'arte Ambroise Vollard commissionato nel 1930 una serie di llustrations sulla Bibbia. Questo lavoro è l'origine di un ciclo decorativo, il Messaggio Biblico, completata nel 1966, lo stesso anno ha pubblicato la storia dell'Esodo. - [FRENCH VERSION FOLLOWS] Lithographie originale en couleur, une des 15 épreuves imprimées sur papier japon impérial et réservées à l'artiste et à ses collaborateurs, seul tirage avec 20 autres japon et 250 Arches. Epreuve non signée, comme toutes les épreuves de cette série, hormis le frontispice. Superbe épreuve sur Japon réalisée spécialement pour The Story of Exodus paru en 1966, dont Chagall réalisa les 24 lithographies hors-texte imprimés par Mourlot. Fernand Mourlot, incontestablement le meilleur artisan lithographe du XXeme siècle, fut naturellement l'imprimeur et l'ami des plus grands artistes de son temps. "Picasso, Matisse, Chagall, Miró, Braque, Dubuffet, Léger, Giacometti...ont enrichi leurs expressions propres et l'art contemporain d'un domaine de recherches nouveau. Avec Mourlot, et grâce à lui, la lithographie a acquis à la fois une personnalité et un avenir." (Pierre Cabanne, in Cinquante années de lithographie). Déjà imprimeur des deux volumes de la Bible illustrée par Chagall, Mourlot contribua à la formation de l'artiste à l'art de la lithographie dans les années 1950. C'est à cette époque que Chagall commence en effet à fréquenter l'atelier de Mourlot afin d'apprendre les procédés lithographiques et qu'il se lie d'amitié avec les artisans de l'imprimerie, notamment Charles Sorlier. Ainsi est-ce au sommet de son art que Chagall réalise cette histoire de l'Exode qui coincide avec l'achèvement de son immense travail lithographique et pictural sur la Bible entamé en 1930 à l'initiative d'Ambroise Vollard. Ce Cycle décoratif intitulé Le Message Biblique sera d'ailleurs à l'origine de la création du Musée Marc Chagall, originellement Musée national du message biblique Marc-Chagall. Rarissime épreuve originale imprimée sur Japon, le plus beau papier et le meilleur pour les gravures en couleur.

      [Bookseller: Librairie Le Feu Follet]
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        Mother Night.

      New York: Harper & Row, 1966. Signed on the front-free endpper by the author. First hardcover edition / First printing. Fine in near fine dust jacket.

      [Bookseller: Orpheus Books]
 27.   Check availability:     Biblio     Link/Print  


        Come over to My House

      New York: Beginner Books. A Division of Random House, Inc, 1966. Illustrated by Richard Erdoes. 64 pp. 1 vols. 8vo. Pictorial boards. Fine in an unclipped, very good dust jacket, priced (195/195). Illustrated by Richard Erdoes. 64 pp. 1 vols. 8vo.

      [Bookseller: James Cummins Bookseller]
 28.   Check availability:     Biblio     Link/Print  


        Jahrbuch '66.

      (Köln) Wolfgang Hake Verlag () 1966 - Breit 4°. 38 Blatt. OBr in OTransparentumschlag. Eines von 100 numerierten Exemplaren, mit den 14 Originalgraphiken, jeweils von den Künstlern signiert: Karl Otto Götz, Axel Knopp, Peter Brüning (1929-1960), Gerd Hanebeck, Werner Schreib, Wolff Buchholz, Gernot Bubenik, Pitt Moog, H.P. Alvermann, Manfred Garstka, Kano Nishio, Walter Stöhrer, Lothar Fischer, Johannes Schreiter. Texte von Timm Ulrichs, Kay Hoff, Horst Bingel, Aue, Ernst Jandl, S.D. Sauerbier, Dieter Hülsmanns, Rolf Dieter Brinkmann, Jiri Kolar (Übersetzt von Konrad Balder Schäuffelen) u.a. Herstellerisch vorbildliches Werk, vornehm gedruckt in magerer Helvetica. Schönes Exemplar. [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: Georg Fritsch Antiquariat]
 29.   Check availability:     ZVAB     Link/Print  


        Russland, Antlitz aus vielen Gesichtern

      Berlin: Henssel Verlag, 1966 - 20 cm ; 2. Auflage. Hardcoverausgabe, Leineneinband mit Schutzumschlag, 418 Seiten. Gutes Exemplar. hw316 [Attributes: Hard Cover]

      [Bookseller: Antiquariat Weber GbR]
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        Comédies et actes divers

      - Les éditions de minuit, Paris 1966, 11,5x18cm, broché. - Edition originale sur papier courant. Précieux envoi autographe daté de Janvier 1966 et signé de Samuel Beckett à son ami le peintre Geer (Van Velde) et à sa femme Lise. Légères piqûres sans gravité sur le premier plat. - [FRENCH VERSION FOLLOWS] Edition originale sur papier courant. Précieux envoi autographe daté de Janvier 1966 et signé de Samuel Beckett à son ami le peintre Geer (Van Velde) et à sa femme Lise. Légères piqûres sans gravité sur le premier plat. « Que dire de ces plans qui glissent, ces contours qui vibrent, ces corps comme taillés dans la brume, ces équilibres qu'un rien doit rompre, qui se rompent, et se reforment à mesure qu'on regarde ? Comment parler de ces couleurs qui respirent, qui halètent ? de cette stase grouillante ? de ce monde sans poids, sans force, sans ombre ? Ici tout bouge, nage, fuit, revient, se défait, se refait. Tout cesse, sans cesse. On dirait l'insurrection des molécules, l'intérieur d'une pierre un millième de seconde avant qu'elle ne se désagrège. C'est ça la littérature. » (La Peinture des van Velde ou Le monde et le pantalon, in Cahiers d'Art n°11-12, Paris 1945)   Beckett ne parle pas ici, malgré les apparences, de son

      [Bookseller: Librairie Le Feu Follet]
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        Derriére le Miroir 157. Steinberg 1966.

      Paris: Maeght, 1966. SIGNED LIMITED FIRST EDITION, number 9 of only 150 copies signed by Steinberg. Devoted to Steinberg's 1966 exhibition of 67 drawings and collages, this issue is complete with 19 reproductions: 12 black-and-white and 7 color lithographs, including two double-page. Printed on Velin de Lana.Note: The limited edition is of vastly superior quality than the corresponding trade issue of Derriére le Miroir.Paris: Maeght, 1966. Folio, lithographed wrappers; original board chemise and slipcase. A fine copy. Fine.

      [Bookseller: The Manhattan Rare Book Company]
 32.   Check availability:     Direct From Seller     Link/Print  


        Message from the Interior : [Signed Copy]

      The Eakins Press, New York 1966 - Folio 13" - 23" tall; Very large format, square folio in publisher's heavy grey linen with paper title label to cover board and title lettering in white to spine. Very warmly inscribed to the front endpage; "Bernard, an interior chap / Love / Walker / 9/1/1966." Splendid copy with sharp edges and crisp title lettering at spine; title label unblemished and uniformly bright. Beautifully printed (photogravure process) photographs; each has an unmarred heavy onion skin tissue guard. Publisher's portrait (promotional? ) of Evans laid in at front along with a few pages of obituary clippings and biographical material. Only a hint of shelf rub to the lower front tips and tail. Lovely copy of the very impressive book; signed. About Fine. (Given the warmth of the inscription, it seems likely the book was inscribed to Evans' longtime friend, Bernard H. Haggin. ; Signed by Author [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: DogStar Books]
 33.   Check availability:     AbeBooks     Link/Print  


        Message From the Interior

      New York: The Eakins Press, 1966. Pages and tissue guards evenly toned, else near fine in gray linen boards, paper label, and original glassine overlay, a little ripped and torn.. First Edition. Square folio. Twelve full-page gravure photographs taken between 1936-1962, separated by tissue. The images embody Evans' unadorned vision of the American vernacular. True to form, they have been simply and beautifully printed. With a short essay by John Szarkowski.

      [Bookseller: Harper's Books, Inc.]
 34.   Check availability:     Biblio     Link/Print  


        Norwood (First Edition)

      New York: Simon and Schuster, 1966. First Edition. First Edition. Portis' first book, a poignant and side-splitting comedy about an southerner who journeys from Arkansas to New York City under orders to retrieve a used automobile. Basis for the 1970 film starring Glen Campbell, Kim Darby, Joe Namath and Dom DeLuise. An exceptional copy.Fine and unread in an about Fine dust jacket. Lacking the yellow remainder spray dot that curses nearly every copy of this book, extremely scarce thus.

      [Bookseller: Royal Books, Inc. ]
 35.   Check availability:     ABAA     Link/Print  


        Norwood

      New York: Simon & Schuster, 1966 First USA Edition/First Printing. Fine book in a Fine Dustjacket, with orange dots on the front cover and jacket flaps, commonly considered remainder spray. Lovely copy of this first novel from the author of True Grit.. First Edition.

      [Bookseller: MDS Books]
 36.   Check availability:     Biblio     Link/Print  


        Pastelli e Disegni

      All'insegna del pesce d'oro, 1966. Con uno scritto di Franco Russoli. Con 18 tavole, 9 a colori applicate e 9 in bianco e nero. Una delle 35 copie di lusso con un'incisione originale sciolta, firmata, datata e numerata, di Eugenio Montale (cm 9x9; foglio cm 21,5x16). 8vo. pp. 54. Molto Buono (Very Good). Edizione originale di 1000 + XXXV es. numerati.

      [Bookseller: Studio Bibliografico Marini]
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        Le tracce

      Sampietro, Bologna 1966 - Libro d'artista [Attributes: First Edition; Hard Cover]

      [Bookseller: Giorgio Maffei]
 38.   Check availability:     AbeBooks     Link/Print  


        General Catalog of Duke Ellington's Recorded Music - Inscribed to Ellington by the Author

      Palermo 1966 - Luigi Sanfilippo's catalog of Ellington's works, inscribed by the author to Ellington on the half-title: "Friendly a little gift to the great E. K. Ellington." With Sanfilippo's original business card. Few scholars began to work on Ellington's huge musical and cultural output until after his death, but Sanfilippo had begun the mammoth task of cataloging his recorded music in the 1960's. As he writes in the preface, there was a very positive response to his work: "The surprising success of the 1 edition of this book, and above all, the warm encouragement by collectors troughout [sic] the world, have made me decide, after barely one year, to publish a second edition of my modest work." 112 pp. Burgundy leather, stamped in gold; moire endpapers. Area of scuffing to the back cover; light traces of paper to the front cover; edges slightly rubbed; intact and overall in very good condition. 6.5 x 9.75 inches (16.5 x 25 cm). Provenance: Duke Ellington Estate.

      [Bookseller: Schubertiade Music]
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        Entretiens avec Eugène Ionesco

      First edition of which there were no large paper copies.Handsome autograph inscription from Eugène Ionesco to Raymond Queneau : "Pour Raymond Queneau, le Satrape, avec mon admiration affectueuse (et que tant je voudrais revoir plus que de temps to autre). Eugène Ionesco."Spine slighlty sunned as usual. Pierre Belfond Paris 1966 11x18cm broché

      [Bookseller: Librairie Le Feu Follet]
 40.   Check availability:     Direct From Seller     Link/Print  


        BREVE STORIA DELLA FILOSOFIA I Antichità e Medioevo, II Dal Rinascimento a Kant, III Dal Romanticismo ai giorni nostri

      LATERZA, 1966. ITALIANO 1,33 Opera composta da tre volumi, tutti in VII ed. ed editi nel 1966-68-67, pagine leggermente brunite ai bordi e con lievissima fioritura, coperte morbide con lievissimi segni di usura, leggermente ingiallite ai bordi ed ai dorsi e con lieve fioritura USATO

      [Bookseller: Biblioteca di Babele]
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