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Displayed below are some selected recent viaLibri matches for books published in 1966

        The Story of Ferdinand

      New York: The Viking Press, 1966. 31st printing. Thin 4to. Pictorial orange cloth. Illustrated throughout. A fine copy in the reinforced library binding. The dustwrapper is near fine with light rubbing at the edges and folds, two tiny closed marginal tears. It is unclipped at the bottom, showing the library price of $2.57. Inscribed on the front free endpaper "For Donna, with best wishes of Ferdinand and Munro Leaf." And with a sketch of a little girl (presumably Donna), a sketch of Ferdinand, and a sketch of the author. A later hand has added the date of March 15, 1967. Fine / Near fine.

      [Bookseller: Thorn Books, ABAA]
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        IL COLOMBRE E ALTRI CINQUANTA RACCONTI

      MONDADORI, 1966. ITALIANO 0,44 N. 145 della collana, pagine leggermente brunite ai bordi causa tempo, coperta in cartonato editoriale, con cifre d'oro al piatto e titoli al dorso, piccolo segno di usura alle punte, sovraccoperta illustrata, scolorita al dorso, ingiallita e con usura ai bordi USATO

      [Bookseller: Biblioteca di Babele]
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        Wide Sargasso Sea.

      Andre Deutsch, London 1966 - First edition this "tour de force" (New York Times Book Review). Octavo, original cloth. Signed by Jean Rhys. Fine in a near fine dust jacket with a touch of rubbing. Introduction by Francis Wyndham. Jacket design by Eric Thomas. Rare and desirable signed. Wide Sargasso Sea, a masterpiece of modern fiction, was Jean Rhys's return to the literary center stage. She had a startling early career and was known for her extraordinary prose and haunting women characters. With Wide Sargasso Sea, her last and best-selling novel, she ingeniously brings into light one of fiction's most fascinating characters: the madwoman in the attic from Charlotte Bronte's Jane Eyre. This mesmerizing work introduces us to Antoinette Cosway, a sensual and protected young woman who is sold into marriage to the prideful Mr. Rochester. Rhys portrays Cosway amidst a society so driven by hatred, so skewed in its sexual relations, that it can literally drive a woman out of her mind. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Raptis Rare Books, ABAA/ ILAB]
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        WUTHERING HEIGHTS

      Collier Books, 1966. INGLESE 0,21 Con una nuova introduzione di Quentin Anderson, pagine leggermente ingiallite ai bordi, brossura editoriale morbida, illustrata, leggermente ingiallita e con lievi segni di usura ai bordi ed al dorso USATO

      [Bookseller: Biblioteca di Babele]
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        CLXXXI Proverbes à Expérimenter.

      éditions Galanis 1966 - Paris, éditions Galanis, 1966. In-folio, en feuilles sous étui et chemise en toile épaisse, couverture rempliée, sans pagination (environ 50 ff). Edition originale, tirage limité numéroté à 320 exemplaires, signés par l'auteur et l'artiste, celui-ci étant un des 26 exemplaires de A à Z, réservés aux collaborateurs et à la bibliothèque nationale sur grand vélin d'Arches, portant la lettre Q. Exemplaire du typographe de cet ouvrage Pierre Baudier, fils de l'illustrateur Paul Baudier. Envoi de Charles Lapicque à Pierre Baudier sur la page de faux-titre. Ouvrage illustré de 22 bois hors texte par Charles Lapicque . Intérieur très frais. Rousseurs sur les plats de l'étui, quelques taches sur l'étui et la chemise, dos légèrement jauni. [Attributes: First Edition; Soft Cover]

      [Bookseller: Librairie Lang]
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        Woman's Day Encyclopedia of Cookery Volume 7

      Fawcett Publications, New York. Hardcover. B000GQPZOY Like New. Clean, Tight and Neat. Five star seller - Buy with confidence! . Fine. 1966.

      [Bookseller: HawkingBooks]
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        BRAM VAN VELDE - Torino, Galleria Civica d'Arte Moderna : Novembre-Dicembre 1966 - including one original color Lithograph, signed and numbered by Bram van Velde

      Torino: Galleria Civica d'Arte Moderna, 1966-1974 - Sm.8° - 103pp - Color & B/w Plates and B/w reproductions. Exhibition Catalog: Bram Van Velde (1895-1981) Dutch painter. First edition, text in Italian and French language. We have included one original color Lithograph (300x400mm) "Venin" signed and numbered in 110 copies by Bram van Velde, published by Galerie Maeght, Paris in 1974. Original pictorial wrappers. In very good condition [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: °ART...on paper - 20th Century Art Books]
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        A History of English Law [ Complete in 16 Volumes ]

      London: Methuen & Co Ltd. Sweet and Maxwell , 1966. Complete in 16 volumes, lacking index. Books measure 8 1/2 x 5 3/4 inches. Bound in original publishers blue cloth. Cloth lightly rubbed, volume one nicked on head of spine, some minor abrasion wear, library number on spines. Generally bindings in good clean condition. Internally, occasional library stamp or mark, mainly to prelims and first few pages, [ about 10 stamps or marks per volumes ]. Pages in good clean condition throughout. A good clean set. . 8vo.

      [Bookseller: George Jeffery Books]
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        MAHO^ NO TORI

      1966. Fine. [MIMEOGRAPH/STENCIL ART] Wakayama Yasoji, poet and artist. MAHO NO TORI. Tokyo, Seienso. N.D [1966?]. #6 of 80 copies, signed of 180 copies, total. Small western-bound half leather and printed sheet styrofoam? volume, illustrated by Wakayama in his own technique of stencil art, named kohan. 16 x 12.2 cm. The fine art printmaking technique of kohan was developed in 1941 by Wakayama [1903-83], a close associate of Onchi Koshiro. He was an enormously prolific single sheet printmaker using color woodblock and kohan, but this charming little volume is one of his scarce and wonderful artist' books. Much like Takei Takeo, Wakayama appears to have been fascinated by the artistic potential of contemporary industrial materials. Here he has turned to printing using images stencilled via a mimeograph process onto sheets of a styrofoam-like material. The condition of this ultralight and delicate book is excellent, but the images and printed text have suffered from transfer effects, illustrating that not all radical experiments end happily. Still interesting, in the original styrofoam box and cardboard outer shipping box.

      [Bookseller: Boston Book Company]
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        Weg ins Unbekannte. Mit einem Text von Wieland Schmied.

      Hannover, Fackelträger Verlag, 1966 - 4 Blatt (Text von Schmied) und 12 signierte, ganzseitige Originalradierungen, davon eine farbig; 2 Blatt. 4°. Lose Blattsammlung in original kartoniertem Umschlag und OPapp-Schuber. "Von dem Werk erschienen 10 Exemplare in einer Vorzugsausgabe. Die Normalausgabe erschien in einer Auflage von 100 Exemplaren. Jede Ausgabe enthält 12 Radierungen, vom Künstler handsigniert. Die Radierungen wurden auf Velin von Manuel Robbe in Paris gedruckt, den Text druckte die Hildesheimer Druck- und Verlagsgesellschaft.Dieses Exemplar trägt die Nummer II." Schuber etwas berieben und beschmutzt. Schönes, einwandfreies Exemplar. Selten. Good copy with 12 handsigned originally graphics. Rare. Sprache: Deutsch Gewicht in Gramm: 1000 [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Antiquariat Schröter -Uta-Janine Störmer]
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        Death of a Naturalist [Signed]

      New York: Oxford University Press, 1966. First American Edition. Hardcover. Fine/Fine-. First Printing of the poet's critically acclaimed first commercially published work (preceded by the privately printed pamphlet, Eleven Poems, in 1965), one of only 1,000 copies (bound from sheets purchased from Faber and Faber, Heaney's London publisher). Tall, slim 8vo: 57,[1]pp. Publisher's aquamarine cloth, spine lettered in gilt; typographic dust jacket printed in salmon-pink and olive, lettered black, priced $3.75. Signed by Heaney on the title page. A stunning copy, tight, square and likely unread; about Fine jacket, fresh and bright, with usual fading to the fugitive salmon-pink on bottom half of spine panel but all lettering undiminished. Winner of the Somerset Maugham Award, the Cholmondeley Award, the Eric Gregory Award, and the Geoffrey Faber Memorial Prize. Heaney received the Nobel Prize in literature, in 1995. Brandes & Durkan A2b. A collection of 34 poems largely concerned with rural life, often in the context of childhood experiences and the formulation of adult identities and intimate relationships. It includes "Digging," "Death of a Naturalist," "Blackberry-Picking," among others. "Seamus Heaney has been, for good or ill, internationally the most prominent and the most popular Irish poet of the latter part of the twentieth century and the first part of the twenty-first. . . . His first two collections, Death of a Naturalist and Door into the Dark [a signed copy of which we also have on offer], largely written before the renewed outbreak of the so-called 'Troubles' in 1968, show Heaney alerting his audience to the violent history of colonisation on his native ground, but preoccupied also by the rhythms of life in a rural setting remembered from his childhood. He also, in a Wordsworthian manner, focuses upon the sources and resources of his own poetic voice and power." (Literary Encyclopedia) N. B. With few exceptions (always identified), we only stock books in exceptional condition, with dust jackets carefully preserved in archival, removable polypropylene sleeves. All orders are packaged with care and posted promptly. Satisfaction guaranteed.

      [Bookseller: Fine Editions Ltd]
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        Bell Jar, The

      London: Faber & Faber, 1966. First Edition thus. Hardcover. Fine/Fine. First Printing under the author's name. Small 8vo; [4], 258pp. Publisher's black cloth, spine lettered in gilt (still brilliant); illustrated dust jacket priced at 25s. A Very Fine copy, square, tight and unmarked, in a Fine jacket. Often identified as the second edition, this is, in fact, the third, the second being a reissue by Heinemann under its Contemporary Fiction imprint, still bearing the pseudonym 'Victoria Lucas,' in 1964. Plath's only novel, this roman à clef was published just one month before her suicide under the pseudonym Victoria Lucas. It "provides a savvy critique of gender and class relations in Cold War America, a psychological journey through illness and recuperation, a complex exploration of female identity . . . Although Plath dismissed the book as a 'potboiler' when describing it to her mother, probably because she knew it would hurt her mother's feelings, she felt excited while writing it, and it remains an impressive achievement today." (Lit. Encyclopedia) Note: With few exceptions (always identified), we only stock books in exceptional condition, with dust jackets carefully preserved in archival, removable polypropylene sleeves. All orders are packaged with care and posted promptly. Satisfaction guaranteed.

      [Bookseller: Fine Editions Ltd]
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        Vanity Dies Hard.

      8vo., original cloth with dust wrapper. A little chipping to wrapper, some spotting to edges and a little foxing to prelims otherwise a very good copy. First edition of the 3rd Ruth Rendell book which is one of her scarcest titles.

      [Bookseller: Henry Sotheran Ltd.]
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        Société d'anthropologie du sud-ouest

      In-4 Carré. Broché. Bon état. Couv. convenable. Dos satisfaisant. Intérieur frais. Fascicules relié ou non. Possibilité de vente au fascicule.Tables des matières 1966-1985 et tomes 1 à 10. 1966 N°1 , 1967 N°2, 1970: Tome 6 N°1, N°2, N°3, N°4. 1970 N°4, supplement au N°4,1970-71: Tome 7 N°1, N°2, N°3, N°4. 1972: Tome 8 N°1, N°2, N°3, N°4. 1973: Tome 9 N°1,N°3, N°4. 1974 Tome 10 N°1, N°2, N°3, N°4. 1976: Tome 11 N°1, N°2, N°3. Journées scientifiques sur le mésolithique 1976. 1977: Tome 12 N°2. 1078 Tome 13 N°2, N°3, N°4. 1979 Tome 14: N°1N°2,N°3, N°4. Rencontre Franco- Espagnole d'anthropologie bordeaux 1979. 1980: Tome 15 N°1N°2, N°3, N°4. 1981:Tome 16 N°1, N°2,N°3,N°4. 1982: Tome 17: N°1, N°2,N°3,N°4. 1983 tome 18: N°1, N°2,N°4, N°4. 1984: Tome 19 N°1, 1986: Tome 21: N°1,N°2, N°3, N°4. 1987: Tome 22 N°1, N°2, N°3,N°4. 1988: Tome 23: 4 Numéros. 1989: Tome 24: 4 numéros. 1990: Tome 25: 4 numéros. 1991: Tome 26: 4 numéros. 1992: Tome 27: 4 numéros. 1993: Tome 28: 1, 2, 3 et 4ème trimestre. 1994: Tome 29:1er, 2, 3et 4 ème trimestres( 3 fascicules). 1995: Tome 30: 1,2,3,4 trimestres (2 fascicules). 1996: tome 31: 1 et 2 trimestre (1 fascicule).

      [Bookseller: Le-Livre.Com]
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        Tarantula.

      Madison, Wisconsin: Wimp Press, c. 1966. First pirated edition. Octavo, original wrappers as issued. Signed by Bob Dylan in a contemporary hand on the title page. A very good example with the cover a little rubbed and marked. One of the earliest pirated editions of Dylan's novel, taken from the Macmillan 1966 proofs after production was delayed, pre-dating the 1971 trade edition. Scarce and desirable signed by Dylan. Written in 1966, Tarantula is a collection of poems and prose that evokes the turbulence of the times in which it was written, and gives a unique insight into Dylan's creative evolution. It captures Bob Dylan's preoccupations at a crucial juncture in his artistic development, showcasing the imagination of a folk poet laureate who was able to combine the humanity and compassion of his country roots with the playful surrealism of modern art. Angry, funny, and strange, the poems and prose in this collection reflect the concerns found in Dylan's most seminal music: a sense of protest, a verbal playfulness and spontaneity, and a belief in the artistic legitimacy of chronicling everyday life and eccentricity on the street.

      [Bookseller: Raptis Rare Books]
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        Fore-Edge Painting. A Historical Survey of a Curious Art in Book Decoration (Signed)

      New York: Harvey House, Inc, 1966. First Edition. Hard Cover with Dust Jacket. Fine/About Fine. SIGNED AND NUMBERED "COPY #102" ON TITLE PAGE BY CARL J. WEBER. ALSO SIGNED AND INSCRIBED ON HALF TITLE PAGE BY CARL J. WEBER. Quite a handsome copy, in a near fine dust jacket.

      [Bookseller: Charles Parkhurst Rare Books, Inc.]
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        Tarantula.

      Madison, Wisconsin: Wimp Press, c. 1966. First pirated edition. Octavo, original wrappers as issued. Signed by Bob Dylan in a contemporary hand on the title page. A very good example with the cover a little rubbed and marked. One of the earliest pirated editions of Dylan's novel, taken from the Macmillan 1966 proofs after production was delayed, pre-dating the 1971 trade edition. Scarce and desirable signed by Dylan. Written in 1966, Tarantula is a collection of poems and prose that evokes the turbulence of the times in which it was written, and gives a unique insight into Dylan's creative evolution. It captures Bob Dylan's preoccupations at a crucial juncture in his artistic development, showcasing the imagination of a folk poet laureate who was able to combine the humanity and compassion of his country roots with the playful surrealism of modern art. Angry, funny, and strange, the poems and prose in this collection reflect the concerns found in Dylan's most seminal music: a sense of protest, a verbal playfulness and spontaneity, and a belief in the artistic legitimacy of chronicling everyday life and eccentricity on the street.

      [Bookseller: Raptis Rare Books ]
 17.   Check availability:     ABAA     Link/Print  


        Roumeli. Travels in The Northern Greece.

      London: John Murray, 1966. FIRST EDITION. This copy additionally SIGNED BY THE AUTHOR via bookplate to pastedown. Octavo, pp.xii; 248. Publisher's blue cloth, titled and decorated in gilt to spine and front board. Minor edgewear. In a clean, bright dustwrapper which is a trifle toned to the spine. A near fine copy. An entertaining and often moving account of the author's travels through remote areas of Northern Greece and its minority communites. The Works of Patrick Leigh Fermor featured in The Guardian's 'Greatest Travel Book' Selection [2011].

      [Bookseller: Adrian Harrington]
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        Dictionnaire Biographique du Canada (13 tomes incluant les guide de Consultation)

      Les Presses de l'Université Laval 1966 - 13 tomes de l'an 1000 à aujourd'hui . Le Guide est pour les 4 premiers volumes [Attributes: Hard Cover]

      [Bookseller: Michel Guay]
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        Night Storm the Flat Racer

      Harrap, 1966. Hardcover. Used; Good. c/h. Hardcover; English language; Acceptable jacket; First Edition; Double Elephant - over 25" - 50" tall; Illustrator: c/h; good condition; jacket has a 2' split to front bottom edge;. Your book will be securely packed and promptly dispatched from our UK warehouse. All international orders are sent Royal Mail airmail.

      [Bookseller: Sunrise Books Ltd]
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        Cineraccio.

      Mardersteig per i Cento amici del libro, 1966. Cm. 30, pp. 65 (5). Con 19 acquaforti di Orfeo Tamburi entro e fuori testo. Legatura edit. in cartoncino con titoli impressi. Entro custodia. Perfetta conservazione, in stato di nuovo. Pregevole edizione in tiratura limitata di 118 esemplari numerati e firmati da Sanminiatelli (ns. n. II).

      [Bookseller: Studio Bibliografico Benacense]
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        Rivages

      First edition printed in 75 numbered copies on "pur-fil" paper.Our copy is enriched trade off, as the only copy of the deluxe edition of 20 original drawings by Albert Masri it has signed.Shipments autographs signed by illustrator justifications prints of the illustrations and text.Book illustrated in drawings and Inserts Albert Masri.Rare and pleasant complete copy of its advertising prospectus. --- Please note that the translation in english is done automatically, we apologize if the formulas are inaccurate. Contact us for any information! Imprimerie du Cannau Montpellier 1966 24,5x27,5cm & 24x26cm 3 volumes en feuilles sous chemise

      [Bookseller: Librairie Le Feu Follet]
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        Mani. Travels in the Southern Peloponnese; [with] Roumeli, Travels in Northern Greece

      London: John Murray [through 1966], 1958. First Edition. Hardcover. Near Fine/Near Fine. Two First Impressions of "two of the best travel books of the century." (Financial Times) Octavos in correct pictorial dust jackets by John Craxton. Mani: xiii,[5],320pp, with frontispiece and title-page vignette by Craxton, map of the southern Peloponnese by John Woodcock, and 26 photographs by Joan Eyres Monsell (the author's wife); Mani: Publisher's scarlet cloth, spine and upper cover stamped gilt, price-clipped (rather aggressively, catching just the corner of the final letter of the photographer's name). Near Fine, pages clean and binding secure, neatly erased name from front fly leaf, two corners lightly bumped; Near Fine jacket, spine panel very gently faded and top tip lightly rubbed. Roumeli: viii,248pp, with inserted double-page map of northern Greece on heavy grey stock by Craxton and 20 photographs by Monsell. Publisher's French blue cloth, spine and upper cover stamped gilt, dust jacket priced 30s. Near Fine or better (spine-tip cloth sunned, name neatly inked on front fly leaf ), very lightly read, gilt bright; Near Fine jacket (spine panel moderately tanned, tips lightly rubbed and nicked), front panel still bright and vibrant. All in all, an attractive set. During the Second World War, Leigh Fermor was stationed in Albania, Greece, and occupied Crete, where, disguised as a shepherd in the mountains, he helped organize the resistance. After the War he traveled in the West Indies and then settled in Greece. Mani, an exploration of that country's southernmost promontory, one of the most isolated regions of the world, is considered by some his finest book. ("Almost every page has its own literary tour de force, often with intimidating displays of learning and research mixed with fantasy, imagination and acute descriptions of the scene itself." Robin Hanbury-Tenison, Geographical: 76; pp. 42-49). It was followed by a sequel, Roumeli (the ancient name for the lands from the Bosphorus to the Adriatic and from Macedonia to the Gulf of Corinth) explores Northern Greece and its minority communities, taking the reader among Sarakatsan shepherds, the monasteries of Meteora and the villages of Krakora, among itinerant peddlers and beggars. Leigh Fermor was widely regarded as Britain's greatest travel writer during his lifetime, and he was once described as "a cross between Indiana Jones, James Bond and Graham Greene." N. B. With few exceptions (always identified), we only stock books in exceptional condition, with dust jackets carefully preserved in archival, removable polypropylene sleeves. All orders are packaged with care and posted promptly. Satisfaction guaranteed.

      [Bookseller: Fine Editions Ltd]
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        SEIS POEMAS ESCANDINAVOS

      Private Printing, Buenos Aires 1966 - Original glassine wraps a bit yellowed ; A loose leaf oeuvre of Borges. Including an original couache by the illustrating artist Juan Carlos Benites. SIGNED on copyright page by the printer Alejandro Shaw. ; 4to 11" - 13" tall [Attributes: Signed Copy; Soft Cover]

      [Bookseller: Complete Traveller Antiquarian Bookstore]
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        OSKAR KOKOSCHKA, OCTOBER - NOVEMBER 1966

      New York: Marlborough-Gerson Gallery. Very Good+. 1966. First Edition. Soft Cover. Illustrated front cover. Self portrait 1966. Lithograph on Japanese paper. Printed signature on front cover dated 1966. Edition 70. Hand written signature adjacent to rear covers, 1908 self portrait, "O Kokoschka," Ville Neuve (Vaud) Switzerland. Clean, soft pictorial covers. Text tight clean & intact. A hint of age toned edges. Austrian expressionist, Oskar Kokoschka (1886-1980). One of the leading masters of Modernism. Art Exhibition Catalogue illustrated with examples of color & b/w painting & graphic works. Art Catalogue; Paintings, Graphic Work Color & B/W; Square 8vo 8" to 9" tall; 132 pages .

      [Bookseller: Nick Bikoff, Bookseller]
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        Lettres à Roger Blin

      first edition, one of the review copies service.An autograph signed by Jean Genet to Margaret Bendy.Iconography.Back slightly insolated without gravity. Gallimard Paris 1966 14x20,5cm broché

      [Bookseller: Librairie Le Feu Follet]
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        THE WITCHES OF KARRES

      Philadelphia and New York: Chilton Books, [1966].. Octavo, cloth. First edition. A 1967 Hugo nominee for best novel. Anatomy of Wonder (1987) 3-329. A fine copy in fine dust jacket. A very scarce book in such splendid condition. (#153668)

      [Bookseller: L. W. Currey, Inc.]
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        Time-Life "Seicho no Hanashi [Growth]" (poster, silkscreen)

      1966 - Silkscreen poster for "Seucho no Hanashi [Growth]" of Kazumasa Nagai published by Time-Life in 1966. The poster is intact and keep very good condition. Size: 103 x 73 Cm

      [Bookseller: booksGYOZANDO]
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        NOW WAIT FOR LAST YEAR

      Garden City: Doubleday & Company, Inc., 1966.. Octavo, cloth. First edition. Novel of the future involving drug addiction and travel through time and alternate continuums. Earth under the domination of the Proxmen during the Proxman-Reeg interstellar war. A fine copy in nearly fine dust jacket with touch of rubbing to spine ends and corner tips, touch of shelf wear to upper spine end, and some mild dust soiling to rear panel. (#111895)

      [Bookseller: L. W. Currey, Inc.]
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        Koufax

      New York: The Viking Press, [1966]. First Edition. Hardcover. Very good +/very good +. Octavo, 294pp., plus some extra leaves with Koufax's statistics. A very good or better copy, with some foxing to endapers and page edges, in like dust jacket, foxed internally, with no other flaws. SIGNED on the frontispiece (a great photo of Koufax celebrating a victory). A very nice signed copy, scarce in this condition.

      [Bookseller: Cleveland Book Company]
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        Les dessins de Hans Bellmer

      Denoël 1966 - - Denoël, Paris 1966, 24,5x32cm, reliure de l'éditeur sous étui souple. - Edition originale sur papier courant. Reliure de l'éditeur en pleine toile rose, dos lisse, exemplaire complet de sa jaquette ainsi que de son étui souple. Envoi autographe signé d'Hans Bellmer à monsieur Milla en dessous de la justification du tirage. Abondante iconographie. Petites taches claires sur le second plat de l'étui. Agréable exemplaire. [AUTOMATIC ENGLISH TRANSLATION FOLLOWS] first edition on plain paper. Binding of the publisher in full pink canvas, smooth back, complete copy of its jacket and its soft case. Autographed autograph dedication of the author from Hans Bellmer to Mr. Milla below the justification of the draw. Abundant iconography. Small light spots on the second flat of the case. Pleasant copy. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Librairie Le Feu Follet]
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        VICTORIAN DETECTIVE FICTION

      Bodley Head 1966 - First edition. Number 10 of 25 copies reserved for presentation from a total edition of 500 copies, signed by Greene and Glover as well as John Carter (who contributed an introduction). Further inscribed in Carter's hand "for Mrs Kaye" at the base of the limitation page. Original green cloth in dustwrapper. A fine copy in a fine (price clipped) dustwrapper. The catalogue of a collection of first and early editions of detective fiction put together by Greene and his lover, Dorothy Glover. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Jonkers Rare Books]
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        Many are Called. With an introduction by James Agee

      Boston: Houghton Mifflin Co,, The Riverside Press Cambridge, 1966 - 4to (216 × 178 mm), pp.[xiv], 178. Black-and-white photographs. Cream endpapers. Black cloth-covered boards, spine and front lettered in white; top outer corner lightly bumped. Black-and-white photo-illustrated dust-jacket, text in grey and white; light wear to edges, corners rubbed, light creasing and wear to head and foot of spine, tiny chip to head of spine and fore-edge of lower flap, rubbing to spine and flap-folds. Errata slip tipped on to p.[vii]. Inscribed and signed by Evans in pencil on front free endpaper, with a numerical note in pencil opposite each photograph. Near-fine in an excellent dust-jacket. First edition, a significant association copy of one of Evans’s most important books, inscribed to George Rinhart who purchased several thousand prints from Evans, and introduced his work to Sam Wagstaff amongst others before selling the bulk of the collection to Harry Lunn. The inscription reads: ‘George Rinhart / “Called”? / Walker Evans.’ Sinibaldi, A. and Couturier, J-L., Regards sur un siècle de photographie à travers Le Livre (136); Rathbone, B. and Worswick, C., Walker Evans: The Lost Work; Roth A., The Book of 101 Books: Seminal Photographic Books of the Twentieth Century pp.180-81; Parr, M. and Badger, G., The Photobook: A History vol.I p.253; Roth, A., The Open Book: A History of the Photographic Book from 1878 to the Present pp.218-19; Auer, M. and M., 802 photo books from the M + M Auer collection p.456; North, M., ‘The Significance of Walker Evans’ Many Are Called in Two Distinct Moments,’ The Providence College Art Journal, p.32-45. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Oliver J. Wood]
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        The Reality Dysfunction (and) The Neutronium Alchemist (and) The Naked God (each volume inscribed/signed by the author).

      MacMillan: London 1966-1999 - All three volumes in the sf Night's Dawn trilogy. THE FIRST VOLUME INSCRIBED, SIGNED BY THE AUTHOR AND ALSO SIGNED BY DUSTJACKET ARTIST JIM BURNS: THE SECOND VOLUME INSCRIBED, SIGNED AND DATED BY THE AUTHOR (11/10/97) AT TIME OF PUBLICATION: THE THIRD VOLUME SIGNED AND DATED (16/10/99) BY THE AUTHOR AT TIME OF PUBLICATION. Fine copies in fine dustjackets (as new). [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: COLD TONNAGE BOOKS]
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        The Roxburghe Ballads [Nine Volumes in Eight]

      AMS Press 1966 - New York, 1966. 8vo, publisher's burgundy cloth. Complete in eight volumes. A complete reprint of the nine volume edition published by Hertford, Stephen Austin & Sons in 1871, considered to be the most complete. An important reference. This set was held in a university library and shows all normal marks, though the bindings remain in excellent condition and the contents are bright. Some foxing to tops of pages. Graded good because of the markings but a very usable and sound set. Please contact us for additional pictures or information. [Attributes: Hard Cover]

      [Bookseller: Auger Down Books, ABAA/ILAB]
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        Edouard Vuillard. Douze pastels présentés et commentés par Jacques Salomon

      Övrigt tryckt och skrivet. La Bibliothèque des Arts, Paris 1966. Linneklädd mapp innehållande 12 mycket fina reproduktioner i färg (storlek ca 33x25 cm), monterade på varsitt ark i storlek 46x38 cm. Tryckning Daniel Jacomet. Till varje reproduktion hör en dubbelvikt folder i samma storlek med verktitel och text. Därutöver en textfolder om 3 sidor. Numrerad upplaga, detta ex har nummer 221 av 350. Mappen innehåller följande titlar: I. Les Communs Au Chateau Des Clayes, II. La Chambre De Vuillard Aux Clayes, III. Les Sapins, IV. La Passerelle, V. La Saon Aux Clayes, VI. Dan Le Bois Des Clayes, VII. La Tourelle, VIII. La Parasol Orange, IX. Madame Vuillard A Table, X. Bouquet De Fleurs, XI. Le Square Vintimille, XII. La Vague.

      [Bookseller: Einar Larssons BLÅ KOSSAN]
 36.   Check availability:     Bokbörsen     Link/Print  


        [WARHOL] Aspen : the magazine in a box. Vol. 1, No. 3, 'The Pop Art Issue'

      Cover title: Now Aspen in an all new fab issue. Vol. 1 no. 3. New York : Roaring Fork Press, December 1966. Cardboard box with colour graphic based on Fab laundry detergent, 310 x 230 x 20 mm (a couple of splits to corners)), containing a flip-book of Warhol's film Kiss and Jack Smith's film Buzzards Over Bagdad; a flexidisc (creased) of the John Cale composition Loop by the Velvet Underground and Peter Walker's The White Wind, in an illustrated portfolio with essays by Lou Reed, Robert Shelton and Bob Chamberlain; the newspaper The Plastic Exploding Inevitable, with articles on LSD and marijuana; the portfolio Pop art 12 paintings op art from the Powers' collection; the booklet Season's Greetings, an illustrated essay on the Colorado wilderness house of Chuck and Lydia Rand; a survey promoting the fashion boutique Paraphernalia, titled Are you confused enough for Paraphernalia?; an advertising pamphlet for Vanguard Records; a broadsheet mimicking the New York Times, advertising Aspen; an advertising broadsheet for Guild Musical Instruments, and a ten-trip "ticket book"; original subscription forms,a complete edition, all original, and all contents in good condition. Aspen, published in ten issues between 1965 and 1971, was edited by Phyllis Johnson and featured contributions from many renowned and influential artists. The Pop Art Issue was designed by Andy Warhol and David Dalton. The cover art is reminiscent of Warhol’s Brillo Box works, imitating a brand-name detergent box design on front and back covers. Inside the front cover is a table of contents and contributors and inside the back cover is an advertisement for Verve Records. The portfolio containing The Velvet Underground flexi-disc resembles a contemporary press kit for a rock and roll band. It is highly significant in that it is the first published recording of The Velvet Underground. The portfolio includes three essays claiming to be three independent views on rock and roll: The View from the Bandstand / Life Among the Poobahs by Lou Reed, The View from the Critic’s Desk / Orpheus plugs In by Robert Shelton, and From the Dance Floor / …it’s the only radio station that’s never off the air by Bob Chamnerlain. The twelve cards reproducing paintings in the collection of John G. Powers include commentaries by the artists and collector. The artists represented are James Rosenquist, Bridget Riley, Gerald Laing, Roy Lichtenstein, Kenneth Noland, Andy Warhol, Claes Oldenburg, Larry Poons, Jasper Johns, William de Kooning, Charles Hinman and Ernest Trova. A stapled booklet profiling an owner-built home outside Aspen belonging to the Rands features several black and white and colour photographic reproductions. The cover imitates a 1960s Christmas card with a black and white image of the snow-covered house with a red border and red printed Season’s Greetings in the lower left-hand corner. The newspaper Exploding Plastic Inevitable is the first and only edition, a tabloid style printed newspaper with illustrations, advertisements, cartoons and articles. Contributors include Ron Tavel, Gerard Malanga, John Wilcock, Jonas Mekas and Patricia Oberhaus. The Underground Movie Flip Book is a small two-way flip-book featuring stills from Andy Warhol’s 1963 experimental film Kiss and a preview of Jack Smith’s forthcoming Buzzards over Bagdad. The Berkeley Conference on LSD is a small pink card booklet (stapled) resembling a book of tickets, titled Ten Trip Ticket Book. Each page (ticket) contains excerpts from fourteen papers presented at the Berkeley Conference on LSD, held in 1966. Contributors include Richard Blum, William Frosch, Rolf von Eckartsberg, Frank Barron, Joseph D. Lohman, USCO, Michael Harner, Richard Alpert, Eric Kast, Abram Hoffer, Claudio Naranjo, Paul Lee, Houston Smith and Timothy Leary. Other ephemera in the box includes advertisements in the form of loose sheets: an Aspen Magazine subscription form; a quarter-fold brochure Folk Music on Vanguard (Vanguard Records); an A3 size poster (folded) promoting Paraphernalia, and a slightly larger than A4 size sheet advertising Guild Musical Instruments. Each issue of Aspen was published as a box containing ephemeral material, and was designed by various important experimental artists. The Warhol issue, with its vivid pop cover, is the most sought after, and is scarce complete. A single complete run of Aspen is recorded in Australian collections (National Gallery of Australia Research Library).

      [Bookseller: Douglas Stewart Fine Books]
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        Collection des Editions Lettrisme et Hypergraphie (E.L.H.) créée par R. Sabatier et R. Spacagna. Série de 10 fascicules.

      Paris, E.L.H., 1966. - 13,5 x 10,5 cm. 10 vol. brochés, couv. illustrées. Edition originale, 10 volumes parus sur les 15 annoncés (dont 4 non parus) : n°1, Roland Sabatier, Lettrie de chambre / n°3, Jacques Spacagna, Lettrines I. de A à M / n°4, Collectif, Lettries & Hypergraphies, Lettries et dessins reproduits de Isidore Isou, Micheline Hachette, Roberto Altmann, etc. / n°5, Roland Sabatier, Œuvres aphonistes / n°7, Aude Jessemin & Jacques Spacagna, Lettries érotiques et leurs images / n°8, Micheline Hachette, Intervalle / n°10, Roland Sabatier, Oméga 3 Ballet ciselant / n°13, P. A. Gette, Morphomythologie / n°14, Collectif, Hypergraphies comparées. Catalogue de l’exposition Hachette, Jessemin, Sabatier et Spacagna à la Galerie Simone Loliée à Paris, en nov/déc. 1966 / n°14bis, Alain Satier Superstrat.- Les volumes : 6 (Spacagna), 9 (Roland Sabatier), 11 (Spacagna) et 15 (De La Tour) n’ont pas été publiés.- On joint Salle lettriste et hypergraphique, Musée national d'Art moderne, 1968, 16 p., ill. [Attributes: First Edition; Soft Cover]

      [Bookseller: SOLSTICES RARE BOOKS]
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        Everything That Rises Must Converge

      London: Faber & Faber. (1966). First. Uncorrected Proof of the first English edition. Two tiny staple holes on the front wrap else fine in unprinted wrappers. A desirable advance state of this classic collection of short stories, the scarcity of which can be judged by the fact that only 2000 copies of the trade edition were printed. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Sweet life.

      Amsterdam, De Bezige Bij, 1966. Square folio (29. 3 x 29.4 cm). Frontispiece, title page, [lvii] pp. [text], 179 pp. [photographic images], Publishers full, printed, cloth with title on the spine and author's autograph as vignette on the front board. Pictorial endpapers. In original pictorial dust jacket.= "Sweet Life" is the result of a 14 month-long world journey that the Dutch photographer and filmmaker Ed van der Elsken (1925-1990) made in 1960-1961, covering West Africa, the Malay Peninsula, The Philippines, Hong Kong, Japan, the United States and Mexico. It is widely regarded as Van der Elsken's magnum opus. "At the suggestion of Dutch photographer Emmy Andriesse (1914-1953) [Van der Elsken] moved in 1950 to Paris. He was employed in the darkrooms of the Magnum photography agency, printing for Henri Cartier-Bresson (who was impressed with his street photography), Robert Capa and Ernst Haas. There he met (and in 1954 married) fellow photographer Ata Kandó (b. 1913 Budapest, Hungary), twelve years his senior, living with her three children among the 'ruffians' and bohemians of Paris from 1950 to 1954" (Wikipedia). Provenance: gift from Van der Elsken to his wife, the photographer Gerda van der Veen (1934-2006) (inscribed on the endpapers). Two small tears in the margins of the dust jacket, otherwise a very good, unique copy.

      [Bookseller: Antiquariaat Schierenberg]
 40.   Check availability:     Biblio     Link/Print  

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