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Displayed below are some selected recent viaLibri matches for books published in 1966

        A Candle for the Dead

      NY:Abelard, 1966. - VG+/NF. 1st edition, 1st printing Basis for the 1967 UK film, The Violent Enemy, starring Tom Bell as Sean Rogan. Book has slight slant, shelf wear on bottom edges, chipping at top corner of half-title page and bookplate on half-title page. Jacket has both corners of front flap clipped and rubbing at spine and flap fold ends. We offer a LIFETIME GUARANTEE. See KHBOOKS for details. [Attributes: First Edition; Hard Cover]

      [Bookseller: Ken Hebenstreit, Bookseller]
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        Monumentos y Perspectivas de la Ciudad de Mexico, 1841

      Chavarri and Arce Editores, Mexico City 1966 - Large folio (22" x 14.25" ; 56 cm x 36 cm), [75] pp, including 17 facsimile plates lithographed on silk and matted, each with a leaf of explanation, 4 plans, and a facsimile of the original (1841) title page. The final 4 plates are tinted yellow. The edition was limited to 1000 numbered copies, of which this is #170. This deluxe edition -- it is hard to imagine anything more deluxe -- is quite uncommon: there are no appearances at auction, and only 14 library holding on OCLC. The original edition of this is virtually unobtainable. The effect of the lithography on silk is quite remarkable -- photos attached -- imparting a luminosity and intensity to the prints that is not always present in the originals. The first edition of 1841 had only 12 plates, showing notable city buildings, while this has 17, the latter group of 5 being Gualdi's famous panoramic views of Mexico City. In addition, this is a presentation copy to the well-known Chicago architect, William Pereira (1909 - 85), who was noted for his futuristic designs, including the landmark Transamerica Pyramid in San Francisco. One silk a bit wrinkled, otherwise all are in perfect condition, and imminently frameable. The binding is full calf, decorated in gilt, with some minor rubbing. Very good copy. [Attributes: Signed Copy; Hard Cover]

      [Bookseller: PLAZA BOOKS ABAA]
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        PASSAGES 22-27 OF THE WAR

      [Berkeley]: Oyez, [1966].. Pictorial wrappers, handbound into red cloth. Fine. First edition, first issue, hardbound (presentation) issue. One of six copies, specially bound, with a handwritten limitation statement by Duncan, in this case illuminated by a multicolored ink border: "4 of 6 bound by Dorothy Hawley and signed by the author Robert Duncan for John Martin." Bertholf's discussion of a collage of photographs and newspaper clippings may have been particular to the copy he examined, and the extra illumination by Duncan of the colophon present in this copy does not figure in his description and may be particular to this copy for presentation to his future publisher. Laid in front is a small slip of paper, bearing Denise Levertov's address, in Duncan's hand. By virtue of the limitation, a rare form of this title. BERTHOLF A19b.

      [Bookseller: William Reese Company - Literature ABAA-]
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        The Years As Catches

      Berkeley: Oyez. 1966. First. First edition. Fine in fine dustwrapper. One of 30 numbered and Signed hors de commerce copies of the hardcover issue that have had the endpapers of the book extensively hand-illustrated by the author. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Andy Warhol: Holy Cow! Silver Clouds!! Holy Cow!

      Cincinnati: The Contemporary Art Center, (1966). Top corners lightly creased, else in near fine condition.. 7 5/8 X 10 inch postcard invitation to the members' opening for Andy Warhol: Holy Cow! Silver Clouds!! Holy Cow! at The Contemporary Art Center, Cincinnati, on May 17, 1966.

      [Bookseller: Harper's Books, Inc.]
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        The Winds of Change 1914-1939: Blast of War 1939-1945: Tides of Fortune 1945-55: Riding the Storm 1956-1959:

      Macmillan, UK 1966 - 1st Editions 1966 - 1971. Four Volumes. Flat signed to each volume by Harold Macmillan. All 1st editions except The Winds of Change which is a 2nd Imp. The four volumes are The Winds of Change 1914-1939: Blast of War 1939-1945: Tides of Fortune 1945-55: Riding the Storm 1956-1959: Reprint 1970. Beautifully bound by Aquarius in full calf leather and gilt detailing. Gilt to page edges. A lovely quality set and very un-common signed. All books in fine condiiton. Contents very good. More images can be taken upon request. .Ref8067 [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Lasting Words Ltd PBFA]
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        THIS AMERICA: A Portrait of a Nation

      Random House, New York 1966 - 4to. Blue cloth. Near fine in a very good jacket. Jacket lightly edgworn with some tearing. Scuff to spine. Some shelfwear to book extremities. INSCRIBED by Lady Bird Johnson to ffep: "To Harold Saunders / with our appreciation and best wishes, / Lady Bird Johnson / Christmas 1966." Additionally SIGNED by President Johnson beside his wife's signature. Harold Saunders was a member of the National Security Council staff from 1961 through Johnson's tenure as President. He subsequently served as Assistant Secretary of State for Near East Affairs from 1978 to 1981 and was intrumental in both the Camp David Accords as well as the Iranian hostage crisis. Johnson was something of a reluctant signer and books genuinely inscribed by him are uncommon, with many secretarial examples misidentified. A warm association. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Brian Cassidy, Bookseller ABAA/ILAB]
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        Original Photographs of Hank Bauer in Presentation Binder from Life Magazine

      Folio. Spiral bound flexible red plastic Life Magazine wrappers. Binder is near fine with a little light wear. Clear sheets enclosing fifteen fine, original black and white, or sepia-toned photographs of baseball player Hank Bauer when he was manager of the World Series-winning 1966 Baltimore Orioles. Each photo has the back mark of Life Magazine, and the name of the photographer. Ten are by Bob Gomel and are labeled for an article "Baseball - Hank Bauer," the other five are by Jerry Brimacombe for an article "Sam McDowell." Sizes of each are approximately 8.5" x 13". Apparently prepared for two different articles, we can only presume that they were given to Bauer in this presentation folder. Bauer is pictured alternately pensive, playful, and pugnacious, including a series of photos of him nose-to-nose with an equally unhappy umpire. The hardnosed Bauer had been a Marine hero in WWII and was also noted as one of Mickey Mantle's preferred drinking partners when he played for the New York Yankees. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Handbuch der Vögel Mitteleuropas, 14 Bände (in 22 Bänden) + Registerband (neuwertiges Exemplar in Schutzumschlägen und Schubern).

      Wiesbaden, Akademische Verlagsgesellschaft / Aula-Verlag, 1966 - 1998.. Vollständiges Werk in 14 Bänden (gebunden in 22 Bänden) sowie der Registerband. Grüne Original-Ganzleinenbände mit goldgeprägten Rückentiteln sowie goldener Motivprägung auf dem Vorderdeckel. Die Bände befinden sich noch in den Original-Schutzumschlägen sowie (bis auf die Bände 1 und 2) in den Original-Schubern. Wissenschaftliches Handbuch der mitteleuropäischen Vögel und Standardwerk der mitteleuropäischen Ornithologie. Ursprünglich konzipiert als Fortführung des von Günther Niethammer herausgegebenen Handbuchs der deutschen Vogelkunde, das zwischen 1937 und 1942 erschienen war, wuchs das neu konzipierte Handbuch weit über die Grenzen des Vorgängerformates hinaus. Für das über einen Gesamtzeitraum von mehr als drei Jahrzehnten erschienene Werk wurden zahlreiche Fachleute sowie namhafte Tiermaler- und -illustratoren herangezogen. Im Gesamtumfang von ca. 15.700 S., mit ca. 3.200 Abbildungen und Illustrationen. Bd 1. Gaviiformes - Phoenicopteriformes. Bde. 2 u. 3: Anseriformes. Bd. 4: Falconiformes. Bd. 5: Galliformes und Gruiformes. Bde. 6 - 8: Charadriiformes. Bd. 9: Columbiformes - Piciformes. Bde. 10 - 14: Passeriformes. Registerband: Register zu den Bänden 1 - 14. Verzeichnis der Namen. Allgemeine Bibliographie.. Vorsätze mit ästhetischem kleinen Eulenstempel sowie partiell mit kleinem Namenseintrag. Die Bände befinden sich in nahezu neuwertigem Zustand und sind augenscheinlich unbenutzt; zahlreiche Verlagsprospekte sowie die Original-Rechnung für die Bände 12/I und 12/II (DM 345,00) noch beiliegend. Weitere Fotos auf der Homepage des Antiquariats (bitte Art.-Nr. auf der Angebotsseite in das Suchfeld eingeben).

      [Bookseller: Das Konversations-Lexikon - Fachantiquar]
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        Handbuch der Vögel Mitteleuropas. Band 1-10 in 12 Bänden ( von insgesamt 15 in 23 Teilen erschienen Bänden )

      Frankfurt, Wiesbaden, Akademische Verlagsanstalt; Aula, 1966.. ( Erscheinungszeitraum der vorliegenden Bände 1966 - 1985 ). Vorhanden sind die Bände 1 ( Gaviiformes - Phoenicopteriformes ) / 2-3 ( Anseriformes, Teil 1-2 ) / 4 ( ) / 5 ( Galliformes und Gruiformes ) / 6, 7, 8/1 + 8/2 ( Charadriiformes, Teil 1-3 cpl. ) / 9 ( Columbiformes und Piciformes ) / 10/1 + 10/2 ( Passeriformes, Teil 1-2 cpl. ). Mit zusammen ca. 9500 Seiten sowie sehr zahlreichen Illustrationen, teils auf Tafeln ( darunter auch einigen farbigen ) sowie zahlreichen Verbreitungskarten etc.. Jeweils in goldgeprägten, grünen Oln, Groß8°. Einbände cellophaniert, wenige Bände gering fleckig oder gering angestoßen. Innen Papier teils leicht gebräunt ( Neupreis der teils noch lieferbaren Bände ca. 950 EURO ). Insgesamt wohlerhalten. ( Gesamtgewicht ca. 18000 Gramm ) ( Lagerort LG ) ( Pic erhältlich / webimage available ).

      [Bookseller: Buchhandlung & Antiquariat Friederichsen]
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        Specimen Pages of Korean Movable Types.

      Los Angeles: Dawson's Book Shop, 1966. - Considered one of KoreaÕs greatest cultural achievements, the discovery of movable type in metal is a Korean innovation in printing which dates as early as the thirteenth century and predates Western printing by nearly 200 years. This edition is considered the best work on the subject and is beautifully printed by Voyages Press, Tokyo. It was five years in the making. Folio. 31 x 43 cm Frontispiece and twenty-two mounted specimens of movable type (twenty facsimiles, two originals). Quarter white buckram over yellow paper boards. The binding was made by Kim Dong of Seoul, the only surviving practitioner of the craft of yellow handmade papermaking for traditional Korean bindings. A little soiling to covers, bookplate on front pastedown. A near fine copy in original plain yellow dust jacket, in publisherÕs slipcase. $3750 [Attributes: Hard Cover]

      [Bookseller: Michael R. Thompson Books, A.B.A.A.]
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        Giovanni Mardersteig. An account of his work.With specimen pages of Griffo Zeno, Dante and Pacioli types

      Verona: Printed at the Officina Bodoni, 1966 - (OFFICINA BODONI) One of 135 copies, signed by the author. 8vo. 30pp. Original wrappers. Fine copy, with the card of Martino Mardersteig laid in [Attributes: Signed Copy; Soft Cover]

      [Bookseller: James Cummins Bookseller, ABAA]
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        XXVIII Kompositionen zu Goethes Faust. Erster und Zweiter Teil. Mit einer lose beilieg. kolor. OZeichnung und 28 Farbillustrationen von Otto Baumberger. Einführung von Karl Schmid.,

      Weiningen und Zürich, J. und R. C. Baumberger, 1966 - 84 nn. S. Nr. XI von LXX röm. num. u. namentl. bezeichneten Exemplaren (GA 300) der Vorzugsausgab A mit der kol. OSkizze aus dem Nachlass des Künstlers und in Ziegenpergament gebunden. Sprache: de Gewicht in Gramm: 550 4°, OPergament mit goldgepr. RTitel in OPp.-Schuber

      [Bookseller: Antiquariat Galerie Joy]
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        A Smuggler's Bible

      New York: Harcourt Brace and World. (1966). First. First edition. Advance Reading Copy in yellow wrappers. About fine in wrappers, as issued, housed in a custom cloth clamshell case with leather spine label. The author's first book. Warmly Inscribed by McElroy to fellow author Jonathan Carroll, with a 1971 Typed Letter Signed by McElroy to Carroll discussing the book, comparing it to his works that followed, and mentioning the futile attempts by the publisher to market it. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Rosas de romances. (Valencia, 1573) / Advertencia de los editores, A. Rodriguez Moñino y Daniel Devoto

      - EDICION DE BIBLIOFILO, LIMITADA Y NUMERADA.- Valencia: Ed. Castalia, 1966.- 4 tomos en un volumen, (XI p. + LXX folios, [2 h.]; [1 h.], XCV folios, [1 h.]; [1 h.], LXXI folios, [1 h.]; [1 h.], LXXXIII folios, [1 h.] + [4 h.] al final con el índice alfabético de primeros versos): Con las portadas facsímiles de los cuatro tomitos a dos tintas; 8º (18 cm.); Excelente impresión sobre papel de hilo verjurado de la casa Guarro con sus barbas; Plena Piel Chagrén roja, lomera dorada y cabeza pintada en granate, conserva cubierta anterior original, estuche.- (Floresta. Joyas Poéticas Españolas. 8. Director "Antonio Rodriguez Moñino").- Esta edición constituye la primera reimpresión (y acaso, única) de este líbro, del cual solo existe el ejemplar que se conserva en la Biblioteca Nacional de Viena, que es la edición de "Valencia, en casa de Joan Navarro, año 1573". La presente edición consta de 125 ejemplares numerados e impresos sobre papel de hilo Guarro. Este ejemplar es el Nº 3. Otro ejemplar con el Nº 32. al mismo precio. IMPECABLE ESTADO. Libro en español [Attributes: Hard Cover]

      [Bookseller: Librería Miguel Miranda, AILA ILAB]
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        Sweet Life

      New York: Harry N. Abrams. (1966). First. First edition. Oblong folio. Fine in fine dustwrapper. A beautiful copy of a splendid book, with deep, rich gravure images. Parr and Badger, The Photobook Volume 1, p. 254-255. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        A Delicate Balance

      New York: Atheneum. 1966. First. First edition. Fine in fine dustwrapper. Inscribed by Albee to the play's producer, Clinton Wilder: "For Uncle Clinton, love, Edward." Wilder's first Broadway credit was as a replacement Stage Manager in the original production of Tennessee Williams's A Streetcar Named Desire. He shortly thereafter moved into producing plays, and in 1963 formed the Playwrights Union with Albee and co-producer Richard Barr with the aim of encouraging new dramatists. Beginning with Who's Afraid of Virginia Woolf, Wilder and Barr produced many of Albee's plays on Broadway. Winner of the Pulitzer Prize for Drama. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Octopussy and The Living Daylights

      London: Jonathan Cape. (1966). First. First edition, first issue, binding A. Small London booksellers's label on front pastedown else fine in fine dustwrapper. Fleming's last two novellas. A superior, nearly as new copy. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Octopussy And The Living Daylights

      Jonathan Cape, London 1966 - First edition fine with an unclipped fine dust jacket. Price stick on 16s. net. Pictures available upon request. [Attributes: First Edition]

      [Bookseller: SS/PA Books]
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        Arms and Influence.

      Yale University Press, New Haven 1966 - First edition. Octavo, original red cloth. Signed by the author on the title page. Near fine in a near fine dust jacket. A very nice copy of an important book, that is uncommon signed. In Arms and Influence, Nobel Prize-winning economist Thomas Schelling argues that bargaining power, and the exploitation of this power, for good or evil, to preserve peace or to threaten war, is diplomacy—the diplomacy of violence. The author concentrates in this book on the way in which military capabilities—real or imagined—are used, skillfully or clumsily, as bargaining power. He sees the steps taken by the U.S. during the Berlin and Cuban crises as not merely preparations for engagement, but as signals to an enemy, with reports from the adversary's own military intelligence as our most important diplomatic communications. Even the bombing of North Vietnam, Mr. Schelling points out, is as much coercive as tactical, aimed at decisions as much as bridges. "An exemplary text on the interplay of national purpose and military force" (Book Week). [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Raptis Rare Books, ABAA/ ILAB]
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        Technische Überwachung - Sicherheit + Schadenverhütung + Wirtschaftlichkeit in Betrieb und Verkehr - Band 7 - 1966 - weitere auf Anfrage : 1967+1968

      VDI, Düsseldorf 1966 - 440 Seiten. Werkstoff. Zustand: Gut min. gebräunt (Innen); Bibliotheksex.; Einband Außen hat leichte Gebrauchsspuren; 1500 Gramm. [Attributes: Hard Cover]

      [Bookseller: Gebrauchtbücherlogistik H.J. Lauterbach]
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      JEAN SCHIPPER 1966 - R160129768: 400 pages. Quelques illustrations en noir et blanc hors texte. Dos à 5 nerfs. Ecritures au stylo sur la page de titre. 3 première pages débrochées avec un manque sur la premier page de préface. Manques importants en dos. In-8 Relié plein cuir. Etat passable. Plats abîmés. Dos abîmé. Intérieur acceptable Classification Dewey : 200-RELIGION [Attributes: Hard Cover]

      [Bookseller: le-livre]
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      Cavallino, Venezia 1966 - In 12° en accordéon, empreintes et découpages de Arman.Tirage limité à 400 exemplaires numérotés et signé par l'auteur et l'illustrateur. Manque le bandeau. [Attributes: Signed Copy]

      [Bookseller: La Basse Fontaine]
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        Richard Nixon, speaking before The University of Rochester, amid protests against his appearance, denounces historian Eugene Genovese for his vocal support of the Viet Cong rebels: <i>"Any teacher who uses the forum of a university to proclaim that he welcomes victory for the enemy in a shooting war crosses the line between liberty and license. If we are to defend academic freedom from encroachment, we must also defend it from its own excesses."</i> Signed only four years before the Kent State shootings would galvanize the nation against the Vietnam War

      Typed letter signed, ?Dick ," 1 page, 7.25? x 10.5? on his personal letterhead, New York, June 6, 1966, to publisher James Copley enclosing a copy of his June 5, 1966 commencement address before the University of Rochester. Accompanied by a 8 page copy of Nixon's typescript address, 8.5" x 11" and headed, "Commencement Address by Richard M. Nixon University of Rochester... Sunday, June 5, 1966." Both the letter and the enclosure bear file holes at top, a few minor staple holes at the top left corners, and the expected mailing folds, a few minor corner creases, else fine condition. Nixon writes to Copley in full: "In view of recent protests against American policy in Vietnam on college and university campuses, I thought you might be interested in my remarks on this subject at the University of Rochester on June 5." University of Rochester President, W. Allen Wallis' announcement that Richard Nixon had been invited to delive

      [Bookseller: University Archives]
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        A Christmas Memory

      Random House 1966 - New York: Random House, [1966]. First edition, first printing. One of 600 specially bound and numbered copies, SIGNED by the author. Fine in gilt-titled green cloth; in a fine clear mylar dust jacket; housed in a fine original publisher's slipcase. Also comes with a custom0made collector's slipcase enclosing the publisher's slipcase. Thin octavo. 45 pages. This autobiographical recollection of Truman Capote's rural Alabama boyhood has become a modern-day classic. "A Christmas Memory" was orginally published in Mademoiselle in 1956 and was later included in BREAKFAST AT TIFFANY'S. [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Bookbid]
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        The Spectra Hoax [presentation, association]

      Wesleyan University Press, Middletown, CT 1966 - Middletown, CT: Wesleyan Univeristy Press, 1961. First Edition. Signed by lead hoaxer Witter Bynner [as "Emanuel Morgan"], presented to Kenneth L. Ball, the student who first discovered his identity. Octavo, 158 pp, beige cloth with black and white imprinting, jacket. Fine book in near fine jacket showing trace edgewear. A singular copy of the book about "the hoax" . In the early years of the twentieth century, all of the arts - particularly poetry - were thriving in the midst of a post-industrial-revolution swell of excitement, creativity and new aesthetic "schools"; poetry, for its part, rolled out Imagism, Vorticism, Futurism, Chorism, and a rogue's gallery of other new poetic genres, each based on its own aesthetic theorizing. Appearing in the midst of this rather joyous and certainly passionate carnival were Emanuel Morgan, expatriate painter-turned-poet reunited with his native Pittsburgh, and his close friends and colleagues, the beautiful Hungarian poet (who wrote in Russian) Anna Knish, and barrister Elijah Hay. In 1916, Morgan and Knish took the poetry world by storm with their Spectrist school of poetry, which was based on three visions of the term - spectra, the task of the artist to perceived beauty in its component colors, rather than as the glorious white light in which it occurs naturally; the reflex vibrations of that same light which occur only within the artist, like the light phenomena in our eyes; and spectre, the yet more difficult task of uncovering the subtle, hidden spirits behind and within beauty. Morgan used regular rhymed stanza in his spectrism offerings, while Knish used only free verse, but they were attempting the same thing. The poetic world was quickly awash in discussion and analysis of the spectrist school; a few thought the intellectual foundation to be a bit pretentiously framed, others thought it strange that there had been no public appearances by the pair or their lawyer colleague Hay; but the fermenting, energetic world of poetry at the time was full of new voices and figures. No one seemed to take much note of the fact that some of the lines seemed a bit nonsensical, others downright humorous. After all, poetry had few rules, even then. Some were suspiscious, however, that many of the poems, especially in the duo's lead vehicle, the publication Spectra, didn't seem to fit, in any clear way, the espoused theory. Some uneasy suspicion about Morgan and Knish - and about poet/lecturers Witter Bynner and Arthur Ficke, who first wrote about them in depth - started to sprout. Finally, in 1918, a young student at the University of Wisconsin, after a lecture by poet Witter Bynner, asked Bynner if it were not true that he was, in fact, Emanuel Morgan, and that Ficke was, in fact, Knish. A bit wearied- even embarrassed - by the hoax by then [and knowing that his underlying goal of lampooning pretentious schools of poetry couldn't be consummated anyway, without revelation] , Bynner confessed all, including the fact that their supportive "briefless barrister", Elijah Hay, was another colleague, Marjorie Allen Seiffert. One of the greatest literary hoaxes in history was at an end. Although the identity of the young challenger is not known with certainty (it was not, Bynner let it be known, Horace Kallen, who at one time claimed the unmasking], there is some feeling that Kenneth L. Ball, to whom this volume was presented and inscribed "with a bow" by Bynner [signing as Emanuel Morgan], was that student. The volume contains the history of the hoax as well as the complete text of the original Spectra. Please feel free to ask questions or request additional scans. - L6 [Attributes: First Edition; Hard Cover]

      [Bookseller: Singularity Rare & Fine]
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      New York: Alfred A. Knopf,. [1966]. Octavo,. cloth-backed boards.. A fine copy in nearly fine dust jacket with touch of shelf wear to. corners and spine ends. (#132054). First edition. A presentation copy with signed inscription by Millar to noted Canadian author and educator Marshall McCluhan and his wife Corinne: "Santa Barbara / Xmas 1965 / For Marshall and Corinne / with love and admiration / Ken." Marshall McCluhan spent time guest teaching in Santa Barbara where he and Millar met and became lifelong friends. A Lew Archer novel.

      [Bookseller: L. W. Currey, Inc.]
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        Three Original Paintings

      Two original acrylic miniature paintings and one miniature watercolor painting. Each is approximately 3.25" x 4.25" and is housed in an envelope addressed to Lady Kay Deeks. As follows: 1) an original acrylic painting mounted on a white card with Nocho&#39;s name stamped on the verso and on the flap of the envelope. The envelope was sent from Montreal and postmarked 1966, addressed in his Nocho&#39;s hand to Lady Kay Deeks in London, with his return address handwritten on the flap; 2) an original acrylic painting on a small greeting card, Inscribed inside "May God Forever Bless You" and Signed "Lobo Nocho." The envelope is postmarked New York 1968 and is addressed in his hand to "Lady Kay" with his name and address handwritten on the flap of the envelope; 3) an original watercolor on a greeting card Inscribed inside "God Bless" and Signed "Lobo Nocho." "Lady Kay Deeks" is written in his hand on the envelope, which was apparently delivered in person, as it bears no postal marks. The paintings are of abstract subjects and are quite striking. They are in fine condition. The envelopes are in very good condition.Nocho was an African-American expatriate artist who spent much of his life in France. He grew up in Philadelphia. When he was 19, he joined the Canadian Army, then transferred to the U.S. Army and participated in the Normandy invasion. Though many of his paintings won top awards and were exhibited in Philadelphia, he refused to sell any of them. At age 25, he renounced his American citizenship. His older brother said, "He was always sensitive about race and the way Negroes are treated in this country. He just couldn&#39;t adjust to Philadelphia life any more and once told me he thought everyone who looked at him on the street regarded him not as a painter, not even as a human being, but as a black man." After renouncing his citizenship, he worked as a singer and a dancer as well as a painter. He painted the design on the door of the popular Paris jazz club, the Mars Club, a haunt of American musicians, especially African-American musicians.At the age of 44, after becoming a French citizen, he became romantically involved with the fifty-year-old Sarah Churchill, daughter of Sir Winston Churchill. She rented a lavish Roman villa for him in which he could paint, though Churchill&#39;s father did not approve of her affair "with a Negro artist-playboy" (Jet, July 28, 1966). One of her published poems decries his objections: "Forgive me if I do not cry / The day you die / The simplest reason that I know / You said you&#39;d rather have it so" and "This is what I have chosen / This moment bitter and free / This is what I have chosen." Nocho&#39;s vivid, original art is very uncommon. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Live or Die

      Houghton Mifflin 1966 - SIGNED BY ANNE SEXTON on title page. 1966 4th Printing. Bookplate on reverse of cover with some names in pen. Light age-wear on wraps with some fraying at corners, light smudges and some minor abrasions. Small surface-tear near foot of spine. Overall, in quite nice shape. [Attributes: Signed Copy; Soft Cover]

      [Bookseller: Twice Sold Tales]
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        Toonneel Der Steden Van de Vereenigh de Nederlanden Met Hare Befchrijvingen, Uytgegeven. (Dutch City Maps)

      Amsterdam: L. Van Leer & Co. 1966, Facsimile Edition. (Hardcover in slipcase) unpaginated. Very good. 22" X 13.5". Facsimile atlas in slipcase. Light brown leather with gilt decoration on spine, title and name of author in gilt lettering on black and red title labels on spine (labels peeling off slightly). Gilt coat of arms stamped decoration on front cover. Clean eggshell coloured endpapers. Beautiful coloured illustrated title page with several crests. 32 colour plates of maps (span across two pages each). In very good condition with scratch and light fold on last page. Text in dutch. In mustard coloured cloth slipcase with gilt stamped crest on front, worn at corners and edges. A beautiful facsimile edition of Joan Blaeu&#39;s (23 September 1596 &#150; 28 May 1673) &#39;Dutch City Maps&#39; from 1649. Includes beautiful two-page spreads of maps by the famous Dutch cartographer and the son of cartographer Willem Blaeu..

      [Bookseller: Aquila Books]
 30.   Check availability:     Biblio     Link/Print  

        Civitates orbis terrarum, 'The towns of the world, ' 1572-1618 (3 Volume set)

      World Publishing Company 1966 - 3 volume set. Fine. 6 pts. in 3 v. maps, plates. 45 cm. Suitable for a gift, with no wear. Clean, unmarked pages. Perfect bindings and covers. Hardcovers and dust jacket. Six col. plates in pocket of v. 1."Facsimile edition . of the six volumes . apparently printed by Peter von Brachel about the years 1618-23." This is an oversized or heavy book that requires additional postage for international delivery outside of Canada and the US. [Attributes: Hard Cover]

      [Bookseller: Sequitur Books]
 31.   Check availability:     AbeBooks     Link/Print  

        The Holy Land [Det heliga landet] [Signed / Ingraverat]

      London: Chatto & Windus, 1966. First UK edition. Hardcover. Very Good +/very good +. A Fine copy of the First UK edition, in a quite Near Fine dust jacket (light rubs at front panel corners, spine lightly sunned), SIGNED BY PAR LAGERKVIST on the title page; a continuation of an allegorical tale by the great Swedish poet, playwright, novelist, and essayist (following "The Death of Ahasuerus", 1960, and "Pilgrim at Sea", 1962) attempting to polarize the Christian ethos and modern attitudes, SIGNED BY PAR LAGERKVIST on the title page. Elected in 1940 as one of the 18 "Immortals" of the Swedish Academy, Lagerkvist was as highly influential writer from his twenties into his seventies, and was awarded the Nobel Prize for Literature in 1951 "for the artistic vigour and true independence of mind with which he endeavors in his poetry to find answers to the eternal questions confronting mankind". Signed copies of Lagerkvist&#39;s works are quite scarce and signed copies in English translation are especially so. A Fine copy, SIGNED BY PAR LAGERKVIST. Rare.

      [Bookseller: Allington Antiquarian Books, LLC]
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        Manuscript]: "A Search for a Future" [published in] The Saturday Evening Post

      1966 - Typewritten manuscript. 21pp. Single typed sheets rectos only, ribbon copy, secured with a paperclip and a few specks of oxidation transferred to the front and rear wrap, and the sticker of Miller's literary agency on the bottom edge of the first sheet, fine. A short story of a son learning from his father that getting involved is more important than pretending that nothing matters. Originally published in the August 13, 1966 issue of *The Saturday Evening Post* and included in Miller's book of short stories, *I Don't Need You Anymore* published the following year. [Attributes: Soft Cover]

      [Bookseller: Between the Covers-Rare Books, Inc. ABAA]
 33.   Check availability:     AbeBooks     Link/Print  

        George William Evans; Explorer

      Angus & Robertson, Sydney, 1966. First Edition. Hardcover (Original Cloth). Very Good Condition/Very Good. acknowledgements, preface by author, appendix and index. Pale green coloured endpapers. Black and white illustrated frontispiece, showing a picture of George William Evans. Within text there are 17 maps, and 17 plates. Dark red coloured boards with gilt coloured titles to the backstrip. & & The corners of the book slightly rubbed and minimal shelf wear is evident to the bottom edges of the book. Minimal rubbing to the head and the heel of spine has also occurred. As some dust marks to the top paper edge along with some marks to the other edges of book. & & Photographic dustwrapper, of the Macquarie River photographs by Ian MacArthur, with white coloured titles to the front panel and backstrip. & & Slight rubbing of the corners of the dustwrapper as well as the head of the spine and of the dustwrapper.& & This is the biography of George William Evans, who discovered the Macquarie and Lachlan Rivers, becoming Surveyor-General of New South Wales and later of Van Diemen&#39;s Land. & & Size: 8vo - over 7¾" - 9¾" tall. XVI, 138 pp., . Please refer to accompanying picture (s). Quantity Available: 1. Shipped Weight: Under 1 kilo. Category: Biography & Autobiography; History -- Australia; Exploration ; Local History -- New South Wales ; Local History -- Tasmania . Inventory No: 0100794. .

      [Bookseller: Syber's Books]
 34.   Check availability:     Biblio     Link/Print  

        Hans Hartung. Aquarelle 1922. (Vorzugsausgabe).

      Erker,, St. Gallen, 1966 - St. Gallen, Erker, 1966. 36x36 cm. 24 S. Text, 1 Bl., 33 Tafeln mit montierten farb. Abb. Franz. O-Broschur. Texte in deutscher, englischer und französischer Sprache. - Vorzugsausgabe. Eines von 25 signierten und numerierten Exemplaren. Mit handschriftlicher Widmung von Hans Hartung im Kolophon, sowie einer buchgrossen schwarzen O-Lithographie von Hans Hartung singniert und numeriert. [Attributes: Signed Copy; Soft Cover]

      [Bookseller: Biblion Antiquariat]
 35.   Check availability:     AbeBooks     Link/Print  

        El Punt. Per Als Meus Amics. Carpeta Única y Original Con 15 Pinturas Originales a Distintas Técnicas. Cada Una Firmada y Datada Por El Pintor.

      1966 - Daniel Argimon i Granell (Sarrià, 1929 - Barcelona, 1996), va ser un dels artistes informalistes catalans amb més renom. Pintor, gravador i escultor, es va introduir en totes les arts del segle XX, des de pintures, collages, gravats o litografies. Fins i tot va tocar el cinema com a realitzador i l'escultura.En la dècada dels seixanta va a començar a crear collages amb cartrons, papers, fotografies, teles, etc. i reciclava materials vells o desgastats per donar-lis una nova vida. Després va treballar amb molts altres tipus de matèria. L'informalisme i el gust per la matèria i els colors formen part de la seva identitat com artista. Va exposar per Catalunya, Eivissa i Madrid i a nivell internacional, mostrant la seva obra a llocs com Lausana, Miami, Cleveland, Seattle i Mèxic. Size: 35 x 25 Cm. [Attributes: Soft Cover]

 36.   Check availability:     IberLibro     Link/Print  

        CORRESPONDANCE ÉCHANGÉE ENTRE THOMAS MUKWIDI ET LE PARTI COMMUNISTE DE Belgique (GRIPPA) (signée par Thomas Mukwidi) (Première partie)

      novembre 1966 - janvier 1967, Brazzaville-Bruxelles - 9pp, 26,5 à 27,5cm x 21 à 21,5cm + un télégramme 13,5cm x 19,5cm. Plis d'envoi aux lettres adressées par Mukwidi, petite déchirure recollée au bord droit du deuxième document, sinon excellent état. Huit documents (ceux adressés par Mukwidi le sont de Brazzaville, ceux adressés par Hauwaert le sont de Bruxelles ; sauf indication contraire, les lettres sont dactylographiées) : Lettre d' 1 p., signée, avec cachet du Comité provincial du Comité National de Libération de la République Populaire du Congo, adressée par Th(omas) Mukwidi, Commissaire politique du Front de l'Ouest, à (Jacques) Grippa (Secrétaire du Comité Central du Parti Communiste de Belgique - PCB pro-chinois) le 4 novembre 1966. Il marque son "accord sur votre proposition d'une rencontre avec un de vos camarades (.) à Brazzaville". "Nous (.) sommes très reconnaissants de cette initiative car (.) depuis longtemps nous cherchons à entrer en contact avec votre Parti". Copie carbone, non signée, sur papier à en-tête de "La Voix du Peuple" (l'hebdomadaire du PCB pro-chinois), de la lettre d'1 p. d'Arnold Hauwaert (membre du Bureau Politique) à Mukwidi du 5 décembre 1966. Il le remercie pour son accueil et lui signale notamment qu'il a rencontré (Constantin-Marie) K(ibwe) ainsi que Kabam-Babo (en fait Kabasu-Babo) qui "ont manifesté un grand désir de vous rencontrer". Il demande à son correspondant de transmettre à "Americano" (Pierre Mulele) son "admiration pour le formidable exemple révolutionnaire qu'il donne au monde entier". Lettre de 2 pp., signée, avec cachet, de Mukwidi à Grippa du 5 décembre 1966. Il le remercie pour la visite d'Hauwaert et certifie : "vous pouvez nous compter parmi vos fidèles compagnons d'armes". Il suggère d'être prudent dans les rapports avec André Anodjio (en fait Anodjo) et donne des informations sur l'existence de bases au Congo-Kinshasa sous commandement de conseillers militaires américains et belges, et sur une tentative avortée d'attentat contre Mobutu, opérée la veille à l'Hôtel de Ville de Kinshasa. Lettre d'1 p., signée, avec cachet, de Mukwidi à Hauwaert du 6 décembre 1966. Il confirme le texte de son télégramme de la veille lui demandant de ne pas publier les photos (du maquis de Mulele), la personne ayant pris ces photos (il s'agit d'Antoine Kayoko, photographe à Kinshasa) faisant l'objet d'une inculpation pour avoir été en contact avec Mulele. Lettre d'1 p., signée, de Mukwidi à "La Voix du Peuple" du 20 décembre 1966. Il transmet un texte (manquant) à l'occasion de la commémoration du sixième anniversaire de l'assassinat de Lumumba. Lettre de 2 pp manuscrite, signée, de Mukwidi à Hauwaert du 1er janvier 1967. Il demande d'attendre encore avant de publier les photos sur lesquelles apparaît "Amerikani" (Mulele) ; pour les autres photos (prises au maquis), il donne son accord pour qu'elles le soient, mais sans indication, notamment de date. Il précise qu'il n'a pas de passeport mais un "titre de voyage" dont l'utilisation ne lui a jamais causé d'ennui. Il signale que le 25 décembre 1966, Mobutu a échappé à un attentat lors de l'inauguration de l'église kimbanguiste de Matete à Kinshasa, et que quelques jours auparavant un coup d'Etat organisé par Victor Nendaka a avorté. Copie carbone, non signée, de la lettre d'1 p., non datée (en fait début janvier 1967) d'Hauwaert à Mukwidi. Il a bien reçu la revue "Partisan", dont il a été quelque peu étonné de la parution "alors que nous attendions vos instructions pour la publier". Il lui signale que l'Albanie a marqué son accord pour qu'il puisse rencontrer Grippa à Tirana ; il propose le 31 janvier comme date d'arrivée sur place. Vu qu'une rencontre avec Kibwe y est également prévue et que ce dernier désire beaucoup voir Mukwidi, il lui demande s'il voit "un inconvénient à ce que les entretiens aient lieu en commun afin d'éviter des déplacements répétés". Télégramme de Broboy (pseudonyme de Mukwidi) à Hauwaert du 19 janvier à 14h50 : "Accord total votre lettre". Congo-Kinshasa / Communisme

      [Bookseller: LIVRESCOLLECTOR]
 37.   Check availability:     AbeBooks     Link/Print  

        [Flyer] Captain Beefheart and His Magic Band. The Charlatans. Avalon Ballroom [with Press Release]: Captain Beefheart and His Magic Band ..... (and some more news on the adventures of the Great Gnome of Rock&#39;n&#39;Roll)

      San Francisco: Family Dog / Bindweed Press. [1966]. Flyer. 8.5" x 11". Handbill for a performance illustrated by Stanley Mouse (Family Dog 23). Illustration of three well-fed medieval minstrels holding forth with song. The psychedelic lettering has been colored in with red watercolors by an unknown person, somewhat sloppily but not unpleasingly. Signed by Stanley Mouse at the bottom with his "mouse" logo (and not inconceivably colored by him as well). Small tack holes in the corners, overall very good. Accompanied by a press release for Captain Beefheart and His Magic Band, known as The Great Gnome Biography written by Derek Taylor, the Apple Records/Beatles publicist. Ten loose sheets of typed ribbon copy with typed rectos only and stapled in the upper left-hand corner. With the address of Beefheart&#39;s management and public relations firms at the end. Fine. The famed rock critic Ralph J. Gleason&#39;s copy with his Signature at the top of the first sheet. The ten-page press release about the formation and evolution of the band in the form of a fable about The Great Gnome providing a greasy parchment of names for the band to choose from, with multiple (presumably imagined) quotes from Beefheart (Don Van Vliet), Alex St. Clair, and others. Gleason was a very influential critic of jazz and rock music, and was a founding editor of Rolling Stone. An amusing and inventive fable, we can find no evidence of publication, and this could presumably be unique. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
 38.   Check availability:     IOBABooks     Link/Print  


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