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Displayed below are some selected recent viaLibri matches for books published in 1966

        Technische Überwachung - Sicherheit + Schadenverhütung + Wirtschaftlichkeit in Betrieb und Verkehr - Band 7 - 1966 - weitere auf Anfrage : 1967+1968

      VDI, Düsseldorf 1966 - 440 Seiten. Werkstoff. Zustand: Gut min. gebräunt (Innen); Bibliotheksex.; Einband Außen hat leichte Gebrauchsspuren; 1500 Gramm. [Attributes: Hard Cover]

      [Bookseller: Gebrauchtbücherlogistik H.J. Lauterbach]
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      JEAN SCHIPPER 1966 - R160129768: 400 pages. Quelques illustrations en noir et blanc hors texte. Dos à 5 nerfs. Ecritures au stylo sur la page de titre. 3 première pages débrochées avec un manque sur la premier page de préface. Manques importants en dos. In-8 Relié plein cuir. Etat passable. Plats abîmés. Dos abîmé. Intérieur acceptable Classification Dewey : 200-RELIGION [Attributes: Hard Cover]

      [Bookseller: le-livre]
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      Cavallino, Venezia 1966 - In 12° en accordéon, empreintes et découpages de Arman.Tirage limité à 400 exemplaires numérotés et signé par l'auteur et l'illustrateur. Manque le bandeau. [Attributes: Signed Copy]

      [Bookseller: La Basse Fontaine]
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        Richard Nixon, speaking before The University of Rochester, amid protests against his appearance, denounces historian Eugene Genovese for his vocal support of the Viet Cong rebels: <i>"Any teacher who uses the forum of a university to proclaim that he welcomes victory for the enemy in a shooting war crosses the line between liberty and license. If we are to defend academic freedom from encroachment, we must also defend it from its own excesses."</i> Signed only four years before the Kent State shootings would galvanize the nation against the Vietnam War

      Typed letter signed, ?Dick ," 1 page, 7.25? x 10.5? on his personal letterhead, New York, June 6, 1966, to publisher James Copley enclosing a copy of his June 5, 1966 commencement address before the University of Rochester. Accompanied by a 8 page copy of Nixon's typescript address, 8.5" x 11" and headed, "Commencement Address by Richard M. Nixon University of Rochester... Sunday, June 5, 1966." Both the letter and the enclosure bear file holes at top, a few minor staple holes at the top left corners, and the expected mailing folds, a few minor corner creases, else fine condition. Nixon writes to Copley in full: "In view of recent protests against American policy in Vietnam on college and university campuses, I thought you might be interested in my remarks on this subject at the University of Rochester on June 5." University of Rochester President, W. Allen Wallis' announcement that Richard Nixon had been invited to delive

      [Bookseller: University Archives]
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        A Christmas Memory

      Random House 1966 - New York: Random House, [1966]. First edition, first printing. One of 600 specially bound and numbered copies, SIGNED by the author. Fine in gilt-titled green cloth; in a fine clear mylar dust jacket; housed in a fine original publisher's slipcase. Also comes with a custom0made collector's slipcase enclosing the publisher's slipcase. Thin octavo. 45 pages. This autobiographical recollection of Truman Capote's rural Alabama boyhood has become a modern-day classic. "A Christmas Memory" was orginally published in Mademoiselle in 1956 and was later included in BREAKFAST AT TIFFANY'S. [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Bookbid]
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        The Spectra Hoax [presentation, association]

      Wesleyan University Press, Middletown, CT 1966 - Middletown, CT: Wesleyan Univeristy Press, 1961. First Edition. Signed by lead hoaxer Witter Bynner [as "Emanuel Morgan"], presented to Kenneth L. Ball, the student who first discovered his identity. Octavo, 158 pp, beige cloth with black and white imprinting, jacket. Fine book in near fine jacket showing trace edgewear. A singular copy of the book about "the hoax" . In the early years of the twentieth century, all of the arts - particularly poetry - were thriving in the midst of a post-industrial-revolution swell of excitement, creativity and new aesthetic "schools"; poetry, for its part, rolled out Imagism, Vorticism, Futurism, Chorism, and a rogue's gallery of other new poetic genres, each based on its own aesthetic theorizing. Appearing in the midst of this rather joyous and certainly passionate carnival were Emanuel Morgan, expatriate painter-turned-poet reunited with his native Pittsburgh, and his close friends and colleagues, the beautiful Hungarian poet (who wrote in Russian) Anna Knish, and barrister Elijah Hay. In 1916, Morgan and Knish took the poetry world by storm with their Spectrist school of poetry, which was based on three visions of the term - spectra, the task of the artist to perceived beauty in its component colors, rather than as the glorious white light in which it occurs naturally; the reflex vibrations of that same light which occur only within the artist, like the light phenomena in our eyes; and spectre, the yet more difficult task of uncovering the subtle, hidden spirits behind and within beauty. Morgan used regular rhymed stanza in his spectrism offerings, while Knish used only free verse, but they were attempting the same thing. The poetic world was quickly awash in discussion and analysis of the spectrist school; a few thought the intellectual foundation to be a bit pretentiously framed, others thought it strange that there had been no public appearances by the pair or their lawyer colleague Hay; but the fermenting, energetic world of poetry at the time was full of new voices and figures. No one seemed to take much note of the fact that some of the lines seemed a bit nonsensical, others downright humorous. After all, poetry had few rules, even then. Some were suspiscious, however, that many of the poems, especially in the duo's lead vehicle, the publication Spectra, didn't seem to fit, in any clear way, the espoused theory. Some uneasy suspicion about Morgan and Knish - and about poet/lecturers Witter Bynner and Arthur Ficke, who first wrote about them in depth - started to sprout. Finally, in 1918, a young student at the University of Wisconsin, after a lecture by poet Witter Bynner, asked Bynner if it were not true that he was, in fact, Emanuel Morgan, and that Ficke was, in fact, Knish. A bit wearied- even embarrassed - by the hoax by then [and knowing that his underlying goal of lampooning pretentious schools of poetry couldn't be consummated anyway, without revelation] , Bynner confessed all, including the fact that their supportive "briefless barrister", Elijah Hay, was another colleague, Marjorie Allen Seiffert. One of the greatest literary hoaxes in history was at an end. Although the identity of the young challenger is not known with certainty (it was not, Bynner let it be known, Horace Kallen, who at one time claimed the unmasking], there is some feeling that Kenneth L. Ball, to whom this volume was presented and inscribed "with a bow" by Bynner [signing as Emanuel Morgan], was that student. The volume contains the history of the hoax as well as the complete text of the original Spectra. Please feel free to ask questions or request additional scans. - L6 [Attributes: First Edition; Hard Cover]

      [Bookseller: Singularity Rare & Fine]
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      New York: Alfred A. Knopf,. [1966]. Octavo,. cloth-backed boards.. A fine copy in nearly fine dust jacket with touch of shelf wear to. corners and spine ends. (#132054). First edition. A presentation copy with signed inscription by Millar to noted Canadian author and educator Marshall McCluhan and his wife Corinne: "Santa Barbara / Xmas 1965 / For Marshall and Corinne / with love and admiration / Ken." Marshall McCluhan spent time guest teaching in Santa Barbara where he and Millar met and became lifelong friends. A Lew Archer novel.

      [Bookseller: L. W. Currey, Inc.]
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        Three Original Paintings

      Two original acrylic miniature paintings and one miniature watercolor painting. Each is approximately 3.25" x 4.25" and is housed in an envelope addressed to Lady Kay Deeks. As follows: 1) an original acrylic painting mounted on a white card with Nocho&#39;s name stamped on the verso and on the flap of the envelope. The envelope was sent from Montreal and postmarked 1966, addressed in his Nocho&#39;s hand to Lady Kay Deeks in London, with his return address handwritten on the flap; 2) an original acrylic painting on a small greeting card, Inscribed inside "May God Forever Bless You" and Signed "Lobo Nocho." The envelope is postmarked New York 1968 and is addressed in his hand to "Lady Kay" with his name and address handwritten on the flap of the envelope; 3) an original watercolor on a greeting card Inscribed inside "God Bless" and Signed "Lobo Nocho." "Lady Kay Deeks" is written in his hand on the envelope, which was apparently delivered in person, as it bears no postal marks. The paintings are of abstract subjects and are quite striking. They are in fine condition. The envelopes are in very good condition.Nocho was an African-American expatriate artist who spent much of his life in France. He grew up in Philadelphia. When he was 19, he joined the Canadian Army, then transferred to the U.S. Army and participated in the Normandy invasion. Though many of his paintings won top awards and were exhibited in Philadelphia, he refused to sell any of them. At age 25, he renounced his American citizenship. His older brother said, "He was always sensitive about race and the way Negroes are treated in this country. He just couldn&#39;t adjust to Philadelphia life any more and once told me he thought everyone who looked at him on the street regarded him not as a painter, not even as a human being, but as a black man." After renouncing his citizenship, he worked as a singer and a dancer as well as a painter. He painted the design on the door of the popular Paris jazz club, the Mars Club, a haunt of American musicians, especially African-American musicians.At the age of 44, after becoming a French citizen, he became romantically involved with the fifty-year-old Sarah Churchill, daughter of Sir Winston Churchill. She rented a lavish Roman villa for him in which he could paint, though Churchill&#39;s father did not approve of her affair "with a Negro artist-playboy" (Jet, July 28, 1966). One of her published poems decries his objections: "Forgive me if I do not cry / The day you die / The simplest reason that I know / You said you&#39;d rather have it so" and "This is what I have chosen / This moment bitter and free / This is what I have chosen." Nocho&#39;s vivid, original art is very uncommon. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Toonneel Der Steden Van de Vereenigh de Nederlanden Met Hare Befchrijvingen, Uytgegeven. (Dutch City Maps)

      Amsterdam: L. Van Leer & Co. 1966, Facsimile Edition. (Hardcover in slipcase) unpaginated. Very good. 22" X 13.5". Facsimile atlas in slipcase. Light brown leather with gilt decoration on spine, title and name of author in gilt lettering on black and red title labels on spine (labels peeling off slightly). Gilt coat of arms stamped decoration on front cover. Clean eggshell coloured endpapers. Beautiful coloured illustrated title page with several crests. 32 colour plates of maps (span across two pages each). In very good condition with scratch and light fold on last page. Text in dutch. In mustard coloured cloth slipcase with gilt stamped crest on front, worn at corners and edges. A beautiful facsimile edition of Joan Blaeu&#39;s (23 September 1596 &#150; 28 May 1673) &#39;Dutch City Maps&#39; from 1649. Includes beautiful two-page spreads of maps by the famous Dutch cartographer and the son of cartographer Willem Blaeu..

      [Bookseller: Aquila Books]
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        The Holy Land [Det heliga landet] [Signed / Ingraverat]

      London: Chatto & Windus, 1966. First UK edition. Hardcover. Very Good +/very good +. A Fine copy of the First UK edition, in a quite Near Fine dust jacket (light rubs at front panel corners, spine lightly sunned), SIGNED BY PAR LAGERKVIST on the title page; a continuation of an allegorical tale by the great Swedish poet, playwright, novelist, and essayist (following "The Death of Ahasuerus", 1960, and "Pilgrim at Sea", 1962) attempting to polarize the Christian ethos and modern attitudes, SIGNED BY PAR LAGERKVIST on the title page. Elected in 1940 as one of the 18 "Immortals" of the Swedish Academy, Lagerkvist was as highly influential writer from his twenties into his seventies, and was awarded the Nobel Prize for Literature in 1951 "for the artistic vigour and true independence of mind with which he endeavors in his poetry to find answers to the eternal questions confronting mankind". Signed copies of Lagerkvist&#39;s works are quite scarce and signed copies in English translation are especially so. A Fine copy, SIGNED BY PAR LAGERKVIST. Rare.

      [Bookseller: Allington Antiquarian Books, LLC]
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        Manuscript]: "A Search for a Future" [published in] The Saturday Evening Post

      1966 - Typewritten manuscript. 21pp. Single typed sheets rectos only, ribbon copy, secured with a paperclip and a few specks of oxidation transferred to the front and rear wrap, and the sticker of Miller's literary agency on the bottom edge of the first sheet, fine. A short story of a son learning from his father that getting involved is more important than pretending that nothing matters. Originally published in the August 13, 1966 issue of *The Saturday Evening Post* and included in Miller's book of short stories, *I Don't Need You Anymore* published the following year. [Attributes: Soft Cover]

      [Bookseller: Between the Covers-Rare Books, Inc. ABAA]
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        George William Evans; Explorer

      Angus & Robertson, Sydney, 1966. First Edition. Hardcover (Original Cloth). Very Good Condition/Very Good. acknowledgements, preface by author, appendix and index. Pale green coloured endpapers. Black and white illustrated frontispiece, showing a picture of George William Evans. Within text there are 17 maps, and 17 plates. Dark red coloured boards with gilt coloured titles to the backstrip. & & The corners of the book slightly rubbed and minimal shelf wear is evident to the bottom edges of the book. Minimal rubbing to the head and the heel of spine has also occurred. As some dust marks to the top paper edge along with some marks to the other edges of book. & & Photographic dustwrapper, of the Macquarie River photographs by Ian MacArthur, with white coloured titles to the front panel and backstrip. & & Slight rubbing of the corners of the dustwrapper as well as the head of the spine and of the dustwrapper.& & This is the biography of George William Evans, who discovered the Macquarie and Lachlan Rivers, becoming Surveyor-General of New South Wales and later of Van Diemen&#39;s Land. & & Size: 8vo - over 7¾" - 9¾" tall. XVI, 138 pp., . Please refer to accompanying picture (s). Quantity Available: 1. Shipped Weight: Under 1 kilo. Category: Biography & Autobiography; History -- Australia; Exploration ; Local History -- New South Wales ; Local History -- Tasmania . Inventory No: 0100794. .

      [Bookseller: Syber's Books]
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        Hans Hartung. Aquarelle 1922. (Vorzugsausgabe).

      Erker,, St. Gallen, 1966 - St. Gallen, Erker, 1966. 36x36 cm. 24 S. Text, 1 Bl., 33 Tafeln mit montierten farb. Abb. Franz. O-Broschur. Texte in deutscher, englischer und französischer Sprache. - Vorzugsausgabe. Eines von 25 signierten und numerierten Exemplaren. Mit handschriftlicher Widmung von Hans Hartung im Kolophon, sowie einer buchgrossen schwarzen O-Lithographie von Hans Hartung singniert und numeriert. [Attributes: Signed Copy; Soft Cover]

      [Bookseller: Biblion Antiquariat]
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        El Punt. Per Als Meus Amics. Carpeta Única y Original Con 15 Pinturas Originales a Distintas Técnicas. Cada Una Firmada y Datada Por El Pintor.

      1966 - Daniel Argimon i Granell (Sarrià, 1929 - Barcelona, 1996), va ser un dels artistes informalistes catalans amb més renom. Pintor, gravador i escultor, es va introduir en totes les arts del segle XX, des de pintures, collages, gravats o litografies. Fins i tot va tocar el cinema com a realitzador i l'escultura.En la dècada dels seixanta va a començar a crear collages amb cartrons, papers, fotografies, teles, etc. i reciclava materials vells o desgastats per donar-lis una nova vida. Després va treballar amb molts altres tipus de matèria. L'informalisme i el gust per la matèria i els colors formen part de la seva identitat com artista. Va exposar per Catalunya, Eivissa i Madrid i a nivell internacional, mostrant la seva obra a llocs com Lausana, Miami, Cleveland, Seattle i Mèxic. Size: 35 x 25 Cm. [Attributes: Soft Cover]

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        [Flyer] Captain Beefheart and His Magic Band. The Charlatans. Avalon Ballroom [with Press Release]: Captain Beefheart and His Magic Band ..... (and some more news on the adventures of the Great Gnome of Rock&#39;n&#39;Roll)

      San Francisco: Family Dog / Bindweed Press. [1966]. Flyer. 8.5" x 11". Handbill for a performance illustrated by Stanley Mouse (Family Dog 23). Illustration of three well-fed medieval minstrels holding forth with song. The psychedelic lettering has been colored in with red watercolors by an unknown person, somewhat sloppily but not unpleasingly. Signed by Stanley Mouse at the bottom with his "mouse" logo (and not inconceivably colored by him as well). Small tack holes in the corners, overall very good. Accompanied by a press release for Captain Beefheart and His Magic Band, known as The Great Gnome Biography written by Derek Taylor, the Apple Records/Beatles publicist. Ten loose sheets of typed ribbon copy with typed rectos only and stapled in the upper left-hand corner. With the address of Beefheart&#39;s management and public relations firms at the end. Fine. The famed rock critic Ralph J. Gleason&#39;s copy with his Signature at the top of the first sheet. The ten-page press release about the formation and evolution of the band in the form of a fable about The Great Gnome providing a greasy parchment of names for the band to choose from, with multiple (presumably imagined) quotes from Beefheart (Don Van Vliet), Alex St. Clair, and others. Gleason was a very influential critic of jazz and rock music, and was a founding editor of Rolling Stone. An amusing and inventive fable, we can find no evidence of publication, and this could presumably be unique. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        How to Make a Happening

      Mass Art Inc., No place (New York) 1966 - vinyl sous pochette sérigraphiée (photo by Sol Goldberg from Allan Kaprow'sppaning Household, Cornell University,1964) 31,2x31,2cm. 260gr. vinyl neuf jamais joué au dos pochette texte n&b. "In 1957 Allan Kaprow decided to try out.) Pochette un peu passée

      [Bookseller: A Balzac A Rodin]
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        Wide Sargasso Sea

      New York: W.W. Norton. (1966). First. First American edition. Fine in near fine dustwrapper with a handwritten price on the front flap and a little scratching on the rear panel. Though she published several books in the 1920s and 1930s, Rhys published nothing for decades and was largely forgotten until she wrote this acclaimed "prequel" to Charlotte Bronte&#39;s Jane Eyre. Basis for the lush and erotic 1993 film directed by John Duigan. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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      New York: G. P. Putnam&#39;s Sons,. [1966]. Octavo,. cloth.. Mild spotting to top and fore-edge of pages, a fine copy in nearly. fine first printing dust jacket (priced $5.95 on the front flap) with. small closed tear to front panel near spine fold, touch of rubbing to. lower spine end and upper right corner. An attractive copy with clean. and very bright jacket. (#134527). First edition. Winner of the 1967 Hugo award for best novel. 1966 Nebula nominee. Anatomy of Wonder (2004) II-512. Sargent, British and American Utopian Literature, 1516-1985, p. 299. Survey of Science Fiction Literature III, pp. 1439-43.

      [Bookseller: L. W. Currey, Inc.]
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        Edouard Pignon. 8 Juillet - 15 Octobre 1966. Musée National d'Art Moderne, Paris.

      Musée National d'Art Moderne 1966 - 1 vol. in-8 oblong br., couv. ill., Musée National d'Art Moderne, Paris, 1966 Exceptionnel exemplaire enrichi d'un dessin original daté de 1968 et signé d'Edouard Pignon : sur deux pages, un cavalier (Don Quichotte ?) sur la page de gauche affronte un coq. Bel exemplaire en parfait état, avec un intéressant dessin unissant le thème des Combats de Coqs et le thème des Batailles, deux thèmes développés par l'artiste durant cette décennie. Langue: Français [Attributes: Signed Copy; Soft Cover]

      [Bookseller: Librairie du Cardinal]
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        THE CATHEDRAL OF MONREALE and Norman Architecture in Sicily.

      Palermo 1966 - Ril. in tela con sovr.ill. a col.e cust., cm 35,5x29, pp 324, 10 tavv a colori nel t. e 235 tavv. e ill. in b/n. f.t.+ 21 tav. più volte ripiegate di disegni e prog.arch.

      [Bookseller: EDITORIALE UMBRA SAS]
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      Cercle des Bibliophiles Anavoizard,, Paris, 1966 - Preface de Armand LANOUX. Exemplaire signe par LANOUX et LAPORTE. Avec un dessin inedit et un envoi de LAPORTE. 148 pp. + suite signee sur Japon nacre. in-folio, [Attributes: Signed Copy]

      [Bookseller: alphabets]
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        Svalbard. Svalbards historie 1596-1965. I-III.

      Oslo., . 1966-67. 4to. Originale blå skinnryggbind. 1527 s. Rikt illustrert.. Standardverket om Svalbard. Med noen bruksspor. Med innklebede hilsener i bind I. Ex libris

      [Bookseller: Damms Antikvariat]
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        Il disertore

      FMR 1966 - Dipinti religiosi di Charles Frederic Brun, detto "il Disertore" ( Religious paintings by Charles Frederic Brun, known as "the Deserter" ) - Traduzione di Patrizio Bocconi - Collana Segni dell'Uomo - cm 35 x 23 - pp.127 - In seta nera Orient, con plancetta a colori, impressioni in oro e astuccio ( In Black Orient silk, with tipped-in colour plate, impressed gold lettering and individual case ) - Illustrazioni di Nicolas Bouvier - 34 Tavole - Edizione Italiana- Carta a mano, Ingres, azzurra, Cartiere Miliani di Fabriano ( Hand-made, Ingres, pastel Blue, manufactured by Cartiere Miliani in Fabriano ) - Quest'opera è nata dalla scoperta di oltre cento affascinanti immagini lasciate nei villaggi del Vallese da Charles Frédéric Brun detto "il disertore", un oscuro pittore francese entrato clandestinamente in Svizzera intorno al 1850, per vie diffcili di montagna. Si era fermato nella comunità di Nendaz, dove sarebbe vissuto ?no alla morte, avvenuta nel 1871, dipingendo quadri devoti per la gente del posto e ricevendo come compenso pane, formaggio, lardo, più raramente qualche soldo. La misteriosa storia di questo petit-maìtre la racconta lo scrittore Jean Giono che si recò in Svizzera, nei luoghi in cui il Disertore sostò durante la sua fuga, vide i quadri (dal parroco, dal farmacista, da altri notabili di quei villaggi), e soprattutto cercò di ricostruire, girando per le valli, il personaggio e il suo itinerario. - Libro nuovo

      [Bookseller: Antica Libreria Srl]
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        Bloktryk fra Nepal. [Block-prints from Nepal].

      1966 1966 - Copenhagen: Rhodos 1966. Large fol. 94 p. with 9 orig. handcoloured block-prints and 6 in black and white. Orig. half canvas. In slipcase. * Limited to 67 copies. The handcoloured prints are all originals acquired in Nepal i 1956-59. The black/white are hand-printed in Copenhagen on imported nepalese paper made by paper-makers in Nepal's mountains. The blocks for these prints are now destroyed. The coverprint shows the oldest Nepalese block-print depicting Durga's fight against Mahishasura, drawn and handprinted by Jette Seiden. The first print in the book shows the elephant God Ganesha, the titlepage Krishna. Apart from describing the technique the author also reports on the different religious ceremonies, such as the snake ceremony. These prints were belived to have magical powers, and were nailed to a wall or the door of the house, and stayed there until they were destroyed by age. Werner Jacobsen (1914-79), Danish anthropologist. He participated in the Haslund-Christensen Expedition to Mongolia in 1938-39. Between 1946 and 1959 he went on two long journeys to India and Nepal. From these he brought home large collections to Danish museums.

      [Bookseller: Peter Grosell, Antiquarian Bookseller]
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        Hommage à Picasso

      Cercle d'Art, Paris 1966 - Affiche pour l'exposition Hommage à Picasso à l'occasion de son anniversaire. Impression en noir sur papier rouge d'après un bois gravé. Tirage à 1500 exemplaires. Czwiklitzer 288. Format papier 50 X 32 cm, illustration 25 X 20 cm

      [Bookseller: La Basse Fontaine]
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        Giovanni Mardersteig. An account of his work...With specimen pages of Griffo Zeno, Dante and Pacioli types

      Verona: Printed at the Officina Bodoni, 1966. (OFFICINA BODONI) One of 135 copies, signed by the author. 8vo. 30pp. Original wrappers. Fine copy, with the card of Martino Mardersteig laid in

      [Bookseller: James Cummins Bookseller]
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        Vorlesungen über die Theorie der elliptischen Modulfunktionen. Erster Band: Grundlegung der Theorie; Zweiter Band: Fortbildung und Anwendung der Theorie. (= Bibliotheca Mathematica Teubneriana - Bände 10 und 11).

      Johnson Reprint Corporation, New York und Teubner, Stuttgart 1966.. XIX, 764 S. mit 107 Figuren - 712 S. mit 8 Figuren, Groß 8°, Original-Leinen, Bibliotheks-Exemplar (ordnungsgemäß entwidmet) mit leichten Kleberückständen vom Rückenschild, Stempel auf Titel, insgesamt gute und innen saubere Exemplare,. Nachdruck der ersten Auflage von 1890 (Band1) und 1892 (Band 2).

      [Bookseller: Antiquariat Silvanus]
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        When Time Was Born

      (New York): The Smith by arrangement with Horizon Press. (1966). First. First edition, trade issue. Illustrated by Stephen Dwoskin. Fine in a rubbed, very good dustwrapper with a few short tears. The Dedication Copy, Inscribed by the author: "Love, Jim" beneath the printed dedication "for Cleo Paturis." Farrell&#39;s retelling of the Book of Genesis -- the story of Adam and Eve. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Rama tan ma.

      Wien, [1966]. - Dt. Manuskript auf Papier. 47 nn. Blätter. Mit 29 ganzseitigen, bildmäßig ausgeführten Aquarellen auf zwischengebundenen Kartontafeln. Halbleinenband mit aufkaschierten Deckelillustrationen, am hinteren Deckel signiert. Im Originalschuber mit gemaltem Deckelschildchen. 8vo. Hochinteressante, satirische Dialektdichtung in Versen über den Wiener Kunstbetrieb der Nachkriegszeit; in Wort und Bild ausführlich porträtiert werden u. a. Leherb, Friedensreich Hundertwasser und Arnulf Rainer. Auf letzteren, der seine frühe Arbeiten bekanntlich mit dem Pseudonym "TRR" signierte, beziehen sich die oben zitierten Verse. - Die hervorragende Qualität der Illustrationen, aber auch die zu teils sehr emotionaler Kritik an den jeweils behandelten Personen herangezogenen Interna lassen darauf schließen, daß es sich bei dem Urheber dieses Werkes um einen Angehörigen der Wiener Akademie gehandelt haben muß. Die letzten Zeilen des Werkes sind möglicherweise als Hinweis darauf zu lesen, daß dieser als Gaststudent in Wien weilte: "A jeder wåschechte aus Wien / Håt wås vom liaben Augustin / [.] Kan Sinn für Ghäßigkeit und Neid / A guates Herz für brave Leut. / [.] Nur etwås kann eahms kräftig stiern; / Wann Zuagraste wås ausstallieren." - Der gleichnamige deutsche Künstler M. Koeppel (geb. 1937), der in den 60er Jahren in Wien studierte und zuletzt mit dem Triptychon "Die Öffnung der Berliner Mauer" zur Ausstattung des Berliner Abgeordnetenhauses beitrug, bestreitet jedenfalls die Urheberschaft am vorliegenden Buch ("Da die Zeichnungen eine gute Qualität haben, müßte ich mich allerdings nicht schämen, wenn Sie von mir wären .". Aus dem beiliegenden Schreiben v. 10. XII. 1999). - Bemerkenswertes unveröffentlichtes Zeitdokument mit beeindruckend qualitätvollen, zeitgenössischen Porträts bzw. Karikaturen der Kunstschaffenden im Wien der Nachkriegszeit. [Attributes: Signed Copy]

      [Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH]
 29.   Check availability:     AbeBooks     Link/Print  

        The Crying of Lot 49

      J.B. Lippincott, Philadelphia 1966 - First edition. Light stain on the rear fly and top edge, else near fine in fine dustwrapper with a touch of rubbing, a single tiny tear on the front panel, and a faint corresponding stain on the rear flap. The author's increasingly scarce second book. See this book in 3D on our site. [Attributes: First Edition; Hard Cover]

      [Bookseller: Between the Covers-Rare Books, Inc. ABAA]
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        THE CRYING LOT OF 49

      Phila.: Lippincott, 1966. First edition, first prnt. Board topedges with beginning foxing and few faint specks of foxing on the foreedge; dustjacket with touched corners and minimal wear at the spine ends, tiny chip at the spine bottom edge fold and beginning foxing and toning on the flap edges and rear panel fold and on the interior (which is not visible on the outside). A bright and tight copy in Near Fine condition in a Very Good+ dustjacket with a Durafold mylar cover.. Hardcover. 8vo - over 7¾" - 9¾" tall. The image is of the actual book described and not a stock photo.

      [Bookseller: Revere Books, ABAA & IOBA]
 31.   Check availability:     IOBABooks     Link/Print  

        The Last Picture Show

      New York: The Dial Press. 1966. First. First edition. Slightly cocked else fine in a price-clipped, near fine dustwrapper with a few marks on the front panel. Nicely Inscribed by McMurtry in an early, legible hand. Basis for the excellent Peter Bogdanovich film, which he co-scripted with McMurtry. It was Cybil Shepherd&#39;s debut and won Oscars for Cloris Leachman and Ben Johnson. A very nice copy. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
 32.   Check availability:     IOBABooks     Link/Print  


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