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Displayed below are some selected recent viaLibri matches for books published in 1966

        La Patisserie est un jeu d'enfants

      RANDOM HOUSE, NEW YORK 1966 - French & English Edition. One page is French and the next page is English, translated b Charlotte Turgeon,Tight binding. General wear and rubbed cover. No bookplate. Dirty dust jacket. DATE PUBLISHED: 1966 EDITION: FIRST PRINTING 130 [Attributes: First Edition; Hard Cover]

      [Bookseller: Princeton Antiques Bookshop]
 1.   Check availability:     AbeBooks     Link/Print  

        Victorian Detective Fiction

      London: The Bodley Head,, 1966. A catalogue of the collection made by Dorothy Glover and Graham Greene bibliographically arranged by Eric Osborne. Introduced by John Carter. Large octavo. Original green cloth, titles to spine gilt, pictorial endpapers. With the dust jacket. An excellent copy in the dust jacket very slightly faded at the spine. First edition, first impression. One of 500 numbered copies signed by Glover, Carter and Greene.

      [Bookseller: Peter Harrington]
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        [Screenplay]: Accident

      London: Joseph Losey / The Grade Organization. May 4th, 1966. First. Photomechanically duplicated sheets bradbound into unprinted blue die-cut wrappers. 100 leaves printed rectos only. Fine. Directed by Losey in 1967 featuring Dirk Bogarde, Stanley Baker, Jacqueline Sassard, Michael York, and Pinter's wife, Vivien Merchant. The film won The Grand Jury Prize at Cannes and was nominated or won several other awards as well, including the Best British Screenplay from The Writers' Guild of Great Britain .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Snoopy and the Red Baron

      New York: Holt, Rinehart & Winston, 1966. First edition. Octavo, original illustrated cloth. Signed by Charles Schulz on the front free endpaper. Light rubbing to the bottom cloth, near fine in a near fine dust jacket with light shelfwear. Exceptionally rare signed. Schulz's beloved cartoons have won him the National Cartoonists Society's Humor Comic Strip Award in 1962, the Reuben Award for 1955 and 1964, the Society's Elzie Segar Award in 1980, and the Milton Caniff Lifetime Achievement Award in 1999. Interestingly, his cartoons have also awarded him an abundance of equally colorful honors and recognitions. In 1996, Schulz was honored with a star on the Hollywood Walk of Fame, adjacent to Walt Disney's. And for his interest in sports he was inducted into the U.S. Hockey Hall of Fame in 1993 and then the Figure Skating Hall of Fame in 2007.

      [Bookseller: Raptis Rare Books, ABAA/ ILAB]
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      - Lausanne, Clairefontaine, 1966. Format oblong : 31,5x24 cm. Reproduction du carnet de voyage de Hans Erni, comportant de nombreuses esquisses. Texte traduit en français. Préface de Senghor. Reliure de l'éditeur en plein chagrin rouge, ornée d'une carte du Sénégal sur le plat inférieur. Avec 4 LITHOGRAPHIES ORIGINALES en couleurs (2 en pleines pages et 2 sur doubles pages), numérotées et signées au crayon, dans un port-folio orné de motifs lignés (43,5x33,5 cm). Le tout dans un coffret en demi-chagrin rouge et toile écrue. Traces d'usage sur le coffret, sinon contenu en excellent état. Un des 75 exemplaires de l'édition française (n° XXXIII). [Attributes: Hard Cover]

      [Bookseller: Librairie de l'Univers]
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        Francis Bacon. Peintures récentes. Derriere le Miroir n. 162

      Paris: Maeght, 1966. Prima edizione (First edition). Quartini sciolti in copertine morbide (Loose as issued in original broch). Molto buono (Very Good). 4to (cm 38x28). Derriere le Miroir No. 162, Novembre 1966. Testo di Michel Leiris ("Ce que m'ont dit les peintures de Francis Bacon "). Dialogo tra Francis Bacon e David Sylvester. Con 5 litografie a colori "d'après" di pitture e 8 grandi tavole a colori, di cui una ripiegata su 3 pagine, e 5 riproduzioni in nero. 4 pagine di "Chroniques [Maeght, 1983]

      [Bookseller: Studio Bibliografico MArini]
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      NY: Modern Library, 1966 First Modern Library edition, first prnt. Issued September, 1966. Modern Library book #375. Inscribed by Heller on the title page. "To Alan, Joseph Heller, 1/5/75." Spine slightly cocked and touch of shelfwear to board cloth; dustjacket with beginning tonong, shelfwear with chips at spine ends, perforation on front flap fold, interior faint dampstain at spine bottom edge (not visible on the outside). Bright, clean copy. Very Good condition in about Very Good dustjacket with an archival cover. Heller's first novel.Inscribed & Dated by Author. First Thus. Hardcover. 12mo - over 6¾" - 7¾" tall. The images are of the book described and not stock photos.

      [Bookseller: Revere Books, ABAA & IOBA]
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      Boehringer/Ingelheim am Rhein 1966 - First Edition. Erstausgabe. Linen Hardcover. No dustjacket as issued. 62 black and white plates. 12" x 15". Introduction Max Richter. Essay Ernst Jünger. Very good like new condition. Neuwertig. [Attributes: First Edition; Hard Cover]

      [Bookseller: Gura]
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        The Flim-Flam Man (Original screenplay for the 1967 film)

      Twentieth Century-Fox, Los Angeles 1966 - Second Draft Script for the 1967 film comedy, "The Flim-Flam Man," directed Irvin Kershner, based on the 1965 novel, "The Flim-Flam Man and the Apprentice Grifter," by Guy Owen, written for the screen by William Rose, and starring George C. Scott, Sue Lyon, and Harry Morgan. Michael Sarrazin plays a young man gone AWOL from the Army who makes the acquaintance of George C. Scott, a veteran confidence man. Scott takes a liking to Sarrazin, and offers to show him the tricks of the trade as they drift through the American South, pulling one scam after another. Blue studio wrappers, stamped SECOND DRAFT on the front wrapper, rubber-stamped copy No. 74, and dated July 15, 1966. Title page present, with a date of matching the title page and a credit for screenwriter Rose. 123 leaves, mimeograph, rectos only. Pages Near Fine, wrapper Very Good plus, bound with two gold brads. [Attributes: Soft Cover]

      [Bookseller: Royal Books, Inc., ABAA]
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        JOURNAL OF CONTEMPORARY HISTORY. The first 18 Volumes: 1 (1966) - 18 (1983). Complete. Journal, ISSN: 0022-0094., Published by the Institute of Contemporary History, London.

      London : Sage Publications, 1966 - 1983. - 18 Volumes. 18 Volumes!!! Formerly from library-collection. Covers with shelf wear. Pages clean. Still in good condition. More pictures on demand. Please ask for shipping-fees. // Der Titel wurde aus einer Fachbibliothek ausgesondert und ist noch mit entsprechenden Kennzeichnungen versehen. Bucheinbände mit Lager- und Gebrauchsspuren. Seiten sauber. Bindungen fest. Noch im guten Zustand. Angaben zu den Versandkosten und weitere Fotos schicken wir Ihnen gern auf Anfrage. Bitte beachten Sie unser reichhaltiges Angebot an wissenschaftlichen Zeitschriften. zqx mbx Sprache: en

      [Bookseller: Antiq. Bookfarm/ Sebastian Seckfort]
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        JOURNAL OF CONTEMPORARY HISTORY. The first 18 Volumes: 1 (1966) - 18 (1983). Complete. Journal, ISSN: 0022-0094. Published by the Institute of Contemporary History, London.

      London : Sage Publications, 1966 - 1983.. 18 Volumes. Gr.-8°, Hardcover/Pappeinband. 18 Volumes!!! Formerly from library-collection. Covers with shelf wear. Pages clean. Still in good condition. More pictures on demand. Please ask for shipping-fees. // Der Titel wurde aus einer Fachbibliothek ausgesondert und ist noch mit entsprechenden Kennzeichnungen versehen. Bucheinbände mit Lager- und Gebrauchsspuren. Seiten sauber. Bindungen fest. Noch im guten Zustand. Angaben zu den Versandkosten und weitere Fotos schicken wir Ihnen gern auf Anfrage. Bitte beachten Sie unser reichhaltiges Angebot an wissenschaftlichen Zeitschriften. zqx mbx

      [Bookseller: Antiquariat BOOKFARM]
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      (Antoine Kayoko) (Probablement août 1966), (Kinshasa) - 4,7cm x 7,5cm sur papier photo 5,7cm x 8,3cm. Comme neuve. Photo inédite en tirage original, non légendée, prise par Antoine Kayoko, photographe à Kinshasa, le 31 juillet 1966: Au camp d'Impasi, dans le maquis du Kwilu, le 31 juillet 1966, une cabane par la fenêtre de laquelle cinq personnes regardent à l'extérieur, dont une femme, et dont une qui n'est pas identifiable. Sont debout, devant la cabane, quatre combattants à gauche, dont Kabombo (second à partir de la gauche) et Théotime Ntsolo (troisième à partir de la gauche), et un à droite. Théotime Ntsolo, ancien instructeur militaire de l'Armée Nationale Congolaise - ANC, commande depuis mai 1966 le Bataillon de l'Etat-Major de Pierre Mulele, composé de 300 partisans, et supervise le bureau du Camp de Buzimbila Deux. Le 8 novembre 1967, lui et sa femme Alphonsine Mumpende seront tués par l'ANC le long de la rivière Kamtsha. Congo-Kinshasa.

      [Bookseller: LIVRESCOLLECTOR]
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        Armi e Armature Orientali.

      Milano: Bramante, 1966. - Notka wydawnicza: Milano: Bramante, 1966.; Wymiar bloku: 32cm.; Naklad: 1700; Uwagi: Egzemplarz nr 1476. Klasyczne opracowanie tematu, bogata ikonografia. Przydatne, poszukiwane i rzadkie.; Jezyk: wloski; Strony: LXVII, 105s., [144]s. tabl.; Kategorie tematyczne: historia nowozytnosc wojskowosc, obcojezyczne wloski / history Modern Times (15/16th-18th century) military, foreign languages / Geschichte Neuzeit Militärwesen, fremdsprachig ; Kieszen po naprawie introligatorskiej. Pozycja w ladnym stanie. Oprawa wydawnicza plotno, kieszen.

      [Bookseller: POLIART Beata Kalke]
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      Milano: Mondadori, 1966. Edizione illustrata di 99+21 f.c. es. numerati. broch. Ottimo (Fine). Folio. Con sei disegni di Renato Guttuso e sei disegni di Carlo Levi, espressamente eseguiti per questa edizione. 12 tavole sciolte a piena pagina (cm 50x35) Quartini sciolti in cartella. Testi stampati da Lucini, selezione e stampa delle tavole di Rovescalli. Carte Miliani

      [Bookseller: Studio Bibliografico MArini]
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      London: Victor Gollancz Ltd, 1966 - Octavo, boards. First edition. Sequel to PILGRIMAGE: THE BOOK OF THE PEOPLE (1962). PILGRIMAGE and THE PEOPLE are the basis for "The People," a 1972 made for TV film. See Anatomy of Wonder (1995) 3-93. Sargent, British and American Utopian Literature, 1516-1985, Additions. A fine copy in fine price-clipped dust jacket. An uncommon book, especially in nice condition. (#127916) [Attributes: First Edition; Hard Cover]

      [Bookseller: Currey, L.W. Inc. ABAA/ILAB]
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        Unusual portrait of President Lyndon Johnson inscribed to a Rabbi

      Color Portrait Photograph of President Lyndon B. Johnson, ca. 1966-1968, 7" x 9½", in a seated half-length pose looking off camera, inscribed in black ink on the larger photographer's mat (overall size 11" x 14") "To Rabbi Lipschitz with best wishes, Lyndon B. Johnson" as President. Very slight age toning, otherwise fine.

      [Bookseller: University Archives]
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        Anthony Trollope.

      c. 1966 - Sheet size: 190 × 140 mm. Stamped on recto lower margin for publication in the Sunday Telegraph. Pen and ink and blue crayon on wove paper. Portrait of the author in old age, the eyes highlighted in blue. The cartoons and illustrations of Nicolas Bentley (1907-1978) were part of the warp and weft of English popular culture in the 1950s and 60s. Never savage, though often waspishly accurate and exuding an urbane air of amusement at the foibles of his fellows, Bentley's work was familiar to the public from a wide variety of publications. Between 1952 and 1954 he drew regular cartoons for the weekly Time and Tide, and after that for the daily News Chronicle. Between 1958 and 1962 he drew topical cartoons for the Daily Mail under the title "Watch My Line." He also drew many portraits, in black and white line, of famous people, for various papers, including over sixty for the Sunday Telegraph, which began publication in February 1961.

      [Bookseller: Peter Harrington. ABA member]
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        The Photographer's Eye.

      Museum of Modern Art, New York 1966 - First Edition. Square quarto. Original cloth. Inscribed by Szarkowski to Robert Lewis; former head of the Yale School of Drama, author, actor, and founder of the Actor's Studio, "with warm good regards". Near fine in a very good plus price-clipped dust jacket. The black jacket almost inevitably shows wear, this is a very nice example with only light wear. From 1962 to 1991 Szarkowski was the Director of Photography at New York's Museum of Modern Art. The Photographer's Eye juxtaposes masters such as Cartier-Bresson, Evans, Steichen, Strand, and Weston with vernacular documents to analyze the fundamental challenges photographers have faced. "Whether Americans know it or not," his thinking about photography "has become our thinking about photography" (U.S. World & News, 1990). [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Raptis Rare Books, ABAA/ ILAB]
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      New York: Harcourt, Brace & World, Inc., [1966] - Octavo, cloth. First edition. The novel won the 1966 Nebula award; the earlier short story won the 1960 Hugo award. Filmed twice, the first as "Charly" in 1968 starring Cliff Robertson who won an Oscar for the title role, and again in 2000 as "Flowers for Algernon" in a made for TV film. Anatomy of Wonder (2004) II- 597. Survey of Science Fiction Literature II, pp. 802-06. A fine copy in fine dust jacket with nearly invisible 20 mm closed tear at bottom edge of front panel. A very clean, sharp copy. (#114606) [Attributes: First Edition; Hard Cover]

      [Bookseller: Currey, L.W. Inc. ABAA/ILAB]
 19.   Check availability:     IberLibro     Link/Print  

        Flowers for Algernon

      Harcourt, Brace & World, Inc., New York 1966 - (1966). 8vo. 1st edition. Light bumping and scuffing to spine ends, affecting d.j. Tiny amount of soiling to edges of text block. Very faint rubbing and soiling to d.j. panels with a few tiny closed tears to top edge of front panel and nearly imperceptible wrinkling to front flap. VG/VG. [Attributes: First Edition; Hard Cover]

      [Bookseller: Strand Book Store, ABAA]
 20.   Check availability:     IberLibro     Link/Print  

        The New Zealanders Illustrated (Limited, Facsimile Edition)

      Wellington, NZ: A.H. & A.W. Reed, 1966 #118 of 750 copies. 60 colour plates with descriptive text opposite, printed on one side.Lightly scuffed half leather binding with marbled paper over boards. t.e.g. Bottom of spine with a bump that has slightly wounded the leather corner. Remains an excellent copy and rare offering that will require special shipping considerations due to size and weight. *Colophon Note* The New Zealanders Illustrated was first published in ten parts in 1846-47, by Thomas McLean, London. There were 188 subscribers for the series, but it is possible that the number printed, though unknown, was somewhat in excess of this figure. There have been no further editions until this 1966 facsimile edition by publishers Reed; reproducing faithfully, without alteration or correction, every page of an original copy. Printed by offset lithography in seven colours on paper specially made to simulate that used in the original edition, and bound in the style of the period. Printing and binding by Kyodo Printing Co., Tokyo. George French Angas (1822-1886) English explorer, naturalist and painter, and eldest son of George Fife Angas, businessman and banker, who had played a significant part in the formation and establishment of the Colony of South Australia. Arriving in Adelaide in January 1844, Angas joined Sir George Grey on several expeditions into the interior of South Australia, documenting his impressions of the newly established colony, its inhabitants, landscape, and its flora and fauna. Angas also spent seven months in New Zealand returning to South Australia in 1845. After his return to England, publication of his paintings and notes for this volume were initiated.. Facsimile Edition. Heavy Folio (22"x15") . Near Fine/No Jacket. Hard Cover.

      [Bookseller: Dale Cournoyer Books]
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        GOLDEN LEGACY: Illustrated History Magazine (Numbers 1-15 of 16.) ORIGINAL FIRST EDITIONS


      [Bookseller: Longed For Books]
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        Flowers for Algernon

      New York: Harcourt, Brace and World, 1966. 274 p. First edition, first printing. Fine hardcover in Very Good dust jacket. Dust jacket price-clipped, tear to top of front panel, repaired by former owner on verso with tape, wear along edges, spine panel a bit wrinkled and soiled, back panel has chip at bottom and rubbing. A nice copy of a rare nebula-winning novel.

      [Bookseller: Burnside Rare Books]
 23.   Check availability:     IOBABooks     Link/Print  

        The Resurrection.

      New American Library, New York 1966 - Near fine (boards are somewhat bowed and there are touches of wear at the tips) in dj that is unfaded and with only slight touches of wear. One of 2500 copies, this copy of John Gardner's first novel is signed by him on the front free endpaper. This novel was Gardner's second regularly published book (the anthology, Forms of Fiction, which Gardner edited with Lennis Dunlap, was its only predecessor) and the first Gardner "A" item. This is a handsome copy and seldom seen in this condition. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Clayton Fine Books]
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        Capitalism: The Unknown Ideal

      New American Library, New York 1966 - First Edition, First Printing. This limited edition is SIGNED by Ayn Rand without the limitation page. The book is in nice condition with some rubbing to the spine. The binding is tight with minor wear to the edges. The pages are clean with NO writing, marks or bookplates in the book. A lovely copy with the publisher's slipcase authentically SIGNED by Ayn Rand. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Quintessential Rare Books, LLC]
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        The Resurrection

      New American Library 1966 - FIRST EDITION of John Gardner's The Resurrection. Signed by the author on a bookplate, laid-in. Published in New York by New American Library, 1966. First Edition as First Printing stated on copyright page. First Edition of author¿s first novel. Flap price reads $4.95. 8 vo. One of an impressive string of first novels published by NAL during David Segal's brief editorial tenure (1966-68). Has mark H0077 on back board and back cover. Book in near fine condition except for chipping and rubbing on spine tips and slight bumping and fading on bottom corners and edge of book. DJ in near fine condition with tape mark on inside of front jacket, slight tear on front cover and minor glue residue on flap edges. Book comes in specially made cloth slipcase. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Bookbid]
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        Every Building on the Sunset Strip

      Los Angeles: Ed Ruscha, 1966. White wraps with accordion fold contents (a single page) in silver slipcase. First edition, second issue. (No two-inch rear flap at end of page block.) Signed by Ruscha on the bottom edge of the slipcase in black ink. Near Fine in Very Good slipcase. Book itslef has a creased spine, very small stain on back cover, else fine. Slipcase inner fold of silver beginning to get loose,typical split at top edge, a bit of rubbing to shiny silver coating. A nice copy. As the Getty Center states, with this work the photographer "reinvented the artist's book." A mile and a half of Los Angeles' iconic Sunset Strip, documented in black and white as a single long shot.

      [Bookseller: Burnside Rare Books]
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        Optical filtering of electron micrographs + Reconstruction of three dimensional structures from electron micrographs

      1966-1968. <p>Three-Dimensional Digital Image Processing </p><p>Rosier, D. J. de and Klug, Aaron (1926- ). (1) Optical filtering of electron micrographs: Reconstruction of one-sided images. Offprint from Nature 212 (1966). 8, [1]pp. 212 x 141 mm. Without wrappers as issued. (2) Reconstruction of three dimensional structures from electron micrographs. Offprint from Nature 217 (1968). 4, [1]pp. 277 x 205 mm. Without wrappers as issued. Together 2 offprints. Light toning, otherwise fine. </p><p>First Separate Editions. Klug and de Rosier invented methods for two-dimensional and three-dimensional digital image processing of electron microscope images. The latter method provided the theory behind the development of computed tomography (CT) by Hounsfield in the early 1970s. Hounsfield&#39;s invention of CT in the early 1970s benefited from several discussions with Klug about digital imaging (personal communication from Klug to J. Norman). Hounsfield received a share of the 1979 Nobel Prize in physiology/medicine for his invention of CT, which provided the first means for visualizing, in three dimensions, virtually all types of tissue within the body (see G-M 2700.4 and Grolier Medical Hundred 100). Klug received the Nobel Prize for chemistry in 1982 "for his development of crystallographic electron microscopy and his structural elucidation of biologically important nucleic acid-protein complexes." A press release written at the time refers to Klug&#39;s two- and three-dimensional imaging methods as an important part of his work: Electron microscopy has long been used to obtain a two-dimensional picture of biological objects. The power of the method to give a clear picture of the structure is, however, limited by several factors. The molecules of life consist mainly of light atoms, which makes the picture lacking in contrast. Increased contrast can be achieved with long exposure times, but this entails the danger that the structure is destroyed by radiation damage. Instead the contrast is generally improved by "staining" with heavy metals, which can also lead to a distortion of the structure. Klug has shown that pictures of biological objects seemingly lacking in contrast often contain a large amount of structural information, which can be made available by a mathematical manipulation of the original picture. His method allows electron microscope pictures of high quality to be obtained with very low radiation doses and without the use of heavy metal stains. In this way changes in the sample are minimized, so that the electron microscope picture at high resolution is a true representation of the original biological structure. The method gives a two-dimensional projection of the sample only, but Klug has shown that a three-dimensional reconstruction of the object can be obtained by collecting pictures in several different directions of projection (Nobel e-museum). 38691 </p>

      [Bookseller: Jeremy Norman's]
 28.   Check availability:     Biblio     Link/Print  


      Philadelphia and New York: Chilton Books,. [1966]. Octavo,. cloth.. A fine copy in nearly fine dust jacket with touch of rubbing to spine. ends and corners, very tiny tear at upper edge of front panel, tiny. nick at bottom edge of front panel, tiny chip from lower right corner. of rear panel, small tear and crease at upper edge of rear panel, and. some dust soiling to rear panel. (#126584). First edition. A 1967 Hugo nominee for best novel. Anatomy of Wonder (1987) 3-329.

      [Bookseller: L. W. Currey, Inc.]
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        The Correspondence of Samuel Richardson, author of Pamela, Clarissa, and Sir Charles Grandison.

      AMS, N.Y. 1966 - Repint originally published 1804. A good, clean set. Payment: ABE or Paypal on request. [Attributes: Hard Cover]

      [Bookseller: Entaku Bookshop]
 30.   Check availability:     AbeBooks     Link/Print  

        Aspen: The Magazine in a Box, Vol. 1, No. 2

      (New York: Aspen. 1966). First. Issue 2, "The White Box." Designed by Frank Kirk, with Tony Angotti. Contains the following items:1. "Farewell to a Canyon" by an unnamed author, 14 loose pages in card folder.2. "Ski Racing / Edging the Possible" by Martin Luray, single page accordion-folded into card folder.3. "Scriabin Again and Again..." by Faubion Bowers, small booklet.4. "The Adaptable House" by Peggy Clifford, large poster folded into small card folder.5. "The Young Out&#39;s VS the Establishment," small booklet with short essays by Lionel Trilling, Stanley Hirsin, Abby Mann, Norman Corwin, Robert Blumofe, Arthur Knight, John Burchard, David T. Bazelon, Robert Osborn, Albert and David Maysles, Jean Renoir, Carroll Baker, Eva Marie Saint, Dr. Karl Menninger, Jack Garfein, and Richard Dyer MacCann.6. Music by Alexander Scriabin played by Daniel Kunin, original 33 1/3 acetate flexi-disc recording.Some wear and soiling to the white box, otherwise all items in fine condition. Aspen was a multimedia "magazine" about the arts published by Phyllis Johnson, a former editor for Women&#39;s Wear Daily and Advertising Age, from 1965 to 1971. Each issue was a custom-made box containing separate booklets, pamphlets, records, posters, and in one issue, a Super-8 movie reel -- each item representing what would have been an article in a traditional printed magazine. Each issue had its own editor and designer, which provided unprecedented artistic originality. However, not surprisingly, its avant-garde format made it impractical, if not downright impossible, for the magazine to support itself. Advertising was supposed to help pay for the costs of production, but the ads, which were contained in a folder at the bottom of the box, were easily ignored. Furthermore, it proved difficult to adhere to the publication schedule of four issues a year. In the end, only ten issues were published. A much repeated assessment is: "Perhaps Aspen was a folly, but it was a vastly pleasurable one, with a significant place in art history. The list of contributors included some of the most interesting artists of the 20th Century. And as an exemplar of creative publishing, Aspen was a wonder. Its contents, however, are all but lost: few copies of Aspen have survived." .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
 31.   Check availability:     IOBABooks     Link/Print  

        Sweet Life

      New York: Harry N. Abrams. (1966). First. First edition. Oblong folio. Fine in fine dustwrapper. A beautiful copy of a splendid book, with deep, rich gravure images. Parr and Badger, The Photobook Volume 1, p. 254-255. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
 32.   Check availability:     Biblio     Link/Print  


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