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Displayed below are some selected recent viaLibri matches for books published in 1966

        Terms of Reference

      London: Hutchinson. (1966). First. First edition. Fine in a very lightly soiled dustwrapper with a number of tiny holes along the edge of the front flap fold, but which is otherwise near fine. A very scarce title, the author's seventh novel. His 1974 novel Holiday was joint winner of the Booker Prize. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
 1.   Check availability:     IOBABooks     Link/Print  

        Ezra Pound's Cavalcanti Poems

      London: Faber and Faber, 1966. Printed in Dante type on Magnani mould-made paper at the Officina Bodoni Press in Verona. No. 128 of 190 copies on Pescia paper and 10 on japanese paper, signed by the author on the colophon page. 1 vols. Small folio. Vellum spine and boards. Bookplate. Fine in slipcase.

      [Bookseller: James Cummins Bookseller]
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        Playscript]: Malcolm

      1966 - Very good in a softcover post binder from Lillian North Typing Service, New York. Personal copy of Clinton Wilder with his name on the title page. Typewritten script of the play adapted by Albee from the novel by James Purdy. Signed by the author and dated 1979. [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Between the Covers-Rare Books, Inc. ABAA]
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        Nevicata sulla cima Val Ferret.

      1966 - Olio su tavoletta di cm. 15 x 23. Firma sul retro.

      [Bookseller: Libreria M. T. Cicerone]
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        The Molecular Theory of Gases and Liquids

      Wiley-Blackwell, 1966. Hardcover. New. SKU: MM-60413144; EAN: 9780471400653

      [Bookseller: Media Mall]
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        Two Signed Letters! The first American to orbit the Earth, John Glenn advises students <i>?that we should all be exposed to a maximum variety of subjects to enable us to find not only the vocation that best suits our abilities, but to find ourselves ??</i>

      (1) Typed Letter Signed ?J.H. Glenn, Jr.,? 1 page, 8.5? x 11?. Seabrook, Texas, March 31, 1966. To Miss Evelyn B. Byrne, New York. On lightweight paper with accompanying postmarked airmail envelope. Fine condition. In full, ?Thank you for your letter of February 19th which accompanied the form letter from the Editors of Chatterbox asking for the name of my favorite book or books. I believe that we should all be exposed to a maximum variety of subjects to enable us to find not only the vocation that best suits our abilities, but to find ourselves. One of our greatest sources of individual growth comes from the books we read. Through books, we gain the wisdom of the past, which we can apply to our present work and, thus, develop plans for the future. Our growth as a nation depends on many widely diversified professions and skills. If our progress as a nation is to be as complete as we know it can be, then the wisdom of the past much come alive for us in as many fields as possible. For this reason, I prefer not to pinpoint any particular books as being more beneficial than others. Please extend my warmest personal regards to the editors for their kindness in including me as a part of their program. My best wishes to you, the faculty and students of J.H.S. 115.? (2) Typed Letter Signed ?J.H. Glenn, Jr.,? 1 page, 8.5? x 11?. Seabrook, Texas, November 1, 1967. To Miss Evelyn B. Byrne, New York. With accompanying postmarked airmail envelope. Fine condition. In full, ?Thank you for your letter regarding inclusion of my previous letter in a reprint volume you are planning. That is certainly satisfactory with me and I am glad you have received such favorable comment on your activities.? From 1966 to 1970, Evelyn Byrne ran a program at New York City's Elizabeth Barrett Browning Junior High School 115 where she asked major literary and artistic figures of the time to write back with their recollections of what books inspired them while they were teenagers. An assortment of their responses were published in the book Attacks of Taste, printed in 1971 by Gotham Book Mart.

      [Bookseller: University Archives]
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        El punt

      - Ed. Escola Elisava. Barcelona, 1966. 31 cm. 12 carpetes impreses en una sola cara, i cada una d'elles conté un linòleum signat per l'artista. Edició de 150 exemplars (ex. 106). En rama, presentades en un estoig en mitja tela. Els textos són de: Oriol Bohigas, Alexandre Cirici Pellicer, Federico Correa, Romà Gubern, Lelis Marqués, Miguel Milá, Miquel Montfort, Paulina Pi de la Serra, Xavier Rubert de Ventós i Joan Triadú. I els linòleums són de: Todó, Mariona Aguirre, Joan Antoni Blanc, Anna Mª Bricall, Maria Girona, Josep Grau Garriga, Josep Guinovart, Albert Ràfols Casamada, Jordi Roura, Josep Mª Subirachs i Yves Zimmermann.

      [Bookseller: Antiquària Malda, Llibreria]
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        An Isaac Asimov Omnibus

      UK: Sidgwick & Jackson. London, Sidgwick & Jackson, 1966. Hardback first edition thus. Gathers together Foundation, Foundation and Empire and Second Foundation, being the initial trilogy before the further four volumes were published. Some rubbing to the jacket, and a couple of short closed tears, a little foxing to the top edge. Review slip laid in. . Near Fine. Hardback. 1st Edition. 1966.

      [Bookseller: Hyraxia]
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        HOW 007 GOT HIS NAME

      London: Collins. 1966. First edition, first impression. INSCRIBED PRESENTATION COPY. Original green cloth with gilt titles to the spine, in dustwrapper. A very good or better copy, thin strips of fading at the binding extremities, the contents clean and bright throughout. Complete with the good rubbed, nicked and chipped dustwrapper with a small triangular piece detached from the top left corner of the rear panel. Not price-clipped (10s 6d net to the front flap). Inscribed by the author in blue ink on the front free endpaper ?"To ?"Essie?" / from her long-lost / ?"Squidge?" / alias / Mary Wickham Bond / July 26 - 1966 / The Stafford / London?". Further details and images for any of the items listed are available on request. Lucius Books welcomes direct contact with our customers.

      [Bookseller: Lucius Books]
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      Les éditions de minuit 1966 - - Les éditions de minuit, Paris 1966, broché. - Edition originale imprimée à 662 exemplaires numérotés sur vélin cuve B.F.K. de Rives, le nôtre un des 100 exemplaires hors commerce. Envoi autographe signé de l'auteur à Ludovic Janvier et à sa femme. Agréable exemplaire. - [Automatic english translation: ] first edition to 662 numbered copies printed on vellum BFK Rives tank, ours one of the 100 copies not for sale.Signed autograph of the author Ludovic Janvier and his wife.Nice copy. --- Please note that the translation in english is done automatically, we apologize if the formulas are inaccurate. Contact us for any information! [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: Librairie Le Feu Follet]
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        Typed letter signed.

      Epalinges, 17. X. 1966. - Large 4to. 1 p. To Belgian author, filmmaker and documentarist Henri Storck: "Cela fait plaisir d'avoir de vous nouvelles, surtout qu'elles sont excellentes tant dans le domaine de votre vie privée que dans celui de votre activité artistique. Je vous réponds un peu hâtivement car je suis plongé dans la révision d'un roman et j'essaie de ne pas trop perdre le fil de mes idées. C'est gentil à vous d'avoir pensé à mon fil Marc, mais, pendant plus d'un an encore, et peut-être davantage, il sera occupé à tourner &#130;Les Dossiers de l'Agence O', treize de mes anciennes nouvelles, pour l'O. R. T. F. [.]". - On headed paper; left margin with punched holes (not touching text); together with a typed letter from Storck (carbon copy).

      [Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH]
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        LA COMEDIA HUMANA ( completa en 6 tomos ) .

      Editorial : LORENZANA 1966 - Barcelona 1966 . 1ª Edic. Edición preparada por Augusto Escarpizo . Encuad : plena piel azul con dorados , cinta punto de lectura , papel biblia , corte superior dorado . 12 x 17,5cms. 2045+2172+2280+2275+2538+2030pag. . Tema : Literatura Francesa, Autores Franceses Contemporaneos . Libros en buen estado , pequeña rascada en lomera superior Vol I , algunos puntos de óxido en cortes . ( v. foto ampliada ) .

      [Bookseller: montgiber]
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      1966. SINISGALLI, Leonardo. Cineraccio. With 19 etchings by Orfeo Tamburi. Folio, bound in original grey Ingres paper wrappers, in slipcase. Florence: [Officina Bodoni for] I Cento Amici del Libro, 1966.Copy 6 of 118. Elegantly Printed in Dante 14 point roman, on Cernobbio mould-made paper.Mardersteig 145.

      [Bookseller: Ursus Rare Books ]
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      San Francisco. [1966]. A Family Dog production with the Great Society, at the Avalon Ballroom, July 22-23, 1966. The poster from which this handbill was derived was produced by Kelley and Mouse and has been nicknamed "Snake Lady" (see Art of Rock, FD17). 8-1/2" x 11". Maroon on yellow. One tiny edge nick; else fine. First Edition.

      [Bookseller: Ken Lopez Bookseller, ABAA]
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        Amyntas. Ein Schäferspiel. Übertr. von Hanns Studniczka. Begleittexte von H. Studniczka u. B. Degenhart. Mit acht (vier eingebunden, vier lose) Orig.-Radierungen von Bruno Cassinari.

      München, Hanser 1966.. Gr.-4°. 85, (5) S., 8 Graphikbl., (8 S.) Begleittexte, 4 Bl. OHalbpergamentbd. u. OHalbpergamentmappe, beides mit goldgepr. Rückentitel. Tadelloses Exemplar im Schuber, der wie Einband u. Mappe mit Kleisterpapier-Bütten überzogen worden ist.. * Erster Hanser-Pressendruck. Eins von 190 handschr. numer. Exemplaren, im Druckvermerk von Hermann Zapf signiert. Ihm oblag die Gesamtgestaltung (Typographie, Titelzeichnung, Einbandentwurf). Alle acht Radierungen vom Künstler signiert. - Der Text wurde in der Eggebrecht-Presse aus der Diotima-Antiqua von Hand gesetzt u. auf kräftiges Hahnemühle-Bütten gedruckt. Druck der Radierungen von Giovanni Mardersteig in der Stamperia Valdonega, auf ein Papier der Cartiera di Cernobbio. Handeinband von Willy Pingel. - Beiliegt ein achtseit. Verlagsprospekt zu diesem Druck, mit Text- u. Graphikprobe.

      [Bookseller: Antiquariat Matthias Loidl]
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        Bomb Hanoi

      1966. WARHOL, Andy. [Bomb Hanoi]. Some / Thing #3 (Vol. 2, No. 1, Winter 1966). 8vo., 215 x 135 mm, bound in original illustrated wrappers. New York: Printed by Harry Gantt for Jerome Rothenberg and David Antin, 1966. |~||~||~||~| Rare example of Warhol's famously ironic comment on the Vietnam War: an entire magazine cover of 12 stamps, bearing the words "BOMB HANOI" within yellow "happy-face" circles. "In 1966, that 'honorary member' of the new sensibility, Andy Warhol - whose multiple-image Pop paintings often resemble stamp sheets - created a non-denominational sheet of stamps as the cover of the literary magazine Some/Thing #3. On each stamp the legend "BOMB HANOI" floats in the middle of a yellow orb. In exact terms Warhol's was not a postage stamp, but a "campaign" stamp, the kind that political or other special interest groups publish to affix to letters (e.g. Easter Seals). As I recall, Warhol has also done a painting of a sheet of S&H Green Stamps" (Peter Frank, "Postal Modernism: Artists' Stamps and Stamp Images"). First Edition of the third installment of Jerome Rothenberg and David Antin's periodical. PROVENANCE: Ownership signature of Kathy Acker in red ink.

      [Bookseller: Ursus Rare Books]
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        The Spectra Hoax [presentation, association]

      Middletown, CT: Wesleyan University Press, 1966 Middletown, CT: Wesleyan Univeristy Press, 1961. First Edition. Signed by lead hoaxer Witter Bynner [as "Emanuel Morgan"], presented to Kenneth L. Ball, the student who first discovered his identity. Octavo, 158 pp, beige cloth with black and white imprinting, jacket. Fine book in near fine jacket showing trace edgewear. A singular copy of the book about "the hoax" . In the early years of the twentieth century, all of the arts - particularly poetry - were thriving in the midst of a post-industrial-revolution swell of excitement, creativity and new aesthetic "schools"; poetry, for its part, rolled out Imagism, Vorticism, Futurism, Chorism, and a rogue's gallery of other new poetic genres, each based on its own aesthetic theorizing. Appearing in the midst of this rather joyous and certainly passionate carnival were Emanuel Morgan, expatriate painter-turned-poet reunited with his native Pittsburgh, and his close friends and colleagues, the beautiful Hungarian poet (who wrote in Russian) Anna Knish, and barrister Elijah Hay. In 1916, Morgan and Knish took the poetry world by storm with their Spectrist school of poetry, which was based on three visions of the term - spectra, the task of the artist to perceived beauty in its component colors, rather than as the glorious white light in which it occurs naturally; the reflex vibrations of that same light which occur only within the artist, like the light phenomena in our eyes; and spectre, the yet more difficult task of uncovering the subtle, hidden spirits behind and within beauty. Morgan used regular rhymed stanza in his spectrism offerings, while Knish used only free verse, but they were attempting the same thing. The poetic world was quickly awash in discussion and analysis of the spectrist school; a few thought the intellectual foundation to be a bit pretentiously framed, others thought it strange that there had been no public appearances by the pair or their lawyer colleague Hay; but the fermenting, energetic world of poetry at the time was full of new voices and figures. No one seemed to take much note of the fact that some of the lines seemed a bit nonsensical, others downright humorous. After all, poetry had few rules, even then. Some were suspiscious, however, that many of the poems, especially in the duo's lead vehicle, the publication Spectra, didn't seem to fit, in any clear way, the espoused theory. Some uneasy suspicion about Morgan and Knish - and about poet/lecturers Witter Bynner and Arthur Ficke, who first wrote about them in depth - started to sprout. Finally, in 1918, a young student at the University of Wisconsin, after a lecture by poet Witter Bynner, asked Bynner if it were not true that he was, in fact, Emanuel Morgan, and that Ficke was, in fact, Knish. A bit wearied- even embarrassed - by the hoax by then [and knowing that his underlying goal of lampooning pretentious schools of poetry couldn't be consummated anyway, without revelation] , Bynner confessed all, including the fact that their supportive "briefless barrister", Elijah Hay, was another colleague, Marjorie Allen Seiffert. One of the greatest literary hoaxes in history was at an end. Although the identity of the young challenger is not known with certainty (it was not, Bynner let it be known, Horace Kallen, who at one time claimed the unmasking], there is some feeling that Kenneth L. Ball, to whom this volume was presented and inscribed "with a bow" by Bynner [signing as Emanuel Morgan], was that student. The volume contains the history of the hoax as well as the complete text of the original Spectra. Please feel free to ask questions or request additional scans. - L6

      [Bookseller: Singularity Rare & Fine]
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        Complexity and Contradiction in Architecture

      1966. VENTURI, Robert. Complexity and Contradiction in Architecture. Introduction by Vincent Scully. 143 pp. Illustrated with 350 black and white plates. 8vo., 200 x 145 mm, bound in publisher's cloth and printed dust wrapper. New York: Museum of Modern Art in association with The Graham Foundation for Advanced Studies in the Fine Arts, Chicago, 1966.|~| First edition of this landmark publication, translated into 16 languages since its first appearance in 1966. "...This remarkable book has become an essential document in architectural literature. A 'gentle manifesto for a nonstraightforward architecture,' Venturi's Complexity and Contradiction in Architecture expresses in the most compelling and original terms the postmodern rebellion against the purism of modernism. Three hundred and fifty architectural photographs serve as historical comparisons and illuminate the author's ideas on creating and experiencing architecture. Complexity and Contradiction in Architecture was the winner of the Classic Book Award at the AIA's Seventh Annual International Architecture Book Awards." Dust jacket lightly soiled else a fine copy. The Museum of Modern Art Papers of Architecture 1.

      [Bookseller: Ursus Rare Books]
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        The Magus

      Jonathan Cape, London,, 1966. Octavo. Finely bound by The Chelsea Bindery in full dark green morocco, titles and decoration to spine gilt, raised bands, single rule to boards gilt, inner dentelles gilt, plain coated endpapers black, all edges gilt. A fine copy. First Edition, First Impression.

      [Bookseller: Peter Harrington]
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        Camera and Lens; The Negative; The Print; Natural-Light Photography; Artificial Light Photography. 4 of 5 Volumes Signed

      Hastings-on-Hudson, NY: Morgan & Morgan, 1966 Hastings-on-Hudson, New York: Morgan & Morgan, various dates. All five titles in Ansel Adams' Basic Photo Series, four of them signed by Adams. Basic Photo One: Camera and Lens. First Revised Edition, 1970. Signed on the title page. Small quarto. Near fine in better than very good jacket. Basic Photo Two: The Negative. New Revised Edition, 1966. Signed on the title page. Octavo. Previous owner's writing on endpapers, else near fine book in very good jacket. Basic Photo Three: The Print. New Edition, 1968. Signed on the title page. Octavo. Near fine book in better than very good jacket. Basic Photo Four: Natural-Light Photography. Sixth printing of the first edition, 1969. [not signed]. Octavo. Near fine book in better than very good jacket. Basic Photo Five: Artificial-Light Photography. Fourth printing of the first edition, 1968. Octavo. Signed on the title page. Near fine book in about very good jacket with soil, rubbing and some rippling. All five books have the small acorn stamp of Best's Studio, Yosemite Valley, on the rear pastedown, for the collector of old bookseller's stamps. Adams still seminal and much-sought series for the aspiring photographer, complete, in nice shape aand with four Ansel Adams signatures. Not much else need be said. L4

      [Bookseller: Singularity Rare & Fine]
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      1966. SINISGALLI, Leonardo. Cineraccio. With 19 etchings by Orfeo Tamburi. Folio, bound in original grey Ingres paper wrappers, in slipcase. Florence: [Officina Bodoni for] I Cento Amici del Libro, 1966. |~||~||~||~||~| Copy 6 of 118. Elegantly Printed in Dante 14 point roman, on Cernobbio mould-made paper. Mardersteig 145.

      [Bookseller: Ursus Rare Books]
 21.   Check availability:     Biblio     Link/Print  

        Historiettes galantes.

      Paris, Les Bibliophiles de la Basoche 1966 - 15 Pointes-sèches de Amandine Doré mises en couleurs à la main dans les ateliers d'Art des Éditions de l'Ibis et des Éditions Les Heures Claires. Lettrines illustrées. Édition limitée à 350 exemplaires sur grand vélin de Mandeure réservée aux Bibliophiles de la Basoche. Celui-ci (N°285) est enrichi d'une SUITE de 5 pointes-sèches (avec remarques) inédite et non justifiée, ainsi que d'un dessin original mis en couleur et signé de l'artiste, sur une page de garde. (Complet & Contrôlé) Paris, Les Bibliophiles de la Basoche 1966 - 178 pages. Belle reliure demi maroquin rouge à larges coins. Dos lisse aux titre, auteur et date en pied dorés. Tête dorée. Couverture et dos conservés. Étui à liseré. Pas de rousseur. Parfait état. Format in-folio (35x27). Edition illustrée [Attributes: Hard Cover]

      [Bookseller: Livres et Collections]
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        The Old Textiles of Turkey [2 volumes]

      Korinsha, Kyoto, 1966-67, Hardcover, Book Condition: Fine; 17 x 15 (43 cm) Hardback in folding case portfolio with bone clasps. Softbound text. Plates in Japanese binding. Fine condition.Illustrated by 100 color relief-halftone plates; GWO 2320. Two volume set. Turkish silks and velvets from the 15th-18th century from the Victoria and Albert Museum collection. Lists of plates and captions in Japanese and English. Scarce and beautiful. [CSROT t1835].; 20; 218 pp.

      [Bookseller: RugBooks]
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        Capitalism: The Unknown Ideal

      NY: The New American Library, 1966. Book. Near Fine. Hardcover. Signed by Author(s). 1st Edition. Near fine copy. One of 700 issued. Housed in a solid, square, clean, and age toned slip case..

      [Bookseller: Brooklyn Books]
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        THE CRYING OF LOT 49

      Philadelphia, PA: J. B. Lippincott. 1966. First Edition; First Printing. Hardcover. Very Good in a Very Good price clipped dust jacket. A few tears to jacket crown. Crease to front flap. Stated First Edition. 366 on upper flap corner. Pynchon's increasingly scarce second novel, winner of the Richard and Hinda Rosenthal Award from the American Academy and Institute of Arts and Letters. ; 8vo 8" - 9" tall .

      [Bookseller: Rare Book Cellar]
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        Dix, Otto. - "Ruine der Frauenkirche".

      . Lithografie / Kreide- & Pinsellithografie, partiell geschabt, auf Van-Gelder-Zonen-Bütten, 1966. Von Otto Dix. Auflage Exemplar Nr. 37/40. 47,0 x 40,5 cm (Darstellung) / 63,5 x 54 cm (Blatt). Karsch 308 II. Rechts unten in Bleistift signiert und datiert: "Dix 66". Links eigenhändig Auflagenbezeichnung. - Tadelloses Exemplar. Sehr guter Erhaltungszustand. Otto Dix (1891 Untermhaus / heute Gera - 1969 Singen am Hohentwiel). Deutscher Maler und Grafiker, bedeutender Vertreter der Neuen Sachlichkeit. 1909-14 an Königlichen Kunstgewerbeschule in Dresden. 1914-18 Militärdienst als Kriegsfreiwilliger. 1919 Studium an der Dresdner Kunstakademie, Atelier am Antonplatz. Gründungsmitglied der "Dresdner Sezession Gruppe 1919". 1922 Umzug nach Düsseldorf. 1925-27 wohnhaft in Berlin. Seit 1927 Professor für Malerei an der Dresdner Kunstakademie. 1933 wurde er durch die Nationalsozialisten seines Amtes enthoben und als "entartet" diffamiert. 1936 Übersiedlung nach Hemmenhofen.; 3740.

      [Bookseller: Galerie Himmel]
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        [Screenplay]: Accident

      London: Joseph Losey / The Grade Organization. May 4th, 1966. First. Photomechanically duplicated sheets bradbound into unprinted blue die-cut wrappers. 100 leaves printed rectos only. Fine. Directed by Losey in 1967 featuring Dirk Bogarde, Stanley Baker, Jacqueline Sassard, Michael York, and Pinter's wife, Vivien Merchant. The film won The Grand Jury Prize at Cannes and was nominated or won several other awards as well, including the Best British Screenplay from The Writers' Guild of Great Britain .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
 27.   Check availability:     Biblio     Link/Print  

        Wyclif's Latin Works. 33 Bände/Volumes. By Johannis Wyclif (John Wycliff). - Volumes 1-3: Tractatus de logica. Now first edited from the Vienna and Prague Mss. by Michael Henry Dziewicki. - Volumes 1-4: Sermones. Vol. 1: Super evangelia dominicalia. Vol. 2: Super evangelia de sanctis. Vol. 3: Super epistolas. Vol. 4: Sermones miscellanei (Quadraginta sermones de temporf. sermones mixti 24). Now first edited from the manuscripts with critical and historical notes by Johann Loserth. - Vol. 1-4 (in 2 books): Opus evangelicum. Now first edited from the manuscripts with critical and historical notes by Johann Loserth. - Tractatus de officio regis. Now first edited from the Vienna Mss. 4514 and 3933 by Alfred W. Pollard and Charles Sayle. - Tractatus de mandatis divinis accedit tractatus de statu innocencie. Now first edited from the manuscripts with critical and historical notes and with an appendix de differentia inter peccatum mortale et veniale. By Johann Loserth and F.D. Matthew. - Tractatus de apostasia. Now first edited from the Vienna Mss. 1343 and 3935. By Michael Henry Dziewicki. - De compositione hominis. For the first time edited by Rudolf Beer. - Tractatus de simonia. Now first edited from the Vienna Mss. 4536, 1622, 4504, 4515, 3927, 3937, and 1343; from the Prague Ms. X. E9. and the Trinity College (Dublin) Ms. C. 1. 24. By Herzberg-Fränkel and Michael Henry Dziewicki. - Tractatus de blasphemia. Now first edited from the Vienna Ms. 4514. With critical and historical notes by Michael Henry Dziewicki. - Tractatus de potestate pape. Now first edited from the manuscripts with critical and historical notes by Johann Loserth. - De veritate sacrae scripturare. Now first edited from the manuscripts with critical and historical notes. By Rudolf Buddensieg. - Vol. 1-2: Polemical works in Latin. For the first time edited from the manuscripts with critical and historical notes by Rudolf Buddensieg. - Vol. 1-4: (Tractatus) de civili dominio (liber primus, secundus, tertius). Vol. 1: Now first edited from the unique manuscript at Vienna. Vol. 3-4: With critical and historical notes by Johann Loserth. - Opera Minora. Now first edited from the manuscripts. By Johannis Wyclif. With critical and historical notes by Johann Loserth. - De ente praedicamentali from the unique Prague Ms. Quaestiones XII (13) logicae et philosophicae from the unique Prague Ms. For the first time edited by Rudolf Beer. - De dominio divino libri tres. To which are added the first four books of the treatise de pauperie salvatoris by Richard Fritzralph. Edited by Reginald Lane Poole. - Dialogus sive speculum ecclesie militantis. Now first edited from the Ashburnham Ms. XXVII C. with collations from the Vienna Mss. 1387, 3930 and 4505. By Alfred W. Pollard. - Vol. 1-2: De veritate sacrae scripturae. Now first edited from the manuscripts with critical and historical notes by Rudolf Buddensieg. - De ente librorum duorum. Excerpt a: Libri 1: Tractatus tertius et quartus. Libri 2: Tractatus primus et tertius; et fragmentum de annihilatione. Now first edited from the Ms. B. 16, 2 Tr. Coll., Cambridge. By Michael Henry Dziewicki. - Tractatus de ecclesia. Now first edited from the manuscripts with critical and historical notes by Johann Loserth. - De eucharistia tractatus maior. Accedit tractatus de eucharistia et poenitentia sive de confessione. Now first edited from the manuscripts with critical and historical notes by Johann Loserth. - Tractatus de benedicta incarnacione. Now first printed from the Vienna and Oriel Mss. and edited with notes and indices by Edward Harris.

      New York & London: Johnson Reprint Society / Frankfurt am Main: Minerva 1966.. 33 Bände/Volumes. / Reprint. Gr. 8° (22,5-25 cm). Orig.-Leinenbände. [Hardcover / fest gebunden].. Ehemalige Bibliotheksexemplare (ex-library copies) mit Rückensignaturen, Inventarnummern und Stempeln auf Schnitten, Vorsatz- und Titelblättern. - Einige Bände leicht berieben. Ansonsten gut erhaltene Exemplare.

      [Bookseller: Antiquariat Kretzer - www.bibliotheca-th]
 28.   Check availability:     ZVAB     Link/Print  

        DUNE (1st UK printing)

      Victor Gollancz, London, 1966. 430 pages. 1st UK edition, 1st printing. VG+/G. Book is square with sharp corners. A couple of small spots of faint discoloration to cloth panels. Endpapers and pastedowns are bright and clean. Minor lateral darkening to on top page edges. Binding and hinges are strong. Original 1st issue DJ has 30 net price intact on lower area of DJ flap. DJ shows wrinkles near edges, closed edge tears, edge rubbing and a few open chips along the edges. The book is quite attractive, the rare DJ less so, but still desirable with above noted flaws. The book is VG+ and the DJ is Good. A rare 1st printing in a rarer DJ. [Attributes: First Edition; Hard Cover]

      [Bookseller: Medium Rare Books LLC]
 29.   Check availability:     AbeBooks     Link/Print  

        Oeuvres poétiques. Lithographies originales de Jansem

      Paris: Club du livre - Philippe Lebaud, 1966. Livre. Illus. by Jean Jansem. Très bon. reliure éditeur. Signé par l'illustrateur. In-4. Paris, Club du livre - Philippe Lebaud, 1966. 33 x 26 cm (R), in-4, 236 (6) pp., 20 lithographies originales en noir hors texte (comprises dans la pagination) dont 3 à double page, reliure de vachette maroquinée noire incrustée de trois larges plaques colorées au palladium formant un décor fleuri, titre et auteur au palladium ou dos, tête argentée, chemise de demi-vachette maroquinée à bandes et étui bordé (reliure d'édition exécutée par Jacques Ebrard d'après une maquette de Henri Mercher). Tirage à 325 exemplaires, tous signé par Jansem au colophon. Celui-ci l'un des 54 sur Auvergne (n° 51), enrichi d'une DOUBLE SUITE à part des illustrations, l'une sur Japon nacré, l'autre sur Rives. Les suites sont présentées sous portefeuille et étui séparés. Somptueuses lithographies. Rare avec les suites et dans cette intéressante reliure d'édition. Bel exemplaire. (MONOD, 11299) (Prévoir des frais de port pour 8 kg).

      [Bookseller: Des livres autour (Julien Mannoni)]
 30.   Check availability:     Biblio     Link/Print  

        The Indian Papers of Texas and the Southwest 1825-1916, Complete in Five (5) Volumes

      The Pemberton Press, 1966, Hardcover, Book Condition: Good, ReprintSize: 8vo - over 7?" - 9?" tall, Reprint of the 1959 first edition. "Preserves the original manuscript copies of the Texas Indian Papers and makes their valuable contents available." - from preface to first edition. All volumes uniformly bound in original yellow cloth. Moderate wear. Bindings tight. Usual library markings. Slipcase not included. A sound copy of this essential Texas reference, Former Library Copy

 31.   Check availability:     Bookzangle     Link/Print  

        Par monts et merveilles

      First Edition, one of 20 numbered copies on Japan super pearly print head with 10 other Japanese super pearl and 1 vellum parchment. Illustrated book of color wash Jean-Pierre Rémon. Our copy is complete as stipulated in the justification of the draw of a handwritten letter from Jean de La Varende, 4 original watercolors by Jean-Pierre Rémion (including 3 signed) not belonging to the illustration the book. In contrast, our model is incomplete painting by Jean-Pierre Rémon. Autograph signatures of the author and the illustrator to draw justification. Rare and very nice copy. A. & P. Gonin Lausanne 1966 29,5x38cm en feuilles sous chemise et étui

      [Bookseller: Librairie Le Feu Follet]
 32.   Check availability:     Direct From Bookseller     Link/Print  


      Original edition to 662 numbered copies printed on vellum BFK Rives tank, ours one of the 100 copies not for sale. Signed autograph of the author Ludovic Janvier and his wife. Nice copy. Les éditions de minuit Paris 1966broché

      [Bookseller: Librairie Le Feu Follet]
 33.   Check availability:     Direct From Bookseller     Link/Print  

        Theory of Self-Reproducing Automata

      University of Illinois Press, 1966 Hardcover 1st Printing in $10.00-priced dust jacket, no markings, NOT ex-lib, just a hint of shelf rub & edge wear to the unlaminated jacket, a truly exemplary copy of von Neumann's highly sought-after last & unfinished work; from collection of computer science pioneer Willis H. Ware (dj in mylar protector); 8vo; xx + 388pp indexed. First Edition. Hard Cover. Fine/Near Fine+.

      [Bookseller: Nighttown Books]
 34.   Check availability:     Biblio     Link/Print  

        Wernher von Braun credits Herman Oberth's groundbreaking book, Rockets in Planetary Space, <i>"... became the guiding star of my life ? The book instilled in me the driving desire to work towards the realization that manned flights to our neighboring planets, a goal that is now within reach thanks to our dynamic national space flight program."</i>

      Typed Letter Signed, "Wernher von Braun," 2 pages, 8.5" x 11" on NASA George C. Marshall Space Flight Center letterhead, Huntsville, Alabama, March 3, 1966 to Miss Evelyn B. Byrne, a Bronx junior high school teacher recommending his favorite books to her journalism club, including Herman Oberths' pioneering 1923 book, Die Rakete zu den Planetenräumen (Rockets in Planetary Space). Minor staple holes at top left and expected mailing folds, else very fine condition. In response to Byrne and to her journalism club at Elizabeth Barrett Browning Junior High School in the Bronx, New York, that had enquired about his favorite books as a teenager, von Braun writes in full: "Thank you very much for your letter of February 4, 1966, informing me that your journalism club placed my name on the list of people influencing their reading choices. Of course, I am delighted and deeply gratified to know of your students' interest in the fascinating and challenging tasks of space exploration and hope many of them will later carry on our efforts and direct their talents to the exciting search for knowledge in our spatial environment. As to your question which book or books were my teen-age favorites, my answer is this: Reading was, still is, and always will be one of my favorite pastimes. Among the many novels I devoured as a youngster, I still remember the exciting accounts of Jonathan Swift's 'Gulliver's Travels'. From the comfortable vantage point of my own little room, the book allowed me to catch a glimpse of the strange and intriguing world outside. It not only entertained me, it added innumerable impressions to the limited scope of my personal experience. It was adventure and wisdom in one neat attractive package, easily digestible for any young inquisitive and curious mind. Another book that made a lasting impression on me was Hermann Oberth's 'Rockets in Planetary Space', one of the fundamental publications establishing the science of astronautics. In fact, this book became the guiding star of my life. Full of equations and strange symbols, it spurred me to throw myself into mathematics and physics in order to understand how rockets could limb higher than the limits of the earth's atmosphere and be used to explore the vastness of space. The book in instilled in me the driving desire to work towards the realization that manned flights to our neighboring planets, a goal that is now within reach thanks to our dynamic national space flight program. I sincerely hope many of your students will find the same satisfaction and inspiration through their favorite books that I was able to gain from my teen-age reading. My very best wishes go to all members of your journalism club and the entire student body of the Elizabeth Barrett Browning Junior High School." Von Braun first encountered Oberth's Die Rakete zu den Planetenräumen in 1925 while attending boarding school near Weimar, Germany which convinced him to study mathematics and engineering. In 1930, he entered the Technishe Hochscule Berlin where he assisted Oberth in the first static test firing of a liquid fuel rocket. Both scientists would become involved in the German rocket program at Peenemünde where the V-1 and V-2 missiles were perfected. Later in life Oberth would work for von Braun in Huntsville in the late 1950s where he participated in authoring the study, The Development of Space Technology in the Next Ten Years.

      [Bookseller: University Archives]
 35.   Check availability:     Biblio     Link/Print  

        The Music School

      Alfred A. Knopf - Signed by Author. First edition, first state printing (w/ error on p.46: the poem cited has opening quotation marks at second line, instead of first), 1966. Signed by the author on the title page. Book near fine, with slight wear at corners, a few discoloration spots on fore-edge of pages. DJ near fine, except for rubbing spot on back flap which has erased the word "John" from "John Updike was cetera," tiny .5" tear at top of back, slight darkening on spine and along topmost edges of flaps, slight staining on back. DJ price reads "$4.95." In specially made slipcase. We will provide a certificate of authenticity for this item. [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Bookbid]
 36.   Check availability:     AbeBooks     Link/Print  

        American Furniture: The Federal Period in the Henry Francis Du Pont Winterthur Museum

      New York: The Viking Press. 1966. First. First edition. Quarto. Full niger morocco gilt. Fine in fine cloth slipcase trimmed in morocco. One of 200 copies Signed by author. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
 37.   Check availability:     Biblio     Link/Print  


      New York: Harper & Row, Publishers,. [1966]. Octavo,. cloth-backed boards.. A fine copy in fine dust jacket with several thin vertical lines of. soiling on rear panel (most likely during the printing process, not. abuse). A sharp copy. (#102841). First hardcover edition. 5500 copies printed. Adds new introduction by Vonnegut. The author's third novel, first published in paperback in 1962. Pieratt, Huffman-klinkowitz, and Klinkowitz AD2.

      [Bookseller: L. W. Currey, Inc.]
 38.   Check availability:     Biblio     Link/Print  


      Viking Press 1966 - A near fine first edition in a very good dust jacket, signed by Sandy Koufax on the front free endpaper. Laid in is the original marker from the Heritage Auction at which this was purchased. This book comes with a certificate of authenticity, guaranteeing the authenticity of the signature. Original price of $4.95 still on front flap of the dust jacket. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Bookbid]
 39.   Check availability:     AbeBooks     Link/Print  


      Alfred A. Knopf, New York 1966 - Octavo, cloth backed boards. A Lew Archer novel. Signed presentation copy to noted Canadian author and educator Marshall McCluhan and his wife Corinne. "Santa Barbara/ Xmas 1965/ For Marshall and Corinne/ with love and admiration/ Ken." Marshall McLuhan spent time guest teaching in Santa Barbara where he and Millar met and became lifelong friends. "This is a powerful novel, set against the backdrop of a millionaires' playground in southern California and peopled with unforgettable characters. While Archer's clients in this and other books are rich and powerful, Macdonald's characterization is perhaps at its most masterful when dealing with the little people, life's victims whose pathetic dreams are the fuel for tragedy." - Pronzini and Muller, 1001 Midnights, The Aficionado's Guide to Mystery and Detective Fiction, pp. 522-23. Pederson (ed.), St. James Guide to Crime and Mystery Writers, (4th ed.), pp. 676-678. A fine copy in a near fine dust jacket, touch of shelf wear to corners and spine ends. (13441) [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: John W. Knott, Jr, Bookseller, ABAA/ILAB]
 40.   Check availability:     AbeBooks     Link/Print  

        Inside the endless house

      Simon & Schuster 1966 - Poor DJ. Signed by the Author's wife. Discussed in biography (in Frederick John Kiesler (American architect)) .More sculpture than architecture, the house consisted of a group of joined, rounded, shell structures on piers that could be used as continuous space or as separately defined, closed-off rooms. Inside the Endless House (1966), written as a journal, is basically an account of Kiesler's artistic life. His last important work was the Shrine of the Book (1959-65), which houses the.For detailed description and photos of this book, please contact us. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Hurlingham Books]
 41.   Check availability:     AbeBooks     Link/Print  

        Cantos del Anochecer (1908 - 1955)

      Buenos Aires, Argentina:: Raoul Veroni,, 1966.. Edition of 20. 8.2 x 12"; 68 pages. Laid in hard cover presentation folder. Housed in matching green marbled paper covered slipcase. Text in the original Spanish. Signed by Enrique Banchs, David Martinez, and Raoul Veroni. Letterpress printed by Raoul Veroni. Illustrated by Raoul Veroni with eight lithographs, 6 vignettes, colophon with embossed detail, and cover lithograph. Portrait of the poet signed by Veroni. Introduction by David Martinez. Of the edition: 5 on Whatman for Banchs, Martinez, and Veroni; 15 on Fabriano numbered 3 to 17. These are the Fabriano copies. Argentine Enrique Banchs (1888 - 1968) published four books of poetry in the early years of the 20th century: Las barcas (The Boats) (1907), El libro de los elogios (The Book of Elegies) (1908), El cascabel del halcón (The Bell of the Hawk) (1909) and La urna (The Ballot Box) (1911). Although Banchs remained active in the Argentine literary community and was a member of the Argentine Academy of Letters, he stopped publishing poetry for about 50 years. This publication includes selections from El libro de los elogios, El cascabel del halcón, and La urna, as well as 14 poems written from 1912 to 1955.

      [Bookseller: Vamp & Tramp, Booksellers, LLC]
 42.   Check availability:     Biblio     Link/Print  


      San Francisco. [1966]. A Family Dog production with the Great Society, at the Avalon Ballroom, July 22-23, 1966. The poster from which this handbill was derived was produced by Kelley and Mouse and has been nicknamed "Snake Lady" (see Art of Rock, FD17). 8-1/2" x 11". Maroon on yellow. One tiny edge nick; else fine. First Edition.

      [Bookseller: Ken Lopez Bookseller, ABAA]
 43.   Check availability:     IOBABooks     Link/Print  

        Historiettes Galantes Pointes-seches de Amandine Dore

      Historiettes Galantes. Pointes-seches de Amandine Dore. Paris: Bibliophiles de la Basoche, 1966. Copy number 305 of 350. Folio (13 3/4" x 11 1/2"). Unbound, as issued, in wrappers with an extra suite of plates. Fine in protected clamshell box. Complete with 15 hand-colored dry points and a separate suite of five uncolored plates. The prints were pulled at l'Atelier Manuel Robbe and colored by Editions de l'Ibis. A charming portfolio of flirtatious stories with prints that are somewhat erotic, yet not overt.

      [Bookseller: Golden Legend, Inc.]
 44.   Check availability:     Biblio     Link/Print  

        Un album de famille de la Belle Epoque

      Edita S.A. et J.H. Lartigue 1966 - Textes et légendes rédigés par Jean Fondin(visionnez le diaporama) La Belle Epoque est née d'une conjoncture privilégiée: en 1900, la France jouissait de la paix depuis trente ans et il semblait que ce fût pour l'éternité. Le régime républicain, enfin bien rodé, maintenait une stabilité politique tout à fait rassurante. Le prodigieux essor du machinisme avait créé une prospérité économique inconnue jusque-là et la classe ouvrière, encore trop peu nombreuse était insuffisamment organisée, était utile sans être gênante. Ses revendications, matées à l'occasion par quelques charges de cavalerie, ne pouvaient troubler la sérénité d'une bourgeoisie plus confortablement que jamais installée dans l'aisance, ni entamer l'égoïsme d'une aristocratie qui pouvait encore dépenser sans compter. Couverture rigide en simili cuir brun foncé avec motifs dorés sur le plat avant et une photo de l'auteur étant enfant. En parfait état. 30 x 24 127 pages 2,300 kg [Attributes: Hard Cover]

 45.   Check availability:     AbeBooks     Link/Print  

        Liegender Akt. Lithographie von Hand überarbeitet.

      - 1966. Unten links in Bleistift bezeichnet: &#132;Probe, handkoloriert", u. rechts signiert: &#132;Hans Falk". 36,8 : 47,5 cm (Passep.-Ausschnitt). Gerahmt. [Attributes: Signed Copy]

      [Bookseller: Gerhard Zähringer, Antiquariat & Galerie]
 46.   Check availability:     AbeBooks     Link/Print  


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