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Displayed below are some selected recent viaLibri matches for books published in 1966

        Africa. Tercer Mundo

      Barcelona, Ediciones Corona, 1966. 4to. mayor; 468 pp., 2 hs y 50 mapas de Fernando Küntz. Enc. original en tela.

      [Bookseller: Hesperia Libros]
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        Winston S. Churchill

      London: Heinemann,, 1966?-94. 21 volumes, octavo. Original red cloth, titles to spines gilt. All with the dust jackets. With black and white photographic illustrations throughout. Contemporary bookseller publicity material laid in to a few volumes. An excellent set with very occasional scuffing to extremities of dust jackets. First editions, first impressions. A complete set comprising eight volumes of the Life, plus 13 supplementary volumes, which form a unique and extensive source of previously unpublished Churchill material.

      [Bookseller: Peter Harrington]
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        JEAN RENOIR - SIGNED & INSCRIBED First Edition "LES CAHIERS DU CAPITAINE GEORGES" - SIGNED & INSCRIBED by the GREAT FILMMAKER JEAN RENOIR, the Son of Pierre-Auguste Renoir

      Paris, France: Gallimard, 1966. 1st Edition 1st Printing. Soft cover. Very Good. LES CAHIERS DU CAPITAINE GEORGES - Souvenirs d'Amour et de Guerre 1894 - 1945. By JEAN RENOIR (Great French Film Director and Son of the Painter Pierre-Auguste Renoir). Warmly SIGNED and INSCRIBED by JEAN RENOIR on the half-title page: "Chere Lilian Kaufman / Je suis si heureux de / savoir que mon petit / libre trouvera sa place / dans votre bibliotheque. / bien affectueusement / Jean Renoir (signed Jean R.) / Paris / Juillet 1966". ("Dear Lilian Kaufman / I am so happy to / know that my little / book found its place / in your library. / very affectionately / Jean Renoir (signed Jean R.) / Paris / July 1966.") (Lilian Kaufman was the wife of the noted pianist Harry Kaufman who was a student of Josef Hofmann and who headed the piano department at the Curtis Institute of Music for 17 years. Harry and Lilian Kaufman were friends with many noted musicians, artists and writers. See more at the end of this listing.) Published by Gallimard, Paris, 1966. First Edition, First Printing, with the statement "Acheve D'Imprimer Sur Les Presses Daubin Liguge (Vienne) Le 5 Fev 1966" on the Colophon page (the last page), and the statement "copyright Jean Renoir, 1966" on the Copyright page (on the backside of the title-page). Includes its first state printed wraparound band that has the statement "par l'auteur de La Regle du Jeu". Original softcovers with French folds in red printed wraparound band, 5.5x8", 322 pages. Condition: VERY GOOD book, some creasing and light staining to the upper corner of the front cover; light wear to the covers' spine ends and corner tips; a light crease to the upper corner of the inner pages; otherwise, tight, bright and clean; in a GOOD MINUS wraparound band, that has split at the top 2" of the front spine fold, the top 1/2" of the front flap fold, and the bottom 1" of the rear flap fold; and that has some general wear to the folds and spine ends, but remains bright and attractive. VERY RARE with the AFFECTIONATE INSCRIPTION and SIGNATURE of the GREAT FILMMAKER JEAN RENOIR. About JEAN RENOIR (from Wikipedia): ******Jean Renoir (15 September 1894 - 12 February 1979) was a French film director, screenwriter, actor, producer and author. As a film director and actor, he made more than forty films from the silent era to the end of the 1960s. His films GRAND ILLUSION (1937) and THE RULES OF THE GAME (1939) are often cited by critics as among the greatest films ever made. As an author, he wrote the definitive biography of his father, the painter Pierre-Auguste Renoir, Renoir, My Father (1962). Jean Renoir was ranked by the BFI's Sight & Sound poll of critics as the fourth greatest director of all time.****** About HARRY KAUFMAN and his wife LILIAN KAUFMAN (from the UCLA Library Special Collections and other Internet sites): ******UCLA SPECIAL COLLECTIONS - HARRY KAUFMAN PAPERS 1900-1961. Harry Kaufman (born 1894, died 1961) was a PIANIST and MUSIC TEACHER at the CURTIS INSTITUTE OF MUSIC, Philadelphia. For 17 years he headed the Department of Accompanying. During this time his former piano teacher JOSEF HOFMANN was director of the Institute. Harry Kaufman was also a very successful piano soloist, performing with orchestras in the U.S. and Europe. He accompanied such artists as Joseph Szigeti, Toscha Seidel, Nathan Milstein, George London, William Primrose, and many others. He usually traveled with his wife, LILIAN. The Harry Kaufman collection consists of correspondence between HARRY KAUFMAN, his wife LILIAN KAUFMAN, and people in the worlds of classical music, literature, painting, and various other arts. Correspondents include: Samuel Barber, Leonard Bernstein, Van Wyck Brooks, Dorothy Chandler, George and Ira Gershwin, Josef Hofmann, Joseph Levine, Henry Miller, Eugene Ormandy, JEAN RENOIR, Arthur Rubenstein, Gertrude Stein, Igor Stravinsky, Louis Untermyer, Meredith Willson, Efrem Zimbalist, and many others. The Kaufman Archive belongs to the UCLA Library, Department of Special Collections.******

      [Bookseller: Blank Verso Books]
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        The Orchard Keeper

      London, Andre Deutsch, 1966 (first UK edition) - Octavo; red papered boards very slightly bumped at the head of the spine; small Preece's (Adelaide booksellers) paper label on the front pastedown; essentially a very fine copy with the very fine price-clipped dustwrapper (rubber-stamped on the verso of the front panel 'For publication on 10 Mar 1966 Andre Deutsch Ltd'). Simply a stunning copy of the author's first novel. Use [Ask Bookseller a Question] option below to confirm availability.

      [Bookseller: Michael Treloar Antiquarian ANZAAB/ILAB]
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        Fore-Edge Painting. A Historical Survey of a Curious Art in Book Decoration

      New York, Harvey House Inc., 1966., 1966. FIRST EDITION. Large 8vo., pp. xiii, 223. Presentation copy from the author, his inscription together with bookplate, author's signature after preface. Colour frontispiece. Fully illustrated. Small mark to fore-edge else Fine in very good dustwrapper. Weber also wrote '1001 Fore-edge paintings.' These two books remain the only major authoritative works on the subject.

      [Bookseller: Adrian Harrington Rare Books]
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        You've Never Been to Barnstable

      Barnstable (Cape Cod), MA: CRane Duplicating Service, 1966. Original Wraps. Collectible; Fine. The 1966 1st thus, following the 1964 original appearance in Venture Magazine. Issued here as a Christmas keepsake by the Crane Duplicating Service of Barnstable in an undoubtedly very small (but undetermined) number. A crisp, very sharp copy. Bright and Near Fine in its pictorial wrappers (2 folded sheets), with one very faint crease at the rear panel. One of Vonnegut's most elusive --and ephemeral-- titles.

      [Bookseller: Appledore Books, ABAA ]
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        Chronik 1866-1966

      Budapest 1966 - 14 x 20 cm 152 Seiten 240 gr. [Attributes: Soft Cover]

      [Bookseller: Schueling Buchkurier]
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        The Homecoming - A Play [Signed Association Copy]

      New York, Grove Press, 1966.. First Edition. 8°. 82 pages. Original, illustrated Softcover. Excellent condition with only minor signs of external wear. Beautifully inscribed by Harold Pinter to celebrity photographer Anthony die Gesu in April 1967 (probably during a photography session in which di gesu took some famous images of Pinter): "April 1967 - To Tony di Gesu - With Warm Wishes- Harold Pinter"..

      [Bookseller: The Time Traveller's Bookshop Ltd.]
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        TALES OF THE LOS ANGELES PARKS

      POLITI. POLITI,LEO. TALES OF THE LOS ANGELES PARKS. Palm Desert: Best-West (1966). Folio (11 1/4 x 14 3/4"), gilt cloth, near Fine in dust wrapper (dw darkened at fold and edges, some fraying).. Featuring many richly colored full color plates of old parks of Los Angeles. THIS COPY IS WARMLY INSCRIBED BY POLITI TO A DEAR FRIEND, DATED 1966 WITH BEAUTIFUL WATERCOLOR DRAWING OF BUTTERFLY, BELL AND FLOWERS. A special copy.

      [Bookseller: Aleph-Bet Books, Inc.]
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        L?ESULE. Voce dell?Irredentismo Istriano Fiumano e Dalmata.

      In - 4, brossura. Offriamo una raccolta quasi completa di questo periodico. Dal numero 3 - 4 del 1966 al numero 163 del 1993. Mancano i seguenti numeri: 1967: 7 - 9 1968: 13 - 18 1969: 19 - 23 1975: 60 1979: 85 1982: 99 - 101 - 103 1983: 105 - 107 1985: 117 - 119 1988: 134 - 135 - 136 1990: 151. In buono stato (good copy). disponibili, su richiesta, anche singoli fascicoli.

      [Bookseller: Libreria La Bottega delle Occasioni]
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        THE HOBBIT, or, There and Back Again. Illustrated by the author.

      George Allen & Unwin, London 1966 - Third Edition. Sixteenth Impression overall - technically, the First Impression of the Third Edition, (the 16th Impression overall since 1938). Octavo, original light green boards decorated with a design of a dragon and mountains by Tolkien on all covers. 317 pp + [3] pp ads at rear. Colour frontispiece plus three additional full-page colour plates, original black & white line drawings, map endpapers printed in red and black, colour pictorial wrap-around dust jacket with the 'Mountains & Dragon' design, all by Tolkien. A fine copy in a fine dust jacket which shows some very minor foxing, mostly on the verso. Price corner intact. An excellent example of a very scarce edition. The first impression of Tolkien's final version of the text. Issued in June,1966, simultaneous with the Allen & Unwin paper edition and the Longman's school edition. A few bibliographical notes: When the Third Edition was issued the impression numbering was continued on from the previous edition, i.e. starting from the 15th Impression not from the 1st. They were not re-numbered until 1968. An error was made when the details of the new edition were recorded. What should have read as: "Fifteenth Impression 1965 / Third Edition (Sixteenth Impression) 1966" was actually set down as: Third Edition (Fifteenth Impression) 1966 / Sixteenth Impression 1966" This error was never corrected. Copies of the Fifteenth Impression clearly state that they are still part of the second edition. See Hammond & Anderson J.R. R. TOLKIEN: A Descriptive Bibliography (1993) A3.i. [Attributes: First Edition; Hard Cover]

      [Bookseller: Thompson Rare Books - ABAC / ILAB]
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        THE HOBBIT, or, There and Back Again Illustrated by the author

      London: George Allen & Unwin, 1966. First Impression of the Third Edition. Hardcover. Near Fine in Dust Jacket. Third Edition. Sixteenth Impression overall - technically, the First Impression of the Third Edition, (the 16th Impression overall since 1938). Octavo, original light green boards decorated with a design of a dragon and mountains by Tolkien on all covers. 317 pp + [3] pp ads at rear. Colour frontispiece plus three additional full-page colour plates, original black & white line drawings, map endpapers printed in red and black, colour pictorial wrap-around dust jacket with the 'Mountains & Dragon' design, all by Tolkien. A fine copy in a fine dust jacket which shows some very minor foxing, mostly on the verso. Price corner intact. An excellent example of a very scarce edition. ¶ The first impression of Tolkien's final version of the text. Issued in June,1966, simultaneous with the Allen & Unwin paper edition and the Longman's school edition. A few bibliographical notes: When the Third Edition was issued the impression numbering was continued on from the previous edition, i.e. starting from the 15th Impression not from the 1st. They were not re-numbered until 1968. An error was made when the details of the new edition were recorded. What should have read as: "Fifteenth Impression 1965 / Third Edition (Sixteenth Impression) 1966" was actually set down as: Third Edition (Fifteenth Impression) 1966 / Sixteenth Impression 1966" This error was never corrected. Copies of the Fifteenth Impression clearly state that they are still part of the second edition. See Hammond & Anderson J.R. R. TOLKIEN: A Descriptive Bibliography (1993) A3.i.

      [Bookseller: Thompson Rare Books]
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        EVERY BUILDING ON THE SUNSET STRIP - SIGNED BY EDWARD RUSCHA

      (RUSCHA, EDWARD). Ruscha, Edward. EVERY BUILDING ON THE SUNSET STRIP - SIGNED BY EDWARD RUSCHA. Signed by the Artist. Los Angeles. 1966 (1970).: Self-Published, Second Printing 1/5000. 8vo. Leporello Wrappers in Slipcase. Artist's Book. Near Fine./No Jacket - As Issued.. One continuous accordion-fold page composed of glued paper segments extending to 296 1/2" in length housed in a white paper and silver Mylar-over-cardboard slipcase. "Every Building on the Sunset Strip" is Ed Ruscha's innovative 1966 photographic study that pictures sequentially each architectural facade on both the North and South sides of the fabled Sunset Strip from 8101 - the still extant Jaguar dealership - to 9156 - the late, great Schwab's Pharmacy. Pandora's Box lives! A bright, most handsome example of the 1970 second printing (entry B4 in Siri Engberg's "Edward Ruscha: Editions 1959-1999", and whose 1966 edition is cited on pages 142-143 of Martin Parr and Gerry Badger's "The Photobook: A History Volume I", pages 198-199 of The Hasselblad Center's "The Open Book", and pages 182-185 of "The Book of 101 Books") limited to five thousand unnumbered copies additionally BOLDLY SIGNED "Ed Ruscha" with three underlines in black ink on the inside front cover opposite the title page showing some very trivial soiling and creasing along the exposed spine along with some minor tiny brown speckling to covers. The slipcase is bright and crisp though showing a short clean separation starting at each of the two joints adjacent to the opening at the bottom edge. The publisher's exceedingly fragile and uncommon unprinted white paper wraparound band issued only with this edition is still present and intact. All in all, this is an exceptional copy of this important little gem. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. Inventory Number: 024542

      [Bookseller: Arcana: Books on the Arts]
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        Every Building on the Sunset Strip

      Los Angeles: Edward Ruscha,, 1966. Small quarto. Concertina bound in original white wrappers, titles to front cover in silver. Housed in the original silver paper covered slipcase. Illustrated throughout in monochrome. Spine lightly toned, faint foxing to endleaves and edges. An excellent copy. First edition, first printing, first issue (with the Jaguar building on the small folded flap at the end of the book). One of 1,000 copies, this is Ruscha's most important and influential publication.

      [Bookseller: Peter Harrington]
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        Discussion EDITION ORIGINALE Tirage de tête

      Paris: Gallimard, 1966. Fine. Gallimard, Paris 1966, 12,5x19,5cm, broché. - First edition of the French translation, one of 46 numbered copies on pure wire only major papers. Nice copy. - [FRENCH VERSION FOLLOWS] Edition originale de la traduction française, un des 46 exemplaires numérotés sur pur fil, seuls grands papiers. Bel exemplaire.

      [Bookseller: Librairie Le Feu Follet]
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        Arabic Technical and Scientific Texts. Four Volumes. Volume 1. Kitab Tadbir Al-Amrad Al-Hadda Li-Buqrat (Hippocrates: Regimen in Acute Diseases). Volume 2. Maqala Tashtamil 'Ala Fusul Min Kitab Al-Hayawan Li-Aristu (Tract comprising Excerpts from Aristotle's Book of Animals). Attributed to Musa b. 'Ubaid Allah al-Qurtubi al-Isra'ili. Volume 3. Kitab Buqrat Fi Habl Ala Habl (Hippocrates: On Superfoetation). Kitab Buqrat Al-Ma Ruf Bi-Qatitriun Ay Hanut Al-Tabib (Hippocrates In the Surgery). Volume 4. Kitab Buqrat Fi Tabi At Al-Insan (Hippocrates: On the Nature of Man).:

      Cambridge Middle East Centre, Arabic Technical and Scientific Texts. 1966-68, Cambridge Heffer - Arabic text with English translation. VG, original cloth a little faded, light spotting to top edge. Four volumes. pp.xxxiii, 81; xvi, 110; iv, 112, x, 77; xvii, 119.

      [Bookseller: John Randall (Books of Asia), ABA, ILAB]
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        Man. The Journal of the Royal Anthropological Institute. New Series.

      London, Royal Anthropological Institute of Great Britain and Ireland, 1966-1994.. 1/1966 - 29/1994 Mit zahlreichen Tafeln und Textillustrationen. 8°. Grüne Leineneinbände.. ISSN: 0025-1496. - Titel rückseitig gestempelt und Buchrücken mit Bibliotheksschildchen, ansonsten tadellose Erhaltung.

      [Bookseller: Antiquariat Trageser]
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        On the Greek Style [Signed Association Copy]

      Princeton, NJ: Atlantic Monthly Press [Little Brown and Company], 1966. First edition. Hardcover. Very Good/near fine. A Very Good copy of the First American Edition, first printing (book askew, slight leftward lean, soiling to the page block edges, light handling soil to boards), in a Near Fine dust jacket (quite minor wear, modest soiling to the white rear panel and to the flap edges --- in excellent condition for an unlaminated dust jacket of this age), SIGNED AND INSCRIBED IN GREEK TO SEFERIS' FRIEND REX WARNER, WHO ALSO TRANSLATED THE BOOK AND PROVIDED THE BOOK'S INTRODUCTION, on the half-title, WITH THE OPENING LINES OF SEFERIS' FAMED POEM "Letter to Rex Warner" which, translated to English reads as follows: "At the time we met / you were telling the tale of the wild goose chase / in the kingdom of hermaphrodites; / there the football field / ....." [the last portion of the Poems first sentence, not included in the inscription but which sentence itself comprises the Poem's first stanza, states "had known a shameless slaughter." The balance of the stanza reads "I was returning from a marble stadium / where the obstinate marathon runner, wounded, / saw the track sailing in blood. / That way I came to understand you and we became friends."] This exceptional inscription reflects the relationship between these two close friends, fellow authors, and colleagues in the translation of Seferis' work for publication in English. It is worth noting here that Rex Warner's first novel was titled "The Wild Goose Chase" (1937) to which Seferis apparently refers in the inscription. Furthermore, Seferis was intensely curious as to why Cyprus had a disproportionate percentage of hermaphrodites in its population and, finally, was passionate about soccer. Certainly the two authors would have discussed these matters and the quotation reflects both these matters and their friendship. Certainly the ellipsis used by Seferis at the end of the inscription evidences his intent to include the balance of the Poem. In addition to their deep relationship as friends, each man held the other in high regard, and Warner's excellent translations of his work were a major factor in Seferis' winning the Prize. The book offered here constitutes the first publication of George Seferis' Essays in English. Seferis himself selected the Essays, written over a three-decade period, for this book. A Greek Diplomat and Ambassador to the UK, and one of the Twentieth Century's most important Greek Poets, George Seferis won the 1963 Nobel Prize in Literature for "his eminent lyrical writing, inspired by a deep feeling for the Hellenic world of culture", making him the first Greek ever to have received the Prize. This copy belonged to Rex Warner, Seferis' good friend who, assisted by Th. D. Frangopoulos, translated the book into English and who authored the book's introduction. Signed copies of Seferis' works are extraordinarily scarce in any language, and our most recent search of the of the auction records shows no signed copies of his works coming to auction in the last 55 years. Altogether a Very Good + ASSOCIATION COPY of an extremely difficult-to-find book from the first Greek author to win the Nobel Prize in Literature. RARE.

      [Bookseller: Allington Antiquarian Books, LLC]
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        Spare Parts

      Athens: A New View Book (1966) - First Edition. Quarto. Number 740 of 850 numbered copies. Publisher's one-page prospectus laid in. SIGNED by Ford. One of the most ambitious American artists' books of the 60s, Spare Parts is comprised of a series of Ford's "Poem Posters" which directly reference Surrealist techniques, and which capitalize on Ford's experience in publishing, graphic design, and printing. Earthy, elegant and alternating sexual references with advertising come-ons, the "Poem Posters" were a particularly visual and outrageous form of concrete poetry, made up on the spot. Bottom edges and spine head a little worn; near fine in a near fine jacket with offsetting visible on the verso. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Harper's Books]
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        Arms and Influence.

      Yale University Press, New Haven 1966 - First edition. Octavo, original red cloth. Signed by Thomas Schelling on the title page. Near fine in a very good dust jacket. A very nice copy of an important book, that is uncommon signed. In Arms and Influence, Nobel Prize-winning economist Thomas Schelling argues that bargaining power, and the exploitation of this power, for good or evil, to preserve peace or to threaten war, is diplomacy—the diplomacy of violence. The author concentrates in this book on the way in which military capabilities—real or imagined—are used, skillfully or clumsily, as bargaining power. He sees the steps taken by the U.S. during the Berlin and Cuban crises as not merely preparations for engagement, but as signals to an enemy, with reports from the adversary's own military intelligence as our most important diplomatic communications. Even the bombing of North Vietnam, Mr. Schelling points out, is as much coercive as tactical, aimed at decisions as much as bridges. "An exemplary text on the interplay of national purpose and military force" (Book Week). [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Raptis Rare Books, ABAA/ ILAB]
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        Winston S Churchill - 8 Volumes - Youth ; Young Statesman ; 1914 - 1916 ; 1916 - 1922 ; 1922 - 1939 ; Finest Hour ; Road to Victory ; Never Despair

      London: William Heinemann 1966. 8 vols in dustwrappers published 1966 to 1988, illustrated in b/w, wear and part missing to dustwrapper spine of volume 5 all other dustwrappers in very good condition. . Very Good. Hardback. First Editions. 1966. Large 8vo..

      [Bookseller: Fosters' Bookshop]
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        The Magus

      London: Jonathan Cape, , 1966. Octavo. Finely bound by the Chelsea Bindery in purple morocco, titles and decoration to spine gilt, raised bands, single rule to boards gilt, twin rule to turn-ins gilt, dark green endpapers, gilt edges. A fine copy. First edition, first impression.

      [Bookseller: Peter Harrington]
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        The Crying of Lot 49

      Lippincott 1966 - A fine first edition in a fine dust jacket. First Edition stated on the copyright page and original price still on front flap of the jacket. Housed in a custom-made collector's slipcase. [Attributes: First Edition; Hard Cover]

      [Bookseller: Bookbid]
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        The Real Story Behind the Hell's Angels and Other 'Outlaw' Motorcycle Groups by H.E. Robbins

      Sherman Oaks: Angels Publishing Company 1966 - First Edition. Stapled quarto. Vol. 1 No. 1 (likely the only printed) of this 70 page magazine devoted to the Hell's Angels. Profusely illustrated with black and white images of gang life and rituals, accompanied by explanatory text. The cover says: "An intimate photo story of their every act - from smoking 'pot' to love making. Their women, their bikes, their drunken orgies, their kids." Published with "full cooperation from law enforcement officials and The Hell's Angels." Near fine in photo-illustrated wrappers. An uncommon publication: OCLC cites only two copies. [Attributes: First Edition; Soft Cover]

      [Bookseller: Harper's Books]
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        The Celebrated Collection of Americana Formed by the Late Thomas Winthrop Streeter 8 Volumes

      Morristown, New Jersey 1966 - Hardcover. 8 volumes. Some toning to spines, else Very Good Plus condition. 1966. Due to size and weight of set extra postage will be required. Please inquire. ; 4to 11" - 13" tall [Attributes: Hard Cover]

      [Bookseller: Book Gallery // Mike Riley]
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        Signed theatre programme.

      Paris: Odéon - Théâtre de France, [1966] - Octavo. Single quire, wire-stitched into original pictorial paper wrappers. Light crease top right-hand corner of front wrapper. An excellent copy. Photographic illustrations and advertisements throughout. First edition, first impression. Inscribed by Beckett and Pinget on the same page, next to their photographic portraits: "Merci, cordialement, Samuel Beckett"; "Pour Madame [indecipherable], avec mes hommages, Robert Pinget". As part of its 1965–6 season he Odéon Theatre (or, Théâtre de France, now Théâtre de l'Europe) put on medley of theatre of the absurd, composed of five plays by Beckett, Ionesco and Pinget (abbreviated to BIP in the theatre's archive). The programme opened with Beckett's Comédie and Va-et-vient, followed by Pinget's one-man play L'Hypothèse, and closed with Ionesco's Lacune and Délire. This was the first production of Va-et-vient, which was directed by Jean-Marie Serreau. Comédie had previously been performed at Pavillon de Marsan, also in Paris. Beckett was one of Pinget's staunchest supporters at the beginning the latter's literary career and the two author's friendship regularly extended to exchanging translating services. [Attributes: First Edition; Signed Copy]

      [Bookseller: Peter Harrington. ABA member]
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        The Resurrection

      New American Library 1966 - A fine first edition (so stated on the copyright page) in a fine dust jacket. Original price of $4.95 on front flap. Housed in a custom-made collector's slipcase. [Attributes: First Edition; Hard Cover]

      [Bookseller: Bookbid]
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        Inventiones Mathematicae.

      Berlin (u.a.), Springer, 1966-2002.. Bände 1-150 in 108 Bänden. 8°. Halbleinen- und BIbliotheksleinen-Einbände.. ISSN: 0020-9910. Titel rückseitig gestempelt und Buchrücken mit Bibliotheks-Signatur-Schild.

      [Bookseller: Antiquariat Trageser]
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        Siberian Mathematical Journal. Translated from Russian. A publication of the Siberian Branch of the Academy of Sciences of the USSR, Novosibirsk.

      New York, Consultants Bureau, 1966-1990.. Bände 7 - 31 in 30 Bänden. 4°. Rote Leineneinbände.. ISSN: 0037-4466. Titel rückseitig gestempelt und Buchrücken mit Bibliotheks-Signatur-Schild.

      [Bookseller: Antiquariat Trageser]
 29.   Check availability:     ZVAB     Link/Print  


        On the Greek Style [Signed Association Copy]

      Princeton, NJ: Atlantic Monthly Press [Little Brown and Company], 1966. First edition. Hardcover. Very Good/near fine. A Very Good copy of the First American Edition, first printing (book askew, slight leftward lean, soiling to the page block edges, light handling soil to boards), in a Near Fine dust jacket (quite minor wear, modest soiling to the white rear panel and to the flap edges --- in excellent condition for an unlaminated dust jacket of this age), SIGNED AND INSCRIBED IN GREEK TO SEFERIS' FRIEND REX WARNER, WHO ALSO TRANSLATED THE BOOK AND PROVIDED THE BOOK'S INTRODUCTION, on the half-title, WITH THE OPENING LINES OF SEFERIS' FAMED POEM "Letter to Rex Warner" which, translated to English reads as follows: "At the time we met / you were telling the tale of the wild goose chase / in the kingdom of hermaphrodites; / there the football field / ....." [the last portion of the Poems first sentence, not included in the inscription but which sentence itself comprises the Poem's first stanza, states "had known a shameless slaughter." The balance of the stanza reads "I was returning from a marble stadium / where the obstinate marathon runner, wounded, / saw the track sailing in blood. / That way I came to understand you and we became friends."] This exceptional inscription reflects the relationship between these two close friends, fellow authors, and colleagues in the translation of Seferis' work for publication in English. It is worth noting here that Rex Warner's first novel was titled "The Wild Goose Chase" (1937) to which Seferis apparently refers in the inscription. Furthermore, Seferis was intensely curious as to why Cyprus had a disproportionate percentage of hermaphrodites in its population and, finally, was passionate about soccer. Certainly the two authors would have discussed these matters and the quotation reflects both these matters and their friendship. Certainly the ellipsis used by Seferis at the end of the inscription evidences his intent to include the balance of the Poem. In addition to their deep relationship as friends, each man held the other in high regard, and Warner's excellent translations of his work were a major factor in Seferis' winning the Prize. The book offered here constitutes the first publication of George Seferis' Essays in English. Seferis himself selected the Essays, written over a three-decade period, for this book. A Greek Diplomat and Ambassador to the UK, and one of the Twentieth Century's most important Greek Poets, George Seferis won the 1963 Nobel Prize in Literature for "his eminent lyrical writing, inspired by a deep feeling for the Hellenic world of culture", making him the first Greek ever to have received the Prize. This copy belonged to Rex Warner, Seferis' good friend who, assisted by Th. D. Frangopoulos, translated the book into English and who authored the book's introduction. Signed copies of Seferis' works are extraordinarily scarce in any language, and our most recent search of the of the auction records shows no signed copies of his works coming to auction in the last 55 years. Altogether a Very Good + ASSOCIATION COPY of an extremely difficult-to-find book from the first Greek author to win the Nobel Prize in Literature. RARE.

      [Bookseller: Allington Antiquarian Books, LLC]
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        Jahrbuch '66., Mit 14 signierten Original-Graphiken.

      Köln, Wolfgang Hake Verlag, 1966,. - 36 nn S., englische Broschur. Texte u.a. von Timm Ulrichs, Horst Bingel, Ernst Jandl, Dieter Hülsmanns, Rolf Dieter Brinkmann und Karl Riha. Nummeriertes Exemplar (37/100). Die 14 ganzseitigen und z.T farbigen Originalgraphiken sind jeweils signiert. Die Künstler: Karl Otto Götz (1914), Axel Knopp (1942, Nr. 37/100), Peter Brüning (1929-19), Gerd Hanebeck, Werner Schreib (1925-1969), Wolff Buchholz (1935-2010), Gernot Bubenik (1942), Pitt Moog (1932), H.P. Alvermann (1931) Manfred Garstka (1937), Kano Nishio (Nr. 37/100), Walter Stöhrer (1937-2000, Nr. 37/100), Lothar Fischer (1932-2004, Nr. 3/35), Johannes Schreiter (1930, Nr. 37/50). Der Einband mit Randeinriss und minimal fleckig sowie etwas aufgebogen, das Papier an den Rändern leicht nachgedunkelt. Insgesamt gutes Exemplar. Sehr selten. Das Foto zeigt die Graphik von Buchholz. Good copy with 14 handsigned originally graphics. Limited for 100 copies. Very rare. Sprache: Deutsch Gewicht in Gramm: 1000 [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: Uta-Janine Störmer]
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        Zirkus (Knie). Oel auf Leinwand.

      1966 - 1966. Bildgrösse:77x36 cm. Unten signiert, auf Rückseite signiert und bezeichnet. In passendem schwarzen Holzrahmen gelegt (Palette Zürich), 80x40 cm. In passendem schwarzen Holzrahmen gelegt (Palette Zürich), 80x40 cm. [Attributes: Signed Copy]

      [Bookseller: Biblion Antiquariat]
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        Satori in Paris

      New York: Grove Press, Inc,, 1966. Octavo. Original blue cloth, titles to spine in silver. With the dust jacket. A bright copy in a lightly rubbed jacket. Excellent. First edition, first printing, of Kerouac's short autobiographical tale derived from his trip to Paris.

      [Bookseller: Peter Harrington]
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        A Smuggler's Bible

      New York: Harcourt Brace and World. (1966). First. First edition. Advance Reading Copy in yellow wrappers. About fine in wrappers, as issued, housed in a custom cloth clamshell case with leather spine label. The author's first book. Warmly Inscribed by McElroy to fellow author Jonathan Carroll, with a 1971 Typed Letter Signed by McElroy to Carroll discussing the book, comparing it to his works that followed, and mentioning the futile attempts by the publisher to market it. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
 34.   Check availability:     Biblio     Link/Print  


        Sandburg: Photographers View Carl Sandburg (Review Copy)

      New York: Harcourt Brace & World, 1966. 1st. Cloth. Collectible; Very Good/Fine. INSCRIBED BY EDWARD STEICHEN on the title page. A very sharp copy to boot of the 1966 stated 1st edition. Solid and VG+ in a bright, price-intact, Near Fine dustjacket. Quarto, 113 pgs. A Review Copy as well, with pubisher's original Review Slip laid-in.

      [Bookseller: Appledore Books, ABAA]
 35.   Check availability:     Biblio     Link/Print  


        Way back when wool was 20/- a lb'. A very large collage comprising 47 original individual caricatures of well-known pastoral identities ('Portrait sketches by Bushwaka' - black ink on paper, mounted on heavy card)

      - The sketches range between 100-140 mm high and 70-90 mm wide (two are smaller); they are mounted in five roughly straight lines, with their names and regional addresses (or rural industry employers) added in ballpoint pen to the mount. It is behind glass in its original and appropriately rustic white-painted wooden frame (external dimensions 770 x 970 mm, visible image size 595 x 800 mm). There is a Royal Easter Show Art Prize Exhibitions label on the verso, identifying the artist as Frank F. Forster, 10 Walker Ave, Narrabeen. The asking price on the label was $100, indicating it was exhibited on this occasion after the introduction of decimal currency (February 1966), but it looks earlier (perhaps 1940s-50s - just count the hats!). Whether this was the artist's intention, or whether it is indeed a product of an earlier time, we cannot say, but it certainly hits the spot. These are not just caricatures, they are clearly characters, presumably mates of Bushwaka himself: Cunningham Henderson of Casino; O.O.H. Dangar of Narrandera; C.J. Chisholm of Khancoban; A.H. Jeffreys and D.H. McKay of Delegate; Bert Parkes of Collarenabri; Mick Raleigh and Jack Watts of Wagga; E.H. Turner of Gunning . and on it goes. Cunningham Henderson died at the age of 89 in December 1954; although he is depicted as an elderly gentleman in this group portrait, there is no sense of 'In Memoriam' about it. The last word on the subject goes to Year Book Australia 2000 (page 447): 'Prosperity in the wool industry peaked in 1950-51 when the average greasy wool price reached 144.19 pence per pound'. Use [Ask Bookseller a Question] option below to confirm availability.

      [Bookseller: Michael Treloar Antiquarian ANZAAB/ILAB]
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        La mala hora [In Evil Hour] (First Mexican Edition)

      Mexico: Era, 1966. First Mexican Edition, preceded by 1962 Madrid edition, but the first printing of the text as Garcia Marquez originally intended. One of just 2,000 copies, and much scarcer than the 1962 Madrid edition of which 5,000 copies were printed. In an author's note to this edition, Gracia Marquez takes issue with the liberties taken by a proofreader of the 1962 edition, who "purified" many of the colloquialisms in the text. It was four years before the original text was published by the Mexican house Era.  In the author's note Garcia Marquez considered this to be the true first edition.   Very Good plus in illustrated wrappers (softcover). Slight spine lean, wrappers lightly rubbed, with two tiny closed tears to the top edge of the front wrapper. Text in Spanish. Klein A4.b.

      [Bookseller: Royal Books, Inc.]
 37.   Check availability:     Biblio     Link/Print  


        Vanishing Dublin With an Introduction by TheEarl of Wicklow

      Dublin. Allen & Figgis. 1966.. /Dust Jacket Included. Hardcover. Book 4to, 28cm, The FirstEdition, 100p., with 50 colour plate illustrations by the author,descriptive text for each illustration, original dark green cloth,bookplate, (no inital signatures or inscriptions), a fine copy in verygood to fine complete (not price clipped) jacket (cgc) ~ The book is nowconsidered a classic for its depiction of disappearing Georgian Dublin.Six hundred copies were printed before the plates were destroyed in afire. .

      [Bookseller: Patrick McGahern Books, Inc. (ABAC)]
 38.   Check availability:     Biblio     Link/Print  


        Cavalcanti Poems

      , , 1966 - Volume stampato con caratteri Dante su pressa a mano dell'Officina Bodoni di Verona per James Laughlin, Faber and Faber, Vanni Scheiwiller e Giovanni Mardersteig. L'edizione consta di 190 esemplari su carta Pescia, di cui i numeri da 1 a 115 per la vendita negli Stati Uniti, i numeri da 116 a 165 in Gran Bretagna ed i numeri da 166 a 190 in Italia. Sono state inoltre stampate 10 copie su carta Japan numerati con le lettere da A a J. Tutte le copie sono firmate dall'Autore. Cm 29,5 x 19,5. 108. . Perfetto (Mint). . Prima ed. di 190 es. numerati e firmati dall'A. [Gallup, 1983]. Rilegato mezza tela (half-cloth binding) [Attributes: Hard Cover]

      [Bookseller: Studio Bibliografico Marini ALAI - ILAB]
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        Mort du Papier

      Pierre Gaudin 1966 - Woodcut by Pierre Gaudin.Bradel binding. Burned paper, painted and applied over Japanese paper. Titled in pyrography. Clamshell box. Bound by Christine Giard in 2007. 11.7 x 20.3 cm.This slim volume is the text of a speech Delluegue delivered at the July 1966 prize-giving ceremony at the Lycée Technique et Moderne à Isle–sur-Sougue. In it he continually refers to recently published works of fiction by Eero Tolvanen and René Zuber in which an unstoppable bacterium destroys all paper, including paper currency, causing the collapse of civilization.The accompanying woodcut by Pierre Gaudin, printed in flaming red, and the charred aspect of Christine’s binding underscore Delluegue’s point by using vivid imagery of the destruction of paper.Christine Giard has been studying and teaching bookbinding for over 35 years. Her formal academic background is in the sciences, but her true love has always been the arts: literature, drawing, painting, music, and nature photography. Christine discovered bookbinding while she was creating floral art, one of many ways she found to combine art with her love of nature.In bookbinding, Christine found the perfect combination of her interests and talents. She immerses herself completely in the combination of the precision required in binding structures of all kinds, the attributes of the (mostly) natural materials involved, the freedom to choose or create the materials she uses to realize her designs, and the opportunities to never, ever stop learning. Her passion and creativity is evident in her bindings. Christine’s design aesthetic leans toward minimalism, but her use of unexpected techniques and materials create a tightly controlled tension that makes her work vibrate with energy.Christine is trained in trade binding, design binding, restoration, conservation binding, paper-making, and several paper marbling and dyeing techniques. She loves that she can work in all of these areas and combine them as she chooses.Christine has studied with many reknowned bookbinding artists, including: Micheline de Bellefroid, Michel Richard, Hugo Peller, Edwin Heim, Vladimir Tchekeroul, Sun Evrard, Helene Jolis, Edgard Claes, and Anne Goy. [Attributes: First Edition; Hard Cover]

      [Bookseller: Abby Schoolman]
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        The Music School

      New York: Alfred A. Knopf. 1966. First. First edition, first issue. One corner a tiny bit bumped else fine in slight spine-toned, very near fine dustwrapper with two tiny tears. Inscribed by the author: "for Herb Yellin, John Updike." Herb Yellin was the founder and publisher of Lord John Press and the most frequent of Updike's fine press collaborators. He named his press after noting that the list of authors he wanted to publish all shared the same first name, chief among them John Updike, his favorite. Hub Fans Bid Kid Adieu became the press's first book in 1977 with 10 more to follow over the next 23 years. Yellin's friendship with Updike grew with each new limited edition benefitting his already enormous Updike collection, with Updike himself contributing copies of new editions of his books - often inscribed. In a 2010 interview with Yellin he noted that Updike "...liked that if anything ever happened to his own collection, he had my collection on the opposite side of the country." A notable association. A scarce book in this issue. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
 41.   Check availability:     IOBABooks     Link/Print  

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