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Displayed below are some selected recent viaLibri matches for books published in 1966

        Corpus Christianorum Continuatio Mediaevalis. 176 Bände der Serie. Vorhanden sind die Bände: 1, 2a, 2b, 4, 5, 6, 7, 8, 10, 11, 16, 19a, 19b, 20, 21, 22,23,27, 27a, 30, 31, 32, 34, 35, 35, 37, 38, 39, 40, 40a, 40b, 40c, 40d, 41, 41a, 42, 43, 43a, 44, 45, 46, 46a, 47, 48, 49, 50, 51, 52, 53, 53a, 53b, 53f, 54, 55, 56, 56a, 56b, 56c, 57, 58, 59, 60, 61, 62, 63, 64, 66, 66a, 67, 68, 69, 70, 71, 71a, 72, 72a, 72b, 72c, 73, 74, 75, 76, 77, 78, 79, 80, 81, 82, 82a, 82b, 83, 84, 84a, 85, 86, 87, 90, 91, 91a, 91b, 92, 93, 94, 95, 96, 97, 98, 100, 103, 104, 109, 113, 116a, 116b, 117a, 118, 119, 119a, 121a, 124, 125, 126, 127, 128, 129, 130, 133, 134, 137, 138, 139, 140, 140a, 140b, 143a, 144, 144c, 151, 152, 153, 154, 155, 156, 157, 158, 159, 161, 16

      Turnholt, Brepols, 1966 - 2002. - Einbände berieben, bestoßen, meist fleckig. Rücken ausgebleicht. Innen sauber und gut. Gutes Leseexemplar. Die Continuatio Mediaevalis ediert christliche Texte von den Karolingern bis zum Ende des Mittelalters. Enthält: Bd. 1: Hoste et al., Opera omnia I (Aelredus Rievallensis); Bd. 2a: Raciti, Opera omnia II (Aelredus Rievallensis);Bd. 2b: Raciti, Opera omnia III (Aelredus Rievallensis); Bd. 4: de Clercq, Opera omnia (Reimbaldus Leodiensis); Bd. 5: Seyfarth, Speculum virginum (Anonymus); Bd. 6: Fomasari, Collectio canonum in V libris (Collectiones canonum); Bd. 7: Haacke, Liber de divinis officis (Rupertus Tutiensis); Bd. 8: Becquet, Opera (Scriptores ordinis Grandimontensis); Bd. 10: Feams, Contra Petrobrusianos hereticos (Petrus Venerabilis); Bd. 11: Buytaert, Opera theologica I (Petrus Abaelardus); Bd. 16: Paulus, De corpore et sanguine domini. Epistola ad Fredugardum (Pascasius Radbertus); Bd. 19a: Zechmeister, Opera poetica I (Christianus Campililiensis); Bd. 19b: Zechmeister, Opera poetica II (Christianus Campililiensis); Bd. 20: Milis et al., Constitutiones canonicorum regularium ordinisArroasiensis (Constitutiones); Bd. 21: Haacke, De sancta trinitate et operibus eius I (Rupertus Tuitiensis); Bd. 22: Haacke, De sancta trinitate et operibus eius II (Rupertus Tuitiensis); Bd. 23: Haacke, De sancta trinitate et operibus eius III (Rupertus Tuitiensis); Bd. 27: Weber, Opera I (Ambrosius Autpertus); Bd. 27a: Weber, Opera II (Ambrosius Autpertus); Bd. 30: Chatillon, Sermones inediti triginta sex (Galterus a s. Victore); Bd. 31: Barbet, Expositiones in hierarchiam coelestam (Johannes Scotus Eriugena); Bd. 32: Harada, Opera latina VII (168-177) (Raimundus Lullus); Bd. 34: Harada, Opera latina VIII (178-189) (Raimundus Lullus); Bd. 35: Madre, Opera latina IX (120-122) (Raimundus Lullus); Bd. 36: Sala-Molins, Opera latina X (114-117, 119) (Raimundus Lullus); Bd. 37: Lohr, Opera latina XI (135-141) (Raimundus Lullus); Bd. 38: Madre, Opera latina XII (123-127) (Raimundus Lullus); Bd. 39: Bauza Ochogavia, Opera latina XIII (134) (Raimundus Lullus); Bd. 40: Holtz, Grammatici Hibernici Carolini aevi I (Muretach [Muridac]); Bd. 40a: Löfstedt, Grammatici Hibernici Carolini aevi II (Grammatici latini); Bd. 40b: Löfstedt, Grammatici Hibernici Carolini aevi III (Sedulius Scottus);Bd. 40c: Löfstedt, Grammatici Hibernici Carolini aevi V (Donatus Ortigraphus); Bd. 40d: Chittenden, Grammatici Hibernici Carolini aevi III (Sedulius Scottus); Bd. 41: Douteil, Summa de ecclesiasticis officiis (Iohannes Beleth); Bd. 41a: Douteil, Summa de ecclesiasticis officiis (Iohannes Beleth); Bd. 42: Huygens, Monumenta Vizeliacensia (Viceliacensia); Bd. 43: Führkötter et al., Scivias I-II (Hildegardis Bingensis); Bd. 43a: Führkötter et al., Scivias III (Hildegardis Bingensis); Bd. 44: McCulloh et al., Martyrologium. Liber de computo (Rabanus Maurus); Bd. 45: Verheist, De ortu et tempore Antichristi, necnon et tractatus qui ab eo dependunt (Adso Dervensis); Bd. 46: Reid, Opera minora (Ratherius Veronensis); Bd. 46a: Reid et al., Exhortatio et preces. Pauca de vita sancti Donatiani. Fragmenta nuper reperta. Glossae (Ratherius Veronensis); Bd. 47: Salmon et al., Testimonia orationis christianae antiquoris (Orationes); Bd. 48: Weinfurter, Consuetudines canonicorum regularium Springiersbacenses-Rodenses(Constitutiones); Bd. 49: Silagi, Deliberatio supra hymnum trium puerorum (Gerardus Moresenus seu Csanadensis); Bd. 50: Madec: De divina praedestinatione (Iohannes Scotus Eriugena); Bd. 51: Longene, (Petrus Pictaviensis); Bd. 52: Van Acker, Opera omnia (Agobardus Lugdunensis); Bd. 53: Lohr et al., Opera I (Andreas a.s. Victore); Bd. 53a: van Liere, Opera II (Andreas a.s. Victore); Bd. 53b: Berndt, Opera III (Andreas a.s. Victore); Bd. 53f: Zier, Opera VII (Andreas a.s. Victore); Bd. 54: de Martel, Commentaria in Ruth. Tractatus de tabernaculo (Petrus Cellensis); Bd. 55: Orban, Pastorale novellum (Rudolfus de Liebegg); Bd. 56: Paulus, Expositio in Matheo. I-IV (Pasca [Attributes: Hard Cover]

      [Bookseller: Göppinger Antiquariat]
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        Asterix et les Normands [Asterix and The Normans]

      Paris, Dargaud. 1966, 1966. First Edition. 4to. Publisher's ilustrated paper covered boards. Very minor bumping and edgewear, light scoring of laminate to front board. Very good indeed. Inscribed by Goscinny and Uderzo to titled page: ' A Micheline, / avec notre amitie, / Rene Goscinny / Uderzo' Signed copies are scarce, and even more so in collectable condition.

      [Bookseller: Adrian Harrington Rare Books]
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        Tragedy and Hope: A History of the World in Our Time

      New York: Macmillan Company, 1966. 1348 p. First edition, first printing. (All first edition points present: stated "First Printing" on copyright page, no mention of later publisher Angriff Press, full page count, does not state "First published in 1966 by" on title page.) Very Good in Very Good dust jacket. Strong gilt lettering and sturdy binding. A few easily erasable pencil brackets in margins throughout text. Jacket a bit sunned, has tear along fore edge and front panel with light creasing, a bit of archival mending tissue on verso. A few tears and chips near extremities. Faint pencil marks on front panel. Nice condition overall.

      [Bookseller: Burnside Rare Books]
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        Three Typed Letters, Signed].

      Rochester, NY. nd, 27 October, and 6 November 1966. - Three pages, on three quarto lettersheets. Folded for mailing, otherwise about fine. Contained in a custom folding half morocco slipcase. Three characteristic and revealing letters from the American film actress to an unidentified "Mr. Brozen," single-spaced, and signed in full, as usual, with colored pencil or crayon. After establishing her credentials in films by, among others, Howard Hawks and William Wellman in the mid to late '20s, Brooks left an indelible mark in two films directed by G.W. Pabst: PANDORA'S BOX (as 'Lulu', a role with which she was widely identified in later decades) and DIARY OF A LOST GIRL. Before retiring in 1935, she had starred in seventeen silent films and eight sound films. In later years she struggled, but in the 1950s revival in interest in her and her films led to her emergence as both a writer and a speaker about her days in the film industry. In these three letters, to a party she had met on an occasion at Tallulah Bankhead's home, she takes issue with a number of critics and their commentary on her work. In reference to an acquaintance of the recipient who is seeking information about Conrad Veidt, she asserts: "He will find in all of his research nothing but lies and sloppy writing done by people who know nothing of film but hitch themselves on this art in order to become rich and famous, like Hallis Alpert. He was here to see me for the Playboy series he is doing . and he couldn't get off his ass long enough to see me at Eastman House in LULU. Can you imagine? He never saw me in anything. And he wrote ludicrously about the film ." She notes further that "The 'resurgence of interest' in me means only that a lot of little kids are pumping me for my memories so that they may write papers on a time and a place and an art about which they know nothing ." In the undated letter, she reveals a bit more about herself, and comments that "Myself I find a bore on the screen . As for my writing . I write about film because the making of them is the only life I know, and perhaps in doing so, I am creating a new form for the telling of a life story." She responds to the recipient's comments about the firing of critic Bosley Crowther: "I don't think your theory on Crother [sic] has much merit. He was about to be fired before they came up with the pretty feeble BONNIE AND CLYDE pretext . the newspaper was waiting for an excuse." About her own viewing of the film, "I did see B&C last Saturday. As I have already written, it was excellent up to the point of the Oakie camp. The girl, Dunaway, is the greatest star since Garbo, and superior on some ways. The beauty of her body and grace is totally without calculation. Alas, these are qualities of innocence which fade in film making." She responds to the recipient's comments about Mae West with her own, and invites him to "Come if you like, but call first and brings a gun." In the November letter, she comments on the recipient's own area of expertise, dance, and praises a writer's comments about Bogart as having "comforted her." She then cuts loose in the direction of another writer on Bogart ("a little French fop in Paris"): "The way certain idolaters write about Hollywood and the legends they themselves created makes me want to puke. Am I to leave one alter [sic] only to return to another with a canope [sic] of tinsel and an amen corner of credulous, worshipful fools [?] I do not pay attention to them and IDOL is not in my lexicon ." The letters bear a handful of small corrections and a deletion in pencil.

      [Bookseller: William Reese Company - Literature, ABAA]
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        Capitalism: The Unknown Ideal

      New York: New American Library, 1966. SIGNED LIMITED FIRST EDITION, FIRST PRINTING, number 86 of 700 copies, signed by Rand on the limitation page. With additional articles by Nathaniel Branden, Alan Greenspan, and Robert Hessen. New York: New American Library, 1966. Original half black cloth over green cloth boards, spine lettered in silver and in gilt, slipcase with printed paper label. Book fine, toning to edges and spine of slipcase (as often). A very good copy of this classic collection of Rand's essays. Fine.

      [Bookseller: The Manhattan Rare Book Company]
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        [Photo Album Documenting Construction of Plaza Theater]

      Jacksonville, FL: Munn Photography, [ca. 1966-1967]. Hardcover. Very good +. Oblong folio commercial album measuring approximately 15.5" x 12". Burlap covered boards with matted color photograph mounted to front. 22-ring clasp metal binding. 27 yellow construction paper pages containing 53 approximately 8" x 10" photographs (47 black and white, 6 color) mounted both recto and verso. Several related news clippings and articles loosely laid-in. Split in burlap at joint, though cover securely attached. Title photograph on front board with substantial fingerprinting, handling wear. Age toning to edges of interior paste-downs and occasionally at page edges. Five photos with tiny areas of image loss from having stuck to the print mounted opposite. Otherwise contents bright, clean, and well-preserved. About very good. Album carefully documenting the construction of The Kent Theaters, Plaza "Rocking Chair" Theater on Phillips Highway (U.S. Hwy #1) in Jacksonville, FL which opened its doors January 27, 1967. Photographs thoroughly detail construction, from groundbreaking to completion: concrete placement, steel erection, masonry, interior construction, placement of the rooftop A/C unit, signage, projector and speaker installation, workers and laborers, as well as finished shots of the theater's interior and exterior. All black and white construction images dated, beginning 9/1/66 and ending 1/23/67. The six color photos are undated, though were likely captured on or around the theater's opening day to showcase the finished work. A full page, color ad from January 26, 1967 issue of the JACKSONVILLE JOURNAL is laid-in. The Plaza's amenities, including ample parking, ("1,000 FREE PARKING SPACES" according to the ad), rocking chair seats and easy access to expressways, marked a sea change in options for the moviegoing public - a move that culminates in our modern multiplexes.

      [Bookseller: Brian Cassidy, Bookseller]
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        Le Tarot des Bohémiens. Le plus ancien livre du monde

      paperback, sewed, 4to small, 400 pps., ind., ills., Dangles, Paris, 1966, Small tear in first endpaper fair

      [Bookseller: In De Ronde Toren]
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        Ballet Cook Book

      New York: Stein & Day, 1966. Hardcover. 424 pages. - A collection of recipes from over 90 internationally known dancers. Each dancer has photos, some by photographers including Richard Avedon, Jack Mitchell and Cecil Beaton, a recipe or sometimes several recipes, and a facsimile of their autograph. In mustard-yellow cloth boards with white cloth spine. Quite uncommon. Near Fine/Good+. Book is clean, bright and unmarked. Front free endpaper has corner price-clipped. The dustjacket has light wear at corners, spine and edges and is also price clipped. All in all a nice copy. Dj in protective mylar sleeve. [Attributes: Hard Cover]

      [Bookseller: Schroeder's Book Haven]
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        Trust [Proof Copy Signed by John Barth]

      (NY): New American Library. (1966). The uncorrected proof copy of her first book, one of a handful of literary first novels published by NAL during the mid-60s, including John Gardner's The Resurrection and William Gass's Omensetter's Luck. Tall, comb-bound galley sheets. Laid in is a letter sent by editor David Segal to author John Barth, sending him "yet another first novel" and requesting "the pleasure of reading your opinion," as it appears Barth had made it clear that he would not be offering "a quotable quote." A noteworthy letter: Segal took over the newly founded hardcover publishing branch of New American Library, which previously had specialized in paperback publishing only -- notably the Signet and Mentor imprints, which reprinted classics and bestsellers. Segal immediately began publishing literary fiction by young, unknown writers, and in the course of a couple of years introduced William Gass, John Gardner, Michael Shaara, Alice Adams and Cynthia Ozick to the world, all of whom went on to become major American authors. It's a bit surprising that Barth would have been averse to providing a "quotable quote" for the likes of these, but apparently that was the case. This copy is signed by Barth on the first page and with his address stamp on the front cover. Ozick's name was left off the cover and has been added in ink. Mild sunning and curling to the covers; small tear at upper spine; about near fine. A very scarce proof of an important first book, and a copy with exceptionally interesting provenance. First Edition. Softcover.

      [Bookseller: Ken Lopez Bookseller, ABAA ]
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        Papiers Colles 1910-1914 Portfolio with 10 lithographs in color by Picasso

      Au pont des arts, Paris, 1966 - Jean Cassou. Au pont des arts, Paris, 1966. Limited on 300 numbered copies. Loose as issued, in beige cloth folder with brown corners and spine, and tie-strings. Printed on grand Veline de Rives paper, dimensions: 26 1/8” x 20 3/16” inches. Six of ten lithographs are signed on the stone. The portfolio present a collections of 10 lithographs in color, reproducing 10 Picasso paintings, drawings and collages created between 1910 and 1914, which were donated to the Musee National d’Art Modern, in Paris, by Marie Cuttoli-Henri Laugier. Picasso collaborated actively with the production of the portfolio, and composed especially for this edition, a collage for the frontispiece. In excellent conditions. Ref: Cramer 137. [Attributes: Hard Cover]

      [Bookseller: Marninart, Inc (ABAA - ILAB)]
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        The Book: On the Taboo Against Knowing Who You Are

      NY: Pantheon. (1966). The book that most succinctly stated Watts's case for an interpretation of human nature that borrowed from Eastern religions and the mystical experience to attempt to shed the mind-body dualism of Western culture and religion, which he argues artificially -- and incorrectly -- separates us from our environment, our world, and ultimately ourselves. Watts was one of the early advocates of Zen in the West, and his books typically have an aspect of comparative religion, translating one culture's concepts into another's vocabulary. This one is the one that attempts most resolutely to delineate his insights and definitions in terms that are secular and Western; it also helped to provide the vocabulary for a generation that was experimenting with consciousness-altering psychedelic drugs, whose effects were often described in terms borrowed from the literature of Eastern mysticism. Inscribed by the author. Large but light stains to boards; very good in a very good, spine and edge-sunned dust jacket with a couple closed edge tears. A key volume in Watt's oeuvre, and seldom encountered signed. First Edition. Hardcover.

      [Bookseller: Ken Lopez Bookseller, ABAA]
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        In the Heat of the Night

      Joseph, 1966, Hardcover, Book Condition: Good, Dust Jacket Condition: Good, 1st EditionThe jacket is a bit rubbed and edgeworn. A few small closed tears. Some tape residue. A little foxing. One small sticker and an ownership signature. Soundly bound. Quantity Available: 1. Inventory No: vy45.

      [Bookseller: Chapter 1 Books]
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        Blue and Purple.

      New York: Kennedy Graphics. Distributed graphics by Alan Wofsy Fine Arts. 1966 - Original lithograph. 33.6 x 49.5 cm. Edition of 100. Signed in pencil. Kennedy, 283. [Attributes: Signed Copy]

      [Bookseller: Wittenborn Art Books]
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        Poetics. Demetrius On Style. Longinus On The Sublime

      Dent Everyman's Library Dutton, 1966. Hardcover. NEAR FINE. Looks mostly unread. Prices on front endpaper, otherwise fine. Unclipped dustjacket, very good. Everyman 901. Main language English. No ISBN shown. Weight 349g. Offers always considered - please contact us.

      [Bookseller: Booksort]
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        Catalogue of Pictures in the Africana Museum, Johannesburg. (7 Volume Set Complete)

      Johannesburg Africana Museum, 1966, Hardcover, Book Condition: Fine, Dust Jacket Condition: No Jacket, 1st EditionComplete 7 volume set. Published between 1966 and 1972. All 7 volumes are very fine indeed. There are no inscriptions and the set appears little used. The original boards are a touch shelf-rubbed. This is a very heavy set which is not really suitable for airmail postage. Quantity Available: 1. Category: Africana- Johannesburg; Inventory No: 23et.

      [Bookseller: Chapter 1 Books]
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        "TIMOTHY LEARY / THE POLITICS AND ETHICS OF ECSTASY": THE ORIGINAL POSTER FOR TIMOTHY LEARY'S APRIL 5, 1966 LECTURE AT TOWN HALL

      [New York, April 5], [1966].. [1966].. Very good. - sc - A 22-1/2 inch high by 17-1/2 inch wide poster on white stock promoting Timothy Leary's lecture on "The Politics and Ethics of Ecstasy". The lecture was presented at New York's Town Hall. Boldly titled in shades of red along the top. Centered is an illustration of a hand reaching down to touch the head of a bodhisattva pictured in shades of orange, green and blue within radiant ripples. The location "Town Hall / 113 West 43 St. / Tues. April 5, 8 pm / Donation $2.00" is boldly printed in blue at the bottom between two lit candles whose smoke rises to frame the poster. The poster is slightly creased along the edges with a couple of faint minute chips to the bottom edge. Very good. Described by President Richard Nixon as "the most dangerous man in America", the American writer and psychologist Timothy Leary was known for his research into and advocacy of psychedelic drugs. With Richard Alpert, Leary conducted early experiments into the use of LSD and psilocybin at Harvard (the Harvard Psilocybin Project). He believed that LSD showed potential for use in psychiatry and is responsible for the popularity of the phrases "turn on, tune in, drop out" and "think for yourself and question authority".RARE.

      [Bookseller: Blue Mountain Books & Manuscripts, Ltd.]
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        September Song

      Vandal Publications Ltd 1966 - Illustrated poster (580 x 452 mm) printed b&w in wooden frame (680 x 551 mm). Subtitled 'A Gear Poster', with the instruction 'iron if creased'. This poetry broadside/poster, by one of the pioneers of the 1960s 'poster-poem', features the poem 'September Song' by Logue alongside a reprinted photograph of a dead cowboy in a casket. The man is Rube Burroughs, one of the last Western gunmen, killed in Sioux City in 1879. This image alludes to the narrative of the poem, that of a lone man, guilty of immoral actions, but resolute in death. Logue is forgiving of this alternative vagabond mentality: 'Be not too hard when he gladly dies / Defending things he does not own'. The poem has since become an icon of 1960s pop culture and counterculture: it was set to music by Donavan and heard in Ken Loach's filmic adaptation of Nell Dunn's famous novel Poor Cow, and was later made popular by Joan Baez on her 1967 album Joan. Condition: some general wear and handling marks to corners. Main body of the poster is clean and frame is in excellent condition. Near fine. Posting: framed item - can be collected from London or posted with cut MDF packaging - extra charges for shipping and handling will be applied.

      [Bookseller: William Allen Word & Image]
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        Lettrie à ouvrir des horizons nouveaux. Illustrations de Man Ray, Hachette, Satier, Jessemin, Isou, Spacagna, Sabatier, Latour, Brown.

      Paris, Editions PSI, 1966 - In-8, [140 X 220 mm.], [32] pages et 9 planches hors-texte, sous couverture imprimée à rabat, contenue dans une chemise cartonnée, elle aussi à rabat, fermée par un bouton et un élastique. Un des 32 exemplaires sur Arches. Édition originale tirée à 35 exemplaires dont 3 sur Japon et 32 sur Arches, tous numérotés et signés par les artistes et comportant des eaux-fortes de Isidore Isou et Man Ray, des dessins originaux à l’encre de Chine de Micheline Hachette, Aude Jessemin, Alain de Latour, Alain Satier et Jacques Spacagna, une linogravure aquarellée de Roland Sabatier et une gouache originale de Viviane Brown. Le bouton de la couverture a été gravé à l’eau-forte par Roland Sabatier. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Librairie Lecointre-Drouet ]
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        Les Flagellants

      Paris: Christian Bourgois Editeur. (1966). First. First edition. Text in French. Wrappers in original tissue dustwrapper. Pages unopened, fine in fine dustwrapper with a short tear. Copy number 12 of only 15 numbered special copies of the true first edition of this African-American expatriate's first novel. Rare. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Ansicht von New York - Manhattan.

      - Farbstifte und Bleistift, auf festem Velin, links unten signiert und datiert „Linde Kruck Körner 1966". 35,2:53,6 cm. Minimal fleckig. Verso am Oberrand Reste alter Verklebung. Linde Kruck-Körner studierte 1942–1944 Wandmalerei in Nürnberg, wo sie ihren späteren Ehemann, den Maler und Lithographen Chr. Kruck (1925-1985) kennenlernte. 1946-1949 folgte ein Studium der Malerei in Freiburg/Breisgau. 1950 ging sie nach Hamburg und heiratete; das Künstlerpaar machte anschließend eine erste längere Reise nach Italien. 1954 erfolgte der Umzug nach Frankfurt am Main – Christian Kruck war zum Leiter der Druckwerkstätten an die Frankfurter Städelschule berufen worden. In den 1960er Jahren unternahm sie gemeinsam mit ihrem Mann zahlreiche Studienreisen, so 1954 nach Spanien, 1966 nach New York, dann wiederholt nach Italien, auch nach Griechenland und den Kanarischen Inseln.

      [Bookseller: Galerie Joseph Fach GmbH]
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        Octopussy And The Living Daylights - 1st Edition/1st Printing

      London: Jonathan Cape. Fine in Fine dust jacket. 1966. First Edition; First Printing; Signed by Biographee. Cloth. An attractive copy of the First Edition/First Printing in Fine condition in alike, bright dust-wrapper with printed price of 10s 6d. Signed by James Bond girl Maryam D'Abo on the title page; From Jamaica, paradise of sunshine and exotic fish, to Berlin, cold city of stealth, James Bond pursues two strangely heroic enemies of the Secret Service. The first is a dying major whose dwindling hoard of gold conceals an act of treachery and the second an assassin whose identity disturbs Bond's deadly aim. Basis for the James Bond movies Octopussy with Roger Moore, Bond-Girl Maud Adams and The Living Daylights starring Timothy Dalton and Bond-Girl Maryam d'Abo .

      [Bookseller: Books Tell You Why]
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        Junger Maler an der Staffelei.

      - Öl auf Holz, rechts unten signiert und datiert „F. Reynaud 51". 22,5:17 cm. Provenienz: Frankfurter Privatbesitz; Auktion 84, Arno Winterberg, Heidelberg, Nr. 339 mit Farbabb. Verglleichsliteratur: E. Bénézit, Dictionnaire critique et documentaire des Peintres, Sculpteurs, Dessinateur et Garveurs. Nouv. Édition. Librairie Gründ 1966, Bd. VII, S. 200 mit Abbildung der Signatur. Der als Genre-, Landschafts- und Bildnismaler tätige Künstler war in Paris Schüler von A.R. Aubert (1781-1857) und E. Loubon (1809-1863). Er debütierte 1848 im Salon und wurde 1867 und 1889 mit Medaillen ausgezeichnet. In den Museen von Aix en Provence, Marseille, Montpellier, Pontoise und Reims werden Arbeiten von ihm verwahrt.

      [Bookseller: Galerie Joseph Fach GmbH]
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        ORIGINAL ILLUSTRATION for THE BIG BOOK OF PETS compiled and edited by Margaret Green. Together with a signed first edition of the published book

      London: Dobson Books and New York: Franklin Watts. 1966. Gouache, watercolour and crayon on paper. Measuring 14 x 9.5 inches. Mounted, framed and glazed. The image appears as the endpapers to both the front and rear of the published book. Further details and images for any of the items listed are available on request. Lucius Books welcomes direct contact with our customers.

      [Bookseller: Lucius Books]
 23.   Check availability:     Biblio     Link/Print  


        Panorama mit Blick von Genazzano zum Volskergebirge.

      . Aquarellskizze, über Bleistift, auf cremefarbenem Velin, links unten bezeichnet "Von Genazzano am Volskergebirge". 14,5:38,8 cm. Zwei vertikale Knickfalten. Provenienz: Galerie Gerda Bassenge, Berlin, 1966; Galerie Joseph Fach, Frankfurt am Main (als V.P. Mohn); Sammlung H. Märkt, Reutlingen. Literatur: Chr. Steinhoff: Salomon Corrodi und seine Zeit 1810-1892. Ein Schweizer Künstlerleben im 19. Jahrhundert, Fehraltorf 1992, vgl. Nr. 48 "Blick auf Rom vom Monte Mario aus". Panoramen sind im Werk Corrodis mehrfach zu finden.. Bereits 1832 erreichte Corrodi über Genua und Pisa Rom, wo er sich in F.L. Catels (1778-1856) Atelier ausbildete und bald auch zu der von ihm am meisten bevorzugten Malweise, der Aquarelltechnik, fand. In Rom, wo er fast sein gesamtes Leben verbrachte, wurde er von hochgestellten Persönlichkeiten wie z.B. Zar Nikolaus protegiert und war sehr erfolgreich. Auch das englische Königshaus kaufte zahlreiche seiner Werke. Corrodis Haus in Rom war bis zu seinem Tod beliebter Treffpunkt u.a. seiner Schweizer Landsleute.

      [Bookseller: Galerie Joseph Fach GmbH]
 24.   Check availability:     ZVAB     Link/Print  


        Oh! Che vertigine!

      Milano: Grafica Uno, 1966. Edizione originale di 85 es. numerati. fogli sciolti in camicia e custodia (loose as issued in cloth slip-case). Ottimo (Fine). 16mo (cm 13x10). Con 9 acqueforti acquetinte a colori che accompagnano poesie dell'Artista (fogli sciolti ripiegati in 3: cm 7,5x10,5 e 13x10) Stampato su carta Filicarta

      [Bookseller: Studio Bibliografico MArini]
 25.   Check availability:     Biblio     Link/Print  


        The Dark

      First American edition, first printing, published by Knopf in 1966. Signed, inscribed and dated ("2nd March 1969") by McGahern on the front endpaper. Book condition: fine, with bright red top dye on top edge, square, bright, tight and clean throughout. Won't find a better example of the book itself.Dust jacket condition: very good, still bright and complete with price of $3.95 present on front flap and date code of 2/66 at bottom of front flap. General edgewear/rubbing, with a couple of discreet closed tears at bottom of rear panel, a mark ("LP") at top of rear panel, and some light chipping without text loss, very light at spine ends and a bit more pronounced at top front corner. Also 2 instances of scuffing (I think) on front panel that go through the paper.

      [Bookseller: Sunlit Cave Books]
 26.   Check availability:     Biblio     Link/Print  


        Historisch-biographisches Lexikon der Tonkünstler (7 Teile in 4 Bänden)

      Graz: Akademische Druck- u. Verlagsanstalt 1966 - 1977; 4 Bände; Bd. I: (Altes) Historisch-biographisches Lexikon der Tonkünstler (1790 - 1792) Teil 1: A - M, XIV, 992 Spalten u. Teil 2: N -Z, 860 Sp., Anhang: XVI, 85 S.; Bd. II: Neues Historisch-biographisches Lexikon der Tonkünstler (1812 - 1814), Teil 1: A - D, XXXII, 974 Sp. u. Teil 2: E- J, VI, 824 Sp.; Bd. III: dto., Teil 3: K - R, VI, 942 Sp. u. Teil 4: S - Z, 844 Sp.; Bd. IV: Ergänzungen, Berichtigungen, Nachträge, VI, 400 S.; herausgegeben von Othmar Wesseley; nach den Ausgaben Leipzig bzw. Berlin 1790, 1793, 1812 -1814; Bibliotheksabgang; jew. Reste der Rückensignatur, fliegender Vorsatz, Titelblatt verso, Vorderschnitt u. rückwärtige Innendeckel mit Bibliotheksstempeln; aus Präsenzbestand. Erste Auflage dieser Ausgabe. Leinen. Sehr gut. 25,7 cm. Nachdruck.

      [Bookseller: Versandantiquariat Rainer Kocherscheidt]
 27.   Check availability:     Biblio     Link/Print  


        S is for Space

      Doubleday & Company, Inc. 1966 - A near fine copy in a near fine dust jacket. A true first issue. First edition stated on the copyright page, and first issue dust jacket has original price of $3.50 printed on the front flap. Negligible rubbing on the corner tips ans spine ends. A nice, bright, square copy. Dust jacket has a bookseller's sticker affixed to the front panel. Very slight chipping at the corners, edges and spine ends; else fine. [Attributes: First Edition; Hard Cover]

      [Bookseller: Bookbid]
 28.   Check availability:     AbeBooks     Link/Print  


        The Works of Thomas Nashe. Edited from the original Texts by Ronald B. McKerrow. Reprinted from the original edition with corrections and supplementary notes. Edited by F.P. Wilson. In five [5] volumes

      New York: Barnes and Noble, 1966. Hardcover. Very Good +/good. Five volumes. New York: Barnes and Noble, 1966. Handsomely bound in original green cloth, gilt lettering and decoration. A very good, bright set in good dustwrappers (latter with some edgewear, several small chips, slight darkening to spines, and housed in removable protective plastic sleeves). (**PLEASE READ CAREFULLY** - This is a heavy/overweight 5 volume set, therefore additional postage will be charged - PLEASE CONTACT US for a prior shipping quote and further information).

      [Bookseller: JAMES HAWKES]
 29.   Check availability:     Biblio     Link/Print  


        The Penguin John Lennon

      Harmondsworth: Penguin Books Ltd,, 1966. With an original photograph of John Lennon. Octavo. Original pictorial wrappers designed by Alridge. Illustrated by the author; printed in dark blue, green and brown. Spine sunned, wrappers lightly creased, extremities slightly rubbed, half-title a little torn at head where the stapled photo has rubbed against it. An excellent copy. First edition thus, first impression, combining two previous books by the author: John Lennon In His Own Write (1964) and A Spaniard in the Works (1965). Presentation copy, inscribed by Lennon in blue ink on the half-title "To Dinah, thank you for making me boil. Lots of love, John Lennon xx." The recipient, Dinah Greet, was the costume designer for the 1967 film How I Won The War, in which John Lennon played the role of Private Gripweed (the inscription refers to the heavy costume he had to wear). An original photograph of John Lennon having special effects explosives attached to his costume on set is stapled to the inside front wrapper. The film was shot on location in Celle, West Germany between 6th and 14th September 1966 and in Carboneras, Spain between 19th September and 6th November 1966. With a postcard to Dinah Greet from a friend loosely laid-in.

      [Bookseller: Peter Harrington]
 30.   Check availability:     Biblio     Link/Print  


        Winston S. Churchill

      London: Heinemann,, 1966-1988. 21 volumes (8 volumes plus 13 companion volumes), octavo. Recent burgundy half morocco, titles and decoration to spines, raised bands, matching cloth boards, gilt edges. Illustrated throughout. The occasional minor blemish, an excellent set. All first editions. A complete set comprising 8 volumes of the Life with 13 supplementary volumes. The supplementary volumes together contain a staggeringly extensive source of previously unpublished primary and perhaps more importantly secondary Churchill material.

      [Bookseller: Peter Harrington]
 31.   Check availability:     Biblio     Link/Print  


        Memorable Hunting Episodes

      N.p.: Privately Printed, 1966. First edition, no 67 of 100 copies, signed by the author. Illus. [12], 64 pp. 1 vols. 8vo. Black cloth tape spine and green illustrated wrappers. Fine. Grouse hunting. "These true stories are mainly concerned with partridge hunting in the Catskill Mountains..." Introduction.

      [Bookseller: James Cummins Bookseller ]
 32.   Check availability:     ABAA     Link/Print  


        No Ordinary Woman - The Life and Times of Florence Phillips

      Howard Timmins, Cape Town, 1966, Hardcover, Book Condition: Fair, Dust Jacket Condition: Fair, 1st Edition432 pages (complete). Florence Phillips saw and played part in a considerable part of South Africa's late nineteenth century history. Her husband, a mining magnate, was exiled due to his involvement in the Jameson Raid. Florence's art collection (began in London during exile) formed the core of what became the Johannesburg Art Gallery. This detailed and sure biography by Gutsche (a life President of the Johannesburg Art Gallery) is in general fair condition. The dustjacket is entire and whole. It is scuffed, light-foxed and worn about the edges and extremities. The board cover is marked with mild wear. Inside, the front and later pages are foxed and marked. The binding is firm, sure and assured. From thereon, although the papertrims and some of the contents are foxed, the pages are very clear and clean, comfortable, genial, secure and detailed. fk Quantity Available: 1. Category: Africana - Biography; Africana- Art; Inventory No: odur.

      [Bookseller: Chapter 1 Books]
 33.   Check availability:     Bookzangle     Link/Print  


        NOW WAIT FOR LAST YEAR

      Doubleday & Company, Inc., Garden City, New York 1966 - Octavo, cloth. A novel of the future involving drug addiction and time travel. A fine copy in a fine dust jacket. (17216) [Attributes: First Edition; Hard Cover]

      [Bookseller: John W. Knott, Jr, Bookseller, ABAA/ILAB]
 34.   Check availability:     AbeBooks     Link/Print  


        Catalogue des travaux de Jean Dubuffet - I - XXII - les prémières 22 volumes

      Paris: Jean-Jacques Pauvert éditeur, 1966-1973 - Gr.4° - 22 volumes of approx.250 pp. each - Color & B/w Plates, photo-reproductions. Catalogues of works by Jean Dubuffet (1901-1985) was a French painter, sculptor and Founder of the Art Brut Concept, here's the list of the booklets: I. Marionettes de la ville et de la campagne (1942-1945) - II. Mirobulus, Macadam et Cie (1945-1946) - III. Plus beaux qu'ils croient (portraits) 1946-1947) - IV. Roses d'Allah, clowns du désert (1947-1949) - V. Paysages grotesques (1949-1950) - VI. Corps de dames (1950-1951) - VII. Tables paysagées, Paysages du mental, Pierre philosophiques (1951-1952) - VIII. Lieu momentanés, Pâtes battues (1952-1953) - IX. Assemblages d'empreintes (1953-1954) - X. Vaches, petites statues de la vie précaire (1954) - XI. Charrettes, jardins, personages monolithes (1955) - XII. Tableau d'assemblages (1955-1956) - XIII. Célèbration du sol I ((1957-1958) - XIV. Célèbration du sol II (1958-1959) - XV. As-tu cueilli la fleur de barbe (1959) - XVI. Les Phénomènes (1958-1963) - XVII. Matériologies (1959-1960) - XVIII. Dessins (1960) - XIX. Paris Circus (1961-1962) - XX. L'Hourloupe I (1962-1964) - XXI. L'Hourloupe II (1964-1966) - XXII. Cartes, utensiles (1966-1967). First edition, text in French language. Original boards. In Fine condition [Attributes: First Edition; Soft Cover]

      [Bookseller: °ART...on paper - 20th Century Art Books]
 35.   Check availability:     AbeBooks     Link/Print  


        The Last Picture Show

      The Dial Press 1966 - Dial Press, New York, 1966. Hardcover. Book Condition: Near Fine. Dust Jacket Condition: Near Fine. J.J. Fox - jacket art (illustrator). 1st Edition. 1st Printing. 280 pages. Signed by Larry McMurtry directly to front free endpaper. ""To Chad Colburn" with Larry's signature. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Walker Flynt Books]
 36.   Check availability:     AbeBooks     Link/Print  


        Inscriptiones Laconiae Messeniae Arcadiae. [Inscriptiones Graecae, Volumen V, Fasciculus Prior + Alter]

      Berlin, De Gruyter, 1966.. 2 Bände in einem Buch 377+194 Seiten m. zahlr. Tafeln u. Abb. gebundene Ausgabe. Ausgetragenes Bibliotheksexemplar, Deckel stellenweise minimal berieben, Buchseiten altersgemäß leicht angedunkelt, insgesamt in sehr gutem Zustand Schneller Versand, mit Rechnung.

      [Bookseller: Versand-Antiquariat Konrad von Agris]
 37.   Check availability:     ZVAB     Link/Print  

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