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Displayed below are some selected recent viaLibri matches for books published in 1966

        «Les rêveries du promeneur solitaire»

      Aquarelles originales de Paulette HUMBERT. Éditions Germaine Raoult, Paris, 1966. In-folio (29x38cm), relié en maroquin noir mosaïqué sur le premier plat d'un grand personnage représentant Jean-Jacques ROUSSEAU au pied d'un arbre et, dans la partie supérieure, d'un château et d'un bouquet d'arbres, le tout dans les tons brun, bleu, ocre et vert, deuxième plat janséniste, dos lisse, titre doré, bordure intérieure sertie d'un listel doré, doublures et gardes de moire grise, tête dorée et décorée au petit fer, non rogné, couverture conservée, boîte-étui dos arrondi maroquin noir et moire grise sur les plats. (Jacques MENIDREY relieur.)Très belle illustration, bien dans l'esprit de l'œuvre de Paulette HUMBERT qui a, elle-même, exécuté directement et manuellement, et sur chaque exemplaire, les 14 aquarelles qui enrichissent l'ouvrage. Typographie de Dominique Viglino. Tirage limité à 140 exemplaires numérotés. Exemplaire sur grand vélin d'Arches à la forme signé par l'artiste.Superbe condition.

      [Bookseller: Librairie Ancienne Quadr'arts]
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        Romances sans paroles. Chansons pour elle. Odes en son honneur. Gravures sur cuivre de Mariette Lydis.

      1966Paris, Editions Vialetay, 1966. In-folio. 163 pp, en feuilles, sous couverture rempliée, chemise et étui de l'éditeur. Exemplaire n° 2/286, sur Japon nacré comportant un cuivre encré, un dessin original, un bon à tirer, une suite en couleurs, une suite sur Auvergne, une suite sur Rives. L'ouvrage comporte 14 cuivres pleine page en noir de Mariette LYDIS. Le texte, composé en Imprint corps 18, a été imprimé sur les presses de l'imprimerie Daragnès. Les cuivres ont été tirés à la presse à bras dans l'atelier de Manuel Robbe. Les coloris au pastel des suites ont été reproduits à la main sous la direction de l'artiste. La maquette du livre a été établie par Henri Jonquières. Splendide ouvrage à l'état de neuf.

      [Bookseller: Boutique du Livre]
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        Salvador Dalñ, PATER NOSTER, Rizzoli, 1966 PRIMA EDIZIONE

      1966. Salvador Dalì, PATER NOSTER, testo in latino, italiano, inglese, francese, tedesco, russo, giapponese, spagnolo, portoghese e cinese Rizzoli, 1966 PRIMA EDIZIONE 52 pagine non numerate con 9 litografie precedute da carta velina con didascalia - misure 41 x 34,5 cm circa copertina rigida in tela editoriale blu con caratteri e disegno impressi in oro sul dorso e in prima di copertina, sovraccoperta in acetato trasparente, senza macchie, strappi o altri segni, nessuna mancanza usato in ottimo stato, lievissimo segno di piega sul frontespizio e sulla pagina seguente, sul risguardo in terza di copertina una lievissima lacerazione di circa 2 cm, sulle prime tre pagine e sull'ultima timbro editoriale a secco in filigrana, senza macchie né segni a penna, senza strappi o mancanze con astuccio protettivo non editoriale leggermente usurato

      [Bookseller: Libri Editoria Grafica Henry Beyle]
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        Entretiens avec Salvador Dali ( avec signature autographe de Dali ).

      Editions Pierre Belfond 1966. In-12 broché de 190 pages au format 11 x 18 cm. Portrait photographique de Dali au 1er plat. Photos des auteurs & courte biographie au 4ème plat. Edition originale en superbe état, proche du parfait. Rarissime exemplaire signé par Dali.Port gratuit pour la France ( En raison des nouvelles normes postales, les livres dont l'épaisseur dépasse les 3 cm seront expédiés obligatoirement en Colissimo avec un forfait ajouté de 5 € ) Port à la charge de l'Acheteur pour le reste du monde. Pour destinations extra-planétaire s'adresser à la NASA. Membre du Syndicat Lusitanien Amateurs Morues - Vente exclusivement par correspondance ! Le libraire ne reçoit que sur rendez-vous. Il est préférable de téléphoner avant tout déplacement.

      [Bookseller: Librairie Victor Sevilla]
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        The Soldier's Art A Novel

      London: Heinemann,, 1966. Octavo. Original red cloth, title to spine gilt on black ground. With the dust jacket. Faint ring mark to front board, contents lightly toned. An excellent copy in a jacket with short closed tear to front panel and mild toning to spine panel. First edition, first impression. Inscribed by the author on the front free endpaper: "K. S. Genigson[?] is confirmed in possession of this book. Anthony Powell, Sept 1966", and additionally signed by Powell on the title page, having crossed out his printed name.

      [Bookseller: Peter Harrington]
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        Norman Lindsay's Ship Models. Special De-Luxe Edition, limited to 150 numbered copies, this being No. 95, fully signed "Norman Lindsay". Foreword by Douglas Stewart.

      1966 1966 - (Sydney): Angus & Robertson, (1966). 4to. Orig. qtr. green morocco. Spine gilt and with raised bands. T.e.g. (x, 98pp.). With frontisp., 7 colour and 34 b/w photographs by Quinton F. Davis, some b/w sketches, and illust. endpapers by Norman Lindsay. Bound by Sangorski and Sutcliffe, London. Preserved in the original (slightly shelf-soiled) illust. slip-case.

      [Bookseller: Berkelouw Books]
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        Arthur Penn, Warren Beatty, and Faye Dunaway on the set of "Bonnie and Clyde"

      N.p., N.p. 1966 - Original oversize, double weight, borderless photograph of director Arthur Penn and actors Warren Beatty and Faye Dunaway on location in rural Texas during the shooting of "Bonnie and Clyde" during the fall of 1966. Faye Dunaway is brandishing a pistol while Penn describes a scene and Beatty looks on. Photographed by Lee Johnson for the Gamma agency, with Thompson's rubber stamp on the verso, along with a later stamp for the French press agency V.I.P.The beginning of the New Hollywood Cinema. Screenwriters Robert Benton and David Newman shopped their script about the notorious 1920s gangsters to every major American studio, then to Francois Truffaut, and then to Jean-Luc Godard, all to absolutely no avail. A young and reckless Warren Beatty, already an established Hollywood bad boy, took an interest and brought on director Arthur Penn and, for a rewrite, screenwriter Robert Towne. According to legend, Beatty begged Jack Warner on bended knee to green light the production, after which the film barely got an initial release. Eventually, due more to studio politics than interest in the film, it received a general release, due mostly to huge political upheavals at Warner Brothers, whereupon it became a box office smash.In a custom museum-quality frame, archivally mounted, with UV glass. 9.5 x 14 inches. Some faint, shallow creasing at a couple of corners, else bright and quite striking.

      [Bookseller: Royal Books, Inc., ABAA]
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        The Crying of Lot 49

      Lippincott, 1966 A fine first edition in a fine dust jacket. First Edition stated on the copyright page and original price still on front flap of the jacket. Housed in a custom-made collector's slipcase.. 1st Edition. Hardcover. Fine/Fine.

      [Bookseller: Bookbid Rare Books]
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        Valley Of The Dolls

      New York: Bernard Geis, 1966 - First Edition. A fine copy in a very good dust jacket. Inscribed by the author in 1966. A highlight of bestselling trashy fiction. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Peter L. Stern & Co., Inc., A.B.A.A.]
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        The Letters of Ralph Waldo Emerson. Vol.I-VI: Edited by Ralph L. Rusk. Vol.VII-X: Edited by Eleanor M. Tilton. [Contents as follows] Vol.I: 1813-1835. / Vol.II: 1836-1841. / Vol.III: 1842-1847. / Vol.IV: 1848-1855. / Vol.V: 1856-1867. / Vol.VI: 1868-1881. / Vol.VII: 1807-1844. / Vol.VIII: 1845-1859. / Vol.IX: 1860-1869. / Vol.X: 1870-1881. With an Index of Proper Names for Volumes Seven to Ten.

      New York & London: Columbia UP, - In 10 vols. Vol.I-VI: Second printing. Vol.I-VI: 1966. Vol.VII-X: 1990-1995. With a frontis. of Vol.I-VI. Coral cloth with gilt title on spine. Top edge red of Vol.I-VI. All edges sl.stained of some vols. Sl.spotted on front ep. of Vol.I. Otherwise fine condition. 24x16.3cm. [Attributes: Hard Cover]

      [Bookseller: Ogawa Tosho,Ltd. ABAJ, ILAB]
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        Gambit (Original double weight photograph from the 1966 film)

      Universal Pictures, Universal City, CA 1966 - Vintage double weight, borderless still photograph from the 1966 film. Nominated for three Academy Awards. Although not indicated on the photograph, shot, struck, and mounted by the film's still photographer, Bob Willoughby. Full provenance available.After studying with Saul Bass at the Kann Institute of Art in Los Angeles, Willoughby began working as a photographer for magazines such as "Life," "Look," and "Harper's Bazaar" in the late 1940s. It was while on assignment covering Judy Garland in a "A Star is Born" that Willoughby's ability to capture his subjects' spontaneity, humor, and vulnerability, resulting in images that were far different from more traditional film stills, came to Hollywood's attention and earned him his first "Life" magazine cover. Willoughby spent the next 20-plus years working as a set photographer for every major studio, documenting some of most important films of the era and creating intimate portraits of some of Hollywood's greatest celebrities. Technically and stylistically innovative, Willoughby built the first remote radio-controlled cameras used on film sets, pioneered the use of the "silent blimp" for 35mm cameras, and created brackets to mount his cameras directly over the movie cameras to capture the same images.Willoughby moved his family to County Cork, Ireland in 1972, working on only a handful of films through the late 1970s and early 1980s, though he would continue to photograph, exhibit, and publish books for the remainder of his life. The stills in this collection were given by Willoughby to friends in Kilbrittain, Ireland just prior to his move to Vence, France in 1989, where he would remain until his death in 2009.Perhaps more than any other photographer, Willoughby is responsible for creating the the look of mid-century celebrity and moviemaking in the popular imagination, with his images printed in magazines literally every week of his career. But beyond being prolific, Willoughby's legacy rests with his ability capture the essence of the actors he photographed, as well as the films with which those photographs were associated. As Sydney Pollack said in his introduction to Willoughby's autobiography, "Sometimes a filmmaker gets a look at a photograph taken on his own set and sees the 'soul' of his film in one still photograph. It's rare, but it happens. It happened to me in 1969, the first time I looked at the work of Bob Willoughby during the filming of "They Shoot Horses, Don't They?"Willoughby's photographs are in the permanent collections of ten museums, including The National Portrait Galleries in Washington, DC and London, the Bibliotheque Nationale de France, The Museum of Modern Art, and The Tate Modern. 6 x 9.5 inches (15 x 24 cm). Near Fine. [Attributes: Soft Cover]

      [Bookseller: Royal Books, Inc., ABAA]
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        Le vite dè più eccellenti pittori scultori e architettori nelle redazioni del 1550 e 1568

      Spes e Sansoni, 1966-1987. Testo a cura di R.Bettarini, Commento secolare e indici a cura di Paola Barocchi. Vol. I: Introduzione alle tre arti, Lettera di G.B.Adriani a G.Vasari, e indici. Vol. II: Vite del Due e Trecento, e indice. Vol. III, tomo I: Vite del Quattrocento. Vol. III, t omo II (in 2 voll.): Indice delle vite del Quattrocento. Vol. IV: Vite del Cinquecento. Vol. V: Vite del Cinquecento. Vol. VI: Vite del Cinquecento. Tre volumi di commento. Nove volumi in 11 tomi, f.to cm.27 x 18, 600 ciascun volume. legg.ed.in t.tela, titoli in oro ai dorsi.

      [Bookseller: Libreria FolignoLibri]
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        Flowers in concrete by Mary Ellen Solt. Designed and printed by John Dearstyne

      Design program fine arts department indiana university, 1966. In 8, cm 19,5 x 18,5, pp. (30) su carte doppie. Tre pagine sono in carta colorata. Brossura editoriale. Edizione originale di questo importante e noto testo di poesia concreta realizzato da Mary Ellen Solt (1920-2007), poetessa che inizio' a scrivere e a pubblicare nel 1963 sotto l'influenza del poeta scozzese Ian Hamilton Finlay e del gruppo brasiliano Noigandres. Oltre a parti di testo, il libro presenta 13 tavole composte con caratteri a stampa e con diversi inchiostri a rappresentare graficamente fiori dando cosi' corpo alla teoria della parola come oggetto. Le opere, raccolte per la prima volta qui, erano state precedentemente pubblicate su riviste come Labros (Geranium, Lilac, Wild Crab, Lobelia, Zinnia, Forsythia), Poetry (Marigolds, Dogwood). La composizione tipografica dell'opera e' di John Dearstyne. L'opera e' considerata una delle migliori realizzazioni di questa potessa e un importante testo di poesia concreta. Edizione di 135 copie (ns. n.124). ENG

      [Bookseller: Libreria Antiquaria Coenobium]
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        El Punt. Barcelona Abril 1966.

      Unpag. portfolio of text and images published by students of Elisava, the Barcelona School of Design and Engineering, containing brown card stock folders printed with original text regarding new outlooks on design, and each containing an original linocut signed by the artist, printed in brilliant colors on white card stock, 11 linocuts in total. Square 4to. Cardboard portfolio with linen binding and tie closures, contents loose as issued, some wear along spine. Barcelona (Escola Elisava/Vda. Guinart) 1966. One ot 150 copies.

      [Bookseller: F.A. Bernett Books]
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        Cours de Téléphonie Générale (16 Volumes) [ I ] Le multiple extensible. Les répartiteurs. Transmission téléphonique. Réseau de Paris. Installations d'Abonnés ; Chapitre II : Le standard à batterie locale ; Chapitre III : Le Relais téléphonique ; Chapitre IV : Le Commutateur multiple ; Chapitre V : La Batterie Centrale ; Chapitre VI : Le Multiple extensible ; Chapitre VII : Les Répartiteurs ; Chapitre VIII : Le trafic téléphonique ; Chapitre IX : Eléments de téléphonie automatique ; Chapitre X : Transmission téléphonique ; Chapitre XI : Le service universel. Organisation du réseau téléphonique. Plan de transmission. Plan d'acheminement ; Chapitre XII : Caractéristiques générales des Centres de Commutation. Conditions d'utilisation des circui

      Postes et Télécommunications ; Direction des Services d'Enseignement ; Cours Professionnels Techniques, 1966 - 16 brochure agrafées, Postes et Télécommunications ; Direction des Services d'Enseignement ; Cours Professionnels Techniques, 1966 (I), 1970-1971, [ 67-264 pp. non suivies) ; 24 ; 37 ; 14 ; 15 ; 30 ; 67 ; 27 ; 80 ; 120 ; 33 ; 39 ; 24 ; 25 ; 23 ; 67 pp. Bon ensemble. Le premier fascicule indiqué, daté de 1966, n'a pas de mention de classement en couverture, le chapitre XVI manque. Ce rare ensemble est une importante source de renseignement sur les réseaux téléphoniques des années 1960-1970 Langue: Français [Attributes: Hard Cover]

      [Bookseller: Librairie du Cardinal]
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        Société d'anthropologie du sud-ouest

      1966. In-4.Carré. Broché. Bon état. Couv. convenable. Dos satisfaisant. Intérieur frais. Fascicules relié ou non. Possibilité de vente au fascicule.Tables des matières 1966-1985 et tomes 1 à 10. 1966 N°1 , 1967 N°2, 1970: Tome 6 N°1, N°2, N°3, N°4. 1970 N°4, supplement au N°4,1970-71: Tome 7 N°1, N°2, N°3, N°4. 1972: Tome 8 N°1, N°2, N°3, N°4. 1973: Tome 9 N°1,N°3, N°4. 1974 Tome 10 N°1, N°2, N°3, N°4. 1976: Tome 11 N°1, N°2, N°3. Journées scientifiques sur le mésolithique 1976. 1977: Tome 12 N°2. 1078 Tome 13 N°2, N°3, N°4. 1979 Tome 14: N°1N°2,N°3, N°4. Rencontre Franco- Espagnole d'anthropologie bordeaux 1979. 1980: Tome 15 N°1N°2, N°3, N°4. 1981:Tome 16 N°1, N°2,N°3,N°4. 1982: Tome 17: N°1, N°2,N°3,N°4. 1983 tome 18: N°1, N°2,N°4, N°4. 1984: Tome 19 N°1, 1986: Tome 21: N°1,N°2, N°3, N°4. 1987: Tome 22 N°1, N°2, N°3,N°4. 1988: Tome 23: 4 Numéros. 1989: Tome 24: 4 numéros. 1990: Tome 25: 4 numéros. 1991: Tome 26: 4 numéros. 1992: Tome 27: 4 numéros. 1993: Tome 28: 1, 2, 3 et 4ème trimestre. 1994: Tome 29:1er, 2, 3et 4 ème trimestres( 3 fascicules). 1995: Tome 30: 1,2,3,4 trimestres (2 fascicules). 1996: tome 31: 1 et 2 trimestre (1 fascicule).

      [Bookseller: Le-Livre.Com]
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        A Clockwork Orange. First Draft Screenplay by -- from his novel. (A Max L. Raab - Si Litvinoff Production.)

      N. p. after 1966, London - Only edition. Title in ink on spine. Number 7 written in ink on cover. With Si Litvinoff's ownership signature on title page. In original orange cover. (1), 89 leaves. Si Litvinoff's copy, who was the executive producer of the 1971 Stanley Kubrick movie. Litvinoff optioned Burgess' book "A Clockwork Orange" in 1966. The first version of the screenplay was written by Terry Southern, but Litvinoff commissioned a new screenplay by Anthony Burgess. This version is mentioned in John Baxter's book about Kubrick as a 300 pages screenplay but Litvinoff explodes this myth in an interview, saying that "a British critic named Adrian Turner saw the Burgess screenplay and it was more than 300 pages long. More nonsense. The Burgess screenplay, which I have, is 89 pages long". An important and unique memorabilia of Kubrick's legendary movie. McDougal, Stuart Y.: Stanley Kubrick's A Clockwork Orange. Cambridge, New York, 2003. Cambridge University Press.; Baxter, John: Stanley Kubrick. A Biography. New York, 1997. Caroll & Graf Publishers.]. Only edition. Title in ink on spine. Number 7 written in ink on cover. With Si Litvinoff's ownership signature on title page. [Attributes: First Edition]

      [Bookseller: Földvári Books]
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        THE COLD WAR SWAP.

      New York: William Morrow & Company, Inc., 1966. - First edition. 8vo. Author's first novel. Lightly rubbed at spine ends, else near fine, tight copy in dust jacket lightly sunned on the spine with light professional restoration to the spine ends and corners, touch up to black ink on front cover that has partially bled through to the verso of the front cover of the dust jacket. At the height of the Cold War, Michael Padillo and Mac McCorkle, two Americans, run a bar in West Germany. In addition to this job, Padillo has a second job --- he's a spy for the U.S. government. Overnight, McCorkle's life changes --- he joins his friend in what appears to be a routine assignment, but turns out to be a deadly game of espionage! Terrific book! [Attributes: First Edition; Hard Cover]

      [Bookseller: BUCKINGHAM BOOKS, ABAA, ILAB, IOBA]
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        Derriere Le Miroir, no. 157-1966 Book

      1966 - "Derriere Le Miroir, no. 157" by Saul Steinberg, Unsigned Book printed in 1966 from an edition size of 150. The overall is size of the Book is 15 x 11 inches. The condition of this piece has been graded as A-: Near Mint, very light signs of handling. Here is some supplemental information about the Book: 1966 Paris, Maeght. DERRIERE LE MIROIR: STEINBERG. Folio, pictorial wrappers (reproducing art work, in color, by Saul Steinberg), [0 pages, illustrated (reproducing art work, some in color, by Saul Steinberg). Includes 2 Color double page lithographs, plus the cover, and multiple black and white prints with the artists hand writing [Attributes: Signed Copy; Soft Cover]

      [Bookseller: Rare Posters]
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        Le Pater Noster

      Rizzoli, 1966. In folio, pp. (52), frontespizio e 9 tavole f.t. in litografia dipinte da Dalì, protette da velina in carta giapponese. Ogni litografia è firmata in basso a destra a biro dal pittore. Il testo del Pater Noster è riportato nelle lingue latina, italiana, inglese, francese, tedesca, russa, giapponese, spagnola, portoghese, cinese. Elegante legatura coeva in pelle rossa con titolo in oro al dorso, al piatto sup. lineare cornice in oro., custodia cartonata. Rara edizione in tiratura di lusso con firma di Salvotor Dali' per esteso all'occhietto, al frontespizio e in ogni litografia. Michler & Lobsinger ,1599

      [Bookseller: Libreria Antiquaria Xodo]
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        Francis Bacon. Peintures récentes. Derriere le Miroir n. 162

      Maeght, 1966. Derriere le Miroir No. 162, Novembre 1966. Testo di Michel Leiris ("Ce que m'ont dit les peintures de Francis Bacon "). Dialogo tra Francis Bacon e David Sylvester. Con 5 litografie a colori "d'après" di pitture e 8 grandi tavole a colori, di cui una ripiegata su 3 pagine, e 5 riproduzioni in nero. 4 pagine di "Chroniques". 4to (cm 38x28). pp. 24. Molto Buono (Very Good). Prima edizione (First edition).

      [Bookseller: Studio Bibliografico Marini]
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        The Last Picture Show

      New York:: The Dial Press,, 1966. . A Fine copy in a Near Fine unclipped dust jacket. Text block and binding are bright and tight. No names or inscriptions. There is a tiny ink number on the flyleaf. Jacket is not price clipped, with none of the usual fading to the red title lettering on the spine. There is one closed tear to the front panel and just a touch of soiling to the extremities. An exceptionally bright copy. The Last Picture Show is one of Larry McMurtry's most memorable novels, and the basis for the enormously popular movie of the same name. Set in a small, dusty, Texas town, The Last Picture Show introduced the characters of Jacy, Duane, and Sonny: teenagers stumbling toward adulthood, discovering the beguiling mysteries of sex and the even more baffling mysteries of love. Populated by a wonderful cast of eccentrics and animated by McMurtry's wry and raucous humor, The Last Picture Show is a wild, heartbreaking, and poignant novel that resonates with the magical passion of youth..

      [Bookseller: Gregor Rare Books]
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        ACE DOUBLE SCIENCE FICTION 'M' SERIES COMPLETE IN 19 VOLUMES" : Ballad of Beta-2 (SIGNED), Empire Star (SIGNED), Secret of Sinharat, Ship That Sailed Time Stream, Many Worlds Magnus Ridolph, Space Captain, Water of Thought, Others

      New York: Ace Books M Series 1st Editions and Later Printings 1964, 1965 & 1966 - ----------19 paperbacks, all Ace Science Fiction Doubles, also referred to as tete-beche or dos-a-dos, describing books which when flipped over reveal another cover and book. Ace issued their science fiction doubles from 1953 to 1973 (there were "doubles" beyond 1973, but they bore a single cover which listed both books). The books were issued in 5 letter-prefix series based on original cover price, and 1 numerical series. Offered here is the THIRD letter-prefix series, the "M" series, consisting of 19 volumes issued from 1964 to 1966, and bearing an original cover price of $0.45. It is the COMPLETE set of Ace SF doubles M series, starting with M-101, to M-141. The M series consisted almost entirely of first editions, and several authors made important appearances here. Notable first editions are by Samuel R. Delany (The Balad of Beta-2 and Empire Star, BOTH of which are SIGNED by Delany), and the first 2 books in Leigh Brackett's Eric John Stark series. Other writers made appearances, both as reprints and first editions, such as Jack Vance, Fred Saberhagen, Margaret St. Clair, A. Bertram Chandler, G.C. Edmonson, Edmond Hamilton, Damon Knight, John Brunner, Kenneth Bulmer, Emil Petaja, Mack Reynolds, Tom Purdom and Murray Leinster. Condition of the books ranges from VG to unread fine, with most being at least near fine. Very attractive colourful books, covers by Ed Emshwiller, Ed Valigursky, Jack Gaughan, Jerome Podwil, Gray Morrow, and others. Inquiries on condition or requests for cover scans of individual volumes are welcomed. [Attributes: First Edition; Soft Cover]

      [Bookseller: John McCormick]
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        Il Soviet. Year I, No. 1 (December 1918) through Year V, No. 52 (April 1922). (All published).

      Unpaginated (circa 208 pp.) reprint of the renowned Italian socialist journal, commenting on the political situation in Italy and around the world following WWI from a communist viewpoint. Lg. folio. 1/2 cloth and boards. Milan (Feltrinelli Reprint) 1966.

      [Bookseller: F.A. Bernett Books ]
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        Il Soviet Year I, No 1 (December 1918) through Year V, No 52 (April 1922) (All published)

      Unpaginated (circa 208 pp.) reprint of the renowned Italian socialist journal, commenting on the political situation in Italy and around the world following WWI from a communist viewpoint. Lg. folio. 1/2 cloth and boards. Milan (Feltrinelli Reprint) 1966.

      [Bookseller: F.A. Bernett Books]
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        Author and illustrator H. A. Rey signs and inscribes one of his iconic Curious George books with a rare original drawing!

      n.p., July 28, 1966. 4to. "His signature and inscription, ""To the Donovan children from their old Waterville friend, with love! H. A. Rey July 28, 1966"" above his original drawing of his title character, Curious George, holding a squeegee and a bucket, accomplished on the verso of the front endpaper of his book, Curious George Takes a Job. (Boston: Houghton Mifflin Company, 1947), 47 pp., 4to. Later edition, bound in publisher's full red cloth, front board stamped in black, price-clipped dust jacket. Jacket spine torn in half and worn, some toning, edge wear, and short tears to jacket, cloth spine a bit sunned, some rubbing to binding.While signed and inscribed copies of Rey's iconic children's books appear with some degree of frequency, we rarely encounter examples bearing original drawings."

      [Bookseller: University Archives ]
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        Epigrafe

      Mondadori, 1966. Brossura (wrappers) Con sei disegni di Renato Guttuso e sei disegni di Carlo Levi, espressamente eseguiti per questa edizione. 12 tavole sciolte a piena pagina (cm 50x35). Folio. pp. 84. Ottimo (Fine). Edizione illustrata di 99+21 f.c. es. numerati.

      [Bookseller: Studio Bibliografico Marini]
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        New Poems - 1st US Edition/1st Printing

      A Helen and Kurt Wolff Book / Harcourt, Brace, & World, Inc, c1968. 8vo; vi, 85, [5] pages A handsome first printing of the first American edition in fine condition in price-clipped dust-jacket, else about fine, signed by Nobel Laureate Günter Grass directly on the title page;The second collection of Grass's poems to appear in translation contains poems that were mainly written in spring and summer 1966. The original German poems are on the left, the English translation on the right. Translated by Michael Hamburger, originally published under the title Ausgefragt .

      [Bookseller: Books Tell You Why]
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        The Geometric Poem

      Litografia Cosmopresse, 1966. Brossura, sovracoperta (wrappers, dust jacket) Riproduzione anastatica del manoscritto originale, con numerosi disegni dell'A. Una foto dell'autore a doppia pagina di Ettore Sottsass. 8vo (28 cm). pp. 44 n.n. Molto Buono (Very Good). Copertina brunita ai margini (Cover sunned at the edges). Prima edizione di 291 + 18 es. numerati.

      [Bookseller: Studio Bibliografico Marini]
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        TOTAL: 13 OFFPRINTS] [1] EDGAR, R. S. & W. B. WOOD. Morphogenesis of bacteriophage T4 in extracts of mutant-infected cells. Offprint from: Proc. Nat. Acad. Sci., Vol. 55, No. 3, March 1966. pp. 498-505. [See below or request list for inventory of offprints included].

      Proceedings of the National Academy of Sciences, [New York]: 1966 - 1 PIONEER RESEARCH WITH VIRAL T4 BACTERIOPHAGE. Robert ["Bob"] S. Edgar, known for his work with bacteriophage T4, studied under Dr. August H. Doermann at Stanford University, initially went to study the mechanism of recombination in bacteria at the Institut Pasteur, Paris, was later associated with the Dept. of Biology, University of Rochester, NY, University of California-Santa Cruz, and the Division of Biology, California Institute of Technology, Pasadena (thus the Richard Feynman connection). He worked with Norman H. Horowitz, had his own lab, and was a leader in the field of human microbiology and human genetics. He retired ca. 1990. [FULL INVENTORY: [TOTAL: 13 OFFPRINTS] [1] EDGAR, R. S. & W. B. WOOD. Morphogenesis of bacteriophage T4 in extracts of mutant-infected cells. Offprint from: Proc. Nat. Acad. Sci., Vol. 55, No. 3, March 1966. pp. 498-505. Self-wraps. Communicated by Max Delbrück. Fine. [2] EDGAR, R. S. Phenotypic properties of heterozygotes in the bacteriophage T4. Offprint from: Genetics, Vol. 43, No. 2, March 1958. pp. 235-248 Self- wraps. [3] EDGAR, R. S. & C. M. STEINBERG. On the Origin of High Negative Interference over Short Segments of the Genetic Structure of Bacteriophage T4. Offprint from: Virology, Vol. 6, 1958. pp. 115-128. Self-wraps. [4] EDGAR, R. S. Mapping Experiments with rII and h Mutants of Bacteriophage T4D. Offprint from: Virology, Vol. 6, 1958. pp. 215-225. Self-wraps. [5] EDGAR, R. S. & F. H. EPSTEIN. Inactivation by Ultraviolet Light of an Acriflavine-Sensitive Gene Function in Phage T4D. Offprint from: Science, Vol. 134, No. 3475, August 4, 1961. pp. 327-8. Self-wraps. [6] STEINBERG, C. M., & R. S. EDGAR. "On the Absence of High Negative Interference in Triparental Crosses." Offprint from: Virology, vol. 15, no. 4, 1961. [New York]: Academic Press, 1961. 8vo. 511-512 pp. Single leaf. Fine. [7] HARTWELL, Leland H. An Upper Limit to the Map Distance Separating the Two Cistrons of the rII Region of Bacteriophage T4B. Offprint from: Virology, Vol. 15, No. 4, December 1961. pp. 510-11. Self-wraps. [8] EDGAR, R. S., R. P. FEYNMAN, S. KLEIN, I. LIELAUSIS & C. M. STEINBERG. Mapping experiments with r Mutants of Bacteriophage T4D. Offprint from: Genetics, Vol. 47, No. 2, February 1962. pp. 179-186. Self-wraps. [9] STEINBERG, C. M. & R. S. Edgar. A critical test of a current theory of genetic recombination in bacteriophage. Offprint from: Genetics, Vol. 47, No. 2, February 1962. pp. 187-208. Self-wraps. [10] EDGAR, R. S., G. H. DENHARDT & R. H. EPSTEIN. A comparative genetic study of conditional lethal mutations of bacteriophage T4D. Offprint from: Genetics, Vol. 49, No. 4, April 1964. pp. 635-648. Self-wraps. [11] EDGAR, R. S. & I. LIELAUSIS. Temperature-sensitive mutants of bacteriophage T4D: Their isolation and genetic characterization. Offprint from: Genetics, Vol. 49, No. 4, April 1964. pp. 649-662. Self-wraps. [12] EDGAR, R. S. & R. H. EPSTEIN. Conditional lethal mutations in bacteriophage T. Offprint from: Genetics Today, Proc. of the XI Int’l. Congr. of Genetics, 1964. Self-wraps. Ink initials of Norman H. Horowitz. [13] EDGAR, R. S. The Bacteriophage Chromosome. Offprint from: the National Cancer Institute Monograph No. 18, Genes and Chromosomes, 1965. pp. 67-77.]. Self-wraps. Communicated by Max Delbrück. Fine. Self-wraps. Pencil initials of Norman H. Horowitz. [Various of these papers in in collaboration with] G. H. Denhardt, F. H. Epstein, R. P. Feynman, Leland H. Hartwell, S. Klein, I. Lielausis, C. M. Steinberg, W. B. Wood.]. [Attributes: Soft Cover]

      [Bookseller: Jeff Weber Rare Books, ABAA]
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        LA GRAN ENCICLOPEDIA VASCA (13 VOLUMENES). Redactada por los mas destacados investigadores, antiguos y modernos, del Pais Vasco y dirigida por el Ldo. Jose Maria MARTIN DE RETANA.

      1966. Biblioteca de la Gran Enciclopedia Vasca. Bilbao. 1966 13 vols. con 600 p. cada uno aprox. (23 cm) Enc. guaflex acolchado holandesa editorial. Abundantes ilustraciones bn y color. AÑOS 66 - 79. T (Ref.27039) enciclopedia diccionario vascongadas pais vasco navarra historia arte

      [Bookseller: Libros con Historia]
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        Then the daughter of Pharaoh opened the arke, and saw it was a childe - The Story of Exodus

      AMIEL Léon, 1966. - AMIEL Léon, En France Février 1966, 36x49.5cm, en feuilles. - Litografia originale a colori stampate su carta giapponese imperiale. Superba e rarisime test effettuato sul Giappone per la storia dell'Esodo illustrazione pubblicato nel 1966 e gli hanno sparato 20 copie su Imperial Giappone e 250 litografie su archi con 24 fuori testo Marc Chagall. stampa Mourlot, stampante già due volumi della Bibbia illustrate da Chagall e che hanno partecipato alla scoperta della litografia dall'artista nel 1950. cultura biblica di Marc Chagall (1887-1985) è importante: nato in una famiglia ebrea religiosa chassidica, legge la Bibbia fin dall'infanzia. La sua opera pittorica è rapidamente influenzato da questo tema, come evidenziato nel 1908 Sacra Famiglia. Tenuto conto di questa predilezione per soggetti religiosi, il suo amico il mercante d'arte Ambroise Vollard commissionato nel 1930 una serie di llustrations sulla Bibbia. Questo lavoro è l'origine di un ciclo decorativo, il Messaggio Biblico, completata nel 1966, lo stesso anno ha pubblicato la storia dell'Esodo. - [FRENCH VERSION FOLLOWS] Lithographie originale en couleur imprimée sur papier japon impérial. Superbe et rarisime épreuve sur japon réalisée pour l'illustration de The Story of Exodus paru en 1966 et dont il a été tiré 20 exemplaires sur japon Impérial et 250 sur Arches comprenant 24 lithographies hors texte de Marc Chagall. Impression par Fernand Mourlot, déjà imprimeur des deux volumes de la Bible illustrée par Chagall et qui participa à la découverte de la lithographie par l'artiste dans les années 1950. La culture biblique de Marc Chagall (1887-1985) est importante : né dans une famille juive hassidique pratiquante, il lit la Bible dès son enfance. Son oeuvre picturale est très rapidement influencée par ce thème, comme en témoigne dès 1908 La Sainte Famille. Devant cette prédilection pour les sujets religieux, son ami le marchand d'art Ambroise Vollard lui commande en 1930 une série d'llustrations sur la Bible. Ce travail se trouve à l'origine d'un cycle décoratif, le Message biblique, terminé en 1966, soit la même année où est publié The Story of Exodus.   

      [Bookseller: Librairie Le Feu Follet]
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        Viaggetto in Etruria

      1966. Brossura (wrappers) Con un'acquaforte originale di Bruno Caruso (Ritratto di Ungaretti), firmata e dedicata su lastra ("Dedicata a Giuseppe Ungaretti") e firmata da Ungaretti ad inchiostro verde. Il volume è firmato da Ungaretti e Caruso. Edizione fuori commercio per i soci dell'ALUT. Il libro cotiene le prose di viaggio di Giuseppe Ungaretti Sfinge e Inno al ponte, dedicate alle zone archeologiche dell'antica Etruria nella provincia di Viterbo. Pubblicate per la prima volta su ll La Gazzetta del Popolo'gg nel giugno 1935 e poi raccolte da Ungaretti nel presente volume . 8vo. pp. 18. Dedica e firma autografe dell'Autore, datata Roma 3/1/1966 (Inscription signed by the Author, dated Roma 3/1/1966). Molto Buono (Very Good). Prima ed. di 160 es. numerati e firmati dagli A.

      [Bookseller: Studio Bibliografico Marini]
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        Les belles images

      Gallimard, 1966. - Gallimard, Paris 1966, 14,5x20,5cm, broché. - Prima edizione, una delle 40 copie numerate su Holland, disegno testa. Bellissimo esemplare. - [FRENCH VERSION FOLLOWS] Edition originale, un des 40 exemplaires numérotés sur Hollande, tirage de tête. Bel exemplaire.

      [Bookseller: Librairie Le Feu Follet]
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        'The Raj Quartet' First Editions

      A set of all first edition, first printings published between 1966 and 1971. Consisting: (1) 'The Jewel in the Crown', first UK edition, first printing published by Heinemann in 1966. A very good book without inscriptions in a very good unclipped wrapper with some scattered staining to the spine and two closed tears to the wrapper. (2) 'The Day of the Scorpion' first UK edition, first printing published by Heinemann in 1968. A very good book without inscriptions in a very good unclipped wrapper with one repair to the rear hinge. (3) 'The Towers of Silence' first UK edition, first printing published by Heinemann in 1971. A very good book (one bump to bottom edge) without inscriptions in a good+ unclipped wrapper with two small chips to the front cover. (4) 'A Division of the Spoils' first UK edition, first printing published by Heinemann in 1975. A very good+ book without inscription (a trifle pushed to spine tips) in a very good+ unclipped wrapper. A scarce set complete

      [Bookseller: John Atkinson Books]
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        Querner, Curt. - "Sitzender Rückenakt".

      - Zeichnung / Graphitzeichnung, 1966. Von Curt Querner. 50,0 x 37,0 cm (Darstellung / Blatt). Nicht bei Dittrich. Rechts unten in Bleistift signiert und datiert: "Qu. / 24.4.66". Verso eigenhändiges Qualitätskürzel: "XX". - In den Blattecken originale Reißzwecklöchlein. Minimal atelierspurig. Sehr gut erhalten. Curt Querner (1904 Börnchen bei Freital - 1976 Kreischa). Deutscher Maler. Bedeutender Vertreter des Spätexpressionismus und der Neuen Sachlichkeit. Nach einer Schlosserlehre Arbeit als Fabrikschlosser. 1926-30 Studium an der Dresdner Kunstakademie. Mitglied der Künstlergruppe Asso. 1933 erstmalige Ausstellung in der Kunsthandlung Kuehl in Dresden. Freundschaft mit dem Freitaler Maler Hellmuth Heinz. 1971 Käthe-Kollwitz-Preis. 1972 Nationalpreis der DDR. [Attributes: Signed Copy]

      [Bookseller: GALERIE HIMMEL]
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        Historiettes Galantes. Pointes sèches de AMANDINE DORE'. Paris, Les Bibliophiles de la Basoche, Editions d'Art Les Heures Claires, 1966

      1966. in - folio, pp.177, (6), impresse su ''grand vélin de Mandeure'' in 350 copie numerate (147 il presente esemplare), riservate ai Bibliophiles de la Basoche. Illustrate da 14 tavole a piena pagina fjuori testo, punte - secche disegnate e incise da Amandine Doré, di chiari soggetti galanti e scene erotiche assai naturali. Incisioni tirate nell'atelier di Manuel Robbe. Accuratamente impresso. Esemplare perfetto sotto copertina editoriale, a quaderni sciolti, in custodia originale di cartoncino figurato e decorato. Figurato d'artista del novecento non comune, in origine pubblicato e riservato per un'associazione di bibliofili privati.

      [Bookseller: Libreria Antiquaria Pregliasco]
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        Il poeta Ezra Pound. (Fotografia originale)

      S. e, 1966. Fotografia originale vintage in b/n, silver print, cm 24 x 30. Al verso timbro della fotografa, vecchia didascalia dattilografata 'Il poeta Ezra Pound'. Segni e annotazioni di tipografia. Errata didascalia piu' recente che indica lo scatto eseguito a Venezia nel 1970. In realta' questa foto fa parte della celebre serie dei 20 scatti realizzati dalla fotografa genovese l'11 febbraio 1966 a S. Ambrogio di Rapallo. In quell'occasione la Carmi, accompagnata dal direttore dell'Ansa, ebbe un brevissimo incontro con il poeta, stanco e malato dopo le note vicissitudini vissute durante la guerra. Dopo una lunga attesa il poeta apri' la porta di casa e si concesse per soli 4 minuti, durante i quali vennero fatti solo 20 scatti. Il servizio vinse il Premio Niepce 1966. Lisetta Carmi inizio' la sua attivita' di fotografa nel 1960, abbandonando gli studi di pianoforte. Dopo un periodo in cui si dedica al fotoreportage, realizza per l'editore Essedi I travestiti, libro pubblicato nel 1972 e che provoco' molto scandalo per le immagini intime e naturali del mondo dei trans genovesi. In seguito viaggia in Israele, Afghanistan e in Oriente. Da molti anni vive a Cisternino, in Puglia. ITA

      [Bookseller: Libreria Antiquaria Coenobium]
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        Fahrenheit 451 (Photograph from the 1966 film)

      Universal City, CA: Universal Pictures, 1966. Vintage borderless single weight photograph from the 1966 film. Shown are the film's two leads Oskar Werner and Julie Christie, in a candid pose just below the film's titular numerals, large and in bold relief. With a Universal mimeo snipe affixed to the verso. Based on the 1953 novel by Ray Bradbury. 8 x 10 inches (20 x 25 cm). Fine.

      [Bookseller: Royal Books, Inc.]
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        Unpublished typescript with manuscript corrections --- Un apres-midi avec Picasso 85 ans (An Afternoon with Picasso at 85)

      Cannes. 1966. NP. 1966. Quarto (285mm x 233mm). 20 typed sheets in French (rectos only), legibly hand-corrected throughout by Brassai in black ink. Housed in a black cloth album, with each sheet in a separate clear plastic file. In excellent condition, the final page a little creased and with minor loss to right-hand side, affecting one letter. Overall fresh and clean. ------ A superb unpublished and heavily corrected manuscript in French, in which Brassai recounts his visit to Picasso, a long-standing friend, at his home near Cannes. Brassai, who photographed much of Picasso's work in the 1940s, had published Conversations with Picasso in 1964, in which he created an intimate portrait of Picasso, covering their friendship and artistic collaboration, and recording each of their meetings with minute detail. Picasso said of the volume, "Read this book if you want to understand me." This account is written in a similar style, and during the course of the afternoon, Picasso speaks about his nostalgia for his old studios, his health, his enthusiasm for the recently invented felt-tip pen, his opinion of his own writings, his relationship with his wife Jacqueline, and his views on feminism. Though unmarked as such, it comes from the collection of Brassai's close friend and colleague, photographer Stefan Lorant.

      [Bookseller: Paul Foster Books]
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        La Legende, les Aventures Heroiques, Joyeuses et Glorieuses d'Ulenspiegel et de Lamme Goedzak au Pays de Flandres et ailleurs. Présenté par Joseph Hanse de l'Académie. Paul A. Klein a réalisé la maquette et les images. (Titolo e testo in francese e fiammingo). Bruges, Vercruysse, 1966

      1966. grande volume in - plano (mm.650x510), ''réalisé par le peintre PAUL KLEIN, graveur et artiste du Livre, en ses atéliers de Damme en Flandre''. Illustrato da 30 grandiose tavole incise e colorate a mano dall'artista. Stupenda edizione su carta speciale delle ''papeteries de Belgique'' tirata in soli 115 esemplari (N:33, con firma di Paul Klein nel colophon). Volume considerato il capolavoro dell'artista, pittore, illustratore, incisore e scultore rinomato, nato nella Mosella nel 1909. Perfetto esemplare conservato con copertina e astuccio edit.

      [Bookseller: Libreria Antiquaria Pregliasco]
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        A Christmas Memory

      Random House, 1966 A fine first edition inscribed by the author, Truman Capote. No mention of later printings on the copyright page. Housed in the publisher's slipcase as well as a custom-made collector's slipcase.. Inscribed by Author(s). 1st Edition. Hardcover. Fine/No Jacket.

      [Bookseller: Bookbid Rare Books]
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        INVENTIONES MATHEMATICAE, 55 Volumes: 1 (1966) - 55 (1979). Complete, Journal, Fachzeitschrift, ISSN: 0020-9910.

      Berlin, Heidelberg, New York : Springer, 1966-1979. - 55 Volumes in 55 Books. 55 Books!!! Originalausgaben, kein Reprint. Der Titel wurde aus einer Fachbibliothek ausgesondert und ist noch mit entsprechenden Kennzeichnungen versehen. Band 1 bis 22 in schwarzen Einbänden, restliche Bände in sandfarbenen Einbänden. Bücher außen mit leichten Lagerspuren. Seiten sauber. Bindungen fest. Guter Zustand! Angaben zu den Versandkosten schicken wir Ihnen gern auf Anfrage. Bitte beachten Sie unser reichhaltiges Angebot an wissenschaftlichen Zeitschriften. // Original edition, no reprint. Formerly from library-collection. Volume 1 - 22 bound in black Hardcovers, Volume 23 - 55 bound in ocher- Hardcovers. Covers with light shelf wear. Pages clean. Good condition! Please ask for shipping-fees. zqx mbx Sprache: Englisch

      [Bookseller: Antiq. Bookfarm/ Sebastian Seckfort]
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