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Displayed below are some selected recent viaLibri matches for books published in 1966

        Slott och herresäten i Sverige 1-18.

      Allhems förlag. Malmö 1966-72. 7144 s. Rikt illustrerade. Förlagets vinröda konstläderband med skyddsomslag. Alla utom De kungliga slotten 1-2 i originalkassett. Några korta revor i övre kant på ryggen av skyddsomslagen. Första delen av De kungliga slotten med 10 mm reva i nedre kant på skyddsomslaget i nederkant på baksidan. Första delen av

      [Bookseller: Antiquaria]
 1.   Check availability:     Antikvariat     Link/Print  


      1. Auflage./ First edition. 35,0 x 25,5 cm. OPapp-Kassette mit Leinenschanier. Das Titelschildchen lichtrandig, sonst wenige Gebrauchspuren. Gutes bis sehr gutes Exemplar. Die Kassette versammelt neben der Bibliographie "Catalogue" - Books, Printed Matter, Ephemera 1966-1991 27 Künstlerbücher und frühe Kataloge von Christian Boltanski. Enthalten sind: Recherche de presentation de tout ce qui reste de mon enfance, 1969 Reconstitution d'un accident qui ne m'est pas arrive et ou j'ai trouve la mort, 1969 Photographie de la soeur de l'artiste en train de creuser sur la plage' 1969 Lettre manuscrite demande de l'aide, 1970 Tout ce que je sais d'une femme qui est morte et que jen'ai pas connue, 1970 Christian Boltanski d 5 ans 3 mois de distance, 1970 Christian Boltanski et ses freres, 1970 Reconstitution de gestes effectues par Christian Boltanski entre 1948 et 1954, 1970 Carte de maladie, 1971 Catalogue: Essais de reconstitution d'objets ayant appartenu a Christian Boltanski entre 1948 et 1954, 1971 Six souvenirs de jeunesse de Christian Boltanski, 1971 Recit-souvenir, 1971 Reconsitution de chansons qui ont ete chantees a Christian Boltanski entre 1944 -1946, 1971 Musee Social Dispersion a l'amiable du contenu des trois tiroirs du secretaire de Christian Boltanski, 1972 10 portraits photographiques de Christian Boltanski 1946-1964', 1972 Je me permets de vous ecrire pour vous soumettre un projet qui me tient au coeur,,,', 1973 L'appartement de la rue de Vaugirard, 1973 Les histoires, 1973 Christian Boltanski a l'honneur de vous faire ses offres de service, 1974 Inventaire des objets ayant appartenu a une femme de Bois-Colombes 20 regles et techniques utilisees en 1972 par un enfant de 9 ans, decrites par Christian Boltanski, 1975 Saynetes Comiques, 1975 Monuments, 1986 Le Lycee Chases: Classe terminale du lycee Chases en 1931: Castelgasse - Vienne, 1987 Geo Harly: danseur parodiste, 1988 El Caso, 1989 Sans Souci, 1991. Die in dieser Edition enthaltenen Künstlerbücher und Objekte von Christian Boltanski entsprechen häufig dem Orginal oder sind, wenn vergriffen, als Faksimile beigelegt. Selten.

      [Bookseller: Antiquariat Querido]
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        Archive of 30 original photographs of Klaus Kinski with his family (Original photographs)

      N.p.: N.p., 1966. Archive of 30 vintage oversize press photographs by Michael Montfort of actor Klaus Kinski, his second wife, actor Brigitte Tocki, and their then five year old daughter, actor Nastassja Kinksi. Five of the photographs with the stamp of German magazine "Bild am Sontagg" crediting Montfort, and separately date stamped either February 23, March 1, or March 3, 1966, although the photographs in the archive appear to be unpublished. Four additional photographs with Montfort's signature in holograph pencil on the verso. From the photographer's estate. The photographs show Kinski with his family, both at home and a number of different locations and activities, such as leading his daughter on a pony, holding balloons for her, at the beach, and in riding in the back of a car with his wife. The images generally paint a picture of Kinski as a loving husband and doting father, and an altogether happy family, images in stark contrast to both Kinski's already well deserved reputation for violent and erratic behavior and the truth of his family's domestic life. An early example of the self aware myth making Kinski would engage in for much of his career, though running counter to the public image he would embrace and embellish later in life. Born in Freiburg, Germany, Michael Montfort began his career working as a photojournalist for German magazines such as "Stern," "Quick," and "Bild am Sonntag." He covered Queen Elizabeth's 1965 visit to Germany, the aftermath of the Six Day War in Israel and Egypt, and the May 1968 protests in Paris. Montfort emigrated to Los Angeles in 1973 and began working as a freelancer. Four years later, on assignment for the German literary magazine "Rogners," Montfort was sent to photograph Charles Bukowski. Aided by the case of wine he smartly brought with him to their first meeting, Montfort connected with the publicity-shy and splenetic poet. Over the next two decades, as both Bukowski's drinking buddy and personal photographer, he shot literary thousands of images of Bukowski and collaborated with him on titles such as "Horsemeat," "Shakespeare Never Did This," and "The Wedding." In addition to Bukowski and Kinkski, Montfort shot notable photographs of luminaries such as William S. Burroughs, Brigitte Bardot, and a Jackson 5 era Michael Jackson. Photographs sized variously between 7 x 11.75 and 8.5 x 12.25 inches (18 x 30 and 22 x 31 cm). Generally Near Fine.

      [Bookseller: Royal Books, Inc.]
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        Andrew Wyeth: Tempuras, Watercolors, Dry Brush, Drawings, 1938 into 1966

      Pennsylvania Academy of the Fine Arts, [Philadelphia 1966 - First edition. Illustrated. 111, [1] pp. Square 4to. INSCRIBED to Lincoln Kirstein, "For Lincoln / with love / Andy -" An outstanding association copy. Kirstein, who was on the board of MoMA, met Andrew Wyeth after the museum acquired CHRISTINA'S WORLD in 1948. Wyeth was still largely unknown at that time, and he quickly came to rely on Kirstein for support and honest criticism of his work. "Kirstein appointed himself Wyeth's friend, admirer, mentor, and stern critic - in essence a supersuccessor to NC. [.] Wyeth thinks that in the 1950s he needed Kirstein to push him toward more form in his work, more solidity" (Meryman, Andrew Wyeth: A Secret Life (1998) p 239, 243). Kirstein, who disdained most abstract art, was essential in providing Wyeth the confidence he needed to continue work in the face of hostile critics who derided his art as sentimental and unsophisticated. Wyeth was fond of quoting Kirstein's dismissive opinion of the critics, "Why do you want approval from those horses' asses?" (ibid, p. 390).Kirstein was a father-figure to two generations of Wyeth artists, and as Andrew's son Jamie developed his own artistic gifts, Kirstein began to transfer his attention to the younger Wyeth. "After posing for nineteen-year-old Jamie, Kirstein more or less shifted his allegiance from Andrew and became Jamie's friend and mentor. Kirstein told Betsy, 'You gave me the only son I ever had'" (ibid, p. 275). Publisher's wrappers, soiled. Very good Illustrated. 111, [1] pp. Square 4to [Attributes: First Edition; Signed Copy]

      [Bookseller: James Cummins Bookseller, ABAA]
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        Dada-Box. Hgg. anlässlich des Jubiläums 50 Jahre Dada.

      Box 10 x 27 x 33 cm., Box lichtrandig, sonst tadellos. Ex. Nr. 65/120. Die Box enthält verschiedene Dokumenten zum Thema Dada: 4 eigens für die Box geschaffene Orig.-Lithographien von Jean Arp, Raoul Hausmann, Marcel Janco und Hans Richter, alle nummeriert u. handsigniert (die Arbeit von J. Arp ist mit einem Nachlassstempel versehen, da er kurze Zeit, nachdem die Grafik in Druck ging, starb) ein Photo von Hugo Ball ein Brief von Raoul Hausmann an die Dada-Box-Benutzer ein Zeitungsartikel der NZZ aus dem Jahr 1966 ein Faksimile der ersten Dada-Publikation 1916 Cabaret Voltaire ein Ausstellungskatalog des Goethe-Instituts ein Buch von Hans Richter Dada - Kunst und Antikunst, Du Mont Vlg., 3. Aufl., und schlussendlich noch ein Stück Pflasterstein der Spiegelgasse, der Geburtsstätte des Dadaismus in Zürich.

      [Bookseller: antiquariat peter petrej]
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      New York: Harry N. Abrams, 1966. 4to, original tan linen, gilt; jacket. 396 pages; 4 maps; 20 most attractive plates of tipped-in enlarged illustrations of coins in full color; 1329 additional fine coin illustrations. Jacket a little worn, else fine. An unusually nice copy of this important and popular work. Clain-Stefanelli 1849*. Grierson 53. Kroh 7 (5 stars): "the ultimate 'coffee-table' book; certainly the finest work on Greek coins ever printed. It is massive in size, and contains many fantastic enlargements of the best Greek coins you are ever likely to see. The text (by Colin Kraay) is very well written, and the photography (by Max Hirmer) is truly incredible, even by today's standards. Long out of print, this is arguably the world's most sought after numismatic book.".

      [Bookseller: Kolbe & Fanning]
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        The Painted Bird

      London: W. H. Allen,, 1966. Octavo. Original brown boards, titles to spine gilt. With the pictorial dust jacket. Some spotting to edges of text block. An excellent copy in a slightly toned and rubbed jacket. First UK edition, first impression. Inscribed by the author on the front free endpaper: "For Dr Philip Murray, in appreciation of his 'long distance' interest, cordially, Jerzy Kosinski, [indecipherable], US. November 14th, 1983." Next to the inscription Kosinski has drawn an abstract doodle reminiscent of the jacket design. Dr Philip Murray is a noted Irish bibliophile and author of Adventures of a Book Collector (2011). The Painted Bird was originally published in the US the preceding year.

      [Bookseller: Peter Harrington]
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        Dichtungen, Schriften I. Aufgrund der von Henri Michaux unter Mitwirkung von Christoph Schwerin getroffenen Auswahl in Übertragungen von Kurt Leonhard und eigenen Übertragungen herausgegeben von Paul Celan. Zweisprachige Ausgabe: Deutsch-Französisch.

      537 (11) Seiten 8, gebundene Ausgabe, beiger Original Ganz-Leineneinband mit schwarzem Lederschild auf dem Buchrücken. mit Schutzumschlag, dieser gering lichtrandig, das Buch selbst ungelesen und wie neu, auf dem Vortitel von Paul Celan signiert und datiert (Hamburg, 16. Oktober 1966). Paul Celan (* 23. November 1920 in Czernowitz/Ukraine - + vermutlich 20. April 1970 in Paris) war ein deutschsprachiger Lyriker. Er hieß ursprünglich Paul Antschel, später rumänisiert Ancel, woraus das Anagramm Celan entstand.

      [Bookseller: Bührnheims Literatursalon GmbH]
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        Wettbewerb Semperoper Dresden. Originale Dokumentation zum Ideenwettbewerb um die Gestaltung des Zuschauerraumes und der architektonischen Gestaltung des Erweiterungsbaues. Architekten: Wolfgang Hänsch und Herbert Löschau, um 1966-1970.

      Alle Kartons links gelocht, genutet und mit dünnem Bleistift-Hilfsraster versehen, darauf beidseitig montiert ca. 260 Orig.-Fotografien der Grundrisse, Entwurfszeichnungen, verschiedener dreidimensionaler Architekturmodelle von Gebäudekomplex und Innenraumgestaltung, sehr umfangreicher Dokumentation der Geschichte der Semperoper, deren ursprünglicher Farbigkeit und zu Semper selbst weiterhin detaillierter chronologischer Ablaufplan (1966-70) und Auflistung der Baukosten. Alle Texte schreibmaschinenschriftlich und ebenfalls aufgeklebt wenige handschriftliche Marginalien. Lose beiliegend drei Ehrenurkunden (1965-69) für Herbert Löschau, ein Glückwunschtelegramm von Prof. Collein an ihn und zwei weitere berufsbezogene persönliche Dokumente des Architekten. Leichte Alters- und Handhabungsspuren, insgesamt wohlerhalten. Weiterhin vorhanden sind die Dokumentationen zum Wohnhochhaus "P 27", dem nicht komplett verwirklichten Komplex "SZ" (Sächsische Zeitung inkl. gebautem "Haus der Presse") und zum Bau des "Kulturpalast Dresden".

      [Bookseller: artestat]
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        Reprint Forum: Ära Nenning. Teil 1: Jahrgänge 1966-1970

      638, 639 - 1124 + XVI Anhang, 808, 920, 794 und 760 Seiten Fol. , gebundene Ausgabe, Leinen Ecken/Kanten bestossen, Buchschnitt mit leichten Lagerspuren, Umschläge leicht vergilbt und Lagerspuren an den oberen Rändern, sonst guter Zustand ISBN 3800039524

      [Bookseller: Antiquariat Liber Antiqua]
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        Hochwertige Sammlung diverser Autoren der Literaturgeschichte - 39 Bücher in Französischer Sprache

      Hochwertige Sammlung diverser Autoren der Literaturgeschichte 39 Bücher in Französischer Sprache 18490 SEITEN Guy de Maupassant -Bel-Ami, 490 Seiten Texte établi et présenté par Gilbert Sigaux Imprimé en Suisse, Lausanne Verlag: Editions Rencontre Lausanne Ort: Schweiz Jahr: Ohne Angaben Charles Dickens Davis Copperfield 1, 592 Seiten Davis Copperfield 2, 562 Seiten Traduction, introduction, notes, bibliographie par Sylvére Monod, Professeur á la Faculté des Lettres de Caen Imprimé en France/Suisse Verlag: Editions Rencontre Lausanne Ort: France Jahr: 1966 Baudelaire -Les Fleurs du Mal, 322 Seiten Préface de Maurice Nadeau Trois Cheefs-doeuvre de la Tragédie grecque -Agamemnon -Antigone -Iphigénie á Aulis 306 Seiten Version André Bonnard Stendhal La Chartreuse de Parme, 594 Seiten Préface et notes de Victor Del Litto Cervantés Don Quichotte de la Manche 1, 594 Seiten Don Quichotte de la Manche 2, 650 Seiten Présentation de Georges Haldas et José Herrera Petere Alexandre Dumas Les Trois Mousquetaires 1, 522 Seiten Les Trois Mousquetaires 2, 504 Seiten Préface de Gilbert Sigaux Imprimé en Suisse, Lausanne Verlag: Editions Rencontre Lausanne Ort: Schweiz Jahr: 1967 F. M. Dostoievski Crime et Châtiment 1, 482 Seiten Crime et Châtiment 2, 450 Seiten Préface et Notes dAlexandre V. Soloviev et Georges Haldas Imprimé en France Verlag: Editions Rencontre Lausanne Ort: France Jahr: 1967 Edgar Allan Poe Histoires extraordinaires 464 Seiten Préface de Jacques Cabau Claude Tillier Mon Oncle Benjamin 346 Seiten Préface dHenri Petit Imprimé en France Verlag: Editions Rencontre Lausanne Ort: France Jahr: 1968 Alfred de Musset La Confession dun Enfant du Siècle suivi de contest et nouvelles 498 Seite Préface de Claude Bourgeois Choderlos de Laclos Les Liaisons dangereuses 472 Seite Préface dAndré Malraux Marivaux La Vie de Marianne ou les Aventures de Madame la comtesse de 568 Seite Préface dOlivier de Magny Victor Hugo Notre-Dame de Paris Introduction de Jeanlouis Cornuz 556 Seiten mit Illustrationen aus Paris von 1853 Théophile Gautier Le Roman de la Momie suivi de Une Nuit de Cléopâtre 274 Seiten Préface de Michel Perrin Pierre de Ronsard Les Amours 468 Seiten Préface de Gilbert Sigaux Goethe Les Affinités électives 330 Seiten Préface de Jeanlouis Cornuz Walter Scott Ivanhoé 578 Seiten Préface de Jacques Cabau Büchrücken ist optisch einwandfrei aber muss geklebt werden da lose. Ist nur in der Falte gelöst. Honoré de Balzac La Cousine Bette 470 Seiten Préface et notes de Roland Chollet Dante Alighieri La Divine Comédie 1, 442 Seiten La Divine Comédie 2, 434 Seiten Traduction, introduction et commentaire par Alexandre Cioranescu Lesage Gil Blas 1, 450 Seiten Gil Blas 2, 434 Seiten Préface de Jean Digot Imprimé en Suisse, Lausanne Verlag: Editions Rencontre Lausanne Ort: Schweiz Jahr: 1968 Gustave Flaubert Madame Bovary 528 Seiten Préface et notes de Maurice Nadeau Imprimé en Suisse, Lausanne Verlag: Editions Rencontre Lausanne Ort: Schweiz Jahr: 1969 Louis Bromfield La Mousson 1, 434 Seiten La Mousson 2, 402 Seiten Traduit de Langlais par Berthe Vulliemin Alphonse de Châteaubriant La Briére, 370 Seiten Léon Uris Exodus, 586 Seiten Pearl Buck Un Coeur fier, 490 Seiten Traduit de Langlais par Germaine Delamain Imprimé en France Verlag: Editions Rencontre Lausanne Ort: France Jahr: Ohne Angaben Irwin Shaw Le Bal des Maudits 1, 474 Seiten Le Bal des Maudits 2, 482 Seiten Traduit de Langlais par G.-M. Dumoulin Imprimé en France Verlag: Editions Rencontre Lausanne Ort: France Jahr: 1949 Alberto Moravia Le Mépris - Agostino, 330 Seiten Traduit de Litalien par Claude Poncet Imprimé en France Verlag: Editions Rencontre Lausanne Ort: France Jahr: 1955 A. J. Cronin Les Clés du Royaume, 490 Seiten Traduit de Langlais par G. de Tonnac_Villeneuve Imprimé en France Verlag: Editions Rencontre Lausanne Ort: France Jahr: 1959 A. J. Cronin Les Vertes Années, 466 Seiten Traduit de Langlais par Jane Fillion Imprimé en France Verlag: Editions Rencontre Lausanne Ort: France Jahr: 1960 Georges Simenon Au Rendez-Vous-des-Terre-Neuvas La Danseuse du Gai-Moulin La Guinguette á Deux Sous Le port des Brumes 586 Seiten Imprimé en France Verlag: Editions Rencontre Lausanne Ort: France Jahr: 1967 Versandkosten 30,- Versand in ca. 2 - 4 Kartons

      [Bookseller: bücherhannover]
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        A Set of All 11 (Auto)Biographies - SIGNED by the 1966 England World Cup Winning Team

      Pelham, Stanley Paul, Headline, - A Set of All 11 (Auto)Biographies - SIGNED by the 1966 England World Cup Winning Team This is perhaps the first time a set of signed and inscribed biographies of the World Cup winning team have been offered for sale. The set includes the elusive signatures of Bobby Moore (in addition to that of George Best), Ray Wilson and Roger Hunt. All are first edition, first printings, some flat-signed, some inscribed. All in very good to fine condition. RARE [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: John Atkinson Books ABA ILAB PBFA]
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        The Fixer [Inscribed Association Copy]

      FSG, NY 1966 - His fourth novel, which deals with anti-Semitism in Tsarist Russia, and which won both the Pulitzer Prize and the National Book Award. Inscribed by Malamud: "For Katharine and Mike/ old good friends/ Bern." The authors Michael Seide and Katharine Shattuck were long-time friends of Malamud's, with Malamud having gone so far as to call Seide an "influence" on him. It was Seide who indirectly found Malamud his agent: Seide was Henry Volkening's (of Russell and Volkening) first client, but when Seide recommended Volkening to Malamud and Malamud called the agency, Diarmuid Russell answered the phone, and Russell would remain Malamud's agent throughout his career. Seide wrote The Common Thread in 1944, and then didn't publish another book for nearly forty years. When his book The Common Wilderness was finally released, Malamud was there to blurb it, as "an original, energetic, language wrought, imaginative work by a daring writer." A fine copy in a near fine dust jacket with mild fading to the spine lettering and a bit of wear to the crown. An excellent association copy of a multiple award-winning novel. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Ken Lopez Bookseller, ABAA (Lopezbooks)]
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        Eigenh. Musikmanuskript mit U. O. O. u. D.

      1966. 1 S. Folio. Transparentpapier, am Kopf signiert. Am unteren Blattrand eh. bezeichnet "Aus der Oper 'Hero und Leander' 1966". Notation für Orchester. - Mit einigen Randeinrissen.

      [Bookseller: Antiquariat Inlibris]
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        La Giammuffa

      Milano , SCALABRINI, 1966 - A cura di Beniamino Dal Fabbro. Con 8 acqueforti originali, numerate e firmate, di Guido Somarè (cm 15,3x9). Disegni al tratto dell'Artista. 8vo. pp. 40. . Perfetto (Mint). . Edizione originale di 74 es. numerati. [Jentsch, 1993]. Rilegato mezza pelle, custodia (half-leather binding, slip-case) [Attributes: Hard Cover]

      [Bookseller: Studio Bibliografico Marini ALAI - ILAB]
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        Der Totentanz von Basel. Mit den Dialogen des mittelalterlichen Wandbildes.

      Dresden, Verlag der Kunst 1966. Folio, 3 Bll., 1 schwarzes Trennblatt, 40 Doppelblatt m. dreisprachigem Text, 1 Trennbl. und VII S. Nachwort, mit 40 ganzseitigen Orig.-Farbholzschnitten, Illustr. OLn. mit illustriertem Orig.-Schutzumschlag. Erste Ausgabe.- Tiessen III,9; Fürst 66,1 - 40.- Umschlag leicht fleckig u. angerändert, sonst schönes Exemplar. Versand D: 4,50 EUR Illustrierte Bücher, Buchwesen, Bibliophilie; Original-Grafik; Totentanz

      [Bookseller: Antiquariat Eckert & Kaun]
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        Programma n°

      Bologna , L'IMMAGINE, 1966 - Sei litografie originali di Emilio Scanavino, numerate e firmate, sciolte in apposite cartellette cucite al volume (cm 30x23). cm 25x35. pp. 72+inserti. . Ottimo (Fine). Alcune lito presentano leggere fioriture. (Si notano in tutte le copie di quest'opera, dovute al tipo di carta usata) (Lightly yellowed). Prima edizione di 135 es. numerati. . Rilegato, custodia (hard cover, slip-case) [Attributes: Hard Cover]

      [Bookseller: Studio Bibliografico Marini ALAI - ILAB]
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        An original production cel from the MGM animation Dr Seuss's How the Grinch Stole Christmas.

      MGM,, 1966. You're a foul one, Mr. Grinch. You're a nasty wasty skunk. Your heart is full of unwashed socks, your soul is full of gunk... MR. GRINCH! Original hand painted production 2 cel setup: the image of the Grinch measuring 135 x 195 mm. Production marks and sequence numbers to lower edge of cel (below mount). On a print background for presentation purposes, with authentication seal and estate plate signature of Chuck Jones to front of cel. Mounted, glazed and framed (overall size 390 x 440 mm). In excellent condition. Originally broadcast by CBS on 18 December 1966, How the Grinch Stole Christmas became a perennial feature of US festive season television - the position occupied by Raymond Briggs's The Snowman for British audiences. Superbly voiced by Boris Karloff and with ear-catching music by Albert Hague and Eugene Poddany, it was Chuck Jones's inspired direction that turned Seuss's updating of the Scrooge story into a small screen classic. The scene, featured around the 18:30 mark in the film, depicts the Grinch in his Santa costume, stealing the Who's ice cubes.

      [Bookseller: Peter Harrington]
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        Parasites of Heaven

      Toronto / Montreal: McClelland and Stewart Limited, 1966. First Edition. Hardcover. Very Good. Signed. 80pp. First Canadian edition, cloth issue. Signed by Leonard Cohen, inscribed in the year of publication to previous owner on the front free end paper "for Dave from Leonard / Aylmer Street November 1966." Two small water dots affecting inscription. Very Good with a bit of discoloration to cloth, fading to spine, edges of page block toned. In a Very Good price-clipped dust jacket with significant fading to the spine panel and light wear. Scarce.

      [Bookseller: Burnside Rare Books]
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        The Romanovs: Three Centuries Of An Ill-Fated Dynasty

      London - The Bodley Head 1966 - A first edition of this history of the Romanovs, by the child of aRussian aristocratic emigree Martha Edith Almedingen, from the collection of Count Sangorski. The edition includes a frontispieceof arare photograph of Vassily Island, showing the winter palace, as well as the tercentenary stamps issued in 1913 to celebrate the Romanov dynasty. On her mother's side, Almedingen was descended from the aristocratic Poltoratsky family; her maternal grandfather was Serge Poltoratzky, the literary scholar and bibliophile who ended his days in exile, shuttling between France and England. His second wife Ellen Sarah Southee, 16 years his junior, and the daughter of an English gentleman farmer, grew up in Kent. She was related to poet Robert Southey. Their children had English governesses and grew up speaking English. His daughter Olga, the novelist's mother, grew up in Kent but was fascinated by her father's native Russia. Through this family connection the author possessed a unique connection to an interest in her subject matter. Count R. L Sangorski was a prominent art collector famous for contributing to the John Marriot collection of Chinese Art. These works are listed on a receipt for binding issued to him in the 1980s, found with the sale of his collection. Bound in the 1980's after Asprey's acquisition of Zaehnsdorf bindery (1983), who merged it with their previous acquisition of Sangorski and Sutcliff. This binding is likely to be a Zaehnsdorf binding, under the name of Asprey. Condition: In a full morocco Asprey binding. Externally excellent, with almost no perceptible wear. Internally, clean and bright throughout, and firmly bound. Overall: FINE [Attributes: First Edition; Hard Cover]

      [Bookseller: Rooke Books PBFA]
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        Capitalism: The Unknown Ideal

      New York: The New American Library, 1966. Hard Cover with Dust Jacket. Near Fine/Very Good. SIGNED AND DATED BY AYN RAND ON HALF TITLE PAGE without personalization. First trade edition, Seventh printing. From the collection of Ryan York. Octavo, 309 pp. A Near Fine copy in a Very Good Dust Jacket with mild chips.

      [Bookseller: Charles Parkhurst Rare Books, Inc.]
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        The Man Outside (Original screenplay for the 1967 film, actor Van Heflin's working copy)

      Glendale, CA: Allied Artists, 1966. Revised Draft British script for the 1967 film. Actor Van Heflin's copy, with his name on the front wrapper and holograph notations throughout. Based on the 1959 novel by Gene Stackelberg. Bill McLean (Van Heflin) is a former CIA agent living in London. He had been fired when he stuck up for one of the men in his command who turned out to be branded a Russian defector. The embittered ex-agent combines forces with another operative to deliver a top Russian secret police official for a price. Before he can deliver the Russian, a trail of corpses and double crosses changes his plans. Shot on location in London. Blue titled wrappers with actor Heflin's name written in holographic ink. Title page present, dated 10-20-66, noted as Revised, with credits for screenwriters Gallu and Marshall, and for writer Adams. 114 leaves, mechanically reproduced. Pages Near Fine, wrapper Near Fine, bound with two silver brads.

      [Bookseller: Royal Books, Inc.]
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        Les damnations

      Paris : Editions Georges Visat 1966 - No. 57 of 75. Signed in pencil by Matta and Mansour, the artist and author on the colophon. Folio, 44 cm. 62, [5] pages : color copperplate illustrations. Without the additional suite. Loose, as issued in original chemise wraps. Cloth chemise slip case. 11 color etchings. Minor edge wear and soiling to slip case, a few spots to exterior. Internally clean, white and crisp. Uncut pages in fine shape. Tissue guards protecting the aquatint plates. Mansour was an important Surrealist poet. Illustrated editions of her work are exceedingly difficult to find. Sabatier 136-46. This is an oversized or heavy book, that requires additional postage for international delivery outside the US. [Attributes: Hard Cover]

      [Bookseller: Sequitur Books]
 23.   Check availability:     AbeBooks     Link/Print  

        Descriptive Geometry with Three-Dimensional Figures

      Muszaki Konyvkiado 1966 - 1966. 195 pages. No dust jacket. This is an ex-Library book. Yellow, pictorial boards with cloth spine. Hinge cracked yet binding remains firm. Moderate foxing, tanning and handling marks with stamp and pen marking at front pages. Water marking and warping to throughout with intermittent dog-eared corners and both colour and B&W illustrations. Contains two pairs of 3D glasses in pouch at rear. Curved boards. Moderate bumping, rubbing and scuffing to spine ends and to corners with moderate rubbing, scuffing and wear along edges and over surfaces. [Attributes: Hard Cover]

      [Bookseller: World of Rare Books]
 24.   Check availability:     ZVAB     Link/Print  

        Four Evenings with The Theatre of Eternal Music at The Four Heavens (Original flyer for the 1966 event)

      New York: Marian Zazeela, 1966. Vintage flyer advertising a 1966 performance by The Theatre of Eternal Music, an improvisational music group consisting of La Monte Young (voice), Terry Riley (voice), Marian Zazeela (voice, light projections), Tony Conrad, Marvin Carpenter, David Hayes, Jim Kirker (projections). This formidable group, formed in 1964, performed in various permutations, and included at different times the likes of John Cale, Billy Name, Angus MacLise, Jon Hassell, Garrett List, and others. This particular permutation would go on to make a live recording later the same year titled, "The Celebration of the Tortoise." The performance was held February 24-27, 1966, at The Four Heavens" a space run by Larry Poons and Henry Geldzahler, 295 Church Street in New York, today still an exhibit space called Dream House. A performance noted in the archive of the Mela Foundation's website at White paper stock with offset lithographic printing in black, 5.5 x 8.25 inches, folded once as issued, in an invitation format.

      [Bookseller: Royal Books, Inc.]
 25.   Check availability:     Biblio     Link/Print  

        Martin Luther King Hand Corrected Speech.

      Draft typescript, four pages with extensive handwritten additions and edits all in Martin Luther King's hand. This is the outline for a speech delivered to the Southern Christian Leadership Conference's staff retreat, Frogmore, South Carolina, November 14, 1966. An exceptionally rare annotated King manuscript, with fascinating insights about the history of the Civil Rights campaign and King's thoughts about the challenges from the Black Power movement ("It's a slogan not a program'') and the growing white backlash ("It is nothing new''). King begins, "Introduction: From whence we have come; where we are now; where do we go from here.'' King describes the legal and psychological turning points as well as the dramatic progress Negroes had made in segregation and voting rights. Surveying the 14 years from the Montgomery Bus Boycott to the present, King writes in blue ballpoint: "The greatest victory of this period was what it did to the psyc[h]e of the Negro. New dignity and destiny. We came out of this period only slightly integrated in the external society, but powerfully integrated within. We armed ourselves with dignity and self-respect, and our adversaries tasted the gall of defeat.'' King notes that the victories in the South did nothing "to improve the lot of the millions of Negroes in the teeming ghettoes of the North." The movement dented the idea of white supremacy but "did not defeat the monster of racism.'' In another striking handwritten addition King states, "No one surveying the moral landscape of a nation can overlook the hideous and pathetic wreckage of commitment twisted and turned to a thousand shapes under the stress of prejudice and irrationality." King crosses out a line dealing with the cause and effect from the Civil Rights "Black Power" movement and the "white backlash" caused by it, but adds that people "are saying that the civil rights movement is either died [sic] or has lost ground." King points out, in the left margin with powerful visual imagery, that the cause of racial equality--or any great social revolution--"is like curving around a mountain when you are approaching a city. Often it feels as though you are moving backwards, and you lose sight of your goal; but in fact you are moving ahead, and soon you will see the city again, closer by.'' One can't read that without thinking of King's haunting final speech delivered at Bishop Charles Mason Temple, Memphis, Tenn., April 3, 1968: 'I've been to the mountaintop...And he's allowed me to go up to the mountain. And I've looked over. And I've seen the Promised Land.' In remarkable fashion, this speech seems to establish King's structure for the rest of his work in the Civil Rights movement, as the question first posed in this speech "Where Do We Go From Here?" was the title for a keynote speech King delivered on Aug. 16, 1967, at the Eleventh Annual Convention of The Southern Christian Leadership Conference in Atlanta, Georgia, and was further published in a book King published that same year, Where Do We Go From Here: Chaos or Community? expanding upon the final segment of the "whence we have come; where we are now; where do we go from here" framework introduced in this outline. Small paper loss at one corner (not affecting text). Matted and framed.

      [Bookseller: Raptis Rare Books]
 26.   Check availability:     Biblio     Link/Print  

        Grist. Whole numbers 9 and 12

      Abington Book Shop 1966-1967 - Photographically illustrated stapled wrappers. Two issues of this excellent Midwestern journal, of a total of fourteen published, edited by John Fowler, with George Kimball and Charles Plymell. Number 9 includes very early work by S. Clay Wilson (here "Steve"), along with Bukowski, levy, Frank O'Hara, Ted Berrigan, Ginsberg, Silliman, Eigner, and others, not to mention the Grist Playmate of the Month, Gerard Malanga. Number 12 includes work by Berrigan, Padgett, Mac Low, Hollo, and Hannah Weiner, along with a double-page center spread by Wilson. Both issues near fine, number 9 with some staple holes on the fore-edge through the first two sheets, and mailing label addressed to Glen Todd (fellow Wichita poet and friend of Plymell) on the lower front cover. Clay & Phillips, p. 279 (ill. p. 277). the lot: [Attributes: Soft Cover]

      [Bookseller: Triolet Rare Books, ABAA]
 27.   Check availability:     IberLibro     Link/Print  

        Historiettes Galantes. Pointes sèches de AMANDINE DORE'.

      Paris, Les Bibliophiles de la Basoche, Editions d'Art Les Heures Claires, 1966, - in-folio, pp.177, (6), impresse su ''grand vélin de Mandeure'' in 350 copie numerate (147 il presente esemplare), riservate ai Bibliophiles de la Basoche. Illustrate da 14 tavole a piena pagina fjuori testo, punte-secche disegnate e incise da Amandine Doré, di chiari soggetti galanti e scene erotiche assai naturali. Incisioni tirate nell'atelier di Manuel Robbe. Accuratamente impresso. Esemplare perfetto sotto copertina editoriale, a quaderni sciolti, in custodia originale di cartoncino figurato e decorato. Figurato d'artista del novecento non comune, in origine pubblicato e riservato per un'associazione di bibliofili privati. [Attributes: Hard Cover]

      [Bookseller: Libreria Antiquaria Pregliasco]
 28.   Check availability:     AbeBooks     Link/Print  

        Every Building on the Sunset Strip

      Los Angeles: Ed Ruscha, 1966. First edition. First Printing of 1,000 copies with the extra two inch flap at the end. A very good copy in white printed wraps with some darkening to the spine; foil covered slipcase is lightly worn with a few small splits, else very good. Ed Ruscha: Editions 1959-1999, B4. Roth pages 182-185. Open Book pages 198-201. Parr and Badger Volume Two, 142-3. Architect Peter Hoyt's copy with his ownership signature on the inside. Peter Hoyt was part of the Learning from Las Vegas team that studied under Robert Venturi and Denise Scott Brown and eventually produced one of the most important and controversial books of architectural theory published in the twentieth century. When the team went to Las Vegas in the fall of 1968, they flew first to Los Angeles and met with Ed Ruscha along with many other LA notables by way of Esther McCoy. The Venturis felt that the way Ruscha was looking at the LA landscape would be helpful in their understanding of the Las Vegas strip. They even hired a helicopter to photograph Las Vegas from the air, looking at patterns of use in much the same manner as Ruscha approached photographing Los Angeles. Ruscha's books on gas stations, parking lots and other spaces were very important influences on the visual aspects of the Learning From Las Vegas study.

      [Bookseller: Kenneth Mallory Bookseller. ABAA]
 29.   Check availability:     IOBABooks     Link/Print  

        Magick Lantern Cycle (Original film program for the Spring Equinox 1966 screening)

      New York: Film-makers' Cinematheque, 1966. Original film program for the 1966 screening of six Kenneth Anger films, being shown on the Spring Equinox (March 21, 1966). Screened at Jonas Mekas's Film-maker's Cinematheque coopperative theater, then located at 125 West 41st Street in New York. Films at the screening included "Kustom Kar Kommandos," "Fireworks," "Scorpio Rising," "Eaux d'artifice," and a prelude entitled "Anger Aquarian Arcanum." Also included was the premiere screening of the "Sacred Mushroom Edition" of his film "Inauguration of the Pleasure Dome," which condensed an earlier three-screen edition of the film into a single, superimposed image. In hip late-1960s fashion, the program includes specific instructions for "psychedelic researchers" who wished to view the film as it was fully intended: "in that Holy Trance called High." Anger, one of the most significant filmmakers to come out of the American avant-garde in the mid-1960s, was born in Southern California and began making films when he was only ten years old. His work often prominently featured homosexual themes, and his career-long fascination with the mystical and magical is prominently on display in the "Magick Lantern Cycle" as well. The Film-maker's Cinemantheque, co-founded by Jonas Mekas in 1962, would offer a home, albeit with an oft-shifting location, to avant-garde New York filmmakers, and would later grow to become the Anthology Film Archives, one of the world's largest and most important repositories of avant-garde film. Black, white, and day-glo orange card wrappers, printed in black and white on purple, blue, red, and white stock throughout. 8.5 x 11 inches (22 x 28 cm), nine pages, saddle-stitched with plastic spine protector as issued. Very Good plus, with a reading crease to the front wrapper, a single unobtrusive ink notation of an arrow on one of the pages.

      [Bookseller: Royal Books, Inc.]
 30.   Check availability:     Biblio     Link/Print  

        The Objectivist. (A Complete Run, Jan. 1966-Sept. 1971)

      The Objectivist, New York - January, 1966 - September, 1971. A complete set; octavo, original blue-green printed wrappers (Nathaniel Branden also edited some of these issues). Included are essays by Ms. Rand and others, such as,The Anti-Industrial Revolution, Kant and Self-sacrifice, The Left Old and New, and many others. Housed in an attractive open-end slipcase, trimmed in leather, with paper label of number 1 on slipcase; with chemise; handsomely presented. Very good to fine. [Attributes: First Edition; Soft Cover]

      [Bookseller: Charles Parkhurst Rare Books, Inc. ABAA]
 31.   Check availability:     AbeBooks     Link/Print  

        John Huston (First Edition, inscribed by John Huston)

      Cinema d'Aujourd'hui no. 44 / Edition Serghes, Paris 1966 - First Edition, a trade softcover original. INSCRIBED by director John Huston on the half title page: "To Pierre Goulliard / with my best regards / John Huston."An early, critical look at the iconic director of such enduring classics as "The Maltese Falcon" (1940), "The Treasure of the Sierra Madre" (1948), "The Asphalt Jungle" (1950), and "The African Queen" (1951).From the collection of noted cinephile and collector Pierre Goulliard, who spent decades in the latter half of the twentieth century obtaining inscriptions from the giants of European cinema.About Near Fine in wrappers. Square and tight, with light fading to the orange on the spine, and some light rubbing overall. Text in French, illustrated with numerous photos throughout. [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: Royal Books, Inc., ABAA]
 32.   Check availability:     AbeBooks     Link/Print  

        The Glass Menagerie

      New Directions, New York 1966 - Scarce copy, first edition paperback, signed by author. Inscribed on half title page: "Another small contribution to Dakin campaign. Peace & Love, Tennessee 1972" Softcover has no tears; light tanning from sun. Pages clean and unmarked, tight in binding. Couple very light scuffs on cover. [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: Capitol Hill Books]
 33.   Check availability:     AbeBooks     Link/Print  

        Meibutsu-gire Ruish "Collection of Specialty Fabrics" ( ) -- 4 Volumes

      Kyoto, Japan: Kyoto Shoin, Sh wa 41 [1966]. As. Hardcover. Very Good. Ken Tatsumura (1905-) was president of the Tatsumura Institute of Textile Arts in Japan and professor of philosophy at Kyoto University of Arts. Published by Kyoto Shoin in 1969 and 1974, this is the 1966 edition. Vol. 1, Part 1: 6, 50; Vol. 1, Part 2: 8, 51-100; Vol. 2, Part 1: 9, 10, 1-50; Vol. 2, Part 2: 5, 6, 8, 51-100 pp. Elephant Folio. Bound in tan and navy blue cloth featuring a floral and geometric pattern; paper title labels in Japanese characters pasted to front cover of each volume, orange embossed title and publisher name on spines. Orange silk ties complete the Japanese-style binding. All volumes contain color plates of fabrics. Some water staining to lower left corner of Volume 1, Part 1 plates 41-50, and upper left corner of front cover board of Volume 2, Part 1, but does not affect interior.

      [Bookseller: Artisan Books & Bindery ABAA/ILAB]
 34.   Check availability:     Biblio     Link/Print  

        Schriften / Titel ab Band 17: Gesammelte Novellen. 27 Bände (von 28, es fehlt Band 16).

      de Gruyter, Berlin 1966 (=Nachdruck der Ausgabe Reimar, Berlin 1828 ff). 8°. Original-Leinen, Bibliotheksexemplar m. transparenter Schutzfolie u. Rückenschild, Einbände leicht berieben, Stempel a. Titelrückseite, ansonsten gut erhaltenes und sauberes Exemplar, (immer noch maßgebliche Ausgabe, erste Gesamtausgabe / Ausgabe letzter Hand).Versand D: 4,90 EUR

      [Bookseller: Antiquariat Hagena & Schulte GbR]
 35.   Check availability:     Link/Print  

        Notari. Dodici litografie

      Venezia , Cavallino,, 1966 - Testo di Toni Toniato. 12 litografie originali firmate di Notari applicate su cartoncino (6 in nero e 6 a due colori, cm 17x16,5). Cm 26x29. pp. 12+12 litografie. . Ottimo (Fine). . Prima edizione di 50 es. numerati. . Quartini sciolti in cartelletta (loose as issued in original portfolio) [Attributes: Hard Cover]

      [Bookseller: Studio Bibliografico Marini ALAI - ILAB]
 36.   Check availability:     AbeBooks     Link/Print  

        Against Interpretation (inscribed copy)

      Farrar Straus & Giroux 1966 - First edition, first printing, of these essays, warmly inscribed and signed by the author to French writer and reviewer Jean Bloch-Michel, octavo, 304 pages, fine copy in fine dust jacket. Language: eng La librairie offre aux clients d'AbeBooks 15% de réduction sur l'ensemble de son catalogue. Prix d'origine : 500.0 EUR. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: alain marchet]
 37.   Check availability:     AbeBooks     Link/Print  

        Le opere e i giorni

      Roma , EDIZIONI DELL'ELEFANTE, 1966 - Dieci illustrazioni originali di Giacomo Manzù a piena pagina. Un saggio di Salvatore Quasimodo. Traduzione di Fausto Codino. Cm 55x37. pp. 100. . Ottimo (Fine). . Edizione originale di 999 es. numerati. . Rilegato mezza pelle (half-leather binding) [Attributes: Hard Cover]

      [Bookseller: Studio Bibliografico Marini ALAI - ILAB]
 38.   Check availability:     AbeBooks     Link/Print  

        Obras completas, I-IX [9 vols.].

      - Escélicer, Madrid, 1966-1971. 215x13 cm. 1.308, 1.240, 1.372, 1.468, 1.226, 1.500, 1.548, 1.270 y 1.619 págs. Piel editorial con dorados. Papel biblia. Canto superior dorado. Cinta de registro. Exlibris pegado en guarda, y sello en seco y tampón de anterior poseedor en portada interior. Muy bien conservado. // Edición preparada por Manuel García Blanco // I: Paisajes y ensayos - II: Novelas - III: Nuevos ensayos - IV: La raza y la lengua - V: Teatro completo y monodiálogos - VI: Poesía - VII: Meditaciones y ensayos espirituales - VIII: Autobiografía y recuerdos personales - IX: Discursos y artículos // Miguel de Unamuno (1864-1936) //

      [Bookseller: Los Papeles del Sitio]
 39.   Check availability:     IberLibro     Link/Print  

        Many Are Called. Introduction by James Agee

      Boston: Houghton, Mifflin, 1966 - First Edition; clothbound issue. A very good copy; inscribed by Evans on the front free endpaper, Òfor Adele with affection and in admiration. W.E.Ó While this book turns up now and then in dust jacket, it is far less often found inscribed. [Attributes: First Edition; Hard Cover]

      [Bookseller: Peter L. Stern & Co., Inc., A.B.A.A.]
 40.   Check availability:     AbeBooks     Link/Print  

        Program: The Dedication of McDermott Court, Massachusetts Institute of Technology, Saturday, May 7, 1966

      Massachusetts Institute of Technology, 1966. Unpaginated (16 pages). Paperback program, staple bound with stiff illustrated paper covers. Unsigned lithograph in colors by Alexander Calder spans one interior page, folded in half and stapled as part of the binding to make the first and last free endpage. Ex-Libris bookplate affixed to inside front cover indicating that this came from the library of former Museum of Modern Art Director René d'Harnoncourt. There is some soiling to the covers from handling, along with tanning at the edges. There is a bend at the upper right corner. There is some light staining to the inside front and rear covers from contact with the ink of the print. Aside from the bookplate, there are no internal markings. Text is in English. Published to commemorate the dedication of the then new McDermott Court, which included a major commissioned stabile sculpture (La Grande Voile) by Calder and a special temporary exhibition of his works. Not only a rare piece of ephemera, with a print by Calder, but a nice association with d'Harnoncourt.. Wrappers. Good.

      [Bookseller: Exquisite Corpse, Booksellers]
 41.   Check availability:     Biblio     Link/Print  

        The Moon is a Harsh Mistress

      New York: G. P. Putnam's Sons. Very Good+ in Very Good+ dust jacket. 1966. 2nd Printing. Hardcover. SIGNED EDITION. This book is in Very Good+ condition and has a Very Good+ dust jacket. The book and its contents are in mostly clean, bright condition. There is some light bumping to the spine ends of the book covers.The text pages are mostly clean and bright. The remnants of a previous owner's address label are visible on the front pastedown page. The edges of the text block have some toning and spotting. The dust jacket (with price of $5.95) has edge wear, some rubbing, small edge nicks and chips and some crazing to the spine joints and spine. This copy has been signed by the author on the second half title page (which is after the contents page). This book was the recipient of Heinlein's fourth and final Hugo Award given while he was alive ( there have been several "retro" Hugos given out to him since then) and is considered one of Heinlein's best works along with being one of the most influential science fiction novels ever written. This book was originally serialized in Worlds of IF Magazine (Dec 1965 through April 1966) and was the 1967 winner of the Hugo Award. It was also nominated for a Nebula Award for 1966. This book is credited with coining the acronym: TANSTAAFL (There Ain't No Such Thing as a Free Lunch) and is considered by many science fiction critics to be one of Heinlein's best works, comparable with Stranger in a Strange Land. ; Signed by Author .

      [Bookseller: S. Howlett-West Books]
 42.   Check availability:     Biblio     Link/Print  


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