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Displayed below are some selected recent viaLibri matches for books published in 1966

        Compact

      164 pp. (1) Paris, 1966, in-8, 164 pp. (1), broché, couverture imprimée, Edition originale, exemplaire du service de presse (poinçon sur la quatrième de couverture) enrichi d'un envoi de l'auteur à Claude Bonnefoy, critique littéraire. Très bel exemplaire.

      [Bookseller: Librairie Alain Brieux]
 1.   Check availability:     maremagnum.com     Link/Print  


        *Unternehmensforschung - Operations Research - Recherche Operationnelle - Band 10 bis 13 - ab dann Zeitschrift für Operations Research (ZOR) - Unternehmensforschung Band / Vol 14 bis 34 (25 BÜCHER)

      Würzburg : Physica-Verlag. 1966 24cm. ca. 12000 Seiten. Hardcover Zustand: Gut bis Sehr Gut min. gebräunt (Innen); Von 1966 bis 1990 komplett; Bibliotheksex. mit Klebestreifenrest (Außen); Besitzerstempel (Innen); Schnitt wurde mit vielen Stempeln versehen (kann etwas zerstempelt sein); Einband Außen hat geringe Gebrauchsspuren; Photo zeigt nur ein der 25 Bücher; Versand D: 4,75 EUR [Zeitschriften / Magazine / Wirtschaft / Globalisierung / Berufswelt / Bildung / Markt / Technik / Maschinen / Stil / Marke - Typ]

      [Bookseller: Gebrauchtbücherlogistik]
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        *Technische Überwachung - Sicherheit + Schadenverhütung + Wirtschaftlichkeit in Betrieb und Verkehr - Band 7 - 1966 - weitere auf Anfrage : 1967+1968

      Düsseldorf : VDI. 1966 1966 440 Seiten, 440 Seiten. Werkstoff Zustand: Gut min. gebräunt (Innen); Bibliotheksex.; Einband Außen hat leichte Gebrauchsspuren; Zustand: Gut min. gebräunt (Innen); Bibliotheksex.; Einband Außen hat leichte Gebrauchsspuren; Versand D: 4,75 EUR [Zeitschriften / Magazine / Bildbände]

      [Bookseller: Gebrauchtbücherlogistik]
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        Shakespeare's Printers.

      Magpie Press, London 1966 - No. 105 of about 150 copies, designed and printed by Derek Maggs. 177 x 109 mms. Bound by Peter Jones in c.2014 in vellum internal wrappers fastened ont he outside with gold screws to fine wooden boards sewn with a clear acrylic rod to the spine. [Attributes: Soft Cover]

      [Bookseller: SOPHIE SCHNEIDEMAN RARE BOOKS, ABA, ILAB]
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        The Golden Bough. A Study in Magic and Religion. [Third edition, revised and enlarged]. NEAR FINE EXTENDED SET OF THE BEST EDITION IN UNCLIPPED DUSTWRAPPERS

      Macmillan,, 1966. 13 vols., 8vo., BEST EDITION, with frontispiece and series half-titles, some light offsetting frol fold-ins to free endpapers in a few volumes; original green cloth, gilt backs, a near fine set in unclipped, very lightly browned dustwrapper. BRIGHT, CLEAN SET OF THE BEST EDITION, FIRST PUBLISHED IN 1911. The set comprises: Part I. The Magic Art and the Evolution of Kings (2 vols); Part II. Taboo and the Perils of the Soul; Part III. The Dying God; Part IV. Adonis, Attis, Osiris (2 vols); Part V. Spirits of the Corn and of the Wild (2 vols); Part VI. The Scapegoat; Part VII. Baldur the Beautiful (2 vols); Part VIII. Bibliography and General Index). COMPLETE WITH THE SCARCE SUPPLEMENTARY VOLUME 'AFTERMATH', FIRST PUBLISHED SEPARATELY IN 1936. The dustwrappers carry the well-known 'mistletoe' motif now iconic of the work as a whole. Frazer's masterwork first appeared in two volumes in 1890, with a second edition in three volumes in 1900. The next eleven or so years were devoted to a substantial programme of revision and expansion leading to the renowned third edition in twelve volumes issued between 1911 and 1915. COMPLETE SETS IN THIS CONDITION ARE VERY SCARCE. Besterman CX-CXI, CXII, CXIV, CXVIII-CXIX, CXXI, CXXV-CXXVI, CXXVII-CXXVIII, CXXXIV (all recording the first editions of the constituent volumes; 'Aftermath' post-dated); Printing and the Mind of Man 561.

      [Bookseller: Island Books]
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        Les cadrans solaires de Max Elskamp

      70pp., 30pl. Liège, 1966, in-4, 70pp, 30pl, broché, couverture imprimée, Nombreuses illustrations en noir et en couleur. Epuisé

      [Bookseller: Librairie Alain Brieux]
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        Zwart-Wit: Aad de Haas. SIGNED/FINE COPY.

      Den Haag, Palm, 1966. Pictorial cloth-covered cardboard box (hardcover), 55,5 x 41 x 4 cms., 8 pp. on loosely inserted textleaves in Dutch including text-page and colophon with number in hand, 17 b/w linocut plates printed by hand (ca. 32 x 24,5 cms.) on Japanese Ino Shi paper and under passepartout. Each linocut signed and numbered by Aad de Haas in pencil. Edition of 50 copies, but only 44 copies for trade.This copy bearing number '9/50'.The blocks have been destroyed after the printing-process. Very rare in this complete edition. Haas, Aad de.

      [Bookseller: Luïscius Books]
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        The Sound of Thunder (SIGNED 1st PRINTING of the 1st BRITISH EDITION)

      William Heinemann 1966 - Superb, unrivaled signed copy of this rare book. Look at the photos to see what I mean. This book is in fabulous condition for its age, and the fragility of these dust jackets. Some wear to DJ but the red of the spine is barely faded, and the original price of 30s is intact. Many DJs for this book have no red on their spine due to major sun-fading. The DJs for this 1966 book are almost always found in bad condition with large tears, bad fading, and large pieces missing (chips). [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Springbok Books]
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        'You Only Live Twice' (released through United Artists). Six original photographs for 'Cinema 66' magazine.

      n.d. [25th August 1966]. Six original black and white photographs of Sean Connery as James Bond, taken on location in Japan during the filming of Ian Fleming's You Only Live Twice. Three photos capture a relaxed Connery in full Japanese costume, in between takes. The other three photos were taken on the actor's 36th birthday, which took place on set; one shows Connery in the daytime wearing a simple fisherman's costume whilst cutting a cake, and the remaing two show him at an evening party, with 'Happy Birthday' banners, dancing in a Kimono. Director Lewis Gilbert appears in two of the images, as does the Assistant Director Bill Cartlidge. Many thanks to John Gilbert, son of Lewis Gilbert, for assisting this cataloguer (Jon Gilbert) in person on 12th June 2012. Approx. dimensions 30 x 24cm. Fine condition. These are FILE images, taken for a French film magazine 'Cinema 66', and bear the Italian photographer's credit 'Copyright Pierluigi' to the verso. Each print also bears the distributor's stamp 'APIS - PARIS' and has an extensive text on the rear, typed in French. These were obtained when the archives of the publication were dispersed; it is most likely these are the only such prints, the negatives for which are likely no longer in existence. Quite possibly a unique set of images, from the vintage, Golden-era of the cinematic James Bond. Sold without copyright.

      [Bookseller: Adrian Harrington Rare Books]
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        Capitalism: The Unknown Ideal

      New York: New American Library, 1966. First Edition. Hardcover. Very Good. Signed. First edition. Copy #278 of a limited 700, signed by Ayn Rand. Near Fine with previous owner name to front paste down, light fraying to corners, faint scratch to top edge of page block. In a Near Fine slip case with matching number on spine, which is lightly toned and lightly worn. A collection of essays written by Ayn Rand and several others, including Alan Greenspan.

      [Bookseller: Burnside Rare Books]
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        000 (nul, nul, nul) ZERO PAGE MCMLXVI.

      No place, Private Publication, 1966. Original clothbacked chipboard front- and backcover showing 000 on frontcover, 32,5 x 24,5 cms., containing a title-page with collaborators, depicted on a tipped-in photograph + cut out pieces of a photograph, page 2 & 3: 8 original photographs + two drawings, including one in color titled 'visuele informatie' , pages 4 and 5 covering a color drawing in mixed media, tipped-in, plus text: een idee, gemeenschappelijke gedachten inspireren tot het ontstaan van objecten, oppervlakten, vibraties, structuren en structuren, pages 6 & 7 cont. 2 tipped-in color photos and one color drawing on one page, pages 8 & 9: tipped-in color photo plus a drawing on one page, page 11 covering a large tipped-in photo, page 12 & 13 a collage of numbers (one page) and 2 photos, last page is a large folded piece of art (collage) consisting of all kinds of materials such as textile fabrics, matches, paper, cut-out photos, silver foil etc. All texts written by hand. All photo's showing ZERO WORKS. Interesting and original document on the Dutch 'Nulbeweging', internationally known as the Zero-Movement. One tear repeared with tape, approximately 3 cms. Nul.

      [Bookseller: Luïscius Books]
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        L?architettura. (De re aedificatoria). Testo latino e traduzione a cura di Giovanni Orlandi. Introduzione e note di Paolo Portoghesi. [2 Bde.; komplett].

      Milano, Il polifilo 1966 - 4°, farb. Frontispiz, LVI S. Einl., IV, 1063 S., Taf., OLwd., Min. gebrauchsspurig, allg. tadellos. EA dieser Ausgabe. (= Classici italiani di scienze techniche e arti / Trattati di architettura, 1. Bd.). Ital./lat. Paralleldruck. Exemplar des Schweizer Architektur- und Kunsthistorikers Georg Germann (1935 - 2016) (von diesem Anstreichungen in Bleistift). 2600 gr. Schlagworte: Architektur - GeschichteItalien [Attributes: First Edition; Hard Cover]

      [Bookseller: antiquariat peter petrej]
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        Le Happening.

      1966 - 33 black and white photographs. First edition, limited to 400 numbered copies, this copy number 9. 8vo., original wrappers with photographicwraparound band, preserved in a foldingbox. Paris, Les Lettres Nouvelles. Inscribed on the half title page to Mario Amaya, 'For Mario Amaya, who has a very good pair of [eyes], from Jean Jacques'. A printed labelof a pair of eyes replaces the word and a misspelling of 'Mario' has been rescued with a sketch of a caterpillar. Amaya was an American critic and museum director, who founded the magazine Art and Artists, and knew a great many of the best American artists of his time, from Rothko to Warhol. [Attributes: First Edition; Soft Cover]

      [Bookseller: Maggs Bros. Ltd ABA, ILAB, PBFA, BA]
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        Catch-22

      New York, NY: The Modern Library, 1966. Hardcover. Very Good/Very Good. Size=5"x7. Signed by Author. (full book description) The Modern Library, New York, NY, 1966. REPRINT Edition VG+/VG, Hard Cover, DJ with Mylar. Size=5"x7", 443pgs. SIGNED, INSCRIBED & dated by Author on Half Title Page. Stated "First Modern Library Edition, September, 1966." DJ nicked head and foot of spine, fore-edge corner tips, ink owner name, address stamp on front endpaper, Title Page & next page, o.w. clean, bright & tight. Price unclipped. Text and book cover in Fine Like New condition. SELLING WORLDWIDE since 1987. WE ALWAYS PACK WITH GREAT CARE!

      [Bookseller: Ed Conroy Bookseller]
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        Oeconomus Prvdens Et Legalis. Oder Allgemeiner Klug- und Rechts-verständiger Haus-Vatter, bestehend In Neun Büchern, ... Ferner sind alle obige Bücher und Capitel, mit Rechtlichen Anmerckungen ... versehen, Durch Johann Christoph Donauern, ... Durchaus mit schönen und netten hierzu dienlichen, sowol eingedruckten, als Folio-Kupffern versehen.

      Groß-4. Vortitel, Titelbl., 5 nn. Bll. (Dedicatio, Vorrede), 1230, 178 S., 28 nn. Bll. (Register), mit 114 Textabb., 40 gest. Taf. (davon 4 doppels.), mit 10 gestochenen Kopfstücken u. 10 gestochenen Initialen, sow. großen Initialen, Kopfleisten u. Schlussvignetten in Holzschnitt. Pergamentband d. Zeit, ursprünglich mit Schließbändern, mit wenigen Wurmgängen, v. a. im vorderen Innengelenk. Eingerissener Vortitel laienhaft geklebt, Buchblock u. Tafeln in gutem Zustand. Mit e. handschriftlichen Widmung als Geschenk am vorderen fliegenden Vorsatzblatt avers (Starnberg 1966) u. e. Besitzstempel am Titelblatt (Ed. v. Pfister). Georgi 1,73. Humpert 191. ADB 7,131f. bzw. 48,601f. Jöcher 2 u. Jöcher/Adelung 2 - Erstausgabe des gesuchten, als "der Florinus" bezeichneten, Werkes zur Hausväterliteratur, hrsg. u. teilw. verfasst v. F. P. Florin (1649-1699), Theologe u. herzoglicher Bibliothekar in Pfalz-Sulzbach, dessen Verfasserschaft in früheren Quellen umstritten ist. Die juristischen Kommentare stammen von J. D. Donauer (1669-1718). Eine Fortsetzung des Werkes erschien erst 1719. Bedeutendes Werk zur Wirtschafts-, Rechts- u. Kulturgeschichte mit hervorragenden Kupfern.

      [Bookseller: Antiquariat Löcker]
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        Program for the Second Piatigorsky Cup: International Grandmaster Chess Tournament July 17 to August 15, 1966

      16 unpaginated pages with facsimiles, photographs. Octavo (8 1/2" x 5 3/4") bound in original publisher's spiral spine with red wrappers and cup in silver and black to cover. Signed by all participants next to their photograph in the program along with a short biography of each contestant. (Not listed in Betts) First edition.After the success of the First Piatigorsky Cup (1963), the second was organized by Gregor and Jacqueline Piatigorsky in Santa Monica, California at the Miramar Hotel from July 17-August 15, 1966, with Isaac Kashdan directing. The stellar field included the current and next two World Champions plus a slew of Candidates-level grandmasters in a double-round robin event: Jan Hein Donner, Robert James Fischer, Borislav Ivkov, Bent Larsen, Miguel Najdorf, Tigran Vartanovich Petrosian, Lajos Portisch, Samuel Reshevsky, Boris Spassky, Wolfgang Unzicker. The Piatigorskys invited both Reshevsky and Fischer in spite of the Fischer - Reshevsky (1961) match fiasco. The 1966 Piatigorsky Cup tournament ranks as on of the strongest chess competitions ever held on American soil. It is on a short list that includes New York 1924, New York 1927, and the Sinquefield Cups. Held during the Cold War, when tensions between the United States and the Soviet Union were high, the Piatigorsky Cup represented a triumph of diplomacy. The tournament was a double-robin competition in which all participants played each other twice. The Piatigorskys produced an elegant trophy for the event that featured a "love cup" designed by Tiffany & Company as it centerpiece. With Bobby Fischer participating in the event, ensured that the top American talent of the period was represented in the competition. It also meant that the field of ten players contained one World Champion (Petrosian) as well as two future ones (Bobby Fischer and Boris Spassky). After a strong start followed by a disastrous performance mid-tournament Fischer mounted an amazing comeback to tie with the tournament leader Spassky, in the standings. Their game in the penultimate round attracted a record 900 spectators and served as a preview of the excitement the two would generate six years later in their epic 1972 World Chess Championship match in Reykjavik, Iceland. The two played a hard fought draw. Spassky then won his lat game against Jan Hein Donner, who was at the bottom of the standings, while Fisher's game against Petrosian ended in a draw. Spassky achieved a narrow victory over Fischer, winning $5000.Condition:Some of the combs in the spiral binder chipped off else a near fine copy.

      [Bookseller: The Book Collector]
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        L'intérieur

      Grafica Uno, 1966. 10 acqueforti a colori di Enrico Baj, di cui una in copertina, e una poesia di Sanguineti (cm 13x10, 5x6) . 24mo (cm 13x10). pp. 40. Dedica e firma autografe dell'Artista alla prima pagina bianca (Inscribed and signed by the Artist). Ottimo (Fine). Prima ed. di 125 es. numerati e firmati dagli A.

      [Bookseller: Studio Bibliografico Marini]
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        [La marche des Hébreux sous la nuée divine] For the cloude of the Lorde was upon the Tabernacle by day, and fire was in it by night, in the sight of all the house of Israel thorowout all their journeys. (La nuée du Seigneur était de jour sur le tabernacle; et de nuit, il y avait un feu, aux yeux de toute la maison d'Israël, pendant toutes leurs marches) - The Story of Exodus

      - AMIEL Léon, Paris, New-York 1966, 36x49.5cm, une feuille. - Litografia originale in colori, una delle 15 prove stampate su carta imperiale del Giappone e riservati per l'artista ei suoi collaboratori, un pareggio con 20 altre Giappone e 250 archi. Evento non firmato, come tutte le gare della serie, tranne il frontespizio. Superba prova del Giappone fatta soprattutto per la storia dell'Esodo, pubblicato nel 1966, Chagall dipinse l'inserto 24 litografie stampate da Mourlot. Fernand Mourlot, senza dubbio il migliore artigiano litografo del XX secolo, era naturalmente la stampante e l'amico dei più grandi artisti del suo tempo. "Picasso, Matisse, Chagall, Mirò, Braque, Dubuffet, Léger, Giacometti ... hanno arricchito le loro espressioni e l'arte contemporanea una nuova area di ricerca. Con Mourlot, e grazie a lui, la litografia ha acquisito sia la personalità e il futuro. " (Pierre Cabanne, in cinquant'anni di litografia). Già stampa dei due volumi della Bibbia illustrata da Chagall, Mourlot contribuito alla formazione dell'artista nell'arte della litografia nel 1950 è stato in questo momento che Chagall inizia effettivamente a frequentare laboratorio Mourlot per imparare i processi litografici e stringe amicizia con gli artigiani di stampa, tra cui Charles Sorlier. Quindi questo è il top del suo gioco come Chagall realizza questa storia dell'Esodo che coincide con il completamento della sua immensa opera litografica e pittorica sulla Bibbia inizia nel 1930 su iniziativa di Ambroise Vollard. Questo ciclo decorativo intitolato Messaggio Biblico T sarà anche dietro la creazione del Museo Chagall Marc, in origine il Museo Nazionale Messaggio Biblico di Marc - Chagall. Estremamente raro prima prova stampata sul Giappone, la migliore carta e la migliore per stampe a colori. - [FRENCH VERSION FOLLOWS] Lithographie originale en couleur, une des 15 épreuves imprimées sur papier japon impérial et réservées à l'artiste et à ses collaborateurs, seul tirage avec 20 autres japon et 250 Arches. Epreuve non signée, comme toutes les épreuves de cette série, hormis le frontispice. Superbe épreuve sur Japon réalisée spécialement pour The Story of Exodus paru en 1966, dont Chagall réalisa les 24 lithographies hors-texte imprimés par Mourlot. Fernand Mourlot, incontestablement le meilleur artisan lithographe du XXeme siècle, fut naturellement l'imprimeur et l'ami des plus grands artistes de son temps. "Picasso, Matisse, Chagall, Miró, Braque, Dubuffet, Léger, Giacometti...ont enrichi leurs expressions propres et l'art contemporain d'un domaine de recherches nouveau. Avec Mourlot, et grâce à lui, la lithographie a acquis à la fois une personnalité et un avenir." (Pierre Cabanne, in Cinquante années de lithographie). Déjà imprimeur des deux volumes de la Bible illustrée par Chagall, Mourlot contribua à la formation de l'artiste à l'art de la lithographie dans les années 1950. C'est à cette époque que Chagall commence en effet à fréquenter l'atelier de Mourlot afin d'apprendre les procédés lithographiques et qu'il se lie d'amitié avec les artisans de l'imprimerie, notamment Charles Sorlier. Ainsi est-ce au sommet de son art que Chagall réalise cette histoire de l'Exode qui coincide avec l'achèvement de son immense travail lithographique et pictural sur la Bible entamé en 1930 à l'initiative d'Ambroise Vollard. Ce Cycle décoratif intitulé Le Message Biblique sera d'ailleurs à l'origine de la création du Musée Marc Chagall, originellement Musée national du message biblique Marc-Chagall. Rarissime épreuve originale imprimée sur Japon, le plus beau papier et le meilleur pour les gravures en couleur.

      [Bookseller: Librairie Le Feu Follet]
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        Cuneo. Dieci incisioni

      A cura del Centro Piemontese di Studi d'Arte Moderna e Contemporanea, 1966. Presentazione di Angelo Dragone. Con 10 acqueforti acquetinte originali su rame e zinco numerate, firmate e titolate a matita (cm 17x25, 8,5x13). Folio (cm 50x37). pp. 10 + incisioni. Molto Buono (Very Good). Edizione originale di 30 + X es. numerati. "Questi dieci fogli mostrano come Franco non soltanto abbia potuto studiare la storia della città con le vicende dell'antico Comune, in lotta prima col marchese di Saluzzo e gli altri Aleramici, quindi come avamposto angioino nella contea di Piemonte, infine saldamente inserita nello Stato Sabaudo per cui sostenne i sette assedi che le valsero i titoli di 'fedelissima' e di 'invitta', ma come abbia saputo vedere e godere di ogni suo artistico aspetto".

      [Bookseller: Studio Bibliografico Marini]
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        Oggetti in meno. 1966. (Serie di 4 fotografie originali)

      S. e., S. l. 1966 - 4 fotografie originali vintage in b/n, silver print, cm 24 x 17,5. Al verso timbro del fotografo su una sola delle fotografie e annotazioni a penna. Serie di 4 fotografie originali della mostra realizzata nel 1966 nello studio torinese di Pistoletto, che viene considerata come anticipatrice dell'arte povera.ÂNelle immagini si possono osservare varie opere, ormai entrate nella storiografia dell'autore, qui indicate in annotazione come: Il letto, Colonne in cemento, Colonna in legno bianco, Costruzione in legno, vetro, specchio ecc.ÂSono opere create attraverso un processo di lavoro legato alla spontaneita' e alla contingenza. Con questi lavori, ognuno diverso dall'altro, come se si trattasse di una mostra collettiva, viene infranto quel dogma per cui ogni opera di un artista deve essere stilisticamente riconoscibile, come un marchio commerciale standardizzato. Gli Oggetti in menoÂvenneroÂaccolti molto freddamente dalla critica, tanto che determinano un congelamento del valore di mercato dei precedenti quadri specchianti che stavano avendo un grande successo, in particolare negli Stati Uniti. ITA

      [Bookseller: coenobium libreria antiquaria]
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        Iutæ Logh. Jyske Lov.

      København u.år [1966]. 4°. 110 sider. Indbundet ubeskåret med orig. omslag i et eminent udført halvbind med ryg af brunt gedeskind med underliggende snore og med matchende sidepapir (håndlavet japansk papir med indfattede snore (V. Asholt). I matchende lærredsovertrukket bogæske. Scripta nr. 2. Et af 225 eksemplarer. Signeret af Viggo Naae. ** Dansk Bogkunst 42. En af de 50 smukkeste danske bøger nogen sinde, her i kongenial indfatning.

      [Bookseller: Vangsgaards Antikvariat]
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        Thüringisches Wörterbuch. 6 Bände + Beiband: Laut- und Formeninventar thüringischer Dialekte. (7 Bände, komplett!)

      61 Lieferungen Hardcover In dieser vollständigen Form seltenes Exemplar des zwischen 1966 und 2006 entstandenen und aus 61 Einzellieferungen bestehenden Thüringischen Wörterbuches, inkl. des Beibandes "Laut- und Formeninventar thüringischer Dialekte". Insgesamt 7 Bände, GUTER Zustand. Ehemaliges Bibliotheksexemplar mit Stempel und Signatur. Bd. 1 - 6: braune Bibliothekseinbände (unterschiedlich gestaltet) mit Lager- und Gebrauchsspuren und teilweise foliiert. Bd. 7: Orig.-Pappeinband, leicht berieben. Buchschnitte gestempelt und teilweise nachgedunkelt. Innen gepflegt, nur leichte Gebrauchsspuren. Vereinzelte Anstreichungen möglich. Als Arbeitsexemplar sehr gut geeignet. mbx

      [Bookseller: Antiquariat Bookfarm]
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        Sweet Life. [VERY] FINE COPY.

      Amsterdam, De Bezige Bij, 1966 - Amsterdam, De Bezige Bij, 1966. Cloth-covered boards (hardcover), illustrated dustjacket (with protective mylar), 29 x 29 cms., (32) pp. text in Dutch + 179 fine black-and-white plates in photogravure, text and design Ed van der Elsken. Generally a fine copy in fine dustjacket, which shows 2 tiny tears and slight wear to top of spine. RARELY SEEN in this condition. Housed in protective mylar. Cover design Wim Crouwel. [Attributes: Hard Cover]

      [Bookseller: Luiscius Books]
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        Koepcke-Lese/Arbeits/Handlungs-Stück Nr. 33. Originaltuschzeichnung stellenweise koloriert. Vom Künstler am linken Rand mit erläuterndem Text für den Druck.

      (Ca. ) 1966 - 23,7x32 cm. Originalzeichnung aus der "Serie of reading/work-pieces" hier mit zwei Bilderrätsel in Deutsch und Englisch. Am linken Bildrand mit Erläuterungen für den Drucker. Variante in deutscher Sprache zu den Arbeiten abgebildet in: Koepcke, begreifen erleben, Köln und Stuttgart 1994, S. 94 und 95. - Koepcke,Bilder und Stücke, Berlin 1988, S. 63.

      [Bookseller: Daniel Thierstein]
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        La marche des Hébreux sous la nuée divine] For the cloude of the Lorde was upon the Tabernacle by day, and fire was in it by night, in the sight of all the house of Israel thorowout all their journeys. (La nuée du Seigneur était de jour sur le tabernacle; et de nuit, il y avait un feu, aux yeux de toute la maison d'Israël, pendant toutes leurs marches) - The Story of Exodus

      AMIEL Léon 1966 - - AMIEL Léon, Paris, New-York 1966, 36x49.5cm, une feuille. - Lithographie originale en couleur, une des 15 épreuves imprimées sur papier japon impérial et réservées à l'artiste et à ses collaborateurs, seul tirage avec 20 autres japon et 250 Arches. Epreuve non signée, comme toutes les épreuves de cette série, hormis le frontispice. Superbe épreuve sur Japon réalisée spécialement pour The Story of Exodus paru en 1966, dont Chagall réalisa les 24 lithographies hors-texte imprimés par Mourlot. Fernand Mourlot, incontestablement le meilleur artisan lithographe du XXeme siècle, fut naturellement l'imprimeur et l'ami des plus grands artistes de son temps. "Picasso, Matisse, Chagall, Miró, Braque, Dubuffet, Léger, Giacometti.ont enrichi leurs expressions propres et l'art contemporain d'un domaine de recherches nouveau. Avec Mourlot, et grâce à lui, la lithographie a acquis à la fois une personnalité et un avenir." (Pierre Cabanne, in Cinquante années de lithographie). Déjà imprimeur des deux volumes de la Bible illustrée par Chagall, Mourlot contribua à la formation de l'artiste à l'art de la lithographie dans les années 1950. C'est à cette époque que Chagall commence en effet à fréquenter l'atelier de Mourlot afin d'apprendre les procédés lithographiques et qu'il se lie d'amitié avec les artisans de l'imprimerie, notamment Charles Sorlier. Ainsi est-ce au sommet de son art que Chagall réalise cette histoire de l'Exode qui coincide avec l'achèvement de son immense travail lithographique et pictural sur la Bible entamé en 1930 à l'initiative d'Ambroise Vollard. Ce Cycle décoratif intitulé Le Message Biblique sera d'ailleurs à l'origine de la création du Musée Marc Chagall, originellement Musée national du message biblique Marc-Chagall. Rarissime épreuve originale imprimée sur Japon, le plus beau papier et le meilleur pour les gravures en couleur. [AUTOMATIC ENGLISH TRANSLATION FOLLOWS] Original lithograph in colors, one of the 15 proofs printed on Imperial Japan paper and reserved for the artist and his collaborators, one draw with 20 other japan and 250 Arches paper. unsigned Event, as all races in the series except the frontispiece. Superb test of Japan made especially for The Story of Exodus, published in 1966, Chagall painted the 24 lithographs inset printed by Mourlot. Fernand Mourlot, undoubtedly the best artisan lithographer of the twentieth century, was naturally the printer and the friend of the greatest artists of his time. "Picasso, Matisse, Chagall, Miró, Braque, Dubuffet, Léger, Giacometti . have enriched their own expressions and contemporary art a new area of research. With Mourlot, and thanks to him, lithography has acquired both personality and future. " (Pierre Cabanne, in fifty years of lithography). Already printer of the two volumes of the Bible illustrated by Chagall, Mourlot contributed to the formation of the artist in the art of lithography in the 1950s it was at this time that Chagall indeed begins to attend workshop Mourlot to learn the lithographic processes and he became friends with the artisans of printing, including Charles Sorlier. So is this the top of his game as Chagall realizes this Exodus story that coincides with the completion of his immense lithographic and pictorial work on the Bible began in 1930 at the initiative of Ambroise Vollard. This decorative cycle entitled Biblical Message T will also behind the creation of the Marc Chagall Museum, originally the National Museum of Biblical Message Marc - Chagall. Extremely rare first test printed on Japan, the best paper and the best for color prints. [Attributes: First Edition]

      [Bookseller: Librairie Le Feu Follet]
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