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Displayed below are some selected recent viaLibri matches for books published in 1966

        Pastelli e Disegni

      All'insegna del pesce d'oro, 1966. Con uno scritto di Franco Russoli. Con 18 tavole, 9 a colori applicate e 9 in bianco e nero. Una delle 35 copie di lusso con un'incisione originale sciolta, firmata, datata e numerata, di Eugenio Montale (cm 9x9; foglio cm 21,5x16). 8vo. pp. 54. Molto Buono (Very Good). Edizione originale di 1000 + XXXV es. numerati.

      [Bookseller: Studio Bibliografico Marini]
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        Le tracce

      Sampietro, Bologna 1966 - Libro d'artista [Attributes: First Edition; Hard Cover]

      [Bookseller: Giorgio Maffei]
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        General Catalog of Duke Ellington's Recorded Music - Inscribed to Ellington by the Author

      Palermo 1966 - Luigi Sanfilippo's catalog of Ellington's works, inscribed by the author to Ellington on the half-title: "Friendly a little gift to the great E. K. Ellington." With Sanfilippo's original business card. Few scholars began to work on Ellington's huge musical and cultural output until after his death, but Sanfilippo had begun the mammoth task of cataloging his recorded music in the 1960's. As he writes in the preface, there was a very positive response to his work: "The surprising success of the 1 edition of this book, and above all, the warm encouragement by collectors troughout [sic] the world, have made me decide, after barely one year, to publish a second edition of my modest work." 112 pp. Burgundy leather, stamped in gold; moire endpapers. Area of scuffing to the back cover; light traces of paper to the front cover; edges slightly rubbed; intact and overall in very good condition. 6.5 x 9.75 inches (16.5 x 25 cm). Provenance: Duke Ellington Estate.

      [Bookseller: Schubertiade Music]
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        Entretiens avec Eugène Ionesco

      First edition of which there were no large paper copies.Handsome autograph inscription from Eugène Ionesco to Raymond Queneau : "Pour Raymond Queneau, le Satrape, avec mon admiration affectueuse (et que tant je voudrais revoir plus que de temps to autre). Eugène Ionesco."Spine slighlty sunned as usual. Pierre Belfond Paris 1966 11x18cm broché

      [Bookseller: Librairie Le Feu Follet]
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        BREVE STORIA DELLA FILOSOFIA I Antichità e Medioevo, II Dal Rinascimento a Kant, III Dal Romanticismo ai giorni nostri

      LATERZA, 1966. ITALIANO 1,33 Opera composta da tre volumi, tutti in VII ed. ed editi nel 1966-68-67, pagine leggermente brunite ai bordi e con lievissima fioritura, coperte morbide con lievissimi segni di usura, leggermente ingiallite ai bordi ed ai dorsi e con lieve fioritura USATO

      [Bookseller: Biblioteca di Babele]
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        Nihon no Bijutsu - Arts of Japan (446 volumes)

      Shibundo 1966-2005, Tokyo - First editions. Octavo. Softcover. Very good. A near complete run of the most important and influential magazine of the Japanese arts, comprising of Volume 1 to 472 (lacking only 26 issues!). Although the text is in Japanese, this magazine is considered the best on every subject of Japanese art and is highly regarded and sought after by museumcurators throughout the world. A massive collection of knowledge! A list of the titles in English is available making it much easier to find the volumes one may need! (please note that we have only photographed a few issues as an example). Extremely scarce and hard to find such a complete run with the early issues. ------------------------- Missing volumes: 6, 14, 22, 24, 41, 64, 73, 89, 108, 111, 137, 142, 151, 155, 227, 305, 332, 390, 411, 425, 431, 434, 435, 444, 470, 471. [Attributes: Soft Cover]

      [Bookseller: Meijering Art Books]
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        Statt Bücher. Technologischer Happenig Raum. - Typsokript mit handschriftlichen Ergänzungen, handschriftlich bezeichnet. - dazu: Maschinengeschriebener, signierter und datiert Brief vom 14.8.66 an Bernhard Höke.

      New York 1966 - 2 S. Manuskript, 1 S. Brief. Das Manifest "Statt Bücher" erschien als Blatt 31-32 in "et2". Der Text wurde im April von der Something Else Press im Objektkasten dé-coll/age happening, gedruckt. Die Zeichnung mit dem Plan des geplanten "Ereignis-Raums" hier leider nicht vorhanden. Vostells Plan eines "Erlebniszeitraums, der mit den Kommunikationsmitteln und ihren Informationen ein viusel-akustisches Laboratorium bildet, in dem die Medien untereinander gemischt gespeichert verwischt dé-coll/agiert werden können", hat sich vollkommen bestätigt. Was fehlt ist das elektronische Lesegerät .statt Bücher. Der Begleitbrief mit genauen Angaben zur Produktion und Gestaltung des Textes und der Bestellung von zusätzlichen 1000 Exemplaren des Textes für die Buchmesse. Vostell schlägt Bernhard Höke vor, eine Serie mit Statt-Manifesten zu veröffentlichen. In et1 war von Vostell bereits "Statt-Bomben" erschienen. Die nächsten 2 Manifeste werden "statt Akademien" und "statt Architektur" heissen.

      [Bookseller: Daniel Thierstein]
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        Par monts et merveilles

      First edition, one of 20 numbered copies on Japon nacre paper, the tirage de tête with 10 others on Japon super nacre and one on vélin de parchemin paper.The work is illustrated with a color ink wash painting by Jean-Pierre Rémon. This copy is complete as required by the justification, with a manuscript letter by Jean de La Varende, 4 original gouaches by Jean-Pierre Rémion (of which 3 signed), not part of the illustration of the work. However, this copy is lacking the painting by Jean-Pierre Rémon.Autograph signatures of the author and illustrator to the justification page. A fine and rare copy.% A. & P. Gonin Lausanne 1966 29,5x38cm en feuilles sous chemise et étui

      [Bookseller: Librairie Le Feu Follet]
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        Armes Blanches Militares Francaises

      Die Entwicklung der französischen Blankwaffen vom 17. bis ins frühe 20. Jhd. Anhand exakter sw-Zeichnungen werden alle Einzelheiten, von Repräsentationswaffen bis zu Waffen für den Feldgebrauch, kunstvoll verzierte Griffpartien, Klingen suw. detailliiert gezeigt. Jede Tafel mit Erläuterungstext. Ein Werk von unglaublicher Genauigkeit, das jedem echten Sammler bei der Bestimmung gute Dienste leisten wird. Französischer Text, 281 sehr viele genaue sw-Zeichnungen, Tafelformat 47,6 x 31,9 cm, 28 Mappen mit jeweils 10 bzw. 11 Tafeln. Ohne Ort: Ohne Verlag 1966-1985. Die Ausgaben 2-4/1968 und 1/1969 wurden unter Verwendung des Mappeneinbands als Heft gebunden.

      [Bookseller: Berliner Zinnfiguren / Preussisches Büc]
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        The Golden Bough. A Study in Magic and Religion. [Third edition, revised and enlarged]. NEAR FINE EXTENDED SET OF THE BEST EDITION IN UNCLIPPED DUSTWRAPPERS

      Macmillan, 1966. 13 vols., 8vo., BEST EDITION, with frontispiece and series half-titles, some light offsetting frol fold-ins to free endpapers in a few volumes; original green cloth, gilt backs, a near fine set in unclipped, very lightly browned dustwrapper. BRIGHT, CLEAN SET OF THE BEST EDITION, FIRST PUBLISHED IN 1911. The set comprises: Part I. The Magic Art and the Evolution of Kings (2 vols); Part II. Taboo and the Perils of the Soul; Part III. The Dying God; Part IV. Adonis, Attis, Osiris (2 vols); Part V. Spirits of the Corn and of the Wild (2 vols); Part VI. The Scapegoat; Part VII. Baldur the Beautiful (2 vols); Part VIII. Bibliography and General Index). COMPLETE WITH THE SCARCE SUPPLEMENTARY VOLUME 'AFTERMATH', FIRST PUBLISHED SEPARATELY IN 1936. The dustwrappers carry the well-known 'mistletoe' motif now iconic of the work as a whole. Frazer's masterwork first appeared in two volumes in 1890, with a second edition in three volumes in 1900. The next eleven or so years were devoted to a substantial programme of revision and expansion leading to the renowned third edition in twelve volumes issued between 1911 and 1915. COMPLETE SETS IN THIS CONDITION ARE VERY SCARCE. Besterman CX-CXI, CXII, CXIV, CXVIII-CXIX, CXXI, CXXV-CXXVI, CXXVII-CXXVIII, CXXXIV (all recording the first editions of the constituent volumes; 'Aftermath' post-dated); Printing and the Mind of Man 561.

      [Bookseller: antiquarian bookshop Island Books]
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        Death of a Naturalist [Signed]

      New York Oxford University Press 1966 First Printing of the poet's critically acclaimed first commercially published work (preceded by the privately printed pamphlet, Eleven Poems, in 1965), one of only 1,000 copies (bound from sheets purchased from Faber and Faber, Heaney's London publisher). Tall, slim 8vo: 57,[1]pp. Publisher's aquamarine cloth, spine lettered in gilt; typographic dust jacket printed in salmon-pink and olive, lettered black, priced $3.75. Signed by Heaney on the title page. A stunning copy, tight, square and likely unread; about Fine jacket, fresh and bright, with usual fading to the fugitive salmon-pink on bottom half of spine panel but all lettering undiminished. Winner of the Somerset Maugham Award, the Cholmondeley Award, the Eric Gregory Award, and the Geoffrey Faber Memorial Prize. Heaney received the Nobel Prize in literature, in 1995. Brandes & Durkan A2b. Fine ¶ A collection of 34 poems largely concerned with rural life, often in the context of childhood experiences and the formulation of adult identities and intimate relationships. It includes "Digging," "Death of a Naturalist," "Blackberry-Picking," among others. "Seamus Heaney has been, for good or ill, internationally the most prominent and the most popular Irish poet of the latter part of the twentieth century and the first part of the twenty-first. . . . His first two collections, Death of a Naturalist and Door into the Dark [a signed copy of which we also have on offer], largely written before the renewed outbreak of the so-called 'Troubles' in 1968, show Heaney alerting his audience to the violent history of colonisation on his native ground, but preoccupied also by the rhythms of life in a rural setting remembered from his childhood. He also, in a Wordsworthian manner, focuses upon the sources and resources of his own poetic voice and power." (Literary Encyclopedia) N. B. With few exceptions (always identified), we only stock books in exceptional condition, with dust jackets carefully preserved in archival, removable polypropylene sleeves. All orders are packaged with care and posted promptly. Satisfaction guaranteed.

      [Bookseller: Fine Editions Ltd]
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        3 ms. Briefe mit eigenh. U. Locarno-Monti, 1966-1968.

      1966. Zusammen 3 SS. 4to. An Gerhard Bormann, Oberstaatsanwalt i. R., den er u. a. um Rat in Fragen eines Fernsehspiels (wohl "Die Begnadigung", 1968) ersucht: "Wie Sie aus jener Zeitungsnotiz erfahren haben, handelt es sich grundsätzlich um den Fall Halsmann - doch hat Halsmann sich inzwischen nach mehreren Jahrzehnten zum erstenmal wieder an mich gewandt mit der verzweifelten Bitte, ihn gegen eine Identifikation mit dem Protagonisten unseres Fernsehspiels zu schützen, es würde sonst für ihn und seine jetzigen Lebensumstände katastrophale Folgen haben. Ich habe dementsprechend alles ihn persönlich Betreffende verfremdet - hinlänglich verfremdet, hoffe ich - bei voller Beibehaltung der Tatbestände - hoffend, daß es nur mehr ganz wenige Menschen gibt, die sich an diesen Fall tatsächlich erinnern. Außerdem habe ich [...] das 'Krimi-Element' nach Möglichkeit in den Hintergrund gerückt und die politischen Implikationen in den Vordergrund gezogen, da wir nicht einen Kriminalprozeß zeigen wollen [...]" (7. II. 1967). - Der jüdische Zahnarztsohn Philippe Halsmann war 1928 in zwei spektakulären Indizienprozessen des Mordes an seinen Vater schuldig gesprochen, zwei Jahre später allerdings begnadigt worden. Anschließend nach Paris ziehend und ein Photostudio eröffnend, wurde Halsmann als Prominentenphotograph in den USA (wohin er 1940 vor den Nationalsozialisten geflohen war) berühmt. Der deutsche Journalist Martin Pollack recherchierte knapp ein dreiviertel Jahrhundert später akribisch die verworrenen Umstände von Todesfall und Prozeß, mußte aber die Frage, ob Philippe Halsmann - der zeitlebens kein Wort über den Prozeß verlor - wirklich der Täter war, gleichfalls unbeantwortet lassen. - Auf Briefpapier mit gedr. bzw. ms. Briefkopf.

      [Bookseller: Antiquariat Inlibris]
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        Octopussy and the Living Daylights.

      London: Jonathan Cape. 1966. An UNCORRECTED PROOF copy of the first edition. In printed green wrappers and the pictorial dust-jacket which differs considerably to the published version. The text features some significant differences within the preliminaries leaves, plus literals and minor variations throughout. A very good copy of the book with some toning to edges and extremities, in a fine copy of the jacket (toned at spine). I would suggest the book was read/reviewed away from the oversized wrapper, which shows little signs of wear. An attractive copy. One of 350 copies only- this is a much smaller print run than the previous five James Bond titles in proof-form. Gilbert A14a.

      [Bookseller: Adrian Harrington]
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        Wide Sargasso Sea - with the rare wrap-around band

      Andre Deutsch, 1966 A first edition, first printing published by Andre Deutsch in 1966. A near fine book without inscriptions in a near fine unclipped wrapper. Some wear to the spine tips. With the rare wrap-around band, declaring the book as 'The Winner of the WHSmith £1000 Annual Literary Award. Rare with the band

      [Bookseller: John Atkinson Books]
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        Catalogue des estoilles australes. Ou supplement du catalogue de Thycho, qui montre les longitudes & latitudes des estoilles fixes du Pole Antartique, lesquelles ont esté cachées à Tycho dans l'orison d'Uranibourg, calculées avec un soin tres-exact suivant leurs distances, & corrigées jusques à la fin de l'année 1677. Avec les observations faites en l'Isle de Sainte Helene .Paris, Jean Baptiste Coignard, 1679. 12mo. With 12 abstract (rather than pictorial) zodiac signs. Contemporary French sprinkled calf, gold-tooled spine and board edges. The boards are 5 mm thick, but each has a large panel hollowed out on the inside, perhaps to hold astronomical aids of some sort.

      - Armitage, Edmond Halley, (1966), pp. 31-32; Cook, Edmond Halley: charting the heavens and the seas (1997), p. 78; DSB VI, pp. 67-72. Rare first French edition of the first major work by Edmond Halley (1656-1742) translated from the Latin by the astronomer Augustin Royer. A precocious child, Halley became assistant to John Flamsteed at the Royal Observatory in Greenwich in 1675. In 1676 he travelled to the remote South Atlantic island Saint Helena in order to set up an observatory where he set up a more than 7-metre telescope and a sextant with a radius of more than 1 1/2 metres (with telescopic sights) on the top of a 680 metre hill there and map the stars of the southern hemisphere, still not well known in Europe. He also observed a transit of Mercury. On his return to England in 1678, at the age of 22, he published his important observations in the first (Latin) edition of the present work, Catalogus stellarum Australium, sive supplementum catalogi Tychonici, London, 1678. It was a pioneering work not only because it covered the southern hemisphere, but because it was the first printed star catalogue to give telescopically determined positions. According to Cook, the present French translation was published as a supplement to Royer's Carte du ciel, also published in 1679, which covered only stars observable from Europe. Also in 1678 Halley drew up a planisphere, and the Royal Society, impressed by both, elected him as a fellow. Halley, astronomer, geophysicist, mathematician, meteorologist and physicist, was one of the most innovative thinkers of his day, bringing theory and practice together. He is best known as an early adherent of Newton's idea that comets following the same laws as planets, and he correctly concluded that at least some followed elliptical orbits, while Newton had favoured parabolic paths. By computing their orbits from contemporary and historical accounts he successfully predicted the 1758 return of the one now known as Halley's comet.Although Cook calls for an accompanying planisphere, it and a plate with four figures rarely appear as part of the book, whether in the Latin or the French edition, and the book itself does not call for either. They appear to have been separate publications, sometimes found accompanying the book. The hollowed boards of the present binding may have been intended to hold them as loosely inserted folded additions (there is no sign that anything was ever attached). The Earl of Maccelsfield's copy, with his 1860 armorial bookplate, and his embossed stamp on the title-page and 2 following leaves. The second Earl of the second creation, George Parker (ca. 1697-1764) was a leading astronomer and president of the Royal Society. In good condition. With a chip at the top of spine and the hinges worn. First French edition of Edmond Halley's first major work.

      [Bookseller: ASHER Rare Books]
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        Program for the Second Piatigorsky Cup: International Grandmaster Chess Tournament July 17 to August 15, 1966

      Santa Monica: Piatigorsky Cup Committee, 1966. 16 unpaginated pages with facsimiles, photographs. Octavo (8 1/2" x 5 3/4") bound in original publisher's spiral spine with red wrappers and cup in silver and black to cover. Signed by all participants next to their photograph in the program along with a short biography of each contestant. (Not listed in Betts) First edition.After the success of the First Piatigorsky Cup (1963), the second was organized by Gregor and Jacqueline Piatigorsky in Santa Monica, California at the Miramar Hotel from July 17-August 15, 1966, with Isaac Kashdan directing. The stellar field included the current and next two World Champions plus a slew of Candidates-level grandmasters in a double-round robin event: Jan Hein Donner, Robert James Fischer, Borislav Ivkov, Bent Larsen, Miguel Najdorf, Tigran Vartanovich Petrosian, Lajos Portisch, Samuel Reshevsky, Boris Spassky, Wolfgang Unzicker. The Piatigorskys invited both Reshevsky and Fischer in spite of the Fischer - Reshevsky (1961) match fiasco. The 1966 Piatigorsky Cup tournament ranks as on of the strongest chess competitions ever held on American soil. It is on a short list that includes New York 1924, New York 1927, and the Sinquefield Cups. Held during the Cold War, when tensions between the United States and the Soviet Union were high, the Piatigorsky Cup represented a triumph of diplomacy. The tournament was a double-robin competition in which all participants played each other twice. The Piatigorskys produced an elegant trophy for the event that featured a "love cup" designed by Tiffany & Company as it centerpiece. With Bobby Fischer participating in the event, ensured that the top American talent of the period was represented in the competition. It also meant that the field of ten players contained one World Champion (Petrosian) as well as two future ones (Bobby Fischer and Boris Spassky). After a strong start followed by a disastrous performance mid-tournament Fischer mounted an amazing comeback to tie with the tournament leader Spassky, in the standings. Their game in the penultimate round attracted a record 900 spectators and served as a preview of the excitement the two would generate six years later in their epic 1972 World Chess Championship match in Reykjavik, Iceland. The two played a hard fought draw. Spassky then won his lat game against Jan Hein Donner, who was at the bottom of the standings, while Fisher's game against Petrosian ended in a draw. Spassky achieved a narrow victory over Fischer, winning $5000.Condition:Some of the combs in the spiral binder chipped off else a near fine copy.

      [Bookseller: The Book Collector ]
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        Winston S. Churchill. 1874-1965.

      London: Heinemann, 1966-88. FIRST EDITIONS. 8 volumes. Beautifully bound in maroon half morocco with raised bands, gilt titles and gilt to spines, cloth boards, top edges gilt. A fine set. Randolph Churchill, W.S. Churchill's son, started this biography of his father's; after his death in 1968, the work, from vol. III, was finished by Martin Gilbert, Churchill's assistant.

      [Bookseller: Adrian Harrington]
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        Last Bus to Banjo Creek (Original screenplay for an unproduced film)

      N.p.: N.p., 1966. Draft script for an unproduced film. Copy belonging to crew member James H. Ware. Ware was a major presence in British and American cinema, best known for his work on "Beat the Devil" (1953), "Room at the Top" (1959), "Our Man in Havana" (1959), "Charade" (1963), and "The Spy Who Came in from the Cold" (1965). A pet project of Australian actor Rod Taylor, who struggled from 1964 until 1974 to get this film made, though was eventually completely unsuccessful, this film is an Australian outback story based on the short story "The Skedule" by Helen H. Wilson. A prim and proper English lady and an Aussie find themselves traveling together through the Outback, where a romance soon develops, like "African Queen" but lacking a war. Set in Australia. Green blank wrappers with die cut title window in the British style. Title page present, dated July 1966, with credits for screenwriter Ted Willis, and author Helen H. Wilson. 144 leaves, with last leaf of text numbered 131. Mechanically reproduced, with pink and yellow revision pages throughout, dated variously between September 24, 1967 and September 26, 1967. Pages Very Good plus, wrapper Very Good plus bound with two gold brads.

      [Bookseller: Royal Books, Inc. ]
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        [Les tables de la Loi] Moses then came and called for the elders of the people, and proposed unto them all these things, which the Lorde commanded him. (Puis Moïse vint et appela les Anciens du peuple, et proposa devant eux toutes ces choses-là que l'Eternel lui avait commandées) - The Story of Exodus

      Original lithograph in colors, one of the 15 proofs printed on Imperial Japan paper and reserved for the artist and his collaborators, one draw with 20 other japan and 250 Arches paper. unsigned Event, as all races in the series except the frontispiece.Superb test of Japan made especially for The Story of Exodus, published in 1966, Chagall painted the 24 lithographs inset printed by Mourlot.Fernand Mourlot, undoubtedly the best artisan lithographer of the twentieth century, was naturally the printer and the friend of the greatest artists of his time. "Picasso, Matisse, Chagall, Miró, Braque, Dubuffet, Léger, Giacometti ... have enriched their own expressions and contemporary art a new area of ??research. With Mourlot, and thanks to him, lithography has acquired both personality and future. " (Pierre Cabanne, in fifty years of lithography).Already printer of the two volumes of the Bible illustrated by Chagall, Mourlot contributed to the formation of the artist in the art of lithography in the 1950s it was at this time that Chagall indeed begins to attend workshop Mourlot to learn the lithographic processes and he became friends with the artisans of printing, including Charles Sorlier.So is this the top of his game as Chagall realizes this Exodus story that coincides with the completion of his immense lithographic and pictorial work on the Bible began in 1930 at the initiative of Ambroise Vollard. This decorative cycle entitled Biblical Message T will also behind the creation of the Marc Chagall Museum, originally the National Museum of Biblical Message Marc - Chagall.Extremely rare first test printed on Japan, the best paper and the best for color prints. AMIEL Léon Paris,New-York 1966 36x49.5cm une feuille

      [Bookseller: Librairie Le Feu Follet]
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        Big as Life

      Simon and Schuster 1966 - A very scarce SIGNED first edition AND first printing of E.L. Doctorow's 'Big as Life', published by Simon and Schuster (US) in 1966. Condition: very good overall with slight foxing to the page edges, and slight shelf wear. The dust jacket is protected in archival mylar. The wrapper is in very good shape. Provenance of the signature: The book is flat signed to the front free endpaper (ffep). The book stems from the well-known collection of Dr Philip Murray who, during his active years, gathered a collection of over 2,000 first editions. Murray authored a book titled 'The Adventures of a Book Collector' where he gives testimony how he obtained many of the rare signatures. Mostly, as in this case, he sent the books to the authors, and then received the books back duly signed. You will receive one of the letters together with the book. The late E.L. Doctorow (1931-2015) was one of the most important American writers of the 20th century. He won the National Book Critics Circle Award thrice for 'Ragtime' and 'Billy Bathgate', and 'The March'; the PEN/ Faulkner Award for 'Billy Bathgate' and 'The March'; the American Academy of Arts and Letters Gold Medal in 2013, and numerous other awards and honours. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: First and Fine]
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        Assez

      Les éditions de minuit. First edition of 662 numbered copies on vélin cuve B.F.K. de Rives, this one of 100 hors commerce copies.Autograph inscription from Samuel Beckett to Ludovic Janvier and his wife.A good copy. Les éditions de minuit Paris 1966broché

      [Bookseller: Librairie Le Feu Follet]
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        Heinrich von Ofterdingen. Das Märchen. [Radierungen von Fritz Kreidt. 6. Druck der Rohse-Presse.]

      Gold- und blindgeprägter, blauer Ledereinband, Schuber, 8, 95 [2] S., zahlreiche Stiche, unbeschnitten -tadelloses Exemplar. "Auflage 125 Exemplare, Handsatz Korpus Garamond-Kursiv, Druck der Radierungen von den Original-Platten, Einband Christian Zwang, Hamburg 1966. Exemplar Nummer 40." Von Fritz Kreidt Impressum signiert.

      [Bookseller: Antiquariat Atlas]
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        Der samtene Conon Melody. - Typoskriptdurchschlag mit einigen handschriftlichen Korrekturen und Ergänzungen. Vom Autor am Ende signiert. 11 S. Mit einem kurzen Begleitbrief in roter Tinte

      (ca. ) 1966 - 4°. Mit schwarzer Tinte korrigierter Typoskriptdurchschlag. Persiflage auf Flemings James Bond Romane. Der Geheimagent Conon Melody, ein schwarzer Amerikaner erhält von seiner Regierung den Auftrag zur Rettung der Welt vor den bösen Chinesen, die durch die Entführung der Tochter eines deutschen Wissenschafters in den Besitz einer Geheimmaschine gelangen wollen. Es kommt wie es muss. Im Begleitbrief an Bernhard Höke schreibt Chotjewitz: "dies ist der Text den ich zusammen mit KP. Brehmer gern bei edition et machte." - Gedruckt erschien der Text nicht in der edition et sondern, stark gekürzt, in "Die Insel. Erzählungen auf dem Bärenauge" 1968 bei Rowohlt.

      [Bookseller: Daniel Thierstein]
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        An Impression of Autumn a landscape panorama

      

      [Bookseller: Maggs Bros. Ltd. ]
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        SAUL BASS SILKSCREEN / SECONDS (1966)

      Paramount / Art Krebs Studio 1966 - Vintage original 35 x 25" (87 x 62 cm.) poster, USA. Rock Hudson, Frank Campanella, John Randolph, Frances Reid, dir: John Frankenheimer; Paramount. Now a cult classic, this horror thriller initially met with extreme criticism. A middle age man displeased with a life that is going nowhere is given a chance to fake his own death and physically become a new person. Our friend, poster collector and dealer Daniel Strebin, provided this information: About a decade ago, he received consignments of Saul Bass silkscreens from the Bass estate. He personally saw invoices for some of them which were printed around 1965. Most of the silkscreens were produced at Art Krebs Studio in Los Angeles. Bass continued to have silkscreens created up until around 1980. All of the silkscreen editions appear to have been in editions of between 50-150. It also seems that once an edition was exhausted, Bass did not make a second edition; as a result, all of these art silkscreens are very rare indeed. Bass never intended for these posters to be sold -- they were intended to be given away. Since he was frequently frustrated with the compromises the film studios inflicted on his magnificent modernist designs, the silkscreens were intended to represent his imagery in its purest possible form. Poster is unused and stored unrolled. Minor edge and corner handling only, JUST ABOUT FINE.

      [Bookseller: Walter Reuben, Inc.]
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        Bell Jar, The

      First Edition thus London Faber & Faber 1966 First Printing under the author's name. Small 8vo; [4], 258pp. Publisher's black cloth, spine lettered in gilt (still brilliant); illustrated dust jacket priced at 25s. A Very Fine copy, square, tight and unmarked, in a Fine jacket. Often identified as the second edition, this is, in fact, the third, the second being a reissue by Heinemann under its Contemporary Fiction imprint, still bearing the pseudonym 'Victoria Lucas,' in 1964. Fine ¶ Plath's only novel, this roman à clef was published just one month before her suicide under the pseudonym Victoria Lucas. It "provides a savvy critique of gender and class relations in Cold War America, a psychological journey through illness and recuperation, a complex exploration of female identity . . . Although Plath dismissed the book as a 'potboiler' when describing it to her mother, probably because she knew it would hurt her mother's feelings, she felt excited while writing it, and it remains an impressive achievement today." (Lit. Encyclopedia) Note: With few exceptions (always identified), we only stock books in exceptional condition, with dust jackets carefully preserved in archival, removable polypropylene sleeves. All orders are packaged with care and posted promptly. Satisfaction guaranteed.

      [Bookseller: Fine Editions Ltd.]
 26.   Check availability:     Direct From Seller     Link/Print  


        THE PALACE OF NESTOR AT PYLOS IN WESTERN MESSENIA. 3voll.

      Princeton University Press, 1966. 3 grandi volumi in ottime condizioni, copertina rigida con sovracoperta, lievi abrasioni sulla sovracoperta del vol.1.2 e lievi fioriture sul dorso del 1 volume1.1 - Text. 440 pag.1.2 - Plates. Illustrato b / n2 - The Frescoes. 250 pag. + numerose tavole b / n e a colori

      [Bookseller: Messinissa Libri]
 27.   Check availability:     maremagnum.com     Link/Print  


        Fancy on a Bach Air for solo cello. Autograph musical manuscript signed. Undated, but 1966. The complete work....

      1 page. Oblong folio, 280 x 420 mm. Notated in pencil on light green 16-stave printed Aztec XX-16 music paper, with music encompassing both bass and soprano clefs, mostly unbarred. Signed at upper right, with autograph titling, "Fancy on a Bach Aria," at head, and tempo ("Largo") and metronome marking (". = ca. 48-56") at upper left. With ("ca 5:30") at conclusion, indicating that the piece is approximately 5 minutes and 30 seconds in length. Commissioned by Judy and Robert Goldberg and first performed by Yo-Yo Ma at the New England Conservatory of Music in Boston on August 24, 1997. "The American John Corigliano continues to add to one of the richest, most unusual, and most widely celebrated bodies of work any composer has created over the last forty years. Corigliano's scores, now numbering over one hundred, have won him the Pulitzer Prize, the Grawemeyer Award, four Grammy Awards, and an Academy Award ("Oscar") and have been performed and recorded by many of the most prominent orchestras, soloists, and chamber musicians in the world. naxos.com. "My 'Goldberg Variation,' Fancy on a Bach Air, is for unaccompanied cello. It transforms the gentle arches of Bach's theme into slowly soaring arpeggi of almost unending phrase-lengths. Its dual inspiration was the love of two extraordinary people and the solo cello suites of a great composer - both of them strong, long-lined, passionate, eternal, and for me, definitive of all that is beautiful in life." johncorigliano.com....

      [Bookseller: J & J LUBRANO MUSIC ANTIQUARIANS]
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        Maschinengeschriebener Brief mit handschriftlichen Ergänzungen in deutscher Sprache an Bernhard Höke.

      New York, (s.d. ca. April ) 1966 - 21,5 x 28 cm. 1 S. Begleitbrief in gebrochenem Deutsch von Paik zu seinem Beitrag für die geplante Anthologie "Spielpläne" in der "edition et". Er bittet Höke um Entschuldigung für die verspätete Zusendung seines Manuskripts für die Anthologie. "Meine diese Arbiet (sic,) ist ziemlich delikat es wird nicht populaer sein, aber hoffe, einige zarte Menschen daran sympathie findet Mein Titel: Spiel Panne." Paik bittete Höke um einen Vorschuss von $ 20 für seine Kosten für "40 Photo Kopien an New York public Library" für seinen nächsten Beitrag (wahrscheinlich "The first 'snapsshots' of Mars", die in "et2" erschien.

      [Bookseller: Daniel Thierstein]
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        schmits abreisskalender. - Maschinengeschriebener Brief mit rückseitiger Tuschzeichnung. Signiert.

      - 21 x 21 cm. Tomas Schmit Archiv # 44. - Projektentwurf in Briefform an "lieber herr grützmacher, höke bester". Gibt genaue Angaben zur Produktion eines Abreisskalenders, der im Jahreszyklus bis ins Jahr 2330 verwendet werden kann, "statt mit 365 tagesblättern mit 365 jahresblättern. damit wir uns mal das zeitempfinden zb von fliegen vorstellen können." Das Projekt ist im Archiv nur in Form einer Notiz von Schmit erwähnt. - Vorderseite mit dem roten Eingangsstempel der edition et vom 2. April 1966.

      [Bookseller: Daniel Thierstein]
 30.   Check availability:     ZVAB     Link/Print  


        Maschinengeschriebener Brief, signiert, datiert mit einer handschriftlichen Unterstreichung im Text an edition et.

      Frankfurt, Fischbacher Strasse 8, 12, Oktober 1966 - 21 x 26 cm. 1 Seite. Roehr bedankt sich für die Einladung der Herausgeber der edition et zur Beteiligung an "et" und schickt 9 Blätter zur Auswahl "und ich denke für diesen Zweck geeignet". - Bernhard Höke übernahm in der Folge für et2, et3 und et4 jeweils eine Arbeit von Roehr. - Mit rotem "Eingang"-Stempel der edition et. Gelocht.

      [Bookseller: Daniel Thierstein]
 31.   Check availability:     ZVAB     Link/Print  


        Opus 50.) - Place the palms of your hands side. Typoskript. 1 Seite.

      (ca. ) 1966 - 21 x 15 cm. The Fluxus Performance Workbook by Dylan Kinnett S. 14. - Fondazione Bonotto O666E. - Handlungsanweisung.

      [Bookseller: Daniel Thierstein]
 32.   Check availability:     ZVAB     Link/Print  


        'You Only Live Twice' (released through United Artists). Six original photographs for 'Cinema 66' magazine.

      n.d. [25th August 1966]. Six original black and white photographs of Sean Connery as James Bond, taken on location in Japan during the filming of Ian Fleming's You Only Live Twice. Three photos capture a relaxed Connery in full Japanese costume, in between takes. The other three photos were taken on the actor's 36th birthday, which took place on set; one shows Connery in the daytime wearing a simple fisherman's costume whilst cutting a cake, and the remaing two show him at an evening party, with 'Happy Birthday' banners, dancing in a Kimono. Director Lewis Gilbert appears in two of the images, as does the Assistant Director Bill Cartlidge. Many thanks to John Gilbert, son of Lewis Gilbert, for assisting this cataloguer (Jon Gilbert) in person on 12th June 2012. Approx. dimensions 30 x 24cm. Fine condition. These are FILE images, taken for a French film magazine 'Cinema 66', and bear the Italian photographer's credit 'Copyright Pierluigi' to the verso. Each print also bears the distributor's stamp 'APIS - PARIS' and has an extensive text on the rear, typed in French. These were obtained when the archives of the publication were dispersed; it is most likely these are the only such prints, the negatives for which are likely no longer in existence. Quite possibly a unique set of images, from the vintage, Golden-era of the cinematic James Bond. Sold without copyright.

      [Bookseller: Adrian Harrington]
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        Handgeschriebener signierter Brief mit roter Tinte, an die Herausgeber der edition et.

      Providence R.I. USA, April 1966 - 13,2 x 22,9 cm. 2 Seiten. Wahrscheinlich der Beginn der Geschäftsbeziehung zwischen der edition et und Dieter Roth. Roth wurde, wie alle anderen Künstlern mit einem Rundschreiben zur Mitarbeit für "et" eingeladen. Er bedankt sich, nach der Anrede bei den "Liebe Leute, . ihr müsst aber besser und genauer schreiben, alles besser und genauer beschreiben, preise, honorare, garantien. das hört sich spiessig an, aber solche einladungen wie eure bekomme ich oft, und bin so oft reingefallen (.) wenn ihr meine freunde wärt, würde ich euch was schenken". Er verwehrt sich gegen die Hunderten, die sich fast alle als Feinde = Aussauger entpuppten. - Mit dem Absenderstempel, undatiert aber mit dem Eingangsvermerk der edition et vom 28.4.66.

      [Bookseller: Daniel Thierstein]
 34.   Check availability:     ZVAB     Link/Print  


        The Great Polyglot Bibles. A Treatise.

      Folio in original paper portfolios preserved in cloth box. Illustrated with decorations taken from the Complutensian Bible and other early C16th Spanish books. Box with a light dampstain, internally fine. First edition of this treatise, limited to 400 copies each with an original page from the first Polyglot Bible, the Complutesian Of Acala 1514-17. Printed by the Allen Press An attractively produced leaf book with letterpress essay on several editions of Polyglot Bibles, with the original leaf from the Complutensian of Acala, printed in 6 volumes from 1514-17. The fine leaf is printed with Latin, Greek and Hebrew typefaces in four columns and two smaller rectangles. The essay also reproduces many woodcuts from the Polyglot Bibles.

      [Bookseller: Henry Sotheran Ltd.]
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        Mice all Over

      G. T. Foulis & Co. Ltd, 1966. Hardcover. Good. 1966. 121 pages. No dust jacket. Brown cloth with gilt lettering. B&W photographs throughout. Clean pages. Noticeable foxing to page edges. Mild wear to spine, board edges and corners. Small pale marks (approx. 1cm) all over boards.

      [Bookseller: The World of Rare Books]
 36.   Check availability:     Biblio     Link/Print  


        Hochhaus Südturm, Wienn. - Folge von 4 Originalübermalungen mit Schwarzstift auf 4 s/w Fotopostkarten.

      (ca. ) 1966 - je 10,5 x 14,5 cm. Originalzeichnungen, entstanden im Zusammenhang mit der Arbeit an seinem Traktat "Schwarze Architektur" für O. M.Ungers an der TU Berlin, das im gleichen Jahr gedruckt erschien. Die vorliegende Arbeit wurde darin aber nicht abgedruckt. Das 1953 - 1957 erbaute Hochhaus Südturm war das erste Hochhaus der Stadt Wien. Arnulf Rainer hatte zusammen mit Markus Prachensky bereits 1958 ein "Manifest über die Architektur mit den Händen" veröffentlicht. Rainers "Übermalungen, Überbauungen, Zubetonierungen oder Überdeckungen beschleunigen den allmählichen Vorgang der Umkippung vorhandener Baukunst. Durch die Tarnung militärischer Bauten, der Bunkerarchitektur, der Einrüstung und Verschalung, Verschachtelung wie auch durch die Abenddämmerung treten sie mit ihren Erscheinungen der Zuschließung ans Licht der Öffentlichkeit. Arnulf Rainer hat seinen phantastischen Zeichenstil verlassen und begibt sich auf die Suche nach neuen Horizonten, so unbeholfen wie schizophren" (Otto Breicha in Arnulf Rainer, Hirndragn, Salzburg Galerie Welz 1980).

      [Bookseller: Daniel Thierstein]
 37.   Check availability:     ZVAB     Link/Print  


        Arp

      First Edition, one of 50 copies hors commerce numbered on Rives vellum numbered and justified by the author, print head. Our specimen, like all works of leading copies is full of 4 original color linocuts of Hans Arp. Hans Arp signatures on each of 4 linocuts. Signature Gaston Puel to the justification of the draw. Rare and very nice copy. Gaston Puel Veilhes 1966 14x17cm en feuilles

      [Bookseller: Librairie Le Feu Follet]
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        [The Raj Quartet, comprising] The Jewel in the Crown; The Day of the Scorpion; The Towers of Silence; [and] A Division of the Spoils

      London William Heinemann [through 1971] 1966 A scarce, complete set in collectible condition of Scott's celebrated quartet, set during the concluding years of the British Raj, in four octavo volumes. [10],450,[2]; [8],483,[1]; [10],3-392; [10],3-597,[3]pp. Jewel: Publisher's copper-colored cloth, spine lettered in gilt; pictorial dust jacket, priced 30s. About Fine (dust-soiled top edge, spine toe creased, else tight, bright, clean and strong) and apparently unread in about Near Fine jacket (spine panel lightly faded, with tips briefly worn). Scorpion: Publisher's black cloth, spine lettered in gilt; pictorial dust jacket, priced 42s. Fine, in Near Fine jacket, very lightly edge-worn, with short closed tear along back flap fold. Towers: Publisher's navy-blue cloth, spine lettered in gilt; pictorial dust jacket priced £2.75. Fine (save for a previous owner's surname on front fly leaf), in a just about Fine jacket, lightly edge worn. Spoils: Publisher's chestnut-brown cloth, spine lettered in gilt; pictorial dust jacket priced £4.90. Fine (save for previous owner's inscription in a neat hand on front fly leaf), in Fine jacket. Scott's "painstakingly researched Quartet which examines the lives of ordinary Anglo-Indians against the background of the end of Empire [the five years from the Quit India campaign of the Congress Committee to Indian independence, in 1947]. These novels constitute Scott's principal claim to be regarded as a major post-war writer [The Times, in fact, called Scott's quartet "one of the most important landmarks of post-war fiction."] . . . . The Quartet is still perhaps underestimated as an analysis of the pre-Independence roots of the racism Salman Rushdie identified in the 1980s under the label 'the New Empire within Britain.' Scott sacrificed his life to the writing of the Quartet, becoming something of a monomaniacal recluse with tendencies toward alcoholism and occasional domestic violence. His death from cancer, in 1978, in London came at the time his work was just beginning to be appreciated." (The Literary Encyclopedia) TN. B. With few exceptions (always identified), we only stock books in exceptional condition, with dust jackets carefully preserved in archival, removable polypropylene sleeves. All orders are packaged with care and posted promptly. Satisfaction guaranteed.

      [Bookseller: Fine Editions Ltd.]
 39.   Check availability:     Direct From Seller     Link/Print  


        an object to use. - Tpyoskript auf Selbstklebeetiketten. 1 Seite mit 10 Etiketten (2,5 x 5 cm).

      (ca. ) 1966 - 14 x 11,5cm. Fondazione Bonotto FX 1369. dort als "Part of Opus 16. The Private Secretary in diary No. 2, No. 0669" bezeichnet und mit 9 Etiketten und ein 2. Exemplar mit 6 Etiketten.

      [Bookseller: Daniel Thierstein]
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        Yoko Ono at Indica: Unfinished Paintings and Objects by Yoko Ono [Signed and Dated 1967 by Yoko Ono]

      London: Indica Gallery, 1966. Paperback. Exhibition catalog of the Ono show where John Dunbar introduced Ono to Lennon. Signed and dated by Ono on the inside of the front wrap below her portrait thus: Yoko Ono/at Kistche[?] '67. Wraps a bit rubbed with some light creasing at the spine. All of the adhesive backed photos are present and some have been affixed to their corresponding pages. Nice copy of of the catalog documenting this groundbreaking exhibition, and the first one we've seen signed. Very good.

      [Bookseller: Kenneth Mallory, ABAA]
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        COME OVER TO MY HOUSE

      - [SEUSS,DR]. COME OVER TO MY HOUSE by Theo Le Seig. NY: Random House (1966). 8vo, glazed pictorial boards, fine in very slightly worn dust wrapper with a few margin mends. 1st edition. (based on price and ads). Written by Seuss as Le Seig, illustrated in color by Richard Erdoes. Very hard to find. Younger / Hirsch 14. [Attributes: First Edition; Hard Cover]

      [Bookseller: Aleph-Bet Books, Inc. - ABAA]
 42.   Check availability:     AbeBooks     Link/Print  


        [Moïse sauvé des eaux] Then the daughter of Pharaoh opened the arke, and saw it was a childe (Et la fille du Pharaon ouvrit l'arche et vit que c'était un enfant) - The Story of Exodus

      Original lithograph in colors printed on Imperial Japanese paper.Superb and rarisime etching print on japan paper made for The Story of Exodus published in 1966 (20 copies on Imperial Japan and 250 lithographs on Arches paper). AMIEL Léon Paris,New-York 1966 36x49.5cm une feuille

      [Bookseller: Librairie Le Feu Follet]
 43.   Check availability:     Direct From Seller     Link/Print  

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