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Displayed below are some selected recent viaLibri matches for books published in 1966

        The Masters by Knowledge Publications (The Masters Series)

      Knowledge Publications / Purnell, London 1966 - 100 volumes in 10 slipcases, each volume with colour plates plates and each vol 24 pages, 8 pages text, XVI plates. Some slight damage to the slipcases, the books within are generally in better than very good condition. We will not separate a volume from the set Size: Folio ( 12"- 15" tall ). Please refer to accompanying picture (s). Quantity Available: 1. Category: Art & Design; Inventory No: 0265715. THIS BOOK WILL INCUR EXTRA POST BECAUSE IT IS OVER 1 Kg WITHOUT PACKAGING, PLEASE ENQUIRE BEFOR ORDERING. [Attributes: First Edition; Soft Cover]

      [Bookseller: Syber's Books]
 1.   Check availability:     AbeBooks     Link/Print  

        de-coll/age happenings

      New York: Something Else Press, 1966. First edition. Loose in Box. Near Fine. Number 26 of 500 copies, signed by Vostell on the color serigraph. According to the Frank bibliography of SEP 500 copies of the book were printed, but only 50 were done with the signed print. 1966, First Edition. COMPLETE, includes all original pieces: book in pink wraps, 15 posters, mounted Bromo Seltzer packet and matzoh cracker, photo of the author, all housed in wood box with Plexiglas cover. Previous owner's bookplate on the inside front cover of the booklet; small chip to wood box; matzoh cracked. Small chip to wooden box, otherwise Fine. One of the more adventurous projects commission by Dick Higgins' Something Else Press. Serigraph measures 8 x 5.5 inches. Posters measure 16.5 x 22 inches when opened. Vostell's anti-war Happenings were at the intersection of Destruction in Art and performance art, promoting a strong sense of the excess and violence of Western culture. Complete sets are RARE.

      [Bookseller: Caliban Books ABAA-ILAB]
 2.   Check availability:     Biblio     Link/Print  

        A Comprehensive Treatise on Inorganic and Theoretical Chemistry, Volume XI: Te, Cr, Mo, W.

      Longmans 1966 - Ancien livre de bibliothèque. Ammareal reverse jusqu'à 15% du prix net de ce livre à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Former library book. Ammareal gives back up to 15% of this book's net price to charity organizations. [Attributes: Hard Cover]

      [Bookseller: Ammareal]
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        The Nun [La Religieuse] (Original French poster for the 1966 film)

      Rome Paris Films, N.p. 1966 - Vintage French Moyenne poster for the 1966 film. Nominated for a Palme d'Or at the 1966 Cannes Film Festival. A flurry of controversy surrounded the production and release of Rivette's film. Upon facing pressure from the French Catholic Church regarding its critical religious and sexual content, the new Minister of Information, Yvon Bourges, banned its release. As a result, a massive campaign was launched in its defense, eventually leading to the ban being lifted. The story is based on Denis Diderot's eighteenth century novel of the same title. It was conceived as a practical joke, devised by Diderot, to persuade the Marquis de Croismare to return to Paris. He assumed the identity of a desperate young woman forced into a convent and wrote elaborate letters to the Marquis, beseeching him to help her. Eventually, Diderot compiled the letters and built on them to create his novel. Like the film, it too faced censorship, and was not officially published until after the writer's death. Shot on location in Villeneuve-les-Avignon, Gard, France. 23.5 x 31 inches (60 x 80 cm), folded. Near Fine with two holograph ink and graphite notations to the verso and light edgewear.Vogel, Film as a Subversive Art.

      [Bookseller: Royal Books, Inc., ABAA]
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        Magie. Zeitschrift des magischen Zirkels von Deutschland. 41. Jhg. 1961 bis 48. Jhg. 1968 [= 8 Bde., jew. kmpl.].

      8, 358 S., 1 Bl. / 8, 358 S., 1 Bl. / 11, 406 S., 1 Bl. / 8, 382 S., 1 Bl. / 8, 370 S., 1 Bl. / 7, 348 S., 1 Bl. / 7, 331, [1] S. / 7 S., S. [333]-695, jew. mit zahlreichen Abb., 4, Priv. Kunstleder mit Goldschrift (alle gleich), die Hefteinbände sind mit eingebunden u. in die Seitenzählung einbezogen Bsp. aus dem Inhalt: Fritz Schmitt: Zauberei mit Riesenkarten Cark Graf v. Klinckowstroem: Quellenkritische Bemerkungen zu Schillers Geisterseher Johann Gruner: Der magische Ballonzipfel Gerhard Busch: Beim Lesen alter Zauberbücher G.A. Neidenberger: Magische Pendel Jochen Zmeck: Homunculus Hans-Gerhard Stumpf: Magische ExLibris Werner Duda: Einige Gedanken über Bühnentische D. Michel-Argola: Der verschwundene Groschen Harry Renó: Mentaleffekte mit Figurenkarten Ravelli: Predictomatik Hans J. Oehlmann: Das Geheimnis der schwarzen Hand Fred Milano-Pax: Der Schuss in den Mund Hans Trunk: Das Wundertuch "Inferno" G. Poulleau-Diavol: Bagda Fred Milanos Banknoten-Zerschneiden Georg A. Neidenberger: Zaubertricks u. Kartentricks Averdi: Das Geheimnis des Buddha A.C. Wilsmann: Die Ben-Ali-Bey-Story Al Torsten berichtet aus Russland In Gedenken an Hermut Schreiber, Kalang Charly Eperny: Die Anfertigung künstlicher Blumen Magisches Festival in Oslo F.A. Quint: Psychologie der manuellen Vorführung H.M. Paufler: Dr. Teumer als Sammler J. Hédolt (Dr. Jules Dhôtel): Die Apsychacosie Siegfried Nitsche: 10 Jahre Gruppe Berlin A. Liebertz-Marvillo: HorESPokus Bruno Hennig-Joro: Hinter den Kulissen D. Michel-Argola: Zaubermeister Kassner. Ein Leben für die Zauberkunst Karol Braniek: Der Kalender im Kopf Hans Berthold: Eine erstaunliche Kartenverwandlung Arno Alexander: Alexanders verschwindende brennende Petroleumlampe Jo Burghardt: Der magische Zehner Adi Kaufmann: Ein verblüffendes Tuchverschwinden Carl Graf v. Klinckowstroem, Meyerink u. Präsident Faster: Das Medium Henry Slade Wolfgang Großkopf: Afka, der Kartenroboter Adol Röser: Der Hellseh-Apparat Arnold de Bière: Die schwebende Kugel Hans Gerhard Stumpf: Keine Angst vor dem Riesengedächtnis H.M. Paufler: Über die Anwendung japanischer Spieluhren in der Magie Wilhelm Wiedenmann: Magisch-mechanische Kräfte bei E.T.A. Hoffmann Josef Hudler: Eine verblüffende Kartenverwandlung Günther Schaidt: Pyrotechnik in der Zauberei Gerhard Schmidt: Der Tuchschuß Josef Danke: Hellsehen oder Geisterschrift Richard Pieper: Hellsehen einer bestimmten Karte. - Im Jhg. 1966 ist ein Heft kopfüber eingebunden, sonst schöne Expl. der seltenen Zeitschrift.

      [Bookseller: Versandantiquariat Hans-Jürgen Lange]
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        Styx: bulletin skupiny Lacoste [Styx: bulletin of the Lacoste group], no. 1

      Brno 1966 - Folio (30 × 21.5 cm). Original side-stapled wrappers with typewritten title and small original watercolor illustration; 38 pp. of mimeographed typescript, with small photographic prints, and and [3] leaves of original photographs. Last three leaves detached from staples; upper spine extremity split; still a rather good copy of a fragile publication. First issue of the rare surrealist samizdat journal Styx, issued in Czech with partial translations into French, from 1966 to 1969. The preface states that "bureaucratic hurdles" prevented the publication of a fully illustrated, offset-printed volume showcasing the art and writing of the Lacoste group, a Brno-based association of surrealist artists. In lieu of the former, this first issue of Styx can be considered Lacoste's manifesto: it includes a survey detailing the members' definitions of the movement, their key influences, and thinly-veiled questions about surrealism's role in a repressive political environment. A short "sociological" study explicitly mentions ways in which surrealism survives in Czechoslovakia despite the state's official stance against it. Also included are poetic texts, an experimental surrealist play, Pajurek's photo-illustrated lyrical "found dictionary" and a list of visual works, accompanied by seven photographic prints (four more showing work by Frantisek Deák were apparently removed by the editors, because he had left the group in August 1966). This is no. 60 of 98 numbered copies, signed by all four authors, and inscribed to Danish artist Henny Kjer. All in all, five numbers were issued (numbered 1-7, but with nos. 2 and 5 never published). The print runs ranged from 98 to 128 copies. A very uncommon glimpse into one of the various ways surrealism survived in post-war Czechoslovakia, along with the activities of Skupina Ra and other groups. Not in KVK, OCLC. The only institutional holdings we can find are at the Centre Pompidou. [Attributes: Signed Copy; Soft Cover]

      [Bookseller: Penka Rare Books, ILAB]
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        Capitalism: The Unknown Ideal.

      New York: New American Library, 1966. Signed limited first edition. Octavo, original half cloth. Signed by Ayn Rand. Number 258 of 700 signed copies. Fine in a near fine slipcase with light rubbing. This collection of 26 essays includes twenty by Ayn Rand as well as three essays by Alan Greenspan, two by Nathaniel Branden, and one by Robert Hessen. "One of the best defenses and explanations of capitalism one is likely to read" (Walter E. Williams).

      [Bookseller: Raptis Rare Books]
 7.   Check availability:     Biblio     Link/Print  

        Urgent crier. Poèmes.

      - Forcalquier, Robert Morel, 1966. 108 pp. Legatura in tela ornata al piatto superiore con un’opera di Louis Pons a 3 dimensioni, costituita da elementi elettronici, pezzi di fiammiferi. Libro oggetto. Cette éd. originale est reliée sous un Objet de Louis Pons.Libro objeto [Attributes: Hard Cover]

      [Bookseller: Apartirdecero]
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        Camelot (Original screenplay for the 1967 film)

      Warner Brothers, Burbank, CA 1966 - Revised Estimating draft script for the 1967 film. Winner of three Academy Awards.Based on the 1960 Broadway musical by Lerner and Loewe, winner of four Tony awards, and itself based on "The Once and Future King," T.H. White's 1958 adaptation of Arthurian legends. Set in England, shot on location in Spain. Tan titled wrappers, noted as REV. ESTIMATING SCRIPT on the front wrapper, rubber-stamped copy No. 14, dated June 1, 1966. Distribution page present, with receipt intact. Title page present, dated 6/1/66, with credits for screenwriter-lyricist Lerner, composer Frederick Loewe, and novelist White. 148 leaves, with last leaf of text numbered 142. Mimeograph on white, yellow, pink, and blue stock, dated variously between 6/1/66 and 6/7/66. Pages Near Fine, wrapper Very Good plus, bound internally with two gold brads. [Attributes: Soft Cover]

      [Bookseller: Royal Books, Inc., ABAA]
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        The story of exodus: Suite de 23 lithographies

      - AMIEL Léon, Paris, New-York 1966, 36x49.5cm, 23 planches. - Litografia originale in colori, una delle 15 prove stampate su carta imperiale del Giappone e riservati per l'artista ei suoi collaboratori, un pareggio con 20 altre Giappone e 250 archi. Evento non firmato, come tutte le gare della serie, tranne il frontespizio. Superba prova del Giappone fatta soprattutto per la storia dell'Esodo, pubblicato nel 1966, Chagall dipinse l'inserto 24 litografie stampate da Mourlot. Fernand Mourlot, senza dubbio il migliore artigiano litografo del XX secolo, era naturalmente la stampante e l'amico dei più grandi artisti del suo tempo. "Picasso, Matisse, Chagall, Mirò, Braque, Dubuffet, Léger, Giacometti ... hanno arricchito le loro espressioni e l'arte contemporanea una nuova area di ricerca. Con Mourlot, e grazie a lui, la litografia ha acquisito sia la personalità e il futuro. " (Pierre Cabanne, in cinquant'anni di litografia). Già stampa dei due volumi della Bibbia illustrata da Chagall, Mourlot contribuito alla formazione dell'artista nell'arte della litografia nel 1950 è stato in questo momento che Chagall inizia effettivamente a frequentare laboratorio Mourlot per imparare i processi litografici e stringe amicizia con gli artigiani di stampa, tra cui Charles Sorlier. Quindi questo è il top del suo gioco come Chagall realizza questa storia dell'Esodo che coincide con il completamento della sua immensa opera litografica e pittorica sulla Bibbia inizia nel 1930 su iniziativa di Ambroise Vollard. Questo ciclo decorativo intitolato Messaggio Biblico T sarà anche dietro la creazione del Museo Chagall Marc, in origine il Museo Nazionale Messaggio Biblico di Marc - Chagall. Estremamente raro prima prova stampata sul Giappone, la migliore carta e la migliore per stampe a colori. - [FRENCH VERSION FOLLOWS] Lithographies originales en couleurs, chacune faisant partie des 15 épreuves imprimées sur papier Japon impérial et réservées à l'artiste et à ses collaborateurs, seul tirage avec 20 autres Japon et 250 Arches. épreuves non signées, comme toutes les épreuves de cette série, hormis le frontispice. Superbes épreuves sur Japon réalisées spécialement pour The Story of Exodus paru en 1966, dont Chagall réalisa les 24 lithographies hors-texte imprimés par Mourlot. Fernand Mourlot, incontestablement le meilleur artisan lithographe du XXème siècle, fut naturellement l'imprimeur et l'ami des plus grands artistes de son temps. « Picasso, Matisse, Chagall, Miró, Braque, Dubuffet, Léger, Giacometti... ont enrichi leurs expressions propres et l'art contemporain d'un domaine de recherches nouveau. Avec Mourlot, et grâce à lui, la lithographie a acquis à la fois une personnalité et un avenir. » (Pierre Cabanne, in Cinquante années de lithographie) Déjà imprimeur des deux volumes de la Bible illustrée par Chagall, Mourlot contribua à la formation de l'artiste à l'art de la lithographie dans les années 1950. C'est à cette époque que Chagall commence en effet à fréquenter l'atelier de Mourlot afin d'apprendre les procédés lithographiques et qu'il se lie d'amitié avec les artisans de l'imprimerie, notamment Charles Sorlier. Ainsi est-ce au sommet de son art que Chagall réalise cette histoire de l'Exode qui coïncide avec l'achèvement de son immense travail lithographique et pictural sur la Bible entamé en 1930 à l'initiative d'Ambroise Vollard. Ce cycle décoratif intitulé « Le Message biblique » sera d'ailleurs à l'origine de la création du Musée Marc Chagall, originellement Musée national du Message biblique Marc-Chagall. Rarissimes épreuves originales imprimées sur Japon, le plus beau papier et le meilleur pour les gravures en couleurs.

      [Bookseller: Librairie Le Feu Follet]
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        Le vite dè più eccellenti pittori scultori e architettori nelle redazioni del 1550 e 1568

      Spes e Sansoni, 1966. Testo a cura di R.Bettarini, Commento secolare e indici a cura di Paola Barocchi. Vol. I: Introduzione alle tre arti, Lettera di G.B.Adriani a G.Vasari, e indici. Vol. II: Vite del Due e Trecento, e indice. Vol. III, tomo I: Vite del Quattrocento. Vol. III, t omo II (in 2 voll.): Indice delle vite del Quattrocento. Vol. IV: Vite del Cinquecento. Vol. V: Vite del Cinquecento. Vol. VI: Vite del Cinquecento. Tre volumi di commento. Nove volumi in 11 tomi, cm.27 x 18, 600 ciascun volume. t.tela, titoli in oro ai dorsi.

      [Bookseller: Libreria FolignoLibri]
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        The Three Stigmata of Palmer Eldritch.

      London: Jonathan Cape, 1966 - Octavo. Original white boards, titles to spine gilt, top edge dyed dark blue. With the dust jacket. Bookseller's ticket to front pastedown. A few small spots to boards, spine, and endpapers from old jacket protector, boars very lightly rubbed at extremities. An excellent copy in the jacket. First UK edition, first impression. Originally published in the US in the previous year. [Attributes: First Edition]

      [Bookseller: Peter Harrington. ABA member]
 12.   Check availability:     ZVAB     Link/Print  

        His and Hers. A New Perspective on Floors - E.

      - Lithograph, with the fold to make a three-dimensional form, 1966, signed, dated and numbered from the edition of 20, printed and published by Editions Alecto, 76 x 56.5cm In a specially-made perspex three dimensional frame [Attributes: Signed Copy]

      [Bookseller: Shapero Rare Books]
 13.   Check availability:     ZVAB     Link/Print  

        DU MONDE ENTIER. Les Pâques à New-York. - La Prose du Transsibérien. - Le Panama ou les aventures de mes sept oncles.

      Les Bibliophiles De France 1966 - In-folio oblong "à l'italienne" ( 265 X 360 mm ) de 96-[8] pages, en feuilles sous couverture cartonnée crème, titre estampé, chemise et étui illustrés en couleurs. Très beau livre illustré par RAMONDOT de 31 eaux-fortes symbolistes, dont 3 à double page. Tiré à 145 exemplaires sur vergé de Fabriano en trois teintes, gris ( pour les Pâques à New-York ), taupe ( pour la Prose du Transsibérien ) et vert clair ( pour Le Panama ou les aventures de mes sept oncles ). Exemplaire, nominatif ( Exemplaire N°18 Madame R. M. ), bien complet de la splendide affiche multicolore pliée en 4, reprenant le décor de la chemise et de l'étui. Exemplaire enrichi du menu illustré de la société des Bibliophiles de France à double page et de l'une des 10 suites des illustrations de RAMONDOT en 1er état sur Montval, toutes justifiées et signées au crayon par l'artiste. Très bel exemplaire de ce magnifique ouvrage, très rare ainsi enrichi. Beaux-arts Lithographie Littérature Curiosa Erotisme [Attributes: Hard Cover]

      [Bookseller: Tiré à Part]
 14.   Check availability:     IberLibro     Link/Print  


      Topanga, CA: Love Press, [1966]. First Edition. One of 100 (of 112) copies. Quarto (29.5cm); 36 loose leaves (measuring 8.5" x 11"), each printed with a poem by Di Prima and corresponding woodblock print by Herms, each interleaved with tissue-paper; title/limitation leaf signed by Di Prima; housed in a hand-stitched suede leather satchel, titled by hand (in ink), and sealed with crimson wax along flap. Mild toning to margins of p.1, else Fine in a Near Fine satchel, showing some trivial handling and wear to extremities. Handsome collaborative work between the Brooklyn-born Beat poet and renown California assemblage artist. The project began in the Spring of 1964, when Di Prima paid for Herms's travel expenses to come to New York and design sets for a production by Michael McClure. In a 1993 interview, Herms relays the following: "A friend of mine got me a little eight-foot cubicle as a studio in the Lower East Side. But Diane gave me a set of haiku poems that she had written and suggested I illustrate them. So I began...I'm twenty-nine and for the first time in New York. I have William Blake sitting on my shoulder and I have all this patience that I'd never had before, and I began to carve illustrations out of cherry and pear wood..." (Archives of American Art). The result was a pairing of Di Prima's poems and Herms's prints - arranged by the four seasons - all printed by Herms at his Topanga-based Love Press. An exquisite portfolio, its hand-made aesthetic reminiscent of (and quite likely a response to) Wallace Berman's Semina. (See Semina Culture, p.124).

      [Bookseller: Captain Ahab's Rare Books]
 15.   Check availability:     Biblio     Link/Print  

        Du miel aux cendres

      First edition for which there were no large paper copies.Autograph inscription from Claude Lévi-Strauss in English to Raymond Firth.A good copy, some press clippings tipped in. Plon Paris 1966 15,5x24cm broché

      [Bookseller: Librairie Le Feu Follet]
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        Sweet Life (Photobook)

      Editorial Lumen, Barcelona 1966 - Sweet Life/ Ed Van der Elsken -1a ed.- Barcelona: Editorial Lumen,[Depósito Legal 1967]. De todos los fotolibros publicados por la editorial Lumen fuera de su colección Palabra e Imagen, este es el más raro. Títulos como Nothing Personal de Avedon, Sweet Life o El Mundo de Cartier Bresson, son todos ediciones originales impresos en Suiza, Japón, etc. Fruto de una compra por parte de los editores( los derechos pertenecían a H. Abrams), tal como explica Esther Tusquets en sus memorias, Lumen se hacía con una nómina de ejemplares del bloque fotográfico impreso ( en este caso en Japón) para luego ser distribuidos en España con la encuadernación y el texto realizados en Barcelona . Martin Parr y Gerry Badger (The Photobook a History, vol 1, pag. 254-255)dicen de Sweet Life, que es un libro sin precedentes; con una cubierta diferente para cada uno de los siete países en los que fue publicado. De todos estos títulos el más raro es el que presentamos aquí. La razón: la encuadernación en cartoné original presentaba un lomo muy débil para el peso del volumen y se rompía fácilmente, tanto es así que los ejemplares llevaban un pequeño sello donde se leía que el cliente podía reclamar el importe en caso de encuadernación defectuosa. El antiguo escritor y librero Antonio Rabinad, del tradicional Mercat Dominical de Sant Antoni BCN y su hijo, recuerdan el almacén de Lumen con el stock de la edición; una montaña de ejemplares defectuosos dispuestos a marchar prestos a la máquina trituradora del papel. Nosotros por nuestra parte en más de veinte años solamente hemos visto tres ejemplares y de los tres éste es el que en mejor estado de conservación (uno en peor estado y otro ejemplar que carecía de lomo). Se trata pues de la edición original de Sweet life más rara y escasa que se pueda encontrar entre todas las simultáneas del 1966. El Depósito Legal es del 1967. Cartoné editorial. Fotograbados a plena página de gran calidad de impresión en b/n. Impreso en Tokio Gravure Printing Company, Japón. 178 pág. 30 x 30 cm. Buen ejemplar; interior perfecto, tapas con señales de uso-tiempo en el lomo y un pequeño fragmento de cinta adhesiva, ver fotos. Los pagos por Paypal tienen un cargo adicional del 5% Ed van der Elsken (1925-1990) y su esposa Gerda emprendieron un viaje de catorce meses por todo el mundo, desde África Occidental, Península Malaya, Filipinas, Hong Kong y Japón a Estados Unidos y México, seis años después de su regreso, publicó su libro de viaje Sweet Life (llamado así por un pequeño vagón de vapor en Filipinas). [Attributes: First Edition; Hard Cover]

      [Bookseller: El Archivo]
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        Octopussy and The Living Daylights.

      London: Jonathan Cape, 1966 - Octavo. Original green card wrappers with white publishers' device pattern, titles to spine and front cover in black. With the oversize proof dust jacket printed "Proof Only. Provisional publication date 23 June 1966" on the front flap. Slight creasing to spine ends, light foxing to edges, small bump to fore edge, faint cup rings to front cover through dust jacket, a very good copy in the jacket with browned spine, light mark to rear panel, foxing to edges, creasing and small nicks to spine ends and top edge. Uncorrected proof copy, one of 350 copies printed. Gilbert A14a.

      [Bookseller: Peter Harrington. ABA member]
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        La Retour de la Colonne Durutti

      4 pp. Situationist comic by Bertrand, a pro-Situationist student, given away at Strasbourg University during a student protest in October 1966, containing cartoons, photos, and reproduced artworks which describe the election of members of the Association Fédérative Générale des Étudiants de Strasbourg to the student union, and named after the Spanish anarchist Buenaventura Durruti. Profusely illustrated. Tabloid. Orig. illustrated self-wrpps. Strasbourg (Association Fédérative Générale des Étudiants de Strasbourg) 1966. This provocative comic was published and distributed with the help of a number of students sympathetic to Situationist ideas. They illegally used funds from the Association Fédérative Générale des Étudiants de Strasbourg to print copies of the comic, along with 10,000 copies of the pamphlet The Poverty of Student Life, written by Mustapha Khayati. These actions, together with the protests across campus, prompted a court order to cease the activities of the AFGES. Extremely scarce; as of February 2017, WorldCat locates only two holdings in North America.

      [Bookseller: F.A. Bernett Books]
 19.   Check availability:     Biblio     Link/Print  

        Order & Chaos: The Cork Edition

      Loujon Press, Tucson, AZ 1966 - First edition, hardcover with slipcase, 1 of 26 lettered copies signed by Henry Miller, A to Z cork edition in original publisher's mail carton, slight lean, slight bow and faint nickel sized soil marking to front board, otherwise clean and bright, a Near Fine copy in like slipcase that has some rippling to pastedowns. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Fahrenheit's Books]
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      EDITORI RIUNITI, 1966. ITALIANO 0,1 Vol. n. 7 della collana, a cura di Vincenzo Vitello, traduzione di Palmiro Togliatti, pagine brunite ai bordi da fattore tempo, fioritura ai tagli, brossura editoriale leggermente ingiallita, con fioritura e con lievi segni di usura, numerazione a matita alla copertina anteriore USATO

      [Bookseller: Biblioteca di Babele]
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        Man Ray

      1966. First Edition . Signed. MAN RAY. Man Ray. Los Angeles: Los Angeles County Museum of Art, 1966. Oblong octavo, original stiff paper covers. $1500.Original exhibition catalogue representing a full range of Man RayÂ’s work, boldly signed by Ray on the title page.According to Ray, “this work cannot be considered experimental. The pursuit of pleasure, my guiding motive, is not a science. Or, as I have previously stated, the desire, not the necessity is the stimulant.” This exhibition mounted 300 Man Ray works of art: paintings, drawings, sculptures, and photographs, drawn from 54 collections around the world. Light embrowning to margins only. Minor crease to bottom corner. An about-fine copy.

      [Bookseller: Bauman Rare Books]
 22.   Check availability:     Biblio     Link/Print  


      LATERZA, 1966. ITALIANO 0,13 Vol. n. 10 della collana, pagine brunite ai bordi causa tempo, brossura editoriale leggermente ingiallita e con lievi segni di usura ai bordi ed al dorso USATO

      [Bookseller: Biblioteca di Babele]
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        Collection des Editions Lettrisme et Hypergraphie (E.L.H.) créée par R. Sabatier et R. Spacagna. Série de 10 fascicules.

      Paris, E.L.H., 1966. - 13,5 x 10,5 cm. 10 vol. brochés, couv. illustrées. Edition originale, 10 volumes parus sur les 15 annoncés (dont 4 non parus) : n°1, Roland Sabatier, Lettrie de chambre / n°3, Jacques Spacagna, Lettrines I. de A à M / n°4, Collectif, Lettries & Hypergraphies, Lettries et dessins reproduits de Isidore Isou, Micheline Hachette, Roberto Altmann, etc. / n°5, Roland Sabatier, Œuvres aphonistes / n°7, Aude Jessemin & Jacques Spacagna, Lettries érotiques et leurs images / n°8, Micheline Hachette, Intervalle / n°10, Roland Sabatier, Oméga 3 Ballet ciselant / n°13, P. A. Gette, Morphomythologie / n°14, Collectif, Hypergraphies comparées. Catalogue de l’exposition Hachette, Jessemin, Sabatier et Spacagna à la Galerie Simone Loliée à Paris, en nov/déc. 1966 / n°14bis, Alain Satier Superstrat.- Les volumes : 6 (Spacagna), 9 (Roland Sabatier), 11 (Spacagna) et 15 (De La Tour) n’ont pas été publiés.- On joint Salle lettriste et hypergraphique, Musée national d'Art moderne, 1968, 16 p., ill. [Attributes: First Edition; Soft Cover]

      [Bookseller: SOLSTICES RARE BOOKS]
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      EDITORI RIUNITI, 1966. ITALIANO 0,21 Vol. n. 9 della collana, a cura di Franco Paparo, pagine brunite ai bordi da fattore tempo e con lieve fioritura, fioritura anche ai tagli, brossura editoriale ingiallita, con fioritura e con lievi segni di usura USATO

      [Bookseller: Biblioteca di Babele]
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        National Socialist World Numbers 1-5

      Arlington, VA: The World Union of National Socialists, 1966-1967. First Edition. Paperback. Very Good. Issues 1-5. Complete but for the final issue. Original printed wraps. Very Good overall. Wraps a bit edge-worn with a few light stains. "Reject" written in red pen on front cover of first issue probably by publisher. Wear along inner edge of 2nd issue's cover. Occasional pencil brackets in contents, easily erasable. A far right quarterly of the short-lived WUNS, which connected George Lincoln Rockwell's ANP to European and other neo-nazi groups, edited by Turner Diaries author William Pierce.

      [Bookseller: Burnside Rare Books]
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        The Nun [La Religieuse] (Original French poster for the 1966 film)

      N.p.: Rome Paris Films, 1966. Vintage French Moyenne poster for the 1966 film. Nominated for a Palme d'Or at the 1966 Cannes Film Festival. A flurry of controversy surrounded the production and release of Rivette's film. Upon facing pressure from the French Catholic Church regarding its critical religious and sexual content, the new Minister of Information, Yvon Bourges, banned its release. As a result, a massive campaign was launched in its defense, eventually leading to the ban being lifted. The story is based on Denis Diderot's eighteenth century novel of the same title. It was conceived as a practical joke, devised by Diderot, to persuade the Marquis de Croismare to return to Paris. He assumed the identity of a desperate young woman forced into a convent and wrote elaborate letters to the Marquis, beseeching him to help her. Eventually, Diderot compiled the letters and built on them to create his novel. Like the film, it too faced censorship, and was not officially published until after the writer's death. Shot on location in Villeneuve-les-Avignon, Gard, France. 23.5 x 31 inches (60 x 80 cm), folded. Near Fine with two holograph ink and graphite notations to the verso and light edgewear. Vogel, Film as a Subversive Art.

      [Bookseller: Royal Books, Inc.]
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        Now Wait for Last Year.

      New York: Doubleday & Company, Inc., 1966 - Octavo. Original black cloth, titles to spine gilt. With the dust jacket. A fine copy in the dust jacket. First edition, first printing. [Attributes: First Edition]

      [Bookseller: Peter Harrington. ABA member]
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        Double Exposure

      New York: Delacorte Press,, 1966. Large octavo. Original black and white cloth, with titles to spine and sides in black. With the dust jacket. Black and white photographs by Roddy MocDowall in the text throughout. Corners a little rubbed, and white cloth faintly tanned. An excellent copy in the lightly creased and rubbed jacket. First edition, first printing. Inscribed by the photographer on the front free endpaper, "To Reuee - with love - Roddy". A photographic gallery of celebrities with the images accompanied by writing about them by their peers.

      [Bookseller: Peter Harrington]
 29.   Check availability:     Biblio     Link/Print  

        Den danske Vitruvius.

      1966 1966 - Facsimileudg. med historiske bemærkninger af Hakon Lund. 3 bd. Kbhvn. 1966-67. Med ialt 348 plancher. Folio. Velholdt eksemplar indbundet i det orig. halvlæder og i de orig. kassetter. * Bind 3 har ikke tidligere foreligget trykt og er udgivet på grundlag af manuskript i Det kongelige Bibliotek.

      [Bookseller: Peter Grosell, Antiquarian Bookseller]
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        Der Totentanz von Basel. Mit den Dialogen des mittelalterlichen Wandbildes.

      Dresden Verlag der Kunst 1966 - Folio, 3 Bll., 1 schwarzes Trennblatt, 40 Doppelblatt m. dreisprachigem Text, 1 Trennbl. und VII S. Nachwort, mit 40 ganzseitigen Orig.-Farbholzschnitten, Illustr. OLn. mit illustriertem Orig.-Schutzumschlag. Erste Ausgabe.- Tiessen III,9; Fürst 66,1 - 40.- Umschlag leicht fleckig u. angerändert, sonst schönes Exemplar. [Attributes: First Edition]

      [Bookseller: Antiquariat Eckert & Kaun GbR]
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        Death of a Naturalist [Signed]

      Oxford University Press, New York 1966 - First Printing of the poet's critically acclaimed first commercially published work (preceded by the privately printed pamphlet, Eleven Poems, in 1965), one of only 1,000 copies (bound from sheets purchased from Faber and Faber, Heaney's London publisher). Tall, slim 8vo: 57,[1]pp. Publisher's aquamarine cloth, spine lettered in gilt; typographic dust jacket printed in salmon-pink and olive, lettered black, priced $3.75. Signed by Heaney on the title page. A stunning copy, tight, square and likely unread; about Fine jacket, fresh and bright, with usual fading to the fugitive salmon-pink on bottom half of spine panel but all lettering undiminished. Winner of the Somerset Maugham Award, the Cholmondeley Award, the Eric Gregory Award, and the Geoffrey Faber Memorial Prize. Heaney received the Nobel Prize in literature, in 1995. Brandes & Durkan A2b. A collection of 34 poems largely concerned with rural life, often in the context of childhood experiences and the formulation of adult identities and intimate relationships. It includes "Digging," "Death of a Naturalist," "Blackberry-Picking," among others. "Seamus Heaney has been, for good or ill, internationally the most prominent and the most popular Irish poet of the latter part of the twentieth century and the first part of the twenty-first. . . . His first two collections, Death of a Naturalist and Door into the Dark [a signed copy of which we also have on offer], largely written before the renewed outbreak of the so-called 'Troubles' in 1968, show Heaney alerting his audience to the violent history of colonisation on his native ground, but preoccupied also by the rhythms of life in a rural setting remembered from his childhood. He also, in a Wordsworthian manner, focuses upon the sources and resources of his own poetic voice and power." (Literary Encyclopedia) N. B. With few exceptions (always identified), we only stock books in exceptional condition, with dust jackets carefully preserved in archival, removable polypropylene sleeves. All orders are packaged with care and posted promptly. Satisfaction guaranteed. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Fine Editions Ltd]
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        Collection des Editions Lettrisme et Hypergraphie (E.L.H.) créée par R. Sabatier et R. Spacagna. Série de 10 fascicules.

      Edition originale, 10 volumes parus sur les 15 annoncés (dont 4 non parus) : n°1, Roland Sabatier, Lettrie de chambre / n°3, Jacques Spacagna, Lettrines I. de A à M / n°4, Collectif, Lettries & Hypergraphies, Lettries et dessins reproduits de Isidore Isou, Micheline Hachette, Roberto Altmann, etc... / n°5, Roland Sabatier, Oeuvres aphonistes / n°7, Aude Jessemin & Jacques Spacagna, Lettries érotiques et leurs images / n°8, Micheline Hachette, Intervalle / n°10, Roland Sabatier, Oméga 3 Ballet ciselant / n°13, P. A. Gette, Morphomythologie / n°14, Collectif, Hypergraphies comparées. Catalogue de l'exposition Hachette, Jessemin, Sabatier et Spacagna à la Galerie Simone Loliée à Paris, en nov/déc. 1966 / n°14bis, Alain Satier Superstrat.- Les volumes : 6 (Spacagna), 9 (Roland Sabatier), 11 (Spacagna) et 15 (De La Tour) n'ont pas été publiés.- On joint Salle lettriste et hypergraphique, Musée national d'Art moderne, 1968, 16 p., ill.

      [Bookseller: SOLSTICES Rare Books]
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        Hieronymus Bosch

      1966. First Edition . Signed. (WYETH, Andrew) (BOSCH, Hieronymus) TOLNAY, Charles de. Hieronymus Bosch. New York: Reynal and Company, in association with William Morrow, (1966). Folio ( by inches), original white cloth, original dust jacket. $3200.First American edition of this lavishly illustrated tribute to the startlingly unconventional 15th-century Dutch artist. This copy presented by American artist Andrew Wyeth to his aunt and cousin, inscribed by him on the front free endpaper: “Dearest Miss Herr and her lovely daughter Mary—This is a world I love and I think you will also—All my love, Andy.”Andrew WyethÂ’s aunt Elizabeth Bockius Sargent and her daughter Mary lived in Lancaster County, and Wyeth would visit them with some regularity. From correspondence it would appear that Andrew Wyeth at times referred to his Aunt Elizabeth as “Miss Herr,” jokingly referring to himself as “Mr. Herr” or “H. Herr.” WyethÂ’s family was related to the descendants of Hans Herr of the Hans Herr House, a famous 1719 Lancaster County farmhouse, now part of a museum. Wyeth painted the Herr House, and the sale of reproductions of this painting helped finance renovations to the building, which is now part of a museum complex devoted to the Mennonite heritage of Lancaster County. Preceded by the German first edition of 1965. Mild wear to spine head only of price-clipped dust jacket. Near-fine, with a nice artistic association.

      [Bookseller: Bauman Rare Books]
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        Autograph letter signed.

      East Hampton, NY, [19 May 1966]. - Large 4to. ¾ p. With autograph envelope. To the Greenwich Village bohemian Helen Elliott: "I did not see Hans Namuth this week-end, . and I would not want to loose [!] the chance . I mean not to be in your book, . I would certainly regret it alright . With names, with people like Camus, Dostoyesky [!] W. C. Fields . It is very nice of you to remember me, . and it will be nice to see you again [.]". - Helen Elliott (1925-1990) is best known for her love affair with Lucien Carr and friendships with Jack Kerouac and Alan Ginsberg. She has been identified as the characters Ruth Erickson in Kerouac's "Desolation Angels" and Eileen Weber in the expanded edition of his "Book of Dreams". - German-born American photographer Hans Namuth (1915-1990) was known for his portraits of architects and artists, notably a series of photographs depicting Jackson Pollock at work in his Long Island studio, which are reputed to have precipitated a change in Pollock’s artistic style. Throughout the 1950s and 1960s, Namuth photographed de Kooning and his work, most notably, his "Reclining Man", and chronicled his studio’s construction in Long Island’s East Hampton artist colony. - Written in blue ink on a folded sheet of lined yellow legal notepaper.

      [Bookseller: Antiquariat INLIBRIS Gilhofer Nfg. GmbH]
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        Une saison au Congo

      Edition of wich no leading copies exists.Signed autograph Aimé Césaire to a close friend: "... D Gombos Soul Edith Always in the name of fundamental friendship ...???"Nice copy. Seuil Paris 1966 13x18,5cm relié

      [Bookseller: Librairie Le Feu Follet]
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        Execution of Stepan Razin, opus 119

      1966. First Edition . Signed. SHOSTAKOVICH, Dmitri. Op. 119. The Execution of Stepan Razin. Poem for Bass, Chorus, and Symphony Orchestra. Moscow: State Music Publishers, 1966. Quarto, original printed wrappers. $4500.First edition of the piano vocal score, boldly inscribed by Shostakovich on the title page in Russian in 1969.“The liberalizing trend in Soviet culture reached a highpoint in 1962. Shostakovich became interested in the courageous poetry of Evtushenko and selected five of his poems for the Symphony no. 13Â… Shostakovich and Evtushenko collaborated on another important work, the cantata KaznÂ’ Stepna Razina (‘The Execution of Stepan RazinÂ’) for bass solo, mixed chorus and orchestra” (New Grove 17: 270). The Moscow Philharmonic Orchestra and the Choral Capella of the Russian Republic first performed Opus 119 on December 28th, 1964. Contemporary critics placed “the work firmly in the continuum of the distinctive tradition of Russian folk drama–with conspicuous homage to Musorgsky–as well as in clear relation to the composerÂ’s recent historical and vocal-symphonic interest. In November 1968, nearly four years after its premiere, The Execution of Stepan Razin was awarded a State Prize” (Fay, 244-245). Title pages in Russian and English. Interior fine. Light wear to bright original wrappers. A nearly fine copy.

      [Bookseller: Bauman Rare Books]
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        Les belles images

      First edition, one of 40 numbered copies on Hollande, tirage de tête.A very good copy. Gallimard Paris 1966 14,5x20,5cm broché

      [Bookseller: Librairie Le Feu Follet]
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        Richard Serra

      Catalogo della mostra inaugurata il 24 maggio 1966 alla Galleria La Salita di Roma. Con 5 ill. in nero, una foto e un testo dell'Artista. Elenco delle opere esposte. 8vo. pp. 12. Ottimo (Fine). . Prima mostra personale dell'Artista

      [Bookseller: Studio Bibliografico Marini]
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        Dada Tresor.

      Zch.: René Simmen, 1966. Polyester-Kubus in Rot und Blau, 30x30x28,5 cm [bxhxt]. Aus Anlass des 50 Jahrestages der Entstehung von Dada produziertes Objekt. Nummeriert, Exemplar N° 33, produziert wurden insgesamt 300. Gestaltet wurde der Polyester-Kubus vom Berner Bildhauer Walter Vögeli. Das vorliegende Exemplar ist rot und hat eine blaue Türe. Der Tresor ist eines der letzten noch zu Lebzeiten der wichtigsten Dada-Initianten geschaffenen Objekte. Hans Arp schuf die für den Tresor bestimmte Grafik am 5. Februar 1966, dessen Fertigstellung erlebte er nicht mehr - er starb am 7. Juni des gleichen Jahres in Basel. Eingeordnet in Metall-Fächer und -Röhren und einem -Tablar sowie in einer Schublade enthält der Tresor: 1.) Hans Richter, Dada - Kunst und Antikunst. Köln: DuMont, 1964. 8°. 259 S., Or.Ln., mit Schutzumschlag. 2.) Honegger-Lavater, Warja: Die seltsame Spiegelgasse in Zürich. Basel: Basilius Presse, 1966. (Folded Story 16). 36seitiges Leporello, in Schwarz und Weiss illustriert, von der Autorin und Künstlerin eigenhändig auf dem festen Vorsatz signiert. 3.) DADA Ausstellung zum 50-jährigen Jubiläum - Exposition commémorative du Cinquantenaire, mit Ergänzungsheft Erinnerungen und Bekenntnisse - Souvenirs et témoignages. Zürich; Paris, Kunsthaus Zürich, u. Musee National d'Art Moderne; 1966 und 1967. Gr.8°. 109, [2]; 24 S. 4.) Dada 1916-1966. Dokumente der internationalen Dada-Bewegung. München: Goethe-Institut, 1966, 8°. 104 S. 5.) Vier Original-Grafiken, jeweils nummeriert und signiert (33/300), 25x35 cm (bxh): a) Jean Arp, „à toi dadale Jean Arp", datiert 5.2.66, mit dem Nachlassstempel Arp Succ. b) Raoul Hausmann, „Cogito ergo sum", signiert im Stein und eigenhändig nummeriert und monogrammiert. c) Marcel Janco, „DADA", Linoldruck in Rot auf Zeitung, montiert, eigenhändig nummeriert und signiert. d) Hans Richter, „Arche der voll von Schuld und Fehle bewahrt die reine Dada-Seele", eigenhändig nummeriert und signiert. 6) Drei Dada-Dokumente: a) Reproduktion eines Foto-Porträts von Hugo Ball, 15x21 cm (bxh); b) „An den Besitzer des Dada-Tresors", ein dreieinhalbseitiges Typoskript zum Thema Dada von Richard Huelsenbeck, verfasst am 24. Juli 1966 in Ascona, eigenhändig signiert sowie nummeriert. c) Fünfzig Jahre Dada, eine 6seitige Wochenendbeilage in der Neuen Zürcher Zeitung vom 5. Februar 1966, mit einer Einleitung von René Simmen und eigens für diese Beilage verfassten Texten von Otto Jägersberg, Hans Richter, John Heartfield, Walter Mehring, Richard Huelsenbeck, Peter Schifferli, Raoul Hausmann und Sergius Golowin sowie Abbildungen von Objekten, Dokumenten und Texten aus der Zeit, eigenhändig nummeriert vom Herausgeber, René Simmen. Alu-Plakette, mit gestanzter Objekt-Nummer sowie Inhaltsverzeichnis und Copyright Vermerk. Die Stahlblecheinlagen etwas oxidiert, davon abgesehen schönes Exemplar.

      [Bookseller: ABC Antiquariat Marco Pinkus Zurich]
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      - Barcelona, 1966 - 2002. Editorial Difusora Internacional. 43 volúmenes: Libro personal 1966, 1966, Libro personal 1967, 1967, Memoria personal 1968, 1968, 1969, 1970, 1971, 1972, 1973, 1974, 1975, 1976, 1977, 1978, 1979, Temario 1980, 1980, Temario 1981, Anuario 1981, Temario 1982, Anuario 1982, Temario 1983, Anuario 1983, Temario 1984, Anuario 1984, Temario 1985, Anuario 1985, Temario 1986, Anuario 1986, Temario 1987, Anuario 1987, Temario 1988, Anuario 1988, Anuario 1989, Anuario 1990, Protagonistas 1983, Protagonistas 1984, Protagonistas 1985, Protagonistas 1986, Protagonistas 1987 (Tela editorial con estuche en cartoné con la parte superior e inferior en tela, 500pp. aprox. cada tomo., 31 x 24,5cm) + Indice los primeros 10 años 1966-1975 ( Cartoné editoral ). 11 volumenes: Anuario de los hechos - de 1990 a 1999 + Cien años 1898-1998 Índice General (Símil piel editorial con dorados, 500 aprox. cada tomo., 30 x 23,5cm). 14 volúmenes: Anuario 2000: Los hechos + 2 tomos: Los temas y sus protagonistas + Anuario 2001: CD Biblioteca & internet - CD Museos de mundo + 2 tomos: Los temas y sus protagonistas + Anuario 2002: Lo hechos + El dvd del año. + 2 tomos: Los temas y sus protagonistas + Anuario 2002: CD El año multimedia biblioteca & internet - CD Un paseo por el arte y la música + Anuario 2003: Los hechos + El dvd del año. + Anuario 2003: CD El año multimedia biblioteca & internet - CD Fiestas de España + 2 tomos: Los temas y sus protagonistas ( Símil piel editorial con dorados, 300 pp. aprox cada tomo., 30 x 24cm). Ilustraciones en b/n y color. Buen estado. Enciclopedias

      [Bookseller: Librería Anticuaria Raimundo]
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        Werke, Schriften und Briefe. Herausgegeben von Walter Keitel und Helmuth Nürnberger. 4 Abteilungen. Abteilung 1: Sämtliche Romane, Erzählungen, Gedichte, Nachgelassenes (7 Bände. Lizenzausgabe für die Wissenschaftliche Buchgesellschaft). Abteilung 2: Wanderungen durch die Mark Brandenburg (3 Bände). Abteilung 3: Briefe (5 Bände in 6 Bänden). Abteilung 4: Aufsätze, Kritiken, Erinnerungen, Tagebücher (5 Bände in 6 Bänden, teils Lizenzausgaben für die WBG).

      München, Hanser - 1966 - Mischauflage. 22 Bände. 19 x 11,5 cm. Original-Leinen, teils mit Schutzumschlägen, teils mit Original-Kartonschubern. Schutzumschläge teils mit leichten Gebrauchsspuren, Rücken der Bände ohne Schutzumschläge teils ein wenig angestaubt und verblasst. Kleine private Bibliotheksnummer und Besitzeintrag jeweils auf Vorsatz aller Bände der Abteilung 4. Versand dieser Bücher nur innerhalb der Europäischen Union. The books will not be shipped to any destination outside the European Union.

      [Bookseller: Antiquariat Roland Gögler]
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