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Displayed below are some selected recent viaLibri matches for books published in 1965

        [Photographie originale] Flèches signalétiques sur une route de Bruxelles, ca 1965

      1965. Photo. Illus. by Jean-Michel Folon. Bon. Aucune reliure. 23,6 x 16,9 cm. Tirage gélatino-argentique d'époque. Au verso les mentions manuscrites "Folon" et "photo à restituer". Cette photographie - et plus particulièrement ce tirage (qui comporte exactement les mêmes défauts dans le coin supérieur droit) - apparaît dans les mains d'Yves Montand dans le film d'Alain Resnais "La guerre est finie" (vers la 52e minute, 40e seconde). Nous connaissons le négatif de cette photographie et pouvons donc sans le moindre doute l'attribuer à Folon. La flèche est un élément essentiel, récurrent, voire obsessionnel dans l'oeuvre de Folon. Il en photographiait lui-même énormément et demandait à ses amis de lui donner des tirages de clichés de flèches ou autres signes urbains qu'ils pouvaient prendre. Il semble que dans cette scène du film, où Yves Montand feuillette six tirages photographiques, dont cinq figurant des flèches signalétiques au sol, quatre des photos soient de Folon et une d'Alain Resnais (voir notre référence n° 3431). Nous joindrons une mauvaise photocopie d'une capture d'écran du film où l'on voit ce tirage dans les mains de Montand. Il est à noter que Folon a été présent sur le tournage du film, dont il a pris des photos (voir nos références n° 3475, 3476 et 3489). Folon est également cité dans le film (vers 41'30'' - 41'55'') : "On prépare un livre sur les villes, sur toutes les villes du monde... enfin, sur la manière dont la ville parle avec ses habitants et comment les gens dans la rue lui répondent... comment ça devient un langage... c'est compliqué à dire, mais en images c'est tout simple... Tu verras : on prend des photos des villes et on mélange avec des dessins de Folon et Topor. C'est moi qui ai fait la maquette avec Agnès. Bill s'en va au Brésil, alors on fait tout de suite le premier choix des photos avant son départ." Resnais avait montré en 1965 à Jorge Semprun, l'auteur du scénario, des dessins de Folon figurant des flèches, car il souhaitait que Semprun intègre Folon dans le scénario (cf. sa préface à "Folon, aquarelles, gravures et affiches", 1982). Notons enfin que Folon faisait faire la plupart du temps un unique tirage de ses photos, deux au maximum et souvent aucun. A part les défauts dans le coin supérieur du tirage, qui lui donnent une valeur "historique" ou du moins cinéphilique, en bel état..

      [Bookseller: Des livres autour (Julien Mannoni)]
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        THE TWENTY THIRD PSALM

      Worcester: Achilles J. St. Onge, [1965].. Miniature (9.2 x 7 cm). Full blue calf, stamped in gilt, a.e.g. Illustrated throughout in color by T. Tudor. Pencil gift acknowledgement by W. S. Lewis, else fine in very near fine dust jacket. One of an unspecified number of copies printed by Enschedé en Zonen, this being one of the preferred copies with the dedication intact. This copy bears an original drawing by Tudor, in pencil and brown ink, signed and dated 1969, on the preliminary blank. Wilmarth Lewis has written his initials in pencil again, beneath the drawing (of a man reclining and reading in a chair, surrounded by dogs and picture frames, smoking), but an acquaintance of Lewis declines to believe it resembles him.

      [Bookseller: William Reese Company - Literature ABAA-]
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        Midnight Cowboy

      Simon and Schuster 1965 - A near fine first edition (First Printing stated on copyright page) in a fine dust jacket (original price still on front flap), inscribed by Herlihy on the front free endpaper. Light dots of discoloration at top and bottom of covers. Otherwise book is fine and looks unread. [Attributes: First Edition; Hard Cover]

      [Bookseller: Bookbid]
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        The Far Side of the Dollar

      New York: Alfred A. Knopf,, 1965. Octavo. Original green cloth backed brown boards, titles to spine gilt, yellow top-stain. With the dust jacket. An excellent copy in the lightly rubbed jacket with slightly faded spine panel. First edition, first printing. Inscribed by the author, using his real name Kenneth Millar, on the front free endpaper "Feb. 8, 1965 Santa Barbara. For Stretch, with affectionate good wishes". Stretch was a Santa Barbara neighbor.

      [Bookseller: Peter Harrington]
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        A Way of Seeing: Photographs of New York by Helen Levitt with an essay by James Agee

      New York: Viking, 1965. First edition. Oblong, quarto. Fine in a fine dust jacket with one small closed tear. Signed by Helen Levitt on the title page. James Agee, dead ten years in 1965, had written his essay for the book in 1946… Although he may not have been the first writer to apply the word lyrical to Levitt's marvelously serendipitous images of urban street theater, his essay was for some time their most persuasive critical frame. In this edition, his text literally brackets the 50 photos, which are arranged in an episodic montage—bleak, antic, poignant; sometimes melodramatic, often comic—at once suggestively narrative and as ephemeral as a passing glance" (Roth, 178). In this timeless work, "Levitt's photographs are beautiful—major, underrated works. Like Henri Cartier-Bresson, she achieves a rare balancing act: her pictures have sentiment without being sentimental" (Parr & Badger II:252).

      [Bookseller: Raptis Rare Books, ABAA/ ILAB]
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        A Way of Seeing; Photographs of New York

      New York: The Viking Press,, 1965. With an essay by James Agee. Oblong quarto. Original black cloth, titles to front cover and spine in white. Illustrated with 51 mainly full page photographs. Minor scuffs to book, dust jacket rubbed to corners, small chip to head of spine. First edition, first printing. These photographs were taken over a number of years, starting in the 1940s, Levitt and Agee planned the publication in 1950, five years before Agee's death.

      [Bookseller: Peter Harrington]
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        A WAY OF SEEING. PHOTOGRAPHS OF NEW YORK With an essay by James Agee.

      NY: Viking, 1965. First ed. Levitt, Helen. Oblong 4to., 78 pp., 50 photo-plates. Bound in black cloth with photo-illustrated dw. The dw has two closed tears and a few chips and wrinkles along the lower edge of the front panel. Lower tips rubbed, otherwise a very good copy in dw. Helen Levitt and James Agee produced the work for this book in the late 1940's., but it was not published until Agree had already passed away.

      [Bookseller: Andrew Cahan: Bookseller, Ltd]
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        A Way of Seeing

      Viking, New York, 1965. First Edition. Hardcover. Very Good Condition/Very Good. Oblong 8vo - Jacket chipped at edges with some loss at spine ends and corners, a few surface marks, small tear and stain to rear inner flap; unclipped and still about very good. Wear to edges of black cloth, a bit heavier at corners; slight scattered browning to pages. Still an attractive copy and a vital evocation of New York and childhood. Size: 8vo - over 7¾" - 9¾" tall. Quantity Available: 1. Shipped Weight: Under 1 kilo. Inventory No: 043108. .

      [Bookseller: Pazzo Books]
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        God Bless You, Mr. Rosewater [Review Copy]

      NY: Holt Rinehart Winston. (1965). A review copy of Vonnegut's sixth book, one of the novels that began earning him a small but passionate following in the mid-1960s, before his breakthrough to the status of "major author," which came when Slaughterhouse-Five was published. Signed by the author with a self-caricature. Owner signature of cartoonist Claude Smith under front flap; very slight loss to spine lettering; otherwise a fine copy in a near fine dust jacket with some unnecessary tape strengthening on verso and slight dampstaining, also on verso. With press release laid in. In a custom clamshell case. . First Edition. Hardcover.

      [Bookseller: Ken Lopez Bookseller, ABAA]
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        There's No Vinism Like Chauvinism - Original Typed Manuscript

      - 8.5 by 11-inch sheets. 77 pages. First published in the April 1965 issue of Amazing Stories and later collected in The Best of John Jakes in 1977. Offered here is the complete, original manuscript with handwritten notes and changes. Also included are the two original publisher's mock-up pages with artwork for the story's title page and two sets of publisher's sheets representing the version that was finally published. The condition of this group is very good. Known primarily for his historical novels, much of Jakes' early writing was for the science fiction pulps. He was a prolific short story writer, even into the 1970s, and many of his works were first published in Amazing Stories. This lot provides both a glimpse into pulp magazine production as well as an opportunity to obtain Jakes manuscript material which is rarely offered.

      [Bookseller: SF & F Books]
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        The Dark is Rising Series: Over Sea, Under Stone; The Dark is Rising; Greenwitch; The Grey King; Silver on the Tree

      London: Jonathan Cape 1965-1977. First British editions and true firsts of each book in the Dark is Rising Sequence. Octavo, 5 volumes. Each copy is signed or inscribed by the author. Each are in excellent condition in dust jacket. A very rare set, especially signed. One of the most celebrated fantasy sequences of all time, The Dark Is Rising is a searing, epic rendering of the eternal conflict between good and evil. It was inaugurated in 1965 with the U.K. publication of Over Sea, Under Stone by Jonathan Cape. The sequels were published 1973 to 1977, volume four, The Grey King (1975), won both the Newbery Medal, recognizing the year's "most distinguished contribution to American literature for children", and the inaugural Welsh Tir na n-Og Award for English-language books with Welsh background. The concluding Silver on the Tree (1977) also won the annual Tir na n-Og Award.

      [Bookseller: Raptis Rare Books, ABAA/ ILAB]
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        DE GOUPIL A MARGOT. HISTOIRES DE BETE

      Bruxelles: Editions Terres Latines, (1965). First Edition. Decorated Wraps. Fine in chemises and slipcases. Andre Collot. Two octavo (6-3/4" x 8-3/4") volumes of unbound sheets in printed wrappers laid into cloth chemises with matching slipcases. Illustrated in color pochoir by Andre Collot. Of a total of 1600 copies, this is Copy #1 SIGNED with all of the ORIGINAL PENCIL DRAWINGS for the illustrations and layout sketches for the book housed in the second volume, nearly 150 pieces of original art.

      [Bookseller: Charles Agvent]
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        Crucifix in a Deathhand

      New York: Lyle Stuart. 1st Edition. Soft cover. Fine. FIRST EDITION, one of only 3100 copies, SIGNED AND DATED BY BUKOWSKI ("Charles Bukowski / 3-15-65") on the blank preceding the colophon. With the rare wrap-around band. A magnificently illustrated and printed book with illustrated paper covers, leaves of varying widths and colors with deckle fore edges, cover etching and four full page black and white etchings. From the colophon: "Thirty-one hundred copies of this first edition hand-set in Bulmen Roman, American Uncial & others, have been printed, hand-fed in single-page impressions, on Linweave Spectra paper in shades of ivory, white, peacock, gobelin, bayberry, bittersweet & saffron, on an 8 by 12 C. & P. letterpress in New Orleans. Edited, designed, printed and handbound by Loujon Press editors Louise and Jon Webb, with delivery begun in April 1965 of books as they were completed to publisher Lyle Stuart, Inc., N.Y.C." New York: Lyle Stuart, 1965. Folio (8.5 x 12.5 in.), original wrappers; original wrap-around band. A FINE COPY.

      [Bookseller: The Manhattan Rare Book Company]
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        Daily Mirror Book / Kwadraatblad

      Hilversum: Steendrukkerij de Jong & Co, 1965. First Edition. Hardcover.. Near Fine. 25 x 25cm. 60 loose sheets. Housed in the original cardboard packaging (which is not usually present). Packaging is split on both sides, contents fine. Text in English, French, Dutch and German. One of 1000 copies. More images available on request. Insanely rare artists book. Legendary Roth/Kwadraatblad collaboration. Very few copies have survived. Currently on show at the Museum of Modern Art in New York is showing this edition in the exhibition Wait, Later This Will Be Nothing: Editions by Dieter Roth. Engaged in many facets of artistic production, from painting and drawing to writing poetry and music, Dieter Roth (Swiss, born Germany, 1930Ð1998) never settled with one style or in one place for long. Among the few constants in RothÕs output was his engagement with editioned mediumsÑbooks, prints, and multiplesÑwhich he made, beginning in his student days, until the end of his life. In experimental projects he radically expanded the definitions of these established formats, spreading his printing plates with organic materials in lieu of ink, filling sausages with ground paper instead of meat, submerging plastic toys in chocolate, and producing a dazzling array of variations on printed postcards. Wait, Later This Will Be Nothing: Editions by Dieter Roth focuses on the artistÕs incredibly innovative and prolific period between the late 1950s and the early 1970s. The exhibition takes its title from a phrase in Snow (1964/1969), a major book project that marked a turning point in RothÕs approach, away from the rigorous, abstract visual language of his early work to an embrace of chance, the everyday, and accumulation. Its pages reflect the mind of the artist at work and are a trove of information about his creative process, plans for future works, literary and technical experiments, thoughts on artistic colleagues, and much more. Snow and the artistÕs subsequent radical experiments with editioned formats challenged traditional notions of beauty and offered an expanded definition of art in the twentieth century.

      [Bookseller: november-books]
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        UNSAFE AT ANY SPEED (signed 1st)

      Grossman Publishers, New York 1965 - Grossman Publishers. New York. First edition, stated first printing. 1965. Signed / Flatsigned in person by Ralph Nader directly to the title page. Signature only, no inscription. 365 pages. Book is tight, bright and clean. Clean, red cloth panels with Silver titling on the spine. Original first issue DJ with $5.95 price intact. Red topstain. The only thing keeping the book from grading higher is a slight lean. Black DJ is not as nice as the book as the DJ shows imperfections with rubbing, a few chips and a couple of closed tears. A VG copy of the classic in an aesthetically flawed dj. In March 1999, the New York Times published a list of the top 100 books in journalism excellence. The panel consisted of 36 judges and was compiled by New York University's School of Journalism. Unsafe at Any Speed ranked 38th among the top 100 pieces of journalism of the 20th century. [Attributes: First Edition; Hard Cover]

      [Bookseller: Medium Rare Books LLC]
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        Heraclitus of Ephesus

      Joan Miro'. Adrien Maeght, Paris 1965. Total edition 75 copies, of which this is the N 49, signed by Miro' in pencil on colophon.Portfolio with 10 original etchings loose in a cover of RIves wove paper with flaps, and a second etching in Black on the front. In the original orange silk board, in sleepcase. Ref: Cramer #98. Very good.

      [Bookseller: Marninart, Inc (ABAA-ILAB)]
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        Modern Chess Openings

      New York: Pittman Publishing, 1965. Octavo, original half cloth. Inscribed by Chess grandmaster Larry Evans. Fine in a very good dust jacket. This is the first printing of the tenth edition of this classic work, which was the first time it was completely revised by Larry Evans. Rare signed and inscribed by this chess grandmaster. Larry Evans was the American chess grandmaster who won or shared the U.S. Chess Championship five times and the U.S. Open Chess Championship four times. He wrote a long-running syndicated chess column and wrote or co-wrote more than 20 books on chess. Modern Chess Openings explores the tactics he used to play against formidable opponents like Daniel Yanofsky or Bela Berger.

      [Bookseller: Raptis Rare Books, ABAA/ ILAB]
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        Molecular Biology of the Gene

      New York: Benjamin, 1965. First edition of the Nobel Prize-winning scientist's first book preceding "The Double Helix". Signed by Watson on the title page. Octavo, original illustrated wrappers as issued. In very good condition. Written three years before Watson's capstone, The Double Helix, The Molecular Biology of the Gene set a new standard for textbooks, particularly through the use of concept heads-brief declarative subheadings. Watson provided a historical basis for molecular biology, concise descriptions of fundamental chemical concepts, and a discussion of standard techniques and model organisms commonly used in molecular biology studies. The Molecular Biology of the Gene can be seen as Watson laying groundwork for what would culminate with the publication of The Double Helix.

      [Bookseller: Raptis Rare Books, ABAA/ ILAB]
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        Storyville, Volume 1 through Volume 158 (consecutive and nearly complete run of the magazine)

      Storyville Publications, Essex, Great Britain 1965 - Softcover magazine--6 1/4" x 8" format. Lot (not bound) contains 158 consecutive issues of the magazine, from the first, in October 1965, to issue number 158 in June 1994. (There were a few additional issues published between 1984 and 1995--see below.) All issues in very good or better condition. Each issue of this noted British magazine for collectors of classic jazz and blues records contains several articles, reviews, photos, discographies, and ads. Each issue about 40 pages. There are two copies of issue #119. One has a signed, typed note from the editor (to a subscriber) laid in. From an obituary for editor Lawrence (Laurie) Wright, who died in 2010: "Issue 1 appeared in October 1965. Initially a typical enthusiasts’ fanzine it grew rapidly into what became a peer-reviewed journal of scholarship overseen by Laurie and The Storyville Team. Laurie bought a used Gestetner offset printer to print the publication, which was then collated, folded, stapled and trimmed on equipment ranging from Victorian in vintage to home-made, by other members of the Team. The entire text was prepared for plate-making by Team members on four Olympia typewriters with a Congress-Elite font, using manual half-and quarter-spacing to justify the print columns, first by inspired guesswork then acquired skill, saving typesetting cost. In 1973, Dave French and an IBM Compositor joined the effort, saving labor, eyesight and operator patience, and taking the efficiency level a step beyond Gutenberg. This volunteer crew made the bi-monthly operation financially achievable, inspired substantially by Laurie’s impetus. The schedule was maintained, with very few hiccups; these largely caused by external forces such as postal strikes (another nationally British trait) for 162 issues up to June 1995, upon which Laurie published four biennial volumes, solo, up to 2003. Laurie used his time in retirement thereafter, to carry out detailed analyses of the African-American press, which brought to light a mass of additional data and a postulated re-dating of the activities of the Paramount record label." Special shipping arrangements may be necessary for overseas orders. [Attributes: First Edition; Soft Cover]

      [Bookseller: Warwick Books, member IOBA]
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        Four

      Santa Fe: Institute of American Indian Arts, 1965. 1st, an oblong folio 11.75" x 18", in cloth in shades of orange to red with a leather spine over the cloth spine, and a pasted on illustration. Printed on heavy brown paper like grocery-bag paper, accordion-style with each page folded double. The content is poems and artwork by students at the IAIA, printed entirely by silkscreen. Additionally there are tipped in lino- and woodcuts. Colophon on the rear pastedown reads: "Designers, Editors, Printers: Betty Frazier, David Louis, Emerson Blackhorse Mitchell, Elizabeth Runnels, Evan Stewart, Ermon Dick. Faculty Consultants: Terry Allen, William Witherup, Allen Saubel, Seymour Tubis. Reproduction: Woodcut, Linoleum Cut, Silk Screen. Edition Limited: 100." one full page is a contribution by Mitchell, a recipe for Navajo Corn Ice Cream. "Before you start to prepare corn ice cream, your hands have to be washed with the soap of the yucca plant. This makes the corn sweet with its taste." A beautiful and fascinating rarity. This copy is good plus; It has been damp and the boards are bowed; there is a faint waterstain at the top of some pages.. First Edition. Hard Cover.

      [Bookseller: Page One, Too; Antiquarian Books]
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        A Thousand Days: John F. Kennedy in the White House

      Boston: Houghton Mifflin Company, 1965. First edition. Octavo, original black cloth. Fine in a near fine Inscribed by the author, "For Frank and Edith with admiration and affection Arthur M. Schelsinger Jr." The recipient was Frank McCulloch, who was chairman of the National Labor Relations Board and is mentioned in this volume. Also laid in is a memorial service bulletin for McCulloch. There is a quote in the bulletin from Schlesinger, which reads, "He brought civility into labor- management relations, and humanity into politics. I wish there were more Frank McCullochs around today." One of the few now classic works regarding the Kennedy White House years. A nice association. Winner of the Pulitzer Prize and the National Book Award, this is the classic study of the presidency of John F. Kennedy as told by a master historian who had the advantage of personally witnessing the great and tragic events of which he writes. "Of all the Kennedy books . . . this is the best." (Time).

      [Bookseller: Raptis Rare Books, ABAA/ ILAB]
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        [Type Specimen] ImpPress Typebook: Being a Complete Showing of Typefaces, Borders, Dingbats, Miscellanea Available at the Aforementioned

      (Houston, TX: ImpPress, 1965). Small octavo. (12)ff. One of 150 copies, signed by the artist and printer, Dugald Stermer. A quirky type specimen book printed on various colors of paper, in many colors of ink. With full-page illustrations, including a cartoonish frontispiece of a man with a printing press in the top of his head, as well as typographic ornaments and engravings that include the headings from 19th-century almanacs. The ImpPress Typebook is characterized by Stermer's sense of humor: Stermer writes in the colophon that this type sample book was "...primarily intended as a means by which the Prop is cutting down smoking. It is almost impossible to set type and smoke simultaneously." Although best known as a San Francisco-based illustrator, designer, and art director who worked for such influential magazines as Ramparts and Mother Jones, Dugald Stermer started the ImpPress while living in Houston, Texas during the 1960s. He became inspired to print after he was given a small printing press and some assorted type by his wife for Christmas. From the library of Ben and Bernarda Shahn, with a label laid in designed by their son, Jonathan Shahn. A small library label to front cover, else fine in black printed wrappers. A scarce book: no copies are recorded in OCLC.

      [Bookseller: Bromer Booksellers]
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        The Girl from Farris's

      Kansas City, MO.: House of Greystoke, 1965 This is actually the Second Edition, but the FIRST THUS, and is 1 of 50 unnumbered copies bound by the publisher, Vern Coriell, in hardcover. Contains a Frontispiece by Frank Frazetta and "A Pictorial Bibliography of The Girl from Farris's". (Preceded by the unauthorized Wilma Company edition issued in 1959 in a 250-copy total print-run comprised of 170 hardcover copies and 80 with paper covers, at a Lilliputian size of 3 5/8 inches by 4 3/8 inches, with the 48 pages reproduced at 1/6th size from typewritten pages.) This edition is 7 x 10 inches, 76 pages, and sewn-in-stitches and bound in blue cloth with the title gold-stamped on the front cover. RARE! [NOTE: Any book listed as a First Edition will also ALWAYS be a 1st Printing.]. First Thus. Hard Cover. Fine/Issued Without Jacket. Illus. by Frank Frazetta. Limited Edition.

      [Bookseller: Best Condition Books]
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        SIXTEEN POEMS IN VERSE & WOOD. Wood cut & engraved by George Lockwood.,

      Boston: Impressions Workshop, Cricket Press, 1965. - 9 x 9 1/2. 17 French-fold leaves. A color engraving (on the left) faces a poem (on the right). Brown boards, side-stitched, label on upper cover, marbled endpapers. Small bookplates of Harold Hugo & family member on blank. A 45-RPM recording of the poet reading his poems, in rear pocket. Fine in slipcase. No. 48 of 150 copies, signed by Lockwood & Bockes. Beautifully printed in Venezia type. The poems were written to accompany the wood engravings. A handsome book. [Attributes: Hard Cover]

      [Bookseller: Veatchs Arts of the Book, ABAA]
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        A California Landscape

      Arroyo Grande, CA: Garland Publishing Company, 1965. A few light creases and general wear; very good in photo-illustrated wrappers.. First Edition. Oblong octavo (5 X11), 64 pp. A photographic artist's book published by nineteen year old Jeff Lovelace, with an introductory poem by John Matlack. (A trade edition in a different, less avant-garde format was published by Studio Press, Berkeley, in 1968; that edition, while uncommon in commerce, is easily located in OCLC, while the current offering is referenced only three times, and not in California.) 37 black and white images including the covers, photographed in and around Santa Maria, California, home of Vandenburg Air Force Base, and consisting of shots juxtaposing the base, the natural landscape, and the town, with Lovelace's prose interspersed. Very compelling production, perhaps just shy of brilliance and hindered by a youthful kitsch, but little-known and deserving of a place in the pantheon of sixties artist's books.

      [Bookseller: Harper's Books, Inc.]
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        De danskes øer. Danmarks store øer. De jyders land. 7 bind.

      Grafisk Forlag, 1965. 2. udg. Indb. rødt halvlæder med guldtopsnit. Ryggen dekoreret med vibe. (Anker Kysters Eftf.). Et par rygge med let blegning. I øvrigt et smukt og rent ex.(Porto kr. 40,- på brevforsendelser i Danmark)

      [Bookseller: Bøger & Kuriosa]
 26.   Check availability:     Antikvariat     Link/Print  


        No Easy Walk To Freedom: A Firsthand Report of the Struggle of Apartheid

      London: William Heinemann, 1965. First British edition of Nelson Mandela's classic account of the struggle against South Africa's apartheid system. Octavo, original boards. Signed and dated by Mandela. This volume contains his famous speech at the Rivonia Trial; now regarded as among the greatest speeches ever given. His closing statement is captured for the first time in this volume that states, "During my lifetime I have dedicated myself to this struggle of the African people. I have fought against White domination and I have fought against Black domination. I have cherished the ideal of a democratic and free society in which all persons live together in harmony and with equal opportunities. It is an ideal which I hope to live for and achieve, but if need be, it is an ideal for which I am prepared to die." Near fine in a near fine dust jacket with just a touch of wear. An exceptional copy of this classic, most rare signed. There is no easy walk to freedom anywher, and many of us will have to pass through the valley of the shadow of death again and again before we reach the mountain tops of our desires" (Nelson Mandela, September 1953).

      [Bookseller: Raptis Rare Books, ABAA/ ILAB]
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        Pinktoes

      New York: Putnam/Stein And Day, 1965. First edition. Hardcover. Hardcover. First edition. A near fine book in a very good dust jacket. Slight spine lean to the book. As with most copies of this book there is fading to the jacket spine. A satirical novel of inter-racial marriage. Signed by Himes on the title page.

      [Bookseller: Sawtooth Books]
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        ANDY WARHOL. 20 de julio al 14 de agosto 1965. Galería Rubbers

      Buenos Aires 1965 - Raro catálogo ilustrado en azul, rosa y negro. Texto en inglés y español por Jorge Romero Brest. Sin encuadernar, sin paginar, 8 pgs. aprox. Exposición 154, sala 1, Galería Rubbers, Florida 910, Bs. As. Auspiciado por el Servicio Cultural e Informativo de los Estados Unidos. Artista representado por Leo Castelli de New York. Illustrated in blue, pink and black. Text in english and spanish by Jorge Romero Brest. [Libro en Español / Book in Spanish] === ARTE - CATALOGOS ===

      [Bookseller: Buenos Aires Libros]
 29.   Check availability:     IberLibro     Link/Print  


        Sixteen Poems in Verse and Wood

      Boston: Impressions Workshop Inc./Cricket Press, 1965. Square quarto. (16)ff. One of 150 copies, signed on the colophon page by the poet, Bernard Bockes, and the illustrator, George Lockwood. Illustrated with fifteen fanciful woodcuts by Lockwood depicting insects, bats, dragons, and mythical beasts. Some are monochromatic prints, but others incorporate many different layers of colors. Lockwood, who studied under Joseph Albers at Yale, and then worked with Leonard Baskin in the late 1950s, co-founded Impressions Workshop with his wife, Margaret in 1960. Bockes drew on the illustrations for inspiration in composing his poems. The final illustration of the book is a portrait of the two men, printed in orange, black, and white. Accompanied by a record of the poet reading his poems, housed in a pocket in the back of the book. Bound in stab-sewn brown paper-covered boards with a printed label. Fne in a matching slipcase.

      [Bookseller: Bromer Booksellers]
 30.   Check availability:     Biblio     Link/Print  


        A Way of Seeing: Photographs of New York by Helen Levitt with an essay by James Agee

      New York: Viking Press. (1965). First. First edition. Oblong octavo. Spine a little sunned, bottom corners a little bumped, a very good copy lacking the dustwrapper. Parr and Badger, The Photobook Volume 1, p. 252-253; Hasselblad, The Open Book, p. 214-215; Roth. The Book of 101 Books, p. 178-179. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
 31.   Check availability:     Biblio     Link/Print  


        A Dialogue With Solitude

      New York: Comunity Press, 1965. First edition of the photographer's seminal work, one of the great photobooks of the second half of the twentieth century. Tall quarto, original gray cloth. Signed by the photographer. Light wear, else fine in a near fine dust jacket with very light wear. A Dialogue with Solitude is an assemblage of photographs into poetic sequence, entailing a mere hundred pages. Dave Heath had envisioned it in a larger format, and its meager size was not his original intent. Regardless, it was an instant hit, and collectors have sought it out for over four decades. "A Dialogue With Solitude is a period piece that resonates" (Village Voice). "A book that has achieved cult status," Heath's photobook is particularly noted for its attempt "to photograph internal emotions… [by investigating] the essential solitude of an individual through a series of sequences" (Parr & Badger II:104).

      [Bookseller: Raptis Rare Books, ABAA/ ILAB]
 32.   Check availability:     Biblio     Link/Print  


        To Fear a Painted Devil

      London: John Long, 1965. Black cloth with gilt lettering to spine in decorated dust jacket. One half inch L shaped punch in rear board and dj expertly repaired. Ex libris but all stamps expertly removed. A shaken book but sound in beautiful dust jacket. Author's 2nd book. Relatively rare. Scans available on request.. 1st. Cloth. VG-/VG-. Octavo.

      [Bookseller: Contact Editions]
 33.   Check availability:     Biblio     Link/Print  


        WHERE'S THE REST OF ME?

      New York: Duell, Sloan & Pearce, (1965). First Edition. Hardcover. Near Fine in Very Good, price-clipped dustwrapper. Fourth Printing of Reagan's first book. Illustrated with photographs. Written prior to Reagan's successful 1966 run for Governor of California, this book recounts Reagan's career in Hollywood. INSCRIBED and SIGNED by the late President on the front endpaper: "To Helen ---/With Best Wishes /Ronald Reagan.

      [Bookseller: Charles Agvent]
 34.   Check availability:     Biblio     Link/Print  


        Anyone Can Whistle: A Musical Fable

      New York: Random House, 1965. First edition. Octavo, original cloth. Warmly Inscribed by both Arthur Laurents and Stephen Sondheim. Light wear, else near fine in a near fine bright jacket without the fading usually encountered with the spine. Anyone can whistle is a play written by the same author of the West Side Story, and it was performed on Broadway in 1964, Carnegie Hall concert in 1995, and the New York City Center Encores in 2010. The New York Times wrote that Laurents' "book lacks the fantasy that would make the idea work, and his staging has not improved matters. Mr. Sondheim has written several pleasing songs but not enough of them to give the musical wings. The performers yell rather than talk and run rather than walk. The dancing is the cream." And Steven Suskin wrote, the "fascinating extended musical scenes, with extended choral work, ... immediately marked Sondheim as the most distinctive theatre composer of his time. The first act sanity sequence ... and the third act chase ... are unlike anything that came before.

      [Bookseller: Raptis Rare Books, ABAA/ ILAB]
 35.   Check availability:     Biblio     Link/Print  


        Le Musee de l'Homme suivi de La Peche au Soleil Levant

      Galerie Alexandre Iolas. PAPERBACK. illustrated wraps tipped-in plates original etching by Max Ernst signed in sand colored cloth chemise and slipcase no. 100 . Very Good. 1965.

      [Bookseller: San Francisco Book Company]
 36.   Check availability:     Biblio     Link/Print  


        THE MOUNTAIN MEN AND THE FUR TRADE OF THE FAR WEST

      Glendale: Arthur H. Clark Company, 1965-1972.. Ten volumes. Original brown cloth, gilt-stamped spines. Near fine. The first and second volumes in this series are notoriously hard to find. A standard and important reference in Western Americana. CLARK & BRUNET 108.

      [Bookseller: William Reese Company - Americana]
 37.   Check availability:     Biblio     Link/Print  


        A Dialogue with Solitude.

      New York: A Community Press Publication, Horizon Press, 1965 - Quarto. Original grey cloth, titles to spine in black, grey endpapers. With the dust jacket. Minor rubbing to corners, a bright copy in lightly edge nicked dust jacket, sellotape repair to recto and verso of small tear to head of front panel. Photographic illustrations throughout. First edition, first impression. Heath's best regarded work and one of the modern photobook classics. Parr & Badger.

      [Bookseller: Peter Harrington. ABA member]
 38.   Check availability:     AbeBooks     Link/Print  


        Original Silkscreen Poster: Untitled [Portrait of Pete Seeger]

      N.p. 1965 - Original four-color screenprint, 89cm x 57cm (ca 35" x 22-1/2"), on heavy white poster stock. Signed in pencil lower right, dated 1965. Light edgewear; darkening and adhesive tape remnants to verso; image bright and clean - Very Good to Near Fine. Striking portrait of a folksinger with a twelve-string guitar. Though untitled, the image bears a strong resemblance to Newman's 2009 poster-portrait of Pete Seeger, who we strongly suspect is the subject of this piece as well. Rare image by the talented West Coast printmaker Earl Newman (b. 1930), who began designing posters for the California music scene in the late 1950s. Some of his best-known designs have been his annual posters for the Monterey Jazz Festival, which he began producing in 1963.

      [Bookseller: Lorne Bair Rare Books, ABAA]
 39.   Check availability:     AbeBooks     Link/Print  


        Le peintre et son modele. DELUXE edition, with signed etching by Picasso.

      Le peintre et son modele. DELUXE edition, with signed etching by Picasso. Parmelin, Helene. Paris, Editions Cercle d'art. 1965 4to. Full cloth, the cover printed in colors with a drawing after Picasso. One of the 150 DELUXE copies with one original etching signed in pencil by Pisasso. Fine condition. Ref: Cramer 130, Bloch 1139.

      [Bookseller: Marninart, Inc (ABAA-ILAB)]
 40.   Check availability:     Biblio     Link/Print  


        The Painted Bird

      Boston, Houghton Mifflin, 1965. 2nd Edition. Signed, inscribed and dated by the author. Subjects: World War, 1939-1945--Europe, Eastern--Fiction. Poland--History--Occupation, 1939-1945--Fiction. Abandoned children--Fiction. [Positively revised from the first edition becoming, as a consequence the author's definintive edition]. Fine cloth copy in a near fine, very slightly edge-nicked and dust-dulled dw, now mylar-sleeved. Remains particularly and surprisingly well-preserved; tight, bright, clean and sharp-cornered.

      [Bookseller: MW Books Ltd.]
 41.   Check availability:     Biblio     Link/Print  


        DER BEMALTE VOGEL [THE PAINTED BIRD]

      [Bern & Munich]: Scherz Verlag, [1965].. 343,[1]pp. Gilt cloth. About fine, in edgeworn, slightly nicked and frayed dust jacket, with two short tears at lower edge of upper panel.. First edition in German of the author's controversial first novel, translated by Herbert Roch. The dedication copy, inscribed in Kosinski's hand below the printed dedication to his first wife, Mary: "...and without whom this life would have no other aspect than that of the absurd -- with all my feelings of love and devotion. Jurek. Bern, September 1965." Kosinski's use of "Jurek," the name he adopted while in Europe for protection from possible anti-Semitic persecution due to his given name ("Józef Lewinkopf"), is curious. Kosinski and his first wife, Mary Hayward Weir, were divorced in 1966; she died shortly thereafter.

      [Bookseller: William Reese Company - Literature ABAA-]
 42.   Check availability:     Biblio     Link/Print  


        Plain Song

      W. W. Norton, New York 1965 - 69 pages. First edition, first printing. His first book, one of only 1500 copies printed. Signed by Harrison on the first title page. Fine book in a fine dust jacket. A beautiful copy! [Attributes: Hard Cover]

      [Bookseller: Fireproof Books]
 43.   Check availability:     AbeBooks     Link/Print  

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