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Displayed below are some selected recent viaLibri matches for books published in 1965

        The Man With the Golden Gun

      London: Jonathan Cape, 1965. 221 pp. Approximately 5 x 7 1/2". 1st edition, second state. Pictorial dustjacket in very good plus condition, price of 18s net on inside flap, minor tear and soiling. Black cloth over boards with gilt title on spine, First published 1965 on copyright page, green and white patterned endpapers, slight spotting on top edge, otherwise, near fine condition. The thirteenth novel in the James Bond series, adapted to the movies in 1974 starring Roger Moore as James Bond and Christopher Lee as the assassin, Scaramanga

      [Bookseller: The Book Lair]
 1.   Check availability:     Biblio     Link/Print  


        Hear Martin Luther King

      New York: [American Committee on Africa], 1965. Zinc printing plate (12 1/4" X 16 1/4"), a relic mounted on hardwood, for the "Rally on Human Rights Day" Dec. 10, 1965, to "Benefit South African Victims of Apartheid" (raising money for the legal defense and family support of political prisoners, including Nelson Mandela). Fine condition, eyelet and wire on verso. The plate was used, posters were printed, but no copies are known, though I located 2 extant examples of a smaller leaflet with similar text. The Hunter College (NY) rally included Dr. King, Miriam Makeba, Leon Bibb, Pete Seeger, and H. E. Achkar Marof, chairman of the U. N. Committee on Apartheid (and Guinea's Delegate to the U. N.). A unique 1960s vestige, and the opening nexus formally unifying the Civil Rights and Anti-Apartheid movements.

      [Bookseller: Biblioctopus]
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        The British Museum is Falling Down

      First edition. 8vo., original brown cloth, dust jacket. London, MacGibbon & Kee.

      [Bookseller: Maggs Bros. Ltd.]
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        Disegno originale, datato e firmato, sul foglio di guardia di: 'Milano', di Giulia Pirelli e Carlo Orsi

      1965. Inchiostro nero su carta. Una elaborata dedica «A Ferdinando Giannessi l'amico Dino», vergata in cubitale a occupare tutto il primo foglio di guardia del volume, è affiancata da due scene: un profilo di Milano su cui campeggiano la torre Velasca e i pinnacoli del Duomo, quindi una folla di pedoni e veicoli in miniatura con nota a piè pagina a individuare, nel mucchio, tal «Gaspare Colombo». Giannessi (1921-1979) è stato un prolifico critico letterario, docente di letteratura italiana all'Università Bocconi di Milano.

      [Bookseller: Libreria Pontremoli]
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        A SENSE OF WHERE YOU ARE: A Profile of William Warren Bradley.

      Farrar, Straus (1965)., New York: - First edition of the Pulitzer Prize-winning AUTHOR'S FIRST BOOK. Illustrated with photographs of Bradley in action as "the greatest player in the history of the Ivy League." INSCRIBED BY THE FUTURE SENATOR, "For ---- Thanks. Bill Bradley". Slight lean to signatures at head of spine otherwise bright and near fine; in price-clipped dust jacket with minor professional repair to corners and spine ends (otherwise bright and near fine). [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Quill & Brush, member ABAA]
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        CONFESSIONS OF A MAN INSANE ENOUGH TO LIVE WITH BEASTS

      Bensenville: Mimeo Press, 1965. First edition. Paperback. A near fine copy in saddle-stitched wrappers, as issued. One of 500 copies. The author's first book of prose, and the introduction to one Henry Chinaski, Bukowski's alter-ego. This copy is inscribed by Bukowski to Cert Secunda, and dated '8-14-66." With an original signed typescript poem titled "A Bottomless Joint On Sunset Near Western." This poem was published in 1969, in Stooge, #3. The publisher, Doug Blazek, announcing the book said, "it would be indecent to say something about Buk. Words do him no honor. the man himself is his greatest tribute." Krumhansl 17.

      [Bookseller: Ed Smith Books ]
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        Force de la mer in folio (53,5/38 cms)en feuillets sous emboitage toilé bleu, 10 pages de texte en fac-similé du manuscrit sur fond de couleur lithographié ,complet des 6 lithographies originales de Jean Helion chacune signée par le peintre. Tirage à 6 exemplaire numéroté. Exemplaire n° 42

      Brunidor Robert Altman Livre illustré 1965 - Très bon état

      [Bookseller: LIBRAIRIE EXPRESSIONS]
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        In Cold Blood

      New York: Random House, 1965. First edition of Capote's landmark non-fiction novel. Octavo, original cloth. Signed by both Truman Capote and Harper Lee on the half-title page. Fine in a near fine dust jacket with a touch of shelfwear. Jacket design by S. Neil Fujita. This is the first example we have seen signed by both Capote and Lee. "Until one morning in mid-November of 1959, few Americans--in fact, few Kansans--had ever heard of Holcomb. Like the waters of the river, like the motorists on the highway, and like the yellow trains streaking down the Santa Fe tracks, drama, in the shape of exceptional happenings, had never stopped there." If all Truman Capote did was invent a new genre--journalism written with the language and structure of literature--this "nonfiction novel" about the brutal slaying of the Clutter family by two would-be robbers would be remembered as a trail-blazing experiment that has influenced countless writers. But Capote achieved more than that. He wrote a true masterpiece of creative nonfiction. In Cold Blood established Capote as the "herald of a new genre, ‘the non-fiction novel,' which recognizes the convergence of fiction and fact in times of outrage, the insane surrealism of daily life" (Hart, 122; Allen, 247). "The best documentary account of an American crime ever written. . . . The book chills the blood and exercises the intelligence . . . harrowing" (The New York Review of Books).

      [Bookseller: Raptis Rare Books]
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        A Collection of Photo Negatives

      Fine. A collection of 119 photo negatives taken by Arthur Knight, along with all rights, of authors and screenwriters from the 1950s, including Aldous Huxley, Henry Miller, Ray Bradbury, Kenneth Patchen, Lawrence Ferlinghetti, Louis L'Amour, and Philip K. Dick, whose photo negative included here was used on the first edition jacket of his science-fiction classic, The Man in the High Castle. The negatives measure 4" x 5" and are housed in individual sleeves labeled by Knight. They are accompanied by twenty-seven 8" x 10" proof sheets showing four images each; six 3.5" x 6" sheets with one image each; two 8" x 10" photos of Huxley; and five 8" x 10" photos of Patchen. Most of the proof sheets are marked in wax pencil and numbered; the proofs of Huxley and Patchen have Knight's stamp on the verso. Overall fine with about twenty of the negatives with holes punched through part of the image but not obscuring any of the faces. Knight was a writer, editor, and photographer who became involved in the Beat and counterculture scene as a young man in Southern California. He became interested in photography as a teenager and used his close proximity and personal relationships with several authors to open doors to other potential subjects. As a result, his photos have appeared on or in more than 200 dustwrappers and magazines, including several present in this collection. The most notable of the bunch is a photo negative of a young and clean shaven Philip K. Dick, which appeared as the author photo on the dustwrapper of the first edition of his 1965 Hugo Award-winning novel, The Man in the High Castle. An additional unpublished image of Dick from the same photo session is also included with this collection. Knight has included an eight-page list of all the photo negatives with comments about various writers including his first impression, how they met, and the situation in which they were photographed. For example, Knight remembers shooting Dick in his shabby apartment and how quiet and particularly unassuming he was: "It was almost as if he weren't there (or I wasn't) when I shot this." He recounts that writer Kenneth Rexroth asked for Knight's ex-girlfriend's phone number right after the latter broke up with her. Knight also describes waiting to photograph Huxley while the author ate dinner ("almost tearing at a steak"), and that Henry Miller said the final photograph gave Huxley "character he didn't possess." A wonderful collection of vintage photographic negatives, with their usage rights. Negatives: 1. HUXLEY, Aldous 2. VAN VOGT, A.E. 3. BLACKBURN, Tom 4. ALLEN, Henry (who wrote as Will Henry and Clay Fisher) 5. ALLEN, Henry 6. ALLEN, Henry 7. WELLS, Lee and Will Cook 8. COOK, Will 9. BLACKBURN, Tom 10. BLACKBURN, Tom 11. COOK, Will 12. CUNNINGHAM, John 13. CUNNINGHAM, John 14. JENNINGS, John 15. PIERCE, Dick 16. FINNEY, Jack 17. ROSCOE, Mike 18. ROSCOE, Mike 19. ROSCOE, Mike 20. SNOW, Charles 21. JENNINGS, John 22. JENNINGS, John 23. BRADBURY, Ray 24. BRADBURY, Ray 25. MILLER, Henry 26. BRADBURY, Ray 27. GEER, Andrew 28. GEER, Andrew 29. KYNE, Peter B. 30. KYNE, Peter B. 31. ROSE, Virgie E. 32. ROSE, Virgie E. 33. SHULMAN, Irving 34. SHULMAN, Irving 35. SHULMAN, Irving 36. TOMPKINS, Walker 37. TOMPKINS, Walker 38. CONRAD, Barnaby 39. CONRAD, Barnaby 40. CAEN, Herb 41. CAEN, Herb 42. CAEN, Herb 43. McCHESNEY, Mary (who wrote as Joe Rayter) 44. THOMPSON, Thomas, and family 45. McCHESNEY, Mary 46. CAEN, Herb 47. LOTT, Milton 48. LOTT, Milton 49. COOK, Will, L.P. Holmes, and Thomas Thompson 50. THOMPSON, Thomas and family 51. L'AMOUR, Louis 52. URIS, Leon 53. LIPMAN, Clayre and Michel 54. URIS, Leon 55. L'AMOUR, Louis 56. CHARTERIS, Leslie 57. PATCHEN, Kenneth 58. NORRIS, Kathleen 59. NORRIS, Kathleen 60. KUTTNER, Henry with his wife, C.L. Moore, also a writer 61. KUTTNER, Henry 62. Fictioneers Dinner (with William Campbell Gault and possibly Richard Matheson) 63. DICK, Philip K. 64. DICK, Philip K. 65. BURNETT, W.R. 66. PATCHEN, Kenneth 67. WEST, Jessamyn 68. HUXLEY, Aldous 69. WEST, Jessamyn 70. WEST, Jessamyn 71. WEST, Jessamyn 72. GRUBER, Frank 73. GAULT, William Campbell 74. GRUBER, Frank 75. GANN, Ernest K. 76. GANN, Ernest K. 77. GAULT, William Campbell 78. CHARTERIS, Leslie 79. MILLER, Henry 80. MILLER, Henry and Arthur Knight 81. WOLFE, Reese 82. GANN, Ernest K. 83. ACKERMAN, Forrest 84. CHASE, Borden 85. ELLISON, James Whitfield 86. FISHER, Steve 87. MARMUR, Jacland 88. TWIST, John 89. WILSON, Neal 90. WOLFE, Reese 91. REXROTH, Kenneth 92. MILLER, Henry and Eve 93. MARMUR, Jacland and wife 94. FERLINGHETTI, Lawrence 95. REXROTH, Kenneth and Marthe 96. BRADYBURY, Ray 97. L'AMOUR, Louis 98. MILLER, Henry and Eve 99. MILLER, Henry and Margaret Fisher 100. MILLER, Henry 101. MILLER, Henry 102. WEBB, Jack 103. WEBB, Jack 104. WEBB, Jack 105. BALLARD, Todhunter 106. BALLARD, Todhunter 107. STONE, Irving 108. STONE, Irving 109. MOODY, Ralph 110. Fictioneers Meeting (with William Campbell Gault and possibly Richard Matheson) 111. Fictioneers Meeting (Les Savage in middle) 112. MOODY, Ralph 113. MOODY, Ralph 114. VAN VOGT, A.E. 115. ANDERSON, Poul 116. ANDERSON, Poul 117. ANDERSON, Poul 118. WILSON, Neal 119. Fictioneers Meeting (with possibly Richard Matheson).

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        La Divina Commedia

      Istituto Poligrafico dello Stato, Roma 1965 - 3 Voll. in Folio. (mm 420x310); pagg. 150 (2), 5 carte bianche; 144, 2 carte bianche; 198. 100 tavole a colori applicate. Frontespizio in rosso e nero. Piena pelle coeva color nocciola, dorso con quattro nervi e titolo impresso in oro. Tiratura numerata: il nostro esemplare, n. 130 di 1000. Pubblicato dall'Istituto Poligrafico dello Stato nel VII Centenario della nascita di Dante Alighieri. Testo e sommari curati da Luigi Pietrobono. Miniature a colori scelte e commentate da Sergio Samek Ludovici. Bell' esemplare in barbe, lievi mende alla legatura e segni di abrasione ai piatti inferiori. Cofanetto rigido di custodia in tela chiara illustrata. letteratura.

      [Bookseller: libreria antiquaria perini Sas di Perini]
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        IN COLD BLOOD [SIGNED]

      New York: Random House, 1965. Book Club Edition. 8vo., 343pp.; VG/VG; spine black with white label and black and maroon lettering; dust jacket protected with a mylar covering, very mild shelfwear, limited to corners, head and tail of spine; the dust jacket is price cut, has "1/66" on the bottom front flap. The back dust jacket flap says "Publishers of the American College Dictionary and the Modern Library", copyright page states first printing; the above points all indicate a first printing, however the lower rear back cover near the spine has a faint and hard to notice small debossed square. This marks the book as a BCE/BOMC; SIGNED flat on half-title page by Truman Capote; shelved case 2. Dupont.

      [Bookseller: Second Story Books]
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        In Cold Blood; a true account of a multiple murder and its consequences

      Random House, New York, [1965] - Very nice copy in slightly edge which has a few fairly minor chips and tears [Attributes: First Edition]

      [Bookseller: Bertram Rota Ltd]
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        Fox In Socks.

      New York: Random House, 1965 - Octavo. Original pictorial paper-covered boards, titles to spine and front board in grey and red, pictorial endpapers. With the dust jacket. Spine lightly toned and very slightly rolled, a small mark on p. 13. An excellent copy in the slightly creased jacket, a few nicks to head of spine panel. Illustrated throughout by the author. First edition, first printing, with all the points of first issue, as per Younger and Hirsch. Younger and Hirsch 24. [Attributes: First Edition]

      [Bookseller: Peter Harrington. ABA member]
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        La Divina Commedia

      3 Voll. in Folio. (mm 420x310); pagg. 150 (2), 5 carte bianche; 144, 2 carte bianche; 198. 100 tavole a colori applicate. Frontespizio in rosso e nero. Piena pelle coeva color nocciola, dorso con quattro nervi e titolo impresso in oro. Tiratura numerata: il nostro esemplare, n. 130 di 1000. Pubblicato dall'Istituto Poligrafico dello Stato nel VII Centenario della nascita di Dante Alighieri. Testo e sommari curati da Luigi Pietrobono. Miniature a colori scelte e commentate da Sergio Samek Ludovici. Bell' esemplare in barbe, lievi mende alla legatura e segni di abrasione ai piatti inferiori. Cofanetto rigido di custodia in tela chiara illustrata.

      [Bookseller: Libreria Antiquaria Perini s.a.s.]
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        The Naked Lunch

      Paris: Olympia, (1965). Paris: Olympia. (1965). Third printing of the original edition of his second book, one of the all-time great drug novels and a high spot of Beat and postwar American literature. Inscribed by the author to Bob Jackson in 1984. The price stamp on the rear cover has been partially removed. Rubbing to the spine and joints; near fine in wrappers without dust jacket, as issued (the second and third printings did not have the jacket). Softcover. Near Fine.

      [Bookseller: Ken Lopez Bookseller, ABAA ]
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        [Scrapbook]: "It's a Dog's Life"

      Kalamazoo, Michigan, 1965. Near Fine. Quarto. Measuring 10" x 12". String-tied white glossy paper over boards with "Scrapbook" stamped in gilt on the front panel and a photo. Contains 148 color photographs measuring between 1" x 2.5" and 3.5" x 5" with captions as well as various related ephemera tipped in.A scrapbook laid out in children's book format kept by a poodle owner, Carmen Richmond writing under the pseudonym Mary S. Henderson, living in Kalamazoo, Michigan in the mid-1960s. The book is written from the perspective of the poodle, Andre Petite Choux, as it was told to Ms. Henderson and is broken up into chapters beginning with Andre's birth in the summer of 1965. Throughout the scrapbook the story of Andre and his owner are illustrated with snapshot photography, clippings, and various certificates and papers belonging to the family. The album continues with photos of Andre in his new home with "Mama Carmen" posing around the house and visiting his "grandmother's" house and meeting his "Uncle Vin." These photos show a happy puppy with his smiling family with captions reading, "at my grandmother's, I often like to pose for pictures," and "this is Bonny. She visited me in my pen." There are also a few letters and a collar from Andre and Carmen's French friend, Danielle, who expresses her friendship to the new puppy by giving him a "well deserved French Collar" adorned with rhinestones as he is "French, you know."One page reads, "Being French is both good and bad. My grandma doesn't punish me quite so much because I'm French and pedigree and expensive -- and (ho hum) cute. It's bad because I have to have haircuts." Another section discusses the problems Carmen was having with the puppy training process and how Andre was afflicted with, gasp, fleas! That page is illustrated with a hand drawn picture of what Andre thinks a flea might look like. After nine chapters the format gets a little less regimented and becomes less of a story and more of a scrapbook. There is a spot for Andre's baby tooth, which has since been lost, and photos of various family members playing with the puppy and dressing him in sweaters for the winter.An unusual collection of pet photographs in an unusual format.

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        The Naked Lunch

      Olympia, Paris 1965 - Third printing of the original edition of his second book, one of the all-time great drug novels and a high spot of Beat and postwar American literature. Inscribed by the author to Bob Jackson in 1984. The price stamp on the rear cover has been partially removed. Rubbing to the spine and joints; near fine in wrappers without dust jacket, as issued (the second and third printings did not have the jacket). [Attributes: Signed Copy; Soft Cover]

      [Bookseller: Ken Lopez Bookseller, ABAA (Lopezbooks)]
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        Vivre Avec Picasso

      First French edition. Numerous photographic illustrations. 8vo. Original red printed wrappers, spine sunned and creased from reading, ink inscriptions & illustrations to front free endpaper & half title. 350pp. Paris, Calmann-Levy,

      [Bookseller: Maggs Bros. Ltd.]
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        Kean Schlotter, Eberhard 1921-2014; Radierung; Serie: Druck der Josef-Gotthard-Bläschke-Presse 4

       1965. Auflage: 105 Exemplare 84 S., Ill. Fol. , goldgepr. Halbpergament, Bütten, ungeschnitten, in Schuber die Lithographien sind alle von E. Schlotter signiert; Edschmid, Kasimir 1890-1966; - von Schlotter und Edschmid signiertes, numeriertes (46) tadelloses Ex. Versand D: 6,00 EUR

      [Bookseller: Antiquariat Bläschke]
 19.   Check availability:     buchfreund.de     Link/Print  


        HESIODI CARMINA RECENSUIT ALOISIUS RZACH EDITIO STEREOTYPA EDITIONIS TERTIAE (MCMXIII) ACCEDIT CERTAMEN QUOD DICITUR HOMERI ET HESIODI

      STUTTGARDIAE: B.G.TEUBNERI, 1965. RILEGATO. BUONO. 14 20. BIBLIOTHECA SCRIPTORUM GRAECORUM ET ROMANORUM TEUBNERIANA USATO

      [Bookseller: Controcorrente Group srl BibliotecadiBab]
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        Ariel

      London: Faber & Faber, 1965. First Edition. Hardcover. Very Good. First Edition, First Printing. Near Fine, in a Very Good+ dust jacket with price of 12s 6d net intact. Bumping to top corners. Foxing to endpapers, and faintly to edge of page block. Gilt stamping on spine remains very sharp and fresh. The dust jacket shows fading to spine and rear panel, with toning, foxing (primarily to verso) and light edge wear. A beautiful copy.

      [Bookseller: Burnside Rare Books ]
 21.   Check availability:     ABAA     Link/Print  


        ANNALI DELLA SCUOLA NORMALE SUPERIORE DI PISA Serie II Vol XXXIV LETTERE, STORIA E FILOSOFIA

      PISA: SCUOLA NORMALE SUPERIORE DI PISA, 1965. BROSSURA. BUONO. 21 28. I II USATO

      [Bookseller: Controcorrente Group srl BibliotecadiBab]
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        A Sense of Where You Are

      Farrar , Straus and Giroux, New York 1965 - A tight, very sharp copy of the 1965 stated 1st printing. Clean and VG+ (very light spotting at the panels, tiny indentations to the preliminaries) in a crisp, price-intact ("$3.75"), unusually nice example of the pictorial dustjacket, with no fading whatsover along the spine. The orange, which almost invariably fades at least to some degree, in this case is as strong and vibrant as the day the book was published and the dustjacket overall, which shows just a touch of rubbing to the front tips and the slightest bit of creasing at the spine crown, easily merits a Near Fine. 12mo, a very impressive copy of McPhee's seminal first book, in a remarkably bright dustjacket. [Attributes: First Edition; Hard Cover]

      [Bookseller: APPLEDORE BOOKS, ABAA]
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        Heft 5; 37. Band. Gnomon. 1965. Kritische Zeitschrift für die gesamte Klassische Altertumswissenschaft.

      C.H. Beck; Mchn., 1965. S. 434-528; 8°; kart.Gutes Ex.; minimale Gebrauchsspuren. - Mehrsprachig. - ISSN 0017-1417. // INHALT : H. J. METTE: Recherches de Papyrologie. 3 (darin: Menandri Sicyonius edd. Blanchard, Bataille). - Menandri Sicyonius, rec. Gallavotti; Ders., Nuovo Menandro. - Oguse/Schwartz, Quelques observations sur le Sicyonien de Ménandre. - Euangelinos, -- G. BINDER : U. Schmid, Die Priamel der Werte im Griechischen. -- C. GALLAVOTTI: Pindari Carmina cum Fragmentis, ed. Snell. 1*.23. -- D. KORZENIEWSKI : Pohlsander, Metrical studies in the lyrics of Sophocles. -- D. W. LUCAS : Euripide, I Cretesi, ed. Cantarella. -- K. v. FRITZ : Lasserre, The birth of mathematics in the age of Plato. -- H.-D. VOIGTLÄNDER: Hager, Die Vernunft und das Problem des Bösen im Rahmen der platonischen Ethik und Metaphysik. -- G. GAWLICK: Kleve, Gnosis theon. Die Lehre von der natürlichen Gotteserkenntnis in der epikureischen Theologie. -- G. W. BOWERSOCK: Millar, A study of Cassius Dio. -- R. A. KRAFT: Barthélémy, Les devanciers d\'Aquila. Premiere publ. intégrale du texte des fragments du \'Dodecapropheton\' trouvés dans le désert de Juda. -- H.-R. SCHWYZER: Clemens Alexandrinus. 23: Stromata 1-6, edd. Stählin/Früchtel. -- M. v. ALBSECHT : Ovidius, Briefe aus der Verbannung, edd. Willige/Luck. -- A. KRÄNZLEIN: Delekat: Katoche, Hierodulie und Adoptionsfreilassung. -- B. ANDREAE: Jucker, Das Bildnis im Blätterkelch. Geschichte und Bedeutung einer römischen Porträtform. -- VORLAGEN UND NACHRICHTEN. Versandkostenfreie Lieferung Klassische Altertumswissenschaft; Zeitschrift

      [Bookseller: Fundus-Online GbR Borkert, Schwarz, Zerf]
 24.   Check availability:     buchfreund.de     Link/Print  


        The Homecoming

      London: Methuen & Co, 1965. 1st edition of The Nobel Laureate's Tony Award Winning play, a sizeable rotation in post-modern theater, accentuating the spoken word as weapon, and the unspoken word as eloquence. The Homecoming is a striking child of the 1960s, though drama is a less recognized fragment of the cultural revolution than the clothes, music, dope, politics, haircuts, or even the burnt draft cards and bras, for which the era is more generally remembered (I'm not saying sex, because there's always been sex). Presentation copy, inscribed using his stage name (David Baron), to Vivien Merchant (his wife), the lead actress, and the only woman in the play. And she is pictured on the jacket in a scene from the play. Near fine in a near fine dustjacket. An unsurpassable association copy, as no play meant more to Pinter, and no presentation copy of it, meant as much. Near fine / near fine.

      [Bookseller: Biblioctopus]
 25.   Check availability:     Direct From Seller     Link/Print  


        CONFESSIONS OF A MAN INSANE ENOUGH TO LIVE WITH BEASTS

      Mimeo Press, Bensenville 1965 - One of 500 copies. The author's first book of prose, and the introduction to one Henry Chinaski, Bukowski's alter-ego. This copy is inscribed by Bukowski to Cert Secunda, and dated '8-14-66." With an original signed typescript poem titled "A Bottomless Joint On Sunset Near Western." This poem was published in 1969, in Stooge, #3. The publisher, Doug Blazek, announcing the book said, "it would be indecent to say something about Buk. Words do him no honor. the man himself is his greatest tribute." Krumhansl 17. A near fine copy in saddle-stitched wrappers, as issued [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Ed Smith Books, ABAA]
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        I Had Trouble in Getting to Solla Sollew.

      New York: Random House, 1965 - Quarto. Original pictorial paper covered boards, pictorial endpapers. With the dust jacket. Slight wear to spine ends, light bumping to tips, dust jacket slightly faded, occasional ink marks throughout. A very good copy. Illustrated throughout by the author. First edition, first printing, with adverts on the jacket rear panel and flap and 295/295 price. Younger & Hirsch 41. [Attributes: First Edition]

      [Bookseller: Peter Harrington. ABA member]
 27.   Check availability:     ZVAB     Link/Print  


        Hassebrauk, Ernst. - "Vase mit Blumenstrauß".

      - Mischtechnik / Aquarell, Gouache, Farbkreide & Tusche, auf weißem Karton, 1965-1970. Von Ernst Hassebrauk. 76,2 x 55,2 cm (Darstellung / Blatt). Verso in Bleistift signiert: "Hassebrauk". - Marginale Lagerspuren. Insgesamt sehr gut erhalten. Ernst Hassebrauk (1905 Dresden - 1974 Dresden). Oft fälschlich auch Ernst Hassebrauck. Deutscher Maler und Grafiker. 1925-27 Studium an der Kunstakademie Dresden. 1927-32 Studium der Philosophie und Kunstgeschichte an der Universität Leipzig. Parallel Studium an der Leipziger Kunstakademie bei Willi Geiger. 1947 Professur an der Hochschule für Grafik und Buchkunst Leipzig (HGB). 1949 Entlassung aus dem Lehramt im Zusammenhang mit der Formalismusdebatte. 1958-60 Arbeit an den Staatlichen Kunstsammlungen in Dresden. Pflegte einen in seiner vitalen Farbigkeit und üppigen Strichführung neobarock anmutenden expressiven Realismus. Zahlreiche Ausstellungen und Publikationen. Sprache: Deutsch [Attributes: Signed Copy; Soft Cover]

      [Bookseller: GALERIE HIMMEL]
 28.   Check availability:     AbeBooks     Link/Print  


        Human Relations Portfolio. Chaney, Goodman & Schwerner.

      New York: Kennedy Graphics, 1965. Distributed graphics by Alan Wofsy Fine Arts.(). Portfolio with three original silkscreen prints. Edition of 300 signed & numbered impressions. In a heavy paper portfolio with Shahn's signature reproduced on cover. Each print 22 x 17 inches. Meriden Gravure. Printed on Japan paper. Hand signed and numbered by the artist. Printed page of text by Edwin Rosskam: "Chaney, Goodman & Schwerner". Prescott, 101-103. Numbers (numerator) match on all 3 prints. (See set with unmatched numbers at 04-1300.)

      [Bookseller: Wittenborn Art Books]
 29.   Check availability:     Bibliophile     Link/Print  


        I GRANDI CICLI DECORATIVI - IL QUATTROCENTO L'arte racconta

      MILANO: Fratelli Fabbri - Albert Skira, 1965. Legatura. OTTIMO. 27 37. USATO

      [Bookseller: Controcorrente Group srl BibliotecadiBab]
 30.   Check availability:     Biblio     Link/Print  


        Desolation Angels

      New York: Coward-McCann, Inc, 1965. First Edition. Hardcover. Very Good. 366 pp. First Edition, First Printing. Near Fine with light bump to top edge of upper board, several spot stains to edge of page block and previous owner rubber ownership stamp to front free end paper. In a Very Good+ dust jacket with price intact, light rubbing at extremities with several small nicks to the top edge of the front panel and light shelf wear. A very sharp copy of this posthumously published Keroauc title.

      [Bookseller: Burnside Rare Books ]
 31.   Check availability:     ABAA     Link/Print  


        The Tin Can Tree

      New York: Alfred A. Knopf, 1965. First Edition. Hardcover. Like New. First edition. 273 pp. Blue boards with purple cloth spine, gilt-lettered spine, blind-stamped front board. Fine in an excellent unclipped dust jacket with a few small spots of offsetting to flaps, very tiny closed tear in bottom of back panel, else Fine. An uncommonly neat, bright copy of the author's second novel.

      [Bookseller: Burnside Rare Books ]
 32.   Check availability:     ABAA     Link/Print  


        L' ingranaggio

      MILANO: U. MURSIA & C., 1965. IED. Brossurato. BUONO. 11 18. Grande Universale Mursia. Letteratura USATO

      [Bookseller: Controcorrente Group srl BibliotecadiBab]
 33.   Check availability:     Biblio     Link/Print  


        Archive of pressbooks designed by Saul Bass

      N.p.: N.p., 1965. A dazzling collection of 10 original pressbooks designed by Saul Bass, documenting the majority of the famed title and ad designer's work with director Otto Preminger in the 1950s, 60s, and 70s. Several of the pressbooks typically defy the existing conventions of pressbook design, utilizing a wild variation of size and dimension, with several of the items literally molded to represent the films they represent: "Advise and Consent" is shaped like a briefcase, "In Harm's Way" is designed as a dossier with a string tie, "The Cardinal" as a parcel, and "Bunny Lake is Missing" as a newspaper. Other key Bass designed titles include "Anatomy of a Murder," "Bonjour Tristesse," and "The Man with the Golden Arm."For most of the pressbooks in this collection, we have never seen another example. A fascinating example of the advertising work done by the premiere title and ad designer of the twentieth century.Various sizes, ranging from Very Good to Near Fine condition.Complete details available on request.

      [Bookseller: Royal Books, Inc. ]
 34.   Check availability:     ABAA     Link/Print  

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