The viaLibri website requires cookies to work properly. You can find more information in our Terms of Service and Privacy Policy.

Displayed below are some selected recent viaLibri matches for books published in 1965

        Cold Dogs In The Courtyard

      Chicago: Literary Times / Cyfoeth Publications, 1965. First Edition. Paperback. Like New. First edition. 23 pp. Stapled tan wraps. Near Fine with tiny name written on title page. One of only 500 copies of Buk's only self-published chapbook, comprised of "overlooked (or looked-over and shunned)" poems.

      [Bookseller: Burnside Rare Books]
 1.   Check availability:     Biblio     Link/Print  


        Guillaume Apollinaire.

      Liège, Éditions Dynamo, Pierre Aelberts éditeur, 1965 ; in-8, broché ; (14) feuillets non chiffrés et couverture blanche illustrée, le premier et dernier feuillets sont blancs. "Cet album en souvenir d'Apollinaire est tiré à 51 exemplaires, numérotés de 1 à 51 (celui-ci N°20), le texte d'Eugène Montfort en édition originale. Imprimé en mars 1965". Reproduction de plusieurs dessins de Picasso, Bakst, Marcoussis, Cocteau, etc, de gravures anciennes, photographies, etc., imprimés en noir ou bleu sur fond blanc, jaune ou bleu ciel. Exemplaire en parfait état de ce rarissime petit album.

      [Bookseller: Librairie Ancienne Clagahé]
 2.   Check availability:     Livre-rare-book     Link/Print  


        Rinconete et Cortadillo.

      P. Les Francs-Bibliophiles 1965. In-4° en ff, sous chemise et étui Couverture, 2 lithographies en couleurs à double page, 13 H.T. et 5 dans le texte, dont 2 à double page de JANSEM. Tirage limité à 185 exemplaires, nominatifs, sur Hollande Van Gelder. Notre exemplaire est enrichi d'une des 16 suites sur Japon, d'une des 20 suites des 2 lithographies non utilisées pour l'ouvrage et de 2 menus de la Société avec une lithographie supplémentaire.

      [Bookseller: Librairie In-Quarto]
 3.   Check availability:     Livre-rare-book     Link/Print  


        Adieu.

      BIBLIOPHILES DU PALAIS 1965 - Lithographies de Léonor FINI. Paris, Les Bibliophiles du Palais, 1965, in-4, en feuilles, sous couverture rempliée, sous chemise et étui cartonnés noir, 130 pages. Tirage limité à 200 exemplaires numérotés et tirés sur vélin d'Arches. Un des 180 exemplaires numeroté et nominatif réservé aux sociétaires celui-ci pourle pilote et avocat Le Coq de Kerland. Les 12 lithographies originales, en noir et hors-texte, de Léonor FINI ont été imprimées par Guillard, le texte par Fequet et Baudier. Petits frottements et légères griffures sur la couverture et l'étui. Livres

      [Bookseller: Librairie Chretien]
 4.   Check availability:     AbeBooks     Link/Print  


        The Man with the Golden Gun

      London: Jonathan Cape,, 1965. Octavo. Original black boards, titles to spine bronze, green and white endpapers. With the pictorial dust jacket. In the spine toned dust jacket, tiny closed tear to top edge of front panel, an excellent copy. First edition, first impression, second state, binding B, without the gun design on the front board. The twelfth James Bond novel, The Man with the Golden Gun was, like many 007 titles, written while Fleming was at Goldeneye, his Jamaican hideaway.

      [Bookseller: Peter Harrington]
 5.   Check availability:     Biblio     Link/Print  


        Senza titolo

      , , 1965. Molto Buono (Very Good). Acquaforte acquatinta originale stampata in rosso. cm 48x32 (Foglio cm 70x50). . Molto Buono (Very Good). Tiratura: 30.

      [Bookseller: Studio Bibliografico MArini]
 6.   Check availability:     Biblio     Link/Print  


        "Sir Magazine- Blouson rouge".

      1965 1Encre de Chine, encre-feutre et gouache, (1965), 36 x 24 cm. René GRUAU (Rimini, 1909-2004), d'origine italienne, de son véritable nom Zavagli Ricciardelli Comte Delle Caminate, vient s'installer à Paris avec sa mère française, dont il prend le nom en 1931. Très jeune il entame une carrière d'illustrateur de mode avec Lidel en Italie, puis Fémina, Marie-Claire, L'Officiel de la Couture, Vogue, Harper's Bazar, Flair, Adam, Sir et une longue collaboration avec "International Textiles" de Bemberg dont il réalise la plupart des couvertures. Dès 1947 il se lance dans la publicité et l'affiche avec des campagnes phares pour "Rouge Baiser", les "Bas Scandales", Elisabeth Arden, Jacques Griffe, Pierre Balmain, Boussac, Dormeuil... Il réalise pour son ami Christian Dior la campagne pour Miss Dior et ce fut le début d'une longue collaboration. Auprès des grands couturiers il noue aussi des relations d'amitié avec Hubert de Givenchy et Pierre Cardin. Son style se manifeste, selon son expression par "la simplicité graphique", le jet de son trait et l'élégance dont le sujet principal est la femme. Ce qu'il exprime "j'aime les femmes et mon oeil est amoureux d'elles". ("Gruau" de Gilles de Bure, Herscher 1989). De nombreuses expositions lui furent consacrées, dont une rétrospective, en 1989 au Musée du costume, Palais Galliéra et en 2010-2011, une exposition lui fut consacrée à la Somerset House de Londres. Avec décontraction mais raffinement, René GRUAU représente un homme vêtu d'un blouson rouge à poche ventrale sportif et portant une sacoche noire au côté. Cette maquette originale est réalisée pour le magazine masculin "Sir" (1957-1970). Légers plis.

      [Bookseller: Librairie Chrétien]
 7.   Check availability:     Livre-rare-book     Link/Print  


        Trois contes. La Dame au petit chien. Ma Chérie. La Cigale.

      22 Lithographies originales en couleurs de Kostia TERECHKOVITCH. (Complet & Contrôlé). Édition tirée à 150 exemplaires tous numérotés et signés par l'artiste. Celui-ci (N°24) un des 30 sur grand vélin d'Arches, comportant une SUITE des 22 lithographies en couleurs sur JAPON nacré (Complète & Contrôlée). Paris, Paul Pétridès - 1965 - 116 pages. Pages volantes sous couverture repliée illustrée en couleurs. Chemise avec titre au dos, et étui toile grise. SUITE sous couverture individuelle. Très bon état. Format in-folio (37x29).

      [Bookseller: Livres et Collections P. Commerot]
 8.   Check availability:     Livre-rare-book     Link/Print  


        STIG OF THE DUMP

      London: Hamish Hamilton. 1965. First hardcover edition, first printing. First hardcover edition, first printing. Original brown cloth with gilt titles to the spine, in dustwrapper. A superb fine copy, the binding clean, square and tight, the contents without inscriptions or stamps. Publisher?s review slip (for the editor of The Times Literary Supplement) loosely inserted. Complete with the fine and bright dustwrapper which is entirely without fading. Not price-clipped (15s net to the front flap). A stunning example of this modern children?s classic. Originally published by Puffin as a paperback original in 1963, the hardcover issue is scarce. Further details and images for any of the items listed are available on request. Lucius Books welcomes direct contact with our customers.

      [Bookseller: Lucius Books]
 9.   Check availability:     Biblio     Link/Print  


        DIECI INCISIONI DI ARTISTI ITALIANI.

      Prandi, 1965. 4°; pp. non num. 6 su carta a mano pesante a quartini sciolti; seguono, sciolte, numerate e firmate a matita le dieci incisioni degli Artisti: Sigfrido Bartolini; Arnoldo Ciarrocchi; Fiorella Diamantini; Nello Leonardi; Mino Maccari; Paolo Manaresi; Alberto Manfredi; Carlo Mattioli; Duilio Rossoni; Alberto Ziveri. Frontespizio, testo e colophon sono stati impressi da Gino Castiglioni e Alessandro Corubolo sul loro privatissimo torchio. Cartoncino edit. in cartella cartone con titoli in oro al dorso, astuccio editoriale. Rarissima nostra edizione limitata a soli 115 esemplari f.commercio, edita in occasione del settantesimo compleanno di Giacomo Prandi e del cinquantesimo di Dino Prandi. Esaurita da anni. (vedi riproduz.)

      [Bookseller: Libreria Antiquaria Prandi s.n.c.]
 10.   Check availability:     maremagnum.com     Link/Print  


        "The girl with the red armchair".

      1965 1Maquette publicitaire pour les Cigarettes du Maurier, impression réhaussée à la gouache et encre de Chine, et collage signée dans la planche et titrée, (1960), 46 x 35 cm., encadrée. René GRUAU (Rimini, 1909-2004), d'origine italienne, de son véritable nom Zavagli Ricciardelli Comte Delle Caminate, vient s'installer à Paris avec sa mère française, dont il prend le nom en 1931. Très jeune il entame une carrière d'illustrateur de mode avec Lidel en Italie, puis Fémina, Marie-Claire, L'Officiel de la Couture, Vogue, Harper's Bazar, Flair, Adam, Sir et une longue collaboration avec "International Textiles" de Bemberg dont il réalise la plupart des couvertures. Dès 1947 il se lance dans la publicité et l'affiche avec des campagnes phares pour "Rouge Baiser", les "Bas Scandale", Elisabeth Arden, Jacques Griffe, Pierre Balmain, Boussac, Dormeuil... Il réalise pour son ami Christian Dior la campagne pour Miss Dior et ce fut le début d'une longue collaboration. Auprès des grands couturiers il noue aussi des relations d'amitié avec Hubert de Givenchy et Pierre Cardin. Son style se manifeste, selon son expression par "la simplicité graphique", le jet de son trait et l'élégance dont le sujet principal est la femme. Ce qu'il exprime "j'aime les femmes et mon oeil est amoureux d'elles". ("Gruau" de Gilles de Bure, Herscher 1989). De nombreuses expositions lui furent consacrées, dont une rétrospective, en 1989 au Musée du Costume, Palais Galliéra et en 2010-2011, une exposition lui fut consacrée à la Somerset House de Londres. Cette maquette, vraisemblablement le "Bon A Tirer" destiné à l'imprimeur, est réalisée par l'artiste, corrigeant son premier dessin, pour la campagne de presse canadienne des Cigarettes du Maurier. Elle fut sous-titrée "Just waiting for you to make up your mind". Assise dans un fauteuil rouge, une femme, dont nous n'apercevons que la main tenant sa cigarette et le bas de sa robe longue, offre l'image du délassement et de l'élégance. Selon cette technique qui lui est propre René GRUAU masque le personnage principal pour ne nous en livrer qu'une partie de son anatomie aiguisant ainsi notre curiosité. Infimes taches et petit grattage.

      [Bookseller: Librairie Chrétien]
 11.   Check availability:     Livre-rare-book     Link/Print  


        Leonard Bernstein's "Member of the National Council on the Arts" Certificate, signed by President Johnson

      Very large document signed, appointing Bernstein as a "Member of the National Council on the Arts", dated 2 March 1965. 47.5 x 57.5 cm, also signed by Secretary of State Dean Rusk, with mounted blindstamp seal of the United States. Paper seal sighly affected by silverfish, mounted on board, corners bumped, overall fine.

      [Bookseller: Schubertiade Music & Arts]
 12.   Check availability:     Biblio     Link/Print  


        Spectro-Mach 1 production archive

      Filmmakers' Cinematheque, New York 1965 - An archive of two original posters for Don Snyder's multi-media presentation, "Spectro-Mach 1," along with extensive manuscript notations, diagrams, and charts. Instructions include visual and aural cues for projectionists and musicians, detailed instructions for presentation sequence (numbered 1 to 13 across the versos of the two posters), random project development notations, and a handwritten note with event information."Spectro-Mach 1" was a largely undocumented collaborative multimedia performance developed by Don Snyder, featuring poet and musician Angus MacLise, Ralph Metzner, co-author of "The Psychedelic Experience," and John Cale. Inspired by the psychedelic environments of Gerd Stern and Michael Callahan's "USCO," Snyder incorporated minimalist music, similar to MacLise and Cale's work with Theatre of Eternal Music, with hypnotic visuals and repetitive actions. This work proved influential on Andy Warhol's "Up-Tight," which premiered at the Filmmakers' Cinematheque two months later.Snyder was a prolific and highly influential photographer. His most famous collection of photographs, "Aquarian Odyssey" (Liveright, 1979), chronicles utopian communities in New York, New England, and San Francisco in the 1960s and the personalities that fueled them, but it narrowly represents his career, which was furiously active and varied since his start in the late 50s. He was also regarded as a master printer, and struck photographs for Eugene Smith, Diane Arbus, and Gerard Malanga.Posters 9 x 14.5 inches, letterpress, folded. Typescripts 8.5 x 11 inches, folded. Manuscript cue charts 8.5 x 11 inches. Event information sheet 4 x 4 inches. All material is supple, with some expected wear from use, Very Good overall.Gerard Malanga, "Don Snyder, 1934-2010," Berkshire Fine Arts.

      [Bookseller: Royal Books, Inc., ABAA]
 13.   Check availability:     AbeBooks     Link/Print  


        THE THREE STIGMATA OF PALMER ELDRITCH

      Garden City: Doubleday & Company, Inc., 1965. First Edition. First Printing. Octavo (21.5cm); pale gray cloth, with titles stamped in black on spine; dustjacket; [10], 278pp. A fresh, Fine copy, giving every appearance of being unread. Dustjacket is unclipped, with $4.95 sticker placed directly over publisher's price of $4.59 on front flap; a handful of pinpoint rubs, else a Fine, unworn example, with the spine colors still bright and unfaded. A novel in which, "more extremely than any previous Dick book, inhabits the badlands within which the real and the ersatz interpentrate: suppliers of a hallucinogenic drug which makes life tolerable for Martian colonists facing opposition from the sinister Eldritch, whose own new drug, Chew-Z (imaged in language which recalls the Communion wafer), pre-empts reality entirely" (The Encyclopedia of Science Fiction). A superior copy, ranked #44 on David Pringle's list "Science Fiction: The 100 Best Novels." Provenance: From the estate of science fiction publisher and editor Franklyn M. Dietz, founder of the Lunarians (NY Science Fiction Society). Levack 40a; Sargent, p.294.

      [Bookseller: Captain Ahab's Rare Books]
 14.   Check availability:     Biblio     Link/Print  


        VIE DE NAPOLEON. ILLUSTRATIONS ORIGINALES DE JEAN GRADASSI. BOULOURIS. EDITIONS DU BANIYAN. 1965.

      19651965GRAND IN-4 EN FEUILLES (39,5 X 29 CENTIMETRES ENVIRON) DE 289 PAGES, COUVERTURE CREME REMPLIEE ILLUSTREE D'UNE VIGNETTE AUX GRANDES ARMES IMPERIALES EN VERT, SOUS CHEMISE ET ETUI CARTONNES RECOUVERTS DE PERCALINE VERTE DE L'EDITEUR. ILLUSTRE DE 127 COMPOSITIONS DE GRADASSI,MISES EN COULEURS AU POCHOIR PAR EDMOND VAIREL. PREMIER TIRAGE LIMITE A 1100 EXEMPLAIRES NUMEROTES, DONT 20 HORS COMMERCE NON JUSTIFIES. UN DES 20 EXEMPLAIRES HORS COMMERCE SUR VELIN CUVE DE LANA ". EXEMPLAIRE SPECIALEMENT IMPRIME POUR L'ARTISTE". INFIMES PETITS DEFAUTS SUR L'ETUI, SINON TRES BEL EXEMPLAIRE PROVENANT DE LA BIBLIOTHEQUE PRIVEE D'EDMOND VAIREL.

      [Bookseller: Librairie du Château de Capens]
 15.   Check availability:     Livre-rare-book     Link/Print  


         ( GRADASSI ) - STENDHAL. Vie de Napoléon. Illustrations originales de Jean GRADASSI.

      Boulouris, Éd. du Baniyan 1965, in-folio (39,5 x 29 cm) de 287 (7) pp. En feuilles sous couverture rempliée, chemise + étui recouverts de percaline verte. Tirage à 1080 exemplaires, ici un des 1075 sur beau papier vélin de Lana. Très belles et fines miniatures de cet illustrateur réputé : 14 à pleine page dont frontispice, une grande scène de bataille sur double page (pp. 107/110), 10 têtes de chapitres à mi-page, nombreuses lettrines personnifiées et culs de lampe; d'autre part, toutes les pages sont encadrées d'un filet de lauriers et d'aigles impériaux, bicolore. Un des exemplaires marqués "réservé aux Bibliophiles Corses" avec la signature de Gradassi à la justification, en très bel état de conservation. Franco de port pour la France métropolitaine, en recommandé, avec assurance.................. NOUVEAU : CATALOGUE de 250 ILLUSTRÉS MODERNES visibles sur notre site www.sisyphe.com

      [Bookseller: Librairie Ancienne Darreau]
 16.   Check availability:     Livre-rare-book     Link/Print  


        SOME LOS ANGELES APARTMENTS

      (RUSCHA, EDWARD). Ruscha, Edward. SOME LOS ANGELES APARTMENTS. Los Angeles: Self-Published, 1965. First Edition 1/700. 12mo. Printed Wrappers in Glassine. Artist's Book. Near Fine./Near Fine.. np (48pp), 34 b&w illustrations. In a protective clear acetate dustwrapper. "Some Los Angeles Apartments" is Ed Ruscha's third artist book - a wry yet heartfelt photographic survey of the subtle beauty of the post-war Southern California rental property construction boom. A bright, most handsome example of the uncommon 1965 first edition (entry B3 in Siri Engberg's "Edward Ruscha: Editions 1959-1999" which is also cited on page 141 of Martin Parr and Gerry Badger's "The Photobook: A History Volume II", pages 198-201 of The Hasselblad Center's "The Open Book", page 105 of "From Fair to Fine 2", and page 226 of "From Fair to Fine 3") limited to seven hundred unnumbered copies in the publisher's glassine wrapper showing some typical minor age patination along with a tiny missing chips along the bottom of the rear panel. All in all, this is an exceptional example of this important little gem that is often confused with the 1990 Whitney Museum exhibition catalogue of virtually the same title. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. Inventory Number: 025232

      [Bookseller: Arcana: Books on the Arts]
 17.   Check availability:     Biblio     Link/Print  


        Akkadisches Handwörterbuch. Band I - III. Unter Benutzung des lexikalischen Nachlasses von Bruno Meissner.

      Wiesbaden, Otto Harrassowitz, 1965-1981. Un vol. in-4 en reliure pleine toile bleue d'édition (A.L) + 10 fasc. in-4 br. pour le reste (M-Z + supplément), soit: XVI- 1592pp, texte sur 2 colonnes. Bonne condition. .

      [Bookseller: Librairie Le Trait d'Union S.A.R.L.]
 18.   Check availability:     Livre-rare-book     Link/Print  


        Cowboy Kate & Other Stories

      Crown, New York, 1965. First Edition. Hardcover (Original Cloth). Very Good Condition/Very Good. HASKINS, SAM. Cowboy Kate & Other Stories, New York: Crown Publishing, 1965. Folio, first edition, unpaginated, chartreuse boards with brown lettering on front and spine, full-bleed duotone photos. See "The Open Book" (Hasselblad) pp. 210-11. Parr & Badger (v1. p. 192) called Haskins' technique an alluring "combination of grain, graphics and gravure." Condition: Slight edge wear and soiling to jacket and boards, no tears; faint age-toning at leaves' edges. All in all very good. Size: Large Folio (bigger than A3). Text body is clean, and free from previous owner annotation, underlining and highlighting. Binding is tight, covers and spine fully intact. . Quantity Available: 1. Shipped Weight: 1-2 kilos. Category: Photography; 1960s; Erotica. Pictures of this item not already displayed here available upon request. Inventory No: 51028. .

      [Bookseller: Rarities etc.]
 19.   Check availability:     Biblio     Link/Print  


        The Boarding House (Signed By The Author)

      The First UK Printing published by Bodley Head in 1965.The BOOK is in near FINE condition.Very mild pushing to the upper spine and a little spotting to the text block.None of the usual tanning and offsetting to the end papers.The book is clean and free from inscriptions,erasures and markings.The WRAPPER is neatly price-clipped and is in near FINE condition. A small closed tear to the upper front cover edge.The spine is very mildly toned and far less than usually encountered.A little creasing at the upper spine.The rear cover is remarkably clean for its age.The Bernard Blatch wrapper artwork looks striking in the removable Brodart archival protector.The book has been Signed by William Trevor to the title page.The author's third novel and scarce with such attributes.A sharp copy.

      [Bookseller: Ashtonrarebooks ABA PBFA]
 20.   Check availability:     Biblio     Link/Print  


        Vénerie

      Paris Tartas 1965In-folio (405 x 305 mm), en feuilles sous couverture rempliée, emboîtage marron d'éditeur. Illustré par JEAN COMMERE de 18 lithographies originales dont 17 en couleurs, parmi lesquelles 6 sur double page, et 1 double en noir et blanc. Tirage limité à 301 exemplaires numérotés plus quelques-uns réservés aux collaborateurs ; celui-ci enrichi d'un dessin original de Commère et de deux envois autographes signés par l'artiste et l'éditeur à Claude Bellanger. (petits défauts sur l'emboîtage). // Folio (405 x 305 mm), loose leaves as issued under folded cover, editor brown folder. Illustrated by JEAN COMMERE with 18 original lithographs including 17 in colours, 6 of which double, and 1 double in black and white. Limited printing of 301 numbered copies and some copies printed for contributors ; this copy enriched with an original drawing by Commère and two signed autograph dedications by the artist and the editor to Claude Bellanger. (little defects on folder).

      [Bookseller: Henri Picard et Fils]
 21.   Check availability:     Livre-rare-book     Link/Print  


        ALBUM DELLE CASTELLA FEUDALI DELLA MONARCHIA DI SAVOIA. Con notizie storiche tratte dal Dizionario storico - statistico... di G. Casalis e note integrative di Elisa Rossi Gribaudi.

      Bottega d'Erasmo, 1965. (Codice LO/0585) Grande volume in folio orizzontale (49,5 x 35 cm) 50 pp. di testo + 200 tavole. Pregevole ristampa anastatica a tiratura limitata, su carta forte avorio. Perfetta riproduzione del prezioso e introvabile album illustrato con 200 tavole litografiche incide dal Gonin dal 1836 al 1857: splendide raffigurazioni di altrettanti castelli piemontesi, noti e meno noti, come si presentavano verso la metà dell'Ottocento. Edizione promossa dalla Famija Turineisa. Solida e fresca legatura editoriale in tela con titolo in marrone al dorso e al piatto. Splendido eseamplare. Euro 450.00 ~~~ SPEDIZIONE IN ITALIA SEMPRE TRACCIATA

      [Bookseller: Bergoglio Libri d'Epoca]
 22.   Check availability:     maremagnum.com     Link/Print  


        Milano. Presentato da Dino Buzzati

      Bruno Alfieri, 1965. 300x400mm Piccola sezione a un canaletto del dorso Grafica di Giancarlo Liprandi. Indice dei luoghi (Torre Galfa; Via Melchiorre Gioia; Milanesi al lavoro; Cortile in via Scaldasole; Via dei Fabbri; Fiera di Senigallia; L'antiquario di via Madonnina; Bocciofila San Gottardo; Via Selinunte; Sciopero; Treno della Sicilia, ecc.)

      [Bookseller: Libreria Antiquaria Giulio Cesare]
 23.   Check availability:     maremagnum.com     Link/Print  


        A Fine Madness (Original screenplay for the 1966 film, in the original studio binder)

      Warner Brothers, Burbank, CA 1965 - Final script for the 1966 film. Bound in the original 3-ring binder from Warner Bros. Pictures, with their stamp on the front. Laid in are several leaves detailing cast and staff lists, as well as company credits, including each department (music, makeup, fire, television) used for the film, with several notations in holograph ink and in pencil. Based on Elliott Baker's comedic novel, about Samson Shillitoe (Connery), a frustrated poet lives with Rhoda (Woodward), a trustworthy waitress. When his writing proves to be too troublesome, Samson sees a psychiatrist, at the behest of Rhoda, and his philandering continues. Connery starred in "Goldfinger" just two years prior (1964), and the same charm and wit he eschewed as James Bond is seen in his Samson. Navy blue faux leather three-ring studio binder, with Warner Bros. studio credits printed in white on the front panel. Distribution page present, with receipt intact. Title page present, dated 8/27/65, with credits for screenwriter and novelist Baker. 157 leaves, with an additional 40 leaves of staff and cast contact lists laid in at the rear, mimeograph on eye-rest green stock, with blue, white, and white onionskin revision pages throughout, dated variously between 8/30/65 and 11/29/65. Pages about Near Fine, binder Very Good plus. [Attributes: Hard Cover]

      [Bookseller: Royal Books, Inc., ABAA]
 24.   Check availability:     AbeBooks     Link/Print  


        A Clean Kill (Original script for the 1959 British play, Dana Andrews' copy)

      Clifford Hayman, New York 1965 - Draft script for the 1959 British play. Copy belonging to Dana Andrews, from Clifford Hayman, the producer for the play in London, with a mimeographed letter signed by Hayman, dated August 25, 1965, suggesting Andrews' production company bring the play to the US for American audiences, and that Andrews have the lead role. Accompanying the letter is a page of London reviews, dated 1959, and a separate page detailing Hayman's theatre background. The play opened at the Pavilion Theatre in 1959, moved to London's Criterion Theatre, ran for 140 performances, and was adapted to television in 1961, airing as part of the "BBC Sunday-Night Play" series (Season 3, Episode 1). The play would see its American debut run in 1962, a full three years before Hayman sent this script to Dana Andrews for consideration. Michael Gilbert's other suspense plays include "The Bargain" and "The Shot in Question."Black wrappers. Title page present, undated, with a credit for writer Gilbert. 125 leaves, with last leaf of text numbered 3-33 (Act 3, Page 33), and three laid-in pages (letter, reviews, Hayman background). Mimeograph. Pages and wrapper Near Fine, bound with two silver brads.Kabatchnik, Blood on the Stage 1950-1975, p. 322. [Attributes: Signed Copy; Soft Cover]

      [Bookseller: Royal Books, Inc., ABAA]
 25.   Check availability:     AbeBooks     Link/Print  


        LA MAISON DE RENDEZ-VOUS.

      1965Paris, Les Éditions de Minuit, 1965. Petit in-8 (146 X 193) demi-maroquin noir à coins, dos lisse, auteur et titre dorés, plats et dos de la couverture conserves (Lucie Weill) ; 215 pages. ÉDITION ORIGINALE. Tirage limité à 218 EXEMPLAIRES, celui un des 112 numérotés sur Bouffant Sélect (n°7). PARFAIT EXEMPLAIRE, dans une élégante reliure de Lucie WEILL. FINE COPY. PICTURES AND MORE DETAILS ON REQUEST.

      [Bookseller: Librairie ancienne & Moderne Eric Castér]
 26.   Check availability:     Livre-rare-book     Link/Print  


        MEMOIRES COMPLETS ET AUTHENTIQUES EN 22 TOMES NUMEROTES DE 1 A 22 + 2 SUPPLEMENTS (PIECES DIVERSES + PARALLELE DES TROIS ROIS) sur le siècle de Louis XIV et la Régence d'après le manuscrit original entièrement écrit de la main de l'auteur.

      1965. JEAN DE BONNOT. DE 1965 A 1967. In - 8.Carré. Relié plein cuir. Bon état. Couv. convenable. Dos satisfaisant. Intérieur frais. 22 TOMES : 1+2+3+4+5+6+7+8+9+10+11+12+13+14+15+16+17+18+ 19+20+21+22 : environ 450 pages par tome. Frontispice en noir et blanc. Pages ex - libris vierges. Tranches en tête dorées. Signet. Caissons avec ornements dorés. Auteur et titre en dorés sur pièce de titre noire. Illustrations incrustées dorées sur les plats. Quelques illustrations en noir et blanc hors texte dont certaines dépliantes. Contre - plats jaspés de fleurs de lys sur fond bleu. Caissons avec ornements dorés. 8 PHOTOS DISPONIBLES - TEXTE COLLATIONNE ET ANNOTE PAR ADOLPHE CHERUEL. SUPPLEMENT N°1 : PIECES DIVERSES (MEMOIRES SUR LES LEGITIMITES, MEMOIRES SUR LA RECONCIATION, VARIA) PUBLIES D'APRES LES MANUSCRITS CONSERVES AU DEPOT DU MINISTERE DES AFFAIRES ETRANGERES + SUPPLEMENT N°2 : PARALLELE DES TROIS PREMIERS ROIS BOURBONS PUBLIE SUR LES MANUSCRITS CONSERVES AU DEPOT DU MINISTERE DES AFFAIRES ETRANGERES.

      [Bookseller: Le-Livre.Com]
 27.   Check availability:     maremagnum.com     Link/Print  


        [Photographie originale] Flèche signalétique au sol, ca 1965

      1965aucune reliure 17 x 25,4 cm. Circa 1965. Tirage gélatino-argentique d'époque portant au verso le tampon du photographe (et cinéaste) Alain Resnais. De la collection de Jean-Michel Folon. Le sujet représenté est une flèche signalétique, objet essentiel et récurrent dans luvre de Folon. Folon en photographiait lui-même énormément et ses amis photographes lui envoyaient celles quils trouvaient. L'intérêt du cinéaste Alain Resnais pour la photographie est connu, mais ses tirages semblent peu connus et peu nombreux. Parfait état. Très bon ////// ATTENTION : La librairie sera fermée jusqu'au 22 septembre 2016. Jusqu'à cette date nous ne pourrons que prendre note de vos réservations d'ouvrages par e-mail. //////

      [Bookseller: Julien Mannoni livres anciens]
 28.   Check availability:     Livre-rare-book     Link/Print  


        Dune

      Chilton, 1965 A good first printing in a good second issue dust jacket with the correct price on the front flap but only 2 lines in the Chilton address on the back flap, and a also very good second edition dust jacket with the revised price on the front flap. Discarded stamp on dedication page. Housed in a custom-made collector's slipcase.. 1st Edition. Hardcover. Good/Good.

      [Bookseller: Bookbid Rare Books]
 29.   Check availability:     Biblio     Link/Print  


        La Tempête.

      Traduction de André Bouchet, illustré par Leonor Fini. Édition tirée à 200 exemplaires tous signés par l'Artiste et le Traducteur. Celui-ci (N°140) un des 100 sur grand vélin de Rives comportant l'état définitif des lithographies originales. Paris, Aux dépens d'un amateur 1965. 21 lithographies dont 11 à pleine page. Pages volantes sous couverture illustrée. Coffret étui toile grise. Quelques salissures sur l'étui. Pas de rousseur. Ouvrage en parfait état. Format in-folio (40x30).

      [Bookseller: Livres et Collections P. Commerot]
 30.   Check availability:     Livre-rare-book     Link/Print  


        ASPEN. The Magazine in a Box Vol 1, No 1.

      Aspen Magazine,, New York,, 1965 - Orig cardboard box, 4to. The inaugural issue of the pioneering magazine of art and culture, edited and published by Phyllis Johnson. Aspen appeared irregularly between 1965 and 1971. This issue was designed by the award-winning Esquire art director George Lois, along with Tom Courtos and Ralph Tuzzo. This copy is complete with all pamphlets as well the flexidisc recordings and all separately inserted ads. Included among the latter is the pamphlet promoting the IBM pavillion at the New York World's Fair, designed by Paul Rand. Publisher's introductory letter and subscription return-envelope laid in. VG. [Attributes: Soft Cover]

      [Bookseller: adr. van den bemt]
 31.   Check availability:     AbeBooks     Link/Print  


        Views of Ancient Monuments in Central America, Chapas and Yucatan

      Barre, MA: Barre Publishers, 1965. Cloth. Fine. Frederick Catherwood. An all-but-immaculate copy of this 1965 re-issue of Frederick Catherwood's landmark 1844 "views of ancient monuments in Central America, Chiapas and Yucatan". The 1965 facsimile is in its own right a thing of beauty and quite sought after, only 500 copies having been issued by the publisher. Except for the slightest trace of light scuffing to the front panel of the publisher's elegant box (measuring 21 1/2" tall), the portfolio is as new. Frederick Catherwood's 25 remarkable chromolithographed plates are in pristine condition, as is the "outline map of Central America & Yucatan" and the accompanying caption booklet (housed in the front pastedown), giving context to and detailed description of each plate.

      [Bookseller: Appledore Books, ABAA]
 32.   Check availability:     Biblio     Link/Print  


        Milano. Con firma degli autori

      Milano, Alfieri, 1965. Leg. Editoriale mz tela (40X30) pp. 106 Introduzione di Dino Buzzati In ottimo stato salvo leggera spellatura al margine alto destro del piatto. Siglato degli autori che si firmano Carlo e Zizi

      [Bookseller: Libreria Menabò]
 33.   Check availability:     maremagnum.com     Link/Print  


        Le Baphomet

      Mercure de France, 1965. - Mercure de France, Paris 1965, 12x18,5cm, broché. - Prima edizione, uno dei 40 esemplari numerati sul filo puro Lafuma, solo carta di grandi dimensioni con qualche compromesso. Bella copia. - [FRENCH VERSION FOLLOWS] Edition originale, un des 40 exemplaires numérotés sur pur fil Lafuma, seuls grands papiers avec quelques hors commerce. Bel exemplaire.

      [Bookseller: Librairie Le Feu Follet]
 34.   Check availability:     maremagnum.com     Link/Print  


        Derriere le Miroir n. 151 - 152 Mai 1965. Les peintures sur carton de Mirò.

      Maeght, 1965. 4°; pp. 27 non num. 7; con 22 pagine in litografie orig. a colori e in nero, una a doppia pagina. Testo di Jacques Dupin in lingua francese. Brochure edit. illustrata in litografia, numero della nota rivista interamente dedicato al grande maestro (1893 - 1983). Cfr. Cramer n.102 (vedi riproduz.)

      [Bookseller: Libreria Antiquaria Prandi s.n.c.]
 35.   Check availability:     maremagnum.com     Link/Print  


        Autograph manuscript signed: Julius Robert Mayer:Die Entdeckung des Gesetzes der Erhaltung der Energie

      1965. Gerlach, Walther (1889-1979). Julius Robert Mayer: Die Entdeckung der Erhaltung der Energie. Autograph Manuscript Draft, signed. 4-1/3 pp., written in pencil and ballpoint pen on rectos of 5 sheets; sheets stapled together in upper left corner. Munich, January 21, 1965. 300 x 212 mm. Creased where previously folded, very slight wear and soiling. Very good. English translation included. Draft of Gerlach's lecture commemorating the 150th anniversary of the birth of Julius Robert Mayer, one of the founders of the principle of the conservation of energy-the first law of thermodynamics. Gerlach, "contributed to many experimental topics, especially the ones connected with radiation and quantum theory (e.g. together with Alice Golsen, he determined the pressure of light quantitatively); he made important contributions to the development of modern methods of chemical spectral analysis, the physics of the (technical) magnetization curve, and measurements on artificial and natural radioactivity" (Mehra & Rechenberg, I, p. 436). He is best known as one of the discoverers of the Stern-Gerlach effect (1922), by which Otto Stern and Gerlach demonstrated the empirical validity of Sommerfeld's spatial quantization; i.e., the discrete orientation in space of electronic orbits. The effect is created by passing an atomic beam of silver atoms through a magnetic field of strong inhomogeneity, which splits the silver beam into two separate beams. "This result then proved space quantization as well as once again confirming the existence of stationery states. However, it also went far beyond the Bohr-Sommerfeld theory, as Einstein and Paul Ehrenfest demonstrated by their calculation of the time needed by the silver atoms to be oriented in the two directions: they estimated a time for the (classical) magnetic interaction of 1011 s, in contrast to the observation-which gave a time of less than 10-4 s. Thus one of the bases of the existing atomic theory broke down" (Twentieth Century Physics I, pp. 164-65).The energy-conservation principle was arrived at more or less simultaneously in the mid-19th century by a number of scientists, the most important being Helmholtz, Joule and Mayer, but Mayer was the first, as Helmholtz acknowledged, to articulate a general law of energy conservation. Gerlach's lecture gives a brief history of Mayer's discovery and its reception:The law of conservation of energy, first understood empirically by [Mayer], is the fundamental principle of rational natural science and technology. It can be stated that the entire area of natural science research is governed by the validity of the energy law throughout the inanimate and animate world, through the macro- and micro-cosmos, through the technical utilization of apparent matter such as the insight into elementary particles, through cosmic processes, and within living cells. . . .It is thus no coincidence that Mayer as well as Helmholtz, who established the energy theorem five years after [Mayer] in his writings on the conservation of force, making use of the same considerations, but with different motivation, came not from physics but from physiology. In it the picture of a life force dominated, even though it was perceived as being unsatisfactory, which was supposed to control processes in the organic realm, as mechanical force did in inanimate nature. After unfavorable experiences with "natural philosophy", that blurry mixture, physicists rejected generalizations and extrapolations for fear of allowing it [natural philosophy] back in again. Therefore, Poggendorff also did not print Helmholtz, in the Annalen der Physik, and Helmholtz said in 1854 that Robert Mayer was the first one who had dared to state such a general law. . . .In 1842 Mayer calculated the mechanical equivalent of heat from the Dulong-Petit experiments, and with it the low efficiency of the steam engine, whose principle of operation he was the first to explain correctly through the consumption of heat as the equivalent of the work produced, . . .Mayer's accomplishment was not recognized for a long time. Helmholtz, and Joule as well, rejected his arguments, unjustly criticized the calculation of the heat, and unqualified individuals ridiculed him in public. Only Clausius quoted Mayer's first work and the equivalent as a first principle of his thermodynamics in 1850. But at that time Mayer became seriously mentally ill. Only now did the energy law establish itself in the thought process of natural science. The Basel chemist Schoenbein referred to Mayer's accomplishment in 1858, and Justus Liebig praised him as the father of the greatest discovery of the century. A rapid sequence of the highest honors then followed. How Robert Mayer arrived at his idea-some kind of a brainstorm on his trip to Surabaya in the summer of 1840-and even more how the self-taught physicist found the decisive experiments in the literature that were needed for his new concept, how he properly described the steam engine quantitatively, against all [prevailing] opinions-all this belongs to the mysteries about which Johannes Kepler said: "It seems to me that the paths by which men come to understand heavenly things are almost as remarkable as the nature of these things themselves."Offered with Gerlach's manuscript is a copy of Alwin Mittasch's Kraft-Leben-Geist: Eine Lese aus Robert Mayers Schriften (1942), published to commemorate the centennial of Mayer's discovery of the law of energy conservation.

      [Bookseller: Jeremy Norman's Historyofscience.com]
 36.   Check availability:     Biblio     Link/Print  


        Terre d'amour et de feu - Israël 1925-1961.

      Plon, Paris 1965. In-8 broché 14,5 x 21 cm, couverture bleu-pâle imprimée en noir. EDITION ORIGINALE au tirage muméroté limité à 120 exemplaires, celui-ci le n° 13, l'un des 50 exemplaires de tête sur pur fil lafuma. Infime pli sur la premère de couverture dont les couleurs sont très fraiches par ailleurs et sans décoloration. Intérieur parfaitement frais. Bel exemplaire.

      [Bookseller: Déjà Jadis]
 37.   Check availability:     Livre-rare-book     Link/Print  


        Provo. No. 1 (July 1965) through No. 15 (March 1967). (All published)

      1965. Altogether 15 issues, ranging between 12-45 pp., of the official mouthpiece of the anarchic countercultural Provo movement in the Netherlands, including contributions from Roel Van Duyn, Olaf Stoop, and Ab Pruis among others, the journal was used to promote and incite action for social change, heavily illustrated throughout with political cartoons and images from photographs. Nos. 1-12: Tall small 4to. Wrpps., covers slightly rubbed and chipped. Nos. 13-15: Tall folio. Self-wrpps., folded into quarters, folds age-darkened, some small tears along folds. Amsterdam (1965-1967). Provo was known for their happenings, which were designed to attract police intervention, thereby inciting revolt. The group, heavily influenced by performance artist Robert Jasper Grootveld and the philosophy student Roel Van Duyn, promoted numerous schemes for the betterment of society, one of the more famous being the White Bicycle Plan that strove to replace cars in the city center with free bicycles. The groups also disturbed Princess Beatrix's wedding with a smoke bomb in protest to her fiancé's membership to a Nazi youth group, and demonstrated against the Vietnam war. When the movement began to be accepted by mainstream culture, signified in 1967 with the election of a Provo representative, it was disbanded and a funeral was held to mark the occasion.

      [Bookseller: F.A. Bernett Books]
 38.   Check availability:     Biblio     Link/Print  


        LES PEINTRES MES AMIS

      Éditions d'Art Les Heures Claires, Paris 1965. Fort in-folio (380 x 282 mm), reliure plein maroquin bleu nuit, double filet doré sur les coupes, contreplats bordé de maroquin orné de multiples filets dorés, doublures de satin moiré jaune, tête dorée, couverture et dos conservés, étui bordé et doublé (Bellevallée rel. - Berthaux, dor.). Portrait de l'auteur en frontispice et 19 LITHOGRAPHIES, GRAVURES ET BOIS EN COULEURS dont le portrait de l'auteur des artistes suivants : Derain, Dufy, Matisse, Van Dongen, Vlaminck, Rouault, Braque, Picasso, Villon, Zadkine, Chagall, Dunoyer de Segonzac, Pascin, Utrillo, Cavaillès, Terechkovitch, Buffet, Carzou, Miro. Signés dans la planche. Édition à 250 exemplaires, celui-ci 1 des 40 numérotés sur grand Vélin d'Arches comportant UNE SUITE SUPPLÉMENTAIRE COMPLÈTES DES PLANCHES HORS-TEXTE EN COULEURS. (Etchings by : Braque, Jacques Villon, Zadkine - Woodcuts by : Vlaminck, ROUAULT, Pascin, UTRILLO - Lithographs by : Derain, DUFY, MATISSE, VAN DONGEN, PICASSO, CHAGALL (engraved by Sorlier), Dunoyer de Segonzac, Cavaillès, Terechkovitch, Bernard BUFFET, Carzou, MIRO). All the 19 illustrations are signed in the plate. With a complete extra suite in color. Splendide exemplaire parfaitement relié par Bellevallée et dont la dorure impeccable a été exécutée par Berthaux. L'étui polychrome est une oeuvre d'art à part entière. Avec suite supplémentaire complète des gravures, bois et lithographies en couleurs, soit 38 planches originales.

      [Bookseller: Patrice Jeudy - Livres Anciens et Modern]
 39.   Check availability:     Livre-rare-book     Link/Print  


        Belles saisons, le poisson au coup de pied, midi sévère.

      Bibliophiles De Provence Toulon 1965 In-4 ( 350 X 270 mm ) de 122 pages, en feuilles sous couverture de papier à fleurs naturelles du Moulin de Richard de Bas, emboitage decoré de l'Editeur. 22 lithographies originales en couleurs d'Eugène BABOULENE, dont 5 à double-page, 5 hors-texte et 12 dans le texte. Tirage unique à 195 exemplaires sur vélin de Rives ( Exemplaire nominatif N°120 ). Parfait état. ( MONOD 2976 ). D'autres photos sur www.cazitel.com

      [Bookseller: Librairie Tiré à Part]
 40.   Check availability:     Livre-rare-book     Link/Print  


        Anyone Can Whistle.

      Random House, New York 1965 - First Printing. A Fine copy black cloth, green paper covered boards, in a Fine goldenrod dustwrapper, not price-clipped. Music and Lyrics by Stephen Sondheim. 186pp. The cast of the original New York production included Angela Lansbury, Lee Remick, Harry Guardino, and many other familiar faces. This edition is scarce. Q07102 [Attributes: First Edition; Hard Cover]

      [Bookseller: Compass Rose Books, ABAA-ILAB]
 41.   Check availability:     AbeBooks     Link/Print  


        NO VOYAGE And Other Poems

      Houghton Mifflin, Boston 1965 - 8vo. With some twenty poems that were not included in the 1963 British edition. This copy is inscribed by the poet: "March 1965, for Walter [Chrysler], Mary." With the recipient's armorial bookplate adorning the front pastedown. The book is additionally signed by Oliver and her longtime companion, Molly Malone Cook. The order of the poems has been slightly altered from the proofs. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Lee G. Campbell]
 42.   Check availability:     AbeBooks     Link/Print  


        Hommage fait à Marguerite Duras du Ravissement de Lol V. Stein

      In Cahiers Renaud-Barrault, 1965. - In Cahiers Renaud-Barrault, Paris Décembre 1965, 14x19cm, agrafé. - Edizione originale. Autorgaphe spedizione datato e firmato da Jacques Lacan a Mr. e Mrs. Claude Lefort in cui presenta i suoi desideri per il 1966. insolated leggermente e marginalmente bemolle minore, un piccolo strappo a margine del secondo piatto. - [FRENCH VERSION FOLLOWS] Edition originale. Envoi autographe daté et signé de Jacques Lacan à monsieur et madame Claude Lefort à qui il présente ses voeux pour l'année 1966. Plats légèrement et marginalement insolés sans gravité, une petite déchirure en marge du second plat, une autre en pied du dos.

      [Bookseller: Librairie Le Feu Follet]
 43.   Check availability:     maremagnum.com     Link/Print  


        Battle of the Bulge (Original screenplay for the 1965 film, Dana Andrews' copy)

      Warner Brothers, Madrid, Spain 1965 - Revised draft script for the 1965 film. Actor Dana Andrews' working copy, with his name label on the front wrapper, and name in holograph ink on two pages. From Andrews' estate, with a letter of provenance from Andrews' daughter, Katharine Smith. Script printed in Spain, where much of the film was shot on location, with English text.One of the most ambitious films about World War II made during the 1960s, an epic story that details the events leading to the title confrontation, the bloodiest battle that the US fought and one of the key turning points in the war.Blue titled wrappers with die-cut window. Title page present, dated Feb. 15, 1965, with credits for screenwriters Yordan and Sperling. 180 leaves, with last leaf of text numbered 166. Mechanically reproduced, with blue, off-white, and eye-rest green revision pages throughout, with one laid-in carbon page, dated variously between 2/15/65 and 5/17/65. Pages Near Fine, wrapper Very Good plus, bound internally with three gold brads.Davenport, pp. 24-26. [Attributes: Soft Cover]

      [Bookseller: Royal Books, Inc., ABAA]
 44.   Check availability:     AbeBooks     Link/Print  


        A A 30 - A Book About A A 's 30th Anniversary Year and International Convention; Alcoholics Anonymous; Signed; Inscribed

      Toronto, Ontario, Canada, July 2-4, 1965. Hard Cover. INSCRIBED by AA Co-founder Bill W. to Al-Anon icon Rose R(acicot) of Ohio (her copy) and signed by Author Chuck C(hamberlain) and 75 other representatives, some group leaders, from cities all around America, and one from Geneva, Switzerland. Octavo, 47 pages, original blue-gray cloth, without dust jacket, as issued. Bill W. inscribed thus: "Dear Rose - / This in affection / Ever / Bill." Rose R. (Racicot) has been appointed AFG of Ohio's 2010 State AA Service Convention, with Al-Anon Participation Chairman (August 13 - 15) in Perrysburg, OH. Chuck C. (Chamberlain) is author of the book "A New Pair of Glasses" which is based on a talk given to 64 AA men at a retreat in Pala Mesa, California in 1975. He was an early leader of AA in Southern California.

      [Bookseller: Charles Parkhurst Rare Books, Inc.]
 45.   Check availability:     Biblio     Link/Print  

______________________________________________________________________________


      Home     Wants Manager     Library Search     562 Years   Links     Contact      Search Help      Terms of Service      Privacy     


Copyright © 2018 viaLibri™ Limited. All rights reserved.