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Displayed below are some selected recent viaLibri matches for books published in 1965

        [Photographie originale] Flèche signalétique au sol, ca 1965

      1965aucune reliure 17 x 25,4 cm. Circa 1965. Tirage gélatino-argentique d'époque portant au verso le tampon du photographe (et cinéaste) Alain Resnais. De la collection de Jean-Michel Folon. Le sujet représenté est une flèche signalétique, objet essentiel et récurrent dans luvre de Folon. Folon en photographiait lui-même énormément et ses amis photographes lui envoyaient celles quils trouvaient. L'intérêt du cinéaste Alain Resnais pour la photographie est connu, mais ses tirages semblent peu connus et peu nombreux. Parfait état. Très bon ////// ATTENTION : La librairie sera fermée jusqu'au 22 septembre 2016. Jusqu'à cette date nous ne pourrons que prendre note de vos réservations d'ouvrages par e-mail. //////

      [Bookseller: Julien Mannoni livres anciens]
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        Dune

      Chilton, 1965 A good first printing in a good second issue dust jacket with the correct price on the front flap but only 2 lines in the Chilton address on the back flap, and a also very good second edition dust jacket with the revised price on the front flap. Discarded stamp on dedication page. Housed in a custom-made collector's slipcase.. 1st Edition. Hardcover. Good/Good.

      [Bookseller: Bookbid Rare Books]
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        La Tempête.

      Traduction de André Bouchet, illustré par Leonor Fini. Édition tirée à 200 exemplaires tous signés par l'Artiste et le Traducteur. Celui-ci (N°140) un des 100 sur grand vélin de Rives comportant l'état définitif des lithographies originales. Paris, Aux dépens d'un amateur 1965. 21 lithographies dont 11 à pleine page. Pages volantes sous couverture illustrée. Coffret étui toile grise. Quelques salissures sur l'étui. Pas de rousseur. Ouvrage en parfait état. Format in-folio (40x30).

      [Bookseller: Livres et Collections P. Commerot]
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        ASPEN. The Magazine in a Box Vol 1, No 1.

      Aspen Magazine,, New York,, 1965 - Orig cardboard box, 4to. The inaugural issue of the pioneering magazine of art and culture, edited and published by Phyllis Johnson. Aspen appeared irregularly between 1965 and 1971. This issue was designed by the award-winning Esquire art director George Lois, along with Tom Courtos and Ralph Tuzzo. This copy is complete with all pamphlets as well the flexidisc recordings and all separately inserted ads. Included among the latter is the pamphlet promoting the IBM pavillion at the New York World's Fair, designed by Paul Rand. Publisher's introductory letter and subscription return-envelope laid in. VG. [Attributes: Soft Cover]

      [Bookseller: adr. van den bemt]
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        Views of Ancient Monuments in Central America, Chapas and Yucatan

      Barre, MA: Barre Publishers, 1965. Cloth. Fine. Frederick Catherwood. An all-but-immaculate copy of this 1965 re-issue of Frederick Catherwood's landmark 1844 "views of ancient monuments in Central America, Chiapas and Yucatan". The 1965 facsimile is in its own right a thing of beauty and quite sought after, only 500 copies having been issued by the publisher. Except for the slightest trace of light scuffing to the front panel of the publisher's elegant box (measuring 21 1/2" tall), the portfolio is as new. Frederick Catherwood's 25 remarkable chromolithographed plates are in pristine condition, as is the "outline map of Central America & Yucatan" and the accompanying caption booklet (housed in the front pastedown), giving context to and detailed description of each plate.

      [Bookseller: Appledore Books, ABAA]
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        Milano. Con firma degli autori

      Milano, Alfieri, 1965. Leg. Editoriale mz tela (40X30) pp. 106 Introduzione di Dino Buzzati In ottimo stato salvo leggera spellatura al margine alto destro del piatto. Siglato degli autori che si firmano Carlo e Zizi

      [Bookseller: Libreria Menabò]
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        Le Baphomet

      Mercure de France, 1965. - Mercure de France, Paris 1965, 12x18,5cm, broché. - Prima edizione, uno dei 40 esemplari numerati sul filo puro Lafuma, solo carta di grandi dimensioni con qualche compromesso. Bella copia. - [FRENCH VERSION FOLLOWS] Edition originale, un des 40 exemplaires numérotés sur pur fil Lafuma, seuls grands papiers avec quelques hors commerce. Bel exemplaire.

      [Bookseller: Librairie Le Feu Follet]
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        Derriere le Miroir n. 151 - 152 Mai 1965. Les peintures sur carton de Mirò.

      Maeght, 1965. 4°; pp. 27 non num. 7; con 22 pagine in litografie orig. a colori e in nero, una a doppia pagina. Testo di Jacques Dupin in lingua francese. Brochure edit. illustrata in litografia, numero della nota rivista interamente dedicato al grande maestro (1893 - 1983). Cfr. Cramer n.102 (vedi riproduz.)

      [Bookseller: Libreria Antiquaria Prandi s.n.c.]
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        Autograph manuscript signed: Julius Robert Mayer:Die Entdeckung des Gesetzes der Erhaltung der Energie

      1965. Gerlach, Walther (1889-1979). Julius Robert Mayer: Die Entdeckung der Erhaltung der Energie. Autograph Manuscript Draft, signed. 4-1/3 pp., written in pencil and ballpoint pen on rectos of 5 sheets; sheets stapled together in upper left corner. Munich, January 21, 1965. 300 x 212 mm. Creased where previously folded, very slight wear and soiling. Very good. English translation included. Draft of Gerlach's lecture commemorating the 150th anniversary of the birth of Julius Robert Mayer, one of the founders of the principle of the conservation of energy-the first law of thermodynamics. Gerlach, "contributed to many experimental topics, especially the ones connected with radiation and quantum theory (e.g. together with Alice Golsen, he determined the pressure of light quantitatively); he made important contributions to the development of modern methods of chemical spectral analysis, the physics of the (technical) magnetization curve, and measurements on artificial and natural radioactivity" (Mehra & Rechenberg, I, p. 436). He is best known as one of the discoverers of the Stern-Gerlach effect (1922), by which Otto Stern and Gerlach demonstrated the empirical validity of Sommerfeld's spatial quantization; i.e., the discrete orientation in space of electronic orbits. The effect is created by passing an atomic beam of silver atoms through a magnetic field of strong inhomogeneity, which splits the silver beam into two separate beams. "This result then proved space quantization as well as once again confirming the existence of stationery states. However, it also went far beyond the Bohr-Sommerfeld theory, as Einstein and Paul Ehrenfest demonstrated by their calculation of the time needed by the silver atoms to be oriented in the two directions: they estimated a time for the (classical) magnetic interaction of 1011 s, in contrast to the observation-which gave a time of less than 10-4 s. Thus one of the bases of the existing atomic theory broke down" (Twentieth Century Physics I, pp. 164-65).The energy-conservation principle was arrived at more or less simultaneously in the mid-19th century by a number of scientists, the most important being Helmholtz, Joule and Mayer, but Mayer was the first, as Helmholtz acknowledged, to articulate a general law of energy conservation. Gerlach's lecture gives a brief history of Mayer's discovery and its reception:The law of conservation of energy, first understood empirically by [Mayer], is the fundamental principle of rational natural science and technology. It can be stated that the entire area of natural science research is governed by the validity of the energy law throughout the inanimate and animate world, through the macro- and micro-cosmos, through the technical utilization of apparent matter such as the insight into elementary particles, through cosmic processes, and within living cells. . . .It is thus no coincidence that Mayer as well as Helmholtz, who established the energy theorem five years after [Mayer] in his writings on the conservation of force, making use of the same considerations, but with different motivation, came not from physics but from physiology. In it the picture of a life force dominated, even though it was perceived as being unsatisfactory, which was supposed to control processes in the organic realm, as mechanical force did in inanimate nature. After unfavorable experiences with "natural philosophy", that blurry mixture, physicists rejected generalizations and extrapolations for fear of allowing it [natural philosophy] back in again. Therefore, Poggendorff also did not print Helmholtz, in the Annalen der Physik, and Helmholtz said in 1854 that Robert Mayer was the first one who had dared to state such a general law. . . .In 1842 Mayer calculated the mechanical equivalent of heat from the Dulong-Petit experiments, and with it the low efficiency of the steam engine, whose principle of operation he was the first to explain correctly through the consumption of heat as the equivalent of the work produced, . . .Mayer's accomplishment was not recognized for a long time. Helmholtz, and Joule as well, rejected his arguments, unjustly criticized the calculation of the heat, and unqualified individuals ridiculed him in public. Only Clausius quoted Mayer's first work and the equivalent as a first principle of his thermodynamics in 1850. But at that time Mayer became seriously mentally ill. Only now did the energy law establish itself in the thought process of natural science. The Basel chemist Schoenbein referred to Mayer's accomplishment in 1858, and Justus Liebig praised him as the father of the greatest discovery of the century. A rapid sequence of the highest honors then followed. How Robert Mayer arrived at his idea-some kind of a brainstorm on his trip to Surabaya in the summer of 1840-and even more how the self-taught physicist found the decisive experiments in the literature that were needed for his new concept, how he properly described the steam engine quantitatively, against all [prevailing] opinions-all this belongs to the mysteries about which Johannes Kepler said: "It seems to me that the paths by which men come to understand heavenly things are almost as remarkable as the nature of these things themselves."Offered with Gerlach's manuscript is a copy of Alwin Mittasch's Kraft-Leben-Geist: Eine Lese aus Robert Mayers Schriften (1942), published to commemorate the centennial of Mayer's discovery of the law of energy conservation.

      [Bookseller: Jeremy Norman's Historyofscience.com]
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        Terre d'amour et de feu - Israël 1925-1961.

      Plon, Paris 1965. In-8 broché 14,5 x 21 cm, couverture bleu-pâle imprimée en noir. EDITION ORIGINALE au tirage muméroté limité à 120 exemplaires, celui-ci le n° 13, l'un des 50 exemplaires de tête sur pur fil lafuma. Infime pli sur la premère de couverture dont les couleurs sont très fraiches par ailleurs et sans décoloration. Intérieur parfaitement frais. Bel exemplaire.

      [Bookseller: Déjà Jadis]
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        Provo. No. 1 (July 1965) through No. 15 (March 1967). (All published)

      1965. Altogether 15 issues, ranging between 12-45 pp., of the official mouthpiece of the anarchic countercultural Provo movement in the Netherlands, including contributions from Roel Van Duyn, Olaf Stoop, and Ab Pruis among others, the journal was used to promote and incite action for social change, heavily illustrated throughout with political cartoons and images from photographs. Nos. 1-12: Tall small 4to. Wrpps., covers slightly rubbed and chipped. Nos. 13-15: Tall folio. Self-wrpps., folded into quarters, folds age-darkened, some small tears along folds. Amsterdam (1965-1967). Provo was known for their happenings, which were designed to attract police intervention, thereby inciting revolt. The group, heavily influenced by performance artist Robert Jasper Grootveld and the philosophy student Roel Van Duyn, promoted numerous schemes for the betterment of society, one of the more famous being the White Bicycle Plan that strove to replace cars in the city center with free bicycles. The groups also disturbed Princess Beatrix's wedding with a smoke bomb in protest to her fiancé's membership to a Nazi youth group, and demonstrated against the Vietnam war. When the movement began to be accepted by mainstream culture, signified in 1967 with the election of a Provo representative, it was disbanded and a funeral was held to mark the occasion.

      [Bookseller: F.A. Bernett Books]
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        LES PEINTRES MES AMIS

      Éditions d'Art Les Heures Claires, Paris 1965. Fort in-folio (380 x 282 mm), reliure plein maroquin bleu nuit, double filet doré sur les coupes, contreplats bordé de maroquin orné de multiples filets dorés, doublures de satin moiré jaune, tête dorée, couverture et dos conservés, étui bordé et doublé (Bellevallée rel. - Berthaux, dor.). Portrait de l'auteur en frontispice et 19 LITHOGRAPHIES, GRAVURES ET BOIS EN COULEURS dont le portrait de l'auteur des artistes suivants : Derain, Dufy, Matisse, Van Dongen, Vlaminck, Rouault, Braque, Picasso, Villon, Zadkine, Chagall, Dunoyer de Segonzac, Pascin, Utrillo, Cavaillès, Terechkovitch, Buffet, Carzou, Miro. Signés dans la planche. Édition à 250 exemplaires, celui-ci 1 des 40 numérotés sur grand Vélin d'Arches comportant UNE SUITE SUPPLÉMENTAIRE COMPLÈTES DES PLANCHES HORS-TEXTE EN COULEURS. (Etchings by : Braque, Jacques Villon, Zadkine - Woodcuts by : Vlaminck, ROUAULT, Pascin, UTRILLO - Lithographs by : Derain, DUFY, MATISSE, VAN DONGEN, PICASSO, CHAGALL (engraved by Sorlier), Dunoyer de Segonzac, Cavaillès, Terechkovitch, Bernard BUFFET, Carzou, MIRO). All the 19 illustrations are signed in the plate. With a complete extra suite in color. Splendide exemplaire parfaitement relié par Bellevallée et dont la dorure impeccable a été exécutée par Berthaux. L'étui polychrome est une oeuvre d'art à part entière. Avec suite supplémentaire complète des gravures, bois et lithographies en couleurs, soit 38 planches originales.

      [Bookseller: Patrice Jeudy - Livres Anciens et Modern]
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        Belles saisons, le poisson au coup de pied, midi sévère.

      Bibliophiles De Provence Toulon 1965 In-4 ( 350 X 270 mm ) de 122 pages, en feuilles sous couverture de papier à fleurs naturelles du Moulin de Richard de Bas, emboitage decoré de l'Editeur. 22 lithographies originales en couleurs d'Eugène BABOULENE, dont 5 à double-page, 5 hors-texte et 12 dans le texte. Tirage unique à 195 exemplaires sur vélin de Rives ( Exemplaire nominatif N°120 ). Parfait état. ( MONOD 2976 ). D'autres photos sur www.cazitel.com

      [Bookseller: Librairie Tiré à Part]
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        Anyone Can Whistle.

      Random House, New York 1965 - First Printing. A Fine copy black cloth, green paper covered boards, in a Fine goldenrod dustwrapper, not price-clipped. Music and Lyrics by Stephen Sondheim. 186pp. The cast of the original New York production included Angela Lansbury, Lee Remick, Harry Guardino, and many other familiar faces. This edition is scarce. Q07102 [Attributes: First Edition; Hard Cover]

      [Bookseller: Compass Rose Books, ABAA-ILAB]
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        NO VOYAGE And Other Poems

      Houghton Mifflin, Boston 1965 - 8vo. With some twenty poems that were not included in the 1963 British edition. This copy is inscribed by the poet: "March 1965, for Walter [Chrysler], Mary." With the recipient's armorial bookplate adorning the front pastedown. The book is additionally signed by Oliver and her longtime companion, Molly Malone Cook. The order of the poems has been slightly altered from the proofs. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Lee G. Campbell]
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        Hommage fait à Marguerite Duras du Ravissement de Lol V. Stein

      In Cahiers Renaud-Barrault, 1965. - In Cahiers Renaud-Barrault, Paris Décembre 1965, 14x19cm, agrafé. - Edizione originale. Autorgaphe spedizione datato e firmato da Jacques Lacan a Mr. e Mrs. Claude Lefort in cui presenta i suoi desideri per il 1966. insolated leggermente e marginalmente bemolle minore, un piccolo strappo a margine del secondo piatto. - [FRENCH VERSION FOLLOWS] Edition originale. Envoi autographe daté et signé de Jacques Lacan à monsieur et madame Claude Lefort à qui il présente ses voeux pour l'année 1966. Plats légèrement et marginalement insolés sans gravité, une petite déchirure en marge du second plat, une autre en pied du dos.

      [Bookseller: Librairie Le Feu Follet]
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        Battle of the Bulge (Original screenplay for the 1965 film, Dana Andrews' copy)

      Warner Brothers, Madrid, Spain 1965 - Revised draft script for the 1965 film. Actor Dana Andrews' working copy, with his name label on the front wrapper, and name in holograph ink on two pages. From Andrews' estate, with a letter of provenance from Andrews' daughter, Katharine Smith. Script printed in Spain, where much of the film was shot on location, with English text.One of the most ambitious films about World War II made during the 1960s, an epic story that details the events leading to the title confrontation, the bloodiest battle that the US fought and one of the key turning points in the war.Blue titled wrappers with die-cut window. Title page present, dated Feb. 15, 1965, with credits for screenwriters Yordan and Sperling. 180 leaves, with last leaf of text numbered 166. Mechanically reproduced, with blue, off-white, and eye-rest green revision pages throughout, with one laid-in carbon page, dated variously between 2/15/65 and 5/17/65. Pages Near Fine, wrapper Very Good plus, bound internally with three gold brads.Davenport, pp. 24-26. [Attributes: Soft Cover]

      [Bookseller: Royal Books, Inc., ABAA]
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        A A 30 - A Book About A A 's 30th Anniversary Year and International Convention; Alcoholics Anonymous; Signed; Inscribed

      Toronto, Ontario, Canada, July 2-4, 1965. Hard Cover. INSCRIBED by AA Co-founder Bill W. to Al-Anon icon Rose R(acicot) of Ohio (her copy) and signed by Author Chuck C(hamberlain) and 75 other representatives, some group leaders, from cities all around America, and one from Geneva, Switzerland. Octavo, 47 pages, original blue-gray cloth, without dust jacket, as issued. Bill W. inscribed thus: "Dear Rose - / This in affection / Ever / Bill." Rose R. (Racicot) has been appointed AFG of Ohio's 2010 State AA Service Convention, with Al-Anon Participation Chairman (August 13 - 15) in Perrysburg, OH. Chuck C. (Chamberlain) is author of the book "A New Pair of Glasses" which is based on a talk given to 64 AA men at a retreat in Pala Mesa, California in 1975. He was an early leader of AA in Southern California.

      [Bookseller: Charles Parkhurst Rare Books, Inc.]
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        Tea Party (Original screenplay for the 1965 BBC television movie, signed by Pinter)

      British Broadcasting Corporation [BBC], London 1965 - Draft script for the 1965 BBC television movie "Tea Party," adapted by Pinter from his 1963 short story. The film first aired live on March 25, 1965 on the BBC program "The Largest Theatre in the World." INSCRIBED by screenwriter Pinter on that day: "March 25th 1965 / To Peter Colin Holder / Congratulations on being born! / Hooray! / Lots of Love / Harold Pinter." The story of an industrial tycoon who comes to believe that his new secretary, second wife, and brother-in-law are all conspiring against him, to the point where his health is affected by the conviction. Blue titled wrappers, lacking the rear wrapper. Front wrapper present but detached, with a credit for screenwriter Pinter. Title page present, also with a credit for screenwriter Pinter. 59 leaves, mechanically reproduced. Pages Near Fine, side stitched, front wrapper Very Good. [Attributes: Signed Copy; Soft Cover]

      [Bookseller: Royal Books, Inc., ABAA]
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        Mythologies du dimanche.

      Veilhes, chez l'auteur (coll. "Le Bouquet"), 1965. - Pt. in-folio, non paginé, Edition originale numérotée en chiffres romains XXXVI / L exemplaires sur vélin de Rives à la cuve (seul tirage avec 20 exemplaires hors commerce sur offset licorne). Illustré de linos et de bois en couleurs d'après des collages de Anna Staritsky. Signé par l'auteur-éditeur et par l'artiste à la justification. Petits accrocs à la couverture. en feuilles, sous couverture illustrée rempliée. [Attributes: First Edition; Signed Copy]

      [Bookseller: Le Cabinet d'Amateur]
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        A Spaniard in the Works

      Cape, UK 1965 - 1st Edition 1965. A lovely example of Lennon's second book with his autograph/signed name to the endpaper. Very rare book to be signed and un-dedicated. John Lennon's autograph at the height of Beatle mania was very difficult to obtain. His previous book 'In His Own Write' had a signing session at Foyles in 1964 so the book appears more regular albeit as a reprint. He did not undertake any such commercial signing sessions for this book so they very rarely appear on the open market. Excellent provenance will be made available when purchased. Book is near fine and in lovely square tight condition. Nice sharp corners. A few very light foxing spots to odd pages. Pages very nice and clean. Never issued with a wrapper. A cracking example. More images can be taken upon request. Ref 9312 Size: 12mo - over 6¾" - 7¾" tall [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Lasting Words Ltd]
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        The Orchard Keeper

      Random House, 1965 A near fine first edition in a near fine dust jacket, with original price of $4.95 still on front flap of dust jacket and First Printing stated on copyright page. Not ex-library, and jacket is intact, not separating at fore edge. Housed in a custom-made collector's slipcase.. 1st Edition. Hardcover. Near Fine/Near Fine.

      [Bookseller: Bookbid Rare Books]
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        Les choses

      1965. Julliard, Paris 1965, 11,5x20cm, broché. - Julliard, Paris 1965, 11,5x20cm, broché. - Edizione dell'anno dell'originale, fantasiosa menzione 78a miglio. Autograph firmata dall'autore. Una piccola lacrima senza gravità un po '. [FRENCH VERSION FOLLOWS] Edition de l'année de l'originale, fantaisiste mention de 78ème mille. Envoi autographe signé de Georges Pérec à Jean Berthou et à sa femme. Une infime déchirure sans gravité en pied d'un mors.

      [Bookseller: Librairie Le Feu Follet]
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        Les troyennes

      Gallimard, 1965. - Gallimard, Paris 1965, 15x21,5cm, broché. - Adattamento Edizione stabilito da Jean-Paul Sartre, uno dei 80 esemplari numerati sulla testa di stampa Olanda. Due lievi tracce di insolazione cranico minore e piede di colonna vertebrale, bella copia. - [FRENCH VERSION FOLLOWS] Edition originale de l'adaptation établie par Jean-Paul Sartre, un des 80 exemplaires numérotés sur Hollande, tirage de tête. Deux légères traces d'insolation sans gravité en tête et en pied du dos, bel exemplaire.

      [Bookseller: Librairie Le Feu Follet]
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        The Beggar’s Opera by Hogarth and Blake. A Portfolio Compiled by Wilmarth Sheldon Lewis and Philip Hofer.

      Elephant folio. Cambridge: Harvard University Press and New Haven: Yale University Press, 1965. Elephant folio, with 11 plates, and text printed in a separate pamphlet (oblong royal 8vo) of 28 pp. with illustrations. Original folding cloth box slightly worn. Blake’s one plate included in Hogarth’s Works 1790 is well known and here present in the seventh and final state. This portfolio contains reproductions of the original drawing, six oil paintings, and 3 states of the engraving. The final plate is a print pulled from the original plate (then in the Hofer collection). Bentley, Blake Books, 475 I. Essick, William Blake’s Commercial Book Illustrations, XX.

      [Bookseller: John Windle Antiquarian Bookseller]
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        In Cold Blood; A True Account of a Multiple Murder and Its Consequences

      Random House, New York 1965 - 8vo. 343 pp. No. 248 of 500 copies signed and numbered by the author. Cloth in slipcase, as new. (84665). [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Bauer Rare Books]
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        Elidor (Signed ByThe Author)

      The First UK Printing published by Collins in 1965.The BOOK is in VERY GOOD++ or better condition.A hint of a lean with light spotting to the text block.Small mark to the front board with a bump to the rear lower edge. Free from inscriptions and erasures.The WRAPPER is complete and is in near FINE condition.A little rubbing and edge wear at the spine ends and corners.Colouring to the spine remains very bright.A few unnecessary small tape reinforcements to the upper edge on the verso.The Charles Keeping designed wrapper artwork looks very striking in the removable Brodart archival cover.The book has been SIGNED to the title page by Alan Garner.The author's third children's title and very rare to find as a simply Signed title. Collectible.Ashtonrarebooks welcomes direct contact.

      [Bookseller: Ashtonrarebooks ABA PBFA]
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        Feste religiose in Sicilia

      Leonardo da Vinci,, Piccolo Orizzonte, 1965. Rilegato tela, sovracoperta (cloth, dust jacket) Testo di Leonardo Sciascia. Fotografie in bianco e nero di Ferdinando Scianna. Brevi note alle immagini a cura del fotografo. Una dedica anonima ad un noto pittore siciliano - dalla cui biblioteca il libro proviene - alla prima pagina bianca . 16mo. pp. 222. Molto Buono (Very Good). Sovraccoperta rinforzata professionalmente lungo i bordi con intervento reversibile in carta Giappone (Anonymous dedication to a well - know Sicilian painter at the first blank page. DJ professionally restored). Prima edizione (First edition). Il volume raccoglie una scelta di immagini scattate da Scianna tra il 1961 e il 1964, che raccontano il mondo popolare di quegli anni, ritraendo i siciliani alle prese con le loro feste. Le celebrazioni religiose, secondo l'interpretazione di Sciascia, più che una connotazione metafisica e spirituale ne avevano una materialista: "che cosa è una festa religiosa in Sicilia? Sarebbe facile rispondere che è tutto, tranne che una festa religiosa (. .) è, innanzitutto, una esplosione esistenziale. Poiché è soltanto nella festa che il siciliano esce dalla sua condizione di uomo solo". E' questo aspetto che si riscontra in pieno negli scatti di Scianna: atti quali il trascinare la lingua a terra o procedere a ginocchioni erano il prezzo per ottenere una certa grazia. Ma i siciliani secondo Sciascia sono un popolo pieno di contraddizioni, e Scianna lo documenta con la ripresa dei riti della settimana santa in cui nei volti di uomini e donne si percepisce lo stupore e la commozione vera per il dolore di una madre. Le immagini intense e drammatiche di donne velate, di incappucciati in processione, di penitenti seminudi in pellegrinaggio sull'Etna, di bambini offerti alla benedizione del sacerdote fecero vincere al libro il prestigioso Premio Nadar. \

      [Bookseller: Studio Bibliografico Marini]
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        Original candid photograph of Roman Polanski, Jean-luc Godard, and Catherine Deneuve at Cannes, 1965

      Claude Schwartz, Paris 1965 - Vintage silver gelatin photograph of Roman Polanski, Jean-luc Godard and actress Catherine Deneuve at Cannes in May 1965, taken by French press and still photographer Claude Schwartz. With Schwartz's French press stamp appearing 5 times on the verso. Arguably the tall man in the background is Barbet Schroeder.Polanski's 1965 film, "Repulsion," a film that had much to do with Ms. Deneuve's impending fame, made its world premiere at this festival.In 1964, Ms. Deneuve appeared in "Les plus belles escroqueries du monde" ["The Beautiful Swindlers"], an omnibus of grifting stories, shot on location in Tokyo, Paris, Italy, and Amsterdam by Polanski, Godard, Claude Chabrol, Ugo Gregoretti, and Hiromichi Horikawa. Deneuve starred as a lovely swindler in Chabrol's segment, "L'Homme qui vendit la Tour Eiffel." 9.5 x 7.25 inches. Near Fine.

      [Bookseller: Royal Books, Inc., ABAA]
 29.   Check availability:     AbeBooks     Link/Print  


        I Wish That I Had Duck Feet

      New York: Beginner Books/Random House, 1965. First Edition, First Printing. Decorative Boards. Near Fine/Very Good+. Barney Tobey (BTOBEY). A lovely First Edition, First printing of a playful and imaginative Dr. Seuss book written under the pen name LeSieg (backwards spelling of his first name). The book itself is in near fine condition with a solid and square construction. Decorative boards are bright and clean. Very light rubbing on the ends of the book with a minor nick on the lower spine. Extremely light bumping along the bottom edges. Front endpaper and front free end paper display exceptionally clean artwork. Pages throughout the book standout as clean and crisp with bright artwork and text. The dust jacket is complete with all first issue points [Younger & Hirsch, pps.105-107]. The dust jacket is in Very Good + condition and is protected by an archival jacket. The dust jacket displays light soiling and moderate blemishes, especially on the top edge of the front panel and the bottom of the back panel. There is some chipping including a chip on the bottom of spine measuring .50" and a chip along the bottom of the front panel measuring .25". The dust jacket shows minor tanning over all. Front and rear flaps are near flawless condition. Rear flap has a clear picture of a smiling Barney Tobey. The dust jacket shows some wear but is intact and has protected the book quite well. An overall well preserved piece of childhood nostalgia.

      [Bookseller: Parrish Books]
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        A Way of Seeing

      Viking, New York, 1965. First Edition. Hardcover (Original Cloth). Near Fine Condition/Near Fine. LEVITT, HELEN, and AGEE, JAMES. A Way of Seeing, New York: Viking Press, 1965. Oblong octavo, first edition, pp. 78, full black cloth boards with white lettering on spine and upper board, gravures, text by Agee. Parr & Badger, V.1, pp. 252-53: "Levitt's street pictures of New York children in underprivileged areas ... exemplify the shift from New Deal social documentation to a more personal and elliptical way of looking at life. ... Levitt's photographs are beautiful -- major, underrated works." Roth, 101 Books, pp. 178-79: Agee's "photo-by-photo interpretations can be crushingly heavy-handed. Happily, Levitt's work easily escapes the text's abrasive grip, its buoyancy and grit intact." Also see Hasselblad, Open Book, pp. 214-15. Condition of this book: Near fine with jacket faintly worn at edges with tiny spots of foxing at rear flap; boards a bit sunned at edges. Leaves clean and tight, with toning at white edges, images fine. Preliminary leaf with publisher's note has half-inch-wide vertical blemish, apparently skid marks from a press roller or binding machinery. Size: Octavo (standard book size). Text body is clean, and free from previous owner annotation, underlining and highlighting. Binding is tight, covers and spine fully intact. All edges clean, neat and free of foxing. Quantity Available: 1. Shipped Weight: Under 1 kilo. Category: Photography; United States; 1940s; Antiquarian & Rare. Pictures of this item not already displayed here available upon request. Inventory No: 51683. .

      [Bookseller: Rarities etc.]
 31.   Check availability:     Biblio     Link/Print  


        A Way of Seeing. Photographs of New York, with an essay by James Agee.

      New York: The Viking Press, 1965 - Oblong quarto. Original black cloth, titles to front cover and spine in white. With the pictorial dust jacket. Minor scuffs to book, dust jacket rubbed to corners, small chip to head of spine. Illustrated with 51 mainly full page photographs. First edition, first printing. These photographs were taken over a number of years, starting in the 1940s. Levitt and Agee planned the publication in 1950, five years before Agee's death. Parr & Badger I, 252; Roth, p. 178. [Attributes: First Edition]

      [Bookseller: Peter Harrington. ABA member]
 32.   Check availability:     AbeBooks     Link/Print  


        Die Bundesrepublik Deutschland in Karten , ( sog. Meynen - Atlas ) Loseblattsammlung in orig Holzkasette ( 58 x 85 x 9 cm. ) erschienen als Loseblatt - sammlung von 90 Kartenblättern 1965 bis 1970. Hrsgg. vom Statistischen Bundesamt, Institut für Landeskunde, Institut für Raumforschung Gliederung : 1 . Allg. Übersichten und Verwaltungsgliederung. 2. Natur . 3. Bevölkerung Gesundheits und Bildungswesen. 4. Wirtschaft . 5. Raumgliederung

      Verlag Kohlhammer ca. 1965 - 1970, 90 Karten plus diverser Begleitblätter, Einführungsblätter u.a. von H.D. Genscher, Titelblätter, ca. 58 x 85 cm Holzkasette mit Schließen und Gurten Guter Zustand, augenscheinlich kaum benutzt, formatbedingte Lagerspuren 1000 Versand D: 5,00 EUR

      [Bookseller: Versandhandel R. Wassmann]
 33.   Check availability:     buchfreund.de     Link/Print  


        The Flight of the Phoenix (Original screenplay for the 1965 film)

      Twentieth Century-Fox, Los Angeles 1965 - Second draft script for the 1965 film. Included are production notes dated November 1965 (laid in) and an architectural sketch of the "sky truck" noted as "REVISED / APR. 22. '65," As deluxe a script for this film as we have seen, and a highspot for noted director Robert Aldrich.One of the great adventure films of the twentieth century, wherein a cargo plane with fewer than a dozen men goes down in the Sahara in a sandstorm. One of the men is an airplane designer who comes up with the idea of ripping off the undamaged wing and using it as the basis for an airplane they will build to escape before food and water are depleted.Black titled wrappers, noted as 2ND DRAFT on the front wrapper, dated April 6th. Distribution page present, with receipt removed. Title page present, with credits for screenwriter Heller and novelist Trevor. 178 leaves, mechanically reproduced, with blue and pink revision pages throughout, dated variously between 4/15/65 and 4/27/65. Pages Near Fine, wrapper about Near Fine with a small fingernail-size bruise at the top left corner of the front wrapper. Bound internally with three gold brads. [Attributes: Soft Cover]

      [Bookseller: Royal Books, Inc., ABAA]
 34.   Check availability:     AbeBooks     Link/Print  


        The Magus

      Boston: Little, Brown and Company,, 1965. Octavo. Original green cloth, spine lettered in red, top edge red. With the dust jacket. Bookseller's ticket to front free endpaper. Small mark to fore edge. An excellent copy in the slightly rubbed jacket First edition, first printing. Inscribed by the author on the front free endpaper, "John Fowles, 5.i.1966". The book was published in January 1966 (though the copyright page states 1965) and predates the first UK edition. The stunning jacket design is by the highly acclaimed Tom Adams.

      [Bookseller: Peter Harrington]
 35.   Check availability:     Biblio     Link/Print  


        Box of Pin-Ups.

      London: Weidenfeld and Nicolson, [1965] - Original card clamshell box (380 x 330mm), containing 36 loose plates; each a full page half tone reproduction of a photographic portrait with biographical details of the sitters on the verso. With the piece of plain brown paper and the piece of corrugated cardboard inserted as packaging. Housed in a black flat-back cloth box made by the Chelsea Bindery. Scuff marks and rubbing to the lid, corners and edges archivally repaired, each plate in superb condition. First edition, sole impression. This seminal collection of portraits by Bailey is one of the great iconic representations of the Swinging Sixties in London. The subjects typify the newly formed social elite ranging from the Beatles and the Rolling Stones through minor royalty and groovy aristos to film stars, couturiers and gangsters. The mode of publication also hints at a new democratization. The printing is of lovely quality but photomechanical which meant the cost could be kept down to just three guineas. [Attributes: First Edition]

      [Bookseller: Peter Harrington. ABA member]
 36.   Check availability:     AbeBooks     Link/Print  


        The Man With the Golden Gun

      London: Jonathan Cape. 1965.. First Issue, Second State, Binding A (in Excelin material) without gilt-stamped gun motif and stamped in Nuvap (gilt) to the spine. SIGNED BY ROGER MOORE with added 'Best wishes' and '007' motif. Octavo, pp.221. Black cloth-effect paper over boards, green endpapers, in pictorial dust-wrapper. Very fine indeed, in a custom-made leather clamshell. A truly stunning copy, with half-title page signed by Moore, who played James Bond in the 1974 film adaptation. One of just 23,203 copies in this binding from a print run of 81,890 copies.

      [Bookseller: Adrian Harrington Rare Books]
 37.   Check availability:     Biblio     Link/Print  


        No Voyage and Other Poems.

      Boston: Houghton Mifflin Company, 1965. First American edition of the poet's scarce first book. Octavo, original cloth. Signed by Mary Oliver on the title page. Fine in a near fine dust jacket with light rubbing. A very nice example. Mary Oliver was described by The New York Times as "far and away, [America's] best-selling poet." She has won both the Pulitzer Prize in 1984 and the National Book Award in 1992. Oliver's poetry has been called an "indefatigable guide to the natural world, particularly to its lesser-known aspects" (Kumin, 1993). "Visionary as Emerson [ she is] among the few American poets who can describe and transmit ecstasy, while retaining a practical awareness of the world as one of predators and prey," reviewed The Nation. Holly Prado of Los Angeles Times Book Review noted that Oliver's work "touches a vitality in the familiar that invests it with a fresh intensity."

      [Bookseller: Raptis Rare Books, ABAA/ ILAB ]
 38.   Check availability:     ABAA     Link/Print  


        In Cold Blood. A True Account of a Multiple Murder and Its Consequences

      Random House, New York 1965 - Numbered 70 of an edition of 500 copies, specially printed and bound and signed by Capote. Fine in original glassine dust-wrapper, in publisher’s slip-case. [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Pryor-Johnson Rare Books]
 39.   Check availability:     AbeBooks     Link/Print  


        In Cold Blood

      NY: Random House. (1965). His most famous book, a story of the cold-blooded killing of a Kansas family that was shocking in its day for its portrayal of the lives and thoughts of the killers, as well as its graphic violence, and a bestseller that redefined the boundaries between fiction and nonfiction and helped define the New Journalism of the 1960s. Inscribed by Capote to Ruth Ford: "For dearest Ruth/ much love/ Truman." Ford, the film and stage actress, who was the sister of Charles Henri Ford and a longtime friend of William Faulkner's in her native Mississippi, became known for the gatherings she hosted at her apartment at the Dakota building in Manhattan, with guests such as Edward Albee, Tennessee Williams, and Truman Capote, among many others. Ford had invited Capote to join Faulkner and herself for a drink at her apartment in 1951, when Capote was a young, up-and-coming writer and Faulkner was, of course, one of the great American writers of the day, having won the Nobel Prize for Literature a year earlier. In an anecdote recounted in Joseph Blotner's biography of Faulkner, a half-drunk Capote began disparaging Hemingway's latest novel and Faulkner called him up short on it. Ford collaborated with Faulkner of the play "Requiem for a Nun," in which she would star when it opened in 1959. In 1971, she starred in an ill-fated musical adaptation of Capote's The Grass Harp. An excellent association copy: Ford was at the center of the New York literary scene for decades, friends with virtually everyone and, by the time of the publication of this book, a friend of Capote's for at least 15 years. Unsigned, the book is not especially scarce in the first printing -- it had caused a sensation when portions appeared in The New Yorker, and therefore it had a large first printing; however, because of its soft paper dust jacket, it is a book that shows wear readily. There was a signed limited edition done, but signed or inscribed trade editions are relatively uncommon, and good association copies extremely scarce. This copy is fine in a near fine dust jacket with modest wear to the edges and folds, and is now housed in a custom clamshell case. First Edition. Hardcover. Fine.

      [Bookseller: Ken Lopez Bookseller, ABAA]
 40.   Check availability:     IOBABooks     Link/Print  


        The Magus.

      Boston: Little, Brown and Company, 1965 - Octavo. Original green cloth, spine lettered in red, top edge red. With the dust jacket. Bookseller's ticket to front free endpaper. Small mark to fore edge. An excellent copy in the slightly rubbed jacket First edition, first printing. Inscribed by the author on the front free endpaper, "John Fowles, 5.i.1966". The book was published in January 1966 (though the copyright page states 1965) and predates the first UK edition. The stunning jacket design is by the highly acclaimed Tom Adams. [Attributes: First Edition; Signed Copy]

      [Bookseller: Peter Harrington. ABA member]
 41.   Check availability:     AbeBooks     Link/Print  


        In Cold Blood

      Random House, 1965. Rilegato tela, sovracoperta (cloth, dust jacket) A True Account of a Multiple Murder and its Consequences. 8vo. pp. 344. Ottimo (Fine). Prima edizione (First Edition, First Impression). E' solo con questo romanzo, tradotto in italiano "A sangue freddo", che la narrativa di Capote si sviluppò nel senso di una più obiettiva e puntuale analisi dei fatti. L'opera, che ebbe un clamoroso successo commerciale e fu anche portata sullo schermo, si basava su un fatto di cronaca nera realmente avvenuto: la strage di una facoltosa famiglia del Kansas compiuta, apparentemente senza motivo, da due psicopatici più tardi processati e condannati alla pena capitale. Il libro, che fu definito da Capote stesso come appartenente al genere della "nonfiction novel" fu il risultato di 5 anni di attente ricerche sul crimine e sui suoi esecutori, fino a comprendere una precisa e documentata indagine sulle motivazioni sociali e psicologiche che portarono i due assassini al delitto.

      [Bookseller: Studio Bibliografico Marini]
 42.   Check availability:     maremagnum.com     Link/Print  


        Jean Dubuffet

      De Luca, 1965. Rilegato tela, sovracoperta, custodia (cloth, dust jacket, slip - case) 275 tavole in nero e a colori applicate. Allegato in tasca in terza di copertina un disco 33 giri intitolato "Le fleur de barbe", testo, musica, esecuzione dell'Artista. Calendario, bibliografia, testi di Dubuffet, cronologia critica. 4to. pp. 404. Ottimo (Fine). Sovracoperta leggermente sciupata al margine superiore (Dust jacket lightly worn at the upper edge). Prima edizione (First Edition).

      [Bookseller: Studio Bibliografico Marini]
 43.   Check availability:     maremagnum.com     Link/Print  


        In the Heat of the Night.

      New York: Harper & Row,, 1965. Octavo. Original black quarter cloth, grey boards, titles to spine and publisher's device to front board in silver, patterned endpapers. With the dust jacket. Very faint toning to board edges. An excellent copy in the dust jacket with a short closed tear to head of rear joint and toned rear panel. First edition, first printing.

      [Bookseller: Peter Harrington]
 44.   Check availability:     Biblio     Link/Print  

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