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Displayed below are some selected recent viaLibri matches for books published in 1965

        ARIEL (First Edition in Superb, Virtually As New, Condition)

      London: Faber & Faber, 1965. Plath, Sylvia. ARIEL. London: Faber & Faber, 1965. First Edition. Fine in Fine dust jacket, one tiny closed tear to the top edge of the dust jacket, else virtually faultless. One is unlikely to find a better copy of Plath's appallingly brilliant final collection of poetry. "I/ Am the arrow, the dew that flies/ Suicidal, at one with the drive/ Into the red/ Eye, the cauldron of morning.". First Edition. Hard Cover. Fine/Fine.

      [Bookseller: Lakin & Marley Rare Books ]
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        Le Grand Meaulnes.

      Paris, Editions Vialetay 1965 - Lithographies originales de Gaston Barret. 24 compositions (dont 6 à double page). Complet & Contrôlé. Édition tirée à 312 exemplaires tous signés par l'artiste et l'éditeur. Celui-ci (N°201) un des 150 sur Rives. Paris, Éditions Vialetay - 1965 - 231 pages. Pages volantes sous couverture repliée illustrée. Chemise et étui cartonnés. Titre et auteurs dorés au dos de la chemise. Pas de rousseur. Parfait état. Format in folio (38x29). Edition illustrée

      [Bookseller: Livres et Collections]
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        The Orchard Keeper.

      New York: Random House, 1965. First edition of the author's rare first book. Octavo, original half cloth. Signed by Cormac McCarthy on the title page. Fine in a near fine price-clipped dust jacket with some light fading to the spine. Books signed by McCarthy are uncommon, especially his earlier novels. The novels of Cormac McCarthy owe much to William Faulkner, especially in their "use of dialect and concrete sense of the world? a debt McCarthy does not dispute. ?The ugly fact is books are made out of books,? he says. ?The novel depends for its life on the novels that have been written.' "Cormac McCarthy is expert in generating an emotional climate, in suggesting instead of in stating, in creating a long succession of brief, dramatic scenes described with flashing visual impact" (The New York Times).

      [Bookseller: Raptis Rare Books]
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        ANTIQUITATES ITALICAE MEDII AEVI. 6 voll.

      Arnaldo Forni Editore, 1965. 6 volumi in ottime condizioni, copertina rigida in tela e scritte in oro al dorso

      [Bookseller: Messinissa Libri]
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        Ten Poems

      Belfast: Festival Publications,, [1965]. Octavo, single quire. Original white wrappers, wire-stitched, lettered in black, centrepiece illustration to front wrapper in purple. With a black and white postcard sent by Longley. Tanning to wrapper, dampstain, light foxing, offsetting, and creasing to rear wrapper, a very good copy. First edition, first issue, signed and dated by the author on the inner front cover. This is the author's first publication and, as well as being the most desirable, the first issue is by far the most scarce. Festival Publications printed this among a series of pamphlets by other emerging Irish poets like Seamus Heaney, Derek Mahon, and Philip Hobsbaum, and this loosely defined group "is generally identified as the beginning of the Northern Irish poetry revival of the late 1960s through to the 1980s" (ODNB). The recipient of the postcard was Irish bibliophile Dr Philip Murray, whose collection was sold in 2016 in Ireland's largest-ever sale of first editions. Longley responds in the affirmative to Murray's request for book signings at their next meeting.

      [Bookseller: Peter Harrington]
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        Desolation Angels

      New York: Coward-McCann, Inc, 1965. First Edition. Hardcover. Very Good. First edition, first printing. Near Fine in a Near Fine dust jacket with price intact. Slight oxidation to gilt title stamping on spine. Small strip of cloth sunned along top edge. Previous owner address stamp to front free end paper. Light edge wear to dust jacket, with fading and light rubbing to spine panel. A very sharp copy of this posthumously published Keroauc title.

      [Bookseller: Burnside Rare Books]
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        Le opere Il Rickshaw fantasma - Wee Willie Winkie - Bee, Bee, pecora nera - I due tamburini - La legione perduta - Il libro della giungla - Il secondo libro della giungla - Kim

      U. T. E. T. Unione Tipografico-Editrice Torinese, 1965. ITALIANO 0,53 Stato eccellente, coperta in simil pelle, su dorso bella targhetta, caratteri e grafica dorati in bassorilievo, tagli e pagine perfetti. Bella anteporta con ritratto, in b. e n. di Kipling, protetto da foglio di carta velina. Edizione speciale per concessione del Club degli Editori su licenza della U. Mursia & C. e delle Edizioni Casini. Prefazione del Club degli Editori-Milano. Volume della collana Scrittori del mondo: i Nobel, Premio Nobel 1907. USATO

      [Bookseller: Biblioteca di Babele]
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        Casino Royale, Leben und sterben lassen, Diamantenfieber. 3 Kriminalromane [G...

      DAS BUCH IST IM SEHR GUTEN ZUSTAND UND HAT KEINERLEI EINTRGE ODER MARKIERUNGEN. AUSGABE VON 1965. SIEHE MEIN FOTO

      [Bookseller: Antiquariat Trèves]
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        DRAWINGS OF REMBRANDT vol. 1

      DOVER PUBLICATIONS, NEW YORK 1965 - INGLESE Primo di due volumi, con 300 illustrazioni in nero con relative didascalie, in pagine lievemente ingiallite ai bordi da fattore tempo rimanendo comunque in buonissimo stato di conservazione, brossura editoriale illustrata, leggermente ingiallita e con lievissimi segni di usura ai bordi ed agli angoli

      [Bookseller: Biblioteca di Babele]
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        SIXTEEN POEMS IN VERSE & WOOD. Wood cut & engraved by George Lockwood.

      Boston: Impressions Workshop, Cricket Press, 1965. 9 x 9 1/2. 17 French-fold leaves. A color engraving (on the left) faces a poem (on the right). Brown boards, side-stitched, label on upper cover, marbled endpapers. Small bookplates of Harold Hugo & family member on blank. A 45-RPM recording of the poet reading his poems, in rear pocket. Fine in slipcase. No. 48 of 150 copies, signed by Lockwood & Bockes. Beautifully printed in Venezia type. The poems were written to accompany the wood engravings. A handsome book.

      [Bookseller: The Veatchs Arts of the Book]
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        FOX IN SOCKS

      - SEUSS,DR. FOX IN SOCKS. NY: Random House 1965. 8vo (6 5/8 x 9 1/4"), glazed pictorial boards, Fine in VG dust wrapper with some light soil and fraying and a few marks, with price intact. 1st edition (based on ads for no later title and not listing this title). A beginning reader book of tongue twisters with great full color illustrations. A nice copy. Younger / Hirsch 24. [Attributes: First Edition; Hard Cover]

      [Bookseller: Aleph-Bet Books, Inc. - ABAA]
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        Fox in Socks. A Tongue Twister for Super Children

      Beginner Books, Random House, New York 1965 - First edition. dust jacket flap with 195/195 and last book listed on bottom rear panel: "Little Black Goes to the Circus" Illustrated by the Author. 61, [1] pp. 1 vols. Small 4to. White pictorial boards. Fine in fine unclipped dust jacket Illustrated by the Author. 61, [1] pp. 1 vols. Small 4to First edition. dust jacket flap with 195/195 and last book listed on bottom rear panel: "Little Black Goes to the Circus". [Attributes: First Edition; Hard Cover]

      [Bookseller: James Cummins Bookseller, ABAA]
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        Charlotte Moorman, Cellist / Nam June Paik, Human Cello - "26'1.1499" for a String Player by John Cage. - Original Vintage Silber Gelatine Abzug. Mit handschriftlicher Bezeichnung von Nam June Paik und dem roten Atelierstempel von Peter Moor, rückseitig handschriftlich datiert "Oct. 4 1965" und mit "A21" nummeriert.

      New York, 4. Oktober 1965 - 17,5 x 23 cm. Eine der schönsten Arbeiten von Moorman und Paik, die kurzentschlossen die 1955 entstandene Komposition von John Cage zu einem Happening erweiterten. Paik baute sich in Moormans Interpretation als "Human Cello" ein. Die Cellistin legte ihr Instrument zur Seite und Paik, der sich während der Musik auf der Bühne auszog, kniete sich zwischen die Knie der Musikerin und spannte, mit beiden Händen auf dem Rücken eine Cellosaite die von Moorman als lebendiges Instrument bespielt wurde. Paik verstand die Aktion als Hommage und Spiegelung von Man Rays berühmter Fotoarbeit "Le violon d'Ingres". Cage sprach sich klar gegen die Interpretation von Moorman/Paik aus, die den musikalischen Wert der Komposition zerstöre.

      [Bookseller: Daniel Thierstein]
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        Original-Farblithographie. Ohne Titel. Mit Bleistift von Lascaux signiert.

      Stuttgart, Hatje Verlag, 1965 - Format: ca 29,5 x 25 cm (HxB). Ursprünglich erschien diese Graphik als eingebundene Originallithographie in dem Buch 'Werner Spies (Hg), Pour Henry-Daniel Kahnweiler'. Zusätzlich erschien eine Vorzugsausgabe von 100 (+ 100 für Kahnweiler) Exemplaren. Dort waren die Graphiken lose als handsignierte Arbeiten beigelegt. Um solch eine 'Beilage' handelt es sich hier. Die Graphik ist in einem guten Zustand. Handsigned originally graphics by Lascaux. Limited for 200 copies. Sprache: Deutsch Gewicht in Gramm: 1000 [Attributes: Signed Copy]

      [Bookseller: Antiquariat Schröter -Uta-Janine Störmer]
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        Le opere Il Rickshaw fantasma - Wee Willie Winkie - Bee, Bee, pecora nera - I due tamburini - La legione perduta - Il libro della giungla - Il secondo libro della giungla - Kim

      U. T. E. T. Unione Tipografico-Editrice Torinese, VERONA 1965 - Scrittori del mondo: i Nobel ITALIANO Stato eccellente, coperta in simil pelle, su dorso bella targhetta, caratteri e grafica dorati in bassorilievo, tagli e pagine perfetti. Bella anteporta con ritratto, in b. e n. di Kipling, protetto da foglio di carta velina. Edizione speciale per concessione del Club degli Editori su licenza della U. Mursia & C. e delle Edizioni Casini. Prefazione del Club degli Editori-Milano. Volume della collana Scrittori del mondo: i Nobel, Premio Nobel 1907.

      [Bookseller: Biblioteca di Babele]
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        Sei canti della Divina Commedia. Litografie originali di Michele MAINOLI. Sechs Gesange aus der Gottlichen Komodie. Originallithographien von Michele MAINOLI.

      Zurich, Arcade-Press, 1965. - In 4¡, cartella rigida in Mz. Pergamena con titolo oro al dorso e al piatto, contenete una cartella in bross. con camicia edit. e 8 doppi fogli a margini intonsi, dei quali 2 con frontespizio e colophon, e 6 con il testo italiano e tedesco dei canti, dove in ciascuno  inserita un foglio con litografia orig. Stampato in 150 esemplari num. Il nostra, nr. XVIII, fa parte della tiratura di XL con firma autografa dell'illustratore al colophon. Custodia editoriale rigida. Ottimo esemplare. [Attributes: Hard Cover]

      [Bookseller: Maria Calabrò Studio Bibliografico]
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        Dune

      Philadelphia: Chilton Books, 1965. First Edition. Hardcover. Good. Stated first edition, first printing. Publisher's original blue cloth binding with white stamping to spine, in first issue dust jacket with $5.95 price intact and four lines of publisher identification on bottom of rear flap beginning with "Chilton Books." Good with a concave roll to spine, cloth toned at edges, previous owner details to front free end paper, musty odor to pages. In a Good dust jacket with light loss at corners and spine ends, toning, general wear, ding to center of spine panel, six line-long ink notation on blank verso of dust jacket, pencil strike through price and revised price lightly below. A classic of science fiction and basis for the David Lynch film, as well as winner of both Hugo and Nebula awards.

      [Bookseller: Burnside Rare Books]
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        Charles Hinman-International University Choral Festival-1965 Serigraph-SIGNED

      1965 - "International University Choral Festival" by Charles Hinman, Signed Serigraph printed in 1965 from an edition size of 100. The overall size of the Serigraph is 42 x 29.5 inches. The condition of this piece has been graded as B-: Good Condition, Signs of Handling and Age. Here is some supplemental information about the Serigraph: Hand signed and numbered out of 100 in pencil by Hinman. Some wear and discoloration around the edges of the print. Small scuff present in the black area of the print. [Attributes: Signed Copy]

      [Bookseller: Rare Posters]
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        Dictionnaire biographique du Canada, volume I è XIII, de l'an 1000 à 1910; avec Index de volumes I à XII (14 volumes)

      presses de l'Université Laval, Québec 1965 - 1965-1994. Édition laurentienne pour le tome I tirée à 250 exemplaires (ex. 136). Frais de transport à déterminer. [Attributes: Hard Cover]

      [Bookseller: Livresse]
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        Sämtliche Romane in vier (4) Bänden. Hrsg. u. mit Anmerkungen und einer Einführung in die Romankunst Henry Fieldings versehen von Norbert Miller. Übersetzung von Rudolf Schaller, Paul Baudisch u.a. I.: Die Geschichte der Abenteuer Joseph Andrews\'. Die Lebensgeschichte des Mr. Jonathan Wild, des Grossen. - II.III.: Die Lebensgeschichte des Tom Jones. - IV.: Amelia. Tagebuch einer Reise nach Lissabon.

      München, Hanser Verlag, 1965-1966. Kl.-8°, Ledereinband 732, 614, 583, 858 Seiten. Mit 64 Stichen von William Hogarth. Dünndruck. Sehr seltene grüne OLedereinbände von Hermann Zapf mit schwarzen Ledertitelschildern u. doppeltem Lesebändchen. Mit Exlibris auf Vorsatz. Sehr gutes Exemplar. Versand D: 5,00 EUR Bibliophile Ausgabe, Englische Literatur

      [Bookseller: Antiquariat an der Uni München]
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        Mein Ausflug in die Politik Seltsame Erlebnisse eines Sekretarius aus der Zeit Marco Polo's

      "Dieses ausserordentliche Buch wurde in einer Auflage von 300 Exemplaren gedruckt, ...". Dieses erhielt die Nummer 2! Auf der ersten Seite ist ein handschriftlicher Eintrag von 1965, wo das Buch gekauft wurde.

      [Bookseller: Säm]
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        Crucifix in a Deathhand

      New Orleans: Loujon Press, 1965. First Edition. Like New. Signed by Author. Self-wraps with orange wrap-around "belly band." First edition from a limited edition of 3,100. Signed by Bukowski on second to last page in magenta ink, dated 3-21-65. Very Near Fine with just a hint of toning to wraps, slightly bumped bottom corner, Fine belly band. A lovely copy of a key early Bukowski poetry collection.

      [Bookseller: Burnside Rare Books]
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        Pour un Malherbe

      First edition, one of 26 numbered copies on Hollande, tirage de tête.Small glued tears, not serious, to head and foot of the joints, a good copy. Gallimard Paris 1965 19,5x24,5cm broché

      [Bookseller: Librairie Le Feu Follet]
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        La Catalunya Vella. Notes de viatge. Amb 30 litografies de Jaume Pla, manuscrit original i una planxa litogràfica

      - Editorial Teide, Barcelona 1965. Enquadernació editorial. 191 pàgines, il.lustrat amb litografies de Jaume Pla. Exemplar XXIV d un tiratge de 25 exemplars sobre paper de fil guarro, signats per l autor i l il.lustrador, que contenen el manuscrit original íntegre d un capitol i una de les planxes litogràfiques. Molt bon estat de conservació. 26x19 cm. Ref: 3359 [LS/014851-3359]

      [Bookseller: Libreria Sanchez]
 24.   Check availability:     IberLibro     Link/Print  


        Pubblicita in Italia: 1965-1966

      - Signed by David Klein, famous advertising artist who created the iconic TWA posters!

      [Bookseller: The Cary Collection]
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        XXXIV TAVOLE per L'INFERNO di DANTE. Commento di Dore Ashton.

      Edito da Edgardo Macorini. (Milano, 1965). - Scatola editoriale in Piena Tela formato cm. 46x46, titolo impresso in rosso e nero al piatto, contenente: un volume dello stesso formato, rilegato in mz. tela, piatti in cartone rigido fig. in rosso e nero, pp. 35(1) con il commento ed il colophon, e 34 cartelle in cartoncino avorio con le 34 tavole a colori, riprodotte in fac-simile nelle stesse dimensioni degli originali. I disegni furono eseguiti dall'autore tra il 1959 ed il 1960, impiegando sia tecniche non convenzionali quali la trasposizione fotografica ed il collage, sia tradizionali quali la tempera, l'acquerello, il pastello e le matite colorate. Edizione stampata in 250 esempl. numerati e FIRMATI dall'autore (ns. 102). [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Maria Calabrò Studio Bibliografico]
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        Terre d'amour et de feu

      First edition, one of 120 numbered copies on pur fil paper, the only large paper copies.A fine copy, the covers and spine not faded as usual. Plon Paris 1965 14,5x21cm broché

      [Bookseller: Librairie Le Feu Follet]
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        La centaine d'amour, sonnets

      1965. Club des amis du livre progressiste, Paris 1965, 14x20cm, reliure de l'éditeur. - Club des amis du livre progressiste, Paris 1965, 14x20cm, reliure de l'éditeur. - Edizione bilingue con la traduzione francese è stata fatta da Jean Marcenac e André Bonhomme. autografo firmato di Pablo Neruda, il feltro verde, Hubert Lesigne arricchito l'invio autografo firmato Jean Marcenac e un autografo firma Andre Bonhomme e anche sua moglie. Binding Editor con tela di canapa completa scintillante viola, schiena liscia, piatti leggermente scoloriti. [FRENCH VERSION FOLLOWS] Edition bilingue dont la traduction française a été établie par Jean Marcenac et André Bonhomme. Envoi autographe signé de Pablo Neruda, au feutre vert, à Hubert Lesigne enrichi d'un envoi autographe signé de Jean Marcenac et d'une signature autographe d'André Bonhomme au même et à sa femme. Reliure de l'éditeur en pleine toile moirée violette, dos lisse, plats marginalement décolorés.

      [Bookseller: Librairie Le Feu Follet]
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        The Smell of Fear

      London, Hamish Hamilton, 1965. FIRST EDITION. Short crime thrillers. 8vo. Contains 14 stories, including the first book publication of the Philip Marlowe story "The Pencil". There was no US equivalent edition. Publisher's cloth in dustwrapper designed by Youngman Carter. Quite simply a fine, crisp, untouched copy, as fresh as the day it was printed! Uncommon title. Bruccoli. A Raymond Chandler Bibliography.

      [Bookseller: Adrian Harrington]
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        Nuclei and Particles. An Introduction to Nuclear and Subnuclear Physics.

      W. A. Benjamin: New York & Amsterdam, 1965. First edition, second printing, of Segrè's major textbook on nuclear physics, the author's own copy heavily annotated by him throughout, with numerous manuscript additions/revisions in pencil and red and blue crayon. Some 145 pages carry annotations ranging from minor typographical corrections to major textual changes. Inserted in a 16-page printed pamphlet listing the corrections made to the first printing (1964), itself heavily annotated by the author. Segrè shared the Nobel Prize in Physics with Owen Chamberlain in 1959 for the discovery of the antiproton. "Emilio Segrè was born in Tivoli, Rome, on February 1st, 1905, as the son of Giuseppe Segrè, industrialist, and Amelia Treves. He went to school in Tivoli and Rome, and entered the University of Rome as a student of engineering in 1922. In 1927 he changed over to physics and took his doctor's degree in 1928 under Professor Enrico Fermi, the first one under the latter's sponsorship. "He served in the Italian Army in 1928 and 1929, and entered the University of Rome as assistant to Professor Corbino in 1929. In 1930 he had a Rockefeller Foundation Fellowship and worked with Professor Otto Stern at Hamburg, Germany, and Professor Pieter Zeeman at Amsterdam, Holland. In 1932 he returned to Italy and was appointed Assistant Professor at the University of Rome, working continuously with Professor Fermi and others. In 1936 he was appointed Director of the Physics Laboratory at the University of Palermo, where he remained until 1938. "In 1938 Professor Segrè came to Berkeley, California, first as a research associate in the Radiation Laboratory and later as a lecturer in the Physics Department. From 1943 to 1946 he was a group leader in the Los Alamos Laboratory of the Manhattan Project. In 1946 he returned to the University of California at Berkeley as a Professor of Physics. "The work of Professor Segrè has been mainly in atomic and nuclear physics. In the first field he worked in atomic spectroscopy, making contributions to the spectroscopy of forbidden lines and the study of the Zeeman effect. Except for a short interlude on molecular beams, all his work until 1934 was in atomic spectroscopy. In 1934 he started the work in nuclear physics by collaborating with Professor Fermi on neutron research. He participated in the discovery of slow neutrons and in the pioneer neutron work carried on in Rome 1934-1935. Later he was interested in radiochemistry and discovered together with Professor Perrier the element technetium, together with Corson and Mackenzie the element astatine, and together with Kennedy, Seaborg, and Wahl, plutonium-239 and its fission properties. "His other investigations in nuclear physics cover many subjects, e.g., isomerism, spontaneous fission, and lately high-energy physics. Here he, his associates and students have made contributions to the study of the interaction between nucleons and on the related polarization phenomena. In 1955 together with Chamberlain, Wiegand, and Ypsilantis he discovered the antiproton" (nobelprize.org). "In his later years Segrè turned himself into a first-class historian of physics; his historical surveys, From X-Rays to Quarks: Modern Physicists and Their Discoveries and From Falling Bodies to Radio Waves: Classical Physicists and Their Discoveries and his biography Enrico Fermi: Physicist are widely used" (aip.org). Segrè remained at Berkeley until his death in 1989. Nuclei and Particles was highly successful: OCLC records 47 separate editions/printings. The third printing of the first edition appeared later in the same year as the present second printing. A second edition appeared in 1977, expanded to 986 pages. Large 8vo (254 x 178 mm), original publisher's cloth, the author's own copy, with his ink stamp on front free endpaper.

      [Bookseller: SOPHIA RARE BOOKS]
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        The Magic of a Line The Autobiography

      

      [Bookseller: Maggs Bros. Ltd.]
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        Pour un Malherbe

      First edition, one of 26 numbered copies on Hollande, tirage de tête.A very fine copy. Gallimard Paris 1965 19,5x24,5cm broché

      [Bookseller: Librairie Le Feu Follet]
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        Literarni Noviny.Tydenik svazu Ceskoslovenskych spisovatelu.

      LN, Ceskoslovenskych 1965 - In-folio n( 465x310 mm ) plein skivertex brun.- n° 1 ( Ledna 1965 ) à n° 43 ( 23 Rijna 1965 ).- n° 45 ( 6 Listopadu 1965 ).- n° 46 ( 13 Listopadu 1965 ).- n° 48 ( 27 Listopadu 1965 ) à n° 51/52 ( 18 Prosince 1965 ).- Z Obsahu XIV Rocniku LN.- n° 1 ( 1 Ledna 1966 ) à n° 52 ( 24 Prosince 1966 ).- Z Obsahu LN XV rocniku.- n° 1 ( 7 Ledna 1967 ) à n° 51/52 ( 23 Prosince 1967.- LN Z obsahu XVI rocniku. republique Tcheque Tchequie.

      [Bookseller: Librairie FAUGUET]
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        Oeuvres

      - Paris, Éditions de L’Odeon & Éditions Andre Vial, 1965 - 1968. 11 forts volumes in-4 en reliure de l'éditeur en plein maroquin à grain, dos à 5 nerfs, titre et tomaison dorés, têtes dorées. Plats ornés d'entrelacs dorés et monogramme de Dostoïevski doré au centre. Illustrations en couleurs et à pleine page de Cardin-Bogratchew, Grau-Sala, Fontanarosa, Gaston Barret, Edy-Legrand et Michel Ciry. Tome 1 : Le joueur traduction de Sylvie Luneau. Tomes 2 et 3 : L'idiot traduction de G. et G. Arut. Tomes 4 et 5 : Crime et Châtiment traduction d'Elisabeth Guertiuk. Tome 6, 7 et 8 : Les frères Karamazov traduction d'Elisabeth Guertiuk. Tome 9 : L'éternel mari traduction de Yacha Zwizagora. Tome 10 et 11 : Les possédés, traduction d'Elisabeth Guertik.Tirage limité numéroté. 1 des 72 exemplaires du tirage de tête et portant le n° 8, sur Vélin de Hollande Van Gelder, contenant une suite en noir des illustrations sur Lana (en fin de chaque volume) et enrichi d'un original hors-texte en couleurs. Exemplaire bien complet de l'original en couleurs, signé.Dos des trois premiers volumes légèrement insolés, sinon exemplaire en parfait état. La librairie offre aux clients d'AbeBooks 15% de réduction sur l'ensemble de son catalogue. Prix d'origine : 1000 EUR. [Attributes: Signed Copy; Hard Cover]

      [Bookseller: LIBRAIRIE GIL-ARTGIL SARL]
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        The James Bond Dossier

      London: Jonathan Cape. 1965. FIRST EDITION. THE AUTHOR'S COPY, in a bespoke quarter leather binding of half red morocco, gilt, commissioned by the publisher for presentation to Amis. Obviously a unique copy, this was likely bound by Ian Fleming's own binder Arthur Last, the style matching closely the author's copies of Cape's original Bond novels now residing at the Lilly Library and researched by Gilbert while producing the forthcoming bibliography. Amis' presentation binding also features his initials tooled in gilt. A typed statement is included, noting this as being the only such copy produced for him, SIGNED in full by Amis. Owned in conjuction with Lucius Books of York. Amis' first venture into the world of James Bond. He also wrote the light-hearted 'Book of Bond' in 1965 and the first post-Fleming 007 novel 'Colonel Sun'. BMC No.1 p.4-13 'Fleming and Bond; Related Titles'. Gilbert, Jon; Ian Fleming: The Bibliography, page 592, see also Appendix A, page 634.

      [Bookseller: Adrian Harrington]
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        The Man With the Golden Gun.

      London: Jonathan Cape. 1965. First Issue, Second State, Binding A (in Excelin material) without gilt-stamped gun motif and stamped in Nuvap (gilt) to the spine. SIGNED BY ROGER MOORE with added 'Best wishes' and '007' motif. Octavo, pp.221. Black cloth-effect paper over boards, green endpapers, in pictorial dust-wrapper. Very fine indeed, in a custom-made leather clamshell. A truly stunning copy, with half-title page signed by Moore, who played James Bond in the 1974 film adaptation. One of just 23,203 copies in this binding from a print run of 81,890 copies. Gilbert A13a (1.2).

      [Bookseller: Adrian Harrington]
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        The James Bond Dossier

      London: Jonathan Cape. 1965. SIGNED FIRST EDITION. Pp.159. Publisher's black cloth-effect paper over boards with gilt titles to spine and blind-stamped bullet-holes to upper cover in the dust-wrapper based on the familiar 'trompe l'oeil' designs which decorated the Ian Fleming first editions. Near fine; a lightly handled copy with a little rubbing and toning. Inscribed to reviewer Michael Curtis, with full signature of the author. With a previous bookseller's catalogue description loosely inserted.Amis' first venture into the world of James Bond. He also wrote the light-hearted 'Book of Bond' in 1965 and the first post-Fleming 007 novel 'Colonel Sun'. BMC No.1 p.4-13 'Fleming and Bond; Related Titles'. Gilbert, Jon; Ian Fleming: The Bibliography, page 592, see also Appendix A, page 634.

      [Bookseller: Adrian Harrington]
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        The Man With the Golden Gun.

      London: Jonathan Cape. 1965, FIRST EDITION, FIRST ISSUE, SECOND STATE, BINDING D. Pp.221. Publisher's cloth-effect paper over boards with bronze lettering to the spine, plain covers, patterned green endpapers. In the original pictorial dust-jacket illustrated by Richard Chopping. Price clipped else a beautiful fine copy; remarkably fresh. A previously unrecorded binding; this is one of just over 5000 copies of the 82,000-strong first impression bound in the Fabroleen material -the vast majority were bound in Excelin. Uncommon. Gilbert A13a (1.5).

      [Bookseller: Adrian Harrington]
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        ImpPress Typebook: Being a Complete Showing of Typefaces, Borders, Dingbats, Miscellanea Available at the Aforementioned.

      (Houston, TX: ImpPress, 1965). Small octavo. (12)ff. One of 150 copies, signed by the artist and printer, Dugald Stermer. A quirky type specimen book printed on various colors of paper, in many colors of ink. With full-page illustrations, including a cartoonish frontispiece of a man with a printing press in the top of his head, as well as typographic ornaments and engravings that include the headings from 19th-century almanacs. The ImpPress Typebook is characterized by Stermer's sense of humor: Stermer writes in the colophon that this type sample book was "...primarily intended as a means by which the Prop is cutting down smoking. It is almost impossible to set type and smoke simultaneously." Although best known as a San Francisco-based illustrator, designer, and art director who worked for such influential magazines as Ramparts and Mother Jones, Dugald Stermer started the ImpPress while living in Houston, Texas during the 1960s. He became inspired to print after he was given a small printing press and some assorted type by his wife for Christmas. From the library of Ben and Bernarda Shahn, with a label laid in designed by their son, Jonathan Shahn. A small library label to front cover, else fine in black printed wrappers. A scarce book: no copies are recorded in OCLC.

      [Bookseller: Bromer Booksellers]
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        CANCELLERESCA BASTARDA DISPLAYED.

      (Northampton), 1965. 5 x 6 1/4. 16 leaves printed rectos only. Marbled paper (by Peter Franck) over boards, title label on upper cover. Fine. No. 41 of 100 signed copies. Printed in a variety of colors on pre-WW II Amalfi (from Bruce Rogers) using Van Krimpen's Cancelleresca Bastarda in three sizes.A glorious little production -- the first of three books in which Baskin focused his extraordinary skills in selection and layout of type, ornament, and color; all framing select bons mots.

      [Bookseller: The Veatchs Arts of the Book]
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        First and Second Piatigorsky Cup

      Los Angeles: Ward Ritchie Press, 1965-68. 2 volumes: xix+240 pages with frontispiece, illustrations (including portraits) table, diagrams and index; xxxiii+288 pages with illustrations, table, diagrams and index. Royal octavo (9 1/4" x 6 1/4") volume one issued in red with silver lettering to spine and black and silver decorative cover; volume two issued in sea green with silver lettering to spine. Inscribed by Jacqueline Piatigorsky Laid in Jacqueline Piatigorsky: Patron, Player, Pioneer by John Donaldson. (Betts: 25-340; 25-388) First editions.Volume one annotated by Samuel Reshevsky and other participants. All 56 games, annotated, with an index of openings. Each competitor annotated the game he considered his best and Reshevsky the remainder. Volume two annotated by Jan H Donner, Tigran Petrosian, Robert Fischer, Lajos Portisch, Boris Ivkov, Samuel Reshevesky, Bent Larsen Minguel Najdorf, Wolfgang Unzicker. Introduction by Gregor Piatigorsky. All 90 games annotated with an index of openings.Jacqueline was born in Paris, France, to the famed Rothschild banking family. A nurse taught her to play chess at an early age, when Jacqueline was recovering from a childhood illness. In her 1988 memoir, Jump in the Waves, she wrote that her nurse, Miss Coque, told Jacqueline that: "…with a chess set, it is impossible to be bored." More than a salvation from dullness, the game soon became both a passion and a refuge to Jacqueline. Though she wrote of feeling neglected by her parents and oppressed by a nanny during her childhood, chess offered her an opportunity to forge her own identity independent of her famous family name. In 1937 Jacqueline married Gregor Piatigorsky, a world-renowned cellist. The two immigrated to the United States with their daughter Jephta at the outset of World War II, first settling in Elizabethtown, New York, where their son Joram was later born. Though she had not received any formal chess training, her desire to compete led her to participate in correspondence chess tournaments sponsored by Chess Review. After another series of moves, Jacqueline and her family settled in Los Angeles, California. There, Gregor joined the faculty of the music department at UCLA, while Jacqueline became further immersed in the world of chess. At an auction, she met International Master Herman Steiner, who after learning of her skill, encouraged her to compete in tournaments over the board. He was instrumental in the flourishing of her playing career on the national level, recommending that she be invited to the 1951 U.S. Women’s Chess Championship. After his death in 1955, Jacqueline took over the management of his chess club, the Hollywood Chess Group, and renamed it the Herman Steiner Chess Club in his honor. Jacqueline soon rose to the top of the field of women’s chess and participated in the U.S. Women’s Championships six times in the 1950s and 1960s. Her best result occurred in 1965, when she won second place behind Gisela Gresser. She also defeated her rival, Woman International Master Mona May Karff in such a captivating manner that the New York Timesprinted their game. Jacqueline took part in another historic first for women’s chess in 1957, representing the United States in the inaugural Women’s Chess Olympiad in Emmen, the Netherlands, with teammate Gisela Gresser. Jacqueline played on second board, and the team won a bronze medal in the historic competition. Later that same year, she took her first step in the arena of chess promotion, serving as the chairperson for the U.S. Women’s Chess Championship, which was held in Los Angeles and sponsored by the Herman Steiner Chess Club. During the mid-to-late 1960s, Jacqueline participated in tournaments less frequently. However, over the course of the same decade, she dedicated herself more fully to chess promotion, first co-sponsoring a match between former child prodigy Grandmaster (GM) Samuel Reshevsky and rising star GM Bobby Fischer. Also sponsored by the American Chess Foundation, the match was held in both New York and Los Angeles. The match ended prematurely over a disagreement over the start time for one of the games—Jacqueline had wanted a Sunday game to begin earlier both so that she could attend one of Gregor’s concerts and accommodate the travel needs of out-of-town audience members. Fischer declined to play at the earlier time, and the game was declared a forfeit. Fischer refused to play the remainder of the match, which was a disappointment to Jacqueline and the other tournament organizers. In the wake of this event, she formed a close friendship with Samuel Reshevsky, who became her coach. Despite her early setback, Jacqueline’s interest in chess promotion was not dampened, and she established the Piatigorsky Foundation, which had as its goal to boost chess culture in the United States. At the time, the idea of a philanthropic chess organization was so novel that the Internal Revenue Service denied the group’s first application for not-for-profit status. However, she persevered and the Piatigorsky Foundation became renowned for its support of American chess both on elite and local levels. The Foundation’s first and most famous venture was the organization of the 1963 Piatigorsky Cup tournament. This competition attracted the best American and international players. Jacqueline organized it at the urging of Gregor, who said that in the United States there was, "too much emphasis on physical sports and not enough on the intellectual…A country like ours has an obligation not to be second to anyone." However, it was Jacqueline’s attention to detail and persistence that made the event legendary. The competition was held again in 1966, and its success prompted the Los Angeles Times to name Jacqueline its "Woman of the Year." Piatigorsky Cup Tournaments:The 1963 and 1966 Piatigorsky Cup tournaments rank among the strongest chess competitions ever held on American soil. They are on a short list that includes New York 1924, New York 1927, Dallas 1957, and the 2013 Sinquefield Cup. Held during the Cold War, when tensions between the United States and the Soviet Union were high, the Piatigorsky Cups represented a triumph of diplomacy. Jacqueline and Gregor Piatigorsky faced a daunting task in trying to have Soviet players compete in both events, something that had happened only once before in 1954, when the Soviet Union and United States played a team match in New York. That the Piatigorskys succeeded was a testament to their hard work and persistence, and resulted in Tigran Petrosian competing in both events. This was the first time a reigning World Chess Champion had participated in an individual competition in the United States since Alexander Alekhine played in Pasadena, California, in 1932. Both the 1963 and 1966 tournaments were double round-robin competitions in which all participants played against each other twice. Jacqueline produced an elegant trophy for the events that featured a "love cup" designed by Tiffany & Co. as its centerpiece. The cup is flanked by two Régence-style chess pieces, while the base has plaques with spaces for the names of the winners. The 1963 event, held at the Ambassador Hotel in Los Angeles, California, included eight competitors from five different nations and offered a prize fund of $10,000. The two Soviet players, Tigran Petrosian and Paul Keres, triumphed over the rest of the field and shared the top prize. The exciting competition attracted a large audience. Bobby Fischer participated in the 1966 tournament, ensuring that the top American talent of the period was represented in the competition. It also meant that the field of ten players in the 1966 event contained one World Chess Champion (Petrosian) as well as two future ones (Bobby Fischer and Boris Spassky). Fischer had declined an invitation to the first Cup, still unhappy about his aborted 1961 match against Samuel Reshevsky, which Jacqueline had cosponsored. However, by 1966 the sore feelings had subsided, and his presence and play made this Cup an electrifying event. After a strong start followed by a disastrous performance mid-tournament, Fischer mounted an amazing comeback to tie with the tournament leader, Spassky, in the standings. Their game in the penultimate round attracted a record 900 spectators and served as a preview of the excitement the two would generate six years later in their epic 1972 World Chess Championship match in Reykjavik, Iceland. The two played to a hard-fought draw. Spassky then won his last game against Jan Hein Donner, who was at the bottom of the standings, while Fischer’s game against Petrosian ended in a draw. Spassky achieved a narrow victory over Fischer, winning $5000 from the $20,000 prize fund and a smaller version of the Piatigorsky Cup trophy. The Piatigorsky Cups were not only elite tournaments, but they also broke new ground in making chess competitions more spectator-friendly. The 1963 event followed traditions that had existed for decades, with wall boys moving the pieces on large demonstration boards for the audience. Periodically these same wall boys would manually adjust clocks mounted next to the demonstration boards, giving the audience a rough idea of how much time each player had used. This formula worked reasonably well, but Jacqueline, known for her attention to detail, wanted to improve this system for the second event. She aimed to ensure that everyone that attended the tournament would be able to see the action, even if they were seated in the back of the playing hall. To this end, she developed a projector system that would make the moves of each game clearly visible. By the time of the second tournament, held in Santa Monica, California, in 1966, she had designed and perfected the setup. This innovation, as well as her creation of electric wall-mounted clocks that kept precise measurements of each player’s time, turned out to be both novel and necessary in the second competition. The second Piatigorsky Cup consistently drew crowds of 600 to 700, peaking at 900 spectators near the end of the event.Condition:Both copies inscribed to Michael Jeffreys by Piatigorsky on front end papers. First Piatigorsky Cup with group picture of Jacqueline, child students and Jeffreys tipped to half title. Jefferys business card laid in. Along with the pamphlet by John Donaldson on the presentation of Jacqueline Piaqtigorsky at the World Chess Hall of Fame October 25, 2013 - April 18, 2014 else better than very good copies in near fine jackets.

      [Bookseller: The Book Collector ]
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        A Way of Seeing

      Viking 1965 - LEVITT, HELEN, and AGEE, JAMES. A Way of Seeing, New York: Viking Press, 1965. Oblong octavo, first edition, pp. 78, full black cloth boards with white lettering on spine and upper board, gravures, text by Agee. Parr & Badger, V.1, pp. 252-53: "Levitt's street pictures of New York children in underprivileged areas . exemplify the shift from New Deal social documentation to a more personal and elliptical way of looking at life. . Levitt's photographs are beautiful -- major, underrated works." Roth, 101 Books, pp. 178-79: Agee's "photo-by-photo interpretations can be crushingly heavy-handed. Happily, Levitt's work easily escapes the text's abrasive grip, its buoyancy and grit intact." Also see Hasselblad, Open Book, pp. 214-15. Condition of this book: Near fine with jacket faintly worn at edges with tiny spots of foxing at rear flap; boards a bit sunned at edges. Leaves clean and tight, with toning at white edges, images fine. Preliminary leaf with publisher's note has half-inch-wide vertical blemish, apparently skid marks from a press roller or binding machinery. [Attributes: First Edition; Hard Cover]

      [Bookseller: Rarities etc.]
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        Stormbringer

      Herbert Jenkins, London 1965 - Scarce. Signed by Moorcock on the front flyleaf, no inscription. Jacket design by J. Cawthorn. Red cloth, spine stamped white. 192 pp. [Attributes: First Edition; Hard Cover]

      [Bookseller: Heartwood Rare Books]
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