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Displayed below are some selected recent viaLibri matches for books published in 1964

        TOKYO

      NEW YORK: Crown Publishers, Inc., 1964. NEW YORK: Crown Publishers, Inc., 1964. FIRST EDITION. Hardcover. VERY GOOD PLUS in Good Plus Dust Jacket. Klein's magnificent and groundbreaking photo-essay of that great city - its working people, royalty, families, and sometimes rough transitions from medieval tribal culture to modern metropolis. Klein was a painter-turned-photographer who was largely untrained in camera work but who burst on the scene with an award-winning study of New York from the standpoint of the emigree, going on to also do similar studies of Rome and Moscow, and of course TOKYO.   Preface by Maurice Pinguet. & & Book itself is very good plus bright black cloth with red and white lettering to spine. with bumps to three corners (.50"; .50";.25"). Edgewear and creasing to dustjacket, which was chipped in several places but which has undergone restorative patching. Measures 14" x 10".  184 numbered pages. Unmarked.

      [Bookseller: Aardvark Books / Ezra The Bookfinder]
 1.   Check availability:     Biblio     Link/Print  


        When the Lion Feeds (SIGNED 1st BRITISH EDITION)

      London: William Heinemann, 1964. William Heinemann, 1964 SIGNED to the title-page circa mid-2000s; First printing of the First British Edition (NOT "reprinted before publication"); book is bound in green textured paper, with gold gilt titling to spine; some dust/soiling to page edges; Original Dust Jacket in Very Good condition, price-clipped DJ; thin strip of DJ missing from top of rear panel (see photos); The author's first novel;

      [Bookseller: South Africa Books]
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        Poeme-Pancarte

      Wild Hawthorn Press, Scotland 1964 - 700 x 440 mm, printed in blue and green. Finlay saw Albert-Birot as the pioneer of the playful poem-print, with this particular example inspiring Finlay's famous Circus poem-print published the same year. As Stephen Bann has recognised, his 'Poeme-Pancarte' 'gently ridicules the notion of the poster as a directive. Exact distances and directions are indicated, with typographical hands pointing to the left and to the right, while the destination PARADIS is emblazoned in the centre'. (Bann, Image 2/6, October 1965, p. 8). The two pointing fingers make it clear that the words can signify infinite meanings.

      [Bookseller: William Allen Word & Image]
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        Einladungskarte.

      Düsseldorf, Galerie Schmela 1964.. (14 x 21 cm); quer-8°; 2 Abbildungen; Klappkarte.. "Die Galerie Schmela, Düsseldorf, Hunsrückenstraße 16, Telefon 18176, zeigt vom 9.bis 30.September 1964 Bilder von Gerd Richter. Zur Eröffnung der Ausstellung am Mittwoch, dem 9.September 1964 um 20 Uhr sind Sie herzlich eingeladen." Schönes Exemplar. * Wenn Sie Ihre VISA oder EUROCARD/ MASTERCARD zur Zahlung nutzen möchten kontakten Sie uns bitte. *

      [Bookseller: Heinrich Heine Antiquariat]
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        You Only Live Twice

      , 1964. 1964. first edition. 007 Does SukiyakiFirst Edition, Unclipped Dust JacketFLEMING, Ian. You Only Live Twice. London: Jonathan Cape, 1964. First edition, first state, binding 'A' (with "First published 1964" on the copyright page and Japanese gilt characters on the front board). Octavo (7 3/8 x 4 3/4 in; 188 x 121 mm). 255, [1] pp.Publisher's black cloth, gilt lettered spine, gilt kanji to front cover. Dust jacket, unclipped. Two tiny 'foxing' marks on the top edge otherwise a near fine copy in a near fine dust jacket with just a hint of darkening to spine.The twelfth novel in the James Bond series and the last Bond novel published while Fleming was still alive, featuring Kissy Suzuki, who licks Bond's wounded heart and bears him the only child we are aware of after Bond kills Ernst Blofled, is affected by amnesia, and lives with her as a fisherman in Japan.

      [Bookseller: David Brass Rare Books, Inc.]
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        YOU ONLY LIVE TWICE

      Cape , 1964. Cape , 1964. First edition. Black cloth with silver lettering on the spine and gilt Japanese lettering to the upper cover, in a Chopping pictorial dustwrapper. A fine copy in a near fine (price clipped) dustwrapper which is crisp and bright and shows a little spotting to the spine.

      [Bookseller: Jonkers Rare Books]
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        Kain-Zyklus. Gewidmet meinem justifizierten Freund Herbert Aichholzer und allen anderen Widerstandskämpfern..

      Wien, Globus, 1964. 42 x 32 cm, 1 Textbl., 1 Inhaltsverzeichnis, 11 Lose Blätter (davon 3 auf Karton aufgezogen und etwas beschnitten), Kart.-Mappe und Lose Blätter., Kleiner Fleck auf Mappe, Blätter etwas knickspurig. Preis in CHF: 660. Nr. 79 von 200 num. Exemplaren, im Druckvermerk vom Künstler signiert und gewidmet.

      [Bookseller: Antiquariat Peter Petrej]
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        A Cellarful of Noise

      London: Souvenir Press, 1964. London: Souvenir Press,, 1964. Octavo. Original blue boards, titles to spine gilt. With the dust jacket. Illustrated with 24 black and white photographic plates. very faint partial tanning to free endpapers. An excellent copy in a lightly toned jacket with one tiny closed tear at head of spine panel. First edition, first impression. The autobiography of the Beatles's legendary manager, published after the Beatles had conquered the United States.

      [Bookseller: Peter Harrington]
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        My Autobiography.

      London: The Bodley Head, 1964 - Octavo. Original red cloth, titles to spine and front board gilt. With the dust jacket. Corners of boards very lightly bumped, faint foxing to endpapers and prelims. An excellent copy in a jacket with slightly rubbed head and tail of spine panel and one internally tape-repaired closed tear. Illustrated with 24 black and white photographic plates. First UK edition, first impression. Presentation copy inscribed by Chaplin on the half-title: "To Derek + Kit, Hoping to see you in July - Yours ever, Charles Chaplin". Originally published the same year by Simon & Schuster in New York.

      [Bookseller: Peter Harrington. ABA member]
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        Image of Dylan Thomas ' lament - There was a saviour'. SIGNED COPY DELUXE.

      Amsterdam, A.S.A. Struik, (1964). Clothbacked cardboard portfolio, 51 x 33,5 cms., containing 10 colour aquatints, each approximately 35 x 24 cms., each on a folded leaf with juxtaposed a text by Dylan Thomas entirely HANDWRITTEN in felt-tip pen by Montijn himself, including title-page, all (very fine) aquatints signed 'Montijn 1964', annotated 'épr d'art./eigen druk' in pencil, from an edition of only 7 deluxe copies (besides 50 copies of the trade-edition). All etchings are printed by the artist in various colours. Paper 'Holland druk Velin 148g Koninklijke Papierfabrieken Van Gelder & Zonen'. Design title-page Evelien de Vries Robbé. - Amsterdam, A.S.A. Struik, (1964). Clothbacked cardboard portfolio, 51 x 33,5 cms., containing 10 colour aquatints, each approximately 35 x 24 cms., each on a folded leaf with juxtaposed a text by Dylan Thomas entirely HANDWRITTEN in felt-tip pen by Montijn himself, including title-page, all (very fine) aquatints signed 'Montijn 1964', annotated 'épr d'art./eigen druk' in pencil, from an edition of only 7 deluxe copies (besides 50 copies of the trade-edition). All etchings are printed by the artist in various colours. Paper 'Holland druk Velin 148g Koninklijke Papierfabrieken Van Gelder & Zonen'. Design title-page Evelien de Vries Robbé.

      [Bookseller: Luiscius Books]
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        Carnets. Janvier 1942 - Mars 1951.

      Gallimard 1964 - - Gallimard, Paris _1964, 12,5x19,5cm, relié. - Edition originale, un des 90 exemplaires numérotés sur Hollande, tirage de tête. Reliure en demi maroquin rouge, dos à cinq nerfs, plats de papier marbré, gardes et contreplats de papier à la cuve, couvertures et dos conservés, tête dorée sur témoins, élégante reliure signée de P. Goy & C. Vilaine. Bel exemplaire à toutes marges parfaitement établi. [Attributes: First Edition; Hard Cover]

      [Bookseller: Librairie Le Feu Follet]
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        Hafen bei Marseille. Original-Aquarell.

      1964.. Bildgrösse 33x48 cm. Unten rechts signiert u. datiert..

      [Bookseller: Biblion Antiquariat Leonidas Sakellaridi]
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        DERRIÈRE LE MIROIR, Nos 144-145-146. Hommage à Georges Braque.

      - Paris, Maeght, Mai 1964. 38 : 28,5 cm. 84 S. Mit 5 (1 doppelblattgr., 4 farbigen) Orig.-Lithographien von Pablo Picasso, Joan Miró, Pierre Tal-Coat, Raoul Ubac u. Pierre Pallut. Illustr. Orig.-Umschlag von G.Braque. Erste Ausgabe. – Mit 9 (4 doppelblattgr.) farbigen Reproduktionen nach Arbeiten von Braque, Abb. nach Werken von Giacometti, Bissière Chagall u. Chillida sowie 10 photographische Portraits von Braque von Man Ray, Brassäi, Routhier u. Mariette Lachaud. – Die doppelblattgr. Orig.-Lithographie von Picasso bei Cramer Nr. 124, Bloch 1847, Moulot 401. – Sehr schönes Exemplar. [Attributes: First Edition; Hard Cover]

      [Bookseller: Zähringer]
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        DERRIERE LE MIROIR, Nos 144-145-146. Hommage a Georges Braque.

      . Paris, Maeght, Mai 1964. 38 : 28,5 cm. 84 S. Mit 5 (1 doppelblattgr., 4 farbigen) Orig.-Lithographien von Pablo Picasso, Joan Miro, Pierre Tal-Coat, Raoul Ubac u. Pierre Pallut. Illustr. Orig.-Umschlag von G.Braque.. Erste Ausgabe. - Mit 9 (4 doppelblattgr.) farbigen Reproduktionen nach Arbeiten von Braque, Abb. nach Werken von Giacometti, Bissiere Chagall u. Chillida sowie 10 photographische Portraits von Braque von Man Ray, Brassäi, Routhier u. Mariette Lachaud. - Die doppelblattgr. Orig.-Lithographie von Picasso bei Cramer Nr. 124, Bloch 1847, Moulot 401. - Sehr schönes Exemplar.

      [Bookseller: Gerhard Zähringer Antiquariat und Galeri]
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        Hassebrauk, Ernst. - "Rose".

      . Zeichnung / Farbkreide, 1964. Von Ernst Hassebrauk. 31,4 x 24 cm (Darstellung / Einfassungslinie). Verso in Kugelschreiber rechts unten signiert, links eine eigenhändige Widmung, in der Mitte des Blattes betitelt und rechts oben datiert "23. Sept. 64". - Leicht fingerspurig. Am Blattrand rechts oben ein kleines braunes Flecklein. Verso Reste einer ehemaligen Montierung. Insgesamt guter Erhaltungszustand. Ernst Hassebrauk (1905 Dresden - 1974 Dresden). Oft fälschlich auch Ernst Hassebrauck. Deutscher Maler und Grafiker. 1925-27 Studium an der Kunstakademie Dresden. 1927-32 Studium der Philosophie und Kunstgeschichte an der Universität Leipzig. Parallel Studium an der Leipziger Kunstakademie bei Willi Geiger. 1947 Proffesur an der Hochschule für Grafik und Buchkunst Leipzig (HGB). 1949 Entlassung aus dem Lehramt im Zusammenhang mit der Formalismusdebatte. 1958-60 Arbeit an den Staatlichen Kunstsammlungen in Dresden. Pflegte einen in seiner vitalen Farbigkeit und üppigen Strichführung neobarock anmutenden expressiven Realismus. Zahlreiche Ausstellungen und Publikationen..

      [Bookseller: Kunsthandlung Koenitz]
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        Portfolio One. The Seasons. Twelve Original Dye-transfer Prints

      Sierra Club, (1964)., San Francisco: - The original photographs were made on 4 x 5 inch Daylight Ektachrome film. Doubly-masked separation negatives, made from these by contact printing, were enlarged onto Matrix film for printing by the dye-transfer process. The prints measure between 10 x 7-3/4 inches to 8 1/2 x 10 1/2 inches and were dry-mounted on 15 x 20 inch Strathmore Illustration Board. A letterpress folio, with Porter's comments, a list of the prints, and a colophon, was printed by Lawton Kennedy (as usual, two copies are present). One of 105 copies. Perfect condition, in original folding linen case. First edition Maple blossoms in a woodland pool, May, 1961, New Hampshire; Rhodora, May, 1953, New Hampshire; Aspens in early spring, June 1957, New Mexico; Eroded rock, July, 1953, New Mexico; Foxtail grass, August, 1957, Colorado; Weeds in rock cracks, August, 1955, Maine; Ponderosa pine, August, 1960, New Mexico; Spruce trees and river, September, 1959, Colorado; Yellow aspens, September, 1951, Colorado; Cypress swamp, February, 1954, Florida; Snow and grass, September, 1959, Colorado; Snow on sand dunes, September, 1959, Colorado"As its name implies, the dye transfer process literally involves transferring dyes (cyan, magenta, and yellow) in succession and in careful registration onto a sheet of gelatin-coated paper. Porter remained committed to the dye transfer process, both before and after the invention of simpler and more commonly used color papers, because it delivered richly colored prints and allowed him to control the exact hues and contrast of each final print." From the Eliot Porter Collection Guide, published on the Amon Carter Museum web site. [Attributes: First Edition]

      [Bookseller: Thomas A. Goldwasser Rare Books (ABAA)]
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        Bullet Through Banana "Banana Split", 1964 Original Photograph

      , 1964. 1964. Framed 14 x 18 color dye transfer original photograph signed in pencil by Edgerton on the verso. Dr. Harold E. Edgerton, professor at MIT and inventor of the electronic flash, devoted his career to recording what the unaided eye cannot see. Dr. Edgerton was the first to take high-speed color photographs and was a pioneer of multiflash and microsecond imagery.

      [Bookseller: Raptis Rare Books, ABAA/ ILAB ]
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        "Sprache". Eigenh. Gedicht mit U.

      O. O., 20. X. 1964.. Schmal-gr.-4to. 1 S. Drei Strophen.. "Der Baum | größer als die Nacht | mit dem Atem der Talseen | mit dem Geflüster über der Stille [...]". - Aus der Sammlung des Theologen Hermann Dembowski (1928-2012); in der Mitte des Blattes mittels Tesafilmstreifen zusammengesetzt.

      [Bookseller: Antiquariat Inlibris, Gilhofer Nfg. GmbH]
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        Poesie der Grausamkeit. Ein Text von Dieter Hülsmanns mit Originalradierungen von Bernard Schultze. Herasugegeben von Dieter Brusberg.

      Hannover. Galerie Brusberg. 1964.. 62,0 x 31,5 cm. 2 Blatt Titel, 3 Blatt Radierungen, 8 Blatt Text. OHalblderkassette. Tadelloses Exemplar.. Nummer 12 von 50 nummerierten und von Dieter Hülsmanns und Bernard Schultze signierten Exemplaren mit 6 Originalradierungen, davon 3 auf eigenen Bögen (1 koloriert) sowie 3 auf Textbögen. Alle Radierungen von Bernard Schultze signiert und datiert. [Vgl. Heuer / Druckgrafik Nr. 71-76].

      [Bookseller: Antiquariat Querido - Kunst und Fotograf]
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        JOHN EMERY

      n.p.: Privately printed, [1964]. n.p.: Privately printed, [1964]. First Edition. Hardcover. About Fine, as issued. Publisher's black morocco-backed decorated red boards; photograph portrait and four pages of text, two by Scott and two by Steinbeck. This copy with the date of the memorial service corrected via a crude typed pasteover, as usual. One of only 200 copies printed and one of Steinbeck's more uncommon items.

      [Bookseller: Charles Agvent]
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        1 c Life (One Cent Life) Written by Walasse Ting Edited by Sam Francis Published by Published by E. W.Kornfeld

      Bern, Kornfeld, 1964. Nr. 1597 der Regulären Ausgabe von 2000 Exemplaren. Folio Lose Bogen mit überwiegend mehrfarbigen, teils doppelblattgroßen O-Lithographien von Alan Davie, Alfred Jensen, Sam Francis, Walasse Ting, James Rosenquist, Pierre Alechinsky, Kimber Smith, Alfred Leslie, Antonio Saura, Kiki o.K., Asger Jorn, Robert Indiana, Jean-Paul Riopelle, Karel Appel, Tom Wesselmann, Bram van Velde, Joan Mitchell, Allan Kaprow, Andy Warhol, Robert Rauschenberg, K.R.H. Sonderborg, Roy Lichtenstein, Oyvind Fahlstrom, Reinhoud, Claes Oldenburg, Jime Dine, Mel Ramos, Enrico Baj. Reproduktionen von Roy Lichtenstein, Pierre Alechinsky, Gustave Mignot, Siebdruck v. Atelier Ravel, Paris, "after callot", "american advertising", "japanese advertising", "french advertisiung", "french postcard, 1925", photograph by Walasse Ting, "french advertising, 1928", "french postage stamp, 1946-47", photographs of contributing artists, hand engraving in stone by Paul Loyer, chinese seals made by Irving Groupp." Von Roy Lichtenstein ill. O-Leinwanddecke, m. ill. O-Umschlag (ill. v. M. Appel). Umschlagrücken am unteren Ende 2 winzige Randeinrisse, sonst tadelloses Exemplar des auch im Layout herausragenden Werks der POP ART- Aera..

      [Bookseller: SIGNUM Antiquariat]
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        Weep Not, Child

      London:: William Heinemann,, 1964.. London: William Heinemann, 1964. First edition of the author's first book and the first English novel to be published by an East African. Original orange cloth. A very good copy in a dust jacket that shows some chipping to the front and rear panel. Lengthily inscribed by the author. Uncommon. Ngugi wa Thiong'o is an award-winning novelist, playwright, and essayist from Kenya whose novels have been translated into more than thirty languages. Set in Kenya, on the cusp of independence from Britain, Weep Not, Child follows a group of villagers and their chosen leader, a man with a terrible secret.

      [Bookseller: Raptis Rare Books, ABAA/ ILAB]
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        CHARLIE AND THE CHOCOLATE FACTORY Concerning the Adventures of Four Nasty Children and Our Hero with Mr Willy Wonka and his Famous Candy Plant

      Knopf New York , 1964. Knopf New York , 1964. First edition, first issue. Red cloth with gilt lettering and top edge brown, in white based pictorial dustwrapper. A fine copy in a superb fine dustwrapper, which is clean and crisp, with just an invisible short closed tear to the upper panel. A superb copy. Illustrated in black and white by Joseph Schindelman. The author's iconic tale of the adventures of a young boy, Charlie Bucket, inside the factory of eccentric chocolatier, Willy Wonka, which established Dahl as a children's writer. The book has achieved a cult status in modern children's literature. The first edition was published in America, preceding the British by some three years.

      [Bookseller: Jonkers Rare Books]
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        The Boy. A Photographic Essay.

      New York, Book Horizons, 1964. 4°, 232 S. (1 S. Text), über 400 tlw. ganzs. u. farb. Abb., OLwd. m. Goldpräg. u. OU, OU am Rand tlw. rissig u. knittrig, die Goldpräg. tlw. ausgedünnt, 2 Textbl. m. Knickspuren in ob. Ecke, Buch sonst tadell. Preis in CHF: 880. EA. "This book will appeal to every parent, educator, youth worker, or indeed to everyone who likes boys.": Spiel, Spass von Knaben in Europa und den USA - tlw. nackig.

      [Bookseller: Antiquariat Peter Petrej]
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        Exhibition of Paintings by Estelle Oldham Faulkner. Alderman Library, University of Virginia 12-31 October 1964

      Charlottesville, VA: (University of Virginia), 1964 Charlottesville, VA: (University of Virginia). 1964. First. First edition. Stapled decorated self-wrappers. Small octavo. [8]pp. Slight foxing, staples a little oxidized, near fine. A small and ephemeral program for an exhibition of the paintings of William Faulkner's wife. Rare. OCLC locates only two copies (University of Virginia and University of Michigan); we've seen one other copy. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Inside - Looking Out. Selected Poems.

      Wellington / Auckland / Sydney, A.H. & A.W. Reed, 1964.. 8°. 48 pages. Original printed wrappers. Rusty staples. Wrappers slightly stained and with one tiny whole. Else in very good condition with only minor signs of wear. Beautifully inscribed and signed by Patricia Godsiff. Very Rare.. "Patricia Godsiff was born in Auckland and educated at Nelson College for Girls, St.Faith's House of Sacred Learning and at the University of Canterbury and of Victoria (Wellington). At Canterbury she studied under Karl Popper and James Shelley and was a friend of Ursula Bethell. She broadcast, memorably, on these three influences, in 1960. Many of her poems have been published in the N.Z. Listener. Mrs. Godsiff's poems are an involutary side-product of her study of aesthetic theory, in which her daring and original approach has attracted the attention of universities in Europe and America......" (From the rear flap of the booklet).

      [Bookseller: Old Head Books & Collections]
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        Dinny Gordon Junior [with] Original Dust Jacket Art

      Philadelphia: Macrae Smith (1964). Original gouache and pencil cover art for Dinny Gordon Junior by illustrator Evelyn Copeman depicting the winning teen ingenue smiling up at an all-American boy. The image measures approximately 7" x 8.5" (on 13" x 20" artist board). It is accompanied by a clear overlay with the title and author's name affixed, a sheet of tissue paper with various notes for the printer, and additional blank sheet with a warning about handling the original art, once attached to the board by tape but now loose. The art is fine and bright; the other items showing some toning from the tape, along with a few spots and a couple of tears. It is accompanied by a fine third printing of the book in an else fine price-clipped dustwrapper.In the article Dinny Gordon: Proto-Feminist, that appeared in the March 2006 issue of the Journal of American Culture, writer Joyce Litton posits that Anne Emery's most beloved character, Dinny Gordon, who had aspirations of a nontraditional career and delayed marriage, was a transitional character between the portrayal of the 1950s female in family life and the more enlightened feminist of the mid-to-late 1960s. While it's a little hard to tell from the jacket art, this volume has Dinny confronting not only the typical teen problems such as liking two different boys and losing her job as a result of a shoplifting incident, but also confronting the prejudice of her friends when a Jewish family moves into her neighborhood. Take that, Gidget.

      [Bookseller: Between The Covers]
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        La Divina Commedia. Illustrazioni di Dalì.

      Arti e Scienze, Salani 1964 In 4° gr., 6 voll., brossure editoriali incamiciate e inserite in legature rigide sciolte, ogni volume in cofanetto originale decorato con motivi geometrici a colori e oro, testo in fascicoli sciolti. Ottima edizione illustrata da 100 tavv. a colori create da Salvador Dali', incise e stampate da Raymond Jacquet a Parigi, su carta di Rives. Ottimo stato, solo un piccolo strappetto al bordo inferiore del cofanetto editoriale del volume II Paradiso. Tagli superiori dei cofanetti lievemente bruniti.

      [Bookseller: Libreria La Fenice]
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        The Hollow Men

      Oxford: School of Art Press,, 1964. Oxford: School of Art Press,, 1964. Quarto. Original grey cloth, title to front board gilt, decoration to front board in black, printed on yellow paper. Black and white frontispiece and one other plate. Small paint stain to head of spine. An excellent copy. First separated edition, limited to about 50 copies. Printed under the supervision of Kristina Winberg.

      [Bookseller: Peter Harrington]
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        Tina oder über die Unsterblichkeit. (Mit 13) Radierungen von Eberhard Schlotter.

      Darmstadt, Josef Gotthard Bläschke Presse 1964.. 4°, 68 S. 1 Bl. Orig.-Halbpergamentband in Orig.-Pappschuber.. Erste Ausgabe.- Eines von 200 nummerierten und von Arno Schmidt und Eberhard Schlotter signierten Exemplaren.- WG. 34; Müther S. 143, 31.12.64; Bock 1.1.9.2.- Hier ein Exemplar mit den Original-Radierungen von Schlotter, alle vom Künstler signiert.- Da die Orig.-Platten kaum 100 einwandfreie Abzüge zuliessen, hat der Verleger gegen Schlotters ausdrückliches Verbot Offsetlithographien anfertigen lassen und diese Exemplare später als Pappband binden lassen.- Auf Titel zusätzlich eigenhändige Widmung von Eberhard Schlotter und gegenüber dem Impressum, ebenfalls von Schlotter der handschriftliche Hinweis, dass von den Zinkplatten keine Hundert Abzüge gemacht werden konnten, Beides datiert 9.V.03.- Schuber mit einigen schwachen Flecken, schönes Exemplar.

      [Bookseller: Antiquariat Eckert & Kaun]
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        Tina oder über die Unsterblichkeit. Mit 13 signierten Original-Radierungen von Eberhard Schlotter, davon 2 farbig von zwei Platten.

      Josef Gotthard Bläschke Presse Darmstadt, 1964,. 68(1) S., OHalb-Pergament in Original-Schuber, vergoldeter Rückentitel, die Original-Radierungen hinter Seidenhemdchen. "Das Buch wurde aus Original-Janson-Antiqua mit der Kursiv der D. Stempel AG, Frankfurt am Main, handgesetzt. Die Typographie besorgte Horst G. Heiderhoff, Frankfurt am Main. Gedruckt wurde es in 200 Exemplaren........Alle Exemplare sind vom Autor und Künstler signiert. Die Exemplare von 15 - 30 enthalten die Originalplatten eingebunden. Dieses Buch hat die Nummer: 90 (handschriftlich)". Von Schlotter und Schmidt darunter signiert.; -; 1. 1. Druck der Josef Gotthard Bläschke Presse. Spindler 68.1; WG 2.34. Neuwertiges Exemplar. Sehr selten. Aufgrund der für die Radierung gewählten Platten konnten letzlich nur 100 Exemplare tatsächlich von diesen gedruckt werden. Fine copy. First edition. Signed by the author and the illustrator. All the 13 originally graphics are signed by Schlotter.

      [Bookseller: AS - Antiquariat Schröter]
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        Publications de la Compagnie de L'Art Brut. 19 Bände. Band 1 - 18 und ein Ausstellungskatalog

      . Compagnie de l'Art Brut, Paris, 1964 - 1994. zusammen ca. 2700 S., mit zahlr. Abb., orig. kart.. Enthält: Fascicule 1: le Prisonnier de Bale, le Lambris de Clement, Dessins Mediumniques du Facteur Lonne, Palanc L'Ecrituriste; Fascicule 2: Adolf Wölfli, Par le Prof. Dr. W. Morgenthaler; Fascicule 3: le mineur lesage, Salingardes l'aubergiste, Le cabinet du professeur Ladame, Les telgrammes de Charles Jaufert, Jayet le Boucher, Les coquilles de maisonneuve, Filaquier le simplet; Fascicule 4: Scottie Wilson, Emmanuel le calligraphe, Guillaume, Paul End, Moindre l'egyptologue, Florent, l'ecrit du comte du bon sauveur, Jacqueline; Fascicule 5: Le philateliste, Broderies d' Elisa, Joseph Crepin, Rose Aubert, Gaston le zoologue, Sylvain, Xavier Parguey; Fascicule 6: Carlo, la double vie de Laure, Simone Marye, Anais, robe nuptiale et tableaux brodes de Marguerite; Fascicule 7: Aloise par Jacqueline Porret-Forel; Fascicule 8: Messages et cliches de Jeanne Tripier la Planetaire, la Fabrique D'Auguste, Gustav le Demoniste, Francois, Olive, pieces D'Arbre Historiees de Bogosav Zivkovic; Fascicule 9: Madge Gill, Nataska, Jane Ruffie, Bentivegna, Emile Ratier, Collection du D A. Marie; Fascicule 10: Jules Doudin, Vojislav Jakic, Gaston Teuscher, Pierre Jain, Albino Braz, Samuel Failloubaz, Katharina, Louise Fisher, Solange Lantier, Louise Tournay; Fascicule 11: Leontine, Sylvan Fusco, Alois Wey, Edmund Monsiel, Andre Robillard, Carlo (2), Joseph Vignes, Italo Perugi, Francois Portrat, Samuel Daiber, Therese Bonnelalbay; Fascicule 12: Gugging; Fascicule 13: Reinhold Metz par Michel Thevoz; Fascicule 14: Josef Wittlich, Willem van Genk, Angelo Meani, Hans Krüsi, Henriette Zephir, Jean Radovic, Yvonne Robert, Anna Zemankova, Armand Schulthess, Camille Renault; Fascicule 15: Giovanni Battista Podesta par Lucienne Peiry; Fascicule 16: Yanko Domsic, Eugene Gabritschevsky, Ted Gordon, Benjamin Bonjour, Michel Nedjar, Edouard Boschey, Eugenio Santoro, Helmut, Pepe de Valence, Rene le Bedeau; Fascicule 17: Dwight Mackintosh, Monsieur Poladian, Johann, Johann Fischer, Marcomi, Theo, Erika Orysik la Tinaia, Michael Pankoks; Fascicule 18: Emile Josome Hodinos par Lise Maurer; Ausstellungskatalog: Expostion L'Art Brut, Musee des Arts Decoratifs, Paris 1967

      [Bookseller: Celler Versandantiquariat]
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        Moscow

      New York: Crown Publishers,, 1964. New York: Crown Publishers,, 1964. Folio. Original white cloth, titles to spine in red and black, red endpapers. With the dust jacket. Black and white photographs throughout. Faint toning to board edges, spine tips and the margins of a few leaves, one leaf with bottom corner turned and slight finger marking to the verso finder-marked. An excellent copy in a toned and faintly soiled jacket with chipping to head and tail of spine panel, short closed tear to front panel and a few tiny punctures to fold of front flap. First edition, first printing.

      [Bookseller: Peter Harrington]
 33.   Check availability:     Biblio     Link/Print  


        Vom alten Proteus.

      . Original-Federzeichnungen von Fritz Fischer.[München,] 1964, Or.-Heftung.19 nn.S., 9 mont. ganzs.Zeichnungen, 5 mit eigenh.kalligraphiertem Text am Unterrand, Umschlag u.übrige Seiten m.eigenhändigen Textauszügen, letzte Seite m.eigenh.Widmung des Künstlers.Von Badorrek in seiner Liste "nicht veröffentlichte Illustrationszyklen" genannte Folge, hier vom Künstler mit 1964 datiert und als "Wilhelm Raabe Heft 1" bezeichnet..

      [Bookseller: Antiquariaat Die Schmiede]
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        Der Besuch der alten Dame. Eine tragische Komödie. Originallithographien von Hans Falk.

      . Lausanne, Andre et Pierre Gonin, 1964. 35,7 : 27,3 cm. 135,(3) S. Mit 20 Original-Lithographien von Hans Falk, davon 7 doppelblattgross, sämtliche vom Künstler von Hand überarbeitet. Lose Lagen in lithographiertem Orig.-Umschlag, -HPergamentchemise mit gelbem Büttenbezug u. -Schuber mit Pergamentschienen u. grauem Büttenbezug.. Eines der 25 Exemplare der VORZUGSAUSGABE auf reinem Hadernpapier "Auvergne" von Richard-de-Bas (Ex. 13). - Die Gesamtauflage betrug 175 + XXX nummerierte, im Druckvermerk vom Autor, Künstler und den Verlegern signierte Exemplaren. - Die hervorragenden, ungegenständlichen oder stark abstrahierten Lithographien wurden unter der Aufsicht des Künstlers von Emil Matthieu, Zürich, gedruckt und von Hans Falk in seinem Atelier einzeln mit Pinsel, Collage- u. Applikationstechnik bearbeitet. Jedes Blatt und Exemplar erhielt dadurch einen unverwechselbaren Unikatcharakter. - Tadelloses Exemplar der schönen, bedeutenden Publikation.

      [Bookseller: Gerhard Zähringer Antiquariat und Galeri]
 35.   Check availability:     ZVAB     Link/Print  


        Ioannis Dlugossii Annales, seu, Cronicae incliti Regni Poloniae. [Annalen oder Chroniken des berühmten Königreiches von Polen]. Liber Primus. Liber Secundus (1 Vol.)

      Varsaviae, Panstwowe Wydawn Naukowe, 1964.. 466 S., Originalleinen mit Schutzumschlag.. Umschlag leicht berieben, sonst gutes Exemplar. Papierbedingt leicht gebräunt. - Text lateinisch. Jan Dlugosz (Dezember 1, 1415 - Mai 19, 1480), alias Joannes, Ioannes oder Johannes Longinus oder Dlugossius, war ein polnischer Chronist, Diplomat, Soldat und Sekretär des Bischofs Zbigniew Cardinal Olesnicki von Krakow. Sein Hauptwerk ist Annales seu cronici incliti regni Poloniae (die Annalen von Jan Dlugosz), das die Ereignisse im südöstlichem Europa, aber auch in Westeuropa, von 965 bis 1480 schildert. Sein Werk wurde zum ersten Mal 1701-1703 gedruckt. - "... annalium rerum Polonicalium ce-terarumque gencium Polonis vicinarum memoriam, res pace et bello gestas com-plexus, literis mandandam suscepi, sopitis hominum cineribus diuturnaque concretis caligine largiturus nocionem et memoriam, et singulis lectoribus et auditoribus eorum representaturus acciones: non in-genii fretus potenciis (tenue enim illud et aridum extat et ad lucubrandum opus presens, ut heroum illustria facta insignes-que victorie extolli adomarique potuissent, languidum et parum sufficiens) nee scri-bendi arte rudern veterum superaturus narracionem, sed quia multa preclara et superiorum et nostrorum temporum acta nocione digna in perpetuam oblivionem iri dolebam..."

      [Bookseller: Fundus-Online GbR]
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        HELLO, DOLLY!

      (New York):: DBS Publications, Inc., (1964 [1975?]).. (New York):: DBS Publications, Inc.. (1964 [1975?]). First edition. Based on "The Matchmaker" by Thorton Wilder. Libretto by Michael Stewart and lyrics by Jerry Herman's lyrics. Illustrated with photographs from the stage productions starring Carol Channing, Pearl Bailey, Mary Martin, Betty Grable, Ginger Rogers and Martha Raye. A very fine copy with just a hint of a shadow to the front endpaper in equally nice dust jacket with the barest wear. Copyrighted 1964 as an unpublished work, but Pearl Bailey's stint as Dolly was in 1975. A scarce book.

      [Bookseller: Quill & Brush]
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        Scriptorum Romanorum quae extant omnia. Ed. Franciscus Semi. Vols. I-CCCIII in 72 vols.

      Venetia, Franc. Pesenti del Thei/ Casa editr. Armena// Padova, Liviana// Pisa, Giardini, 1964- 1972.. 8°. Hln. (Bibl.-Expl. m. R.-Sign., St. a. Tit.-Rückseite)..

      [Bookseller: Antiquariat Lehmann-Dronke]
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        Chitty Chitty Bang Bang The Magical Car

      London: Jonathan Cape, , 1964–5. London: Jonathan Cape, , 1964–5. Adventure Number One, Two and Three. 3 vols. Octavo. Original illustrated boards, titles to front covers and spines in black, pictorial endpapers. With the dust jackets. Illustrated throughout by John Burningham. Spines lightly bumped, dust jackets rubbed and nicked to corners, price clipped. First editions, first impressions.

      [Bookseller: Peter Harrington]
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        You Only Live Twice

      , 1964 1964. first edition. 007 Does SukiyakiFirst Edition, Unclipped Dust JacketFLEMING, Ian. You Only Live Twice. London: Jonathan Cape, 1964. First edition, first state, binding 'A' (with "First published 1964" on the copyright page and Japanese gilt characters on the front board). Octavo (7 3/8 x 4 3/4 in; 188 x 121 mm). 255, [1] pp.Publisher's black cloth, gilt lettered spine, gilt kanji to front cover. Dust jacket, unclipped. Two tiny 'foxing' marks on the top edge otherwise a near fine copy in a near fine dust jacket with just a hint of darkening to spine.The twelfth novel in the James Bond series and the last Bond novel published while Fleming was still alive, featuring Kissy Suzuki, who licks Bond's wounded heart and bears him the only child we are aware of after Bond kills Ernst Blofled, is affected by amnesia, and lives with her as a fisherman in Japan.

      [Bookseller: David Brass Rare Books, Inc. ]
 40.   Check availability:     ABAA     Link/Print  


        LA FAMILIA DE PASCUAL DUARTE. Con cuarenta y una maderas escogidas por Jaume Pla. (Colección Príncipe Don Juan Manuel)

      - Palma de Mallorca, edic. de los Papeles de Son Armadans, 1964, 36x26 cm., en tela edit. Edición especial numerada de 210 ejemplares sobre papel hilo de color verde, firmada por el escritor y el artista

      [Bookseller: Fábula Libros (Librería Jiménez-Bra]
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        Nerve

      Michael Joseph, London 1964 - HARDBACK - FIRST EDITION - A near fine book, tightly bound in green boards that are clean and unfaded with gilt lettering to the spine. Internally, the pages are clean and unmarked, and free of any owner names or inscriptions. The d/w is a very nice example with a couple of small chips to the spine tips and to a lesser extent to the front and rear flap corners. A very clean d/w that shows extremely well, and is unfaded to the spine. Priced at 16s.net to the front flap as called for. [Attributes: First Edition]

      [Bookseller: West Hull Rare Books - P.B.F.A.]
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        NERVE

      London:: Michael Joseph, (1964).. London:: Michael Joseph. (1964). First edition. The author's second mystery. Fine in a very bright dustwrapper with a few very small closed tears; small, L-shaped closed tear on front panel (not immediately noticeable) and a touch of faint soiling. A very nice copy.

      [Bookseller: Quill & Brush]
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        Nerve

      New York: Harper & Row, 1964. New York: Harper & Row, 1964. First U.S. Edition. Hardcover. Fine/Fine. Attractive first US edition of the author's second mystery novel. Fine book with no writing, bookplates etc. Spine ends lightly bumped. Unclipped jacket is bright and unrubbed with negligible chips to upper spine end and one wrinkle to bottom of front panel. Beautiful collector's copy.

      [Bookseller: Derringer Books, Member A.B.A.A.]
 44.   Check availability:     Biblio     Link/Print  


        Derrière Le Miroir N° 147. Chagall.

      Maeght 1964 - In folio en feuilles. 2 lithographies originales en couleurs dont 1 en double page. Pemière et unique édition ,couverture légèrement jaunie avec petites déchirures et légères taches sinon bon exemplaire. Cramer " Chagall, Les livres illustrés" N° 59.

      [Bookseller: La Basse Fontaine]
 45.   Check availability:     IberLibro     Link/Print  

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