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Displayed below are some selected recent viaLibri matches for books published in 1964

        A Pictorial Guide to the Lakeland Fells, Book Six, The North Western Fells: Being an Illustrated Account of a Study and Exploration of the Mountains in the English Lake District [Pictorial Guide Series Number Six]

      Kendal: Westmorland Gazette, 1964. Kendal: Westmorland Gazette, 1964. First Edition, [First Printing]. Hardcover. Very Good/Fine: A very tidy copy, in a very tidy dust jacket. All notable faults: Book has minor foxing on the page ends and small contemporary date stamp on the free front endpaper. Pictorial dust jacket has minor wear, up to 2 mm (1/8 of an inch) deep at the head of the spine, minor surface dirt, light wear on the corners and some spotting on the fore-edges. 15440. <b> Bibliographical Details: </b> First Edition, [First Printing] [[Burke 06]].

      [Bookseller: Kirkland Books Ltd]
 1.   Check availability:     Biblio     Link/Print  


        The Miniature in Europe in the 16th, 17th, 18th, and 19th Centuries

      Graz, Austria: Akademische Druck- u. Verlagsanstalt, 1964. Graz, Austria: Akademische Druck- u. Verlagsanstalt, 1964. 1st . Hardcover. Very Good/Very Good. #143 of 1000 copies; lightly spotted on top edge of the text block, faint soiling on bottom edge, djs have light soiling to spines, edge wear to head of spines, and a small tear on the front panel of volume 1. The standard work on European portrait miniatures. The text volumes, I and II, have 1083 pages. The plate volumes, III and IV, have 641 plates printed on one side only, most in black & white, a few in color.

      [Bookseller: Newbury Books]
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        Chitty Chitty Bang Bang Volume One (1)

      London: Cape, 1964. A first edition, first printing published by Cape in 1964. A near fine book without inscriptions (one very small puncture to the bottom of the spine). Very clean book indeed. In a very good+ unclipped wrapper with one small closed tear and some light soiling.A very clean copy indeed.

      [Bookseller: John Atkinson Books]
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        BLUES FOR MISTER CHARLIE

      New York: Dial, 1964. New York:: Dial,, 1964. First Edition. Very Good+. SIGNED BY THE AUTHOR JAMES BALDWIN AND MEMBERS OF THE CAST--DAVID BALDWIN, AL FREEMAN, JR. AND DIANE SANDS-- without personalization. Very Good+ hardback First Edition First Printing. Mild foxing endpapers, soil edges. Gift inscription ffep. In a Very Good+ Dust Jacket with mild edge wear, scuffs. 8vo. xv, [3], 121 pp.

      [Bookseller: By The Book, LC ABAA-ILAB]
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        Typed Letter Signed

      Accra, 1964. Accra, 1964. unbound. 1 page on blue airmail stationery, 10.5 x 7 inches, Accra, Ghana, May 31, 1964. Informative letter written by the African-American activist, author, playwright, composer, and widow of W.E.B. Du Bois. She is thanking a friend for "sending me the news: &#39;Du Bois Classic Added to White House Library.&#39; ...I made a copy and sent it to President Nkrumah..."Du Bois is honored throughout Africa as &#39;The Father of Pan-Africanism&#39;. He was buried here with all the honors of a State Head and lies...near the sea over which his great-great grandfather was carried away into slavery..." Several folds and creases; still very good condition.

      [Bookseller: Argosy Book Store]
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        Ohne Titel.

      Wien. 1964.. Originalradierung. 50 x 38 cm.Blattgröße.. Josef Mikl besuchte von 1946 bis 1948 die Höhere Graphische Lehr- und Versuchsanstalt in Wien. Danach studierte von 1948 bis 1955 an Wiener der Akademie der bildenden Künste bei Josef Dobrowsky Maler)>. 1956 gründete er mit Wolfgang Hollegha , Markus Prachensky und Arnulf Rainer die Künstlergruppe "Galerie nächst St. Stephan". 1964 stellte er auf der documenta III aus; 1977 nahm er an der documenta 6 teil. 1968 vertrat Mikl Österreich bei der Biennale in Venedig. Von 1969 bis 1997 war Mikl Professor an der Akademie der bildenden Künste in Wien. Mikl vertrat einen abstrakten Realismus mit der menschlichen Figur als zentralem Thema. Ein besonderer Stellenwert kam bei ihm der Zeichnung zu. Mikl starb im Alter von 78 Jahren im März 2008 an einer Krebserkrankung und wurde auf dem Döblinger Friedhof bestattet. Rechts unten Signiert.

      [Bookseller: P. u. P. Hassold OHG]
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        Monogramm-Lexikon. Internationales Verzeichnis der Monogramme bildender Künstler seit 1850.

      Bln. Walter de Gruyter & Co. 1964. l.Lagersp., g.e. Olnbd. Format: Gr.-8°. 931 pp.

      [Bookseller:  Antiquariat SCHADEN]
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        BLUES FOR MISTER CHARLIE.

      Dial, New York 1964 - SIGNED BY THE AUTHOR JAMES BALDWIN AND MEMBERS OF THE CAST--DAVID BALDWIN, AL FREEMAN, JR. AND DIANE SANDS-- without personalization. Very Good+ hardback First Edition First Printing. Mild foxing endpapers, soil edges. Gift inscription ffep. In a Very Good+ Dust Jacket with mild edge wear, scuffs. 8vo. xv, [3], 121 pp. Laid in is the play's program from the Actor's Studio, Anta Theatre. This was the first production of the play and the first full year of productions by the Actors Studio company. A Scarce copy with both the playbill laid in and signed by the author and cast members. [Attributes: First Edition; Hard Cover]

      [Bookseller: By The Book, LC ABAA-ILAB]
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        Sometimes a Great Notion

      New York: The Viking Press, 1964. New York: Viking Press, 1964: First Edition, First Printing with "First Published in 1964 by The Viking Press, Inc." on the copyright page, and publisher's device on half title page. In a first issue dust jacket with original price of $7.50 intact, as well as a two-line author bio and photographer's credit on the rear flap. In Very Good condition, in a Good+ dust jacket. Clean text. Sound binding. Light ding to top edge of boards and page block. Spine slightly sloped. The dust jacket shows rubbing and edge wear, as well as a tide mark, which is more visible from the verso. An attractive copy. Rare in a first state dust jacket.

      [Bookseller: Odd Duck Books]
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        Beatles (U.S.A.) Ltd / designed and photographed by Robert Freeman [Souvenir publication 1964]

      New York : Souvenir Publishing & Distributing Co., 1964. New York : Souvenir Publishing & Distributing Co., 1964. 1st Edition. Very good paperback copy; edges slightly dust-dulled and nicked. Remains particularly and surprisingly well-preserved overall; tight, bright, clean and especially sharp-cornered.. Unpaginated, photo-illus. throughout. 30 x 30cm. Subjects: The Beatles -- Rock music -- Portraits -- Photographs -- Rock memorabilia -- 1960s.

      [Bookseller: MW Books Ltd.]
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        The Chill

      New York: Alfred A. Knopf, 1964. New York: Alfred A. Knopf,, 1964. Octavo. Original red cloth backed blue boards, titles to spine gilt, red top-stain. Top-stain and top edge of boards faded. An excellent copy in the jacket with a few small nicks, a short closed tear, and a slightly faded spine panel. First edition, first printing. Inscribed by the author, using his real name Kenneth Millar, on the front free endpaper "For Stretch with admiration and affection, Ken". Stretch was a Santa Barbara neighbor of the author.

      [Bookseller: Peter Harrington]
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        Stierstädter Gartenbuch. Mit Gedichten von Dieter Hoffmann. 16 Bilder und 13 Pflanzendrucke.

      Stierstadt. Eremiten Presse. 1964.. Groß 8°. 33 S. OEnglisch-Broschur. Sehr gutes, frisches Exemplar. Passgänge. Literarisch-graphische Reihe, Band II.. Erste Ausgabe. Nummer 134 von 300 von Künstler und Autor signierten Exemplaren. Die Bilder dieses Buches wurden von Horst Antes im Sommer 1964 auf der Maschine der Eremitenpresse gemalt. [Vgl. Antes: Verzeichnis der Bücher,6; Reske 191]

      [Bookseller: Antiquariat Querido - Kunst und Fotograf]
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        Stierstädter Gartenbuch. Mit Gedichten von Dieter Hoffmann. 16 Bilder und 13 Pflanzendrucke. (= Passgänge. Literarisch-graphische Reihe. Band III).

      Stierstadt, Eremiten-Presse 1964.. Gr.-8°. (36 S.), farb. illustr. OBrosch. Das sehr empfindliche Umschlagpapier mit wenigen winzigen Randläsuren; sehr schönes Exemplar. Spindler 1.220. SeitenAnsichten 323.. * Eins von 300 handschr. numer. Exemplaren, von Antes u. Hoffmann signiert. - Der Band enthält 16 ganzseit. farbige Maschinenmalereien sowie 13 ganzseit., in jeweils anderen Farben gedruckte Pflanzenbilder, in die die Gedichte gedruckt wurden. - "Die Auflage war für Sammler kein Hemmnis, denn die 'primitiven' Voraussetzungen der Stierstädter Druckerei ließen jeden Druck anders ausfallen als den anderen. Es ist denkbar, daß mancher Sammler mehrere Fassungen besitzt." (Dieter Hoffmann, Erinnerungen an das Stierstädter Gartenbuch)

      [Bookseller: Antiquariat Matthias Loidl]
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        Manuale tipografico

      Franco Maria Ricci, 1964 / 65. 3 volumes in folio reliure plein cuir noir sous rhodoïde et coffret cartonné, bien complet de la reproduction d'un panneau reproduisant la lettre de l'invitation du Pape Pie VII. Un des 900 exemplaires numérotés et signé de F. M. Ricci. Texte en Italien, anglais et français (notes, documents...). Très bel ensemble, reprint de l'édition posthume de Parme, Presse la Vedova, en 1818, assurée par la veuve Bodoni qui nécessita 3 années de travail afin d'achever l'oeuvre de son époux. Tous les caractères utilisés furent spécialement coulés au moule. 275 caractères nécessitèrent une incroyable quantité de poinçons et de matrice, 675 alphabets différents, y compris les caractères orientaux, et mille trois cents gravures. On ne peut y voir que l'extrême professionnalisme de Bodoni et sa supériorité incontestée dans l'art typographique. Giambattista Bodoni naît en 1740 à Saluzzo d'un père imprimeur, Bodoni se rend à Rome le 15 février 1758, marchant sur les traces de son grand - père qui avait été compositeur dans l'imprimerie de la Chambre, il est chargé par le préfet de mettre de l'ordre dans les caractères de type Garamond. En 1766, il décide de se rendre à Londres, où l'art de la typographie est florissant grâce à John Baskerville et William Caslon, mais il tombe malade. Une fois rétabli, sur proposition de Guillaume Du Tillot, Premier ministre de Ferdinand Ier, duc de Parme, qui souhaite donner à Parme une imprimerie aussi importante que celles de Paris, Madrid ou Vienne, il est nommé directeur de l'imprimerie ducale de Parme, en collaboration avec Clemente Bondi, poste qu'il accepte le 24 mars 1768. Il obtient, en même temps, l'autorisation de former pour son compte un établissement particulier. Français relié Bon état

      [Bookseller: Livres Anciens Lucas Philippe]
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        Herzog

      The Viking Press 1964 - Very good in a very good dust jacket. INSCRIBED by the author on the front free end paper. Viking Press leaflet, laid in, states Advance Reading Copy, September 21, 1964. First published 1964 stated on the copyright page. Very slight foxing on the top and bottom edges; else the book is near fine. Dust jacket has original price of $5.75 printed on the front flap; slight rubbing along the fore edge; chipping at the corners and spine ends; a small piece is missing from the bottom of the spine. We will provide a certificate of authenticity for this item. [Attributes: First Edition; Hard Cover]

      [Bookseller: Bookbid]
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        Glückliche Tage und andere Stücke. Deutsch von Erika und Elmar Tophoven. SIGNEIRT

      Ffm Suhrkamp [Bibliothek Suhrkamp 98], 1964.. 6. - 10. Tsd. 148 S. Pappband mit Schutzumschlag. Von Beckett auf Vorsatzblatt voll signiert.- SELTEN! Schutzumschlag gering angebräunt, leichtere papierbedingte Seitenbräunung // interner vermerk -> -> -> BITTE BEACHTEN: Dieser Titel befindet sich nicht hier im Hause, sondern in meinem auswärtigen Nebenlager. Der Versand von dort erfolgt 1-2mal wöchentlich <- <- <- ISS-03865 '\m/'

      [Bookseller: Wimbauer Buchversand]
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        Etudes Cinematographiques: Akira Kurosawa (First Edition, signed by Kurosawa)

      Paris: Etudes Cinematographiques no. 30 - 31, 1964. Paris: Etudes Cinematographiques no. 30 - 31, 1964. First Edition. First Edition. SIGNED by Akira Kurosawa in both Japanese and Roman letters. & & Founded in 1960 by professor and literary critic Georges-Albert Astre and literature and film critic Henri Agel, "Etudes Cinematographiques" distinguished itself from the other foundational French film journals "Cahiers du Cinema" and "Positif" by taking a broader, more traditionally academic focus on issues. The journal published less frequently than its competitors, with each issue focusing on a single filmmaker or topic, allowing for more considered pieces and a broader range of opinions, rather than being associated with a singular point of view, as "Cahiers du Cinema" was with the French New Wave. This is particularly interesting in light of this issue&#39;s focus on Kurosawa, then still at the height of his international fame, but largely dismissed by New Wave critics in favor of the work of Kenji Mizoguchi. & & Kurosawa&#39;s signature is rare, this being the first example we have ever offered for sale.& & From the collection of noted cinephile and collector Pierre Goulliard, who spent decades in the latter half of the twentieth century obtaining inscriptions from the giants of European cinema.& & Near Fine in wrapper. Lightly soiled, with couple of spots of foxing to the spine and a tap to the crown. Text in French, with photo illustrations accompanying some of the articles.

      [Bookseller: Royal Books, Inc.]
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        Hommage à Georges Braque

      Fondation Maeght, 1964. In folio en feuilles sous chemise et étui cartonné avec une vignette contrecollée, illustrations : photographies en noir (Man Ray, Brassaï, Mariette Lachaud), planches couleurs dont le frontispice "Trois oiseaux sur fond violet", projet pour une eau - forte et 4 lithographies originales, 81 pages. Tiré à 350 exemplaire sur vélin de Rives (N°134). Excellent état. Bien complet des gravures signées de : Braque, Picasso, Miro, Chagall, Bissière, Tal Coat, Ubac, Pallut, Chillida. Français en feuilles sous emboîtage Bon état

      [Bookseller: Livres Anciens Lucas Philippe]
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        TOKYO

      NEW YORK: Crown Publishers, Inc., 1964. FIRST EDITION. Hardcover. VERY GOOD PLUS in Good Plus Dust Jacket. Klein&#39;s magnificent and groundbreaking photo-essay of that great city - its working people, royalty, families, and sometimes rough transitions from medieval tribal culture to modern metropolis. Klein was a painter-turned-photographer who was largely untrained in camera work but who burst on the scene with an award-winning study of New York from the standpoint of the emigree, going on to also do similar studies of Rome and Moscow, and of course TOKYO.   Preface by Maurice Pinguet. Book itself is very good plus bright black cloth with red and white lettering to spine. with bumps to three corners (.50"; .50";.25"). Edgewear and creasing to dustjacket, which was chipped in several places but which has undergone restorative patching. Measures 14" x 10".  184 numbered pages. Unmarked.

      [Bookseller: Aardvark Books / Ezra The Bookfinder]
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        When the Lion Feeds (SIGNED 1st BRITISH EDITION)

      London: William Heinemann, 1964. William Heinemann, 1964 SIGNED to the title-page circa mid-2000s; First printing of the First British Edition (NOT "reprinted before publication"); book is bound in green textured paper, with gold gilt titling to spine; some dust/soiling to page edges; Original Dust Jacket in Very Good condition, price-clipped DJ; thin strip of DJ missing from top of rear panel (see photos); The author's first novel;

      [Bookseller: South Africa Books]
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        Poeme-Pancarte

      Wild Hawthorn Press, Scotland 1964 - 700 x 440 mm, printed in blue and green. Finlay saw Albert-Birot as the pioneer of the playful poem-print, with this particular example inspiring Finlay's famous Circus poem-print published the same year. As Stephen Bann has recognised, his 'Poeme-Pancarte' 'gently ridicules the notion of the poster as a directive. Exact distances and directions are indicated, with typographical hands pointing to the left and to the right, while the destination PARADIS is emblazoned in the centre'. (Bann, Image 2/6, October 1965, p. 8). The two pointing fingers make it clear that the words can signify infinite meanings.

      [Bookseller: William Allen Word & Image]
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        Einladungskarte.

      Düsseldorf, Galerie Schmela 1964.. (14 x 21 cm); quer-8°; 2 Abbildungen; Klappkarte.. "Die Galerie Schmela, Düsseldorf, Hunsrückenstraße 16, Telefon 18176, zeigt vom 9.bis 30.September 1964 Bilder von Gerd Richter. Zur Eröffnung der Ausstellung am Mittwoch, dem 9.September 1964 um 20 Uhr sind Sie herzlich eingeladen." Schönes Exemplar. * Wenn Sie Ihre VISA oder EUROCARD/ MASTERCARD zur Zahlung nutzen möchten kontakten Sie uns bitte. *

      [Bookseller: Heinrich Heine Antiquariat]
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        You Only Live Twice

      , 1964. 1964. first edition. 007 Does SukiyakiFirst Edition, Unclipped Dust JacketFLEMING, Ian. You Only Live Twice. London: Jonathan Cape, 1964. First edition, first state, binding &#39;A&#39; (with "First published 1964" on the copyright page and Japanese gilt characters on the front board). Octavo (7 3/8 x 4 3/4 in; 188 x 121 mm). 255, [1] pp.Publisher&#39;s black cloth, gilt lettered spine, gilt kanji to front cover. Dust jacket, unclipped. Two tiny &#39;foxing&#39; marks on the top edge otherwise a near fine copy in a near fine dust jacket with just a hint of darkening to spine.The twelfth novel in the James Bond series and the last Bond novel published while Fleming was still alive, featuring Kissy Suzuki, who licks Bond&#39;s wounded heart and bears him the only child we are aware of after Bond kills Ernst Blofled, is affected by amnesia, and lives with her as a fisherman in Japan.

      [Bookseller: David Brass Rare Books, Inc.]
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        YOU ONLY LIVE TWICE

      Cape , 1964. Cape , 1964. First edition. Black cloth with silver lettering on the spine and gilt Japanese lettering to the upper cover, in a Chopping pictorial dustwrapper. A fine copy in a near fine (price clipped) dustwrapper which is crisp and bright and shows a little spotting to the spine.

      [Bookseller: Jonkers Rare Books]
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        Kain-Zyklus. Gewidmet meinem justifizierten Freund Herbert Aichholzer und allen anderen Widerstandskämpfern..

      Wien, Globus, 1964. 42 x 32 cm, 1 Textbl., 1 Inhaltsverzeichnis, 11 Lose Blätter (davon 3 auf Karton aufgezogen und etwas beschnitten), Kart.-Mappe und Lose Blätter., Kleiner Fleck auf Mappe, Blätter etwas knickspurig. Preis in CHF: 660. Nr. 79 von 200 num. Exemplaren, im Druckvermerk vom Künstler signiert und gewidmet.

      [Bookseller: Antiquariat Peter Petrej]
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        A Cellarful of Noise

      London: Souvenir Press, 1964. London: Souvenir Press,, 1964. Octavo. Original blue boards, titles to spine gilt. With the dust jacket. Illustrated with 24 black and white photographic plates. very faint partial tanning to free endpapers. An excellent copy in a lightly toned jacket with one tiny closed tear at head of spine panel. First edition, first impression. The autobiography of the Beatles&#39;s legendary manager, published after the Beatles had conquered the United States.

      [Bookseller: Peter Harrington]
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        My Autobiography.

      London: The Bodley Head, 1964 - Octavo. Original red cloth, titles to spine and front board gilt. With the dust jacket. Corners of boards very lightly bumped, faint foxing to endpapers and prelims. An excellent copy in a jacket with slightly rubbed head and tail of spine panel and one internally tape-repaired closed tear. Illustrated with 24 black and white photographic plates. First UK edition, first impression. Presentation copy inscribed by Chaplin on the half-title: "To Derek + Kit, Hoping to see you in July - Yours ever, Charles Chaplin". Originally published the same year by Simon & Schuster in New York.

      [Bookseller: Peter Harrington. ABA member]
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        Image of Dylan Thomas ' lament - There was a saviour'. SIGNED COPY DELUXE.

      Amsterdam, A.S.A. Struik, (1964). Clothbacked cardboard portfolio, 51 x 33,5 cms., containing 10 colour aquatints, each approximately 35 x 24 cms., each on a folded leaf with juxtaposed a text by Dylan Thomas entirely HANDWRITTEN in felt-tip pen by Montijn himself, including title-page, all (very fine) aquatints signed 'Montijn 1964', annotated 'épr d'art./eigen druk' in pencil, from an edition of only 7 deluxe copies (besides 50 copies of the trade-edition). All etchings are printed by the artist in various colours. Paper 'Holland druk Velin 148g Koninklijke Papierfabrieken Van Gelder & Zonen'. Design title-page Evelien de Vries Robbé. - Amsterdam, A.S.A. Struik, (1964). Clothbacked cardboard portfolio, 51 x 33,5 cms., containing 10 colour aquatints, each approximately 35 x 24 cms., each on a folded leaf with juxtaposed a text by Dylan Thomas entirely HANDWRITTEN in felt-tip pen by Montijn himself, including title-page, all (very fine) aquatints signed 'Montijn 1964', annotated 'épr d'art./eigen druk' in pencil, from an edition of only 7 deluxe copies (besides 50 copies of the trade-edition). All etchings are printed by the artist in various colours. Paper 'Holland druk Velin 148g Koninklijke Papierfabrieken Van Gelder & Zonen'. Design title-page Evelien de Vries Robbé.

      [Bookseller: Luiscius Books]
 28.   Check availability:     AbeBooks     Link/Print  


        Carnets. Janvier 1942 - Mars 1951.

      Gallimard 1964 - - Gallimard, Paris _1964, 12,5x19,5cm, relié. - Edition originale, un des 90 exemplaires numérotés sur Hollande, tirage de tête. Reliure en demi maroquin rouge, dos à cinq nerfs, plats de papier marbré, gardes et contreplats de papier à la cuve, couvertures et dos conservés, tête dorée sur témoins, élégante reliure signée de P. Goy & C. Vilaine. Bel exemplaire à toutes marges parfaitement établi. [Attributes: First Edition; Hard Cover]

      [Bookseller: Librairie Le Feu Follet]
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        Hafen bei Marseille. Original-Aquarell.

      1964.. Bildgrösse 33x48 cm. Unten rechts signiert u. datiert..

      [Bookseller: Biblion Antiquariat Leonidas Sakellaridi]
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        DERRIÈRE LE MIROIR, Nos 144-145-146. Hommage à Georges Braque.

      - Paris, Maeght, Mai 1964. 38 : 28,5 cm. 84 S. Mit 5 (1 doppelblattgr., 4 farbigen) Orig.-Lithographien von Pablo Picasso, Joan Miró, Pierre Tal-Coat, Raoul Ubac u. Pierre Pallut. Illustr. Orig.-Umschlag von G.Braque. Erste Ausgabe. &#150; Mit 9 (4 doppelblattgr.) farbigen Reproduktionen nach Arbeiten von Braque, Abb. nach Werken von Giacometti, Bissière Chagall u. Chillida sowie 10 photographische Portraits von Braque von Man Ray, Brassäi, Routhier u. Mariette Lachaud. &#150; Die doppelblattgr. Orig.-Lithographie von Picasso bei Cramer Nr. 124, Bloch 1847, Moulot 401. &#150; Sehr schönes Exemplar. [Attributes: First Edition; Hard Cover]

      [Bookseller: Zähringer]
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        DERRIERE LE MIROIR, Nos 144-145-146. Hommage a Georges Braque.

      . Paris, Maeght, Mai 1964. 38 : 28,5 cm. 84 S. Mit 5 (1 doppelblattgr., 4 farbigen) Orig.-Lithographien von Pablo Picasso, Joan Miro, Pierre Tal-Coat, Raoul Ubac u. Pierre Pallut. Illustr. Orig.-Umschlag von G.Braque.. Erste Ausgabe. - Mit 9 (4 doppelblattgr.) farbigen Reproduktionen nach Arbeiten von Braque, Abb. nach Werken von Giacometti, Bissiere Chagall u. Chillida sowie 10 photographische Portraits von Braque von Man Ray, Brassäi, Routhier u. Mariette Lachaud. - Die doppelblattgr. Orig.-Lithographie von Picasso bei Cramer Nr. 124, Bloch 1847, Moulot 401. - Sehr schönes Exemplar.

      [Bookseller: Gerhard Zähringer Antiquariat und Galeri]
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        Hassebrauk, Ernst. - "Rose".

      . Zeichnung / Farbkreide, 1964. Von Ernst Hassebrauk. 31,4 x 24 cm (Darstellung / Einfassungslinie). Verso in Kugelschreiber rechts unten signiert, links eine eigenhändige Widmung, in der Mitte des Blattes betitelt und rechts oben datiert "23. Sept. 64". - Leicht fingerspurig. Am Blattrand rechts oben ein kleines braunes Flecklein. Verso Reste einer ehemaligen Montierung. Insgesamt guter Erhaltungszustand. Ernst Hassebrauk (1905 Dresden - 1974 Dresden). Oft fälschlich auch Ernst Hassebrauck. Deutscher Maler und Grafiker. 1925-27 Studium an der Kunstakademie Dresden. 1927-32 Studium der Philosophie und Kunstgeschichte an der Universität Leipzig. Parallel Studium an der Leipziger Kunstakademie bei Willi Geiger. 1947 Proffesur an der Hochschule für Grafik und Buchkunst Leipzig (HGB). 1949 Entlassung aus dem Lehramt im Zusammenhang mit der Formalismusdebatte. 1958-60 Arbeit an den Staatlichen Kunstsammlungen in Dresden. Pflegte einen in seiner vitalen Farbigkeit und üppigen Strichführung neobarock anmutenden expressiven Realismus. Zahlreiche Ausstellungen und Publikationen..

      [Bookseller: Kunsthandlung Koenitz]
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        Portfolio One. The Seasons. Twelve Original Dye-transfer Prints

      Sierra Club, (1964)., San Francisco: - The original photographs were made on 4 x 5 inch Daylight Ektachrome film. Doubly-masked separation negatives, made from these by contact printing, were enlarged onto Matrix film for printing by the dye-transfer process. The prints measure between 10 x 7-3/4 inches to 8 1/2 x 10 1/2 inches and were dry-mounted on 15 x 20 inch Strathmore Illustration Board. A letterpress folio, with Porter's comments, a list of the prints, and a colophon, was printed by Lawton Kennedy (as usual, two copies are present). One of 105 copies. Perfect condition, in original folding linen case. First edition Maple blossoms in a woodland pool, May, 1961, New Hampshire; Rhodora, May, 1953, New Hampshire; Aspens in early spring, June 1957, New Mexico; Eroded rock, July, 1953, New Mexico; Foxtail grass, August, 1957, Colorado; Weeds in rock cracks, August, 1955, Maine; Ponderosa pine, August, 1960, New Mexico; Spruce trees and river, September, 1959, Colorado; Yellow aspens, September, 1951, Colorado; Cypress swamp, February, 1954, Florida; Snow and grass, September, 1959, Colorado; Snow on sand dunes, September, 1959, Colorado"As its name implies, the dye transfer process literally involves transferring dyes (cyan, magenta, and yellow) in succession and in careful registration onto a sheet of gelatin-coated paper. Porter remained committed to the dye transfer process, both before and after the invention of simpler and more commonly used color papers, because it delivered richly colored prints and allowed him to control the exact hues and contrast of each final print." From the Eliot Porter Collection Guide, published on the Amon Carter Museum web site. [Attributes: First Edition]

      [Bookseller: Thomas A. Goldwasser Rare Books (ABAA)]
 34.   Check availability:     AbeBooks     Link/Print  


        Bullet Through Banana "Banana Split", 1964 Original Photograph

      , 1964. 1964. Framed 14 x 18 color dye transfer original photograph signed in pencil by Edgerton on the verso. Dr. Harold E. Edgerton, professor at MIT and inventor of the electronic flash, devoted his career to recording what the unaided eye cannot see. Dr. Edgerton was the first to take high-speed color photographs and was a pioneer of multiflash and microsecond imagery.

      [Bookseller: Raptis Rare Books, ABAA/ ILAB ]
 35.   Check availability:     ABAA     Link/Print  


        "Sprache". Eigenh. Gedicht mit U.

      O. O., 20. X. 1964.. Schmal-gr.-4to. 1 S. Drei Strophen.. "Der Baum | größer als die Nacht | mit dem Atem der Talseen | mit dem Geflüster über der Stille [...]". - Aus der Sammlung des Theologen Hermann Dembowski (1928-2012); in der Mitte des Blattes mittels Tesafilmstreifen zusammengesetzt.

      [Bookseller: Antiquariat Inlibris, Gilhofer Nfg. GmbH]
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        Poesie der Grausamkeit. Ein Text von Dieter Hülsmanns mit Originalradierungen von Bernard Schultze. Herasugegeben von Dieter Brusberg.

      Hannover. Galerie Brusberg. 1964.. 62,0 x 31,5 cm. 2 Blatt Titel, 3 Blatt Radierungen, 8 Blatt Text. OHalblderkassette. Tadelloses Exemplar.. Nummer 12 von 50 nummerierten und von Dieter Hülsmanns und Bernard Schultze signierten Exemplaren mit 6 Originalradierungen, davon 3 auf eigenen Bögen (1 koloriert) sowie 3 auf Textbögen. Alle Radierungen von Bernard Schultze signiert und datiert. [Vgl. Heuer / Druckgrafik Nr. 71-76].

      [Bookseller: Antiquariat Querido - Kunst und Fotograf]
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        JOHN EMERY

      n.p.: Privately printed, [1964]. n.p.: Privately printed, [1964]. First Edition. Hardcover. About Fine, as issued. Publisher&#39;s black morocco-backed decorated red boards; photograph portrait and four pages of text, two by Scott and two by Steinbeck. This copy with the date of the memorial service corrected via a crude typed pasteover, as usual. One of only 200 copies printed and one of Steinbeck&#39;s more uncommon items.

      [Bookseller: Charles Agvent]
 38.   Check availability:     Biblio     Link/Print  


        1 c Life (One Cent Life) Written by Walasse Ting Edited by Sam Francis Published by Published by E. W.Kornfeld

      Bern, Kornfeld, 1964. Nr. 1597 der Regulären Ausgabe von 2000 Exemplaren. Folio Lose Bogen mit überwiegend mehrfarbigen, teils doppelblattgroßen O-Lithographien von Alan Davie, Alfred Jensen, Sam Francis, Walasse Ting, James Rosenquist, Pierre Alechinsky, Kimber Smith, Alfred Leslie, Antonio Saura, Kiki o.K., Asger Jorn, Robert Indiana, Jean-Paul Riopelle, Karel Appel, Tom Wesselmann, Bram van Velde, Joan Mitchell, Allan Kaprow, Andy Warhol, Robert Rauschenberg, K.R.H. Sonderborg, Roy Lichtenstein, Oyvind Fahlstrom, Reinhoud, Claes Oldenburg, Jime Dine, Mel Ramos, Enrico Baj. Reproduktionen von Roy Lichtenstein, Pierre Alechinsky, Gustave Mignot, Siebdruck v. Atelier Ravel, Paris, "after callot", "american advertising", "japanese advertising", "french advertisiung", "french postcard, 1925", photograph by Walasse Ting, "french advertising, 1928", "french postage stamp, 1946-47", photographs of contributing artists, hand engraving in stone by Paul Loyer, chinese seals made by Irving Groupp." Von Roy Lichtenstein ill. O-Leinwanddecke, m. ill. O-Umschlag (ill. v. M. Appel). Umschlagrücken am unteren Ende 2 winzige Randeinrisse, sonst tadelloses Exemplar des auch im Layout herausragenden Werks der POP ART- Aera..

      [Bookseller: SIGNUM Antiquariat]
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        Weep Not, Child

      London:: William Heinemann,, 1964.. London: William Heinemann, 1964. First edition of the author&#39;s first book and the first English novel to be published by an East African. Original orange cloth. A very good copy in a dust jacket that shows some chipping to the front and rear panel. Lengthily inscribed by the author. Uncommon. Ngugi wa Thiong&#39;o is an award-winning novelist, playwright, and essayist from Kenya whose novels have been translated into more than thirty languages. Set in Kenya, on the cusp of independence from Britain, Weep Not, Child follows a group of villagers and their chosen leader, a man with a terrible secret.

      [Bookseller: Raptis Rare Books, ABAA/ ILAB]
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        CHARLIE AND THE CHOCOLATE FACTORY Concerning the Adventures of Four Nasty Children and Our Hero with Mr Willy Wonka and his Famous Candy Plant

      Knopf New York , 1964. Knopf New York , 1964. First edition, first issue. Red cloth with gilt lettering and top edge brown, in white based pictorial dustwrapper. A fine copy in a superb fine dustwrapper, which is clean and crisp, with just an invisible short closed tear to the upper panel. A superb copy. Illustrated in black and white by Joseph Schindelman. The author&#39;s iconic tale of the adventures of a young boy, Charlie Bucket, inside the factory of eccentric chocolatier, Willy Wonka, which established Dahl as a children&#39;s writer. The book has achieved a cult status in modern children&#39;s literature. The first edition was published in America, preceding the British by some three years.

      [Bookseller: Jonkers Rare Books]
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        The Boy. A Photographic Essay.

      New York, Book Horizons, 1964. 4°, 232 S. (1 S. Text), über 400 tlw. ganzs. u. farb. Abb., OLwd. m. Goldpräg. u. OU, OU am Rand tlw. rissig u. knittrig, die Goldpräg. tlw. ausgedünnt, 2 Textbl. m. Knickspuren in ob. Ecke, Buch sonst tadell. Preis in CHF: 880. EA. "This book will appeal to every parent, educator, youth worker, or indeed to everyone who likes boys.": Spiel, Spass von Knaben in Europa und den USA - tlw. nackig.

      [Bookseller: Antiquariat Peter Petrej]
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        Exhibition of Paintings by Estelle Oldham Faulkner. Alderman Library, University of Virginia 12-31 October 1964

      Charlottesville, VA: (University of Virginia), 1964 Charlottesville, VA: (University of Virginia). 1964. First. First edition. Stapled decorated self-wrappers. Small octavo. [8]pp. Slight foxing, staples a little oxidized, near fine. A small and ephemeral program for an exhibition of the paintings of William Faulkner's wife. Rare. OCLC locates only two copies (University of Virginia and University of Michigan); we've seen one other copy. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
 43.   Check availability:     ABAA     Link/Print  

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