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Displayed below are some selected recent viaLibri matches for books published in 1964

        Les Chiens ont Soif

      Au Pont Des Arts, Paris 1964 - LIMITED EDITION, WITH TWO SIGNED COLOR ETCHINGS BY MAX ERNST, and 25 additional color lithographs; one of only 250 copies (out of a total edition of 320). An evocative collaboration between the surrealist poet Prevert and the surrealist artist Ernst. The Livre d'Artiste in the Twentieth Century 46. Paris: Au Pont Des Arts, 1964. Large folio, loose as issued in original lithographed paper wrappers; original buckram clamshell box. Fraying to box edges, some foxing to wrappers; interior and plates fine. [Attributes: First Edition; Signed Copy; Soft Cover]

      [Bookseller: Manhattan Rare Book Company, ABAA, ILAB]
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        4 ms. und 1 eigenh. Brief mit U.

      Stockholm, 1964 bis 1992.. Zusammen (1+1½+1+1+2=) 6½ SS. auf 6 Bll. (Gr.-)4to. Mit 4 ms. adr. Kuverts.. Freundschaftliche Briefe an den schwedischen Schriftsteller und Journalisten Ingmar Björksten (1936-2002), u. a. über dessen Buch &quote;Smärtprovet&quote; (I), über die Bearbeitung seines (Bergmans) TV-Film &quote;Backanterna&quote; (II) und über die Arbeit am Theater (III): I: &quote;[...] Jag har läst din Smärtprovet och fann den gripande, modig och förtvivlad. Man kan tycka hur som helst om form och stil och sprak. Sadant förstar jag aldrig när jag läser (bara pa film och teater). Om jag nagon gang blir emotionellt berörd, blir jag sa tacksam att jag till och med kann ta risken att överskrida det magiska kritstrecket mellan kritikern och hans objekt. Jag tycker att du har skrivit en smärtsam och berörande bok. För detta tackar jag dig av hjärtat [...]&quote; (&quote;[...] Ich habe Deine Schmerzprobe gelesen und fand es ergreifend, mutig und verzweifelt. Man kann beliebiger Ansicht sein über Form und Stil und Sprache. So etwas verstehe ich niemals, wenn ich lese (nur beim Film und Theater). Wenn ich einmal emotional berührt werde, werde ich so dankbar, daß ich sogar das Risiko eingehen kann, den magischen Nadelstreifen zwischen dem Kritiker und seinem Objekt zu überschreiten. Ich finde, daß du ein schmerzliches und berührendes Buch geschrieben hast. Dafür danke ich dir von Herzen [...]&quote;; Br. v. 25. Januar 1988). - II: &quote;[...] Jag har först nu lyckats komma iväg till Farö och skrivbordet. Redigeringen av Backanterna försenade mig valdsamt. Om du nagon gang vill öka din adrenalinutsöndering avsevärt, ska du ägna dig at att klippa 60.000 meter (30 timmar) videoband-elektroniskt. Det är en odräglig sysselsättning som nästan lade mig pa bar (jag har aldrig tidigare redigerat elektroniskt, tyckte väl att jag skulle lära mig nagot nytt denna höga alder, jag lärde mig ingenting utom att metoden är imperfekt och passar bäst för schlagerfestivaler och ishockey). Att vara rasande varje dag hela dagen är inte sa nyttigt i alla fall inte för mig. Me nu är det i alla fall överstandet och jag är pa min strand och haller pa att samla ihop det som blivit över [...]&quote; (&quote;[...] Mir ist es erst jetzt gelungen, nach Farö und an den Schreibtisch zu kommen. Die Bearbeitung von Backanterna hielt mich lange auf. Wenn du einmal deine Adrenalinausscheidung erheblich steigern willst, solltest du dich damit beschäftigen, 60.000 Meter (30 Stunden) Videoband elektronisch zu schneiden. Das ist eine unerträgliche Beschäftigung, die mich fast auf die Tragbahre gebracht hat (ich habe niemals zuvor etwas elektronisch bearbeitet, aber dachte wohl, daß ich etwas Neues lernen sollte in diesem hohen Alter, ich lernte nichts außer daß die Methode Vergangenheit ist und am Besten zu Schlagerfestivals und Eishockey paßt). Jeden Tag den ganzen Tag wütend zu sein, ist nicht so nützlich, jedenfalls nicht für mich. Aber nun ist es auf jeden Fall überstanden und ich bin an meinem Strand und bin dabei, das aufzusammeln, was übrig geblieben ist [...]&quote;; Br. v. 18. Mai 1992). - III: &quote;[...] Jag haller ocksa pa att avveckla mina ataganden i Huset. Enda orsaken att jag fortsätter, är den daliga tillgangen pa regissörer. Vi strävar envist med att rekrytera unga begavade mänskor, me de vet alltför väl att de kommer att vägas med annorlunda vikter inom institutionen än ute i hagen där de kesar omkring och kallar sig fria', trots att de har tunga statliga subsidier i ryggen [...]&quote; (&quote;[...] Ich bin auch dabei, meine Verpflichtungen im Haus abzubauen. Der einzige Grund, warum ich weitermache, ist der schlechte Bestand an Regisseuren. Wir bestehen darauf, junge, begabte Menschen einzustellen, aber sie wissen allzu gut, daß sie innerhalb der Institution mit unterschiedlichen Gewichten abgewogen werden, noch draußen auf der Weide, wo sie umher stürmen und sich als frei' bezeichnen, trotz allem haben sie schwere, staatliche Unterstützung im Rücken [...]&quote;; Br. v. 29. Februar 1992). - Meist auf Briefpapier mit gedr. Briefkopf. - Beiliegend eine ms. Übersetzung der ms. Briefe ins Deutsche.

      [Bookseller: Kotte Autographs GmbH]
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        The Spy Who Came in from the Cold

      Coward-Mccann, Inc. 1964 - SIGNED (and dated 14 Sep.'95) by John Le Carre on the title page. Near fine volume having only a trace of edgewear in a price clipped dust jacket lightly chipped at the spine ends and corners. The jacket also has an irregular 1" closed tear on the rear panel, a small scrape on the rear spine fold, and two rubbed spots on the front panel (on the "M" and "E" in the word came). The jacket is now protected in mylar. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Trilby & Co. Books]
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        The Spy Who Came In From the Cold (Signed)

      Coward-McCann, NY 1964 - Dustwrapper is price-clipped. A tight, clean copy of the true first U.S. edition of this classic spy novel and still, arguably, the author's best work to date. The true first-state dustwrapper (with only three blurbs on the back panel) is tight and clean. Basis for the popular movie that starred Richard Burton in the lead role. The author's third book and winner of the Edgar Award in year of publication. Signed by the author on a bookplate affixed to the half-title page. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Michael J. Toth, Bookseller, ABAA]
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        Imprimeurs et Libraires Parisiens du XVIe siècle. --------- 6 volumes / 6

      CTHVP - Paris 1964. 6 volumes/6. -- PARFAIT ETAT -- Format in-8°( 27,8 x 19,7 cm )( 7310 gr les 6 ). -------- TOME 1 ( Rel editeur ) LXXII-382 pages + 48 planches hors-texte . ---- TOME 2 ( rel ) LIV-525 pages + 40 planches illustrées in-fine . ----- TOME 3 ( rel ) XLVI-727 pages + 45 HT ------ TOME 4 ( broché ) XXXI-230 pages dont 26 planches . ------ TOME 5 ( Broché ) XLII-364 pages + 34 Pl HT . ----- TOME 6 ( Broché ) XXX-VII-346 pages + 22 planches Hors-texte . **************** [Attributes: First Edition; Soft Cover]

      [Bookseller: Okmhistoire]
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        Obras Completas. 9 vols. Colección Joya.

      Madrid: Aguilar, 1954-1964. - 8vo. 9 tomos completos., 1000 pp aprox. cada tomo. Encuadernación piel editorial. Cortes decorados, excepto los dos últimos tomos que no se editaron con los cortes decorados. Excelente estado.

      [Bookseller: Librería Antonio Castro-Sevilla]
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        Le chateau d'Otrante - Illustrated with 12 original etchings by Salvador DALI

      Le Club Francais du Livre, Paris 1964 - - PRESENTATION : high in-4 in leaf, presented in a red cloth case with a title leather vignette. - ILLUSTRATED : With 12 etchings by Salvador Dali. - MEDIUM : Drypoint etching & aquatint (Atelier Haasen). - SIGNATURE : Stamped dali signature on the leather cover of the case. - LIMITED : 180 copies. - PAPER : Arches Vellum. - SIZE : 10 x 19". - REFERENCES : Michler & Lopsinger #100 to 111 / Field 64-5 p. 26. - CONDITION : Very good. ASK FOR EXTRA PICTURES [Attributes: First Edition; Hard Cover]

      [Bookseller: Artfever]
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        James ROSENQUIST. Sans Titre / Untitled (1 ¢ life).

      - Lithographie originale signée au crayon vert / original lithograph handsigned with a green pencil, imprimée à Paris en 1964 par Maurice Baudet (et par Georges Girard pour la typographie) sur papier Arches pour le remarquable et incontournable ouvrage POP ART « 1¢ life », édité par Sam Francis et publié en 1964 par E.W. Kornfeld avec des textes de Walasse Ting. Cette lithographie en double page (page 20-21 - pliure centrale - 41 x 58 cm / 16.15 x 22.8 in - with a center fold) est extraite d'un des 100 exemplaires de l'édition de tête (le notre n°64 réservé aux artistes et collaborateurs - malheureusement déjà incomplet lors de son acquisition !) et présente au verso des textes imprimés de Walasse TING (text on the back). Très bel exemplaire (sans encadrement) / Very fine copy (without frame). (Envoi en colissimo suivi sous emballage cartonné). [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Frederic Dorbes - TOBEART]
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        Joan MITCHELL. Sans Titre / Untitled - (1 ¢ life).

      - Lithographie originale signée au crayon / original lithograph handsigned, imprimée à Paris en 1964 par Maurice Baudet (et par Georges Girard pour la typographie) sur papier Arches pour le remarquable et incontournable ouvrage POP ART « 1¢ life », édité par Sam Francis et publié en 1964 par E.W. Kornfeld avec des textes de Walasse Ting. Cette lithographie en double page (page 92-93 – 41 x 58 cm - avec pliure centrale / 16.15 x 22.8 in - with a center fold) est extraite d'un des 100 exemplaires de l'édition de tête (le notre n°64 réservé aux artistes et collaborateurs - malheureusement déjà incomplet lors de son acquisition !). Au verso (page 91 et 94) deux lithographies originales en couleurs signées (two originals lithographs handsigned printed on the back) de Walasse TING. (Encadrement double face à prévoir !). Très bel exemplaire (sans encadrement) / Very fine copy (without frame). [Attributes: Signed Copy]

      [Bookseller: Frederic Dorbes - TOBEART]
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        Claes OLDENBURG. Sans Titre / Untitled 1 - (1 ¢ life).

      - Lithographie originale signée au crayon / original lithograph handsigned, imprimée à Paris en 1964 par Maurice Baudet (et par Georges Girard pour la typographie) sur papier Arches pour le remarquable et incontournable ouvrage POP ART « 1¢ life », édité par Sam Francis et publié en 1964 par E.W. Kornfeld avec des textes de Walasse Ting. Cette lithographie imprimée sur deux pages (pages 136 et 137 - 41 x 58 cm / Printed on two separate pieces of paper as a double page spread - 16.15 x 22.8 in) avec un poème sous l'illustration est extraite d'un des 100 exemplaires de l'édition de tête (le notre n°64 réservé aux artistes et collaborateurs - malheureusement déjà incomplet lors de son acquisition !). Texte imprimé au verso (text on the back). Très bel exemplaire (sans encadrement) / Very fine copy (without frame). [Attributes: Signed Copy]

      [Bookseller: Frederic Dorbes - TOBEART]
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        Mel RAMOS. Tiger Girl (1 ¢ life).

      - Lithographie originale signée au crayon / original lithograph handsigned, imprimée à Paris en 1964 par Maurice Baudet (et par Georges Girard pour la typographie) sur papier Arches pour le remarquable et incontournable ouvrage POP ART « 1¢ life », édité par Sam Francis et publié en 1964 par E.W. Kornfeld avec des textes de Walasse Ting. Cette lithographie (page 159 - 41 x 29 cm / 16.15 x 11,4 in) est extraite d'un des 100 exemplaires de l'édition de tête (le notre n°64 réservé aux artistes et collaborateurs - malheureusement déjà incomplet lors de son acquisition !). Texte imprimé au verso (text on the back). Très bel exemplaire (sans encadrement) / Very fine copy (without frame). [Attributes: Signed Copy]

      [Bookseller: Frederic Dorbes - TOBEART]
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        Alan KAPROW. Sans Titre / Untitled - (1 ¢ life).

      - Lithographie originale signée au crayon / original lithograph handsigned, imprimée à Paris en 1964 par Maurice Baudet (et par Georges Girard pour la typographie) sur papier Arches pour le remarquable et incontournable ouvrage POP ART « 1¢ life », édité par Sam Francis et publié en 1964 par E.W. Kornfeld avec des textes de Walasse Ting. Cette lithographie imprimée sur deux pages (pages 100 et 101 - 41 x 58 cm / Printed on two separate pieces of paper as a double page spread - 16.15 x 22.8 in) avec un poème de Walasse Ting en pied de l'illustration est extraite d'un des 100 exemplaires de l'édition de tête (le notre n°64 réservé aux artistes et collaborateurs - malheureusement déjà incomplet lors de son acquisition !). Imprimé au verso (printed on the back). Très bel exemplaire (sans encadrement) / Very fine copy (without frame). [Attributes: Signed Copy]

      [Bookseller: Frederic Dorbes - TOBEART]
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        Jim DINE. A DREAM - (1 ¢ life).

      - Lithographie originale signée au crayon / original lithograph handsigned, imprimée à Paris en 1964 par Maurice Baudet (et par Georges Girard pour la typographie) sur papier Arches pour le remarquable et incontournable ouvrage POP ART « 1¢ life », édité par Sam Francis et publié en 1964 par E.W. Kornfeld avec des textes de Walasse Ting. Cette lithographie (page 145 - 41 x 29 cm / 16.15 x 11.4 in) est extraite d'un des 100 exemplaires de l'édition de tête (le notre n°64 réservé aux artistes et collaborateurs - malheureusement déjà incomplet lors de son acquisition !). Texte imprimé au verso (text on the back). Très bel exemplaire (sans encadrement) / Very fine copy (without frame). [Attributes: Signed Copy]

      [Bookseller: Frederic Dorbes - TOBEART]
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        Alfred JENSEN. Hommage to BLACK PRINCE - (1 ¢ life).

      - Lithographie originale signée au crayon / original lithograph handsigned, imprimée à Paris en 1964 par Maurice Baudet (et par Georges Girard pour la typographie) sur papier Arches pour le remarquable et incontournable ouvrage POP ART « 1¢ life », édité par Sam Francis et publié en 1964 par E.W. Kornfeld avec des textes de Walasse Ting. Cette lithographie en double page (page 8-9 - 41 x 58 cm - avec pliure centrale / 16.15 x 22.8 in - with a center fold) accompagné d'un poème de Walasse Ting en partie droite de la planche est extraite d'un des 100 exemplaires de l'édition de tête (le notre n°64 réservé aux artistes et collaborateurs - malheureusement déjà incomplet lors de son acquisition !). Imprimé au verso (printed on the back). Très bel exemplaire (sans encadrement) / Very fine copy (without frame). [Attributes: Signed Copy]

      [Bookseller: Frederic Dorbes - TOBEART]
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        Exhibition of Paintings by Estelle Oldham Faulkner. Alderman Library, University of Virginia 12-31 October 1964

      Charlottesville, VA: (University of Virginia). 1964. First. First edition. Stapled decorated self-wrappers. Small octavo. [8]pp. Slight foxing, staples a little oxidized, near fine. A small and ephemeral program for an exhibition of the paintings of William Faulkner's wife. Rare. OCLC locates only two copies (University of Virginia and University of Michigan); we've seen one other copy. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Sanne Sannes: Oog om oog.

      Amsterdam, De Bezige Bij, 1964 - Amsterdam, De Bezige Bij, 1964. Pictorial imitation leather over boards (hardcover), 36,2 x 21,3 cms., unpaginated ( 96 pp.) poems in Dutch with 54 fine photographic black-and-white plates by Sanne Sannes, text by Hugo Claus. First edition. Sannes' first book, the images alternated with poems by Hugo Claus after poems by Macedonios, Asklepiades, Rufinos, Paules Sillentiarius, Meleager and others. Spine yellowed, as usual. Otherwise a fine copy. [Attributes: First Edition; Hard Cover]

      [Bookseller: Luiscius Books]
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        [Manuscript]: "Speaking Out" [published in] The Saturday Evening Post

      1964. Typed manuscripts. 16pp. Leaves typed rectos only, stapled in the corner with a few holograph corrections. Front sheet a trifle wrinkled at the staple and the last sheet loose from the staple, near fine. An article critical of fast-tracking gifted students by the internationally acclaimed child psychologist and scholar known for his views on autism and treatment of emotionally disturbed children. A somewhat controversial figure in the world of psychiatry, today Bettleheim (1903-1990) is perhaps best known to mainstream audiences through his popular and important 1976 analysis of fairy tales, The Uses of Enchantment, which won the U.S. Critic's Choice Prize for criticism and the National Book Award for contemporary thought. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        [Manuscript]: "Four Days Among the Terrorists," retitled "Congo Missionary" [published in] The Saturday Evening Post

      [circa 1964]. Typed manuscript. 16pp. Single sheets typed rectos only, stapled at the corner with some wear to the corners, a spot on the first sheet and oxidation marks on the rear, near fine. The manuscript has extensive holograph corrections throughout, including a new title and two stapled yellow sheets replacing paragraphs. The harrowing account of a missionary woman in the turbulent period after Congo's independence in 1960, later expanded by Hege into a full length book, We Two Alone. Hege's co-missionary, Irene Ferrell was executed by Communist-trained terrorists and Hege barely escaped the same fate. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        [Manuscript]: "Congo Crisis" [published in] The Saturday Evening Post

      [circa 1964]. Typed manuscript. 22pp. Single yellow sheets typed rectos only, stapled at the corner, fine. The manuscript has extensive holograph corrections throughout with several stapled sheets replacing and adding paragraphs. A account of the political and social unrest in the period after Congo's independence in 1960. The Geneva-born De Gramont, who was educated in France and the United States, wrote several books on both Gallic and African subjects, and won a 1961 Pulitzer Prize for reportage. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        C Comics - Issue Number 1.

      New York. Boke Press, 1964. - First Issue. Illustrated throoughout with cartoons by famed underground artist Joe Brainard. Folio. 8.5" x 14". Mimeographed sheets bound in imprinted stapled wrappers. The C Comics series in which Brainard drew the panels and asked other writers to fill in the dialogue formed both an homage and a reinterpretation of the comic strip form. Contributors included John Ashbery, Bill Berkson, Ted Berrigan, Dick Gallup, Barbara Guest, Kenneth Koch, Frank Lima, Jimmy Schuyler, Frank O"Hara,Kenward Elmslie,Peter Schjeldahl,Tony Towle, Ron Padgett and many other notables of the early 60's New York School of Poetry. Only two issues of this magazine were published with this copy being the First Issue which appeared in 1964. Covers mildly worn and soiled. Usual chipping to edges. Front cover loosened by one staple punched through. A crisp copy. [Attributes: Soft Cover]

      [Bookseller: Heldfond Book Gallery, Ltd. ABAA , ILAB]
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        Nathaniel Hawthorne 1804-1864

      (Columbus, Ohio: Ohio State University. 1964). First. First edition. Folio. Large broadsheet poem. Illustrated with woodcut by Sidney Chafetz. One large sheet folded to make four pages. One of 150 copies for distribution to participants in the Centenary Commemoration of the death of Hawthorne at Ohio State University, Signed by both Lowell and Chafetz. Fine in the original large unprinted envelope (which has only a touch of wear) with cardboard backer. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        LA BATTANA - 1964-1984 - rivista trimestrale - comunicazione con la cultura jugoslava e promossa dalla direzione di ENRICO SEQUI, SERGIO TURCONI E LUCIFERO MARTINI - lotto di 57 numeri dal 1964 al 1984, FIUME, Rijeka, 1964

      - Questa interessante rivista è stata uno dei rari ponti di comunicazione culturale tra le due sponde dell'Adriatico e una delle vetrine privilegiate della produzione letteraria degli italiani ad est di Trieste, ma è stata anche strumento di partecipazione civile, luogo di dibattito e palestra di pensiero, barometro dei tempi. le sue pagine hanno ospitato interventi di grandissimi autori tra i quali: Salvatore Quasimodo (Premio Nobel per la letteratura, 1959), Ivo Andric (Premio Nobel per la letteratura, 1961), Italo Calvino, Alberto Moravia, Claudio Magris, Andrea Zanzotto, Edoardo Sanguineti, Ugo Casiraghi, Guido Aristarco, Bruno Maier, Ciril Zlobec, Tonko Maroevic, Predrag Matvejevic, Nedeljko Fabrio, ?arko Puhovski e Igor Mrdulja? Formato in brossura con copertine di vari stili e colori. cm. 14 x 22 pagine 100 circa per ogni fascicolo. Disponiamo di questi numeri 1 (primo uscito a Fiume nell'ottobre 1964), 3,4,5,6,7/8,9/10,11,14,15,16/17,18,19,20,21,22/263,24,25,26,27,28,29, 30/31,32,33,34,35,42,43,47,49,50,51,53,54,55,56,57,58,59,60,61,62,63, 64,65,66,67,68,70,71,72 (marzo 1984) I 57 numeri vengono offerti in blocco a

      [Bookseller: Ferraguti service s.a.s. - Rivisteria]
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        Cowboys and Cattlemen; A Roundup from Montana, the Magazine of Western History

      New York: Hastings House, 1964. hardcover. fine. Many illustrations. xii + 364 pages. 4to, bound in publisher's brown and white pony hide, publisher's slipcase. New York: Hastings House, (1964). One of 199 copies. Signed by the editor, Michael Kennedy. Contains a frontispiece of original art work by Irvin Shope. The art work depicts a middle age cowboy on a horse with his lasso in his hand in a stationary position.

      [Bookseller: Argosy Book Store]
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        As Testimony: The Poem & The Scene

      San Francisco: White Rabbit Press. 1964. First. First edition. Stapled wrappers. About fine. Inscribed by Duncan to Charles Olson: "Dear Charles: This beginning statement of the Exchange for you who are such a source of all my increment of associations. With love, Robert Sept. 8, 1964." Olson taught Duncan at Black Mountain and continued to serve as his mentor. A spectacular association. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        Signed Christmas Card

      1964. Measuring 3.25" x 4.75". Handmade Christmas card for 1964. Chinese-theme illustration pasted onto a folded card with a handwritten note: "to cast a Chinese lite on Christmas towards. Robert and Jess 1964 our love and constant wish for your Happy New Year 1965." .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        TARZAN AND THE MADMAN

      Canaveral Press, 1964. with dust jacket NF/NF FIRST EDITION, illustratedy by Reed Crandall, 236 pages, lime green decorated boards ** some light rubbing on upper left hand corder of cover, several pin sized brown spots where spine and front cover join.** dj is cream with green illustration and chocolate brown printing on front, title on spine is in Green,. **dj has very light wear on edges and a small smudge on back. this book is in fabulous condition. origianl price which is still in tact was 3.50. First Edition. Hard Cover. Near Fine/Near Fine. Illus. by Reed Crandall. 8vo - over 7¾" - 9¾" tall.

      [Bookseller: UnEarthly Books]
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        Nerve

      New York: Harper & Row, 1964 - Advance copy (uncorrected proof) of Dick Francis's second book, SIGNED by the author. Text printed on rectos only. One of a handful of copies produced for internal use, few of which have survived. A very good copy in spiral-bound wrappers. An extraordinarily rare state of this important title. We have many other mysteries by Francis in stock; please inquire. [Attributes: First Edition]

      [Bookseller: Carpe Librum]
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        Original watercolour, "Child Taken Hostage"

      Not later than, 1964. Original artwork in ink and watercolour. Approx. 8 ¾ × 12 inches. A fine drawing of a child being carried away in a wicker basket aided by leprechauns, pixies and fairies. Mounted, glazed and framed. Original Lucie Attwell Limited label pasted to reverse of frame stating. Rights: Lucie Attwell 2/6 Picture story Book. Purchased by: Messrs. Dean & Son Ltd. Date: November 1965.

      [Bookseller: Peter Harrington]
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        Cowboys and Cattlemen; A Roundup from Montana, the Magazine of Western History

      Hastings House, New York 1964 - One of 199 copies. Signed by the editor, Michael Kennedy. Contains a frontispiece of original art work by Irvin Shope. The art work depicts a middle age cowboy on a horse with his lasso in his hand in a stationary position. Many illustrations. xii + 364 pages. 4to, bound in publisher's brown and white pony hide, publisher's slipcase. New York: Hastings House, (1964). [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Argosy Book Store, ABAA, ILAB]
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        THE PROFESSIONAL: LYNDON B. JOHNSON

      Houghton Mifflin Company (1964), Boston - Fourth Printing. INSCRIBED and SIGNED by the subject on the front endpaper: "To all my friends/the Lawrence Kleins/from their friend/Lyndon B Johnson." Books genuinely signed by LBJ are quite scarce, this one most especially. I have personally examined more than 50 "signed" copies of this title, and ALL were secretarially signed "with best wishes." The book seems to have been given to various donors and VIPs with this secretarial signature. This particular copy has a more personal inscription. At first thought, one would expect Klein to be the Nobel Prize economist who was one of Jimmy Carter's chief economic advisers; however, he is much more likely the foreman who was in charge of the complete renovation of the Johnson Texas ranch and who attended the same Junction School as LBJ. Slightly cocked. Very Good or better in a price-clipped, Very Good dustwrapper [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Charles Agvent, est. 1987, ABAA, ILAB]
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        Ode to a Highflying Bird

      London; Beat Publications. 1964., 1964. FIRST EDITION. Original white paper-covered boards, printed in black. 12mo. With colour illustrations. INSCRIBED BY THE AUTHOR. Shows some handling, and a little edgewear. Very good. Housed in a protective buckram case, titled in gilt to spine. A decent copy of a particularly elusive book. (not to be confused with the 1991 facsmile which was issued in a CD boxset, identical to this first edition but for the imprint amended from 'Beat' to 'UFO'). Rolling Stones' drummer and Jazz afficianado Charlie Watts' charming tribute to his hero, saxophonist Charlie 'Yardbird' Parker, which takes the form of an illustrated poem. Provenance; Ex- Bonhams. Sale13576, Lot 439.

      [Bookseller: Adrian Harrington Rare Books]
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        THE LAST ANALYSIS. HOLOGRAPH MANUSCRIPT OF SAUL BELLOW'S ONLY PLAY

      - An undated early holograph version of Saul Bellow's only full-length play contained in a ledger-type notebook (8-1/4" x 11-3/8") with marbled paper boards and a black cloth spine. Bellow has subtitled this as "A Work in Progress." Acts I and II of this version are complete in 71 pages with 4 pages of preliminary material for an Act III, all handwritten by Bellow. The 1964 staged version was reduced to two acts. Bellow appears to have written out Acts I & II as a fair copy from previous versions and notes in preparation for completing the play with a new Act III. There are relatively few insertions and corrections in his text of the first two acts which take up about 75% of the notebook. The third act consists mostly of blank pages with 3 pages of rough notes and key speeches including what seem to be the climactic lines of his main character, the comedian Bummidge, who has been undergoing an obsessive self-analysis in the previous acts: "The world was never real for me. But now I see it's more real than I was. I never admitted that it existed. It always knew I was here (he goes around picking up objects & kissing them because they're real). Now what is the theory. Not Momma's womb but my own empty heart?" Laid in to the notebook is a SIGNED typed 12-page fragment of an earlier version of the play, with Bellow's original title, THE CRASH PROGRAM, crossed out in ink and his new title, THE LAST ANALYSIS, written over it. Bellow manuscripts of this size and importance are seldom offered with most already housed in institutional collections. Near Fine and quite exceptional [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Charles Agvent, est. 1987, ABAA, ILAB]
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        THE REST OF THE ROBOTS

      Garden City: Doubleday & Company, Inc.,. 1964. Octavo,. cloth.. A fine copy in fine dust jacket (the correct first printing jacket. with $5.95 price printed at top right corner of front flap) with a. small closed tear at the lower rear spine fold. A sharp, clean,. bright example of a jacket rarely found in superior condition.. (#129313). First edition. Collects eight robot stories not in I, ROBOT (1950) and reprints his two early robot novels, THE CAVES OF STEEL (1954) and THE NAKED SUN (1957). See Anatomy of Wonder (2004) II-49.

      [Bookseller: L. W. Currey, Inc.]
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        John Emery

      New York: Privately Printed. 1964. First. First edition. A couple of very faint tape shadows on the pastedowns, slight rubbing to boards still a very near fine copy in leather and papercovered boards as issued. One of only 200 copies. The text of two eulogies delivered at private services for the deceased actor. One of the scarcest Steinbeck items. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        An Extract from A Moveable Feast

      London: Jonathan Cape. (1964). First. Advance excerpt, preceding all other issues (English and American). Large octavo consisting of mimeographed sheets printed rectos only, stapled into printed card covers. Printed letter from Cape's publicity director laid in with order form. Vignettes inspired by the author's profound nostalgia for the halcyon days of his early career. This excerpt prints Chapter One, and Chapter Seventeen, about F. Scott Fitzgerald. Rare. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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        The History of Pickens County, Alabama 1540-1920

      Carrollton, AL: Clanahan Publication. (1964). First. First edition. 422pp. Fine in a modestly soiled, very good or better dustwrapper with a couple of light stains and a small, shallow chip at the crown. An exhaustive history of an Alabama county, this copy is Inscribed by Harper Lee to a friend: "To Roberta: Hope you enjoy this as much as I did. Love, Nell." Lee's love of Alabama history is well-known, and she has written at least one essay to that effect of which we are aware. Bought by us in the depths of Alabama during a recent buying trip. A very interesting book. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
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