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Displayed below are some selected recent viaLibri matches for books published in 1964

        De gradu horoscopante in quo signum horoscopi quocumque tempore, cum horae domino, nec non ortus & occasus solis, lunae, ac stellarum fixarum, & inerrantium, simul cum mediatione coeli demonstrantur sub poli altitudine G. 49. quae deservire possit G. 48 & 50.Paris, D. Horthemels 1690. 8°. 30 Bll., 366 S., mit Holzschn.-Druckermarke am Titel, gest. Frontispiz, gest. Textvignette v. L. Boudan u. 24 (ganzs.) Textkupferstichen, Hldr. d. 19. Jhdts. mit verg. Rtitel.

      - Houzeau-L. 1964 - La Lande 1970.- Sehr selten (nur 4 Exemplare im WoldCat nachweisbar).- Erste Ausgabe.- Innendeckel mit Exlibris, leicht gebräunt, Gelenke angeplatzt, Ebd. etwas berieben.# Very rare (we could only trace 4 copies in WorldCat). [Attributes: First Edition]

      [Bookseller: Antiquariat Müller]
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        THE MILK TRAIN DOESN'T STOP HERE ANYMORE

      (Norfolk, CT):: New Directions,. 1964.. First edition, second state with pp.19-22 tipped in and scene two starting on p.21. SIGNED by Williams on the title page. In his 1963 review of the original version of the play, Howard Taubman notes: A terrified comic ferocity courses through Milk Train but the play generates little pity. By the standards of other lesser playwrights this is impressive work. By Mr. Williams's criteria it is disappointing because its resolution is hard to credit. The play was completely rewritten for the version appearing herein but after again receiving poor notices, ran for only 5 performances. Touch of rubbing to spine ends, otherwise fine in like dust jacket with only light creasing and tiny nick to top front corner. .

      [Bookseller: Quill & Brush]
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        Pine Log and Greek Revival: Houses and People of Three Counties in Georgia and Alabama

      Alexander City, AL: Outlook Publishing Company, 1964. Hardcover. Near Fine/Near Fine. 2nd printing, December 1964; touch of shelf wear at bottom of spine, dust jacket with 1/2" tear at bottom of front panel, clean and bright with no foxing: the nicest copy we have handled. Pine Log and Greek Revival is an architectural, historical and genealogical survey of existing pioneer, antebellum and postbellum houses in the three county area around West Point, Georgia: Troup County and Harris County, Georgia and Chambers County, Alabama. Profusely illustrated with black and white photographs, a few measured drawings, and a fold-out map. Extensive indexes of both houses and people.

      [Bookseller: Newbury Books]
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        THE LE CARRE OMNIBUS. COMPRISING CALL FOR THE DEAD AND A MURDER OF QUALITY.

      London: Gollancz, 1964. - First edition thus. Fine, bright copy in dust jacket, with minor wear to the spine ends. This is the author's fourth book which is a reissuing of his first two books, neither of which had sold very well in their original first editions. However with the success of this third novel The Spy Who Came In From The Cold, the publisher wanted to capitalize on the huge success and issued this omnibus edition. Not nearly as scarce as either Call For The Dead or A Murder Of Quality, but quite an uncommon book. [Attributes: First Edition; Hard Cover]

      [Bookseller: BUCKINGHAM BOOKS, ABAA, ILAB]
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        Masch. Brief mit eigenh. Unterschrift.

      Paris, 9. IX. 1964 - 4to. 1 Seite. Gelocht. An die Galeristin Dorothea Löhr in Frankfurt am Main, die eine Ausstellung mit Radierungen von Celans Frau Gisèle Celan-Lestrange veranstaltet hatte: „[.] Nach Ihrem Brief vom 27.7., für den wir Ihnen bestens danken, hatten wir, zumal nach dem Zuendegehen der Ausstellung Mitte August, auf weitere Nachrichten bzw. nähere Einzelheiten auch hinsichtlich des Verkaufs gehofft. Leider ist eine solche Nachricht bis heute ausgeblieben [.] und so möchte ich Sie heute ersuchen, uns postwendend Bescheid zu geben, sowohl über den Verlauf der Ausstellung, d. h. über etwaige Verkäufe, als auch über den Zeitpunkt, zu dem wir die Ihnen überlassenen Radierungen zurückerwarten können [.]" - Am Kopf mit Eingangsvermerk. - Beiliegend ein Durchschlag des Antwortbriefes.

      [Bookseller: Kotte Autographs GmbH]
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        De originele verhalen. Grote collectie handschriften en typoscripten van Nederlands beste verhalenschrijver.

      I. 'Oude verhalen'. Zwarte ordner ('Leitz A 55') met 325 geperforeerde bladen (doorslag van) typoscript en drukproef. Diverse formaten. Deels geniet. Alleen recto. 1964-1971. Met ruim tweehonderd handgeschreven aanvullingen, doorhalingen en correcties van de auteur. Enkele scheurtjes, vouwen en vlekken. II. Cahier ('SVH 210076') met 290 beschreven bladen. 33,5 x 21,5 cm. Recto en verso. 1978-1981. Met een ontelbaar aantal handgeschreven aanvullingen, doorhalingen en correcties van de auteur. Met twee ingeplakte bladen typoscript. III. 'Guinness is good for you'. Cahier ('Atlanta A 1044-17') met 355 beschreven bladen. 34,0 x 22,0 cm. Recto en verso. 1984-1992. Met een ontelbaar aantal handgeschreven aanvullingen, doorhalingen en correcties van de auteur. Met een ingeplakt blad typoscript.* Dit authentieke materiaal biedt een unieke kans om het schrijverschap van L.H. Wiener minutieus - bijna: van binnenuit - te beleven en te onderzoeken. Vraag naar de speciale, rijk geïllustreerde aanbiedingsfolder van deze collectie!.

      [Bookseller: Antiquariaat Fokas HOLTHUIS]
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        Signed Limited Editions of Gen Douglas MacArthur's autobiography, one signed by the General, the other by his wife

      n.p., n.d.. 8vo.. "(1) Book Signed ""Douglas MacArthur"" on the limitation page of Reminiscences by General of the Army Douglas MacArthur, 438p, 6.5"" x 9.25"". Illustrated. In original slipcase. No dust jacket. Minor flaws on boards and slipcase. Fine condition.Reminiscences was published by McGraw-Hill on September 28, 1964. The Preface to this autobiography by MacArthur is dated March 1964. Gen. MacArthur died on April 5, 1964. Inserted after the half title is the limitation page, signed in ink by MacArthur, and bound into the volume. Noted on this page: ""This is number 1290 of a Special Limited Edition of 1750 autographed copies.""(2) Book Signed ""Jean MacArthur"" on the Limitation Page of Reminiscences by General of the Army Douglas MacArthur, 438p, 6.5"" x 9.25"". Illustrated. In original slipcase. No dust jacket. Minor flaws on boards and slipcase. Fine condition.Published by McGraw-Hill in 1964. Noted on the limitation page: ""This is Number A19 of 1000 copies. Autographed by Jean MacArthur with a facsimile signature by Douglas MacArthur. MacArthur Memorial Foundation Edition, Norfolk, Virginia."" Affixed to the page opposite the signed page is the 6¢ Douglas MacArthur commemorative stamp postmarked Norfolk, VA, January 26, 1971 First Day of Issue."

      [Bookseller: University Archives]
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        DEDANS [I]

      1964. Color intaglio. 15 1/4?" x 13?" 3/4 plate size, 20?" x 18?" ap- prox. overall. One of 40 num- bered copies, this #13. SIGNED and dated by Downey to lower right corner. About very good with a bit of sunning and some foxing overall. Very faint damping to lower edge not ef- fecting image. Early etching from Chil- ean video artist Juan Downey (1940-1993), from a group of similarly styled and executed multiples the artist completed before his 1965 trip to Washington DC for his first solo U.S. show. An apparently identical print resides at the Smithsonian, but bears the title "Dedans II."

      [Bookseller: Brian Cassidy, Bookseller]
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        GROPE - Vol. One No. One (Jan. 1964) [and] Vol Two No. One [with] THE BLOWN MIND

      New York: Tibor de Nagy Editions / Sherwood Publishers / New York Express, 1964-1966. First Edition. Wraps. Very good. 4to. illustrated stapled wraps all. Mild handling wear, trace soiling. Each sound, clean. THE BLOWN MIND numbered (this #25) and SIGNED by both Yampolsky and Fleming to interior of front cover. Very good. Complete run of these scarce but related publications, produced by Forakis, Yampolsky, and / or Fleming (all artists better known for other media) under various imprints. In the first issue of GROPE, each contributes one work or “story” utilizing the conventions of the comic (panels, word balloons, etc.), but all non-narrative and veer- ing towards the completely abstract, psychedelic and/or nonsensical. GROPE No. 2 is authored by Forakis alone, while THE BLOWN MIND is a collaboration between Yampolsky and Fleming. The methods, however, remain the same, and the motifs and styles of each work clearly pre- figure the work of later underground comic artists. These works are therefore among the earliest weÂ’ve seen to exhibit a non-commercial, “underground” aesthetic (albeit mixed with a fine art influence). Indeed, the publication of Issue No. 1 of GROPE predates by at least several months what is generally considered the first underground comic: Jack JacksonÂ’s GOD NOSE (which though printed the same year was clearly published sometime after January). And though none of these issues quite demonstrates the over-the-top subversive quali- ty one typically associates with the underground, all three clearly exhibit a prescient style that would soon come to fuller fruition in R. Crumb and others. Rare as a set. While weÂ’ve had a few issues of Grope #1, this is the first time weÂ’ve encountered either of the two later issues.

      [Bookseller: Brian Cassidy, Bookseller]
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        Haarremu No Aki [A Harlem Autumn]

      Tokyo: Tokyo Broadcasting System, 1964. Near fine overall.. First Edition. Quarto. Large spiral-bound photographic album. Collection of 80 mounted black and white photographs, taken by members of the Tokyo Broadcasting System during production of a documentary about Harlem for a Japanese television program. The crew based their narrative on a family in Harlem, and followed the family's friends and associates for a period of 52 days. The photographs document a wide range of social interaction: intimate moments with the family, boxing matches, Halloween parades, street scenes, and even drug use. Taken together, the photographs provide a complex and unsentimental portrait of Harlem's successes and failures, as well as an incredible snapshot of early 1960s New York City. The album concludes with 16 photographs of the crew in Hawaii, perhaps on their return journey. In addition, an additional photograph and small archive of Japanese language postcards and letters are laid in, the letters showing a return address to 41 W 86th Street, NYC.

      [Bookseller: Harper's Books, Inc.]
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        The Defense of Gracchus Babeuf Before the High Court of Vendome

      Northampton: published by Leonard Baskin at the Gehenna Press, 1964. One of 50 special numbered copies with an extra suite of etchings on large white Rives paper, signed, titled and numbered by the artist. 21 etchings by Thomas Cornell on blue Fabriano paper plus the extra suite, all signed except the frontispiece, as issued. Designed by Leonard Baskin. Loose in a full leather chemise and laid into a leather and cloth tray case with the extra etchings in a cloth portfolio. Spine of box a little worn, otherwise very good. Babeuf led the so called "Conspiracy of Equals" against the French Directory in post-Revolutionary France, for which he was executed in 1796. He is now seen as the first communist.

      [Bookseller: SOPHIE SCHNEIDEMAN RARE BOOKS]
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        [Photograph of Jackie Kennedy and John Jr. in Palm Beach, 1963]

      New York: Mark Shaw, (1964). Very good. Original vintage double-weight black and white photograph. Paper size 14" x 11" with an image area of approximately 10.5" square. Mild handling wear. Small stain to upper left of image. Layout mark to margin. With photographer's stamp, dated 1964, to verso. Very good. A wonderfully candid image of Jackie Kennedy and son, John Jr., on vacation in Palm Beach, FL -- the trip on which she announced her pregnancy with their third child, who died just after birth. Printed by the photographer, Mark Shaw, in 1964. Shaw extensively photo- graphed the Kennedys and was their preferred photographer. He went on to be a close family friend - a fact belied by this image's inti- macy. This photo appeared in Shaw's book THE JOHN F. KENNEDYS, pub- lished shortly after John's death in 1963.

      [Bookseller: Brian Cassidy, Bookseller]
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        Delights and Prejudices.

      Atheneum, New York 1964 - First edition. Octavo, original half cloth. Signed by the author on the half title page, "Good eating James Beard." Fine in a very good dust jacket with light wear to the spine tips. In this culinary journey, James Beard takes us back to the earliest days of his childhood when he started developing his precocious palate and lifelong "taste memories"--the ability to savor and remember the tastes and sensations of food. His enthusiasm for flavors, no matter how bold, would define Beard for the rest of his life. From devouring a raw onion as an infant to scouring the globe in search of local flavors as an adult, Delights and Prejudices is full of witty and illuminating stories that open a door into the world of one of America's first and perhaps greatest epicures. Packed with more than one hundred fifty recipes, including corn chili souffl?, fried oysters, and peach preserves, this very personal account of his life is as close to an autobiography as Beard ever penned. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Raptis Rare Books, ABAA/ ILAB]
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        THE SONNETS

      [New York]: Lorenz & Ellen Gude, 1964. First edition. Wraps. Very Good. Side-stapled 4to. mimeo. Cover by Joe Brainard; offset duplicated. Very good with the usual toning, mild edgewear. Some scuffing to covers. Soil here and there. Final leaf loose at two staples, but holding. Lacking rear cover and terminal blank (as in many copies and given specific provenance of this item - see below - we suspect many were issued this way). [66] leaves mimeographed rectos only. PROVENANCE: Izzy Young's copy, with his contemporary ownership inscription to last page: "Israel G. Young, December 1964, from Ed Sanders." Young was a central figure throughout the 1960s NYC music and literary scenes. He founded the Folklore Center, produced Dylan's first concert in 1961 (Dylan even wrote a song for/about him, "Talking Folklore Center"), and was close to Sanders, helping to print several titles from from his Fuck You Press on the mimeo machine at the Center. Edited by Ron Padgett (who also typed the stencils), this remains the definitive statement of the Second Generation of the New York School as well as Berrigan's most influential, popular, and lasting work - a measure of which can be seen in the fact that it is the only major American collection of the last fifty years to go through four sepa- rate editions, each at different publishers. From an edition of "300 plus an unspecified number of unnumbered copies" (Fischer p. 24), this is from the unnumbered series, estimated (by Berrigan himself; again see Fischer) to be about 100.

      [Bookseller: Brian Cassidy, Bookseller]
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        Charlie and the Chocolate Factory

      Alfred A. Knopf, 1964. Hardcover. Very Good/Very Good. Alfred A. Knopf, New York 1964. First Edition / First Printing / First Issue. Dated 1964 with no additional printings. Six lines of text at the colophon. No ISBN at rear panel. Red cloth boards. Book Condition: Very Good, tight spine, clean boards. Name at the endpaper, light stain at the bottom corner of many pages. Light age toning, stain at the gutter of the first ten pages. Dust Jacket Condition: Very Good, price clipped, shelf wear, chipping. Short tear, tape at the verso of the jacket spine. Wrapped in a new mylar cover.

      [Bookseller: 1st Editions and Antiquarian Books, ABA,]
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        Zeitschrift für die Buchillustration. 111 Hefte und 3 Gesamtregister 1963-1993 (zusammen 114 Hefte),

      - - Frische Exemplare/ Vorhanden: 1. Jahrgang 1964, Hefte 3 u. 4, 1965 , Heft 2 aus 1966, 1967 bis 2003 komplett / Gesetzt in Janson-Antiqua der Firma Stempel AG, Frankfurt/M., Burga-Bütten-Papier der Büttenpapierfabrik Hahnemühle, Dassel. Nummerierte Exemplare in einer Auflage von 700 Stück erschienen - Gewicht in Gramm: 40500 Edition Curt Visl, Memmingen, 1964-2003. Zusammen ca. 4000 Seiten mit zahlreichen Illustratitionen u. ca. 440 signierten original Graphiken als Beilagen, einheitlich kartoniert in 13 eigens gefertigen Leinenkassetten, quart, (1 Heft gering fleckig/ 1 Beilage fehlt) [Attributes: Soft Cover]

      [Bookseller: Celler Versandantiquariat]
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        Andreas Vesalius.

      Etienne-Denis Braillard,, Geneve, 1964 - In-folio imperiale (cm. 42), elegante legatura in vitello su assi di legno con impressioni in oro al piatto anteriore e al dorso, risguardi decorati, custodia; carte in seppia e in barbe delle cartiere Pietro Miliani-Fabriano (filigrana e vergelle tipiche del XVIII secolo realizzate appositamente per questa stampa), fregi e illustrazioni, oltre alle splendide tavole illustrative del Vesalio incise da Orell Fuessli, Arts Graphiques S.A. di Zurigo e protette da velina. Il testo è composto su caratteri tipografici Bembo dalla Typographie genevoise. Edizione di lusso in 215 esemplari (il ns.114). «With contribution by Marc-Auguste Borgeaud on Thomas Geminus and a bibliography of the editions of the XVIth century, by Pierre Rentchnik placing the works of Vesalius in his period, by Jacques Roger on the anatomical plates of the human body ordered by Henry VIII king of England, by Jean-Aimé Baumann on the anatomical modifications of Geminus in connection with the 1543 edition, by Etienne-Denis Braillard on the technical aspects of the illustration, by Roger Joris with a notice biographique & éditions du XVIe siècle, and by Gary Hampton with an English translation of the various texts» [Biesbrouck. Vesalius Bibliography n.42]. In perfetto stato di conservazione.

      [Bookseller: Gabriele Maspero Libri Antichi]
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        Autograph Letter Signed [ALS] mentioning In Cold Blood

      New York: np. First edition. Very Good. Outstanding autograph letter by Capote to his friend William Gray, proudly announcing that his masterpiece, In Cold Blood is nearing completion. Written on Capote's letterhead with his name embossed in all caps on the upper left margin, the letter reads: Dear Mr. Gray - Bless you for writing me such a kind letter! I greatly appreciate your interest and tender concern. The fact is, I have been working, and working steadily and single-mindedly, on a new book for the past five, almost six years. Now it is almost finished. The title is: 'In Cold Blood'; it is quite a long book (for me), and I think it is good-and I hope you will too. Again, thank you. I am a most fortunate writer to have a reader-friend like you. [signed] T. Capote 12 November 1964 Capote worked for nearly seven years on his masterpiece, In Cold Blood. "So immense was the stress of the editorial undertaking... that Capote became addicted to tranquilizers and developed an emotional attachment to the criminals, whose deaths by hanging he witnessed at the Kansas state penitentiary" (American National Biography). In Cold Blood first appeared as a four-part serial in The New Yorker beginning with the September 25, 1965 issue (approximately 10 months after this letter was written). The recipient, William S. Gray, was a professor of literature and active member of the American literary circles of the 1950s and 60s. In the 1950's, Gray was introduced to Truman Capote by Tennessee Williams and the two developed a close friendship. (Gray was one of the invitees to Capote's celebrated Black and White Ball in 1966, the so-called "Party of the Century".) One leaf (7x10 inches), both sides, on Capote's personal letterhead. Original folds, a few spots of soiling. With original envelope addressed in Capote's own hand and an (unsigned) later publicity photo of Capote. Letters by Capote explicitly mentioning In Cold Blood are very rare.

      [Bookseller: The Manhattan Rare Book Company]
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        With Shuddering Fall

      The Vanguard Press, Inc. 1964 - An excellent copy of the author's first novel which closely followed on the heels of her 1963 debut collection of short stories. This is a signed copy and in highly-collectible condition. Book is in VG condition. Spine is straight, light rolling to heel and base of spine, no dog ears or tears. Only marking is "300" to the white FEP. Decorative stain to top of text block. There is a perpendicular shallow groove along the top of the text block that does not adversely impact the book(see photo). Light separation of text block at top of spine. First Edition, First Printing. Vanguard. 1964. DJ is in VG condition and is mylar-encased. Rubbing present to the top and base of spine, as well as along the folds and intermittently at points on the fold of spine. Light chipping at top and base of spine and light chipping to the front DJ corners. 1/3" closed tear to the upper rear DJ near spine and a 1/8" tear near the upper end of rear DJ. A couple of tiny wrinkles at the top of the interior rear flap and small bend and chip to the top of the interior front flap. $4.95 issue price is present. As always, I meticulously describe the book's condition to ensure that there are no surprises for the buyer. This is an excellent copy for your collection. The book was flat-signed to the title page by the author while at The Tucson Festival Of Books in March, 2015. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Bound By Books]
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        Sometimes a Great Notion

      Viking, New York 1964 - A very fine copy in mylar-protected, price-clipped dj; very slight edge wear, and some small rubs to the spine of the dj; book is clean, tight and square, but page edges show poor quality of paper used. Author's signature exhibits Kesey's characteristic technicolor signing mannerism. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Greensprings Books]
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        Charlie and the Chocolate Factory

      New York: Alfred A. Knopf,, 1964. Illustrated by Joseph Schindelman. Octavo. Original dark red cloth, titles to spine gilt, to front board in blind, dark brown top edge, yellow endpapers. With the dust jacket. Frontispiece and illustrations throughout. Cloth a touch soiled, light foxing to edges, prelims, and endmatter. An excellent copy in a lightly toned and soiled jacket with slightly creased and nicked extremities, and a few closed tears and small chips repaired with archival tape to verso. First edition, first printing, with the six-line colophon on the final page which was cut to five in subsequent printings. The book was not published in Britain until 1967.

      [Bookseller: Peter Harrington]
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        THE PAPER SNAKE

      (New York): (Something Else Press), (1964). First Edition. Hardcover. Near fine/very good. Oblong 4to. In original illustrated dust jacket. INSCRIBED by Johnson to friend and art critic Suzi Gablik with a small drawing of an arrow piercing a heart that has the word “Love” written inside. Jacket tanned with a small chip to the top of the front panel. Boards a bit bowed. Else near fine. Gablik, a friend of Johnson’s since their days together at Black Mountain College, was largely responsible for first exposing Johnson's work to a wider audience. In the autumn of 1955, she brought Elisabeth Novick to photograph the installation of dozens of Johnson's moticos, photographs that appeared in the inaugural issue of THE VILLAGE VOICE that October. In Gablik's seminal book POP ART REDEFINED (1969), she recalled that event: “The random arrangement [...] on a dilapidated cellar door in Lower Manhattan may even have been the first informal Happening.” Gablik continued to champion Johnson's work throughout her career and they remained close until the artist's untimely death in 1995. The only inscribed Johnson we’ve ever seen and a major association. [Frank p. 8].

      [Bookseller: Brian Cassidy, Bookseller ]
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        You Only Live Twice

      London: Jonathan Cape. 1964 [actually issued late 1963]., 1964. An UNCORRECTED PROOF copy of the first edition. In printed green wrappers and the pictorial dust-jacket, stamped 'Proof Only' etc. on the inside front flap, with minor variations to the blurb on the rear flap over the published version. A fine copy of the book; oversize jacket has some expected wear to the unsupported area along the top edge, some rubbing at joints, crease to upper panel, colour remains fresh. An attractive copy, preserved in an elegant quarter leather clamshell box. One of 500 copies. The proof copy features numerous typographical (rather than textual) mistakes which were corrected in the published book, notably the preface is missing, the verso of the half title has the erroneous title 'On Her Mjsty's Scrt Srvic[]' listed, the copyright page omits both the publisher's address and the papermaker and binder's credit, the contents page does not have italicised sub-titles to pts.I and II , the chapter 'Magic 44' appears in square caps, the 'author's note' leaf is an extra, and the final leaf is numbered 256. There are numerous punctuation and typeset differences unworthy of specifying here. The last title in what has become known as the 'Blofeld' trilogy. Gilbert A12a.

      [Bookseller: Adrian Harrington Rare Books]
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        CHARLIE AND THE CHOCOLATE FACTORY - SIGNED

      Alfred A. Knopf, New York 1964 - Second Issue, with 5 lines of text beneath the author's bio on the colophon. Octavo; full brick red cloth, with titles stamped in gilt on spine and blindstamped to front cover; brown topstain; mustard-colored endpapers; dustjacket; 162, [2]pp; illus. Signed by Dahl on the front endpaper. Mild wear to upper corner of front joint; upper right corners gently tapped (though still sharp); Near Fine. First Issue dustjacket ($3.95 price, with no ISBN printed on rear panel) is unclipped, with light wear to front panel and a small chip at crown; bright, Very Good+ example. Attractive signed copy of Dahl's beloved children's classic, basis for Mel Stuart's 1971 adaptation, and the more recent film directed by Tim Burton (2005). Provenance: From the collection of noted Texas bibliophile John Hugh Muir (1946-2014). [Attributes: First Edition]

      [Bookseller: Captain Ahab's Rare Books]
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        [Photograph of John, Jackie and Caroline Kennedy at Their Georgetown Home in 1959]

      New York: Mark Shaw, (1964). Very good. Original vintage double-weight black and white photograph. Measuring approximately 12.5" x 9". Mild handling, edge wear. Small red stain and bit of attendant loss to right side of image. With photographer's stamp, dated 1964, to verso. Very good. A charming image capturing John, Jackie, and a two-year old Caroline Kennedy at breakfast on the patio in the garden of their Georgetown home in 1959. With the studio stamp of personal Kennedy photogra- pher, Mark Shaw to verso. Shaw's unobtrusive style endeared him to the Kennedys, allowing him to capture the family's warmest and most unguarded moments - including this uncommon view of their home life. Shaw died suddenly at the age of 47 in 1969, thus Kennedy prints bear- ing his studio stamp are scarce.

      [Bookseller: Brian Cassidy, Bookseller]
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        THE PAPER SNAKE

      (New York): (Something Else Press), (1964). First Edition. Hardcover. Near fine/very good. Oblong 4to. In original illustrated dust jacket. INSCRIBED by Johnson to friend and art critic Suzi Gablik with a small drawing of an arrow piercing a heart that has the word “Love” written inside. Jacket tanned with a small chip to the top of the front panel. Boards a bit bowed. Else near fine. Gablik, a friend of JohnsonÂ’s since their days together at Black Mountain College, was largely responsible for first exposing Johnson's work to a wider audience. In the autumn of 1955, she brought Elisabeth Novick to photograph the installation of dozens of Johnson's moticos, photographs that appeared in the inaugural issue of THE VILLAGE VOICE that October. In Gablik's seminal book POP ART REDEFINED (1969), she recalled that event: “The random arrangement [...] on a dilapidated cellar door in Lower Manhattan may even have been the first informal Happening.” Gablik continued to champion Johnson's work throughout her career and they remained close until the artist's untimely death in 1995. The only inscribed Johnson weÂ’ve ever seen and a major association. [Frank p. 8].

      [Bookseller: Brian Cassidy, Bookseller]
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        WERKE [in sieben Bänden], herausgegeben von Wilhelm Emrich und Anita Holz: I. PHANTASUS 1., 2; II. PHANTASUS 3; III. PHANTASUS 4; IV. SOZIALARISTOKRATEN / SONNENFINSTERNIS / IGNORABIMUS; V. DAS BUCH DER ZEIT / DAFNIS / KUNSTTHEORETISCHE SCHRIFTEN; VI. DIE BLECHSCHMIEDE 1; VII. DIE BLECHSCHMIEDE 2. -alle 7 Bände, komplett.

      Neuwied, Luchterhand, 1961-, 1964 - ca. 24 x 17 cm). ohne Schutzumschläge * mit einem "Manuscript für die letzte "Phantasus" Ausgabe beim Verlag I.H.W. Dietz, Berlin 1924. Die Druckzeilendawischen stammen aus der ersten Phantasus-Ausgabe im Insel Verlag 1916. Bisdahin hatten die einzelnen Gedichte keinen Titel. Für die letzte neudurchformte Fassung, die er kurz vor seinem Tode 1929 schuf versah er die Gedichte mit Überschriften" signiert von Anita Holz (2. Ehefrau von Arno Holz) Manuscript (Duckzeilen aus Phantasus 1898/99. Die erste Lerche) aus gedruckten und handschriftlichen Papierstreifen geklebt Sprache: Deutsch Gewicht in Gramm: 5500 [Attributes: Signed Copy]

      [Bookseller: Antiquariat-Fischer - Preise inkl. MWST]
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        AUTOMATIC PILOT

      New York: Fuck You Press, 1964. First Edition. 4to. Side-stapled pictorial wraps. pp. [ii], [1], 2-37, plus covers. Cover printed offset, the remainder mimeographed rectos only (except rear cover printed verso). Very good plus. Mild wear and soil. Faint crease to last quarter or so of leaves. Else clean and sound. PROVENANCE: Izzy Young's copy, with his contemporary ownership inscription to last page: "Israel G. Young, December 2, 1964, from Ed Sanders, printed on my mimeograph." Young was a central figure throughout the 1960s NYC music and literary scenes. He founded the Folklore Center, produced Dylan's first concert in 1961 (Dylan even wrote a song for/about him, "Talking Folklore Center"), and was close to Sanders, helping to print several titles from from his Fuck You Press on the mimeo machine at the Center, this title included. An excellent association and a superior example of this uncommon Fuck You Press title, published in association with City Light Books. Hard to imagine a better copy. [FUG YOU pp. 12-13]. [Clay and Phillips pp. 166-68].

      [Bookseller: Brian Cassidy, Bookseller]
 28.   Check availability:     Biblio     Link/Print  


        Physiologus Theobaldi Episcopi De Naturis Duodecim Animaliu or Bishop Theobold's Bestiary of Twelve Animals

      Bloomington: Indiana University Press, 1964. Latin text with an English translation by Willis Barnstone. 10 woodcuts printed in one colour and 12 lithographs by Rudy Pozzatti. No.173 of 325 copies signed by the artist. Text hand set in Emerson type and printed at the Spiral Press in New York on Rives paper. Large folio, issued in the original clamshell box. with gilt lettering and a label with an original woodcut. A very good copy. The spectacular lithographs, 10 of which are huge double page size (20 x 28 inches) were pulled at Il Torcoliere in Rome. Rudy Pozzatti is a noted American artist. At the time this was published he was Professor of Fine Arts and a famous young printmaker.

      [Bookseller: SOPHIE SCHNEIDEMAN RARE BOOKS]
 29.   Check availability:     Biblio     Link/Print  


        Funeral In Berlin.

      Hodder & Stoughton, London 1964 - First British edition. Octavo original cloth. Inscribed and dated by Len Deighton on the title page. Near fine in a near fine dust jacket that shows light wear. "A ferociously cool fable, even better than The Spy Who Came In From the Cold" (New York Times). [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Raptis Rare Books, ABAA/ ILAB]
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        Goya. Picasso. Zabaleta

      Madrid, Aguilar, 1964. 4to.; 184 pp., y 26 láminas aparte. Encuadernación original en tela estampada, con sobrecubiertas.

      [Bookseller: Hesperia Libros]
 31.   Check availability:     Biblio     Link/Print  


        NOTHING PERSONAL

      New York, Atheneum Publishers, 1964.. FIRST EDITION 1964, WITH SIGNED POSTCARD BY AVEDON, approximately 365 x 265 mm, 14½ x 10½ inches, 64 black and white photographs, 2 fold out pages, some double page images, 92 pages in total, in the original publisher's glossy white boards with black lettering on silver panels to upper and lower cover and black lettering to spine, slipcase with same design. Spine just very slightly darkened, slight bump and small chip to surface at head of spine, small split to surface paper at tail of lower hinge, neatly glued down, neat inscription dated 1965 on front endpaper. Slipcase slightly worn along the edges, slightly rubbed on silver panels and with a few light scratches to the sides. A very good copy in a good slipcase. Laid in the book is an original photo postcard by Avedon, of his famous photograph "Dovima with Elephants". SIGNED in ink by him on the back. The image of the card has a few tiny white flaws to surface. MORE IMAGES ATTACHED TO THIS LISTING, ALL ZOOMABLE, FURTHER IMAGES ON REQUEST. POSTAGE AT COST.

      [Bookseller: Roger Middleton]
 32.   Check availability:     Biblio     Link/Print  


        Funny Girl

      New York: Random House,, 1964. A New Musical. From an original story. Music by Jule Styne. Lyrics by Bob Merrill. Octavo. Original black cloth backed terracotta boards, titles to spine gilt, top edge dyed blue. With the dust jacket. An excellent copy. First musical theatre edition, first impression. The Broadway production of Funny Girl opened to great acclaim in March 1964 with Barbra Streisand in the lead role. This edition includes illustrations from photographs of this production.

      [Bookseller: Peter Harrington]
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        Derrière Le Miroir N° 144-145-146 Hommage à Georges Braque.

      Maeght 1964 - 4 Lithographies originales en couleurs de Miro, Tal-Coat, Ubac et Pallut. 1 lithographie originale en noir de Picasso ( M 1847). Nombreuses reproductions, portraits photographiques de Braque par Man Ray, Brassai, Routhier et Mariette Lachaud. Textes de Saint-John Perse, René Char, Alberto Giacometti, Francis Ponge, Jean Paulhan, Jacques Prévert, D.H. Kahnweiler, Marc Chagall. Contains 6 original lithographs, one each, by Picasso (b&w; Cr. 124; Bloch 1847), Miró (color; Cramer 87), Tal-Coat (color), Ubac (color), Pallut (color) and Braque (wrappers in colors) + many lithographic and photogravure plates by numerous artists, including Chagall, Man Ray, Giacometti, Chillida and Brassaï. Text contributors include a star cast of R. Char, F. Ponge, J. Prévert, C. Zervos, S. Kahnweiler, M. Jouhandeau, J. Prévert, D. Cooper, J. Dupin and J. Leymarie. Couverture jaunie, accroc au bas du dos, petites taches sur le dernier plat, papier marqué dans un coin inférieur. [Attributes: Soft Cover]

      [Bookseller: La Basse Fontaine]
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        Scherben.

      Verlag der Galerie Der Spiegel, o. A. (1. Aufl.), Köln 1964 - Pappe. Helle Papp-Kassette mit 6 originalen Holzschnitten von Grieshaber (eines der Motive goldglänzend auf dem Schutzumschlag wiederholt) zu philosophisch-sprachkundlich-poetischen Texten des Kölner Schriftstellers Fabri auf 30 unpaginierten Blättern (losen Bögen aus schwerem schwarzem Orion-Karton), bräunlich glänzend gedruckt. Die Gesamtauflage umfasste 250 Exemplare, von denen die Nummern 1 - 100 als Schenkung Grieshabers an die Documenta-Stiftung bestimmt waren und dort zum Verkauf angeboten wurden. Das vorliegende Exemplar trägt die Nummer 32 und ist von Grieshaber signiert. Das Bild zum Angebot (aus zwei Fotografien zusammengesetzt) zeigt den Kassettendeckel sowie den illustrierten Schutzumschlag. Die Kassette ist etwas nachgedunkelt, angestaubt und an den Rückenkanten leicht angeplatzt, die Bögen mit den Texten und Holzschnitten sind neuwertig erhalten. unpaginiert Folio Gewicht: 1010 g

      [Bookseller: Tills Bücherwege (U. Saile-Haedicke)]
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        Charlie and the Chocolate Factory

      New York: Alfred A. Knopf,, 1964. Octavo. Original blue cloth, device to upper board in blind, titles to spine gilt, top edge stained puce, mustard endpapers. With the dust jacket. Illustrated by Joseph Schindelman. Child's crayon ownership inscription to front pastedown partially erased, some erasure to a few leaves and some marks to several others, boards very lightly marked but a very good copy in the rubbed jacket with closed tears to both panels, nicks at the corners, chips from the ends of the spine panel, and a piece of tape over the title on the front flap. First edition, first printing with the six line colophon on the last page. This was cut to five in all subsequent printings. A very uncommon variant of the first issue bound in blue cloth as opposed to the usual red. This US edition precedes the English by three years.

      [Bookseller: Peter Harrington]
 36.   Check availability:     Biblio     Link/Print  


        Americans on Everest. The official account of the ascent led by Norman G. Dyhrenfurth.

      Philadelphia, J.B. Lippincott Company, 1964.. 24 cm x 16 cm. XXI, 429 pages. Original Hardcover with dustjacket. With several black-and-white pictures. Very good condition with only minor signs of external wear. Jacket slightly torn. In protective mylar. Signed and inscribed by 4 members of the expedition.. James Ramsey Ullman (1907 - July 5, 1971) was an American writer and mountaineer. He was born in New York. He was not a high end climber, but his writing made him an honorary member of that circle. The books he wrote were mostly about mountaineering and geography. His works include Banner in the Sky, which was a book based on the true story of the first climbing of the Matterhorn (it was filmed in Switzerland as Third Man on the Mountain), and The White Tower (which would star Glenn Ford and Lloyd Bridges). Also Americans on Everest by James Ramsay Ullman, page 195, published by J. B. Lippincott Company 1964, Library of Congress Catalogue #64-14475. He was the ghost writer for Tenzing Norgay's autobiography Man of Everest (originally published as Tiger of the Snows). High Conquest was the first of nine books for the J.B. Lippincott company coming out in 1941 followed by The White Tower, River of The Sun, Windom's Way, and Banner in the Sky which was a 1955 Newbery Honor book. All of these titles became small motion pictures. He also wrote the short story "Top Man", a story about mountaineers climbing K3, a mountain in India. The story appears in several anthologies. It was originally published in the Saturday Evening Post in 1940. Issue #35. Beyond his mountaineering books, he wrote "Where the Bong Tree Grows," an account of a year he spent traveling through some of the most remote islands of the South Pacific. Ullman also wrote a novel about the poet Arthur Rimbaud, The Day on Fire (1958). He joined the American Mount Everest Expedition 1963 as official historian. Because of health problems he had to stay in Kathmandu. His book Americans on Everest: The Official Account of the Ascent was published in 1964. He died in Boston from cancer on July 5, 1971. (Wikipedia).

      [Bookseller: The Time Traveller's Bookshop Ltd.]
 37.   Check availability:     ZVAB     Link/Print  


        Doktor Zhivago. Flegon Edition (in Russian)

      London: Flegon Press. Very Good. 1964. Reprint. Paperback. Appears to be first Flegon edition: "B Pasternak Doktor Zhivago" in Russian lettered red to white covers 11x17cm., 634[vi]pp.. First page is half-title with Boris Pasternak in Russian. Fake Zemlia i Fabrika stamp to title page and colophon to last page with fake printing details, 4 b/w reproduced illustrations of Pasternak after title. Very bright and clean, small remains of price-sticker to upper cover, small mark just inside. ; Published by the 'irreverent and irrepressible' emigré from Romania, Flegon. Of his 4 editions of Dr Zhivago, this one came out as a Moscow imprint using the colophon and mark of the long-defunct Soviet ZiF or 'Zemlia i Fabrika'. The idea was to smuggle copies to the Soviet Union where would-be buyers could not be accused of purchasing anti-Soviet literature. See Mancosu for the very interesting history of this Flegon edition: "Inside the Zhivago Storm". Flegon also published Bulgakov and Solzhenitsyn. ; 634 pages .

      [Bookseller: Marijana Dworski Books]
 38.   Check availability:     Biblio     Link/Print  


        Quotations from Chairman Mao].

      Central Political Department of the Chinese People's Liberation Army, Beijing 1964 - [Quotations from Chairman Mao]. Peking: Central Political Department of the Chinese People's Liberation Army, [May 1964]. 16mo (x mm). [8], 2, 2, 250 pp., including half-title printed in red, title-page printed in red and green, portrait of Chairman Mao printed in sepia, uncorrected calligraphic endorsement leaf of Lin Biao printed in black, and table of contents. Original printed paper wrappers printed in red and black. Protective vintage paper dustjacket pasted on top to the binding titled in Chinese script on front (Quotations from Chairman Mao). Provenance: Training school of Kunming (half-title annotated in Chinese). First and last blanks soiled a bit, otherwise clean and crisp. A fine copy of the rare first printing of the first edition. Created for use by the People's Liberation Army as a pocket handbook of inspirational reading, the book contains short segments taken from Mao's speeches and published writings for use in study groups as lessons for discussion amongst the soldiers. Demand for additional copies within the army required the book to get reprinted several times in 1965 (2nd edition March enlarged to 32 chapters, 3rd edition August with final 33rd chapter added). It is the second most frequently printed book in history, after the Bible, with an estimated five-billion copies produced in more than 100 languages in the past forty-five years. Early printings include a one-page facsimile of Lin's calligraphic endorsement for everyone to study Chairman Mao's writings, but following accusations of Lin's unsuccessful plot to assassinate Mao in September 1971, the government required this page to be torn out in an effort to eradicate Lin's name from modern history. Subsequent copies printed after 1971 no longer include any mention of Lin and most earlier copies that do survive have this page removed. The first printing is slightly taller than all later editions and includes an error found in the earliest form of Lin's calligraphic facsimile endorsement, where a superfluous brush stroke occurred in the 2nd vertical line from the right, 2nd character from the top. It is generally accepted that all copies comprising only thirty chapters and with text ending at page 250 are first editions. The more famous issue in red vinyl cover was simultaneously printed with those in first paper wrappers, but the vinyl took longer to produce and was thus release shortly after. Paper wrapper copies were intended for Army officers whereas those in red vinyl were produced to be shared by brigades of up to eight soldiers. (Schiller, Quotations from Chairman Mao. A short bibliographical Study, the Grolier Club, New York, 2014). Some copies contain textual errors in the final line of p.82 and the first line of p.83. As sheets for the Quotations were printed at several locations throughout China to facilitate faster distribution, no place of publication is stated; and no priority can be established for copies in which the misprints occur and those in which they do not. (Han, Sources and Early Printing History of Chairman Mao's 'Quotations,' Antiquarian Book Review, November 2003). [Attributes: First Edition; Soft Cover]

      [Bookseller: Milestones of Science Books]
 39.   Check availability:     IberLibro     Link/Print  


        DREAMTIGERS - SIGNED, WITH PROMOTIONAL EVENT PAMPHLET

      Austin: University of Texas Press, 1964. First Edition. New. First Printing. About Fine in a Near Fine jacket, with the original price of $4.00 intact. The dust jacket shows some of the usual spine toning to the red on the spine, has a discreet 1" closed tear at the upper left front panel, and shows some minute rubbing along the top edge of the spine and along the front flap fold. A collection of poems, stories, sketches, and apocryphal quotations originally translated from "El Hacedor" (The Maker). This copy has been signed in blue ink by Borges on the second preliminary page. Included is a brochure from the original lecture event on February 8, 1968 at Carnegie Lecture Hall - an important ephemeral item which nicely ties the signature to a specific venue. An uncommon collection, particularly signed.

      [Bookseller: Captain Ahab's Rare Books]
 40.   Check availability:     Biblio     Link/Print  


        Nobel Lectures: Physiology or Medicine 1942-1962.

      Elsevier Publishing Company, Amsterdam 1964 - First edition. Thick Octavo, original yellow cloth. Signed by Nobel Laureates Francis Crick and James D. Watson at their Nobel Lecture. Fine in a near fine dust jacket with some closed tears. An exceptional piece signed by these Nobel Prize-winning scientists. In the early 1950s, the race to discover DNA was on. At Cambridge University, graduate student Francis Crick and research fellow James Watson had become interested, impressed especially by Pauling's work. Meanwhile at King's College in London, Maurice Wilkins (b. 1916) and Rosalind Franklin were also studying DNA. The Cambridge team's approach was to make physical models to narrow down the possibilities and eventually create an accurate picture of the molecule. The King's team took an experimental approach, looking particularly at x-ray diffraction images of DNA. Watson and Crick took a crucial conceptual step, suggesting the molecule was made of two chains of nucleotides, each in a helix as Franklin had found, but one going up and the other going down. Crick had just learned of Chargaff's findings about base pairs in the summer of 1952. He added that to the model, so that matching base pairs interlocked in the middle of the double helix to keep the distance between the chains constant. Watson and Crick showed that each strand of the DNA molecule was a template for the other. During cell division the two strands separate and on each strand a new "other half" is built, just like the one before. This way DNA can reproduce itself without changing its structure -- except for occasional errors, or mutations. The structure so perfectly fit the experimental data that it was almost immediately accepted. DNA's discovery has been called the most important biological work of the last 100 years, and the field it opened may be the scientific frontier for the next 100. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Raptis Rare Books, ABAA/ ILAB]
 41.   Check availability:     IberLibro     Link/Print  


        Monogramm-Lexikon.

      Bln, de Gruyter, 1964.. Internationales Verzeichnis der Monogramme bildender Künstler seit 1850. Gr. 8°. 8,931,5 S. OLeinen. Schönes Exemplar.. Erste Ausgabe. * Verzeichnet auch anonyme Künstler und kyrillische Schriftzeichen. Im Anhang mit einem Namenverzeichnis.

      [Bookseller: Antiquariat Jürgen Fetzer]
 42.   Check availability:     ZVAB     Link/Print  


        The Hustler' Film Poster

      Twentieth Century Fox 1964 - A poster advertising the film 'The Hustler' starring Paul Newman. It is dated 1964, so I think it is for the film's re-issue in that year. It carries the references 64-897 and R64-173. Presumably the '64's refer to 1964. It measures 41" x 27". It has been mounted on linen and is in excellent condition, all the colours are vibrant and the image is sharp. It has not been folded. The whole poster is slightly wavy, i.e. it doesn't lie quite flat, and the back of the linen has what look like some damp spots / marks. Some of the white and green areas are a touch browned. As to its provenance, there is a sticker on the back of the frame that it came in for the Cine Art Gallery, Fulham Road, London. The Hustler was the 1961 Twentieth Century Fox film that turned Paul Newman into an overnight superstar. He played 'Fast' Eddie Felson, a pool player, who hustled his way across America to New York where he challenged the unbeatable Minnesota Fats and fell for the alcoholic Sarah Packard. The film won the Oscar for Best Black and White Cinematography. Newman reprieved his role in 'The Color Of Money' in the 1980s which delivered him his first Oscar. An iconic poster! UK shipping will be with myHermes unframed & rolled in a stout tube. Overseas shipping will probably be more than the Abe default rate, so please contact me for a quote before ordering.

      [Bookseller: Gerald Baker PBFA]
 43.   Check availability:     AbeBooks     Link/Print  

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