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Displayed below are some selected recent viaLibri matches for books published in 1964

        In His Own Write.

      London, Jonathan Cape. 1964. Lennon's first book. FIRST EDITION. Small 8vo., pp. 78 + 1. Publisher's glossy blue covers with the famous portrait of Lennon by Robert Freeman to upper. Illustrated by Lennon in his own amusing and unique style. A very fine copy of the book, housed in the original illustrated card mailing box, featuring a John Lennon illustration not included in the volume. The box was conceived as a Christmas gift in December 1964 and features a printed message from the author, plus a space for the recipient's names and address details. Some edgewear and toning to the card, with a neat repaired tear to the inner flap, book is a little rubbed and worn. Very good indeed. Uncommon in the box.

      [Bookseller: Adrian Harrington Rare Books]
 1.   Check availability:     IOBABooks     Link/Print  

        25 Offprints from Nobel Prize Winner R. G. Edwards 1958-1964 in-vitro fertilisation

      Various 1958-1964 - A large group of rare original offprints by Robert Edwards . "In 2010, Edwards was awarded the Nobel Prize in Physiology or Medicine "for the development of in vitro fertilization" Wikipedia. Some offprints include the following authors: B. M. Cattanach, J. L. Sirlin, Ruth E. Fowler, A. H. Gates, D. S. Falconer, R. C. Roberts, M. R. Young, Everett D. Wilson, A. G. Searle, R. C. Valentine, L. C. Ferguson, R. R. A. Coombs. List of individual offprints available. Most have Robert H. Foote ownership stamp, and underlining and some annotation by the Cornell In-Vitro Fertilization researcher. * Quality, Value, Experience.

      [Bookseller: Robinson Street Books, IOBA]
 2.   Check availability:     AbeBooks     Link/Print  


      First Edition, First Printing, Viking, 1964. Stated "First Published in 1964 by Viking Press" In very good condition, clean and unmarked, boards bright and without wear, faded top stain, in a very good, first edition, dust jacket with wear at spine ends and corners, price clipped. Signed and inscribed by Saul Bellow on front end page. Viking "With the Compliments of the Author" card laid in.

      [Bookseller: Postliterate@AMR-HK ]
 3.   Check availability:     Biblio     Link/Print  

        Tokyo. Preface by Maurice Pinguet

      Crown Publishers, 1964. In - 4° (355x260mm), pp. 184 interamente illustrate con fotografie in b.n. di William Klein. Legatura editoriale t. tela con sovraccoperta nera con ideogramma in rosso. Perfetto stato. Prima edizione. "Here is Tokyo. Not Tokyo for the tourist or Tokyo or travel posters, but everyday Tokyo in all its contradictions, discords, beauty, and appeal" (dal risvolto di sovraccoperta). "Like Hokusai, William Klein has created a Manga--a sudden throng of images, faces, streets, crowds, and attitudes, intense and confused, where the past merges with the future in an uproar of appearances. All are instantaneously caught, still moving, alive, and gesturing" (Maurice Pinguet). "William Klein's lasting legacy to photography will be his four city books: New York (1956), Rome (1959), Tokyo and Moscow (both 1964)....Tokyo is my favourite, not least because it sees Klein returning to the city whose photographic culture he helped to revolutionize. In 1964 Tokyo was the most populous city on earth and the world's media were about to descend to cover the Olympic Games. Three years later James Bond arrived in You Only Live Twice, sealing a popular iconography for Tokyo that barely seems to have changed. Klein's assessment of the city incorporates every Tokyo cliché but in pushing them to breaking point it soars above them too.......After New York and Rome Klein increased his page size so that when you open up the full - bleed double spreads of Tokyo they are more than half a metre wide. With those dense, complex compositions in your lap you feel like you're up close to a huge mural, not a page...this is where Klein is at his best, achieving the most powerful effects with the most unlikely material. I've no idea why he was in attendance at a meeting of an agricultural committee or how he got so close to the ceiling but his shot through a chandelier of bored bureaucrats in session is such a photographic joy. It is difficult to look at it and not imagine Klein muttering to himself: 'Jeeeesus this is boring! What can I do here? Ah, a chandelier! '.......Of all his books it is Tokyo I take down from the shelf most often. It's so rich, so relentlessly inventive that I can never remember it all and find myself constantly surprised. It was published in New York and Tokyo. I've no idea how Tokyo received it. No doubt it was measured against the experience of those who lived there. For the rest who saw it in 1964 I imagine it was seductive, bewildering, breathless, cacophonous, grotesque, gorgeous, informative and very intelligent. It is still." (David Campany, William Klein Abc). Inglese

      [Bookseller: Libreria Antiquaria Galleria Gilibert]
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        Geology and Palaeontology of Southeast Asia: Volumes 1 through 25

      University of Tokyo Press 1964 - This a 25 volume set with the usual ex-library features. The interiors are very clean and tight. Bindings are good. Covers show light wear. Volume eight has upper corner bumped. Each volume is illustrated with pictures within the text plus numerous plates. There are also fold-out maps and charts. The dates are 1964 through 1984. This is the complete set of 25 volumes. The last three volumes have ISBN numbers being 0860082636, 0860082784, 0860083454. [Attributes: Hard Cover]

      [Bookseller: BookOrders]
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        Carnets II. Janvier 1942 - Mars 1951

      Gallimard, 1964. - Gallimard, Paris 1964, 13,5x20cm, broché. - Prima edizione, una delle 90 copie numerate su Holland, edizione deluxe. Bella copia. - [FRENCH VERSION FOLLOWS] Edition originale, un des 90 exemplaires numérotés sur Hollande, tirage de tête. Bel exemplaire à toutes marges.

      [Bookseller: Librairie Le Feu Follet]
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        Charlie And The Chocolate Factory.

      New York: Alfred A. Knopf, 1964. First edition, first issue with the six line colophon on the last page. Octavo, original red cloth. Boldly signed by Roald Dahl on the front free endpaper. An excellent example with light wear in an near fine dust jacket with some light rubbing to the foot of the spine and to the extremities. Housed in a custom half morocco clamshell box. Illustrated by Joseph Schindelman. "Charlie earned for its author a cult following among child readers Dahl has been called a literary genius; his books have been considered modern fairy tales" (Silvey, 186). "Charlie and the Chocolate Factory is already a great classic work [and] one of the most enduring post-war children's books Dahl is undeniably special" (Connolly, 102).

      [Bookseller: Raptis Rare Books, ABAA/ ILAB]
 7.   Check availability:     Biblio     Link/Print  

        Charlie and the Chocolate Factory.

      New York: Alfred A. Knopf,, 1964. Octavo. Original red cloth, title device to upper board blindstamped, titles to spine gilt, top edge stained puce, mustard endpapers. With the dust jacket. Housed in a plain brown cloth slipcase. Illustrated by Joseph Schindelman. Fine copy. First edition, first printing, first issue with the six lines of printing information on the last page. This was cut to five in all subsequent issues. The US edition precedes the English by three years.

      [Bookseller: Peter Harrington]
 8.   Check availability:     Biblio     Link/Print  


      New York, Knopf, 1964.. FIRST EDITION, FIRST PRINTING 1964 (published 3 years before the first U.K. edition), 8vo, 240 x 160 mm, 9½ x 6¼ inches, deep red cloth, gilt lettered spine, title embossed on upper cover, mustard endpapers, top edges chocolate brown, pages: 162 plus 2 (colophon). Black and white illustrations by Joseph Schindelmann. No inscriptions, near Fine in very good DUSTWRAPPER (dw: not price clipped ($3.95), very slightly darkened along upper and lower edges and spine, very short dark line at upper corner of upper cover, a few tiny closed edge tears, 5 x 2 mm chip at head of spine (¼" x 1/8"), two 2 mm chips to lower edge of lower panel). All correct points for a first issue with six lines of printing and binding information on the last page as required and dustjacket without isbn number. MORE IMAGES ATTACHED TO THIS LISTING, ALL ZOOMABLE. FURTHER IMAGES ON REQUEST. POSTAGE AT COST.

      [Bookseller: Roger Middleton]
 9.   Check availability:     Biblio     Link/Print  

        A Holy Relic of Vietnam! William Westmoreland's Four-Star General fatigues worn while commander of U.S. forces during the War - with impeccable provenance.

      Vietnam, c. 1964-1968. "Gen. William Westmoreland's two piece four-star fatigues: (1) Olive green jacket with two chest pockets and two lower pockets. Cloth tag above each chest pocket: ""WESTMORELAND"" and ""U.S. ARMY."" Republic of Vietnam Parachutist patch above ""Westmoreland"" and Combat Infantryman and Master Parachutist patches above ""U.S. Army."" Patch also on left sleeve. Brass four star insignia on right lapel. Cloth label inside jacket at lower right: ""Coat, Man's Combat, Tropical … 100% Cotton"" Label inside collar: ""Medium-Regular / Chest, 37 to 41 in. / Height 67 to 71 in."" (2) Olive green pants. Cloth label inside waist: ""Medium Regular / waist: from 31 to 35 in. / Inseam: 29 1/2 to 32 1/2"". Fine condition.Accompanied by Impeccable ProvenanceTyped Letter Signed ""William F. Abrams,"" 1 page, 8.5"" x 11"". Warren, Connecticut, June 5, 2015. In full, ""My father Herbert E. Abrams, American Portrait Artist, 1921-2003, painted the official portraits of Gens. Palmer, Abrams and William Westmoreland as well as others, that are on display in collections at the Pentagon and West Point. This set of fatigues (jungle jacket & slacks) was worn by Gen. Wm. Westmoreland in Vietnam during a period of time my father was a field artist for the army. These are the exact fatigues that Westmoreland wore while sitting for his official portrait as Chairman of the Joint Chiefs of staff, painted by my father Herbert E. Abrams, as well as several other field paintings of Gen. Westmoreland that now hang in the Pentagon. Westmoreland, a family friend, gave my father these fatigues and they are from that point unworn, still starched and hang on the hanger Westy put them on when he was finished sitting for his portrait at my father's studio in Warren, CT. William F. Abrams, son of the artist. Warren, Connecticut."" Reproduced at lower right is the painting captioned ""Wm Westmoreland portrait - Pentagon Collection."""

      [Bookseller: University Archives]
 10.   Check availability:     Biblio     Link/Print  

        The Late Breakfasters

      Victor Gollancz. Hardcover. Very Scarce book. VG condition book with dust jacket. DJ is clean, has fresh colours and has little to no wear to edges, sadly some has written there name to spine in pen. Book has clean and bright contents. . Very Good. 1964 . First Edition.

      [Bookseller: Infinitebooks]
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      MacGraw-Hill, 1964 Signed Limited edition, #1628 of 1750. Original Slipcase. "Written in his own hand, and finished only weeks before his death, Reminiscences by General Douglas MacArthur spans more than half a century of modern history. These pages show a man whose unique vantage point at the center of the stage enabled him to illuminate major controversies of our time, and whose views and ideas - never before published in full - are now bound to bring new and unexpected reappraisals to the conflicts in which he himself was the central figure. Douglas MacArthur served under eight presidents. He was honored as few men have been. His genius for command, and his ability to implement that command by strategy, stand as landmarks in military history. No man was ever so outspoken in his commitment to his troops or in his beliefs. A legend in his own lifetime, he was a man who aroused controversy, yet stood above the awe and the conflicts he inspired. Never before has one soldier's life so completely reflected a nation's military history. After graduation from West Point with the highest average ever achieved by a cadet, MacArthur served in Vera Cruz during the Mexican uprisings and then as military attache in the Far East, where he first perceived Japanese aspirations for hegemony the Orient. His courage in the trenches and his leadership of the famous Rainbow Division during the First World War were cited by General Pershing, who seven times awarded MacArthur the Silver Star." Published in the year of his death. With color frontispiece photographic portrait and 20 plates of photographic illustrations, four in color. Fine condition. The pages are clean. Appears to be unread. Original Slipcase in fine condition.

      [Bookseller: Blitzen Books]
 12.   Check availability:     Biblio     Link/Print  

        The Deep Blue Goodbye - FIRST EDITION (Gold Medal k 1405)

      Fawcett Gold Medal, 1964-01-01. Mass Market Paperback. Good . there is wear on the corners and edges; the inner pages are yellowed due to age; small one inch tear on bottom of spine

      [Bookseller: The Book Zealot]
 13.   Check availability:     Biblio     Link/Print  

        Box 4. Leda und der Schwan.

      Orig. printed cloth box containing items pertaining to the avant-garde filmmaker Kurt Kren's 1964 film of Otto Muehl's art-action production of Leda and the Swan replete with imagery central to the concerns of the Vienna Actionists, including: an original 8 mm. film of the event, housed in a plastic cassette mounted on heavy card stock; two original drawings, erotic in nature, by Kren, both signed and dated 1973; 5 original photographic prints (each approx. 8 3/4" x 12 1/4") showing stills from the film; a sheet of graph paper with abstract elements, in Kren's hand, showing a representation of the flow of the film; a (14 pp.) facsimile of a notebook, again in Kren's hand, in which the film is broken down into numerical component parts. Contents loose as issued in large 4to. cloth box with a facsimile of a text by Kren on front cover. N.p. (Munich), n.d. (1974).

      [Bookseller: F.A. Bernett Books]
 14.   Check availability:     Biblio     Link/Print  

        Der Besuch der alten Dame. Eine tragische Komödie. Originallithographien von Hans Falk.

      Lausanne, André und Pierre Gonin 1964 - . Folio. 134 S. mit 20 farbigen Originallithographien von Hans Falk. Kopfsilberschnitt mit Prägung. Farbig illustrierter Meistereinband in Maroquin mit silbergepr. Rückentitel. (Signiert Atelier H. Peller). In HLdr.-Kassette mit gepr. Rückentitel. Der Originalumschlag ist eingebunden. Nr. 118 von 149 Exemplaren auf Vélin de Rives. Von Dürrenmatt, Hans Falk und den Verlegern signiert. Schönes Exemplar. [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Antiquariat Fatzer ILAB]
 15.   Check availability:     ZVAB     Link/Print  

        De Gaulle

      Grasset, 1964. - Grasset, Paris 1964, 14,5x21cm, broché. - Prima edizione, una delle 100 copie numerate in Madagascar, edizione deluxe. autografo firmato di François Mauriac Philippe Mery. - [FRENCH VERSION FOLLOWS] Edition originale, un des 100 exemplaires numérotés sur Madagascar, tirage de tête. Envoi autographe signé de François Mauriac à Philippe Mery.  

      [Bookseller: Librairie Le Feu Follet]
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      The Viking Press, 1964 Near fine in a very good dust jacket. INSCRIBED by the author on the front free end paper. Viking Press leaflet, laid in, states Advance Reading Copy, September 21, 1964. First published 1964 stated on the copyright page. Very slight foxing on the top and bottom page ends; else the book is near fine. Dust jacket has original price of $5.75 printed on the front flap; slight rubbing along the front hinge; chipping at the corners and spine ends; a small piece is missing from the bottom of the spine. We will provide a certificate of authenticity for this item.. Inscribed by Author(s). 1st Edition. Hardcover. Near Fine/Very Good.

      [Bookseller: Bookbid Rare Books]
 17.   Check availability:     Biblio     Link/Print  

        Bonifacio Del Carril

      60, 1964 Book. Near Fine. Hardcover. An interesting and importantwork of theart-history of Argentina. Nodate to title page, dated from copac. Collated, complete. The two volumes convey the development and journey ofArgentinian art from 1536-1860. It highlights important artistic movements, figures and influences over this time period. Both volumes arewritten entirely inSpanish. Volume I is predominantly text, apart from its illustrated frontispiece. It contains detailed artistic biographies and achronology of the artistic movements. It also contains descriptions of the illustrated volume II which contains192plates, mostly colour,of artistic work. Condition: In quarter calf bindings with cloth covered boards. Externally, smart. Some rubbing to the boards of both volumes and to the heads and tails of spines. Internally, firmly bound. Pages are very bright and clean. Overall: NEAR FINE.

      [Bookseller: Rooke Books]
 18.   Check availability:     Biblio     Link/Print  

        Typed Letter Signed, with Vim and Vigor

      1964. May 15, 1964. Hall of Famer Musial ("Stan the Man") played baseball for the St. Louis Cardinals from 1941 to 1963 (minus one year in the Navy); in February, 1964, he began a three-year term as Consultant to the President on Physical Fitness, under President Lyndon Johnson. This (form) letter, written on White House stationery, addressed to the Public Relations Director of the L.A. Dodgers, and signed by Musial as "Stan," asks for help, "since we don't have funds for advertising" in publicizing "two new books -- Vim for girls, Vigor for boys -- which explain how important [exercise] can be to their future." Included here are copies of Vim and Vigor, "A Complete Exercise Plan for Girls/Boys 12 to 18." [Washington, D.C.: President's Council on Physical Fitness, 1964]. Each is 24 pages, leading off with a Presidential Message from Johnson and concluding with a message from President Kennedy "prepared especially for this book in November, 1963." The 50+ year old advice is surprisingly current, and the advice across the two genders is surprisingly balanced. The letter is fine; the booklets are very good (Vim) and near fine (Vigor) in stapled wrappers. An example of the youthful President Kennedy's foresight in his emphasis on physical fitness, and the subsequent President taking up the mantle to continue his effort with the help of one of the athletic superstars of the day. First Edition. No Binding.

      [Bookseller: Ken Lopez Bookseller, ABAA]
 19.   Check availability:     Biblio     Link/Print  

        Les fleurs du mal

      Le cercle du livre précieux, 1964. - Le cercle du livre précieux, Paris 1964, 32x43cm, en feuilles sous chemise et étui. - Edizione illustrato con 24 litografie originali in colori e il testo - out di Leonor Fini, una delle 481 copie numerate in Olanda. Bella copia. - [FRENCH VERSION FOLLOWS] Edition illustrée de 24 lithographies originales en couleurs et hors - texte de Léonor Fini, un des 481 exemplaires numérotés sur Hollande. Agréable exemplaire.  

      [Bookseller: Librairie Le Feu Follet]
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        Le pont de Londres. Guignol's Band II

      Gallimard, 1964. - Gallimard, Paris 1964, 15x21,5cm, broché. - Originale, una delle 106 numerate sul filo puro unicamente delle carte dopo 41 Hollande.Infimes tracce di sole senza alcuna serietà nella parte superiore e inferiore della schiena, belle copie copia edizione. - [FRENCH VERSION FOLLOWS] Edition originale, un des 106 exemplaires numérotés sur pur fil, seuls grands papiers après 41 Hollande. Infimes traces d'insolation sans aucune gravité en tête et en pied du dos, agréable exemplaire.

      [Bookseller: Librairie Le Feu Follet]
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        Chitty Chitty Bang Bang: The Magical Car (Three-Volume First Printing Set)

      Jonathan Cape 1964 - An attractive first edition, first impression set of the three volumes of the adventures of Chitty Chitty Bang Bang, each Near Fine in at least a Very Good+ dustwrapper. Number 1: a bright, Near Fine copy, firmly bound in clean white pictorial boards; very faint spotting to the top-edge of the page block and extreme top-edge of the boards; gently bumped to one corner; crisp and clean. The clipped dustwrapper is Near Fine: crisp and bright panels with a little toning to the spine and top-edge; lightly rubbed at the spine tips; bubble to the laminate at the front gutter. Number 2: a bright example, about Near Fine, firmly bound in clean white boards with a trace of browning to the extreme top-edge and a little rubbing to the bottom-edge; bumped to the top front corner, also affecting the very tip of the page block; a couple of minor marks internally, else crisp and clean. The unclipped (10s 6d net stated) dustwrapper is Very Good+: bright and clean; a little rubbed and darkened to the edges with a 1cm closed tear and associated crease to the top of the rear panel. Number 3: a lovely, Near Fine+ example, very bright, crisp and clean; a little tanning to the extreme top-edge; Fine but for some letters inked to the bottom of the backstrip, a tiny, partially erased/abraded name to the verso of the ffep and a little over-glueing at the rear endpapers with a little surface abrasion at separation. The publisher clipped and re-priced dustwrapper is Fine: bright, crisp and clean. The dustwrappers are presented in removable, archival-quality Brodart protective covers. We are happy to supply further information or images upon request. All orders are sent very carefully wrapped in bubble wrap and sturdy cardboard. Shipped free within the United Kingdom; a set that may incur additional shipping (to cost) outside the UK. IAN FLEMING SPECIALISTS. [Attributes: First Edition; Hard Cover]

      [Bookseller: Bradhurst Fine Editions]
 22.   Check availability:     AbeBooks     Link/Print  

        1 LOT DE 93 TITRES

      1964. LE CERCLE DU NOUVEAU LIVRE. 1964 - 1991. In-8.Carré. Cartonnage d'éditeurs. Bon état. Couv. convenable. Dos satisfaisant. Intérieur frais. Contienu de ce lot :Les chevaux du soleil : le maître de la Mitidja par JULES ROY (1970, 352 pages + 30 planches illustrées de photos en noir et blanc dans le texte). Le canon fraterntié par JEAN-PIERRE CHABROL (1970, 776 pages + 30 planches illustrées de photos en noir et blanc dans le texte). Monsieur le consul par LUCIEN BODARD (1973, 438 pages + 30 planches illustrées de photos en noir et blanc dans le texte). Les trente premières années, 2, Ni guerre ni paix par ALAIN BOSQUER (1983, 359 pages + 30 planches illustrées de photos en noir et blanc dans le texte). Les trente premières années, 3 Les fêtes cruelles par ALAIN BOSQUET 1984, 346 pages + 11 planches illustrées de photos en noir et blanc dans le texte). Les trois Dumas par ANDRE MAUROIS (499 pages). Quat'saisons par ANTOINE BLONDIN (1976, 245 pages + 30 planches illustrées de photos en noir et blanc dans le texte). La duchesse par LUCIEN BODARD (1979, 398 pages + 30 planches illustrées de photos en noir et blanc dans le texte). Des vols de Vanessa par GEORGES WALTER (1972, 268 pages + 30 planches illustrées de photos en noir et blanc dans le texte). LA tour de constance par ANDRE CHAMSON (1970, 465 pages + 30 planches illustrées de photos en noir et blanc dans le texte). Le fou d'Amérique, par YVES BERGER (1976, 321 pages + 30 planches illustrées de photos en noir et blanc dans le texte). Les compagnons de la forêt-noire (1966, 383 pages). Le lion est mot ce soir par JEAN-PIERRE CHABROL (1982, 299 pages + 30 planches illustrées de photos en noir et blanc dans le texte). Le double crime de l'impasse Salomon (1984, 288 pages + 30 planches illustrées de photos en noir et blanc dans le texte). La dame de Nancy par FRANCOIS MARTAINE (1992, 437 pages). Le royaume du nord Harricana par BERNARD CLAVEL (1983, 284 pages + 23 planches illustrées de photos en noir et blanc dans le texte). Le grand jeu par LEOPOLD TREPPER (1975, 417 pages, quelques planches illustrées de photos en noir et blanc, au milieu de l'ouvrage). Les trouble-fête par CHRISTINE ARNOTHY (1986, 323 pages + 10 pages).Un adolescent d'autrefois par FRANCOIS MAURIAC (1969, 290 pages). Un grand pas vers le bon Dieu par JEAN VAUTRIN (1989, 440 pages). Les criminels de guerre par PHILIPPE AZIZ, (1974, 368 pages). Les chemins de Katmandou par RENE BARJAVEL (1969, 339 pages + 31 planches illustrées de photos en noir et blanc dans le texte). Moi, Jeanne Castille, de Louisiane par JEANNE CASTILLE (1983, 222 pages + 22 planches illustrées de photos en noir et blanc dans le texte). Henri ou l'éducation nationale par JEAN DUTOURD (1983, 315 pages + 22 planches illustrées de photos en noir et blanc dans le texte). Le ministricule (Roman picaresque) par ROBERT ESCARPIT ( 1974, 235 pages + 29 planches illustrées de photos en noir et blanc dans le texte). Les passion spartagées par FELICIEN MARCEAU (1987, 307 pages). Les allumettes suédoises par ROBERT SABATIER (1974, 288 pages). Sans peur et les brigands aux visages noirs par ANDRE CHAMSON (1977, 221 pages + 29 planches illustrées de photos en noir et blanc dans le texte). La quarantaine par JEAN-LOUIS CURTIS (1966, 314 pages). La folie des miens par JEAN-PIERRE CHABROL (1978, 359 pages + 29 planches illustrées de photos en noir et blanc dans le texte). Les Sultans par CHRISTINE DE RIVOYRE (1964, 321 pages). Les chevaux du soleil : Une femme au nom d'étoile par JULES ROY1971, 431 pages + 30 planches illustrées de photos en noir et blanc dans le texte). Adios par KLEBER HAEDENS (1974, 365 pages + 28 planches illustrées de photos en noir et blanc dans le texte). La nuit du décret par MICHEL DEL CASTILLO (1982, 324 pages + 29 planches illustrées de photos en noir et blanc dans le texte). Mais moi je vous aimais par GILBERT CESBRON (1978, 336 pages + 30 planches illustrées de photos en noir et blanc dans le texte). La favorite par CATHERINE RIHOIT (1982, 280 pages + 20 planches illustrées de photos en noir et blanc dans le texte). Voici le temps des imposteurs par GILBERT CESBRON (1972, 318 pages + 39 planches illustrées de photos en noir et blanc dans le texte). La mouette et la croix par HENRI QUEFFELEC (1969, 318 pages + 30 planches illustrées de photos en noir et blanc dans le texte). A Hanoi sous les bombes américaines, Journal d'un diplomate Français (1966 - 1969) par FRANCOIS DE QUIRIELLE (239 pages). Sous le ciel de Novgorog par REGINE DEFORGES (1989, 416 pages). Noir Tango par REGINE DEFORGES (1991, 372 pages). L'apprenti gaucher par GEORGES CONCHON (1967, 269 pages).La neige brûle par REGIS DEBRAY (1978, 281 pages+ 37 planches illustrées de photos en noir et blanc dans le texte). Le pouvoir et la sainteté par JEAN FERNIOT (1982, 283 pages + 30 planches illustrées de photos en noir et blanc dans le texte). Le roseau pensant par JEAN-LOUIS CURTIS (1971, 379 pages + 29 planches illustrées de photos en noir et blanc dans le texte). Le thé sous les cyprès par JEAN-LOUIS CURTIS (1969, 280 pages + 29 planches illustrées de photos en noir et blanc dans le texte). Les pérégrines par JEANNE BOURIN (1989, 446 pages).Les chevaux du soleil : les cerises d'Icherridène par JULES ROY (1971, 365 pages.Aux portes de Trézène par PIERRE-JEAN LAUNAY (1966, 268 pages).Entre chiens et loups par GILBERT CESBRON (1963, 383 pages).Oublier Palerme par EDMONDE CHARLES-ROUX (1967, 323 pages).Histoire du Juif errant par JEAN D'ORMESSON (1991, 595 pages).Les guérillos par Jean Lartéguy (1968, 443 pages, nombreuses planches illustrées de photos en noir et blanc).Rue des boutiques Obscures par Patrick Modiano (1979, 213 pages + 30 planches illustrées de photos en noir et blanc dans le texte). Un assassin est mon maitre par HENRY DE MONTHERLANT (1971, 282 pages + 61 planches illustrées de photos en noir et blanc dans le texte). L'empire des nuages par FRANCOIS NOURISSIER (1981, 498 pages + 30 planches illustrées de photos en noir et blanc dans le texte). Journal d'un homme simple par RENE BARJAVREL (1982, 214 pages + 27 planches illustrées de photos en noir et blanc dans le texte). Le cavalier blessé par JEAN-MARIE ROUART (1987, 230 pages).Le musée de l'homme par FRANCOIS NOURISSIER (1979, 309 pages +20 planches illustrées de photos en noir et blanc dans le texte). Un homme, une femme, un enfant par ERICH SEGAL(1980, 315 pages + 29 planches illustrées de photos en noir et blanc dans le texte). Le loup-cervier par GUY CROUSSY (1976, 307 pages + 22 planches illustrées de photos en noir et blanc dans le texte). L'éternité plus un jour par GEORGES-EMMANUEL CLANCIER (695 pages + 29 planches illustrées de photos en noir et blanc dans le texte). John l'enfer par DIDIER DECOIN (1978, 3178 pages + 38 planches illustrées de photos en noir et blanc dans le texte). Tempo par CAMILLE BOURNIQUEL (1977, 408 pages + 22 planches illustrées de photos en noir et blanc dans le texte). Les noces barbares par YANN QUEFFELEC (1986, 308 pages).Les feux de la colère par MAC OLIVIER-LACAMP (1969, 328 pages + 30 planches illustrées de photos en noir et blanc dans le texte). Les chevaux du soleil 1 par JULES ROY (1968, 406 pages).Les taillons ou la terreur blanche par ANDE CHAMSON (1974, 474 pages + 29 planches illustrées de photos en noir et blanc dans le texte). Quel beau dimanche par JORGE SEMPRUN (1980, 387 pages + 29 planches illustrées de photos en noir et blanc dans le texte). La ronde de nuit par PATRICK MODIANO (1970, 206 pages + 30 planches illustrées de photos en noir et blanc dans le texte). Les bêtises par JACQUES LAURENT (1971, 684 + 30 planches illustrées de photos en noir et blanc dans le texte). Pélagie la charrette par ANTONINE MAILLET (1979, 314 + 30 planches illustrées de photos en noir et blanc dans le texte). La louve de Mervent par MICHEL RAGON (1985, 309 pages).Le massacre des Indiens par LUCIEN BODARD (1970, 457 pages + 45 planches illustrées de photos en noir et blanc dans le texte). Les filles du calvaire par PIERRE COMBESCOT (1991, 427 pages).La chasse à l'ours par LUCIEN BODARD (1985, 470 pages).Ma vie entre des lignes par ANTOINE BLONDIN (1982, 21planches illustrées de photos en noir et blanc dans le texte). Profession : Écrivain par PIERRE DANINOS (1988, 193 pages). La grande armée du drapeau noir, les anarchistes à travers le monde, par GEORGES BLOND (1972, 433 pages + 29 planches illustrées de photos en noir et blanc dans le texte). Ces procès qui ébranlèrent la France par JEAN-MARC THEOLLEYRE (1966, 339 pages). Staline, Trente millions de morts pour un empire, par ANDRE BRISSAUD (1975, 634 pages).Histoire secrète des Français à Londres de 1940 à 1944 par ANDRE GILLOIS (1973, 397 pages + 21 planches illustrées de photos en noir et blanc dans le texte). L'ami de la Famille par CHRISTINE ARNOTHY (1984, 344 pages + 12 planches illustrées de photos en noir et blanc dans le texte). Les égarés par FREDERICK TRISTAN (1983, 439 pages + 21 planches illustrées de photos en noir et blanc dans le texte). D'amour et d'ombre par ISABEL ALLENDE (1986, 389 pages).Le général dans son labyrinthe par GABRIEL GARCIA MARQUEZ (1990, 318 pages). Les dix mille marches par LUCIEN BODARD (1991, 391 pages). Pluche ou l'amour de l'art par JEAN DUTOURD (1967, 335 pages). L'attrapeur d'ombres par YVES BERGER (1992, 160 pages). Les invités de la chasse par Paul Vialar (1970, 308 pages + 29 planches illustrées de photos en noir et blanc dans le texte). Ciné-Roman par ROGER GRENIER (1973, 279 pages + 29 planches illustrées de photos en noir et blanc dans le texte). La menteuse par JEAN GIRAUDOUX (1969, 312 pages + 22 planches illustrées de photos en noir et blanc dans le texte). Tout homme est une guerre civile par JEAN LARTEGUY (1969, 364 pages + 29 planches illustrées de photos en noir et blanc dans le texte). Tous les titres sont des tirages numérotés. Possibilité de vente au tome à 29,80€

      [Bookseller: Le-Livre.Com]
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        Royal Garden Blues (signé)

      Michel Cassé, Paris 1964 - Michel Cassé, Paris, 1964, 26x26 cm, in-4 en feuilles, 16 ff., 10 lithographies couleur sur vélin de Rive sous chemise cartonnée imprimée au Palladium sur fond noir. Illustrations de René Bertholo, Peter Klasen, Bernard Rancillac, Hervé Télémaque, Jan Voss de la figuration narative à partir du texte "Royal Garden Blues" de Jean-Jacques Lévêque. Tirage à 99 exemplaires : n° 14 et n°46 disponible. Toutes les lithographies sont signées par les artistes, qui ont également, ainsi que Jean-Jacques Lévêque, signé l'ouvrage au colophon. [Attributes: First Edition; Hard Cover]

      [Bookseller: Books by Artists]
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        I promessi sposi. Storia milanese del secolo XVII scoperta e rifatta da Alessandro Manzoni.

      Istituto edizioni artistiche, Milano, 1964. 3 v. (668 p. compl.) 28 cm pelle cofanetto. Opera completa in tre volumi. Ritratto dell'Autore e numerose tavole a colori fuori testo realizzate dal Fernando Monzio Compagnoni. Buone legature in piena pelle bazzana con impressioni in oro a secco ai piatti anteriori e ai dorsi a quattro nervature. Esemplari in barbe con tagli superiori dorati. Custodie cartonate. Edizione su carta speciale a mano. Tiratura limitata di 500 esemplari numerati e firmati dall"autore delle illustrazioni Fernando Monzio Compagnoni copia n. 294. Buone condizioni di conservazione. UsatoBuono Anno pubblicazione: 1964. 21 ...

      [Bookseller: Studio Bibliografico Adige]
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      1964. TCHOU. 1964. In-Folio.Carré. Relié. Très bon état. Couv. convenable. Dos à nerfs. Intérieur frais. Douzes tomes en six forts volumes. Magnifique reliure en veau imitation XVIIIème, caisson dorés, titre et tomaison dorés sur pièce de titre. Le tirage de cette édition a été strictement limité à 3000 exemplaires. Exemplaire numéro 635. Ce volume représente la première reproduction rigoureuse et intégrale de L'ENCYCLOPEDIE, OU DICTIONNAIRE RAISONNE DES SCIENCES, DES ARTS ET DES METIERS. Cette réalisation a été dirigée par CLAUDE TCHOU, éditeur, pour le compte du cercle du livre précieux.

      [Bookseller: Le-Livre.Com]
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        Teatro 3: La dama del alba - Retablo jovial - La tercera palabra

      Editorial Losada (Buenos Aires 1964) - Gran Teatro del Mundo. Intonso. 21x14,5. 241 págs. Intonso. Perfecto estado.

      [Bookseller: La Leona LibreRía]
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        Grammatica. n.1, novembre 1964

      Grammatica, 1964. Brossura (wrappers) Primo numero della Rivista redatta da A. Giuliani, G. Manganelli, G. Novelli e A. Perilli. La rivista contiene un foglio più volte ripegato con una litografia di Novelli su un testo di Giuliani "Nel cieco spazio" (cm compl. 30 x 90), una litografia di Perilli su una poesia di Elio Pagliarani: "Come alla luna l'alone" (cm 30x84) ed una litografia di Scialoja: "Ripetizione 1964" (cm 30x60). La rivista inoltre comprende: una discussione tra Balestrini, Giuliani, Manganelli, Novelli, Pagliarani e Perilli ("La carne è l'uomo che crede al rapido consumo"), A. Porta, "Adagio con moto", A. Spatola, "Catalogopoema", G. Novelli, "Pittura procedente da segni", A. Giuliani, "Chi l'avrebbe detto - Morte e amore", N. Balestrini, "Primo Piano", M. Ferretti, "Il Gazzarra", ed altri scritti. Disegni di F. Libertucci, M. Aste, C. Cego, L. Taiuti, P. Cotani, E. Tolve, F. Nonnis, G. Novak, sculture di A. e G. Pomodoro, A. Perilli, G. Novelli, musica di F. Evangelisti. 4to. pp. 50 + tavole. Ottimo (Fine). .

      [Bookseller: Studio Bibliografico Marini]
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        GRAMMATICA. Rivista periodica diretta da Achille Perilli. Tutto il pubblicato

      1964. Brossura (wrappers) Tutto il pubblicato: n. 1 (novembre 1964), n. 2 (gennaio 1967), n. 3 (luglio 1969), n. 4 (luglio 1970), n. 5 (maggio 1976). Scritti di Antonio Porta, Gastone Novelli, Adriano Spatola, Giorgio Manganelli, Samuel Beckett, Achille Perilli, Frederick J. Kiesler, et al. Numerose illustrazioni e disegni, anche su pagine ripiegate, di Gastone Novelli, Tadeusz Kantor, Pierre Klossowski, Carlo Cego, Achille Perilli, Ettore Sordini, Lorenzo Taiuti, Carmen Morales, Paul Kleer, et al. 5 fascicoli. 4to. pp. 52 - 80 - 90 - 72 - 112. Ottimo (Fine). .

      [Bookseller: Studio Bibliografico Marini]
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        Last Exit To Brooklyn

      New York: Grove Press, (1964), 1964. First edition, uncorrected proof copy. Slightly worn; fine copy.. 8vo, original spiral bound blue-green printed wrappers. From the inventory of Burton Weiss, Bookseller.

      [Bookseller: The Brick Row Book Shop]
 30.   Check availability:     Biblio     Link/Print  

        Original Poster for the SF Dancers' Workshop Super Jam

      [SF]: [SF Dancers' Workshop], [ca. 1964]. 8.5 by 14 inches [22 x 36 cm]. Offset printed red on green stock. Light horizontal fold to middle, some toning to edges, else a very good example. "Printed by the Neighborhood Arts Program/ S.F. Art Commission" vertically along right edge. No examples located in OCLC and in our experience any non sound recording material related to the Tape Center is scarce. When the San Francisco Tape Music Center moved to its most significant location at 321 Divisadero in 1963, cofounder Morton Subotnick invited dancer Anna Halprin to move her Dancers' Workshop into extra space at the center. "It was no accident that Halprin shared the Divisadero space, since she used Tape Music Center Composers and they used her and her dancers." Halprin says of the arrangement: "It was a wonderful time for a kind of Bauhaus type of experimentation by multidisciplinary artists working together. As a matter of fact, that word 'multidisciplinary art" was really invented during that period." Founded in 1962, The San Francisco Tape Music Center (later the Mills College Tape Music Center) was at the forefront of experimental electronic music on the West Coast. The Center grew out of an improvised music studio created by composers Ramon Sender, Terry Riley, Pauline Oliveros, and others. The original mission was to form a "nonprofit cultural and educational corporation, the aim of which was to present concerts and offer a place to learn about work within the tape music medium." The mission later expanded to include electronic pieces that could be performed live with light projections and interactive tape systems. In 1966 the center moved to Mills College, where it was renamed the Center for Contemporary Music with a roster of students and faculty that was (and continues to be) a Who's Who of the musical avant-garde including Steve Reich, Anthony Braxton, and Iannas Xenakis.  Refs.: Thomas Holmes. Electronic and Experimental Music: Technology, Music, and Culture; David W. Bernstein. The San Francisco Tape Music Center: 1960s Counterculture and the Avant Garde.

      [Bookseller: Kenneth Mallory, ABAA]
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        La divina commedia edizione fonografica - n.18 33 giri + 3 volumi

      Cetra, 1964. UsatoAccettabile Copertina: Molto buone Pagine: OttimeNote: cofanetto protettivo rovinato italiano

      [Bookseller: Libro di Faccia]
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        A Confederate General from Big Sur

      Grove Press 1964 - First edition, first printing. Signed by the author on the half-title page, with date and location. Near Fine, with light bumping to edges, in a Very Good or better dust jacket, lightly toned, with light edge wear, several short edge tears, and price intact. Rare signed. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Burnside Rare Books]
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        Oliveira: Twelve Intimate Fantasies. A Suite of Lithographs.

      Title, colophon page, and 12 sheets with original lithographic prints, ranging in size from 7 1/2" x 9" to 15" x 20" (on 15" x 20" sheets), finely printed by Bohuslav Horak, showing mostly abstract images with suggestions of figurative references, each sheet titled, numbered, dated and signed by Oliveira in pencil. Elephant folio. Orig. cloth case, front cover bowed. Los Angeles/ New York (Kanthos Press) 1964. Number 19 of altogether 70 copies printed.

      [Bookseller: F.A. Bernett Books]
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      LES BEAUX ARTS PARIS 1964 - In 4 gr. di pagg. 282 con 638 tavv. in nero. Tirature limitata. Esemplare n. 1785. Fra. Leg. edit. sovr. fig. a colori. Sovr. un poco rovinata. Volume molto buono.

      [Bookseller: LIBRERIA NANNI A.&C.SRL]
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      (RUSCHA, EDWARD). Ruscha, Edward. VARIOUS SMALL FIRES AND MILK. Los Angeles: Self-Published, 1964. First Edition 1/400. 12mo. Printed Wrappers with Glassine. Artist's Book. Near Fine./Near Fine.. np (48pp), 16 b&w illustrations. Published in 1964, "Various Small Fires and Milk" is Edward Ruscha's second photographically illustrated artist book - a humorous cataloguing of flames and a glass of milk. A bright, most handsome example of the exceedingly uncommon first edition (entry B2 in Siri Engberg's "Edward Ruscha: Editions 1959-1999" which is also cited on pages 198-201 of The Hasselblad Center's "The Open Book" and 140 of Martin Parr and Gerry Badger's "The Photobook: A History Volume II") limited to four hundred unnumbered copies in the publisher's extraordinarily well-preserved glassine wrapper showing a tiny ding to the upper foredge corner bearing the discreet ink ownership stamp of Ruscha's colleague - noted late Los Angeles-based graphic designer Deborah Sussman - on the front free endpaper. PLEASE NOTE: Additional shipping costs are required for this item beyond our standard rates due to its value - we will inform you of the applicable amount at time of purchase. Inventory Number: 024945

      [Bookseller: Arcana: Books on the Arts]
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        OBRAS COMPLETAS. 9 Tomos ( Completa )

      Aguilar. 1016+987+1045+1114+1019+972+1139+1119+1186 Paginas En Papel Biblia., Madrid 1964 - TOMO I: La procesión de los días; Volvoreta; Ha entrado un ladron;Silencio;Las gafas del diablo y el espejo irónico; Tragedias de la vida vulgar; Visiones de neurastenia. TOMO II: Los que no fuimos a la guerra; El secreto de Barba-Azul; La casa de la lluvia; Luz de luna; La familia Gomar; El país de papel; El ladrón de glándulas; El malvado Carabel. TOMO III: Relato inmoral; Las siete columnas; Por qué te engaña tu marido; La seducida; Ella y la otra; La caza de la mariposa; El hombre que compró un automovil; Colofón fantástico; Fantasmas;El fantasma; Mi mujer; Aire de muertyo; Aventuras del caballero Rogelio de Amaral. TOMO IV: La conquista del horizonte (viajes); Unos pasos de mujer; El hombre que se quiso matar; Huella de luz; Un error judicial; El ilustre Cardona; Una isla en el Mar Rojo; La novela número 13. TOMO V: El bosque animado; La nube enjaulada (relatos de humor); Historias del tranvia; Los trabajos del detective Ring; Acotaciones de un oyente (primera y segunda serie). TOMO VI: Navidad; Año nuevo; El sistema Pelegrin; Fueghos artificiales; Aventuras del caballero Florestan del Palier; El Principe azul; La vaca adúltera; . TOMO VII: El toro, el torero y el gato; Toros; Historias de animales; De portería a portería; Pozos y playas; Platillos volantes; De muros adentro; Cuentos; TOMO VIII: Acotaciones de un oyente e impresiones políticas de un hombre de buena fe. TOMO IX: sigue al anterior volumen. Size: 12º [Attributes: Hard Cover]

      [Bookseller: LIBRERIA CLIO]
 37.   Check availability:     IberLibro     Link/Print  

        Vetera christianorum (58 paperbacks)

      Bari, Istituto di Letteratura Cristiana Antica, 1964. - 1998. Year 1 till 35 in 58 paperbacks (of 63, 5 facs. are missing 12/2-1975, 13/1-1976, 14/1-1977, 23/1-1986, 35/2-1998). Very good, see image.n ISBN: 8872282187

      [Bookseller: Boekhandel - Antiquariaat Emile Kerssema]
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        Little Big Man

      Dial Press 1964 - First edition, first printing; edge wear, chipping, rubbing and discoloration to dust jacket with $5.95 price intact; typical fading to dust jacket spine; soiling to page edges; light wear to edges of boards and slight bow to top of spine; o/w VG/VG; signed by Thomas Berger on a bookplate which is attached to front free end paper [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Evergreen Books LLC]
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        The Spy Who Came in from the Cold Signed John le Carré

      UK: Victor Gollancz, 1964. 1st Edition 5th or later Printing. Hardcover. Very Good+/Very Good. The Spy Who Came in from the Cold Signed by John le Carré First Edition Nineteenth Impression Victor Gollancz 1964. First published September 1963. No inscriptions, no foxing or browning, lightly toned spine. Covers VG+ in original VG dust jacket with toning to spine, not price clipped. INSCRIBED AND SIGNED by John le Carré: 'with best wishes John le Carré 6 Nov 64' to fep.

      [Bookseller: Brought to Book Ltd]
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        Publications de la Compagnie de l'Art Brut. (Dirigées par Jean Dubuffet). Fascicules 1 - 12.

      - Paris / Lausanne 1964 - 1983. 24 : 18 cm. Mit unzähligen teils farb., teils gefalt. Abb. u. Faksimiles. Verschiedenfarbige Orig.-Klappenbroschur. 1. Le prisonnier de Bâle. Le lambris de Clément. Dessins médiumniques du facteur Lonné. Palanc l'écrituriste et quelques autres cas d'art inventif. 2e éd. 1975. 156,(4) S. + errata fasc. 1. – 2. Adolf Wölfli par W. Morgenthaler, trad. et préf. de H.-P. Bouché. 1964. 153,(3) S. – 3. Le mineur Lesage. Salingardes l'aubergiste. Le cabinet du professeur Ladame. Les télégrammes de Charles Jaufret. Jayet le boucher. Les coquilles de Maisonneuve. Filaquier le simplet. 1965. 182,(4) S. – 4. Scottie Wilson. Emmanuel le calligraphe. Guillaume. Paul End. Moindre l'égyptologue. Florent. L'écrit du comte du bon saveur. Jacqueline. 1965. 154,(4) S. + errata fasc. 3 et 4. – 5. Le philatéliste. Broderies d'Elisa. Joseph Crépin. Rose Aubert. Gaston le zoologue. Sylvain. Xavier Parguey. 1965,(5) S. + errata fasc. 3, 4 et 5. – 6. Carlo. La double vie de Laure. Simone Marye. Anaïs. Robe nuptiale et tableaux brodés de Marguerite. 1966. 152.(4) S. – 7. Aloïse par Jacqueline Porret-Forel. 1966. 138,(6) S. – 8. Messages et clichés de Jeanne Tripier la planétaire. La fabrique d'Auguste. Gustave le démoniste. François. Olive. Pièces d'arbre historiées de Bogosav Zivkovic. 1966. 145,(3) S. – 9. Madge Gill. Nataska. Jane Ruffié. Bentivegna. Émile Ratier. Collection du Dr. A. Marie. 1973. 147,(5) S. – 10. Jules Doudin. Vojislav Jakic. Gaston Teuscher. Pierre Jain. Albino Braz. Samuel Failloubaz. Katharina. Louise Fisher. Solange Lantier. Louise Tournay. 1977. 163,1 S. – 11. Léotine, Sylvain Fusco. Aloïs Wey. Edmund Monsiel. André Robbilard. Carlo (2). Joseph Vignes. Italo Perugi. François Portrat. Samuel Daiber. Thérèse Bonnelalbay. 1982. 149,(3) S. – 12. Gugging: Johann Hauser, Philipp Schöpke, August Walla, Oswald Tschirtner, Johann Garber, Fritz Opitz, Rudolf Horacek, Franz Kernbeis, Johann Korec, Josef Bachler, Johann Scheiböck, Otto Prinz, Max, Franz Gableck, Johann B. 1983. 149,(3) S. – Die Umschlagrücken wie wohl immer verblasst, Umschlagdecken nur vereinzelt partiell, Umschlag am Rücken teils etwas gelöst, sonst sehr schönes, kaum benutztes Exemplar. [Attributes: Hard Cover]

      [Bookseller: Gerhard Zähringer, Antiquariat & Galerie]
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        Signed Photograph of S. S. Van Dine [Framed]

      Atmospheric photograph of the mysterious Mr. Van Dine (pseudonym of Willard Huntington Wright). Known to us primarily as the writer of Golden Age mysteries, especially the Philo Vance books, Van Dine was in his day a well-known art critic. This photograph is evocative, with Van Dine casting a dramatic shadow (shades of The Thin Man) and, of course, smoking a cigarette. Inscribed to a Miss Y. Billy Garden of New York City. Attached is a letter from Miss Garden in which she details information about Mr. Wright's Scottish terriers. Miss Garden also described interviewing Van Dine in his apartment; he was dressed in a handsome blue robe with a blue Persian cat perched on his shoulder. We have not determined Miss Garden's relationship with Van Dine, but know that in 1964 she was involved in renewing the copyright of the Philo Vance murder cases(cf. A fantastic signed image.

      [Bookseller: Black Swan Books, Inc.]
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        Takht-e jamshid: Bana-ha, naqsh-ha, nebeshte-ha, vol. 1 [only one in Persian] (Persepolis I: Structures, Reliefs, Inscriptions), Abdullah Faryar (transl.).

      Tehran: Amir Kabir publishers in cooperation with Franklin publishers (transl.), 1964 (1342). 205 p. Fig., Tables., Folded maps, Linen. Out of the library of Prof. Dr. Wolfram Kleiss, longtime head of Tehran Branch of the German Archaeological Institute. No. 283/500. Spine separated, tail dirty on edges, otherwise complete and good. Versandkostenfreie Lieferung

      [Bookseller: Fundus-Online GbR Borkert, Schwarz, Zerf]
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