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Displayed below are some selected recent viaLibri matches for books published in 1964

        Let us all continue the work for the cause of peace" - AUTOGRAPH QUOTATION SIGNED

      - Autograph quotation signed from the American pastor, activist, and leader in the Civil Rights movement who received the Nobel Peace Price in 1964. Album page warmly signed & inscribed in blue ballpoint: "With best wishes and warm regards. Let us all continue the work for the cause of peace, Martin Luther King." Archivally matted with an 8 x 10 inch reproduction portrait photograph to 11 x 14 inches overall. From the collection of Paul Rimmerfors, President of the Swedish Peace Youth Association who invited King to Stockholm after he received the Nobel Peace Prize in Oslo in December 1964. On December 13, thousands of young people participated in a procession and listened to the celebrated civil rights activist give an address outside the Stockholm Cathedral. The present inscription was inscribed to Rimmerfors on this occasion. 

      [Bookseller: Schubertiade Music]
 1.   Check availability:     AbeBooks     Link/Print  


        Original 1964 Publishing Contract for "Why We Can't Wait"

      - Original 1964 publishing contract between Harper & Brothers and Dr. Martin Luther King, Jr. for Why We Can't Wait, King's account of the civil rights movement based around his essay Letter from Birmingham Jail. The present copy was retained by King, and so has been signed by Walter Bradbury and Evan W. Thomas II of Harper & Brothers, but not by King himself. Dated February 19, 1964. 4 pp. on two legal-size sheets, joined at one short edge. Folding creases and a few small edge tears; overall in very good condition. 9 x 15 inches (23.2 x 38 cm).From the papers of Joan Daves, King's literary agent.King's Why We Can't Wait, based on his famous essay of the previous year and written with help from several editors, describes 1963 as the beginning of the "Negro revolution": "Just as lightning makes no sound until it strikes, the Negro Revolution generated quietly. But when it struck, the revealing flash of its power and the impact of its sincerity and fervor displayed a force of a frightening intensity. Three hundred years of humiliation, abuse, and deprivation cannot be expected to find voice in a whisper." (Why We Can't Wait, p. 16). The book was well received and shed particular light on Birmingham as "the most segregated city in America."

      [Bookseller: Schubertiade Music]
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        Signed Three-Dimensional Christmas Card

      1964. Used; Like New/Used; Like New. Unusual folding Christmas card from 1964 depicting a nativity scene, 6.5 x 9.5, signed on the side panel in blue ballpoint by his wife, "From Valerie" and by himself, "and T. S. Eliot." Card was designed by Miche Wynants for Faber and Faber. Some creasing to the rear panel, otherwise fine condition. A most unusual and visually striking item from the eminent American-born British writer, winner of the 1948 Nobel Prize in Literature.

      [Bookseller: Schubertiade Music & Arts ]
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        "On Being a Good Neighbor" - Autograph Quotation Signed

      Used; Like New/Used; Like New. Autograph quotation signed from the American pastor, activist, and leader in the Civil Rights movement who received the Nobel Peace Price in 1964. 1 page, no date, 8 handwritten lines on paper from King's sermon "On Being a Good Neighbor,"originally delivered during the Montgomery Bus Boycott in 1956. Measuring approx. 21 x 14 cm, signed with his name in full "Martin Luther King Jr.". Originally sent to a journalist at the Swedish newspaper "Dagens Nyheter" in 1966, at the time King spoke in Stockholm. <br><br><br />The lines here penned encapsulate some of the essence of King's extraordinary vision: "It is tragic indeed that we seldom see people in their true humaness. A spiritual myopia limits our vision to external accidents. We see men as Jews or Gentiles, Catholics or Protestants, Chinese or American, Negroes or whites. We fail to think of them as fellow human beings made from the same basic stuff as we, molded in the same divine image."

      [Bookseller: Schubertiade Music & Arts]
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        "On Being a Good Neighbor" - Autograph Quotation Signed

      1964. Used; Like New/Used; Like New. Autograph quotation signed from the American pastor, activist, and leader in the Civil Rights movement who received the Nobel Peace Price in 1964. 1 page, no date, 8 handwritten lines on paper from King's sermon "On Being a Good Neighbor,"originally delivered during the Montgomery Bus Boycott in 1956. Measuring approx. 21 x 14 cm, signed with his name in full "Martin Luther King Jr.". Originally sent to a journalist at the Swedish newspaper "Dagens Nyheter" in 1966, at the time King spoke in Stockholm. The lines here penned encapsulate some of the essence of King's extraordinary vision: "It is tragic indeed that we seldom see people in their true humaness. A spiritual myopia limits our vision to external accidents. We see men as Jews or Gentiles, Catholics or Protestants, Chinese or American, Negroes or whites.We fail to think of them as fellow human beings made from the same basic stuff as we, molded in the same divine image."

      [Bookseller: Schubertiade Music & Arts ]
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        "Let us all continue the work for the cause of peace" - AUTOGRAPH QUOTATION SIGNED

      Used; Like New/Used; Like New. Autograph quotation signed from the American pastor, activist, and leader in the Civil Rights movement who received the Nobel Peace Price in 1964. Album page warmly signed & inscribed in blue ballpoint: "With best wishes and warm regards. Let us all continue the work for the cause of peace, Martin Luther King." Archivally matted with an 8 x 10 inch reproduction portrait photograph to 11 x 14 inches overall. <br style="">From the collection of Paul Rimmerfors, President of the Swedish Peace Youth Association who invited King to Stockholm after he received the Nobel Peace Prize in Oslo in December 1964. On December 13, thousands of young people participated in a procession and listened to the celebrated civil rights activist give an address outside the Stockholm Cathedral. The present inscription was inscribed to Rimmerfors on this occasion. 

      [Bookseller: Schubertiade Music & Arts]
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        Original 1964 Publishing Contract for "Why We Can't Wait"

      Used; Like New/Used; Like New. Original 1964 publishing contract between Harper & Brothers and Dr. Martin Luther King, Jr. for Why We Can't Wait, King's account of the civil rights movement based around his essay Letter from Birmingham Jail. The present copy was retained by King, and so has been signed by Walter Bradbury and Evan W. Thomas II of Harper & Brothers, but not by King himself. Dated February 19, 1964. 4 pp. on two legal-size sheets, joined at one short edge. Folding creases and a few small edge tears; overall in very good condition. 9 x 15 inches (23.2 x 38 cm).<br style=""><br style="">From the papers of Joan Daves, King's literary agent.<br style=""><br style="">King's Why We Can't Wait, based on his famous essay of the previous year and written with help from several editors, describes 1963 as the beginning of the "Negro revolution": "Just as lightning makes no sound until it strikes, the Negro Revolution generated quietly. But when it struck, the revealing flash of its power and the impact of its sincerity and fervor displayed a force of a frightening intensity. Three hundred years of humiliation, abuse, and deprivation cannot be expected to find voice in a whisper." (Why We Can't Wait, p. 16). The book was well received and shed particular light on Birmingham as "the most segregated city in America."

      [Bookseller: Schubertiade Music & Arts]
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        Revue des Études Grecques (1964-2004 complete)

      gebundene Ausgabe/broschiert Ausgetragenes Bibliotheksexemplar, mit einzelnen leichten Gebrauchsspuren, 1964-1993 in gebundener Ausgabe (jährlich), 1994-2004 broschiert (halbjährlich)

      [Bookseller: Versand-Antiquariat Konrad von Agris]
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        Aphrodite's Cup

      North Vancouver, British Columbia : Honeysuckle Press, 1964. First edition, limited. Hardcover. SIGNED. Small square quarto [24 cm] Black cloth over boards with the title stamped in white and the publisher's device stamped in tan ink on the spine, and a brown ink stamped ornamental design on the front cover. Top and bottom edges trimmed; deckled fore edges. Green and gray floral patterned endpapers. Very good. The spine is moderately sunned, and has a slight lean to it. Cut in Linoleum by Georges Kuthan. Printed from original lino blocks by Ib Kristensen on Carlyle Japan paper. The type is Perpetua. This limited edition of 275 numbered copies is the first published by the Honeysuckle Press. Copy No. 15. Signed by Georges Kuthan on the limitation page.

      [Bookseller: Ken Sanders Rare Books, ABAA]
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        Nicolai de Cusa: De docta ignorantia / Die belehrte Unwissenheit. Lateinisch/Deutsch. Buch I und II (Philosophische Bibliothek, Band 264 + 264b)

      Felix Meiner, 1964 u. 1967. - 137 u. 175 Seiten ZUSTAND: etwas Lager/Alterungsspuren, wirken ungelesen *schneller Versand* Sprache: Deutsch Gewicht in Gramm: 300 Auflage: Ausgabe mit Vorwort, Anmerkungen und Register. [Attributes: Soft Cover]

      [Bookseller: Versandantiquariat Sylvia Laue]
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        Dezember. "Bois de Noël".

      Zürich, Arcade-Presse, 1964. Erstausgabe. 34 S., 4 Bll. Mit zwölf handkolorierten Holzschnitten von Oskar Dalvit. Kl.-8°, HPergament mit goldgepr. RTitel und Deckelvignette in OSchuber = Fünfter Druck der Arcade-Presse. WG 100. Nr. 10 von 75 Ex. (GA 120). Auf handgeschöpftem Bütten "Richard-de-Bas" von der Art. Institut Orell Füssli AG ad personam gedruckt. Die Holzschnitte wurden von Alfred Judex mit der Handpresse auf Japan abgezogen. Impressum von Jünger und Dalvit eh. sign. - Zustand tadellos.

      [Bookseller: Antiquariat Galerie Joy]
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        Belle chair

      Paris, Pierre de Tartas, 1964. 1 volume in-4 en feuilles sous chemise. 87 pages de texte et des 12 compositions de VOLTI 5 pages de justification; de numérotation de l'exemplaire et détails de la composition. Chemise contenant 12 lithographies originales en sanguine. Tirage de 242 exemplaires, celui ci est un des 150 exemplaires sur velin de Hollande. Cet exemplaire porte le N°105 signé par l'artiste Sous emboitage vert avec inscription de l'auteur et de l'artiste; 4 petites taches plus foncées sur premier plat. Livre bien complet du texte et des 13 gravures originales tirées sur bronze dont une en couverture. Très bel effet en relief des 13 gravures de l'artiste

      [Bookseller: L'escale des mots]
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        Autograph Letter to Vronsky & Babin - SENDING NEW YEAR'S WISHES AND REPORTING ON RECENT COMPOSITIONS AND RECORDINGS

      - Autograph letter from the great French composer to one of the foremost duo-piano teams of the twentieth century. 1 page, dated "XMAS" on letterhead of Mills College, Oakland, CA, signed "DM." With the hand-addressed envelope postmarked Dec 27, 1964.  In English, in full: "Dear Friends, Happy New Year! Thanks for your nice publicity with this nice picture.  We tried without success to phone you today.  I suppose the Calif. flood has something to do with it.  We had a beautiful time in Salt Lake.  The recordings of Pacem in Terris and of Honegger's Judith (Madeleine narrator) went superbly.  I work hard, as I am well now, and finished the 2nd Act of my 'last' opera. Much love to the Critic. DM." Pacem in terris, Op. 404 is a choral symphony for alto, baritone, chorus and orchestra by Milhaud. Though often identified only by its title and opus number, it is considered Milhaud's thirteenth and last symphony. The piece was written in 1963, incorporating text written by Pope John XXIII.Vronsky & Babin were regarded by many as one of the foremost duo-piano teams of the twentieth century. Vitya Vronsky (Viktoria Mikhailovna Vronskaya, 22 August 1909 - 28 June 1992) was born in Yevpatoria(then part of the Russian Empire now part of the annexed territory of Crimea in Ukraine). Victor Babin (Viktor Genrikhovich Babin, 13 December 1908 - 1 March 1972) was born in Moscow, Russia. They both died in Cleveland, Ohio, United States.

      [Bookseller: Schubertiade Music]
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        Nerve

      Harper & Row, Publishers, New York 1964 - The book has one faint stain on top edge of text block corner edges are not bumped. The dust jacket is bright, unfaded, and NOT price clipped; shows some minor wear at top and bottom of spine and small, closed tears at edge of both front and rear panel flap folds. The author's second mystery. Dust jacket protected in clear mylar wrapper; bubble wrapped, boxed, and shipped with USPS Tracking (USA only). [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Lyon's Den Mystery Books & More]
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        Robert Kennedy Discourages a Write-In Campaign in 1964

      1964 - Typed Document. Draft press release, extensive corrections and addenda in Robert Kennedy's hand. n.d., [ca. March 5, 1964]. 1 page, 8 x 8 5/8 in. "President Johnson should be free to select his own running mate" Complete TranscriptThere have been a number of inquiries about the Attorney General's views on the campaign to write in his name for the Office of Vice President in the primary election in New Hampshire next week. The AG as he has said he intends to remain with the Justice Dept. thru November and he has not yet decided what he will do after the election. He has made it clear that the choice of Democratic nominee for Vice President will be made as it should be made, but the Democratic Convention in August, guided by the wishes of President Johnson and that President Johnson should be free to select his own running mate. [For these reasons, the Attorney General has not been in touch with anyone in New Hampshire or taken any action to encourage the campaign. In fact he has discouraged in the past and will continue to discourage any efforts on his behalf.]Historical BackgroundAfter John F. Kennedy's assassination, many Democrats looked to Robert Kennedy to carry his brother's legacy. Supporters thought that if RFK was not the presidential nominee, he should at least become the vice-presidential candidate on the 1964 Democratic ticket with Lyndon Johnson. Despite their public personas and supporters' desires, the two men despised each other. According to Jeff Shesol in his book, Mutual Contempt, Lyndon Johnson, Robert Kennedy, and the Feud that Defined a Decade, Johnson thundered "I'll quit it first!" at the mere suggestion of tapping Bobby Kennedy as his running mate, followed by "I don't want it that much!" For his part, Kennedy was both a political realist as well as the Johnson administration's Attorney General. He worked to discourage a write-in campaign in any of the Democratic primaries, especially the pivotal New Hampshire primary. Early talk suggested that Kennedy make a public announcement, but to avoid appearing arrogant, he decided to make the announcement though the Justice Department's press office. The statement went through multiple drafts; this is the next-to-last, and the official statement was even shorter-a mere two sentences with 65 words (as opposed to 154 words here).Kennedy's official position was that the choice of a vice-presidential candidate belonged to convention delegates and Johnson, and Kennedy reiterated that he had "not been in touch with anyone in New Hampshire or taken any action to encourage the campaign." Nonetheless, more than 25,000 New Hampshire Democrats wrote in Kennedy's name for vice president; Johnson, with name printed on the ballot, received 29,635 votes. In the end, Kennedy did not stay at Justice, instead, he left in September 1964 to run for a vacant New York Senate seat. Happy to have him out of his administration, Johnson campaigned for Kennedy that fall.As the Vietnam War grew increasingly unpopular, the animosity between the two Democrats lead to Kennedy's primary challenge to Johnson beginning in March 1968. However, Kennedy only entered the contest after seeing Johnson's vulnerability-less-well-known Eugene McCarthy had nearly defeated Johnson in the New Hampshire primary on March 12. With two serious challenges from within his own party, Johnson stunned the nation on March 31, 1968, with a televised announcement that he was dropping out of the race. Tragically, the highly-popular Kennedy, on the verge of gaining the nomination and possibly the White House, was shot and killed on live television in Los Angeles on June 5, 1968, just hours after winning the California primary.

      [Bookseller: Seth Kaller Inc.]
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        Struttura grafica

      Milano , Grafica Uno,, 1964 - 11 stampe a rilievo di Claire Falkenstein su matrice in filo di rame saldato, numerate e firmate a matita (cm 45x45). Testi di Michel Tapié e Berto Morucchio in italiano e inglese. cm 70x50. pp. . . . Edizione originale di 70 + XXX es. numerati. . Coi suoi ferri, coi suoi morceaux choisies, stabilì anzitutto una segreta impalcatura su cui posto il foglio doveva aderire come l'anima il corpo, o più modestamente, ma non meno vitalmente, la pelle i diffrenti organi. Per pressione e per impressione si sviluppava il suo discorso plastico già iniziato nel periodo 1953-1958 con l'object-gravure, espsoto nel 1958 alla galleria "Il Segno" di Roma (da testo di Morucchio) [Attributes: Hard Cover]

      [Bookseller: Studio Bibliografico Marini ALAI - ILAB]
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        Beaver Men

      1964 - SANDOZ, Mari. The Beaver Men. Spearheads of Empire. WITH: Area of the Richer Beaver Harvest of North America. New York: Hastings House/James F. Carr, 1964. Two volumes. Octavo, original half brown morocco gilt, raised bands, uncut and unopened (Beaver Men); original brown cloth, pp. 16, with large map laid in measuring 32 by 40 inches (Richer Beaver Harvest). Housed together in original cloth slipcase. $1750.Signed limited first edition, number 38 of 185 signed copies. Also with two original typed manuscript pages signed by Sandoz bound in, and a wonderful large color map also signed by her.Beaver Men is the ninth volume in Hastings House&#146;s "American Procession Series," and the sixth in Sandoz&#146;s own "Trans-Missouri Series," the series of works on the history of the Great Plains which she had planned to write since her early childhood in Nebraska. "Sandoz&#146;s histories are based on meticulous research, often from esoteric sources, but because she chose to write them as narratives, they read like fiction and thus have drawn criticism from some historians. Nevertheless, writers interested in the West often have relied on her material. Recent researchers in fields as diverse as western American history, sociology, and criminal justice have verified the authenticity of much of her work" (ANB). A fine copy. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Bauman Rare Books]
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        Report of the Warren Commission on the Assassination of President Kennedy

      The New York Times Company 1964 - SIGNED on front end paper as "Gerald R. Ford". 16vo 5.75" x 8.5" i-xl 1-726. Light fray at bottom right of spine and corners. This completely authoritative edition of the Warren Commission Report includes all the text and every single one of the vitally important Commission exhibits necessary to an understanding of the Report. No DJ. "A DOCUMENT OF GREAT HISTORICAL IMPORTANCE - 'Few who loved John Kennedy, or this country, will be able to read it without emotion' Anthony Lewis, The New York Times." (p. i). Light blue boards with 1/4 black cloth, text in guilt on both cover and spine [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Montgomery Rare Books & Manuscripts]
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        Selene (Moon Chariot Rituals). Octet for percussion quartet and string quartet. A large and exceptionally dynamic original diagrammatic map drawing in brightly-coloured inks, accompanied by a number of graphic elements and drawings. Signed by the composer in the right margin

      1964. An highly attractive example of the graphic representation of a musical composition, both manuscript and visual art. &#11;&#11;"Selene... is scored for the unusual combination of string quartet and percussion quartet, and specifically for a collaboration between two of the more intrepid and adventurous performing groups in the country today: the JACK Quartet and Third Coast Percussion... In classical mythology, Selene was the moon's charioteer, as Helios was the sun's. Selene (Moon Chariot Rituals) develops a narrative arc that features the string quartet and percussion quartet as opposed ensembles; as individual personalities in solo roles against the rest of the ensemble; and as a kind of meta-quartet, the two groups melding their timbres as closely as possible. The beginning of the piece establishes frenetic, unstable energy, which levels out and calms briefly before locking into propulsive, dancing motion. Kaleidoscopic combinations of instrumental colors focus our attention alternatively on rhythm or pitch, with brief moments of repose." musicsalesclassical.com/composer/work&#11;&#11;"Heart and soul in the breathtaking music of a thoughtful contemporary composer...reveals a lively, probing mind allied to a beating heart." Donald Rosenberg, Gramophone Magazine&#11;&#11;"Augusta Read Thomas's impressive body of works embodies unbridled passion and fierce poetry. Championed by such luminaries as Barenboim, Rostropovich, Boulez, and Knussen, she rose early to the top of her profession. Later, as an influential teacher at Eastman, Northwestern and Tanglewood, chairperson of the American Music Center, and the Chicago Symphony's longest-serving resident composer, she has become one of the most recognizable and widely loved figures in American Music." American Academy and Institute of Arts and Letters&#11;&#11;"a true virtuoso composer." The New Yorker&#11;&#11;"Bliss out to Ms. Thomas's transfixing shimmer." The New York Times&#11;&#11;"The music of Augusta Read Thomas (b. 1964) is majestic, it is elegant, it is lyrical, it is "boldly considered music that celebrates the sound of the instruments and reaffirms the vitality of orchestral music" (Philadelphia Inquirer). Her deeply personal music is guided by her particular sense of musical form, rhythm, timbre, and harmony. But given this individuality, her music is affected by history

      [Bookseller: J & J Lubrano Music Antiquarians LLC ]
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        Life with Picasso - INSCRIBED WITH AN ORIGINAL DRAWING

      New York: McGraw-Hill Book Company, 1964. First. Used; Like New/Used; Like New. Tan cloth boards (24 cm. tall), with brown lettering to spine. With full jacket; chipped, with a number of tears. With ink portrait by Gilot of a female figure on half-title page, cleverly incorporating the book's title into a head-band. With a presentation inscription to art critic and curator Jacob Baal-Teshuva, dated 9-11-98. <br>Françoise Gilot, French painter and bestselling author living in New York City and Paris, is widely known as the lover and artistic muse of Pablo Picasso from 1944 to 1953, and the mother of his children, Claude Picasso and Paloma Picasso. In May of 2012, the Gagosian Gallery in New York presented an exhibition that chronicles the years in which she and Picasso were together.

      [Bookseller: Schubertiade Music & Arts]
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        STRENNA CIOCIARA 1964

      ASSOCIAZIONE FRA I CIOCIARI, ROMA 1964 - ITALIANO Illustrazioni a colori ed in nero nei testi e fuori testo in pagine lievemente ingiallite ai bordi, brossura editoriale con lievi segni del tempo e con leggera fioritura

      [Bookseller: Biblioteca di Babele]
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        Reminiscences

      McGraw-Hill, New York 1964 - Octavo, 438 pages, with 36 pages of photographic illustrations, including 8 pages in color, plus a color photograph of General MacArthur as frontispiece. This is number 49 of 1,000 copies of this special edition, with a facsimile signature of MacArthur on a tipped-in limitation page preceding the frontispiece, and a true signature on the samed page by his wife, Jean MacArthur. The book is bound in brown cloth, with 5 stars blind-stamped on the front board, and is housed in a heavy tan slipcase titled in gilt. Fine in a near fine slipcase. [Attributes: Signed Copy; Hard Cover]

      [Bookseller: Barbara Farnsworth, Bookseller, A.B.A.A.]
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        You Only Live Twice - A SCARCE VARIENT WITH THE WIDER FRONT AND REAR FLAPS

      Jonathan Cape, London 1964 - HARDBACK - A fine book, free of any previous owner names or inscriptions. The black boards are extremely clean with unbumped corners and spine tips. The dust wrapper is in near fine condition, with none of the usual fading or browning found to the spine. Free of any tears or chips, but with a touch of foxing to the rear flap fold, and with a small mark to the front flap. Correctly priced at 16s.net. The dust wrapper is printed on slightly thicker paper stock, and is regarded as a final proof state. Future dust wrappers had the small front and rear flaps and were printed on slightly thinner paper. [Attributes: First Edition]

      [Bookseller: West Hull Rare Books - P.B.F.A.]
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        You Only Live Twice

      London: Jonathan Cape,, 1964. Octavo. Original black boards, titles to spine in silver, Japanese characters to front board in gilt, wood grain endpapers. With the dust jacket. Spine slightly rolled, a couple of marks to lower edge of text block; an excellent copy in the jacket with slightly rubbed and lightly toned spine, and a couple of nicks to spine ends and tips. First edition, first impression.

      [Bookseller: Peter Harrington]
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        Autograph: Briefe von 1964 und 1967

      Das Angebot umfasst 2 Briefe des nationalsozialistischen Politikers, Schriftstellers und Philosophen Friedrich Alfred Beck an einen Korrespondenzpartner. Die Briefe sind datiert vom 14. April 1964 und vom 11. Februar 1967. Jeder Brief umfasst ein DIN A4 Blatt mit gedrucktem Briefkopf, beidseitig beschrieben als maschinenschriftliches Typoskript mit persönlicher Unterschrift. Der zweite Brief weist ein vierzeiliges handschriftliches Postskriptum mit Namenskürzel auf. Der Empfänger und Korrespondenzpartner hat den Briefen eigene handschriftliche Anmerkungen und Unterstreichungen mit Bleistift hinzugefügt. Zum Inhalt: Brief 1 (1964) gibt im wesentlichen biografische Auskünfte, insbesondere in Hinsicht auf Freunde und Bekannte in der Region um die Ortschaft Rüthen. Weiterhin schreibt Beck über Buchprojekte, die er in Kürze publizieren wolle (Der gefährdete Gott). In Brief 2 (1967) äußert er sich explizit über zeitgenössische Schriftsteller, hier besonders Günter Grass, den er als pervertiert bezeichnet. Auch in diesem Brief gibt es Hinweise und Titelangaben auf Werke, die als Manuskript vorlägen, aber noch nicht in den Druck gegangen sind. Beide Briefe sind wohlerhalten, sie befinden sich in den original Briefumschlägen im Format C6, die Umschläge mit handschriftlichen Notizen des Empfängers.

      [Bookseller: Antiquariat La Poule]
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        Blumenstück. Öl auf Leinwand. Anfang 18. Jahrhundert. 75 x 60 cm. Im Goldrahmen mit floralem Schnitzwerk und Messingschildchen.

      In Landschaft inszeniertes Blumenstillleben mit Tulpen, Dahlien und weiteren sommerlichen Blüten.- Dabei eine Fotografie des Gemäldes, diese verso mit handschriftlicher Expertise aus dem Jahr 1964 von H. Hubert (Chef-Experte der Kunstabteilung des Dorotheums in Wien), welche das Bild als 'Arbeit eines deutschen Malers des 18. Jh. aus dem Kreis des Werner Tamm' einordnet.- Mittig im Bild wenige schwache weiße Rückstände von Fasern, verso kleiner (Zoll-)Stempel. Goldrahmen mit kleinem Abplatzer an oberer linker Ecke.- Aus der Sammlung Häusler, Kiel..

      [Bookseller: Antiquariat Daniel Schramm e.K.]
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        Sometimes a Great Notion

      New York: The Viking Press (1964), 1964. First printing. Hardcover. Very near Fine/very near Fine. 628 pp. Price of $7.50 on front flap of jacket. Both issue points are present, as per Ahearn (APG 002b). A beautiful copy of the authors second novel, a book that is difficult to find in such fine condition. A Very near Fine book in a like dust jacket with one tiny spot of rubbing to the bottom of the spine panel, and a couple tiny hints of rubbing to the folds.

      [Bookseller: Evening Star Books]
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        Problèmes et solutions touchant les premiers principes avec le Tableau sommaire des doctrines des Chaldéens

      - traduits pour la première fois et accompagnés de Commentaires et d'un Index très developpé par A.-Ed. CHAIGNET. Cultures et Civilisations, Bruxelles, 1964, (réimpression de l'édition de Paris, 1898), 3 vol. gr. in-8, rel. éd., LIV - 383 - 413 - VII - 306 p. Très bel ex. à l'état de neuf

      [Bookseller: Le Chemin des philosophes]
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        ALMS FOR OBLIVION: Complete Sequence Comprising: The Rich Pay Late; Friends In Low Places; The Sabre Squadron; Fielding Gray; The Judas Boy; Places Where They Sing; Sound The Retreat; Come Like Shadows; Bring Forth The Body; The Survivors.

      London: Anthony Blond / Blond and Briggs. - 1976 1964 - First editions, first printings. Each of the 10 volumes is signed or inscribed by the author. Publisher&#146;s original cloth with titles in white or gilt to the spine, in dustwrapper. All are without previous owner&#146;s inscriptions or stamps. The Rich Pay Late is a very good or better copy in the lightly rubbed dustwrapper which is price-clipped to the front flap. Signed "Simon Raven / April 1980" to the title page in blue ink; Friends In Low Places is very good with a small scuff to the front endpaper and some spotting to the text block edge. Complete with the near fine dustwrapper which has a couple of marks to the upper panel. Not price-clipped. Signed "Simon Raven / April 1980" in blue ink on the title page; The Sabre Squadron is a near fine square and clean copy in the lightly rubbed dustwrapper which has a small hole to the upper panel. Not price-clipped. Signed "Simon Raven / April 1980" in blue ink on the title page; Fielding Gray is a fine copy, in a fine dustwrapper. Not price-clipped. Signed "Simon / April 1980" in blue ink on the title page; The Judas Boy is very near fine in a fine dustwrapper. Not price-clipped. Signed by the author in blue ink on the title page; Places Where They Sing is an excellent near fine copy, the binding square, the text block a little dusty to the top edge. Complete with the near fine lightly rubbed dustwrapper. Not price-clipped. Signed by the author in blue ink on the title page; Sound The Retreat is a near fine copy in the very good rubbed and nicked dustwrapper. Not price-clipped. Signed by the author in blue ink on the half title; Come Like Shadows is a fine copy in the fine dustwrapper which retains the original yellow wraparound band. Not price-clipped. Signed "Simon Raven / April 1980" in blue ink on the title page; Bring Forth The Body is a fine copy in the lightly rubbed dustwrapper. Not price-clipped. Inscribed by the author "Ralph from Simon / July 1984" in blue ink on the title page; The Survivors is a fine copy in the near fine dustwrapper which is rubbed at the top right corner of the upper panel. Clipped and re-priced by the publisher on the front flap. Signed by the author and dated April 1980 in blue ink on the title page. An excellent signed first printing set of the author&#146;s acclaimed Alms For Oblivion sequence. Further details and images for any of the items listed are available on request. Lucius Books welcomes direct contact with our customers. [Attributes: First Edition; Hard Cover]

      [Bookseller: LUCIUS BOOKS (ABA, ILAB, PBFA)]
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        Selene (Moon Chariot Rituals). Octet for percussion quartet and string quartet. A large and exceptionally dynamic original diagrammatic map drawing in brightly-coloured inks, accompanied by a number of graphic elements and drawings. Signed by the composer in the right margin

      An highly attractive example of the graphic representation of a musical composition, both manuscript and visual art. "Selene... is scored for the unusual combination of string quartet and percussion quartet, and specifically for a collaboration between two of the more intrepid and adventurous performing groups in the country today: the JACK Quartet and Third Coast Percussion... In classical mythology, Selene was the moon's charioteer, as Helios was the sun's. Selene (Moon Chariot Rituals) develops a narrative arc that features the string quartet and percussion quartet as opposed ensembles; as individual personalities in solo roles against the rest of the ensemble; and as a kind of meta-quartet, the two groups melding their timbres as closely as possible. The beginning of the piece establishes frenetic, unstable energy, which levels out and calms briefly before locking into propulsive, dancing motion. Kaleidoscopic combinations of instrumental colors focus our attention alternatively on rhythm or pitch, with brief moments of repose." musicsalesclassical.com/composer/work "Heart and soul in the breathtaking music of a thoughtful contemporary composer...reveals a lively, probing mind allied to a beating heart." Donald Rosenberg, Gramophone Magazine "Augusta Read Thomas's impressive body of works embodies unbridled passion and fierce poetry. Championed by such luminaries as Barenboim, Rostropovich, Boulez, and Knussen, she rose early to the top of her profession. Later, as an influential teacher at Eastman, Northwestern and Tanglewood, chairperson of the American Music Center, and the Chicago Symphony's longest-serving resident composer, she has become one of the most recognizable and widely loved figures in American Music." American Academy and Institute of Arts and Letters "a true virtuoso composer." The New Yorker "Bliss out to Ms. Thomas's transfixing shimmer." The New York Times "The music of Augusta Read Thomas (b. 1964) is majestic, it is elegant, it is lyrical, it is "boldly considered music that celebrates the sound of the instruments and reaffirms the vitality of orchestral music" (Philadelphia Inquirer). Her deeply personal music is guided by her particular sense of musical form, rhythm, timbre, and harmony. But given this individuality, her music is affected by history ? in Thomas's words, "Old music deserves new music and new music needs old music." For Thomas, this means cherishing her place within the musical tradition and giving credit to those who have forged the musical paths she follows and from which she innovates. "You can hear the perfumes of my metaphorical grandparents," Thomas states. "There is a wonderful tradition that I adore, I understand, and care about, but I have my two feet facing forward." Thomas's vision toward the future, her understanding of the present, and her respect for the past is evident in her art. Most striking in her music, however, is its exquisite humanity and poetry of the soul. The notion that music takes over where words cease is hardly more true than in her musical voice." "Born in Glen Cove, New York, Thomas was appointed University Professor of Composition at the University of Chicago in 2011. University Professors are selected for internationally recognized eminence in their fields as well as for their potential for high impact across the University. Thomas will become the 16th person ever to hold a University Professorship, and the fifth currently at the University. Additionally, she was the Mead Composer-in-Residence with the Chicago Symphony Orchestra (CSO) from May 1997 through June 2006, a residency that culminated in the premiere of Astral Canticle ? one of two finalists for the 2007 Pulitzer Prize in Music. During her residency with the CSO, under the direction of Daniel Barenboim, Thomas not only premiered nine commissioned works, but also founded, along with Cliff Colnot, and curated the MusicNOW series. In addition to Barenboim, Thomas's music has been championed by other leading conductors including Pierre Boulez, Esa-Pekka Salonen, Oliver Knussen, Seiji Ozawa, Mstislav Rostropovich, Leonard Slatkin, David Robertson, Christoph Eschenbach, Ludovic Morlot, and Xian Zhang. Her music has been commissioned by leading ensembles and organizations around the world including: Love Songs (Chanticleer); Chanting to Paradise (NDR [German Radio] Orchestra); Song in Sorrow (The Cleveland Orchestra); Orbital Beacons, Aurora, In My Sky at Twilight, Ceremonial, Carillon Sky, Words of the Sea, Trainwork, Tangle, and Astral Canticle (Chicago Symphony Orchestra); Prayer Bells (Pittsburgh Symphony); Bells Ring Summer (La Jolla Chamber Music Society); Galaxy Dances, and Cello Concerto (National Symphony); Violin Concerto (Radio France and the BBC Orchestra); Helios Choros I (Dallas Symphony); Helios Choros II (London and Boston Symphony Orchestras); Helios Choros III (Orchestre de Paris); Pulsar (BBC); Terpsichore's Dream (Utah Symphony); Canticle Weaving (Los Angeles Philharmonic); and Cantos for Slava (ASCAP Foundation)." "From 1993 to 2001, Thomas was an assistant professor, then associate professor of composition at the Eastman School of Music, and from 2001 until 2006 she was the Wyatt Professor of Music at Northwestern University. In 2007-2008, Thomas was a Visiting Scholar in the Department of Music in the Division of the Humanities at the University of Chicago. Frequently, Thomas undertakes short-term residencies in colleges, universities, and festivals across the United States and in Europe." "Thomas studied composition with Jacob Druckman at Yale University, with Alan Stout and Bill Karlins at Northwestern University, and at the Royal Academy of Music in London. She was a Junior Fellow in the Society of Fellows at Harvard University (1991-94) and a Bunting Fellow at Radcliffe College (1990-91), and often teaches composition at Tanglewood. Thomas has also been on the Board of Directors of the American Music Center since 2000, as well as on the boards and advisory boards of several chamber music groups." "In addition to the numerous commercial recordings of her music available on major record labels, Thomas has released five of her own albums independently." musicsalesclassical.com/composer/long-bio/Augusta-Read-Thomas, December 2013. 1 leaf. Large oblong folio, ca. 17" x 29.5" (432 x 749 mm.). Printed on Judy Green music paper P-564. The central element of the map consists of an illustrated timeline of the composition in 18 minutes accompanied by annotations in brightly-coloured inks relating to various elements of the work including instrumentation, dynamics, tempi, and harmonic concepts ("outlining harmonies are Interlocking Chasing lines"). These ideas are further developed with additional text expanding performance indications, including such idiosyncratic directives as "Playful & Optimistic," "Capricious & Energized Like a chase," "Dancing on tip-toes," etc. With bright bands of colour extending along the timeline parallelling specific tempo markings and performance directives and additional graphic elements woven along the timeline including wavy lines, dots, dashes, etc. and a text block including the autograph notation "Formal Concerns: Braiding, twing, twisting... encircling interplaiting...," incorporating interlocking lines of colour. The pictorial elements include an image of Selene in her chariot being drawn by a waxing crescent moon in the lower right corner, with accompanying text reading: "In Greek mythology, Selene, goddess of the moon, drives her moon chariot across the sky and the heavens. She is the sister of Sun-god Helios and of Eos, goddess of the dawn" and an image of the Earth surrounded by stars in the upper left corner. With the composer's calligraphic autograph notes on the commissioning and premiere of the work by Third Coast Percussion & Jack Quartet on March 5, 2015 at the Miller Theatre at Columbia University in New York and at the Tanglewood Music Center on June 25, 2015 at head. Interestingly, the composer notes "To be performed with dancers when feasible," an intriguing additional dimension of the work.

      [Bookseller: J & J Lubrano Music Antiquarians LLC]
 30.   Check availability:     IOBABooks     Link/Print  


        La divina commedia. Illustrazioni di Dalì

      Salani, 1964. Le tre cantiche sono illustrate da 100 tavv. a colori, create da Salvador Dali', incise e stampate da Raymond Jacquet a Parigi, su carta di Rives. Importante edizione impressa dalla Stamperia Valdonega di Verona, su carta a mano Magnani. Tiratura di 2900 esemplari.Le misure sono relative a tutti i 6 volumi assieme.

      [Bookseller: Di Mano in Mano]
 31.   Check availability:     maremagnum.com     Link/Print  


        Shanghai Bowuguan cang Qingtongqi (Bronzes in the Shanghai Museum).

      Shanghai, Shanghai Renmin Meishu Chubanshe, 1964. Fol., Leinen 365 x 330 cm. Leinen mit Schutzumschlag im originalen Schuber mit Buchtitel in Blindprägung. Mit 100 farbigen Abbildungen von Bronzen. Stammt aus dem Besitzes des Sinologen Prof. Chang Tsung-tung. Umschlag mit Randeinrissen, Vorwort mit Markierungen, Schuber mit Rissen, insgesamt noch gutes Exemplar. Versand D: 5,00 EUR Chinesische Kunst, China

      [Bookseller: Antiquariat an der Uni München]
 32.   Check availability:     buchfreund.de     Link/Print  


        A la gare

      Milano , Grafica Uno,, 1964 - Texte de Amos Kenan, adaptation française de Christiane Rochefort. Dix eaux-fortes originales de Pierre Alechinsky, ''Quelques vieilles lignes'' / Testo di Amos Kenan e una suite di 10 acqueforti originali a colori di Pierre Alechinsky (''Quelques vieilles lignes'', cm 15x11). Adattamento francese di Christiane Rochefort. Edizione firmata dall'Artista. 8vo (cm 26x21). pp. 48. . Ottimo (Fine). . Edizione di 110 + XV es. numerati e firmati. . [Attributes: Hard Cover]

      [Bookseller: Studio Bibliografico Marini ALAI - ILAB]
 33.   Check availability:     AbeBooks     Link/Print  


        Audrey Hepburn Photographs 1953 - 1966. Köln, Taschen, 2010. 282 S. Mit sehr zahlr. teils farb. Fotoabb. Folio. Illustr. OHSeidenbd. in blindgepr. OSeidenkassette.

      Eines von 1000 nummerierten und von Bob Willoughby signierten Exemplaren.- Originalverpackt.- Der Fotograf Bob Willoughby begleitete die Schauspielerin Audrey Hepburn durch ihre Karriere. In diesem opulenten Bildband zeigt er ihre verschiedenen Facetten vom US-Filmdebüt bis zum Höhepunkt ihrer Karriere als My Fair Lady im Jahr 1964.

      [Bookseller: Antiquariat Daniel Schramm e.K.]
 34.   Check availability:     booklooker.de     Link/Print  


        SOMETIMES A GREAT NOTION (SIGNED)

      New York: Viking Press, 1964. FIRST EDITION. HARDCOVER. Near Fine in Near Fine Dustjacket. SIGNED COPY IN DUSTJACKET. Light mottled gray with blue-and-green Double K design on front cover. All first-issue points present. Kesey's signature in pen, on title page. Several tiny surface-scritches to top edge. Very light shelfwear to extremities of first state dust jacket, with a tiny rubbed spot to front dj panel (Hank Krangler credited as photographer), 628pp. Extremely clean copy of the archetypal great American novel. In twenty-five years, we've never seen as nice a copy as this! The book's publication (Kesey's second novel) occasioned the fabled cross-country trip in a bus called "Furthur" with The Merry Pranksters. It was later made into a movie starring Paul Newman (1971).

      [Bookseller: Aardvark Books / Ezra The Bookfinder, AB]
 35.   Check availability:     Biblio     Link/Print  


        How It Is

      London: John Calder,, 1964. Translated from the French by the Author. Octavo. Publisher's deluxe binding of fawn full morocco over bevelled boards, gilt lettered spine, top edges gilt, others untrimmed. With the original fawn slipcase. Light bump to foot of spine, slight wear to extremities of slipcase. An excellent copy, largely unopened. First and limited UK edition, number 80 of 100 copies signed by Beckett; originally published as Comment c'est (Paris: Éditions de Minuit, 1961).

      [Bookseller: Peter Harrington]
 36.   Check availability:     Biblio     Link/Print  


        ALMS FOR OBLIVION: Complete Sequence Comprising: The Rich Pay Late; Friends In Low Places; The Sabre Squadron; Fielding Gray; The Judas Boy; Places Where They Sing; Sound The Retreat; Come Like Shadows; Bring Forth The Body; The Survivors.

      London: Anthony Blond / Blond and Briggs. 1964 - 1976. First editions, first printings. First editions, first printings. Each of the 10 volumes is signed or inscribed by the author. Publisher?s original cloth with titles in white or gilt to the spine, in dustwrapper. All are without previous owner?s inscriptions or stamps. The Rich Pay Late is a very good or better copy in the lightly rubbed dustwrapper which is price-clipped to the front flap. Signed ?Simon Raven / April 1980? to the title page in blue ink; Friends In Low Places is very good with a small scuff to the front endpaper and some spotting to the text block edge. Complete with the near fine dustwrapper which has a couple of marks to the upper panel. Not price-clipped. Signed ?Simon Raven / April 1980? in blue ink on the title page; The Sabre Squadron is a near fine square and clean copy in the lightly rubbed dustwrapper which has a small hole to the upper panel. Not price-clipped. Signed ?Simon Raven / April 1980? in blue ink on the title page; Fielding Gray is a fine copy, in a fine dustwrapper. Not price-clipped. Signed ?Simon / April 1980? in blue ink on the title page; The Judas Boy is very near fine in a fine dustwrapper. Not price-clipped. Signed by the author in blue ink on the title page; Places Where They Sing is an excellent near fine copy, the binding square, the text block a little dusty to the top edge. Complete with the near fine lightly rubbed dustwrapper. Not price-clipped. Signed by the author in blue ink on the title page; Sound The Retreat is a near fine copy in the very good rubbed and nicked dustwrapper. Not price-clipped. Signed by the author in blue ink on the half title; Come Like Shadows is a fine copy in the fine dustwrapper which retains the original yellow wraparound band. Not price-clipped. Signed ?Simon Raven / April 1980? in blue ink on the title page; Bring Forth The Body is a fine copy in the lightly rubbed dustwrapper. Not price-clipped. Inscribed by the author ?Ralph from Simon / July 1984? in blue ink on the title page; The Survivors is a fine copy in the near fine dustwrapper which is rubbed at the top right corner of the upper panel. Clipped and re-priced by the publisher on the front flap. Signed by the author and dated April 1980 in blue ink on the title page. An excellent signed first printing set of the author?s acclaimed Alms For Oblivion sequence. Further details and images for any of the items listed are available on request. Lucius Books welcomes direct contact with our customers.

      [Bookseller: Lucius Books]
 37.   Check availability:     Biblio     Link/Print  


        Woman in the Dunes [Suna no onna] (Original Japanese poster for the 1964 film)

      Japan: Toho Company, Ltd, 1964. Original Japanese B2 poster for the 1964 Japanese film. A masterpiece of 1960s Japanese cinema, based on the novel by Kôbô Abe, which Roger Ebert described as a modern turn on the myth of Sisyphus. A schoolteacher, on an expedition to collect insects that inhabit sand dunes, becomes trapped with a widow in a hut inexplicably built at the bottom of a sand quarry. Winner of the Cannes Prix du jury. 20 x 28.5 inches (51 x 72 cm). Moderate edge wear, light creasing overall. Very Good or better overall. BFI 645. Criterion 394. Ebert I.

      [Bookseller: Royal Books, Inc.]
 38.   Check availability:     Biblio     Link/Print  


        Gesammelte Werke. 38 von 40 Bänden.

      Berlin, Hamburg, Rowohlt ca. 1930 - 1964. - 8°, Flexibles rotes Orig.-Ganzleder, teils leicht berieben, meist gut erhalten. - es fehlen die Bände "Beatrix", "Die tödlichen Wünsche" und Band 2 "Kleinbürger", Die Reihe erschien vor dem 2. Weltkrieg bei Rowohlt (Berlin) in 44 Bänden (5 Titel in je 2 Bänden; nach dem Krieg erschien eine Neuausgabe, bei der die vorher fünf 2-bändigen Titel in je einem zusammengefasst wurden, so dass die komplette Reihe dann 40 Bände umfasst. - 1."Albert Savarus", Berlin, o. J. - 3. "Buch der Mystik", Berlin, o. J. - 4. "Cäsar Birotteaus Grösse und Niedergang", Berlin, o. J. - 5. "Der Alchimist", Hbg. 1953. - 6. "Der Ehekontrakt", Hbg. 1957 (mit Schuber). - 7. "Der Landarzt", Hbg. 1953. - 8. "Der Landpfarrer", Hbg. 1954. - 9. "Die Bauern", Berlin, o.J. - 10. "Die Frau von Dreissig Jahren", Berlin, o. J. - 11. "Die Geheimnisse der Fürstin Cadignan", Hbg. 1958. - 12. "Die Kleinbürger", Band I, Berlin, o.J. - 13. "Die Königstreuen", Berlin, o. J. - 14. "Die Lilie im Tal", Hbg. 1953. - 16. "Ehefrieden", Hbg. 1952. - 17. "Eine dunkle Geschichte", Berlin, o. J., mit Schuber - 18. "Eugenie Grandet", Hbg. 1952, mit Schutzumschlag und Schuber. - 19. "Geschichte der Dreizehn", Hbg. 1953. - 20. "Glanz und Elend der Kurtisanen", Hbg., 1952. - 21. "Heimliche Könige", Berlin, o. J. - 22. "Honorine", Hbg. 1956. - 23. "Junggesellenwirtschaft", Hbg. 1952. - 24. "Katharina von Medici", Hbg. 1955. - 25. "Künstler und Narren", Hbg. 1955. - 26. "Modeste Mignon", Hbg. 1953. - 27. "Nebenbuhler", Hbg. 1954. - 28. "Oberst Chabert", Hbg. 1958. - 29. "Pariser Novellen", Berlin, o. J. - 30. "Pierrette", Berlin, o. J. mit Schuber - 31. "Sarrasine", Berlin, o. J. - 32. "Tante Lisbeth", Berlin, o. J., zwei Bände. - 33. "Trollatische Geschichten", Hbg. 1958. - 34. "Ursula Mirouet", Hbg. 1959. - 35. "Vater Goriot", Berlin, o. J. - 36. "Verlorene Illusionen", Hbg., 1952. - 37. "Vetter Pons", Berlin, o. J. - 38. "Volksvertreter", Berlin, o. J. - 39. "Zwei Frauen", Hbg. 1952. - 40. Inklusive des nur in der Nachkriegs-Ausgabe erschienen Bandes "Maitre Cornelius", Hbg. 1964., [Attributes: Hard Cover]

      [Bookseller: Antiquariat Werner Steinbeiß]
 39.   Check availability:     AbeBooks     Link/Print  


        REMINISCENCES. General of the Army

      New York: McGraw-Hill, 1964. Hard Cover. Fine. SIGNED BY DOUGLAS MACARTHUR ON LIMITATION PAGE without personalization. A Fine hardback SPECIAL LIMITED EDITION OF 1750 AUTOGRAPHED COPIES. THIS IS No. 992. Bound in canvas with gilt lettering spine. In Fine original paper covered slipcase. 8vo. viii, 438 pp.

      [Bookseller: Charles Parkhurst Rare Books, Inc. ]
 40.   Check availability:     ABAA     Link/Print  

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