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Displayed below are some selected recent viaLibri matches for books published in 1964

        Tina oder über die Unsterblichkeit

      Mit Offsetreproduktionen nach Lithografien von Eberhard Schlotter, zwei davon farbig - numerierte (N 74) und von Arno Schmidt und Eberhard Schlotter signierte Auflage in 200 Exemplaren, EA., (W/G II/34), illustr. OPp. m. Rückenvergoldung, auf Bütten gedruckt, 68 S. Darmstadt, Josef Gotthard Bläschke Presse, 1964. Einband minimal fleckig, Rückseite ungleich gedunkelt, sonst sehr gut erhalten.

      [Bookseller: HESPERUS BUCHHANDLUNG & VERSANDANTIQUARI]
 1.   Check availability:     booklooker.de     Link/Print  


        Mexico ilustrado con textos descriptivos en inglés y español .

      1964. Ed. Eatchley. 1964 - . . . 1 Vol. . . Folio Imperial. Plena Piel. . Buen estado. Muy ilustrado.

      [Bookseller: Librería Anticuaria Astarloa]
 2.   Check availability:     IberLibro     Link/Print  


        Klein, William. Tokyo.

      Delpire éditeur, Paris. 1964. - 4°. OPb. 184 S. Franz. Originalausgabe. Ecken min. berieben, insgesamt sehr schönes Expl. [Attributes: Hard Cover]

      [Bookseller: Kunstkiosk im Helmhaus]
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        Herzog

      Viking Press, 1964 SIGNED FIRST EDITION of Saul Bellow's Herzog. Published in New York by The Viking Press in 1964. First Edition, First Printing. Hardback with DJ. Signed by author on front free end paper. Book fine. DJ very good, chipping at corners and spine ends, tiny tear at bottom of front dj, some rubbing. DJ price reads $5.75. Book comes in specially madecloth fold-out case. We will provide a certificate of authenticity for this item.. Signed by Author(s). 1st Edition. Hardcover. Fine/Very Good.

      [Bookseller: Bookbid Rare Books]
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        Underground

      Grafica Uno, 1964. 6 litografie a 3 colori eseguite su pietra di Aldo Bergolli numerate e firmate (cm 35x25). Testi in facsimile appositamente scritti di Buzzati e Patani. Prefazione di Domenico Cara. Edizione firmata dagli Autori. 4to (cm 36x26). pp. 52. Ottimo (Fine). Prima ed. di 120 + A-L es. numerati e firmati. Bergolli (Legnano 1916 - Milano 1972) si diplomò all'Accademia di Belle Arti di Brera nel 1942. Prese parte alla Biennale di Venezia del 1962. Nel 1970 tenne una personale alla Galleria Il Milione di Milano.

      [Bookseller: Studio Bibliografico Marini]
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        Image of Dylan Thomas ' lament - There was a saviour'. SIGNED HANDWRITTEN COPY DELUXE OF ONLY 7.

      Amsterdam, A.S.A. Struik, (1964). Clothbacked cardboard portfolio, 51 x 33,5 cms., containing 10 colour aquatints, each approximately 35 x 24 cms., each on a folded leaf with juxtaposed a text by Dylan Thomas entirely in AUTOGRAPH in felt-tip pen by Montijn himself, including title-page, all (very fine) aquatints signed 'Montijn 1964', annotated 'épr d'art./eigen druk' in pencil, from an edition of only 7 deluxe copies (BESIDES THE 50 REGULAR PRINTED COPIES OF THE TRADE EDITION). All etchings are printed by the artist in various colours. Paper 'Holland druk Velin 148g Koninklijke Papierfabrieken Van Gelder & Zonen'. Design title-page Evelien de Vries Robbé. Montijn, Jan.

      [Bookseller: Luïscius Books]
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        A la gare

      Grafica Uno, 1964. Texte de Amos Kenan, adaptation française de Christiane Rochefort. Dix eaux-fortes originales de Pierre Alechinsky, "Quelques vieilles lignes" / Testo di Amos Kenan e una suite di 10 acqueforti originali a colori di Pierre Alechinsky ("Quelques vieilles lignes", cm 15x11). Adattamento francese di Christiane Rochefort. Edizione firmata dall'Artista . 8vo (cm 26x21). pp. 48. Ottimo (Fine). Edizione di 110 + XV es. numerati e firmati.

      [Bookseller: Studio Bibliografico Marini]
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        Wanderungen durch die Mark Brandenburg

      Hoffmann & Campe, Hamburg, 1964. 606 S. mit einem Frontispiz, Leinen mit Schutzumschlag - Ausgewählt und mit einem Nachwort von Paul Fechter -

      [Bookseller: Celler Versandantiquariat]
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        In His Own Write

      London: Jonathan Cape,, 1964. Introduction by Paul McCartney. Octavo. Original blue laminated boards, sepia tone picture of Lennon and titles to front board in light blue, titles to spine in light blue. No dust jacket issued. Illustrated throughout by John Lennon. Minor wear to corners and spine ends, a few minor marks to the boards, light spotting to front free endpaper. A very good copy. First edition, first impression. Signed by the author on the front free endpaper. John Lennon's first book.

      [Bookseller: Peter Harrington]
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        Der Besuch der alten Dame. Eine tragische Komödie.

      Lausanne, André et Pierre Gonin, 1964. 134 S., 3 Bll. Mit 20 meist handkolorierten bzw. übermalten (7 doppelblattgr.) Originallithographien von Hans Falk. 4°, In losen Bogen in lithographiertem Umschlag in OHalbpergamentdecke mit Büttenbezug und OSchuber Eines von 149 (GA 205) Ex. Im Druckvermerk von Dürrenmat, Falk und dem Verleger sign.- Auf "Vélin de Rives." - Tadelloses Exemplar (noch im Original-Karton).

      [Bookseller: Antiquariat Galerie Joy]
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        Charlie and the Chocolate Factory

      Alfred A. Knopf 1964 - Maroon cloth with gilt lettering on spine, mustard endpapers. First edition, first printing, first issue with six-line colophon at rear. In a first issue dust jacket with no ISBN on rear panel and price of $3.95 intact. Boards lightly bowed outward, small stray ink mark to contents page, several page corners creased. In a Very Good dust jacket with a 3-inch long split to the center of the front flap fold, light edge wear with several short closed tears, light rubbing and light surfaces creasing. The first appearance of the beloved kids' book about gluttony and punishment that served as the basis for two films. [Attributes: First Edition; Hard Cover]

      [Bookseller: Burnside Rare Books]
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        The Mirrour of the World Translated and Printed by William Caxton in MCCCCLXXXI now Printed by Hand by the Allen Press

      Allen Press, Kentfield, CA 1964 - A completely fine copy in the original green clamshell box (near fine, trivial shelfwear). 3 volumes. Illustrated from woodcuts in the Caxton edition; woodcut decorations & hand-colored initials by Mallette Dean based in Caxton designs. (Folio) 38x25 cm (15x10"), signatures loose in wrappers, as issued, set in folding green cloth drop-back box with wood-like pattern interiors. One of 130 copies printed with a hand-press on French hand-made paper, at the Allen Press. Lovely modern printing capturing elements of Caxton's genius, the Mirrour of the World was the first scientific book printed in English. Allen Press Biblio. 28. Gorgeous book. [Attributes: First Edition; Hard Cover]

      [Bookseller: Blue Sky Rare Books]
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        Mosca Mockba

      Silvana Editoriale d'Arte, Milano, 1964, 1a. pp. 184, 131 foto b/n, cm 26x35, rilegatura in cartone con svc, italiano

      [Bookseller: If Immagine Fotografica Libri]
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        CATALOGO BOLAFFI DELLA PITTURA ITALIANA DELL'OTTOCENTO

      GIULIO BOLAFFI EDITORE, SD. CATALOGO BOLAFFI DELLA PITTURA ITALIANA DELL'OTTOCENTO DISPONIBILE COLLEZIONE COMPLETA DEI PRIMI 10 NUMERI BOLAFFI 1964-1981 IN PERFETTE CONDIZIONI GENERALI TUTTI CON SOVRACOP.ORIGINALI A COLORI PRESERVATE PRIMO VOLUME IN CUSTODIA ORIGINALE ILLUSTRATA A COLORI COLLEZIONE COMPLETA DEI PRIMI PIU IMORTANTI CATALOGHI EDITI DA BOLAFFI COMPRESO IL RARO E MITICO NUMERO UNO. Sovraccoperta

      [Bookseller: Antiquariato Librario Bisello]
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        12 aquarelles commentees par Felix Klee

      Berggruen, Paris 1964 - Folio, 50 x 38 cm. Limited edition, copy 75 of 500. 12 color lithographed plates mounted in lettered folders with text in German and French, each with original date and plate size: watercolors date from 1914-1939. Adaptation francaise des textes par Pierre-Henri Gonthier. Printed under the direction of Daniel Jacomet. Interior contents fine, back cover lightly soiled. Loose as issued in cream pebbled cloth portfolio with cloth ties, front cover with Klee illustration in black. Very good [Attributes: First Edition; Hard Cover]

      [Bookseller: Royoung Bookseller, Inc. ABAA]
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        Noble contrée.

      Lausanne, André et Pierre Gonin, 1964. 2 w. Bll., (3) 119 S., 4 w. Bll. mit 13 ganzs. Aquatinta-Radirungen von Hans Erni Fol., rohe Bogen in OUmschlag mit 1 Aquatinta-Radierung, OHPergamentdecke und OHPergamentschuber. Monod 5671. - Eines von L num., von Dichter, Künstler und beiden Velegern sign. Exemplaren (GA 230) hors commerce für die Mitarbeiter. Auf Bütten, unbeschnitten und sauber.

      [Bookseller: Antiquariat Galerie Joy]
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        5 (3 eigenh. und 2 ms.) Briefe mit U. und 1 eh. Bildpostkarte mit U. Meist Santa Barbara bzw. Wien, 1964 bis 1975.

      1964. Zusammen 6½ SS. auf Doppelblatt. Gr.-4to und 8vo. Freundschaftliche Korrespondenz mit dem Wiener Rechtsanwalt Anton Odelga, der zahlreiche Opernaufnahmen und Sängerartikel publizierte: "... Ich wollte Ihnen persönlich danken für das Buch, das Sie mit so unendlich vieler Mühe zusammengestellt haben. Im Durchblättern schon sehe ich, wieviel ich vergessen hatte! Diese Aufzeichnungen sind auch praktisch wertvoll für mich: ich schreibe momentan 'lose Erinnerungen' (Memories at random) [...]" (28. V. 1964). - "[...] Glauben Sie bitte nicht, dass meine Einladung für Hella Müller eine ganz selbstlose ist: ich brauche wirklich sehr viel Hilfe, und habe das Nützliche mit dem Angenehmen verbunden, indem ich Hella einlud, anstatt jemanden für die Zeit zu engagieren. Ich habe keine Ahnung, wieso diese Rosenkavalieraufnahme im Umlauf ist. Ich habe einmal ein kurzes Stück davon gehört, und bin sicher, dass ich damals nicht die Marschallin gesungen habe; ich nehme an, dass ich damals abgesagt hatte und jemand anderer üfr mich eingesprungen war [...]" (3. III. 1971). - "[...] Dei arme Hella haette rechtzeitig den Mut zu einer Operation haben sollen; vielleicht haette es ihr Leben verlaengert. Ich habe noch immer sehr viele Verbindungen mit Wien - es war doch die schoenste Zeit meines Lebens, die ich dort verbracht habe - und es war und ist - meine richtige Heimat. Ich lebe hier in Kalifornien in Zufriedenheit aber was soll man mit 87 Jahren noch vom Leben erwarten? [...]" (17. IV. 1975). - Die Briefe auf Briefpapier mit gedr. Briefkopf.

      [Bookseller: Antiquariat Inlibris]
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        Picasso lithographe

      Sauret, Monte Carlo 1964 - LIVRES Tome IV 1956 - 1963. Avec deux lithographies originales de Picasso en couverture et en frontispice. 1 volume in-4° [Attributes: Soft Cover]

      [Bookseller: Librairie Seigneur]
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        "Une belle endormie".

      1964 1Mine de plomb, signée et datée en bas à gauche, 1964, 13 x 23 cm., encadrée. Une jeune femme vêtue d'un simple petite culotte, légèrement baissée, est endormie, une main derrière la nuque, elle semble rêver. Ce dessin est réalisé avec élégance et finesse, caractéristiques de l'oeuvre de l'artiste angevin. Jean-Adrien MERCIER (1899-1995) est un illustrateur et aquarelliste de premier ordre mais aussi un affichiste et un décorateur (Paquebot France). Une exposition rétrospective lui fut consacrée en 1995 à la Bibliothèque Forney, ainsi que des expositions tournantes, notamment aux Etats-Unis.

      [Bookseller: Librairie Chrétien]
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        Roosevelt After Inauguration (Signed by Burroughs)

      New York: Fuck You Press, 1964. 1st Edition 1st Printing. Soft cover. Fine. Allen Ginsberg (Cover Art). Pamphlet. First Printing. About 5 1/2 by 4 1/2 inches. SIGNED BY BURROUGHS ON THE FIRST INNER PAGE. Mimeographed on multiple shades of paper. Staple bound and roughly published. FINE. Corners pointed. Binding firm and square. But for soft crease to cover, without tears, chips, other creases or bumps. But for stain to back cover near bottom, not marked in any way and very clean and bright. All items carefully wrapped and sent boxed.

      [Bookseller: Tree Frog Fine Books and Graphic Arts]
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        LES ILES DE LA NUIT.

      1964Paris, les Bibliophiles du Faubourg et du Papier, 1964. 1 volume in 4° en feuille dans une chemise imprimée en orange et noir, sous emboîtage toilé orange. 166 pages + 10 pages nch. Edition tirée à 150 exemplaires. Celui-ci, imprimé par Mr Georges SOUSTRE, porte le n°32. Edition illustrée de 17 Pointes sèches de Jacques BOULLAIRE in et HT. En parfait état. L'auteur invente ici un roman qui prend pour décor les îles du Pacifique et de la Polynésie.Congés à la librairie : du 9 au 13 janvier inclus. merci de votre patience ! Meilleurs voeux !

      [Bookseller: Librairie Ancienne du Sud Gironde]
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        DERRIÈRE LE MIROIR. Hommage à Georges Braque.DLM 144-146.

      Paris: Maeght Éditeur. 1964 - Folio (28 x 38 cm.). with original lithographs by Picasso (double page 38 x 56 cm) , Miró, and others; photographs by May Ray and Brassai; other illustrations (including color reproductions of works by Braque), original printed wrappersFor Picasso: Cramer, 124; Bloch, 1847; Mourlot, 401;For Miró: CramerFrom the collection of the late Picasso collector, Stanley Seeger.

      [Bookseller: Wittenborn Art Books]
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        Original Negatives of Lenny Bruce at the Cafe Au Go Go, April 4th, 1964]

      N.P., New York 1964 - [New York]. [April 4, 1964]. Original 35 mm. photo negatives (11 strips of 6 frames, and 1 strip of 4 frames, totaling 70 negatives), of Lenny Bruce (and others) backstage and performing at the Cafe Au Go Go on and around April 4th, 1964, the day after his arrest for obscenity (Bruce was arrested again three days later on the same charges). Negatives clean and unscratched. VG negatives. [Attributes: Soft Cover]

      [Bookseller: Strand Book Store, ABAA]
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        The Old Boys - SIGNED

      Bodley Head 1964 - 1st edition 1st printing hardback in unclipped dustjacket. Signed by author on title-page. Book in VG+ condition, jacket in VG+ condition. No inscriptions, not a book club, ex-libris or remainder copy. Scans available on request. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: Mungobooks]
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        qi for percussion quartet [four percussionists, two sharing a 4.3 octave marimba and two sharing a 5-octave marimba]... for Third Coast Percussion. Autograph sketch map incorporating a 5-minute horizontal timeline divided into sections of varied time frames, with text describing various elements including melodic, rhythmic, harmonic, and structural ideas within each section, e.g., "High line continuo over chords," and "low contrapuntal line against theme on c." Titled and signed by the composer. 2016

      A visually arresting example of the composer's creative working methods. "qi is the circulating vital life energy that in Chinese philosophy is thought to be inherent in all things. In traditional Chinese culture, qi or ch'i or ki in Korean culture and ki in Japanese culture is an active principle forming part of any living thing. qi literally translates as "breath," "air," and figuratively as "material energy," "life force," or "energy flow." Concepts similar to qi can be found in many cultures: prana in Hinduism (and elsewhere in Indian culture), chi in the Igbo religioun, pneuma in ancient Greece, mana in Hawaiian culture, lüng in Tibetan Buddhism, manitou in the culture of the indigenous peoples of the Americas, ruah in Jewish culture, and vital energy in Western philosophy." augustareadthomas.com "The music of Augusta Read Thomas (b. 1964) is majestic, it is elegant, it is lyrical, it is "boldly considered music that celebrates the sound of the instruments and reaffirms the vitality of orchestral music" (Philadelphia Inquirer). Her deeply personal music is guided by her particular sense of musical form, rhythm, timbre, and harmony. But given this individuality, her music is affected by history — in Thomas's words, "Old music deserves new music and new music needs old music." For Thomas, this means cherishing her place within the musical tradition and giving credit to those who have forged the musical paths she follows and from which she innovates. "You can hear the perfumes of my metaphorical grandparents," Thomas states. "There is a wonderful tradition that I adore, I understand, and care about, but I have my two feet facing forward." Thomas's vision toward the future, her understanding of the present, and her respect for the past is evident in her art. Most striking in her music, however, is its exquisite humanity and poetry of the soul. The notion that music takes over where words cease is hardly more true than in her musical voice." "Born in Glen Cove, New York, Thomas was appointed University Professor of Composition at the University of Chicago in 2011. University Professors are selected for internationally recognized eminence in their fields as well as for their potential for high impact across the University. Thomas will become the 16th person ever to hold a University Professorship, and the fifth currently at the University. Additionally, she was the Mead Composer-in-Residence with the Chicago Symphony Orchestra (CSO) from May 1997 through June 2006, a residency that culminated in the premiere of Astral Canticle — one of two finalists for the 2007 Pulitzer Prize in Music. During her residency with the CSO, under the direction of Daniel Barenboim, Thomas not only premiered nine commissioned works, but also founded, along with Cliff Colnot, and curated the MusicNOW series. In addition to Barenboim, Thomas's music has been championed by other leading conductors including Pierre Boulez, Esa-Pekka Salonen, Oliver Knussen, Seiji Ozawa, Mstislav Rostropovich, Leonard Slatkin, David Robertson, Christoph Eschenbach, Ludovic Morlot, and Xian Zhang. Her music has been commissioned by leading ensembles and organizations around the world including: Love Songs (Chanticleer); Chanting to Paradise (NDR [German Radio] Orchestra); Song in Sorrow (The Cleveland Orchestra); Orbital Beacons, Aurora, In My Sky at Twilight, Ceremonial, Carillon Sky, Words of the Sea, Trainwork, Tangle, and Astral Canticle (Chicago Symphony Orchestra); Prayer Bells (Pittsburgh Symphony); Bells Ring Summer (La Jolla Chamber Music Society); Galaxy Dances, and Cello Concerto (National Symphony); Violin Concerto (Radio France and the BBC Orchestra); Helios Choros I (Dallas Symphony); Helios Choros II (London and Boston Symphony Orchestras); Helios Choros III (Orchestre de Paris); Pulsar (BBC); Terpsichore's Dream (Utah Symphony); Canticle Weaving (Los Angeles Philharmonic); and Cantos for Slava (ASCAP Foundation)." "From 1993 to 2001, Thomas was an assistant professor, then associate professor of composition at the Eastman School of Music, and from 2001 until 2006 she was the Wyatt Professor of Music at Northwestern University. In 2007-2008, Thomas was a Visiting Scholar in the Department of Music in the Division of the Humanities at the University of Chicago. Frequently, Thomas undertakes short-term residencies in colleges, universities, and festivals across the United States and in Europe." "Thomas studied composition with Jacob Druckman at Yale University, with Alan Stout and Bill Karlins at Northwestern University, and at the Royal Academy of Music in London. She was a Junior Fellow in the Society of Fellows at Harvard University (1991-94) and a Bunting Fellow at Radcliffe College (1990-91), and often teaches composition at Tanglewood. Thomas has also been on the Board of Directors of the American Music Center since 2000, as well as on the boards and advisory boards of several chamber music groups." "In addition to the numerous commercial recordings of her music available on major record labels, Thomas has released five of her own albums independently." musicsalesclassical.com/composer/long-bio/Augusta-Read-Thomas, December 2013. 1 leaf. Large oblong folio, 279 x 431 mm. Executed in numerous coloured inks on the blank verso of a printed proof page of music score paper, the music of which has been cancelled by the composer in red ink. With further autograph directions, diagrams, and text to margins.

      [Bookseller: J & J Lubrano Music Antiquarians LLC]
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        Water is Taught by Thirst. Autograph sketchleaf signed. A draft of musical ideas together with text of the composer's setting of Emily Dickinson's poem # 135 for choir, 3 sopranos, 3 mezzo-sopranos, and 3 altos. Signed and identified on the recto by the composer.

      1 leaf. Large folio, ca. 430 x 278 mm. Notated on recto in various coloured inks on Judy Green printed 20-stave music manuscript paper. Unprinted verso with text of Dickinson's poem underlined in coloured inks; the whole involves the deconstruction of the poem and the pairing of musical ideas to the resulting text. The present composition is not included in the works list on Thomas's website. A fine example of the composer's creative process, offering significant insight into the genesis of this interesting work. The composition was apparently never further developed; this sketch is thus the only source of Thomas's setting. "The music of Augusta Read Thomas (b. 1964) is majestic, it is elegant, it is lyrical, it is "boldly considered music that celebrates the sound of the instruments and reaffirms the vitality of orchestral music" (Philadelphia Inquirer). Her deeply personal music is guided by her particular sense of musical form, rhythm, timbre, and harmony. But given this individuality, her music is affected by history -- in Thomas's words, "Old music deserves new music and new music needs old music." For Thomas, this means cherishing her place within the musical tradition and giving credit to those who have forged the musical paths she follows and from which she innovates. "You can hear the perfumes of my metaphorical grandparents," Thomas states. "There is a wonderful tradition that I adore, I understand, and care about, but I have my two feet facing forward." Thomas's vision toward the future, her understanding of the present, and her respect for the past is evident in her art. Most striking in her music, however, is its exquisite humanity and poetry of the soul. The notion that music takes over where words cease is hardly more true than in her musical voice." "Born in Glen Cove, New York, Thomas was appointed University Professor of Composition at the University of Chicago in 2011. University Professors are selected for internationally recognized eminence in their fields as well as for their potential for high impact across the University. Thomas will become the 16th person ever to hold a University Professorship, and the fifth currently at the University. Additionally, she was the Mead Composer-in-Residence with the Chicago Symphony Orchestra (CSO) from May 1997 through June 2006, a residency that culminated in the premiere of Astral Canticle -- one of two finalists for the 2007 Pulitzer Prize in Music. During her residency with the CSO, under the direction of Daniel Barenboim, Thomas not only premiered nine commissioned works, but also founded, along with Cliff Colnot, and curated the MusicNOW series. In addition to Barenboim, Thomas's music has been championed by other leading conductors including Pierre Boulez, Esa-Pekka Salonen, Oliver Knussen, Seiji Ozawa, Mstislav Rostropovich, Leonard Slatkin, David Robertson, Christoph Eschenbach, Ludovic Morlot, and Xian Zhang. Her music has been commissioned by leading ensembles and organizations around the world including: Love Songs (Chanticleer); Chanting to Paradise (NDR [German Radio] Orchestra); Song in Sorrow (The Cleveland Orchestra); Orbital Beacons, Aurora, In My Sky at Twilight, Ceremonial, Carillon Sky, Words of the Sea, Trainwork, Tangle, and Astral Canticle (Chicago Symphony Orchestra); Prayer Bells (Pittsburgh Symphony); Bells Ring Summer (La Jolla Chamber Music Society); Galaxy Dances, and Cello Concerto (National Symphony); Violin Concerto (Radio France and the BBC Orchestra); Helios Choros I (Dallas Symphony); Helios Choros II (London and Boston Symphony Orchestras); Helios Choros III (Orchestre de Paris); Pulsar (BBC); Terpsichore's Dream (Utah Symphony); Canticle Weaving (Los Angeles Philharmonic); and Cantos for Slava (ASCAP Foundation)." "From 1993 to 2001, Thomas was an assistant professor, then associate professor of composition at the Eastman School of Music, and from 2001 until 2006 she was the Wyatt Professor of Music at Northwestern University. In 2007-2008, Thomas was a Visiting Scholar in the Department of Music in the Division of the Humanities at the University of Chicago. Frequently, Thomas undertakes short-term residencies in colleges, universities, and festivals across the United States and in Europe." "Thomas studied composition with Jacob Druckman at Yale University, with Alan Stout and Bill Karlins at Northwestern University, and at the Royal Academy of Music in London. She was a Junior Fellow in the Society of Fellows at Harvard University (1991-94) and a Bunting Fellow at Radcliffe College (1990-91), and often teaches composition at Tanglewood. Thomas has also been on the Board of Directors of the American Music Center since 2000, as well as on the boards and advisory boards of several chamber music groups." "In addition to the numerous commercial recordings of her music available on major record labels, Thomas has released five of her own albums independently." musicsalesclassical.com/composer/long-bio/Augusta-Read-Thomas, December 2013.

      [Bookseller: J & J LUBRANO MUSIC ANTIQUARIANS]
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        Et puis voici des vers.

      Perrin 1964 - - Perrin, Paris 1964, 14,5x22cm, en feuilles sous chemise et étui. - Edition originale, un des 50 exemplaires numérotés sur papier de luxe, seuls grands papiers. Dos de la chemise légèrement insolé, agréable exemplaire. [AUTOMATIC ENGLISH TRANSLATION FOLLOWS] First edition, one of 50 numbered copies on papier de luxe, the only large paper copies. Spine of the slipcase slightly sunned, a good copy. [Attributes: First Edition; Soft Cover]

      [Bookseller: Librairie Le Feu Follet]
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        The Island Race

      London: Cassell,, 1964. Large quarto (299 x 232 mm). Finely bound for Asprey and Co. Ltd. in burgundy morocco, spine gilt lettered and panelled and decorated with gilt motifs representative of England, Scotland, Ireland and Wales, covers gilt panelled with a border of lions passant guardant and Tudor roses, spine motifs repeated at corners, all edges gilt, richly gilt turn-ins, marbled endpapers. Illustrated in colour throughout. An excellent copy. First edition thus; superbly bound. This Island Race is an abridgement, by Timothy Baker, of the four volumes of Churchill's History of the English-Speaking Peoples.

      [Bookseller: Peter Harrington]
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        Sanne Sannes: Oog om oog.

      Amsterdam, De Bezige Bij, 1964. Pictorial imitation leather over boards (hardcover), 36,2 x 21,3 cms., unpaginated ( 96 pp.) poems in Dutch with 54 fine photographic black-and-white plates by Sanne Sannes, text by Hugo Claus. First edition. Sannes' first book, the images alternated with poems by Hugo Claus after poems by Macedonios, Asklepiades, Rufinos, Paules Sillentiarius, Meleager and others. Spine yellowed, as usual. Otherwise a fine copy. Sannes, Sanne.

      [Bookseller: Luïscius Books]
 29.   Check availability:     NVvA     Link/Print  


        The Shiny Narrow Grin

      London: Hodder & Stoughton. London, Hodder & Stoughton, 1964. First Edition. First Impression. A near fine copy with a little darkening to the jacket, and a slight bump to the spine tip. Inscribed to the title page "To \ John R. Hale \ all [??? ???] \ Jane Gaskell 1987." Rare to find inscribed. One of the first works to present vampirism with a modern twist, reflections of which have continued throughout the last fifty years [Clute, 1993]. [5485, Hyraxia Books]. . Near Fine. Hardback. 1st Edition. 1964.

      [Bookseller: Hyraxia]
 30.   Check availability:     Biblio     Link/Print  


        Sprache und Bewußtsein. 7 Bände (in 9; Band 6 in 3 Teilbänden).

      Frankfurt am Main, Akademische Verlagsgesellschaft (ab Band 6: Frankfurt am Main und Bern, Lang) 1964 - VII, 506; XII, 524; X, 674; XIV, 700; 817;456; 635; 847 Seiten, 8°, Orig.-Leinenbände mit Schutzumschlägen (Umschlagrücken unterschiedlich verblaßt; sonst gutes Exemplar). Erste Ausgabe. - Band 1: Einleitung. Spannweite des Problems. Von den undialektischen Gebilden zur dialektischen Bewegung. - Band 2: Sprache. Von den Formen "Sprachbau und Weltansicht" über die Bewegungsgestalten "innerer Charakter der Sprachen" und Weltbegegnung zur dialektischen Sprachbewegung bei Wilhelm von Humboldt. - Band 3: Wege zum Bewußtsein. Sprache und Dialektik in den ihnen von Kant und Marx versagten, von Hegel eröffneten Räumen. - Band 4: Zwei Revolutionen der Denkungsart. Die erste Revolution der Denkungsart. Kant: Kritik der reinen Vernunft. - Band 5: Zwei Revolutionen der Denkungsart. Die zweite Revolution der Denkungsart. Hegel: Phänomenologie des Geistes. - Band 6: Der menschliche Begriff. Sprachliche Genesis der Logik, logische Genesis der Sprache. - Band 6/1: 1) Das Logische. 2) Hegel: Wissenschaft der Logik. Die objektive Logik. Erstes Buch: Die Lehre vom Sein. - Band 6/2: Hegel: Wissenschaft der Logik. Das Wesen. - Band 6/3: Hegel: Die Wissenschaft der Logik. Der Begriff. - Band 7: "Und". Die Sprache Hölderlins in der Spannweite von Mythos und Logos. Realität und Wirklichkeit. Teil 1: Mythos und Logos. Teil 2: Bewußtseinsstufen im Werk Friedrich Hölderlins. - Komplett wie hier selten. [Attributes: First Edition; Hard Cover]

      [Bookseller: Versandantiquariat Wolfgang Petry]
 31.   Check availability:     ZVAB     Link/Print  


        Jüchser, Hans. - "Mutter mit Kind".

      - Farbholzschnitt, in 4 Farben, auf festem Japanpapier, 1964. Von Hans Jüchser. 35,9 x 23,8 cm (Darstellung / Druckstock) / 46,5 x 35,5 cm (Blatt). Rechts unten in Bleistift signiert und datiert: "Jüchser 64". Links bezeichnet: "Handdruck". - Seltenes Blatt. - Im linken Rand marginal knickspurig. Frische kontrastreiche Gesamtwirkung. Guter Zustand. Hans Jüchser (1894 Chemnitz - 1977 Dresden). Deutscher Maler und Grafiker. 1910-15 Ausbildung zum Zeichenlehrer in Stollberg. 1915-18 Soldat im Ersten Weltkrieg, danach Zeichenlehrer in Bockau. 1919-23 Studium an der Dresdner Akademie für Kunstgewerbe bei Georg Erler und Arno Drescher. 1923-28 Meisterschüler an der Kunstakademie Dresden bei Otto Hettner und Ludwig von Hofmann. 1927 Studienreise nach Südschweden und Bornholm. 1920-34 Mitglied der Künstlervereinigung Dresden. 1930-32 Mitglied der Assoziation revolutionärer bildender Künstler (ASSO). 1932-34 Mitglied der Neuen Dresdner Sezession und im "Kreis der Sieben? 1937 vernichteten die Nationalsozialisten sechs seiner Gemälde aus den Kunstsammlungen. 1940 als Soldat in den Zweiten Weltkrieg eingezogen. Bis 1949 in Kriegsgefangenschaft. Danach freischaffend in Dresden-Wachwitz. [Attributes: Signed Copy]

      [Bookseller: GALERIE HIMMEL]
 32.   Check availability:     IberLibro     Link/Print  


        Poems

      Constable, London 1964 - Small 8vo, pp. 53. Original green boards, lettered in gilt on spine. A near fine copy in a very good dustwrapper with a little loss to spine ends, and with one short closed tear to head of spine. First edition, INSCRIBED BY THE AUTHOR TO TONY AND JUNE TILLINGHAST: 'for Tony and June, in friendship, Bryan 19/2/64'. Tony Tillinghast was Johnson's close friend and literary sounding board. He died of cancer the year after this book was presented, at the age of twenty-nine. Poems was Johnson's second book to be published, after his novel Travelling People, issued the previous year, and one of the very few Tillinghast survived to see in print. A wonderful and poignant association.

      [Bookseller: Neil Pearson Rare Books]
 33.   Check availability:     AbeBooks     Link/Print  


        MICHELANGELO ARCHITETTO

      AA. VV. - MICHELANGELO ARCHITETTO - Istituto universitario di storia dell'architettura di Venezia, diretto da Brune Zeri saggi di Giulio Carlo Argan, Aldo Bertini, Sergio Bettini, Renato Bonelli, Dario Gioseffi, Paolo Poertoghesi, Bruno Zevi- Catalogo delle opere a cura di Franco Barbieri e Lionello Puppi, redazione di Paolo Portoghesi e Bruno Zevi - TORINO - GIULIO EINAUDI EINAUDI - 1964 In-folio, piena tela grezza grigia originale con sovraccopertina illustrata preservata con piccole mancanze nella parte superiore e inferiore della sovraccopertina, titolo al dorso. Occhietto, frontespizio con logo dell'editore; pp. 1019: [1] colophon con 812 ilustrazioni a piena pagina e a mezza pagina e nel testo di cui diverse a colori. Splendida e imponente opera sulle opera di Michelangelo Archietto dirtta da Paolo Portoghesi e Bruno Zevi coadiuvati dalli scritti di noti importanti autori quali Roberto Pane: l'architettura della volta Sistina; Aldo Bertini: la facciata e la sacrestia nuova di San Lorenzo: Paolo Portoghesi: La biblioteca Laurenziana; Bruno Zevi: le fortificazioni fiorentine;Renzo Bonelli: La para capitolina; Sergio Bettini: La fabbrica di San pietro; Renato Bonelli: palazzio Farnese; Decio Gioseffi: San Giovanni dei fiorentini; Paolo Porteghesi: la cappella Sforza in Santa Maria Maggiore; Decio Gioseffi: porta pia; Bruno Zevi: Santa Maria degli Angeli; Franco Barbieri e Lionello Puppi: catalogo delle opere architettoniche di Michelangelo. Questo libro è il prodotto indiretto di una lavoro universitario svolto a Venezia durante tre stagioni accademiche, dall'autunno del 1960 all'estate del 1963. L'iniziativa nacque in seguito a lunghe ed appassionate discussioni con gli studenti: si doveva scegliere un tema per il corso e le esercitazioni di storia dell'architettura, e a tanti urgeva centrare la personalità artistica più viva e pertinente anche in rapporto ad i problemi del fare contemporaneo. Alla fine fu scelto Michelangelo (Bruno Zevi). Il volume offre agli studiosi una documentazione affatto originale della produzione architettonica Michelangiolesca dalla tomba di Giulio II e dell'impianto della Sistina alla cappella Sforza e all'intervento estremo di Santa Maria degli Angeli. Tutti gli schizzi architettonici di Michelangelo sono qui riprodotti spesso a grandezza naturale e in quadrocromia, le rivelazioni dei monumenti sono state eseguite appositamente per questo libro e costituiscono un patrimonio filologico di eccezionale importanza che consente una precisa identificazione dei segni Michelangioleschi. Centinaia di nuove fotografie illustrano gli spazi, i volumi, le modanature rapprese o erompenti, gli scatti della scrittura architettonica Buonarrotiana. (Dalla seconda di copertina). Ottimo esemplare di questa importante opera su Michelangelo architetto, raro e ricercato. Tela

      [Bookseller: Antiquariato Librario Bisello]
 34.   Check availability:     maremagnum.com     Link/Print  


        Le jeu de la feuillée

      Editions du Parnasse Monte-Carlo, 1964, petit in-8 (18,5 x 12 cm) en feuilles sous couverture rempliée et boîtier recouvert de tissu lie de vin imprimé or. 44 feuillets non foliotés. Le premier plat de couverture est illustré d'une miniature à pleine page. Toutes les pages sont très richement décorées d'encadrement enluminés. L'ouvrage comporte 8 miniatures à pleine page comprenant de 1 à 5 vignettes, 7 vignettes en en-tête de chapitre, 67 lettrines décorées. La couverture est entièrement recouverte d'une grande composition. Toutes les compositions, originales, ont été réalisées (dessin et mise en couleurs) par Jean Gradassi.La typographie, entièrement composée à la main en caractère Gothique corps 12, ainsi que le tirage des bois, ont été exécutés sur les presse de la société d'imprimerie Méditerranéenne, à Nice, par Roger La Noé, Maître imprimeur. La gravure sur bois des frises, cadre, titres et faux-titres sont l'oeuvre d'henri Renaud, graveur à Romainville. Les couleurs ont été appliquées à la main dans les ateliers spécialisés d'Edmond Vairel, à Monaco. Tirage à 810 exemplaires. Celui-ci est un des 750 sur pur chiffon de Lana. Quelques infimes frottements à la soie du boitier sinon parfaite condition pour l'une des réalisations les plus abouties du miniaturiste Jean Gradassi.

      [Bookseller: Librairie ancienne Lis Tes Ratures]
 35.   Check availability:     Livre-rare-book     Link/Print  


        THEATRE DES ETATS DE SON ALTESSE ROYALE LE DUC DE SAVOYE, PRINCE DE PIEMONT, ROY DE CYPRE- TOME I, II CONTENANT LE PIEMONT, LA VILLE DE TURIN, ET LES LIEUX VOISINS

      BOTTEGA D'ERASMO 1964 - Ristampa anastatica dell'edizione del 1700 di 600 copie; questa è la n. 505. Traduit du Latin en François. Formato 35X50

      [Bookseller: Il Mondo Nuovo]
 36.   Check availability:     IberLibro     Link/Print  


        L'aigle aztèque est tombé -

      Plon 1964 -, Paris - 1 volume. Fort in-8 553 pp. Reliure demi-maroquin rouge à encadrements et filets dorés. Dos lisse avec date dorée au talon. Tête dorée. Couverture et dos conservés. Reliure signée J. P. MIGUET. Parfait état. EDITION ORIGINALE. Celui-ci un des 45 exemplaires numérotés sur pur fil du Marais, seul grand papier. L'an 1525. Dans la forêt tropicale de la région maya, des mains blanches passent une corde autour du cou d'un jeune homme à la peau cuivrée. Les bourreaux sont espagnols. La victime est un Mexicain; son nom, Cuauhtemoc, signifie « l'aigle qui tombe, ou qui tomba »; il a été le onzième et dernier empereur du Mexique. [Attributes: Hard Cover]

      [Bookseller: Librairie KOEGUI]
 37.   Check availability:     AbeBooks     Link/Print  


        La dignità delle pietre

      Milano , GRAFICA UNO - LA SFERA, 1964 - 5 acqueforti acquetinte a colori di Giancarlo Pozzi (cm 21x10) e poesie di Cavallo. Prefazione di Domenico Cara. 4to (cm 30x16). pp. 60. Bella dedica con disegno e firma autografa dell'Artista, datata Milano aprile 1965 (Substantial inscription with an original drawing signed by the Artist, dated April 1965). Molto buono (Very Good). Leggere abrasioni al dorso (Abrasions to the leather of the spine). Edizione originale di 100 + XX es. numerati. [Jentsch, 1993]. Rilegato mezza pelle, custodia (half-leather binding, slip-case) [Attributes: Hard Cover]

      [Bookseller: Studio Bibliografico Marini ALAI - ILAB]
 38.   Check availability:     AbeBooks     Link/Print  


        Killer in the Rain. With an Introduction by Philip Durham.

      London: Hamish Hamilton, 1964 - Octavo. Original red boards, titles to spine gilt. With the pictorial dust jacket. Spine gently rolled, faint annotation to front free endpaper. An excellent copy in the bright jacket. First edition, first impression. A collection of eight stories that were originally published in pulp magazines between 1935 and 1941 and not reprinted until this volume appeared following the author's death. [Attributes: First Edition]

      [Bookseller: Peter Harrington. ABA member]
 39.   Check availability:     AbeBooks     Link/Print  


        Prints from the Mourlot Press: Exhibition Sponsored by the French Embassy Circulated by the Traveling Exhibition Service of the National Collection of Fine Arts Smithsonian Institution 1964-1965

      Paris: Fernand Mourlot, The Mourlot Press, 1964. First edition (1/2000 copies). Paperback. Near fine/near fine. 64 pp. Quarto; stiff printed wraps. Full color lithographs printed throughout (a few in black and white). Complete. One of 2000 copies printed on Velin d'Arches. The original lithographs and the reproductions were printed on the presses of Mourlot. The Imprimerie Nationale, Director Andre Brignole, was responsible for the typography.

      [Bookseller: Ken Sanders Rare Books, ABAA]
 40.   Check availability:     Biblio     Link/Print  


        A Study of The Illuminated Books of William Blake.

      London and Paris: The Trianon Press,, 1964. Poet, Printer, Prophet. Large quarto. Original orange full morocco, top edge gilt. With the original marbled slipcase. Colour frontispiece and 31 plates reproducing Blake's original illustrations, with an additional 20 variant plates. Some trivial scuffs to spine, otherwise fine. First edition, unique copy specially bound and with 20 additional plates, unnumbered (from a limited edition of 525 copies) and inscribed by Keynes on the limitation leaf, "This is a special copy bound in full morocco with added material showing progressive stages of the printing of the plates. Geoffrey Keynes." Keynes (1887?1982) was an academic, biographer, and the younger brother of John Maynard Keynes. He was a world authority on Blake, and was instrumental in the production of the Trianon facsimiles, writing the accompanying bibliographical texts and contributing material from his own collection.

      [Bookseller: Peter Harrington]
 41.   Check availability:     Biblio     Link/Print  


        A Study of The Illuminated Books of William Blake. Poet, Printer, Prophet.

      London and Paris: The Trianon Press, 1964 - Large quarto. Original orange full morocco, top edge gilt. With the original marbled slipcase. Some trivial scuffs to spine, otherwise fine. Colour frontispiece and 31 plates reproducing Blake's original illustrations, with an additional 20 variant plates. First edition, unique copy specially bound and with 20 additional plates, unnumbered (from a limited edition of 525 copies) and inscribed by Keynes on the limitation leaf, "This is a special copy bound in full morocco with added material showing progressive stages of the printing of the plates. Geoffrey Keynes." Keynes (1887–1982) was an academic, biographer, and the younger brother of John Maynard Keynes. He was a world authority on Blake, and was instrumental in the production of the Trianon facsimiles, writing the accompanying bibliographical texts and contributing material from his own collection. [Attributes: First Edition]

      [Bookseller: Peter Harrington. ABA member]
 42.   Check availability:     AbeBooks     Link/Print  


        Nothing Personal

      Atheneum, New York 1964 - Near fine in a very good or better slipcase, with the slipcase a stripe of toning along the backstrip, some very slight edgewear, but overall a solid very good plus. Book is near fine, spine very slightly toned, else fine. Signed by Avedon on the front free endpaper. A solid, bright and exceptionally attractive copy of this title, one of Avedon's first publications and in many respects one of his most important as well. [Attributes: First Edition; Signed Copy; Hard Cover]

      [Bookseller: John Kehoe, Bookseller ABAA]
 43.   Check availability:     AbeBooks     Link/Print  


        Museumjournaal, Lucio Fontana

      1964 - serie 9 no 5/6, Het nummer met de beroemde voorplaat van Lucio Fontana [original work by] [Attributes: Soft Cover]

      [Bookseller: Stadion Books]
 44.   Check availability:     AbeBooks     Link/Print  


        The Late Breakfasters by Robert Aickman

      Victor Gollancz 1964 - Very Scarce book. VG condition book with dust jacket. DJ is clean, has fresh colours and has little to no wear to edges, sadly some has written there name to spine in pen. Book has clean and bright contents. [Attributes: Hard Cover]

      [Bookseller: BoundlessBookstore]
 45.   Check availability:     AbeBooks     Link/Print  


        Let us all continue the work for the cause of peace" - AUTOGRAPH QUOTATION SIGNED

      - Autograph quotation signed from the American pastor, activist, and leader in the Civil Rights movement who received the Nobel Peace Price in 1964. Album page warmly signed & inscribed in blue ballpoint: "With best wishes and warm regards. Let us all continue the work for the cause of peace, Martin Luther King." Archivally matted with an 8 x 10 inch reproduction portrait photograph to 11 x 14 inches overall. From the collection of Paul Rimmerfors, President of the Swedish Peace Youth Association who invited King to Stockholm after he received the Nobel Peace Prize in Oslo in December 1964. On December 13, thousands of young people participated in a procession and listened to the celebrated civil rights activist give an address outside the Stockholm Cathedral. The present inscription was inscribed to Rimmerfors on this occasion. 

      [Bookseller: Schubertiade Music]
 46.   Check availability:     AbeBooks     Link/Print  

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