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Displayed below are some selected recent viaLibri matches for books published in 1964

        Blumenstück. Öl auf Leinwand. Anfang 18. Jahrhundert. 75 x 60 cm. Im Goldrahmen mit floralem Schnitzwerk und Messingschildchen.

      In Landschaft inszeniertes Blumenstillleben mit Tulpen, Dahlien und weiteren sommerlichen Blüten.- Dabei eine Fotografie des Gemäldes, diese verso mit handschriftlicher Expertise aus dem Jahr 1964 von H. Hubert (Chef-Experte der Kunstabteilung des Dorotheums in Wien), welche das Bild als 'Arbeit eines deutschen Malers des 18. Jh. aus dem Kreis des Werner Tamm' einordnet.- Mittig im Bild wenige schwache weiße Rückstände von Fasern, verso kleiner (Zoll-)Stempel. Goldrahmen mit kleinem Abplatzer an oberer linker Ecke.- Aus der Sammlung Häusler, Kiel..

      [Bookseller: Antiquariat Daniel Schramm e.K.]
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        Sometimes a Great Notion

      New York: The Viking Press (1964), 1964. First printing. Hardcover. Very near Fine/very near Fine. 628 pp. Price of $7.50 on front flap of jacket. Both issue points are present, as per Ahearn (APG 002b). A beautiful copy of the authors second novel, a book that is difficult to find in such fine condition. A Very near Fine book in a like dust jacket with one tiny spot of rubbing to the bottom of the spine panel, and a couple tiny hints of rubbing to the folds.

      [Bookseller: Evening Star Books]
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        Problèmes et solutions touchant les premiers principes avec le Tableau sommaire des doctrines des Chaldéens

      - traduits pour la première fois et accompagnés de Commentaires et d'un Index très developpé par A.-Ed. CHAIGNET. Cultures et Civilisations, Bruxelles, 1964, (réimpression de l'édition de Paris, 1898), 3 vol. gr. in-8, rel. éd., LIV - 383 - 413 - VII - 306 p. Très bel ex. à l'état de neuf

      [Bookseller: Le Chemin des philosophes]
 3.   Check availability:     AbeBooks     Link/Print  

        Selene (Moon Chariot Rituals). Octet for percussion quartet and string quartet. A large and exceptionally dynamic original diagrammatic map drawing in brightly-coloured inks, accompanied by a number of graphic elements and drawings. Signed by the composer in the right margin

      An highly attractive example of the graphic representation of a musical composition, both manuscript and visual art. "Selene... is scored for the unusual combination of string quartet and percussion quartet, and specifically for a collaboration between two of the more intrepid and adventurous performing groups in the country today: the JACK Quartet and Third Coast Percussion... In classical mythology, Selene was the moon's charioteer, as Helios was the sun's. Selene (Moon Chariot Rituals) develops a narrative arc that features the string quartet and percussion quartet as opposed ensembles; as individual personalities in solo roles against the rest of the ensemble; and as a kind of meta-quartet, the two groups melding their timbres as closely as possible. The beginning of the piece establishes frenetic, unstable energy, which levels out and calms briefly before locking into propulsive, dancing motion. Kaleidoscopic combinations of instrumental colors focus our attention alternatively on rhythm or pitch, with brief moments of repose." "Heart and soul in the breathtaking music of a thoughtful contemporary composer...reveals a lively, probing mind allied to a beating heart." Donald Rosenberg, Gramophone Magazine "Augusta Read Thomas's impressive body of works embodies unbridled passion and fierce poetry. Championed by such luminaries as Barenboim, Rostropovich, Boulez, and Knussen, she rose early to the top of her profession. Later, as an influential teacher at Eastman, Northwestern and Tanglewood, chairperson of the American Music Center, and the Chicago Symphony's longest-serving resident composer, she has become one of the most recognizable and widely loved figures in American Music." American Academy and Institute of Arts and Letters "a true virtuoso composer." The New Yorker "Bliss out to Ms. Thomas's transfixing shimmer." The New York Times "The music of Augusta Read Thomas (b. 1964) is majestic, it is elegant, it is lyrical, it is "boldly considered music that celebrates the sound of the instruments and reaffirms the vitality of orchestral music" (Philadelphia Inquirer). Her deeply personal music is guided by her particular sense of musical form, rhythm, timbre, and harmony. But given this individuality, her music is affected by history ? in Thomas's words, "Old music deserves new music and new music needs old music." For Thomas, this means cherishing her place within the musical tradition and giving credit to those who have forged the musical paths she follows and from which she innovates. "You can hear the perfumes of my metaphorical grandparents," Thomas states. "There is a wonderful tradition that I adore, I understand, and care about, but I have my two feet facing forward." Thomas's vision toward the future, her understanding of the present, and her respect for the past is evident in her art. Most striking in her music, however, is its exquisite humanity and poetry of the soul. The notion that music takes over where words cease is hardly more true than in her musical voice." "Born in Glen Cove, New York, Thomas was appointed University Professor of Composition at the University of Chicago in 2011. University Professors are selected for internationally recognized eminence in their fields as well as for their potential for high impact across the University. Thomas will become the 16th person ever to hold a University Professorship, and the fifth currently at the University. Additionally, she was the Mead Composer-in-Residence with the Chicago Symphony Orchestra (CSO) from May 1997 through June 2006, a residency that culminated in the premiere of Astral Canticle ? one of two finalists for the 2007 Pulitzer Prize in Music. During her residency with the CSO, under the direction of Daniel Barenboim, Thomas not only premiered nine commissioned works, but also founded, along with Cliff Colnot, and curated the MusicNOW series. In addition to Barenboim, Thomas's music has been championed by other leading conductors including Pierre Boulez, Esa-Pekka Salonen, Oliver Knussen, Seiji Ozawa, Mstislav Rostropovich, Leonard Slatkin, David Robertson, Christoph Eschenbach, Ludovic Morlot, and Xian Zhang. Her music has been commissioned by leading ensembles and organizations around the world including: Love Songs (Chanticleer); Chanting to Paradise (NDR [German Radio] Orchestra); Song in Sorrow (The Cleveland Orchestra); Orbital Beacons, Aurora, In My Sky at Twilight, Ceremonial, Carillon Sky, Words of the Sea, Trainwork, Tangle, and Astral Canticle (Chicago Symphony Orchestra); Prayer Bells (Pittsburgh Symphony); Bells Ring Summer (La Jolla Chamber Music Society); Galaxy Dances, and Cello Concerto (National Symphony); Violin Concerto (Radio France and the BBC Orchestra); Helios Choros I (Dallas Symphony); Helios Choros II (London and Boston Symphony Orchestras); Helios Choros III (Orchestre de Paris); Pulsar (BBC); Terpsichore's Dream (Utah Symphony); Canticle Weaving (Los Angeles Philharmonic); and Cantos for Slava (ASCAP Foundation)." "From 1993 to 2001, Thomas was an assistant professor, then associate professor of composition at the Eastman School of Music, and from 2001 until 2006 she was the Wyatt Professor of Music at Northwestern University. In 2007-2008, Thomas was a Visiting Scholar in the Department of Music in the Division of the Humanities at the University of Chicago. Frequently, Thomas undertakes short-term residencies in colleges, universities, and festivals across the United States and in Europe." "Thomas studied composition with Jacob Druckman at Yale University, with Alan Stout and Bill Karlins at Northwestern University, and at the Royal Academy of Music in London. She was a Junior Fellow in the Society of Fellows at Harvard University (1991-94) and a Bunting Fellow at Radcliffe College (1990-91), and often teaches composition at Tanglewood. Thomas has also been on the Board of Directors of the American Music Center since 2000, as well as on the boards and advisory boards of several chamber music groups." "In addition to the numerous commercial recordings of her music available on major record labels, Thomas has released five of her own albums independently.", December 2013. 1 leaf. Large oblong folio, ca. 17" x 29.5" (432 x 749 mm.). Printed on Judy Green music paper P-564. The central element of the map consists of an illustrated timeline of the composition in 18 minutes accompanied by annotations in brightly-coloured inks relating to various elements of the work including instrumentation, dynamics, tempi, and harmonic concepts ("outlining harmonies are Interlocking Chasing lines"). These ideas are further developed with additional text expanding performance indications, including such idiosyncratic directives as "Playful & Optimistic," "Capricious & Energized Like a chase," "Dancing on tip-toes," etc. With bright bands of colour extending along the timeline parallelling specific tempo markings and performance directives and additional graphic elements woven along the timeline including wavy lines, dots, dashes, etc. and a text block including the autograph notation "Formal Concerns: Braiding, twing, twisting... encircling interplaiting...," incorporating interlocking lines of colour. The pictorial elements include an image of Selene in her chariot being drawn by a waxing crescent moon in the lower right corner, with accompanying text reading: "In Greek mythology, Selene, goddess of the moon, drives her moon chariot across the sky and the heavens. She is the sister of Sun-god Helios and of Eos, goddess of the dawn" and an image of the Earth surrounded by stars in the upper left corner. With the composer's calligraphic autograph notes on the commissioning and premiere of the work by Third Coast Percussion & Jack Quartet on March 5, 2015 at the Miller Theatre at Columbia University in New York and at the Tanglewood Music Center on June 25, 2015 at head. Interestingly, the composer notes "To be performed with dancers when feasible," an intriguing additional dimension of the work.

      [Bookseller: J & J Lubrano Music Antiquarians LLC]
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        La divina commedia. Illustrazioni di Dalì

      Salani, 1964. Le tre cantiche sono illustrate da 100 tavv. a colori, create da Salvador Dali', incise e stampate da Raymond Jacquet a Parigi, su carta di Rives. Importante edizione impressa dalla Stamperia Valdonega di Verona, su carta a mano Magnani. Tiratura di 2900 esemplari.Le misure sono relative a tutti i 6 volumi assieme.

      [Bookseller: Di Mano in Mano]
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        Shanghai Bowuguan cang Qingtongqi (Bronzes in the Shanghai Museum).

      Shanghai, Shanghai Renmin Meishu Chubanshe, 1964. Fol., Leinen 365 x 330 cm. Leinen mit Schutzumschlag im originalen Schuber mit Buchtitel in Blindprägung. Mit 100 farbigen Abbildungen von Bronzen. Stammt aus dem Besitzes des Sinologen Prof. Chang Tsung-tung. Umschlag mit Randeinrissen, Vorwort mit Markierungen, Schuber mit Rissen, insgesamt noch gutes Exemplar. Versand D: 5,00 EUR Chinesische Kunst, China

      [Bookseller: Antiquariat an der Uni München]
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        A la gare

      Milano , Grafica Uno,, 1964 - Texte de Amos Kenan, adaptation française de Christiane Rochefort. Dix eaux-fortes originales de Pierre Alechinsky, ''Quelques vieilles lignes'' / Testo di Amos Kenan e una suite di 10 acqueforti originali a colori di Pierre Alechinsky (''Quelques vieilles lignes'', cm 15x11). Adattamento francese di Christiane Rochefort. Edizione firmata dall'Artista. 8vo (cm 26x21). pp. 48. . Ottimo (Fine). . Edizione di 110 + XV es. numerati e firmati. . [Attributes: Hard Cover]

      [Bookseller: Studio Bibliografico Marini ALAI - ILAB]
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        Audrey Hepburn Photographs 1953 - 1966. Köln, Taschen, 2010. 282 S. Mit sehr zahlr. teils farb. Fotoabb. Folio. Illustr. OHSeidenbd. in blindgepr. OSeidenkassette.

      Eines von 1000 nummerierten und von Bob Willoughby signierten Exemplaren.- Originalverpackt.- Der Fotograf Bob Willoughby begleitete die Schauspielerin Audrey Hepburn durch ihre Karriere. In diesem opulenten Bildband zeigt er ihre verschiedenen Facetten vom US-Filmdebüt bis zum Höhepunkt ihrer Karriere als My Fair Lady im Jahr 1964.

      [Bookseller: Antiquariat Daniel Schramm e.K.]
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      New York: Viking Press, 1964. FIRST EDITION. HARDCOVER. Near Fine in Near Fine Dustjacket. SIGNED COPY IN DUSTJACKET. Light mottled gray with blue-and-green Double K design on front cover. All first-issue points present. Kesey's signature in pen, on title page. Several tiny surface-scritches to top edge. Very light shelfwear to extremities of first state dust jacket, with a tiny rubbed spot to front dj panel (Hank Krangler credited as photographer), 628pp. Extremely clean copy of the archetypal great American novel. In twenty-five years, we've never seen as nice a copy as this! The book's publication (Kesey's second novel) occasioned the fabled cross-country trip in a bus called "Furthur" with The Merry Pranksters. It was later made into a movie starring Paul Newman (1971).

      [Bookseller: Aardvark Books / Ezra The Bookfinder, AB]
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        How It Is

      London: John Calder,, 1964. Translated from the French by the Author. Octavo. Publisher's deluxe binding of fawn full morocco over bevelled boards, gilt lettered spine, top edges gilt, others untrimmed. With the original fawn slipcase. Light bump to foot of spine, slight wear to extremities of slipcase. An excellent copy, largely unopened. First and limited UK edition, number 80 of 100 copies signed by Beckett; originally published as Comment c'est (Paris: Éditions de Minuit, 1961).

      [Bookseller: Peter Harrington]
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        ALMS FOR OBLIVION: Complete Sequence Comprising: The Rich Pay Late; Friends In Low Places; The Sabre Squadron; Fielding Gray; The Judas Boy; Places Where They Sing; Sound The Retreat; Come Like Shadows; Bring Forth The Body; The Survivors.

      London: Anthony Blond / Blond and Briggs. 1964 - 1976. First editions, first printings. First editions, first printings. Each of the 10 volumes is signed or inscribed by the author. Publisher?s original cloth with titles in white or gilt to the spine, in dustwrapper. All are without previous owner?s inscriptions or stamps. The Rich Pay Late is a very good or better copy in the lightly rubbed dustwrapper which is price-clipped to the front flap. Signed ?Simon Raven / April 1980? to the title page in blue ink; Friends In Low Places is very good with a small scuff to the front endpaper and some spotting to the text block edge. Complete with the near fine dustwrapper which has a couple of marks to the upper panel. Not price-clipped. Signed ?Simon Raven / April 1980? in blue ink on the title page; The Sabre Squadron is a near fine square and clean copy in the lightly rubbed dustwrapper which has a small hole to the upper panel. Not price-clipped. Signed ?Simon Raven / April 1980? in blue ink on the title page; Fielding Gray is a fine copy, in a fine dustwrapper. Not price-clipped. Signed ?Simon / April 1980? in blue ink on the title page; The Judas Boy is very near fine in a fine dustwrapper. Not price-clipped. Signed by the author in blue ink on the title page; Places Where They Sing is an excellent near fine copy, the binding square, the text block a little dusty to the top edge. Complete with the near fine lightly rubbed dustwrapper. Not price-clipped. Signed by the author in blue ink on the title page; Sound The Retreat is a near fine copy in the very good rubbed and nicked dustwrapper. Not price-clipped. Signed by the author in blue ink on the half title; Come Like Shadows is a fine copy in the fine dustwrapper which retains the original yellow wraparound band. Not price-clipped. Signed ?Simon Raven / April 1980? in blue ink on the title page; Bring Forth The Body is a fine copy in the lightly rubbed dustwrapper. Not price-clipped. Inscribed by the author ?Ralph from Simon / July 1984? in blue ink on the title page; The Survivors is a fine copy in the near fine dustwrapper which is rubbed at the top right corner of the upper panel. Clipped and re-priced by the publisher on the front flap. Signed by the author and dated April 1980 in blue ink on the title page. An excellent signed first printing set of the author?s acclaimed Alms For Oblivion sequence. Further details and images for any of the items listed are available on request. Lucius Books welcomes direct contact with our customers.

      [Bookseller: Lucius Books]
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        Woman in the Dunes [Suna no onna] (Original Japanese poster for the 1964 film)

      Japan: Toho Company, Ltd, 1964. Original Japanese B2 poster for the 1964 Japanese film. A masterpiece of 1960s Japanese cinema, based on the novel by Kôbô Abe, which Roger Ebert described as a modern turn on the myth of Sisyphus. A schoolteacher, on an expedition to collect insects that inhabit sand dunes, becomes trapped with a widow in a hut inexplicably built at the bottom of a sand quarry. Winner of the Cannes Prix du jury. 20 x 28.5 inches (51 x 72 cm). Moderate edge wear, light creasing overall. Very Good or better overall. BFI 645. Criterion 394. Ebert I.

      [Bookseller: Royal Books, Inc.]
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        REMINISCENCES. General of the Army

      New York: McGraw-Hill, 1964. Hard Cover. Fine. SIGNED BY DOUGLAS MACARTHUR ON LIMITATION PAGE without personalization. A Fine hardback SPECIAL LIMITED EDITION OF 1750 AUTOGRAPHED COPIES. THIS IS No. 992. Bound in canvas with gilt lettering spine. In Fine original paper covered slipcase. 8vo. viii, 438 pp.

      [Bookseller: Charles Parkhurst Rare Books, Inc. ]
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        Charlie and the Chocolate Factory

      New York: Alfred A. Knopf,, 1964. Octavo. Finely bound by the Chelsea Bindery in purple morocco, titles to spine gilt, decorative multi-coloured title and chocolate bar onlay to front board, twin rule to turn-ins gilt, dark green endpapers, gilt edges. A fine copy. First edition, first printing with the six line colophon on the last page (this was cut to five in all subsequent printings). This US edition precedes the English by three years.

      [Bookseller: Peter Harrington]
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        Two Sketchbooks of an American-Israeli Artist

      1964. Two sketchbooks. Both are small oblong quartos. The images are largely watercolors, but with some ink, gouache, and other media.1. Spiral bound cardboard ("Windsor Wire Bound Sketch Book"). Modest stain and some ink notes on front cover, very good or better, internally fine. Spanning the period of 1964-1965. 16 images including several watercolors, many of Niagara Falls. Several are signed and dated.2. Red Cloth. Modest wear and small stains, very good, internally fine. Spanning 1984-1985 (Hand-lettered on spine "Anita Kushner 1984-85"). Each of the 78 pages are used for images, often double-paged, and the vast majority are highly accomplished watercolors. Most are signed. The topics are largely impressionist images of Israeli scenes made after she emigrated, many in the area of Beit Shemesh. Her continued development from the earlier album is obvious.Anita Kushner (1935-2011) was born in Pennsylvania and studied art in Philadelphia, later emigrating to Israel where she lived in the city of Beit Shemesh, west of Jerusalem. She exhibited in over 30 solo shows in museums and galleries in the United States, Canada, Europe, and Israel, including at the Herzliya Museum of Contemporary Art, Museum of Israeli Art, Museum of Modern Art in Haifa, and the Israel Museum in Jerusalem. She was the sole artist whose work was displayed at the home of Israeli Prime Minister Menachem Begin during the historic signing of the peace treaty between Israel and Egypt in 1979. As recently as 2012 her art was exhibited at the Westmoreland Museum of American Art to commemorate Women's History Month. The watercolors presented here are especially impressive. .

      [Bookseller: Between the Covers- Rare Books, Inc. ABA]
 15.   Check availability:     ABAA     Link/Print  

        Zeitschrift für die Buchillustration. 111 Hefte und 3 Gesamtregister 1963-1993 (zusammen 114 Hefte)

      Edition Curt Visl, Memmingen, 1964-2003. Zusammen ca. 4000 Seiten mit zahlreichen Illustratitionen u. ca. 440 signierten original Graphiken als Beilagen, einheitlich kartoniert in 13 eigens gefertigen Leinenkassetten, quart, (1 Heft gering fleckig/ 1 Beilage fehlt) - Frische Exemplare/ Vorhanden: 1. Jahrgang 1964, Hefte 3 u. 4, 1965 , Heft 2 aus 1966, 1967 bis 2003 komplett / Gesetzt in Janson-Antiqua der Firma Stempel AG, Frankfurt/M., Burga-Bütten-Papier der Büttenpapierfabrik Hahnemühle, Dassel. Nummerierte Exemplare in einer Auflage von 700 Stück erschienen -

      [Bookseller: Celler Versandantiquariat]
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        Nemisee Auge der Diana Verwandlungen

      Staatliche Werkkunstschule Kassel, (1964-65) 428 x 490 mm, Leinenkassette mit gedruckter Titelei, Titel-Faltblatt mit Einleitung von Hans Konrad Röthel, Textblatt mit Kommentar von Martin Heidegger, 16 Blatt Gravuren in Faltpassepartout und 12 Blatt Offset-Reproduktiomen,, Kassette an einer Ecke bestossen und gesamt leicht begriffen. Blätter in tadellosem Zustand. Nr 73 von 100 numerierten Mappen mit signierter Originalgrafik enthält 14 einfarbige und 2 mehrfarbige, in elektronischer Technik gravierte Variationen und 12 Offset-Reproduktionen nach Zeichnungen, aus denen die Gravuren entwickelt wurden. Die Druckplatten wurden zerstört. Die Staatliche Werkkunstschule Kassel hat die Gravuren, die Reproduktionen und die Drucke hergestellt. - Druckvermerk sowie die 16 Gravuren jeweils handschriftlich vom Künstler nummeriert und signiert.

      [Bookseller: Versandantiquariat Werner Eichel]
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        Charlie and the Chocolate Factory

      New York: Alfred A Knopf, 1964. True first edition first issue/printing with 6 line colophon on the last page, $3.95 price on the front dustflap and no ISBN on the back flap, chocolate coloured upper page edges, burgundy coloured boards and mustard endpapers. Tipped in signed plate by Roald Dahl to the title page. Minimal edgewear to unclipped wrapper (see images) and one 2mm spot to front cover (see image), one 2mm closed tear to fore edge of last page. Beautiful condition, multiple images available.. Signed by Author. First Edition. Cloth. Very Good/Very Good. Illus. by Joseph Schindelman. 8vo - over 7¾" - 9¾" tall.

      [Bookseller: Mayger & Mayger Pty Ltd]
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        Actions / Agit-Pop / De-Collage / Happening / Events / Antiart / L'Autrisme / Art Total / Refluxus - Festival der Neuen Kunst - 20. Juli 1964 - TH Aachen - Eric Andersen, Joseph Beuys, Bazon Brock, Stanley Brouwn, Henning Christiansen, Robert Filliou etc

      Programmdokumentation & Dokumentations-Publikation der Veranstaltung "Actions/Agit-Pop/De-Collage/Happening/Events/Antiart/L'Autrisme/Art Total/Refluxus - Festival der Neuen Kunst" am 20. Juli 1964 in der Technischen Hochschule Aachen, organisiert von Valdis Abolins und Tomas Schmit Beiträge, Dokumentationen, Biographien von Eric Andersen, Joseph Beuys, Bazon Brock, Stanley Brouwn, Henning Christiansen, Robert Filliou Ludwig Gosewitz, Arthur Koepcke, Tomas Schmit, Ben Vautier, Wolf Vostell, Emmett Williams u.a. 28 S. orig. Typoskript-Kopien, Klammerheftung, Deckblätter mit Porträt-Photos obengennanter Künstler, mit eingeheftetetem "OZUP-Bon" von Ludwig Gosewitz und eingeklebtem "Vivograph" von Tomas Schmit auf Briefumschlag, Deutsch / Englisch. Einband gering lichtrandig, wenig bestoßen, kaum angeschmutzt, Seiten etwas angebräunt, etwas lichtrandig, sauber, keine Beschädigungen, keine Anstreichungen, komplett, guter Zustand.

      [Bookseller: Verlag IL]
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        The Spire.

      London; Faber and Faber, 1964. First edition. 19x13 cm. 223, (1 blank) pp. Publisher's maroon cloth with pictorial dustjacket. There is a light stain and a short tear on rear panel of the jacket. Spine ends are slightly bumped. A fine copy. The novel is told by the fourteenth century Dean Jocelyn, who has a vision of the erection of a 404-foot high spire on his cathedral to the honour of God, contrasted to his more worldly desire to another man's wife. Inscribed by the author to his Swedish publisher and his wife, who issued a Swedish edition of the novel in 1965: ''For Peggy & Gerard Bonnier / with great pleasure from William Golding''.

      [Bookseller: Patrik Andersson Antikvariat]
 20.   Check availability:     Antikvariat     Link/Print  

        Das Gesicht Hamburgs. 80 Original-Holzschnitte von Frans Masereel. Einleitung Hans Bütow.

      unpaginiert Gr.-8, Halbpergament in büttenpapierbezogenem Pappschuber mit goldgeprägter Rückentitelei. sauberes und frisches Exemplar, im Impressum heißt es : " Diese 80 Holzschnitte von Franz Masereel wurden 1964 vom Original-Holzstock in einer Auflage von 850 numerierten Exemplaren für den Johannes Asmus Verlag von Hans Christians, beide in Hamburg, gedruckt. Weitere 150 Exemplare wurden zusätzlich gedruckt und von I bis CL numeriert. Das Zerkall-Bütten wurde für dieses Buch besonders angefertigt. Beide Ausgaben hat der Künstler im Druckvermerk signiert. 25 Exemplare wurden auf Kaiserlich Japan abgezogen, wovon der Künstler jedes Blatt signiert hat. Jedes Blatt unter Passepartout und in einer Kassette. Dies ist Nummer 30 (der Ausgabe von 850 Exemplaren), der Buchblock nur am Kopf beschnitten. Frans Masereel (* 30. Juli 1889 in Blankenberge - + 3. Januar 1972 in Avignon) war ein bedeutender belgischer Graphiker, Zeichner und Maler, der vor allem für seine beeindruckenden, von starken Emotionen geprägten Holzschnitte bekannt ist.

      [Bookseller: Bührnheims Literatursalon GmbH]
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        Publications de la Compagnie de LArt Brut. 19 Bände. Band 1 - 18 und ein Ausstellungskatalog

      Compagnie de lArt Brut, Paris, 1964 - 1994. zusammen ca. 2700 S., mit zahlr. Abb., orig. kart. Enthält: Fascicule 1: le Prisonnier de Bale, le Lambris de Clément, Dessins Mediumniques du Facteur Lonné, Palanc LÉcrituriste Fascicule 2: Adolf Wölfli, Par le Prof. Dr. W. Morgenthaler Fascicule 3: le mineur lesage, Salingardes laubergiste, Le cabinet du professeur Ladame, Les telgrammes de Charles Jaufert, Jayet le Boucher, Les coquilles de maisonneuve, Filaquier le simplet Fascicule 4: Scottie Wilson, Emmanuel le calligraphe, Guillaume, Paul End, Moindre légyptologue, Florent, lécrit du comte du bon sauveur, Jacqueline Fascicule 5: Le philateliste, Broderies d' Elisa, Joseph Crepin, Rose Aubert, Gaston le zoologue, Sylvain, Xavier Parguey Fascicule 6: Carlo, la double vie de Laure, Simone Marye, Anais, robe nuptiale et tableaux brodes de Marguerite Fascicule 7: Aloise par Jacqueline Porret-Forel Fascicule 8: Messages et clichés de Jeanne Tripier la Planétaire, la Fabrique DAuguste, Gustav le Démoniste, Francois, Olive, piéces DArbre Historiées de Bogosav Zivkovic Fascicule 9: Madge Gill, Nataska, Jane Ruffié, Bentivegna, Èmile Ratier, Collection du D A. Marie Fascicule 10: Jules Doudin, Vojislav Jakic, Gaston Teuscher, Pierre Jain, Albino Braz, Samuel Failloubaz, Katharina, Louise Fisher, Solange Lantier, Louise Tournay Fascicule 11: Léontine, Sylvan Fusco, Alois Wey, Edmund Monsiel, André Robillard, Carlo (2), Joseph Vignes, Italo Perugi, Francois Portrat, Samuel Daiber, Thérése Bonnelalbay Fascicule 12: Gugging Fascicule 13: Reinhold Metz par Michel Thévoz Fascicule 14: Josef Wittlich, Willem van Genk, Angelo Meani, Hans Krüsi, Henriette Zephir, Jean Radovic, Yvonne Robert, Anna Zemankova, Armand Schulthess, Camille Renault Fascicule 15: Giovanni Battista Podestá par Lucienne Peiry Fascicule 16: Yanko Domsic, Eugéne Gabritschevsky, Ted Gordon, Benjamin Bonjour, Michel Nedjar, Edouard Boschey, Eugenio Santoro, Helmut, Pepe de Valence, René le Bedeau Fascicule 17: Dwight Mackintosh, Monsieur Poladian, Johann, Johann Fischer, Marcomi, Théo, Erika Orysik la Tinaia, Michael Pankoks Fascicule 18: Emile Josome Hodinos par Lise Maurer Ausstellungskatalog: Expostion LArt Brut, Musée des Arts Décoratifs, Paris 1967

      [Bookseller: Celler Versandantiquariat]
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        Dada-Tresor. Sammlung von Bücher u. Graphiken über Dada (zum 50 jährigen Jahrestag)..

      Blauer Orig.-Polyesterkubus (30 x 30 x 28,5 cm) mit Metallscharnieren u. Polyesterrelief-Türe (im Rahmen signiert Voegeli, Bern, Schweiz, Metalltablare wie immer etwas oxidiert, Bücher teilweise (wie immer) leicht Rostpuren, ansonsten tadellos. Alu-Plakette mit geprägtem Inhaltsverzeichnis.Nr. 38 von 300 Ex. Das Innere des Kubus enthält folgendes: 1.: Richter, Hans: Dada - Kunst und Antikunst. Köln, DuMont, 1964. 8. 259 S. Mit einigen Abb. Orig.-Leinenband mit Schutzumschlag.2.: Honegger-Lavater, Warja: Die seltsame Spiegelgasse in Zürich. Zürich, Warja Honegger-Lavater, 1966. 8. 36 S. Mit Abb. Orig.-Leporello. Mit Signatur der Autorin auf dem festen Vorsatz.3.: DADA. Ausstellung zum 50-jährigen Jubiläum. Erinnerungen und Bekenntnisse. (Zürich u. Paris, Kunsthaus Zürich u. Musee National d'Art Moderne Paris, 1966). Gross-8. (24) S.4.: Dada 1916-1966. Dokumente der internationalen Dada-Bewegung., Goetheinstitut, München, 1966, Gr.-8. 104 S. Mit zahlreichen Abb. Broschur.5.: Vier lose gerollte Grafiken (35 x 25 cm):- Grafik (Druck) von Jean Arp. 4. Nr. 38 v. 300 Ex..- Grafik (Lithogr.) von Raoul Hausmann. 4. Nr. 38 v. 300 Ex., signiert am unteren Rand: R(aoul) H(ausmann) 66- Grafik (rot bedr. Zeitungsauschnitt) von Marcel Janco, Nr. 38 von 300 Ex. am unteren Rand vom Künstler signiert. - Grafik (Lithogr.) von Hans Richter., Nr. 38 von 300 Ex., am unteren Rand vom Künstler signiert vom Künstler.6. Dada-Dokumente (In Schublade liegend, diese alle Num. 38/300):- Einleitungsbrief von Richard Hülsenbeck, An den Besitzer des Dada-Tresors..- Photographie von Hugo Ball. - 50 Jahre Dada. Zeitungsartikel auf 1 1/2 Bogen. Zürich, Neue Zürcher Zeitung, 1966. Gebräunt.

      [Bookseller: antiquariat peter petrej]
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        Flowers for Hitler

      Toronto/Montreal: McClelland and Stewart Limited, 1964. First Edition. Paperback. Very Good. First edition, softcover issue. Signed by Leonard Cohen, inscribed in the year of publication to previous owner on the front free endpaper "For Dr. Dymond / all good lives / Leonard Cohen / Toronto 1964." Very Good or better with gentle reading wear, front hinge slightly over-opened, light toning to wraps and pages, light bump to top corners of early pages.

      [Bookseller: Burnside Rare Books]
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        Le Goût du Bonheur. Trois Carnets d'Atelier.

      31 S., 71 Lithographien. Lose Blätter in Mappe, Büttenpapier mit Wasserzeichen ARCHES, Schuber u. Mappe in geprägtem OLn. Sammlung von 71 Lithographien [davon 26 in Farbe], in Auswahl und Herstellung eng begleitet durch Picasso. Aufwendige Reproduktionen dreier Skizzenbücher Picassos aus dem Jahre 1964 ["Suite érotique"]. Druckverfahren mittels Dietz Offizin Handpresse unter Verwendung authentischer Farbanmischungen Picassos. Größe der Druckfläche ca. 10,5 cm x 16,5 cm, MAße der KAssete u. Blatter ca. 35 cm x 27,50 cm. Limierte Auflage von insgesamt 1998 Exemplaren, jeweils 666 in französischer, englischer und deutscher Sprache. Schuber und Mappe sauber und tadellos, Lithographien in sehr gutem Zustand.

      [Bookseller: Druckwaren Antiquariat GbR]
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        No 144-145-146: Hommage a Georges Braque

      Maeght Editeur, Paris, 1964. 84 S. mit 5 (davon 1 doppelblattgroß) farbigen Original-Lithographien sowie zahlreichen Reproduktionen und photographischen Portraits, kartonierter Original-Einband, folio, (Einband hinten etwas fleckig) - gutes Exemplar / good condition / Die Lithographien von Picasso, Joan Miró, Pierre Tal-Coat, Raoul Ubac, Pierre Pallut und Georges Braque auf Einband / Text französisch -

      [Bookseller: Celler Versandantiquariat]
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        Kayak Nos. 1-64 [Complete]

      Santa Cruz: Kayak, 1964. First edition. 8vo, saddle-stapled wraps. Illustrated. "A kayak is not a galleon, ark, coracle or speedboat. It is a small watertight vessel operated by a single oarsman. It is submersible, has sharply pointed ends, and is constructed of light poles and the skins of furry animals. It has never yet been successfully employed as a means of mass transport." A complete run of one of the most enduring and idiosyncratic little magazines of the Mimeograph Revolution. Kayak was printed using a small printing press which, in its previous life had been used to print menus on a cruise ship, and one of the issues was anecdotally printed on cast-off military target paper. Though it had a preference for surrealist and political work, the magazine published a wide range of poets, including Raymond Carver, Anne Sexton, and Charles Simic. The variety of work and the incredible number of issues were united by a unified graphic approach; each issue included visual work, often in a surrealist vein, interspersed with found imagery by Hitchcock. The magazine was as defiantly political as its editor. Hitchcock attained notoriety for his inspired performance given after being summoned to San Francisco for a hearing before the House Un-American Activities Committee; when asked to state his profession, he stated "I am a gardener. I do underground work on plants." Most issues near fine to fine, with occasional rusting to staples as often found, and a single page ink notation to the cover of one issue. Scarce complete.

      [Bookseller: Division Leap, ABAA]
 27.   Check availability:     Biblio     Link/Print  

        E Dio disse Uno sguardo moderno sugli inizi del cosmo e della storia

      Editrice ELLE DI CI, 1964. ITALIANO 0,82 Traduzione di Franco Montixi; copertina rigida in tela rossa con titoli oro al dorso, con sovracoperta a colori; con numerose illustrazioni fotografiche a colori e in b. n. f. t. e nel testo; lievi segni del tempo USATO

      [Bookseller: Biblioteca di Babele]
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        Daredevil #1 (1964, Complete but Damaged) (UK Price Variant)

      Marvel Comics, 1964, Softcover, Book Condition: Good Condition, First Edition. Size: 180 x 270 mm. 30 pages. Item Type: Book. A complete and reasonably well-preserved copy; page 7-8 is loose, but present with edge wear. Pages generally a little browned, commensurate with age, but are unmarked. They bear some minor edge wear, mostly to corners, with a more notable tear to the right edge of the front cover. Covers are generally a little browned around the edges and have a discreet ink note at the top edge, but remain presentable, with staples intact but a little rusted. Why do most sellers not describe their actual item on Amazon? Buy with confidence, support a genuine, Independent, Bricks & Mortar, Real Bookshop and help to preserve our High Streets as interesting places to shop. We are Maynard & Bradley CAMBO & PBFA (now lapsed) members here in Leicester City Centre, UK. +44 116 253 2712 Quantity Available: 1. Shipped Weight: Under 500 grams. Category: Science Fiction & Fantasy; United States; 1960s; Pictures of this item not already displayed here available upon request. Inventory No: 04112.

      [Bookseller: Maynard&Bradley]
 29.   Check availability:     Bookzangle     Link/Print  

        La truite

      - Gallimard, Paris 1964, 14,5x21,5cm, broché. - Prima edizione, una delle 31 copie numerate su Holland, edizione deluxe. Bella copia. - [FRENCH VERSION FOLLOWS] Edition originale, un des 31 exemplaires numérotés sur Hollande, tirage de tête. Bel exemplaire.

      [Bookseller: Librairie Le Feu Follet]
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        Virtù Apostoliche

      Edizioni Pime, MILANO 1964 - ITALIANO La raccolta delle lettere ai missionari scritte da padre Paolo Manna, superiore generale del Pime rappresenta un vero trattato di spiritualità missionaria. Brossura editoriale con alette illustrata a colori con titolo al piatto e al dorso, copertina flessibile patinata con lievi segni di uso, timbro di biblioteca al frontespizio e ad un'altra carta, tagli e pagine ingialliti, volume ben conservato

      [Bookseller: Biblioteca di Babele]
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        Bekanntmachung. In: Frankfurter Intelligenz=Blatt (welches auf dem kleinen Hirschgraben F 77 Dienstags und Freytags ausgegeben wird.) No. 33. Freytag, den 17. April

      Oktav (20 x 17 cm), Rückenbroschur, Kramer, Waldemar: Frankfurter Chronik. Frankfurt am Main 1964, S. 276 - "Dr. Baruch macht seinen Freunden und Allen, mit welchen er die Ehre hat, in Verbindung zu stehen, die Aenderung seines Namens bekannt." Von jetzt an nennt er sich Dr. Ludwig Börne - überaus seltenes und bedeutendes Dokument zur Lebensgeschichte Börnes (1786-1837) - Zur Vorgeschichte: Die den Frankfurter Juden 1811 gewährte Rechtsgleichheit im neugeschaffenenen Großherzogtum ermöglichte es Juda Löw Baruch, einen Beruf in der Verwaltung zu ergreifen. Auf Vermittlung seines Vaters wurde er Polizeiaktuar in Frankfurt. Schon 1815 wurde die alte Ordnung restauriert, was für ihn die Zwangspensionierung bedeutete. 1818 ließ er sich evangelisch taufen. Seinen Namen änderte er kurz davor in Ludwig Börne. Sein bisheriger Name verwies seiner Meinung nach zu eindeutig auf seine alte Religionszugehörigkeit. (nach Killy 2, S. 84 und wikipedia)

      [Bookseller: Antiquariat Dr. Rieger]
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        Gedichte. Illustriert mit 12 Lithographien von Pedro Meier. Nr. XXVI von 50 nummerierten Exemplaren mit 12 handschriftlich signierten und gewidmeten Grafiken

      gr 4, illustr. Lwd., ohne Paginierung, mit eingeklebtem Errata-Blatt - frisches Exemplar Erschienen aus Anlass des 70. Geburtstags von Gerhard Meier. Die Gedichte wurden einem 1964 mit Bleistift geschriebenen Manuskript entnommen und in Originalgrösse lithographiert. Die 12 Lithographien wurden von Pedro Meier mit den Fingern direkt auf die Platten gemalt. Die Platten wurden nach dem Druck vernichtet.

      [Bookseller: Graphem. Kunst- und Buchantiquariat]
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        Exposition nationale Suisse. Schweizerische Landesausstellung. Espositioni Nazionale Svizzera. Esposiziun Naziunala Svizra, Lausanne 1964 - Im Heute den Umriss der Zukunft enthüllen; Wege zum neuen Europa weisen; Für eine soldarische Welt wirken; Der Schweiz neuen Ansporn zum Erkennen und Schaffen geben; Zu Lande und zu Wasser ein Spiegel der Heimat sein; Die fünfundzwanzig Stände im gemeinsamen Werk zusammenführen; Den Menschen an den Sinn seines Daseins erinnern; (7 Plakate, compl.). Lithographie.

      1964 127 x 88 cm, Zustand AVersand D: 12,00 EUR Plakate - Ausstellungen

      [Bookseller: Antiquariat Peter Petrej]
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        Poesia (print)

      The artist 1964 - 441 x 349 mm. Printed red letraset on white stock. This unique print was given by Uribe Valdivieslo to Ken Cox, the concrete poetry sculptor and principle organiser of the Arlington Une exhibition of concrete poetry. This very print was exhibited at Arlington Une in 1965. Signed by the artist and dated 04.09.64. Condition: foxing across the print, handling marks. A rare document of the Spanish concrete poet. [Attributes: First Edition]

      [Bookseller: William Allen Word & Image]
 35.   Check availability:     AbeBooks     Link/Print  

        Julien Green Ou l'obsession du mal

      Editions du Centurion, PARIGI 1964 - Humanisme et religion Francese Brossura editoriale illustrata a colori, con tavole fotografiche in nero f. t. ; lievi segni di usura

      [Bookseller: Biblioteca di Babele]
 36.   Check availability:     AbeBooks     Link/Print  

        The Loved One (Original screenplay for the 1965 film, Dana Andrews' copy)

      Culver City, CA: Metro-Goldwyn-Mayer [MGM] / Filmways, 1964. Revised draft script for the 1965 film. Though unmarked, this copy belonged to actor Dana Andrews. From Andrews' estate, with a letter of provenance from Andrews' daughter, Katharine Smith. Based on the 1948 novel by Evelyn Waugh, legendarily co-written by Terry Southern and Christopher Isherwood. The sister film to "Dr. Strangelove," and in the eyes of many, just as much a masterpiece of exquisitely wrought black humor. Made in the US, but in a dense, British-American style. Ostensibly a satire on the funeral business, in which a young British poet winds up in a Hollywood cemetery as part of an inheritance arrangement--but in reality a satire of Hollywood itself, as well as the Western malaise of the mid 1960s. Black titled wrappers. Title page present, dated July 21, 1964, with credits for producers John Calley and Hashell Wexler, and screenwriters Southern and ISherwood. 162 leaves, with last leaf of text numbered 154. Mechanically reproduced, with blue and gray revision pages throughout, dated variously between 7/22/64 and 7/28/64. Pages and wrapper Near Fine, bound internally with two gold brads.

      [Bookseller: Royal Books, Inc.]
 37.   Check availability:     Biblio     Link/Print  

        Writing Writing: A Composition Book for Madison 1953, Stein Imitations.

      Albuquerque: Sumbooks, 1964 - Octavo. Original blue wrappers. Spine and text block slightly toned, a few small stains and minor chips to wrappers. An excellent copy. First edition, first printing. One of 25 copies numbered and signed by Duncan and with an original drawing by the author pasted to front flyleaf. [Attributes: First Edition; Signed Copy]

      [Bookseller: Peter Harrington. ABA member]
 38.   Check availability:     AbeBooks     Link/Print  

        Physiologus Theobaldi Episcopi De Naturis Duodecim Animalium: the Latin Text; an English Translation by Willis Barnstone. with Woodcuts and Lithographs by Rudy Pozzatti

      Bloomington, Indiana University Press, 1964, Hardback, First Edition. Issued in portfolio. Very good copy in the original clam-shell portfolio; corners slightly bumped with minor dust-toning to the panels. An uncommonly well-preserved example; scans and additional bibliographic detail on request. ; 42 pages; Description: 42 p. Illus. , 12 plates. 56 cm. Subjects: Bestiaries. Animals --Folklore --Early works to 1800. Didactic literature, Latin (Medieval and modern) --Translations into English. "Three hundred twenty-five numbered copies ... The first twenty copies ... Are preferred, and each contains an original drawing by the artist. Twenty-five additional copies for presentation have not been numbered. " No. 65. 42 pages. Inventory No: 94508.

      [Bookseller: MW Books Ltd.]
 39.   Check availability:     Bookzangle     Link/Print  


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